IQ 160 - Επεισόδιο 1 - 2ος Κύκλος
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TVTranscript
00:00:00♪
00:00:30♪
00:00:45I'm a boss chick, yeah you heard right
00:00:47Take a peek at this body, am I gang tight
00:00:50Always feelin' pretty, y'all never shot
00:00:52Stay on top of the world, am I money right
00:00:54I'm a boss chick, yeah you heard right
00:00:57Take a peek at this body, am I gang tight
00:00:59Always feelin' pretty, y'all never shot
00:01:02Stay on top of the world, am I money right
00:01:04Boss chick, oh yeah
00:01:08Boss chick, oh yeah
00:01:12I'm a boss chick
00:01:17Boss chick, oh yeah
00:01:21I'm a boss chick
00:01:24♪
00:01:34♪
00:01:44♪
00:01:54♪
00:02:04♪
00:02:10Welcome, welcome.
00:02:12It's hot today, isn't it?
00:02:14Hot?
00:02:15I wouldn't say that.
00:02:16No, right?
00:02:17I guess I have to check on my thyroid.
00:02:19How did it go? Did everything go well?
00:02:21What do you mean? I went for coffee.
00:02:23Coffee?
00:02:24I guess coffee wouldn't be good.
00:02:26Because you came back early, that's why I'm telling you.
00:02:28Tell me where you went so I don't have to go.
00:02:29♪
00:02:39Michalis Spiropoulos, 55 years old, dentist.
00:02:42On his way to the hospital, he was shot in the chest three times.
00:02:47Oh, let me introduce you to my new colleague.
00:02:50Tilemachos Tragas, anthroposthetist.
00:02:52From here on out, I'm going to call you Dr. Kalantzis.
00:02:54Nice to meet you, Dr. Kalantzis.
00:02:56Okay, okay.
00:02:57Welcome to the team.
00:03:00Ever since I was a kid, I've always dreamed of becoming an anthropologist, and I did.
00:03:03Because, as Picasso said, if you can imagine it, then it's real.
00:03:08Didn't the Terminator say that?
00:03:10He did.
00:03:11Yes.
00:03:12And you saw how he made it in his life.
00:03:14But Picasso said it first.
00:03:16I see.
00:03:17Anyway, here in the team, we have very strict rules.
00:03:20I don't know if they told you.
00:03:21Of course.
00:03:22We always wear gloves.
00:03:23We don't move the body or other elements.
00:03:24Classical food, kids.
00:03:25Residents are not allowed.
00:03:26Also, we never sleep in the victim's house.
00:03:30Who said that?
00:03:32Yes, the truth is that I understood the last one.
00:03:35Who would do something like that?
00:03:36You never know.
00:03:38Do we have a measurement of the bullets?
00:03:40Nine millimeters.
00:03:41Quite common.
00:03:43The action must have been very well planned.
00:03:45All the bullets are next to the heart.
00:03:47The victim has no hope.
00:03:49Excuse me?
00:03:50Should I write murder, are we sure?
00:03:52With three bullets in the heart, you can't call it suicide.
00:03:55Yes, it's very difficult, but not impossible.
00:03:57In my second transplant, we had examined such a case.
00:04:00A man shot himself in the stomach.
00:04:02He didn't have a gun with him.
00:04:03Did he manage to hide it before he died?
00:04:05From the unthinkable explosion, the gun exploded from his hand.
00:04:09And as it rained, it fell under a parked car.
00:04:12I see.
00:04:13Telemachia, do you see any parked cars around here?
00:04:21These are telemachia.
00:04:23They came a long time after the accident.
00:04:25Yes, that's right.
00:04:26But there may be another explanation.
00:04:28Obviously.
00:04:29I'm sorry.
00:04:30I'm getting a little scholastic.
00:04:32Okay, okay, okay.
00:04:33Giorgos.
00:04:35Do we have witnesses?
00:04:36Unfortunately, no one.
00:04:37There are no cameras in the surrounding area.
00:04:39Neighbors didn't see or hear anything.
00:04:41Maybe the gun was used as a trigger.
00:04:45Is there something in your mouth?
00:04:54I see.
00:04:55So, we can rule out suicide.
00:04:59Telemachia?
00:05:00Telemachia?
00:05:02Wait a minute.
00:05:31Telemachia?
00:05:33Telemachia?
00:06:01What are you doing there?
00:06:03What am I doing?
00:06:04I'm cleaning.
00:06:05These books are in a mess.
00:06:07When did they arrive?
00:06:08I haven't been here since yesterday.
00:06:10Who are you?
00:06:11I'm the one who should be cleaning.
00:06:13Who else?
00:06:14Are you moving the books and changing their places?
00:06:17Did you change the place?
00:06:18The hall?
00:06:19I don't move anything.
00:06:21I leave them as they are.
00:06:23You're denying it.
00:06:24You're denying it.
00:06:25You're lying.
00:06:26I'm lying?
00:06:27Am I lying?
00:06:28If not you, then who?
00:06:29Maybe I should stop traveling.
00:06:31Here you go.
00:06:32Sit down.
00:06:33If someone is lying in here, it's definitely not me.
00:06:36I don't understand what you mean.
00:06:38Really?
00:06:39Maybe we should have said the bottles that disappear every Thursday when your husband leaves for tennis?
00:06:45And then you don't throw them down with the glasses.
00:06:47You throw them in the opposite direction, in the neighborhood.
00:06:49Very smart, really.
00:06:51But the cleaner knows everything.
00:06:55Out of my house, you virgin!
00:06:57Aren't you driving me away?
00:06:58I'll go on my own.
00:06:59You got it?
00:07:00Indiscriminate!
00:07:01Oh, you're going to find out now?
00:07:02Alcoholic!
00:07:03Bored!
00:07:04Dead!
00:07:05Paranoid!
00:07:06Whore!
00:07:07Circus!
00:07:08Whore!
00:07:09I'm a whore?
00:07:10Aren't you ashamed?
00:07:11Redhead!
00:07:12Alcoholic!
00:07:13Alcoholic?
00:07:14You should leave and not come to my house.
00:07:16How dare you come to my house?
00:07:18You should leave!
00:07:19You should clean houses!
00:07:20Grape!
00:07:21Grape!
00:07:22What am I telling you?
00:07:23Get out of my house now!
00:07:25What happened?
00:07:26What happened?
00:07:27The woman is crazy.
00:07:28She found me.
00:07:29You're a witness.
00:07:33Where am I going, woman?
00:07:36Not to get her out of the way.
00:07:40I'm telling you, you won't get away with this.
00:07:41I want my money.
00:07:42It's not enough that you insult me.
00:07:43You won't even give me the money.
00:07:46I'm sorry.
00:07:48I'm sorry.
00:07:49I'm sorry.
00:07:50It's my fault.
00:07:51I was drunk.
00:07:52I know.
00:07:54Let it go.
00:07:55What's wrong with you?
00:07:59I thought it was you who...
00:08:01Who what?
00:08:04Who bothers me.
00:08:06When I'm about to go crazy.
00:08:09Let's not talk about that.
