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00:30...in a deserted slum...
00:32...was found dead, the 18-year-old Maria Parissi.
00:39Next to her was a used syringe.
00:46Beyond the truth you see, beyond the truth you hear...
00:50...you read, you feel...
00:53...beyond the truth of the victim and the victim...
00:56...there is another truth.
00:58When man goes beyond his limits...
01:01...and time loses its importance...
01:04...when the moment becomes a whole life...
01:07...a thin red line...
01:09...and everything is united...
01:12...and the end meets the beginning...
01:15...this is the Red Circle.
01:18THE RED CIRCLE
01:27The police hurried to investigate the murder...
01:32...that led to Maria's death in an overdose of heroin.
01:36They judged that the story was over...
01:39...and put it in the archives.
02:18THE RED CIRCLE
02:48THE RED CIRCLE
03:18THE RED CIRCLE
03:48THE RED CIRCLE
03:53THE RED CIRCLE
03:58THE RED CIRCLE
04:03THE RED CIRCLE
04:08THE RED CIRCLE
04:13THE RED CIRCLE
04:18THE RED CIRCLE
04:23THE RED CIRCLE
04:28THE RED CIRCLE
04:38Good morning, Christina.
04:44What are you doing?
04:45You shouldn't have come.
04:47I didn't want to stay at home. I had to get out of there.
04:52Have you had coffee?
04:54No, but I don't want to. I can't.
04:57Whatever I put in my stomach, I take it out. I'm on a diet.
05:03Believe me, I need it for work. It'll do me good.
05:13THE RED CIRCLE
05:38Death came first from a collapse of the circulatory system...
05:42...a heart attack, a stroke...
05:45...a slight brain hemorrhage...
05:48...a slight intracranial hemorrhage...
05:51...small ulcers in the left and right ankle...
05:54...punctures of various sizes...
05:57...as well as blood-soaked ulcers...
06:00...lead to the use of narcotic substances.
06:03There were no signs of bleeding or spasms.
06:07Sperm samples were found...
06:11...and, of course, female organs.
06:21It doesn't look like he has any doubt...
06:25...that he's about to die of an overdose.
06:30And this? Didn't he hit him with this?
06:33Couldn't they have made a mistake in the autopsy?
06:36You have to do an autopsy.
06:39I'll do it.
06:40It's not that simple.
06:42We need evidence to prove a criminal act.
06:45And the rape?
06:47It wasn't a rape.
06:49It's written here.
06:51It's written that it was an accident, not a rape.
06:55What happened, happened on her will.
06:58He didn't die on her will.
07:00Listen to me.
07:02I know it's hard for you.
07:04No.
07:06No. It was hard for Maria.
07:09Maria.
07:36I want you to take this.
07:39I know.
07:41But I don't know. I can't.
07:44It's a shame to lose it.
07:47It's brand new. I'll give it to you.
07:50Mrs. Christina, this is all so strange.
07:53Believe me, someone is happy.
07:56And you loved Maria. I know that.
08:00We were friends in elementary school.
08:03I'll never forget her.
08:06And now let's get down to business.
08:09What do you mean?
08:11I know you were best friends.
08:14Because you broke up two years ago. Why?
08:17But I know you gave her a chance to try first.
08:25I read her diary.
08:28I know everything.
08:30It happened in Eretria, on your one-day trip.
08:33She got sick and told me she had been bitten by a fish.
08:38Mrs. Christina...
08:40And then you were friends for a while and then you broke up. Why?
08:45You had an argument.
08:47What happened?
08:49Did you sell her? Was she your fiancée?
08:58Who are these pictures?
09:01Who is this Manos you met?
09:11Evioanne.
09:13Maria's childhood friend and classmate.
09:16She went to the detoxification clinic in February 1997.
09:21Since then, she had cut all ties with her friendly environment.
09:25But she had met and introduced Maria...
