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00:00That's the same look on my Simona's face when my father told us about it.
00:04We didn't count on it anymore.
00:05In fact, we thought it was over.
00:08So, Mr. Condo and you are going to run the jam business again?
00:13That's right.
00:14Right away? Without a hitch?
00:16Without a hitch.
00:17It was about time.
00:20And with the excitement that we knew you were going to do it, miss.
00:22Yes, we were looking forward to doing it.
00:25And now we're going to do it.
00:27And now we're going to do it.
00:28Yes, we were looking forward to doing it.
00:30And it's not going to be easy.
00:31There's a long way to go if we want to rescue the business after the captain's management.
00:36How miraculous, there's still business to rescue.
00:38Well, I want to believe that there is.
00:41Of course, miss.
00:43And where do you want to start?
00:45Well, the first thing we'll do is talk to the women of Lujan,
00:47who have suffered the most from all this change.
00:50Actually, that's going to be the second thing.
00:52The first thing we want, Lope, is for you to be the soul of this again.
00:57This business would never have existed if it weren't for you,
00:59because you created impossible flavors and we all loved them.
01:04For me, it would be everyone.
01:07Well, I hope it's the same for you, too, because of the account you bring me.
01:10Doubt offends.
01:11Of course, miss, you can always count on us, you know that.
01:15Thank you very much to all three.
01:18And that's all?
01:20Yes.
01:22What do you want, Candela?
01:23Do you want the lady to dance a zapateado for you?
01:25It's not necessary. I'll do the zapateado.
01:28No, captain. No, captain.
01:31And we have the purple one,
01:34the chestnut one,
01:36and the concrete one.
01:37Well,
01:39we'd have to think about the concrete one.
01:41No, captain.
01:44No, Lope, for now we'll be more traditional.
01:47What do you mean?
01:49Well, I imagine we'll have to make jams again that everyone likes a little bit.
01:53Whatever, captain.
01:54Let's see, a medium term.
01:56The bad thing about the captain was that he would bet on popular tastes,
02:00but to save money, he bought rotten fruit.
02:03What a fabric.
02:04But I say that we could leave the ordinary jams aside
02:09and continue tasting with special flavors, as we did before.
02:12Some, sure, but the most important thing is that they are rich and well done.
02:15That's guaranteed.
02:17Have you ever seen a jam made by Lope that wasn't scandalous?
02:21Well, it's been fulfilled as it will be.
02:24I don't believe it, captain!
02:30Well, I think you don't have a fever anymore.
02:32You are almost recovered.
02:35Great.
02:42Although I still find it hard to breathe and my head hurts a little.
02:46Don't make a scene. At this point, I'm sick of it.
02:51It's just that it's so good here.
02:54Although it's true that I feel much better.
02:58If you already know that you don't care about me, I could go back to work.
03:02But Santos, this happens to you often.
03:06I mean, to make you so sick.
03:09Yes, yes.
03:12I raised you to be sick every two by three.
03:16And always for the same thing. The lungs.
03:20But no one has ever taken care of me like you.
03:24Look, you're a jerk.
03:26No.
03:28I mean it.
03:33My aunt raised me.
03:36It's not that she was mean to me.
03:38But she wasn't good either.
03:41When my mother died, she took care of me.
03:45I already had many children to take care of.
03:47So I didn't have time for delicacies and contemplations.
03:52If you fell sick, but you could stand up or do things, you did them.
03:57My aunt didn't hang out with little girls.
04:01You couldn't go to her with the story of ...
04:06that something hurt you or you felt bad.
04:10Her reasoning was that when you were an adult,
04:14no one would feel sorry for you because your head would hurt.
04:20And she was right.
04:23Over time, I was able to prove it.
04:29But not you.
04:32You've had me between the lines
04:35since the first moment I saw that something was wrong.
04:42Because health is something primordial, Santos.
04:47And we shouldn't play with it.
04:54Well, but we shouldn't exaggerate either.
04:57If I lie here, I'll have my back crushed.
04:59No.
05:00You can't say this bed is specially made.
05:04I guarantee you it's not.
05:06Although thanks to its care, it's like lying in a cloud.
05:10Then don't complain, Juan.
05:14Okay, I won't complain anymore.
05:17Let's see if it's true.
05:20Although, well, I don't think you're going to feel bad.
05:23I'll take a little more care of you.
05:25So I'll talk to the mayors so you don't get back to work this morning.
05:29Okay?
05:33Get some rest.
05:53Well, it didn't go bad, did it?
05:56Yes, they're wonderful.