00:08:11Who bothers you?
00:08:12Why?
00:08:13At first, I thought it was my imagination.
00:08:15It's not my imagination.
00:08:16It's her imagination.
00:08:18No, please.
00:08:19Listen to me.
00:08:20It happens to me day and night.
00:08:21I'm not well.
00:08:22Maybe you should be more clear.
00:08:23What's going on?
00:08:28Things in the house...
00:08:30change positions.
00:08:32When I'm sad or when I sleep.
00:08:36She didn't believe me.
00:08:37She didn't believe me either.
00:08:39Wait.
00:08:40Do you see these pillows?
00:08:42I always put them in the same position.
00:08:44And when I turn around.
00:08:47This position has changed.
00:08:48The books.
00:08:50Someone moves them.
00:08:51Not me.
00:08:53And the last one.
00:08:54The carpet.
00:08:55Do you see the green one?
00:08:56The green one was the coffee.
00:08:57The green one was the coffee.
00:08:59Someone turned it upside down.
00:09:00Who?
00:09:02Look.
00:09:03This carpet thing is really weird.
00:09:05I could do all the rest.
00:09:07Your husband for example.
00:09:08No.
00:09:09No.
00:09:10Look here.
00:09:12Do you see the photos?
00:09:13I've seen these photos recently.
00:09:15They were normal.
00:09:16Someone took them from me.
00:09:19And I left the best for last.
00:09:31What are these?
00:09:32Dolls.
00:09:33Headless.
00:09:35In the last few weeks when my husband is gone.
00:09:36Someone comes.
00:09:37And he leaves me.
00:09:38Outside my door.
00:09:40These pictures.
00:09:42Someone is watching me.
00:09:43Threatening me.
00:09:45Why?
00:09:47Why me?
00:10:02Listen.
00:10:03Take the police.
00:10:04It's their job.
00:10:05And give me the money.
00:10:06I have problems too.
00:10:07You know.
00:10:08And cut this line.
00:10:09It doesn't help you.
00:10:11Go to the police station.
00:10:25How did you end up in the police station?
00:10:27You're full of blood.
00:10:29Did you have a stroke?
00:10:32It's not blood.
00:10:36I have a problem with my teeth.
00:10:42Okay.
00:10:45When I was little.
00:10:46And one of my teeth was starting to move a little.
00:10:50My grandmother would put me down by force.
00:10:52She would pull it out with her hand.
00:10:53And she would pull it out.
00:10:55I'm sorry.
00:10:56I was in pain.
00:10:57And she was celebrating with her teeth in her hands.
00:11:00As if she was doing a ceremony.
00:11:03I never outdid her.
00:11:07The teeth in the victim's mouth were fake.
00:11:09Fake?
00:11:10You didn't realize it?
00:11:11With all the accidents you've done with dentistry.
00:11:16It's true.
00:11:17I lied.
00:11:18He does the same.
00:11:19We've tried everything with my psychologist.
00:11:22As Freud said.
00:11:25Freud said.
00:11:26Every person is a product of their child's trauma.
00:11:31Now that you said children.
00:11:33It's a little important.
00:11:34This is the basis.
00:11:36I won't keep your children.
00:11:38Even if you take them away from me.
00:11:40I don't have children.
00:11:41I asked you if you had children.
00:11:42No, I'm sorry.
00:11:43What's going on here?
00:11:44You see?
00:11:47How's the first day going?
00:11:49We're a friendly team, aren't we?
00:11:51Yes.
00:11:52Yes.
00:11:53Very friendly.
00:11:55Did you tell them about your graduation?
00:11:57Guys.
00:11:58Tilemachos has amazing knowledge.
00:12:00Yes.
00:12:01Amazing.
00:12:02They're just a little specialized.
00:12:04Let me ask you now.
00:12:05By chance.
00:12:06Something comes to me.
00:12:07What do you know about the architecture of the 16th century?
00:12:12Not much.
00:12:13About the Cuvanezas?
00:12:15About the exotic tiles?
00:12:16About the fashion of the 80s?
00:12:18I'm sorry.
00:12:19But what does this have to do with our job?
00:12:21Everything has to do with our job.
00:12:22You look like a documentary.
00:12:24They'll need you.
00:12:25Yes.
00:12:28Excuse me for a moment.
00:12:29Yes, yes, yes.
00:12:30Come on, mom.
00:12:31Yes, I'm eating now.
00:12:32Pork with rice.
00:12:34Oh, they're moms too.
00:12:35This will go well.
00:12:36What exactly did you do to him?
00:12:38Why did you treat him like that?
00:12:40What did he do to you?
00:12:41I find him sympathetic.
00:12:43Yes, sympathetic.
00:12:44Sympathetic pachyclist.
00:12:46I'm a pachyclist in here.
00:12:47Why did you treat him like that?
00:12:49First of all, he calmed down.
00:12:51The efficiency of the department has fallen lately.
00:12:55We need help.
00:12:57And Tilemachos is a very good case.
00:13:00Yes.
00:13:01Case Sarah.
00:13:02Giorgos.
00:13:03Case Sarah.
00:13:04Giorgos.
00:13:05It's good.
00:13:06Leave it.
00:13:09I know you miss him.
00:13:11We all miss him.
00:13:14But it's time to turn the page.
00:13:16After all, he did the same thing.
00:13:20Give him a chance.
00:13:22I remind you that when he first came,
00:13:25no one wanted him.
00:13:28So make sure you cooperate with Tilemachos
00:13:31and don't underestimate him.
00:13:32No one can make me feel worse
00:13:34without my consent.
00:13:36Elinor Roosevelt.
00:13:37Ah.
00:13:38Yes.
00:13:39Good.
00:13:41I'm sorry.
00:13:43Nice.
00:13:44Now what do you understand?
00:13:46We have a second victim.
00:13:48The dentist again.
00:13:49He was admitted to his clinic.
00:13:51Same method.
00:13:52Tooth and mouth.
00:13:53I have them here.
00:13:54No, no, no.
00:14:03What if the dentist is a cheat?
00:14:15Mom.
00:14:16Mom, what are you doing here?
00:14:18Why did you come back?
00:14:19Did the rich lady fire you?
00:14:21No one fired me.
00:14:22I refused and left.
00:14:23We say the same thing.
00:14:25Mom, we are so stupid.
00:14:26What will happen?
00:14:27Nothing will happen.
00:14:28We will save money.
00:14:29We will make it.
00:14:30We always make it.
00:14:31What about the electricity? Are they going to cut it off?
00:14:33We're going to fix it.
00:14:35Now that the weather is better, we'll burn less.
00:14:38In 17 days, they'll cut off the water.
00:14:40The kettle is running, the faucet is running, the washing machine is running.
00:14:44Now they're going to cut it off and nothing will run.
00:14:46And the thermometer, mom, it doesn't work.
00:14:48And the ladder is about to break. We're going to get killed.
00:14:51You're exaggerating, my child. We'll take care of it.
00:14:54Let's tell dad to come and fix it.
00:14:56No, baby, we can't. He doesn't have his own life now.