09:28to the environment of Emmanuel Prokopios, also known as Manos.
09:33I think they killed her.
09:36No one killed her.
09:38She died.
09:40She didn't just die.
09:42And it's not that simple, Pavlos.
09:45But...
09:47I forgot.
09:49You never take things seriously.
09:52Christina...
09:54Christina, what I'm telling you, never!
09:59You didn't take our marriage seriously.
10:02You didn't take your daughter seriously.
10:05Especially now, after her death.
10:09You say we're heavy.
10:12When will you grow up, Pavlos?
10:14When will you take responsibility?
10:16Look at me when I'm talking to you!
10:19You call me selfish.
10:21But in the end, you're the selfish one.
10:23You think you're the only one in pain.
10:25That's why you're so unbearable.
10:30You want everything to be yours.
10:33Even your love is unbearable.
10:37Look at our marriage.
10:39And look at Maria.
10:45If you want anything...
10:47That's enough.
10:54The last pages of Maria's diary.
10:57With the help of Evis Ioannou, we managed to decode them.
11:02In the first column are the dates.
11:05In the second column are the locations.
11:09Where it says Square, where it says Bar, where it says Sigma Tau, Ironworks.
11:15In the third column are numbers.
11:17Quantities of heroin.
11:20The bad guys?
11:23Yes.
11:25Maybe they hit her.
11:29Yes.
11:36It's hard work.
11:39If you think about the money...
11:42Not everyone thinks about the money, Mrs. Parisi.
11:45I'm sorry.
11:46I'm sorry.
11:49You should think about it.
11:52I don't care about the money.
11:54I'll give you whatever you need.
12:03I'll take it.
12:08We're done, Mrs. Parisi.
12:11There must be more evidence against him.
12:14What you have here is not enough.
13:44Who are you?
14:05Who are you?
14:09When I ask you a question, you answer me.
14:12I asked you who you are.
14:15Christina.
14:17Where did you come from?
14:20I'm new here.
14:22So you came here?
14:25That's not how it works, girl.
14:28That's not how we work.
14:30I'm sorry, I didn't know.
14:32You're lying.
14:34You're not one of us.
14:37Are you a cop? A journalist?
14:42Don't come back here, you hear me?
14:45I realized I couldn't deal with her.
14:49I'd do anything to solve the pain she was in.
14:53The only thing that interested her was to be justified.
14:57To prove she was right.
15:00The work I do is based on suspicion.
15:04Above all, we suspect our own client.
15:07For what he presents to us as truths or as facts.
15:11We are suspicious of the facts.
15:14And we prefer to reconstruct the truth on our own.
15:18Our only guide is the feeling.
15:37You again?
15:39I want to talk to you.
15:41Let me tell you.
15:43I don't go out with women.
15:45That's not it.
15:59I don't have time for bullshit.
16:02I'm working.
16:04A coffee, please.
16:06Will they pay you?
16:08I don't like journalists.
16:10Then what do you want?
16:17Money.
16:39Hello, Mitso.
16:42This is Christina.
16:44She's my cousin, Kavala.
16:46If anyone asks her, tell them she works with me, okay?
16:52That's it.
16:54Now you're on the computer.
16:56From now on, you're family.
16:59Not even a tank passes through Mitso's door.
17:02Whatever happens, you won't be safe.
17:06You have to do it.
17:08I have to start somewhere.
17:10I don't think it's for the best to do it to a whore.
17:13No, tell me how.
17:15I go to Fantis and I say, you know...
17:18Did you kill my daughter?
17:22I'm not saying that.
17:24It's a trap.
17:26They take the client and then they put him in the trap.
17:29If I go out for a couple of days, I'll have someone to talk to.
17:32What do you think?
17:36I don't like your plan.
17:38Do you have any other suggestions?
17:45Give me your money.
18:02Call me when you get the phone.
18:33You're dead today, huh?
18:35You're not saying anything.
18:38I haven't seen you before.
