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00:24Hey, slow down, man. Slow down.
00:26I don't get it.
00:27What don't you get? Don't you see that my car is full of cones?
00:30And because you're washing the car, we have to throw you out?
00:33You have to respect other people's work.
00:35Fuck you, asshole.
00:37Fuck you, huh?
00:49Come on, asshole, let's see.
00:52Hey, come here.
00:56Come here.
01:13Once upon a time,
01:16there was a girl.
01:18A good girl.
01:20She had a horse, too.
01:23She had nothing else in the world.
01:25She loved her horse very much.
01:27She took care of it every day.
01:29She washed it, she cleaned it.
01:31She rode it,
01:33and she traveled to all the cities and villages.
01:36She was alone, she had no company.
01:39Her horse,
01:41and her gun, she had it to protect her.
01:44She was alone.
01:50Beyond the truth that you see,
01:52beyond the truth that you hear,
01:54that you read, that you feel,
01:57beyond the truth of the victim and the victim,
02:00there is another truth.
02:02When a person goes beyond his limits,
02:05and time loses its importance,
02:08when the moment becomes a whole life,
02:11a thin red line,
02:13and everything comes together,
02:15and the end meets the beginning,
02:18this is the red circle.
02:33In this big world,
02:35the victim had a child, too.
02:38A daughter, they called her Christina, like you.
02:42This daughter, Christina,
02:44the victim loved her very much.
02:47He loved her more than his horse,
02:50than his gun, than himself.
02:53But the victim, you should know,
02:55was very sad,
02:57because a bad witch had taken his child.
03:00And all day long, the victim was thinking
03:03about how to get his child back.
03:13In this world,
03:15there is a lot of things
03:17that you can do,
03:19that you can do,
03:21that you can do,
03:23that you can do,
03:25that you can do,
03:27that you can do,
03:29that you can do,
03:31that you can do,
03:33that you can do,
03:35that you can do,
03:37that you can do,
03:39that you can do,
03:41that you can do,
03:43that you can do.
04:11[♪ Music ♪ & Birds Chirping ♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪
04:41[♪ Music Continues ♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪
05:11[♪ Music Ends ♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪
05:41I'm not in the mood to talk to you.
05:43Whatever you have to say, say it to my lawyer.
05:47Where are you going, sir?
05:48I'm taking you.
05:49Where are you going?
05:51To work!
05:55Was this your idea?
05:57Huh?
05:58After a year, now you remember the divorce?
06:01You left me my child and now you want to take it away from me?
06:04So...
06:05You have no right to do this.
06:07Why?
06:08Because!
06:09Why?
06:10She left me, I didn't leave her.
06:12She left because she had no other choice.
06:14And she can ask for whatever she wants.
06:16And she will get it.
06:18We'll see about that.
06:22So the subordinate was constantly looking for a way to defeat the evil witch.
06:28And the other one, the dragon that helped her,
06:30broke the head she was looking for.
06:34But he couldn't find a way.
06:37That's why he was constantly sad.
06:39From morning to night he was sad and alone.
06:45No one had ever seen him smile.
06:49The only joy he had in all this loneliness, you know, was...
06:54A princess.
06:57A very beautiful princess.
07:00Very beautiful.
07:02She lived in a castle.
07:06And she would go out to the castle's window every morning.
07:09She would look at the world and the world would become better.
07:12And more beautiful.
07:14There's the baby, he's here for work.
07:16Look at his body.
07:18Look at his curves.
07:19What kind of kid is this?
07:22When I see Maraki, I remember my wife.
07:24I'm going to be fat, I'm going to be fat.
07:26Why would we fatten you up, you idiot?
07:28Even if we fatten you up, you'll go back to your wife.
07:30Look at your face, my boy. Is this for a lot of money?
07:32Leave it, my friend.
07:33These girls are only for exercises.
07:36For nothing else.
07:42Marousi.
08:02Hello.
08:09There's a boat down there.
08:11Take a look at it.
08:20Change the steering wheel.
08:21To sail to the right.
08:23Did you say something?
08:25He wants to change the course.
08:27He wants to sail to the shore.
08:32To the shore.
08:43To the shore.
08:48To the shore.
09:02To the shore.