00:14:59No, he doesn't. He's alone.
00:15:01Why don't you fix it again?
00:15:03We don't need men in our lives.
00:15:05We're much better on our own.
00:15:07I didn't understand why you left the police station.
00:15:09You liked it. I liked it too.
00:15:11Me too. I miss the mysteries.
00:15:13I stopped liking it.
00:15:15And I don't want to see more corpses and blood and relatives crying.
00:15:18My soul is black.
00:15:24It was very difficult for my children.
00:15:26All this violence, the crimes.
00:15:28At some point, they opened my bag and found photos of corpses.
00:15:31I couldn't sleep for ten days.
00:15:33I can't stand this life.
00:15:35I understand.
00:15:37The problem is that cleanliness doesn't want to cooperate with you anymore.
00:15:41It's the fifth time you've left a house.
00:15:43It's not my fault.
00:15:45There's been a lot of fighting.
00:15:47The world has changed a lot. A lot.
00:15:49Maybe we should look for a different field of work?
00:15:52Do you have a person you haven't mentioned?
00:15:54Yes, of course I do.
00:15:57First of all, I'm very good at psychology.
00:16:02Please, please.
00:16:04Please, stop.
00:16:06Shut up! He's a scientist.
00:16:08Pain triggers the release of adrenaline and stimulates the memory.
00:16:11I have amazing football knowledge.
00:16:13Hadji Louis, in 1986, played for the center.
00:16:17What position did he have before the recording?
00:16:19When he played for the Caravan of Sarajevo?
00:16:21Right back.
00:16:22Libero!
00:16:25I'm very good at shopping.
00:16:34I skate on the ice.
00:16:44When I'm not playing, I dance in the club.
00:16:47Come on, Ricky.
00:16:49Come on.
00:16:51You have to do it like this.
00:16:58What a club.
00:16:59It's big. It's gold.
00:17:01I go in, turn around and open it.
00:17:03That's good, isn't it?
00:17:05I've won a prize in a bubble gum contest.
00:17:08That's nothing, right?
00:17:10I don't think so.
00:17:12Anything else?
00:17:15I have a very high IQ.
00:17:17Very high.
00:17:19I combine facts.
00:17:21I have a great memory.
00:17:23I'm observant.
00:17:24But that hasn't helped me at all in my life.
00:17:26But it helped you in the police force, right?
00:17:28Forget about the police force.
00:17:30I want to say something else.
00:17:32Since you have a problem with violent crimes,
00:17:34maybe you should choose lighter cases to deal with.
00:17:38Have you ever thought of becoming a private investigator?
00:17:41How do you find your passion?
00:17:43You.
00:17:44How?
00:17:45I have a hidden talent.
00:17:46And I'm not alone.
00:17:47I have a whole team behind me.
00:17:59A business with a chain starts.
00:18:01Aphrodite takes it. Over.
00:18:03I'm sorry, Mom.
00:18:05I'll call you later.
00:18:07Bye.
00:18:09I'm sorry, Mom.
00:18:11How did you see her?
00:18:12James Bond.
00:18:13Do you want a reference, my child?
00:18:14Parkour.
00:18:15With tits.
00:18:16Play, Stella, with the other kids.
00:18:18Let's go play.
00:18:30A business with a chain starts. Over.
00:18:40A business with a chain starts. Over.
00:18:42Dias, can you hear me?
00:18:44I'm in the city center.
00:18:46Get out of the city.
00:18:48Yes, in the city.
00:18:49Good.
00:18:50Lavrentis.
00:18:52I'm Dias.
00:18:54Poseidon, I told you.
00:18:56Dad, I found a broken puzzle.
00:18:58Should I keep it?
00:18:59No.
00:19:00A business with a chain starts. Over.
00:19:02A business with a chain starts. Over.
00:19:10Slow down, please. We'll get killed.
00:19:12But I'm going five kilometers.
00:19:14The teacher will see.
00:19:20Oh, right.
00:19:25Good morning.
00:19:26Good morning. Do we know each other?
00:19:28Not yet.
00:19:29I'm thinking of renting a house down here.
00:19:32Can you tell me about the neighborhood?
00:19:35Is it quiet? Is it safe?
00:19:39Your dog is nice.
00:19:42He doesn't bark.
00:19:51Mom, I think I found something useful.
00:19:54Wow.
00:20:01There's no reason to worry.
00:20:03I know exactly what happened.
00:20:05Where can I get it?
00:20:07I'll get it from the sofa, from the pillows.
00:20:09You're right. They move.
00:20:11But how do the pillows move?
00:20:13Every Wednesday and Friday,
00:20:15when you go for yoga,
00:20:17Dada, Antonopoulos' daughter,
00:20:19leaves little Thanasakis
00:20:21with Dada, Giorgis' daughter,
00:20:23who is a quadruple.
00:20:24Can you watch him for half an hour?
00:20:26Thank you very much.
00:20:28Why?
00:20:29Because he likes her.
00:20:31That has to do with me.
00:20:32So why does Dada like her?
00:20:34Why?
00:20:36Because he keeps in touch with your dog.
00:20:39There you go.
00:20:41They're great kids.
00:20:43They're perfect for each other.
00:20:45Do you get it?
00:20:46Or should I draw you?
00:20:48I'll draw you.
00:20:57The kids will sleep on your sofa.
00:20:59Where will the pillow stay?
00:21:02Often, of course, they drink your wine.
00:21:05You don't get it.
00:21:07Last night, however,
00:21:09they had an accident.
00:21:11Red wine fell on the carpet.
00:21:13So what did they do?
00:21:15They cleaned the carpet.
00:21:17180 mirets, as you can see here.
00:21:19They changed the green line
00:21:21with the coffee.
00:21:25There you go.
00:21:26Here are the pillows.
00:21:28And the books?
00:21:30Who moves the books?
00:21:32Don't tell me they read after sex.
00:21:34No, they don't.
00:21:35You're to blame for the books.
00:21:37Me?
00:21:38Apparently, you haven't read the instructions
00:21:40in the box of antidepressants.
00:21:42Yes.
00:21:43There are some side effects.
00:21:45One of them is hypnosis.
00:21:47It's rare, but especially when you're drunk.
00:21:50Hypnosis is excluded.
00:21:52Yes.
00:21:53There's no other explanation.
00:21:55Apparently, you put hand cream on
00:21:57before you go to sleep,
00:21:59read the books and mix them up.
00:22:05And now for the best part.
00:22:07Samson.
00:22:11Samson is a bit psychopathic.
00:22:13What do you mean?
00:22:14He's completely crazy.
00:22:15Excuse me, who is Samson?
00:22:17Samson, the dog with the mousetrap
00:22:19in front of you, your neighbor.
00:22:21You know nothing about this neighborhood
00:22:23or about the other one.
00:22:25Oh, my God.
00:22:26So, Samson has some jokes.
00:22:28One of them is that he rubs everything.
00:22:30He rubs the floor, the pillows,
00:22:32the shoes.
00:22:33He's also called the white cockroach.
00:22:38Mouzakiti is his boss now.