18:40I'm not from here. I'm from up there.
18:42Kavala.
18:44I've passed through Kavala to get to Thassos.
18:46Nice, Thassos.
18:48I'm Geli.
18:50Hi, Geli. I'm Christina.
18:55I'm sorry I'm telling you this, but...
18:57Aren't you a little too old for all this?
18:59Aren't you a little too old for all this?
19:04Have you heard that they say that a wet cat has the juice and all that?
19:10You're crazy.
19:12I just have an exit.
19:30SNAPS
19:32SNAPS
19:34SNAPS
19:36SNAPS
19:38SNAPS
19:41SNAPS
19:43SNAPS
19:45Anyway, for better or worse, I took a look.
19:48An angelic 22-year-old friend from the great Antioch.
19:52She's a student of 3rd grade.
19:54She hadn't been to school for three semesters.
19:56Twice he was admitted to a detoxification clinic and twice he left within the first week.
20:02What happened?
20:04Gelli?
20:06Gelli?
20:18I don't want any trouble.
20:20He's sick, Dimitso.
20:21I said I don't want any trouble.
20:26I don't want any trouble.
20:56I don't want any trouble.
21:08He's a good dad.
21:11As much as I eat, I don't get any drama.
21:14My grandparents were also good.
21:16They were good dads.
21:22You have to take care of yourself.
21:24Don't worry.
21:26Don't look yesterday.
21:27It happened.
21:28Yes, but again...
21:29Stop doing this to my mom.
21:31What do you want to hear now? Thank you?
21:33Okay.
21:36Now I can eat with peace of mind?
21:38Come on, don't be upset.
21:39Your mom didn't tell you to do anything.
21:40Do whatever you want.
21:42In the end, if I were lucky, you would do the same, wouldn't you?
21:48You would do the same.
21:51Yes.
21:52That's right.
21:56What's going on here?
21:58Some friends live here.
21:59Do you know them?
22:00A few months, but they're good kids.
22:02You're one of them.
22:04From the day Evi told us Manos' name,
22:07I had managed to identify him.
22:10He was wearing an old Neoclassic on his neck.
22:13Mrs. Parisi knew that following the young girl,
22:17it was like she was going straight to his mouth.
22:22Good morning.
22:26Good morning.
22:35I told you not to disappear.
22:37I was sick, Manos.
22:39Last time, I got sick.
22:41I was sick for two days.
22:43There are also phones.
22:45Where we were, there were no phones.
22:49Where did you come from?
22:51Christina.
22:52I know her from work.
22:54She took care of me. She found me on the street and took care of me.
22:58Go make some coffee.
23:08Where are you from, Christina?
23:10From Kavala.
23:12And when did you come?
23:14I come and go.
23:16How haven't I seen you before?
23:18How haven't I seen you before?
23:19I know your name. You're Poppe.
23:21And you're Manos.
23:23What the hell are you talking about?
23:25What did that loser tell you?
23:27No, he didn't say anything.
23:29He was talking non-stop.
23:31But I've heard about you from Thessaloniki.
23:33Really?
23:34That far? That's great.
23:38What have you heard?
23:42That you're one of the good guys and that if I need anything, I can come to you.
23:46And?
23:49Do you need me?
24:15I love you.
24:36I'll keep you.
24:38Okay.
24:46How are you?
24:48Things are going slow. They keep checking me.
24:50That's how it is.
24:52You have to be careful.
24:55I brought you some help.
24:59What are these?
25:02A phone charger.
25:07A small camera.
25:11A camera camera.
25:16And a bomb.
25:18From Korea.
25:20Do you know how lucky I am with this crap you see?
25:23But it's better than any American.
25:25And it's patented. Koreans are the first to do this.
25:27And how does it work?
25:34Like sitting on a stool.
25:37You're making fun of me, aren't you?
25:39I'm playing with my head and you're making fun of me.