09:16Excuse me, can I ask you something?
09:21You work at the shop across the street from Piazza.
09:28I'm sorry to say this, but...
09:30You always leave early and with your own car.
09:33How come?
09:36We're doing a signature.
09:38Do you have any idea what a signature is?
09:39No, but I imagine it.
09:41Even if you imagine it, it's not much.
09:46And did you damage the car?
09:49It was found just in time.
10:01Can I smoke?
10:02Yes, of course.
10:09I know it's usually forbidden, but I'm of the opinion that a taxi...
10:16...is a service provider.
10:19That is, you have to serve the customer.
10:24Now, if the other person wants to smoke,
10:26I can tell him no, I can't.
10:29Of course, this is unpleasant for the one who doesn't smoke.
10:32Now, if after you, someone who doesn't smoke comes in and smokes,
10:36by God, I don't mean that he hasn't smoked.
10:40But whoever it is, it may seem bad to him.
10:45It's an issue that I've been thinking about a lot.
10:48I hope I don't sound completely stupid, right?
10:53Not to you, it's a real problem.
11:00I'm of the opinion that...
11:04...you have to satisfy the customer.
11:07You have to satisfy the customer.
11:10You have to satisfy the customer.
11:13You have to satisfy the customer.
11:16You have to satisfy everyone, do you understand?
11:20It's a difficult thing, apart from rare.
11:23Today, most people look at themselves.
11:26This, to repeat, is a big truth.
11:31Do you smoke?
11:32No, no.
11:33But you know what they say.
11:36The customer is always right.
11:38I don't agree.
11:39If you don't smoke, you have to make the taxi non-smoking.
11:42That's what I would do.
11:43You see?
11:46It's one night.
12:01Can I ask you a question?
12:05Don't you have anything to do at the market and look at the shops?
12:09Not me, the others.
12:11I look at my work.
12:14I look at my work.
12:17Of course...
12:19...I'm sorry, but...
12:21...no matter how you do it...
12:24...no matter how much you want to look at your work...
12:27...you're such a beautiful...
12:29...girl.
12:32Even your name, I know.
12:33Maria, don't they call you?
12:36Since you know my name, stop talking like a human being.
12:40They call me Dimitri.
12:43They also call my dad Dimitri.
12:47Whatever we do, it's a very nice name.
13:09No, please, no.
13:12I'm paying for the acquaintance.
13:14No, I can't accept it.
13:16No, the next time.
13:19Maybe there won't be a next time.
13:21It doesn't matter.
13:25Okay.
13:30Do you need help?
13:31No, it's okay.
13:34Good night.
13:35Good night.
13:36It was a pleasure.
13:39Good night.
14:09Good night.
14:39One day...
14:41...his life was cut in two.
14:44It was cut in two pieces.
14:46One was full of joy and true happiness...
14:50...and the other was black and dark in evil.
14:54This princess was the most beautiful thing he had ever seen in his life.
14:59The most beautiful thing.
15:02If he could have both the princess and his child...
15:06...he would be happy.
15:09Mar?
15:15Mar?
15:18What happened?
15:19We had a date last night.
15:22What?
15:23Don't call me Mar again.
15:25Come on, say it.
15:27I didn't go home.
15:28Nothing else.
15:29Nothing else?
15:30We had fun, didn't we?
15:31She's not like that.
15:32Yes, she's not like that.
15:34I see how she dresses and how she moves.
15:35But she should have taken a course from me and you.
15:37What are you waiting for?
15:39Let me tell you something.
15:41All the Greeks in Egypt are as stupid as you are.
15:45You were born a martyr, my boy.
15:48You will die a martyr.
16:06I'm sorry.
16:18All the Greeks in Egypt are as stupid as you are.
16:20Here's the baby.
16:21He's here for work.
16:22That's a boy.
16:23You were born a martyr, my boy.
16:24You will die a martyr.
16:25We're doing this for our own sake.
16:27For nothing.
16:28All the Greeks in Egypt are as stupid as you are.
16:30You will die a martyr.
16:31My boy, this is for a fine.
16:33All the Greeks in Egypt are as stupid as you are.
16:35You were born a martyr, my boy.
16:37You will die a martyr.