00:22:40She forgives him everything.
00:22:42She even puts him in the trash.
00:22:45But Samson has a favorite snack.
00:22:49The dolls' heads.
00:22:51So, every week that Mouzakiti's nephew
00:22:53comes to visit,
00:22:55Samson beheads all the dolls
00:22:57and the little one keeps crying.
00:23:00And how do the dolls' heads end up in my ass?
00:23:03You, now.
00:23:05Every time your husband is absent,
00:23:07you cook fish. Why?
00:23:09Because my husband can't stand the smell.
00:23:12But Samson is the best.
00:23:14He gets into your trash
00:23:16and debones them.
00:23:18Then, because he feels guilty,
00:23:20he leaves you a doll's head here,
00:23:22on the doorstep.
00:23:23So, no one bothers me?
00:23:25No one.
00:23:27Wait a minute.
00:23:29What about the dolls' heads in the photo?
00:23:34That's why I have to apologize.
00:23:37I brought my little one yesterday.
00:23:43I couldn't leave her alone.
00:23:45And the little one is painting.
00:23:47She's an amazing painter.
00:23:49I see.
00:23:50Whatever it is, tell me to pay you.
00:23:52Or keep it from my nephew.
00:23:55You saved me!
00:23:57You're amazing!
00:23:58Yeah, what are we talking about?
00:24:18Hey, what are you doing?
00:24:20Come here!
00:24:25Come here!
00:24:28Hey, hey! Wait!
00:24:30Wait!
00:24:54I think my life was a little misled.
00:24:57Did you hear a single word that I said?
00:25:00I think I need you like a holy grail.
00:25:10I'm not the kind of girl that you get.
00:25:15Move on, you idiot!
00:25:17Come on!
00:25:19Where did he go?
00:25:20Do it, do it, do it.
00:25:24I didn't find anything from the doctors' appointments.
00:25:27They're all old patients and there's no one in common.
00:25:31Maybe we can find something from the city hall's camera.
00:25:34We're looking for the material.
00:25:39Telemachos, are you here?
00:25:41Yes.
00:25:43Three.
00:25:44What three?
00:25:46Nothing, I was just thinking.
00:25:50What could these teeth mean?
00:25:53Could it be a mafia attack?
00:25:55Or a serial killer of dentists?
00:25:58Maybe he has a childhood trauma like you?
00:26:01No way.
00:26:02But why three?
00:26:04Three teeth, three teeth.
00:26:06Something symbolic.
00:26:07Three, three, three.
00:26:10Three wishes.
00:26:11Three bodyguards.
00:26:12Three charities.
00:26:13Three magicians with gifts.
00:26:15Three priests.
00:26:16Three and sixty.
00:26:17Three brothers of Chekhov.
00:26:19Three and Koukos.
00:26:20One thief.
00:26:21Three and a bad day.
00:26:23Three birds of a feather.
00:26:25Right, Giorgos?
00:26:29Yes.
00:26:31Yes.
00:26:33I can't find anything suspicious.
00:26:35There's no way out.
00:26:37Daphne, can I see the material?
00:26:45Let's see.
00:26:46Let's see.
00:26:51Let's see.
00:27:16Let's see.
00:27:46Let's see.
00:27:47Let's see.
00:28:16Let's see.
00:28:17Let's see.
00:28:18Let's see.
00:28:19Let's see.
00:28:20Let's see.
00:28:21Let's see.
00:28:22Let's see.
00:28:23Let's see.
00:28:24Let's see.
00:28:25Let's see.
00:28:26Let's see.
00:28:27Let's see.
00:28:28Let's see.
00:28:29Let's see.
00:28:30Let's see.
00:28:31Let's see.
00:28:32Let's see.
00:28:33Let's see.
00:28:34Let's see.
00:28:35Let's see.
00:28:36Let's see.
00:28:37Let's see.
00:28:38Let's see.
00:28:39Let's see.
00:28:40Let's see.
00:28:41Let's see.
00:28:42Let's see.
00:28:43Let's see.
00:28:44Let's see.
00:28:46Let's see.
00:29:07What are you doing there?
00:29:09I'm cleaning. What else?
00:29:11I was shocked when I saw these books. I didn't realize it until the day before yesterday.
00:29:14It's you.
00:29:15I'm the one who's missing. Who else?
00:29:17You're the one who's mixing up the books.
00:29:19It's you.
00:29:20You're the one who changed the mood.
00:29:22I didn't do anything. I just wanted to find something to hide.
00:29:34Well, I saw the footage from the apartment's camera from the night before yesterday until today,
00:29:38up to ten minutes ago.
00:29:40Thank you for your patience.
00:29:42Yes, I have it.
00:29:44Those who appear in the video enter the apartment and leave at some point.
00:29:49Or vice versa. They leave and leave at some point.
00:29:53Yes.
00:29:54Mainly carrying bags, except for this guy here.
00:29:57Where did he go? Ah, here he is.
00:29:59Here you go.
00:30:06The glue you have is not stable at all. I can bring my own, if you want.
00:30:09We don't have time for fighting. Carry on with your thoughts.
00:30:12Good. You can watch it on your laptop. Here you go.
00:30:17So, this guy appears today for the first and only time to enter the apartment
00:30:22at 12.14 p.m. and he hasn't left yet.
00:30:25He came in when a lady was leaving.
00:30:28He didn't use a key. It could be a coincidence.
00:30:31Anyway, there are two possibilities.
00:30:33The first possibility is that the guy stays in the apartment
00:30:36since I haven't seen him in the video for at least two days
00:30:39and he came back today.
00:30:40He doesn't have any luggage, so he didn't miss a business trip.
00:30:43But he may have gone to his father's or to a lover.
00:30:46Or a lover. We don't know his preferences.
00:30:49We don't judge them, of course, and they don't concern us.
00:30:51Below.
00:30:52Yes. The second case, and more likely,
00:30:55the guy was waiting for someone to come out.
00:30:57He came in through the door and came out from elsewhere.
00:31:00There is an exit from the garage. I looked for it.
00:31:03It could be the killer.
00:31:05Wow.
00:31:07Impressive, Telemachia.
00:31:09Well done, Telemachia. Congratulations.
00:31:11Well done.
00:31:12I warned him about that.
00:31:14No, don't worry.
00:31:16It's a success to go from failure to failure
00:31:18with immense enthusiasm. Winston Churchill.
00:31:20He called me a failure.
00:31:22No, I'm sorry, I don't mean that. I'm talking about me.
00:31:25You know how many times things slip through my fingers.
00:31:27Guys, we're a team.
00:31:29At some point, someone may see something.
00:31:31At another point, someone else may see something.
00:31:34Yes.
00:31:35But how will we do it when the guy is constantly hiding his face from the camera?
00:31:39We'll do it if he has a criminal record.
00:31:41Come, come.
00:31:42Look, look.
00:31:44There.
00:31:45Here.
00:31:47The guy touches, by mistake, his fingers in the pocket.
00:31:51We'll find his fingerprints.
00:31:53Great.
00:31:54Do you know how many fingerprints he has there?