25:42Calm down, girl.
25:45Listen.
25:49Things are going slow. They keep checking me.
25:51That's how it is.
25:53You have to be careful.
25:57I brought you some help.
26:00What are these?
26:1643.
26:39Unfortunately, she's a woman who has lost her values.
26:42You see, I've learned the same values.
26:45But now I know there's another way to live.
26:48Antonio!
26:50I'm glad you're here.
26:52We're going out for dinner, Alejandro and I.
26:54Are you coming?
26:56No, Santiago.
26:58I don't feel like going out with Alejandro yet.
27:00You know, I used to bring a lot of ashes to his house.
27:03I don't understand you.
27:05But that's what it's like.
27:07You can't avoid it all your life.
27:09You know, you're right.
27:11I have to talk to him.
27:13He doesn't listen to me.
27:15Yes, I know it takes a long time to talk to him.
27:17But I don't want to bother him.
27:19But I'm very tired.
27:21I want to talk to him.
27:23Well, you have to eat.
27:40That's what Maria did.
27:42She gave her the towel.
27:45She was preparing the ashes.
27:49It's like Evie said.
27:52She left for the ashes with the same empty box.
27:58When Maria was little,
28:02she liked to look in the mirror.
28:05For hours.
28:08For hours.
28:13Without blinking or blushing,
28:15like any other little girl.
28:18She just sat there for hours,
28:21hypnotized by that other girl
28:23who looked so much like her.
28:26And she looked at her a hundred times.
28:29One day,
28:32she was wearing her white dress.
28:35I asked her,
28:38I want to see.
28:40Why do you look in the mirror for so long?
28:43I don't look in the mirror.
28:46I look at the little girl in the mirror.
28:49Maria told me.
28:52And I asked her,
28:55how did she find that little girl in the mirror?
28:57The little girl
28:59was stolen by the evil wizard
29:01from the forest's herald.
29:03And he keeps her imprisoned in the castle of silence.
29:12And the forest's herald,
29:15in order to save the little girl,
29:19has to cut off her golden curls.
29:28The most beautiful golden curls,
29:32which alone were like ten ships
29:34loaded with treasures.
29:37I don't know how her fairytale ends.
29:40I've always wanted to believe
29:43that Maria has found a way to save the little girl.
29:46Come in.
29:48How wrong I am.
29:57Come in.
30:06Leave me alone.
30:09Leave me alone, Babis.
30:11You like me. Sit down a little.
30:13No, I don't like you.
30:15Why not?
30:16Only with money. Go!
30:18What I'm telling you, Karion.
30:22You're too close to her.
30:24Did you see her?
30:25Did you see her?
30:26Shut up!
30:28Put it down.
30:29Don't you dare touch me again.
30:31I won't bother you. Put it down.
30:33Can you see it up there? Can you see it?
30:35Babis is a little crazy.
30:37Get out of this bullshit, I said.
30:46Babis.
30:48Are you okay?
30:55I don't like fights in my house.
30:57I don't like fights either.
30:59Bravo. What do they say?
31:01What do they say?
31:03The good girls. What do they say?
31:06I'm sorry.
31:07I'm sorry what?
31:10I'm sorry I won't bother you again in your house.
31:13Bravo.
31:14Go put some ice on your face.
31:16Come on, let's go.
31:18I'm freezing.
31:25The bastard.
31:27How am I going to work today?
31:30How can you stand him treating you like this?
31:33You don't get it, do you?
31:35It's not like that.
31:37It's always like that.
31:39So, you're not my mother.
31:41And she's not my friend.
31:43And you're not even close to her.
31:45You should get a different doctor, Maria.
31:47You're driving me crazy.
31:55What happened?
31:57Did you have a fight?
32:17Go fuck yourself.
32:24Fuck you.
32:55What are you doing here?
32:57My brother's office.
32:59I have the keys.
33:01Is there a room full of people?
33:03Over there.