17:03You will die a martyr.
17:18You will die a martyr.
17:24What's wrong, son of a bitch, are you watching?
17:30I'm not watching.
17:31Get in the taxi, you bastard.
17:33Get in the taxi.
17:52Come on, Matso. I beg you.
17:55Think about what you're doing.
17:57I've thought about it. I've thought it over.
18:01I'll tell you. About Marina, if...
18:04I'll tell you again. Whatever you want, man.
18:08Whatever you want.
18:12About Maraki, she was...
18:15About Maraki, she's the best girl, man.
18:18Man, man!
18:25When the sub-marine used his sword for the first time,
18:29he felt invincible.
18:32He felt very strong.
18:34As if someone had given him all the strength in the world.
18:39And that now he could defeat everyone.
18:42He was sure that with his sword,
18:44no one could stop him from taking his child with him.
18:48He was sure of that.
19:30I'm sorry. I think I got the wrong taxi.
19:32It's OK, man. It's OK. Calm down.
19:37You do one thing, I'll do another.
19:40I let you do your thing, so let me do mine now, OK?
19:43OK. Look, all I want is to go home in peace, that's all.
19:48You'll go in peace.
19:59Why did you stop here?
20:05Put your jacket on, you bastard.
20:07Put your jacket on. Put your jacket on, man.
20:13I'll get my car fixed for you, you bastard.
20:24I'll get my car fixed for you, you bastard.
20:29I'll get my car fixed for you, you bastard.
20:32The body of the innocent judge was found with two bullets in the head in a gas chamber.
20:57According to the first evaluations of the police, it is probably a purification of the
21:01body, since the center of the autopsy has been excluded.
21:04The police are now investigating all the cases of George Ferrefi.
21:31The body of the innocent judge was found with two bullets in the head in a gas chamber.
21:36According to the first evaluations of the police, it is probably a purification of the body,
21:41since the center of the autopsy has been excluded.
21:44The police are now investigating all the cases of George Ferrefi.
22:02Open this door, please.
22:04Tassos and Periklis are coming. I don't want them to find you here.
22:07Tell your brothers to open the door.
22:10Go away, please. There will be a fight and I don't want it.
22:13Listen to me. Now that Ferreti is not in the middle, we can meet and find him.
22:19I found another judge. He has no sense. He hasn't changed a bit.
22:32When the suspect killed the dragon, it seemed to him that he had won.
22:39That now he could take his child back.
22:43That the evil witch was no longer so strong.
22:47But he had made a mistake.
22:51Then he realized that he had no reason to kill one dragon after the other.
22:57He had to find another way to defeat the evil witch and take his child back.
23:13What's wrong?
23:16Nothing.
23:17How come? You look scared.
23:23Have you seen my daughter?
23:25Who are you? Are you married?
23:29We've been living separately for a year.
23:32We're going to get a divorce now.
23:37What a sweet girl. How old is she?
23:41She's almost seven.
23:51Will you stop for a minute?
23:55Yes.
24:15Tell me now.
24:17What do you want me to say?
24:19What's up with your daughter? Why are you so sad?
24:22It's a long story.
24:26Don't be so sad.
24:29I've learned that everything can be fixed in this life.
24:32I don't know. I don't think it can be fixed.
24:35Don't make an effort.
24:37At least for the sake of your little girl and yours.
24:42I'm sorry.
24:49Please, it's okay.
24:51I can't today.
24:55I hope I'll have my car tomorrow.
24:57Not yet, right?
24:58Tomorrow or the day after tomorrow.
25:00We're all good. It's just a risk.
25:02Tell me the truth.
25:04Who did you tell you were going to?
25:11I don't know.
25:29Cut.
25:41I'm so sorry.
25:51The boy decided to let the bad witch live in her misery.
25:55All he wanted was to be near the beautiful princess,
25:58take care of her and take care of her like a prince.
26:02Because besides his daughter, who loved him very much,
26:06the only other person he wanted to serve and take care of
26:09was the beautiful princess.
26:18I sat back because your colleagues will misunderstand us.
26:21They'll do whatever they want.
26:23They'll think you're doing it on purpose.
26:26They're doing it on purpose.