00:31:56It will take us days, maybe weeks.
00:31:58And if he has a criminal record.
00:32:00We have no other evidence.
00:32:01I'll inform them to look for everything.
00:32:03Well done, Telemachia.
00:32:08Well done, Dafny.
00:32:09You know, I haven't noticed that.
00:32:14You see?
00:32:16A team.
00:32:18Elpida!
00:32:21Elpida, you were right. There is...
00:32:25What do you want, Mrs. Moriki?
00:32:26Mr. Fokas, I want to talk to your wife. Call her.
00:32:28She's not here.
00:32:29She's not here?
00:32:30I have to find her. It's urgent.
00:32:31If you're looking for her behind your back, you're doing the wrong thing.
00:32:34Elpida told me she called you.
00:32:36Yes, she called me.
00:32:37Did she tell you the rest?
00:32:39Then, some events happened.
00:32:41Anyway, I can't find her.
00:32:43Her cell phone is locked.
00:32:44I don't know what events you're referring to,
00:32:46but my wife is on the road right now.
00:32:48She probably hasn't seen you.
00:32:49On the road?
00:32:50Where did she go? With whom?
00:32:51I have to find her, no matter what.
00:32:52Now I understand why she called you.
00:32:53Are you crazy?
00:32:54Am I crazy?
00:32:55Elpida will never leave without her scarf.
00:32:58She'll be wearing it for a while.
00:33:00Didn't you tell her to leave?
00:33:01No, she called me.
00:33:02She should leave now.
00:33:03Mr. Fokas, your wife is in danger.
00:33:05Her life is in danger.
00:33:06From whom?
00:33:07From the man who's following her.
00:33:08Who's following her?
00:33:09He's a guy...
00:33:10He's a muscular guy, with a mustache,
00:33:12and he has a fluffy hair here,
00:33:13he has a ponytail here,
00:33:14and he's got it against him.
00:33:15Who are you? How do you know?
00:33:16He's the man who was following her.
00:33:18He almost killed me with his car.
00:33:19Then, he almost killed me again in his room,
00:33:21when I went in.
00:33:22He gave me a war cry,
00:33:23but I did this, and I left.
00:33:24Don't listen to what you're saying.
00:33:25Please, leave. You're bothering me.
00:33:27Don't worry.
00:33:28Your wife is in danger.
00:33:29No, I'm worried about you.
00:33:30Please, you need a doctor.
00:33:38You have reached Elpida Fokas.
00:33:39Please leave a message.
00:33:41Come on.
00:33:43No, no, no.
00:33:44Do it, even if it's a million.
00:33:46Even if it takes you all night.
00:33:48I'll be here.
00:33:49I'll be waiting for you at the office.
00:33:50Okay? Thank you.
00:33:55Good night.
00:34:09Good evening.
00:34:10Do you mind if I clean?
00:34:11No.
00:34:13No, no, no.
00:34:15I'm sorry.
00:34:16I was just...
00:34:18I was gone.
00:34:19Do your job.
00:34:20I'm sorry.
00:34:21I'm sorry.
00:34:22Good night.
00:34:25Good night.
00:34:26Good night.
00:34:27Good night.
00:34:33Oh, welcome.
00:34:37What happened?
00:34:38What's wrong?
00:34:39Is something wrong?
00:34:40No, no.
00:34:41I'm just tired.
00:34:43Again?
00:34:45You've been tired for the last few months.
00:34:47That's even worse, I'd say.
00:34:49What are you saying?
00:34:51Which last months?
00:34:52How many?
00:34:53Six, to be exact, since Mouriki left.
00:34:58Yes, that's right.
00:35:01It's not a coincidence.
00:35:04Since he left, we've been hanging out a lot.
00:35:06I forgot to tell you. A new guy came in.
00:35:09He's young, but he seems to like him.
00:35:11He's a very good guy. He found something in us.
00:35:14Maybe he solved the case.
00:35:16Yes, maybe he solved it.
00:35:17He'll prove it. He's a very good guy.
00:35:20He's very smart, observant, focused, unlike Mouriki.
00:35:25And he's a scholar. He's very scholar.
00:35:27Although he is a scholar, that's a good thing for our job.
00:35:32Yes, of course.
00:35:33That's great.
00:35:35Great. Maybe he'll finally get over it.
00:35:51That night, I couldn't sleep.
00:35:54A bad feeling was tormenting me.
00:35:56The 2,000s that Elpida gave me were tearing my hands off.
00:36:00I didn't deserve my reward.
00:36:02I didn't discover the truth.
00:36:04And now Elpida was in danger.
00:36:07Or maybe she was already late.
00:36:09Mom.
00:36:11What are you doing at this hour?
00:36:13Why are you writing in your voice?
00:36:15I'm talking to myself to get into the mood.
00:36:17What mood, Mom?
00:36:19The mood of 1950?
00:36:20And you're smoking too?
00:36:22I'm not smoking, I'm just getting into the mood.
00:36:25When did you find the tavern?
00:36:27In a closet. It's Emilio's mother's. I'm working now.
00:36:30But we solved the case.
00:36:32I thought so too.
00:36:33So what? Is she going to ask us for the reward?
00:36:36It's a bit difficult. She disappeared.
00:36:39Go now, leave me alone.
00:36:42Who was watching her?
00:36:44Why did she try to kill me?
00:36:46And the husband?
00:36:48Something inside me warned me that he was lying to me.
00:36:52One thing was for sure.
00:36:54I had to solve this case.
00:36:56Mom, is he dangerous?
00:36:59Did you feel that?
00:37:01Yes. Don't do anything stupid.
00:37:03I'm scared.
00:37:04Tell the cops.
00:37:06I'm not scared.
00:37:08I'm scared. Tell the cops.
00:37:14No, nothing yet. We'll wait.
00:37:16It's a difficult case.
00:37:19Don't worry, Mom. I'm not upset. That's how it is.
00:37:22Yes, yes. If I'm upset, I'll get you.
00:37:25Okay. I love you too. Bye-bye.
00:37:28What's up, Maché?
00:37:29I'm calling you, Kalaji.
00:37:31Please, don't tell your mother about the case.
00:37:35Never.
00:37:37Neither your mother, nor your wife, nor God himself.
00:37:39Do you agree?
00:37:40No.
00:37:41No, no, no. Don't worry.
00:37:43She's very upset.
00:37:45You can tell her if she doesn't want to.
00:37:47But I understand that it's not logical, so it won't happen again.
00:37:52I'm glad you understand. Thank you.
00:37:54Me too.
00:37:55I just hope I didn't put the case in the wrong direction.
00:37:57No, no, no. Please, please.
00:38:00Let's not exaggerate.
00:38:02We didn't have any other element.
00:38:04You didn't destroy the case. Right?
00:38:05Good.
00:38:07That's it. We need to stay focused.
00:38:09Because, as Anivas said...
00:38:10Who's Anivas?
00:38:11Anivas, the soldier.
00:38:13He said that if there's no way, we'll open the way.
00:38:17Would anyone like some coffee?