33:05Put your clothes on, please.
33:25What are you doing here?
33:27Is this your first time?
33:29I prefer the couch.
33:32Then sit on the couch.
33:36I only said it for you.
33:38Don't give my picture to a magazine or some other bullshit.
33:41No, no, only for me.
33:44I told you, I can't help it.
33:46Whatever you say.
33:48I've seen worse.
33:50Let him be.
33:52Where are you going?
34:22I like you a little.
34:29Do you like to see me through the lens?
34:32Yes.
34:34Yes.
34:36What else do you like?
34:38What you do.
34:52I'm sorry.
35:03I'm sorry.
35:05I don't want to get them mixed up.
35:12You're a strange girl, Christina.
35:14You know that.
35:17I am what I am.
35:23I asked in Kavala, they don't know about you.
35:26I didn't go around Kavala.
35:29Neither in Thessaloniki.
35:32Thessaloniki is a big city.
35:34Bigger than you think.
35:37Did you go to the store?
35:40Kyrmitsos says...
35:42Kyrmitsos is a good boy and he likes you.
35:46What happened to Kyrmitsos?
35:49What happened to Kyrmitsos?
35:52He told us what we know.
35:54You are what you are.
35:56But in your calculations, ma'am.
35:59Since you're okay with your partner,
36:01why can't you be okay with me?
36:03I don't like it when you go to work and ask about me.
36:05You ruin my reputation.
36:07And what is your reputation, Christina?
36:11They can say anything to you.
36:14Who knows about you?
36:17Who knows about me?
36:20I know about you.
36:22What do you know?
36:26I know that you are a scoundrel.
36:28And that you have destroyed Cosmo and Kosmaki.
36:33But...
36:34Your teacher will find him soon and he will eat your head.
36:38Can I tell you something?
36:42I like you.
36:45If you were a little prettier, I would kiss you.
36:48Are you delaying me?
36:57And one more thing.
36:59Because I'm late, can I stay and relax on the couch?
37:03I was telling you to sleep in my bed, but...
37:06I'm in a hurry.
37:18I love you.
37:20I love you.
37:22I love you.
37:24I love you.
37:26I love you.
37:28I love you.
37:39I love you.
37:41I love you.
37:48I love you.
37:51I love you.
37:59I love you.
38:03I love you.
38:18I love you.
38:48I love you.
39:19And now it's ruined.
39:21Where are you going, asshole?
39:23Here, to the forest.
39:25Is Tassos there?
39:27He's here.
39:28I'll cut your hands off, asshole.
39:30I'm leaving. She liked it.
39:32She's a whore.
39:34Shut up, asshole. Shut up.
39:36I'm coming.
39:49What happened?
39:51Nothing. Go to sleep.
40:18I love you.
40:20I love you.
40:47And now?
40:48Asshole.
40:49She's a whore.
40:51A whore.
40:54Are you crazy?
40:56Asshole. Don't do this to me.
40:59Do whatever you want of me.
41:01Whatever you want.
41:04Asshole.
41:17We'll leave her here.
41:20Go. They're coming.
41:34Like Maria.
41:38Like my Maraki.
41:41Like Maria.
41:47Don't move.
41:50We'll hang him.
42:03I love you.
42:33I love you.
43:03I love you.
43:05I love you.
43:33Where is she?
43:36She'll live.
43:38Thank God.
43:41I didn't think you'd take it so personally.
43:44I like the open air.
43:46Always a spectator?
43:48Sometimes. Not always.
43:53Gelli's parents came from Megara. I called them.
43:58You didn't do a good job.
44:01Your daughter's diary matches the photos you took yesterday.
44:07I've asked for a comparison of Maria's sperm and Gelli's.
44:12And of course the photos and the material from the phones and the surveillance.
44:18I think we have enough material to start.
44:26Take this. It's from Gelli.
44:48Mrs. Paris is ready to answer your questions.