26:30Anyway, to tell you the truth, I never liked your ideas.
26:34But I like you.
26:38The car, still?
26:40Don't remind me.
26:42You know what happened?
26:43What?
26:44Mastor died.
26:45He died?
26:46Someone killed him.
26:47Someone did you a favor?
26:49A nice favor.
26:50Supposedly he made it for me and he's not coming back.
26:58Tomorrow is Saturday.
27:01Do you want me to drop him off at his house?
27:05In my car?
27:06Yes, my car. I make it. I love cars.
27:11If you want.
27:14I don't know.
27:15I'll come.
27:31What's up?
27:38What's up? What's up with you today?
27:40Nothing.
27:41What do you mean nothing? I'm looking at you.
27:44Nothing. It's something personal.
27:46But I say what's personal.
27:54Yes?
27:57Yes.
28:02No, I'm outside.
28:05I'm making the car.
28:27So?
28:28Let's see.
28:30Are you crazy?
28:31Let's see.
28:40Yes?
28:41Well done, Dimitris.
28:42It's new.
28:44Who was on the phone?
28:47Who was on the phone?
28:50Who was on the phone?
28:53Who was on the phone?
28:57Nothing.
28:59A friend.
29:01Don't tell me it's a gift.
29:03Of course it's a gift.
29:04What am I, a master? Do you have a part-time job?
29:08It's a gift because I wanted to say thank you.
29:15OK.
29:21Bye.
29:22Bye.
29:26Bye.
29:41Don't tell me what to do.
29:43Let's go home now and we'll find the rest.
29:46What home?
29:47Asshole.
29:53Get in.
29:55All women are assholes.
29:58Get in.
30:02Get in.
30:04Don't touch me.
30:07Don't touch me.
30:10You're a very asshole, Maria.
30:18Get out, asshole.
30:20Get out, asshole.
30:22Get out.
30:34Get out.
30:36Get out.
30:52Get out.
31:22Get out.
31:24Get out.
31:26Get out.
31:53Hey...
31:58Who needs your wall?
32:02Are you talking to us?
32:05Asshole, leave the wall alone and go sleep.
32:07Fuck you.
32:09Fuck you, eh?
32:22Papara, do you know how to do this?
32:24What are you doing? Are you crazy?
32:30That's it, asshole.
32:52The subordinate realized that the good princess wanted to test him.
32:56To test his love.
32:58So he thought to show her how determined he was.
33:03To take his little girl
33:06and live happily ever after with the good princess.
33:22I'm going to pick up the kid.
33:52Go inside.
34:02I'm not here to pick up the kid.
34:04Get out. Get out of here.
34:05Tassos! Tassos!
34:07Get out of here, you son of a bitch!
34:09All right, all right.
34:10All right, I'm leaving.
34:52Tassos!
35:13Tassos!
35:17Dimitris.
35:22Dimitris.
36:22Dimitris.
36:29All right, Sam. Good night.
36:32I'm going for a walk.
36:35All right, man.
36:47The subordinate realized that all this time
36:50he had been blinded by love.
36:52Since it was so easy, he could have taken his daughter from the beginning.
36:56In the simplest way.
36:58It doesn't matter, he thought, it's better late than never.
37:01So he took his daughter
37:04and decided to go find the princess
37:05and live happily ever after with her.
37:13Now you will see the most beautiful princess you have ever seen.
37:28Maria.
37:30Dimitris.
37:37I just wanted us to be happy.
37:43That's all.
37:46Who was he?
37:53A friend.
38:12I'm telling you, come here.
38:14You should know that the subordinate was good to you.
38:17And that you love his daughter more than anything.
38:20All right? You will know whatever they tell you.
38:23He was a good man and one day he became a king.
38:26Do you see these two gentlemen there?
38:31Go, they will take you to your mother.
39:21What?
39:42A friend.
39:45I'm telling you, he was good to you.
39:46You should know that the subordinate was good to you.
39:49And one day he became a king.
39:51Dimitris.
40:19Drown me to pray trouble
40:23I'm undone
40:26Maria
40:34Will you be my doll?
40:41Hold me over
40:47Till the sun comes down
40:56I didn't want it, no
40:59Blood is to blame