00:38:19No, thank you.
00:38:21No, thank you.
00:38:22I'm not asking you. I've seen what you look like.
00:38:27Well done.
00:38:29You can go.
00:38:30ANIVAS
00:38:33Christ and the Virgin Mary.
00:38:35What kind of guy is he?
00:38:38What's up with the tits?
00:38:39Is he trying to show off?
00:38:41I don't think so.
00:38:43I looked it up.
00:38:44But I found out that those who use a lot of drugs
00:38:48are insecure.
00:38:50They don't believe their own opinions.
00:38:51No, I don't mind.
00:38:53We learn a few things.
00:38:55What was all that about Anivas?
00:38:57He reminded me of him.
00:39:00Police officer Velastos.
00:39:02Hello. I'd like to report a missing person.
00:39:05Yes, just a minute.
00:39:07Please give me your details.
00:39:09I'd like to remain anonymous.
00:39:11The woman you're ignoring is called Elpida Fogas.
00:39:14She lives in Kolokotroni 15, Kryoneri.
00:39:17Just a minute. Wait a minute.
00:39:19Who is she?
00:39:21She wants to remain anonymous.
00:39:23Is she underage?
00:39:24No, she's about 35.
00:39:26Her husband told you that he was on a trip.
00:39:28Don't believe him.
00:39:30Her beloved husband is at home.
00:39:32Beloved husband?
00:39:34They've been making fun of us lately.
00:39:37Making fun of us?
00:39:38How do you know all this?
00:39:40It doesn't matter.
00:39:41The woman and her husband must be arrested.
00:39:43How long has she been missing?
00:39:45I don't know. Since yesterday, after noon.
00:39:48You haven't paid 24 hours. We can't investigate.
00:39:51I'm telling you, she's in danger. She could be dead.
00:39:54Listen, I don't know who you are or how old you are,
00:39:57but false reports are punished with a fine.
00:40:00Even with imprisonment.
00:40:02That's why you should think about it a thousand times before you take it.
00:40:08Guys, what's going on?
00:40:09Come on, Yorgos.
00:40:11What did I do?
00:40:12He's innocent. He was a victim.
00:40:14They see him in a lot of movies.
00:40:15Let's focus, please.
00:40:17Come on.
00:40:20Yes?
00:40:21Is something wrong?
00:40:23Dafni.
00:40:25Look up a post by Kosmas Sarafakis.
00:40:29Arrested for domestic violence a year ago.
00:40:33What? He was the one? The woman of Nenodos, the doctor?
00:40:36Then why is he killing men?
00:40:38Yes, that's right.
00:40:39I'm sorry.
00:40:41Kosmas Sarafakis, electrician.
00:40:43Maria Danika's fiancé.
00:40:45He wrote that he was jealous of her.
00:40:48Oh, he cancelled the complaint.
00:40:50They probably found each other again.
00:40:52No, they didn't.
00:40:54Danika filed for divorce three days ago.
00:40:56There it is again.
00:40:58Look at that.
00:40:59What's that?
00:41:01A threesome?
00:41:02A love threesome?
00:41:03Is that the woman of the doctor's fiancé?
00:41:06Wait, wait, wait.
00:41:09Calm down, please.
00:41:10Look how we work here.
00:41:11Dafni, are you in charge of this?
00:41:14I've already sent it to you.
00:41:15There you go.
00:41:16Did you get it?
00:41:17Patience, efficiency, professionalism, concentration.
00:41:21And patience. Do you agree?
00:41:22Of course, I agree.
00:41:24Of course.
00:41:32The police proved useless.
00:41:35I had no other choice.
00:41:37I had to go on on my own.
00:41:40I was waiting outside my husband's construction site.
00:41:43Maybe I could find a way out.
00:41:53There he is.
00:41:54He's just left and he's approaching a crowded city.
00:41:58Strange.
00:42:00Is he a taxi driver?
00:42:02Or does he want to buy flowers?
00:42:09He just bought a red rose in a deserted place.
00:42:14That's definitely for a woman.
00:42:17So, he's in love.
00:42:19That's right.
00:42:21He's a murderer.
00:42:23The agony was sharpening with the knife.
00:42:31I followed him to the cemetery.
00:42:34He left the roses in a grave.
00:42:36This case was getting more and more complicated.
00:42:40I was waiting for him to leave and then I approached the monument.
00:42:45Yes, okay, your seminars are good, but if you look at it seriously,
00:42:49you should do a post-graduate course in the US.
00:42:52In the US?
00:42:54I'll go if you give me the money.
00:42:55You can apply for a scholarship.
00:42:58Otherwise, I'll break my head and you'll be in trouble.
00:43:03What's up? What are you doing?
00:43:05Working.
00:43:06Why are you laughing?
00:43:07What happened? Did you find him?
00:43:08No.
00:43:09I spoke to his wife. She accepted him.
00:43:11He's in a relationship with his girlfriend.
00:43:12Really?
00:43:13Should I call my mom?
00:43:14I don't think so.
00:43:17Of course I won't.
00:43:19I just wish we could catch him as soon as possible.
00:43:22We've got him everywhere.
00:43:24Go to your office.
00:43:32Vlastos.
00:43:35Listen up.
00:43:36Foka's husband is a serial killer.
00:43:39He killed his first wife and he'll kill his second wife,
00:43:41if he hasn't already.
00:43:42Please, don't call us again.
00:43:46That's enough. It's not funny anymore, okay?
00:43:48Wait. Listen.
00:43:49Look for Anna Foka.
00:43:51The date of death is October 4th, 1921.
00:43:55What was the cause of his death?
00:43:56What was the cause of his death?
00:43:58That's what I'm asking. What was the cause of his death?
00:44:00Look for it. Please, look for it.
00:44:01It's very serious.
00:44:02Okay, okay. Let me help you.
00:44:05What did we say? Anna Foka.
00:44:09Well, October 4th, 1921.
00:44:13Suicide. You fell off a pedestrian bridge.
00:44:15Okay, happy. Satisfied.
00:44:17Suicide.
00:44:19Where was the husband?
00:44:20Did you see him again?
00:44:22The husband was in Madagascar.
00:44:25He even has pictures.
00:44:26Happy? Please, now.
00:44:28Leave me alone.
00:44:29Wait.
00:44:31What's wrong? Why can't I hear you?
00:44:34Why are you in pain? What pain?
00:44:36Physical?
00:44:37No, no. It's not physical.
00:44:38Please, hang up now and don't call me again.
00:44:41Can I help you?
00:44:45No one can.
00:44:46You sound sad.
00:44:49Yes.
00:44:50Is it a family thing?
00:44:52No.
00:44:53Emotional?
00:44:55Something like that.
00:44:56Did you break up with your girlfriend?
00:44:58I never did.
00:45:00Oh, an unfulfilled love, huh?
00:45:05Do you think there's hope?
00:45:06What can I say?
00:45:08I thought this was the right time.
00:45:10We even cut the mustache for her, but...
00:45:13someone else showed up.
00:45:14Someone else?
00:45:15Is he better than you?
00:45:17No, of course not. He's terrible.
00:45:19He has nice hair, he's chubby, he has a nice smile.
00:45:24He's a bit taller than me, he's a bit slimmer.
00:45:27You can't tell. We're basically the same height.
00:45:29He's just very skinny.
00:45:31Sarafakis is in another clinic.
00:45:34He's with Miros.
00:45:36He wants to talk to his wife. Let's go.
00:45:38I'll call you back. We'll talk later.
00:45:41Giorgos!
00:45:42Daphne, I'm going to the clinic.
00:45:45I might never come back.
00:45:56Will we be late? I have a lesson.
00:45:58No, we won't be late.
00:45:59I'll get the kids to go. You can meet Marina.
00:46:01No, we all need you.
00:46:03Come on, get together. Let's go.
00:46:05What do we know, Anna Kefalonou?
00:46:07Hope is lost since yesterday afternoon.
00:46:11What do we know?
00:46:12We know that this suspicious man was watching her.
00:46:15He's an unknown man.
00:46:18He's sure he was watching her because I found evidence where he lived.
00:46:22He's very dangerous. He tried to kill me.
00:46:25Kill you? Did you go to the police?
00:46:27I told her the same thing.
00:46:28I did, but I thought it was a joke.
00:46:31You didn't tell them who you are?
00:46:32No.
00:46:32Why? I don't understand.
00:46:34That's a different story. We'll talk about it later.
00:46:36I'll continue.
00:46:38He's married to this man.
00:46:41Maximus Foucault, the builder.
00:46:43This man was married to Anna Foucault in his previous marriage.
00:46:47It's supposed that he committed suicide on October 4th, 1921.
00:46:52So, what should we do now?
00:46:54Should we order something to eat? I'm hungry.
00:46:57Hold on, Marina.
00:46:59So, what do we do?
00:47:00We investigate Anna Foucault.
00:47:03The first victim.
00:47:04If she was a victim, because she could have committed suicide.
00:47:06It's impossible.
00:47:08My instinct tells me that things didn't go that way.
00:47:10Has my instinct ever failed me?
00:47:16Okay, it has, but it's not the same case.
00:47:19Is it possible that two wives were lost?
00:47:22Well, except for the fact that they're polygamous.
00:47:24Come here, Marina.
00:47:25I looked for Anna Foucault on the internet.
00:47:27There she is. Someone works here.
00:47:29What did you find, my child?
00:47:30She was a teacher at a primary school.
00:47:32Her classmates said that she was a very cheerful person.
00:47:36They were surprised by her suicide.
00:47:38Aha!
00:47:41I don't want to spoil it, but many people commit suicide...
00:47:43and they don't know that they were being bullied.
00:47:46That's right.
00:47:47Let's look for her. She had a profile on social media.
00:47:51She might have written something there that will enlighten us.
00:47:54She doesn't have it, but maybe they deleted it when she died.
00:47:58She has a husband. When did we say that Anna died?
00:48:01October 4th, 1921.
00:48:02Wait, let me see what she has.
00:48:04Ah!
00:48:06A photo in the Madagascar location.
00:48:08See? See? She has a husband. Can we leave now?
00:48:11Fine, I'll write whatever you want on social media.
00:48:13I can write that we're in Karaiviki now.
00:48:15I'd love to, to be honest.
00:48:16It was a professional meeting.
00:48:18They wouldn't look for the guy next to him. They would.
00:48:21I only trust my own research.
00:48:23Ilias, please look for the Greek date of that date.
00:48:26I hate you.
00:48:27TICKING
00:48:33There it is!
00:48:34The first quarter of the century.
00:48:37That's it!
00:48:38I found it! I found it!
00:48:40I found it! I found it!
00:48:41And me!
00:48:42What did you find?
00:48:43The Greek date is for Greece.
00:48:46Madagascar is south of the equator in the south hemisphere.
00:48:50So...
00:48:53So, Aelia, you're mine, kid. The end.
00:48:57There was a chance you'd analyze it.
00:48:59I'm your kid, too, but I didn't get it.
00:49:02Kids, in the southern hemisphere, we see stars
00:49:06from the opposite side of what we see in the north,
00:49:08which means that in the photo, the moon should be upside down.
00:49:15So, the guy was trying to build a lighthouse.
00:49:19Why would he try to build a lighthouse if he's not guilty?
00:49:23Oh, okay, we're done. Can we go now?
00:49:27Go, you're done.
00:49:31We're leaving now.
00:49:32Kid!
00:49:35Ready for landing. Let me know.
00:49:38Yes, who lied to us?
00:49:39The husband, Fokas, wasn't in Madagascar. He was in Greece.
00:49:43Yes, in Greece. And?
00:49:45What do you mean, in Greece?
00:49:46Madagascar is in Africa.
00:49:47You mean the Madagascar restaurant in Glyfada?
00:49:50Great cuisine, great atmosphere, a bit pricey, but okay.
00:49:53I didn't know.
00:49:55Who told you to leave the tickets?
00:49:57Listen, Elpida Fokas is innocent. She's in danger.
00:50:01Who are you talking to, Giorgos?
00:50:02It's a guy. I'm trying, but...
00:50:05We're at the police station, got it?
00:50:10See how easy it was?
00:50:13Yes, we're coming.
00:50:16What was that?
00:50:17Let's go. Let's go, Giorgos, let's go!
00:50:19Come on.
00:50:43Bravo!
00:50:50Bravo, Giorgos.
00:50:51Six Omiris. All safe and sound.
00:50:54Drassis was stabbed in the hand, but nothing serious.
00:50:57Everything went well.
00:50:58I got away with it.
00:51:01Yes, yes, we heard.
00:51:03How did you get stabbed? Didn't the special team find you?
00:51:06The bullets were falling, I didn't think of anything.
00:51:09I jumped right into the eye of the cyclone.
00:51:11Where would the special team find me?
00:51:13I see, you're a despot.
00:51:15You've been in many Omiris incidents.
00:51:17Of course, I'm a despot.
00:51:19Of course, the police is here.
00:51:21But fortunately, everything ended well.
00:51:23That's right, despot.
00:51:24In the police, you have to be prepared for everything.
00:51:28Even to get shot.
00:51:34You scared me.
00:51:36Daphne.
00:51:38This is for you.
00:51:41The manager called me to congratulate me.
00:51:45But I think you need a special round of applause...
00:51:50for the dilemma.
00:51:52And for Daphne, of course.
00:51:54No, no, for the dilemma, sir.
00:51:56I just completed it.
00:51:58Welcome to the team, dilemma.
00:52:04Thank you very much.
00:52:05Yes, yes, dilemma, welcome to the team, right?
00:52:09And as a gift, you'll sit in the office all day...
00:52:13and write reports for all of us.
00:52:15Right?
00:52:17What are you looking at? You left the office. Let's go.
00:52:19Really, now?
00:52:20Of course.
00:52:23I'm so happy.
00:52:25Okay, dilemma, George is joking. We'll help you too.
00:52:29And then we'll all go for a drink. I'm in.
00:52:35Whose is this?
00:52:39Where did you find it?
00:52:41In the drawer.
00:52:43Someone must have forgotten it.
00:52:45Someone wants to throw it away.
00:52:47No, no, no.
00:52:49No.
00:52:50No, no.
00:52:52You'll throw it away.
00:53:13THE ANGELS
00:53:38You're not talking.
00:53:41I'm thinking.
00:53:42What are you thinking? Are we thinking the same thing?
00:53:45I'm thinking that Demerjit will get rid of her.
00:53:48Pavlos won't show up, he won't make it, and Demerjit will get rid of her.
00:53:51And that makes me even more, even more.
00:53:53Yes, that's what I'm thinking, too, Goula.
00:54:05Here we are.
00:54:08Thank you very much...
00:54:10...for everything.
00:54:12For coming with me, looking for the evidence...
00:54:15...and for being by my side, in general.
00:54:19Pelelopi...
00:54:22...I wish you well.
00:54:24Yes, I will. I will.
00:54:27I will try, that is.
00:54:31By the way, aren't the kids in? Do you want to come for a while?
00:54:36I have to go to the hospital, to Joanna's.
00:54:39Yes.
00:54:41I'm sorry.
00:54:44For what happened, I mean...
00:54:46...for what I did.
00:54:50I don't know what got into me.
00:54:52You didn't do it alone. I did something, too.
00:54:55You were in need, Pelelopi.
00:54:58And I tried to support you, but...
00:55:02...it wasn't the right way, anyway.
00:55:05And who would be the right way, then?
00:55:08I don't know.
00:55:09I really don't know.
00:55:11It was human. It didn't mean anything more.
00:55:18You do that, Gnassi, the human thing.
00:55:22Please, can we forget about it?
00:55:24Yes, we already forgot about it.
00:55:27Since it didn't mean anything more...
00:55:30Okay. We'll talk tomorrow.
00:55:32Yes, tomorrow.
00:55:33Pelelopi...
00:55:36Please, I'm worried. I want you to be okay.
00:55:39Yes, okay.
00:55:42Say hi to Joanna for me.
00:55:45I feel like a man
00:55:49Who's in the air
00:55:53I'm panting
00:55:56Trouble
00:55:58Are we ready?
00:56:03Are we?
00:56:05Come, Pelelopi. It's Giorgos.
00:56:07I hope you're okay.
00:56:10I feel like a man
00:56:13Pelelopi, it's Sofia.
00:56:16Please, answer me.
00:56:20Muriki, it's Argyris.
00:56:23I want to hear from you. I'm worried.
00:56:26It's Giorgos again. Come, Pelelopi.
00:56:29I hope you're okay.
00:56:31I know it's hard, but don't lock yourself up.
00:56:38Please, pick us up. Call us.
00:56:41I'm worried.
00:56:43Are we ready for it?
00:56:46Mom, why are you like this? Why are you so grumpy?
00:56:50Yes, I'm a bit grumpy.
00:56:52I thought I had something, but it's nothing.
00:56:55Don't be like that, Mom. You'll find something else.
00:56:58What do you mean?
00:57:00I'm sure my husband is hiding something.
00:57:04Where are you going?
00:57:05I'm going to get some fresh air.
00:57:09Can we talk about the guy who keeps calling me?
00:57:13It doesn't matter. He's just pretending.
00:57:17He's not pretending. He's serious.
00:57:20He told me to look for a seal that ate his first wife...
00:57:24and will probably eat his second wife if he hasn't eaten her yet.
00:57:29Giorgos?
00:57:31Giorgos, did he say he ate her? Did he really say that?
00:57:35Did he really say he ate her?
00:57:38Yes, as far as I remember. Why?
00:57:42I agree with my sister.
00:57:44It's impossible for her husband to eat her.
00:57:47Who do you think ate him?
00:57:50Tell me, Giorgos.
00:57:53Did you give him your cell phone?
00:57:58Of course not. I didn't give him my cell phone.
00:58:02How did he find it?
00:58:04Who is he, Giorgos?
00:58:07Her?
00:58:09Do you think she's...
00:58:13I'm sorry. What are you looking for?
00:58:15Giorgos, I want all the evidence he gave you. Now!
00:58:34Giorgos, I want all the evidence he gave you. Now!
00:59:04Giorgos, I want all the evidence he gave you. Now!
00:59:08Giorgos, I want all the evidence he gave you. Now!
00:59:12Giorgos, I want all the evidence he gave you. Now!
00:59:16Giorgos, I want all the evidence he gave you. Now!
00:59:20Giorgos, I want all the evidence he gave you. Now!
00:59:24Giorgos, I want all the evidence he gave you. Now!
00:59:28Giorgos, I want all the evidence he gave you. Now!
00:59:34Giorgos, I want all the evidence he gave you. Now!
00:59:38Giorgos, I want all the evidence he gave you. Now!
00:59:42Giorgos, I want all the evidence he gave you. Now!
00:59:46Giorgos, I want all the evidence he gave you. Now!
00:59:50Giorgos, I want all the evidence he gave you. Now!
00:59:54Giorgos, I want all the evidence he gave you. Now!
00:59:58Giorgos, I want all the evidence he gave you. Now!
01:00:02Giorgos, I want all the evidence he gave you. Now!
01:00:06Giorgos, I want all the evidence he gave you. Now!
01:00:11Giorgos, I want all the evidence he gave you. Now!
01:00:15Giorgos, I want all the evidence he gave you. Now!
01:00:19Giorgos, I want all the evidence he gave you. Now!
01:00:23Giorgos, I want all the evidence he gave you. Now!
01:00:27Giorgos, I want all the evidence he gave you. Now!
01:00:31We've been attacked. A corpse has been found.
01:00:37Hope.
01:00:38My God.
01:00:42I'm telling you, it's a mistake. You don't understand.
01:00:45I'm an atheist.
01:00:47Hey, guys!
01:01:01I don't know where I'm going.
01:01:31I don't know where I'm going.
01:01:33I don't know where I'm going.
01:01:35I don't know where I'm going.
01:01:37I don't know where I'm going.
01:01:39I don't know where I'm going.
01:01:41I don't know where I'm going.
01:01:43I don't know where I'm going.
01:01:45I don't know where I'm going.
01:01:47I don't know where I'm going.
01:01:49I don't know where I'm going.
01:01:51I don't know where I'm going.
01:01:53I don't know where I'm going.
01:01:55I don't know where I'm going.
01:01:57I don't know where I'm going.
01:01:59I don't know where I'm going.
01:02:29I don't know where I'm going.
01:02:31I don't know where I'm going.
01:02:33I don't know where I'm going.
01:02:35I don't know where I'm going.
01:02:37I don't know where I'm going.
01:02:39I don't know where I'm going.
01:02:41I don't know where I'm going.
01:02:43I don't know where I'm going.
01:02:45I don't know where I'm going.
01:02:47I don't know where I'm going.
01:02:49I don't know where I'm going.
01:02:51I don't know where I'm going.
01:02:53I don't know where I'm going.
01:02:55I don't know where I'm going.