05:59It's nice to see the excitement with which they received the news.
06:04Well, yes.
06:07And suddenly it seems that the one who doesn't have so much excitement is you.
06:11Is everything okay?
06:13Well, on the one hand, it couldn't be better.
06:17I'm delighted to have regained control of the business.
06:21And above all, that my father was able to disobey Cruz and my uncle's arguments.
06:27But on the other hand ...
06:29I'm afraid of the reprisals they might take.
06:32Especially my uncle.
06:34The one who my father has defenestrated.
06:37Lorenzo de la Mata is not one of those who keeps his arms crossed for something like that.
06:40The captain is not going to do anything.
06:43And how are you so sure?
06:45Because I've already talked to him, he's not going to do anything about it.
06:47Besides, he'll keep his mouth shut.
06:50And how did you do it?
06:52Well, that's irrelevant.
06:55Forget about the captain and focus on something adventurous.
06:58For example, what are we going to wear to look handsome in the chronicle?
07:01Well, especially me, because you're fine with anything.
07:06That's another matter I wanted to talk to you about.
07:10I know it would have been better to let you know sooner, but I don't want to do that chronicle.
07:14I would like to cancel it.
07:16But why?
07:18The situation between Cruz and I is already quite bad.
07:22I don't want to keep the fire alive.
07:24And more with something so frivolous and so essential.
07:27Besides, my father is right, that's not me, that's Cruz.
07:31I shouldn't go down to his level.
07:33It's a way of seeing it.
07:35She used the press to hurt us.
07:38But are we going to take revenge by doing exactly the same to her?
07:41I don't like it, Pelayo. I don't want to fall so low.
07:46The people from the newspaper are not going to take advantage of the fact that we are going to back out with so little time in advance.
07:51Well, we will apologize as many times as necessary.
08:10I saw you through the window and I came running. How do you get along with that man?
08:15Well, I wouldn't know what to tell you.
08:17He stood me up from the beginning and during almost the entire conversation I had his knife to the neck.
08:22Oh my God.
08:23Hanna, don't worry. It was a piece.
08:26I hope it wasn't the gun I saw you take.
08:29No, I didn't need it.
08:32I managed to keep calm and make myself heard.
08:36And how did he take it?
08:39At first, not very seriously.
08:42But when he understood that I could gather the pieces to accuse him of the death of that inmate
08:48and that that did not only mean the perpetrator, but that it could be the cadiz,
08:51he understood that he had little to gain and much to lose.
08:54I don't think that was enough.
08:58It was not my only argument.
09:01I also offered him money.
09:03Anol thought we said that the bribes were not going to work.
09:06I have not bribed him. It has been an incentive for him not to feel that he was losing.
09:10An incentive of 2,000 pesetas, everything has been said.
09:132,000 pesetas?
09:15But how do you dare to take that on?
09:17I wasn't going to take that money on, Hanna.
09:20I have to get it out of the bank. Anyway, I've given him time to think about it.
09:24If he wants the money and doesn't report it for the death of that man,
09:27we'll meet the day after tomorrow at the same place.
09:30I'll give him the money and we'll say goodbye so we never see each other again.
09:33And do you think he's going to go?
09:36Yes.
09:37Yes, I'm convinced he may be a dangerous and sinister criminal, but he's not a fool.
09:44I hope you're right.
09:48Hanna, in the meantime, we have to take precautions.
09:52If you mean Mrs. Pia.
09:55She knows we're doing something, so she's more than warned.
10:00Poor woman.
10:03After everything that's happened, I don't know how she still has strength left.
10:07Me neither.
10:09The important thing is that in a few days, if all goes well, her confinement will be over.
10:15And it will have been thanks to you.
10:17Well ...
11:02Good night.
11:11Good night.
11:14Good night.
11:16Yes? Are you sure?
11:19Because I get the feeling you're coming from one of those exits where you can't talk to me,
11:23but you'll get to talk to me at some point, right?
11:27You'll be the first to know.
11:30I think the cooks have already left, but it seems to me that there is some maid out there picking up.
11:35Do you still want them to prepare you something for dinner? Will you be okay? Do you have a bad face?
11:38No, thank you. I'm not hungry.
11:41It is not easy to help someone who does not let himself be helped, although it is evident that something happens to him.
11:45But it is my obligation, as a friend, to insist.
11:49No, it's nothing concrete.
11:51Well, if you say so.
11:53That's where you can tell how many years I've been with you.
11:56Sometimes I feel that life weighs me down, so to speak.
12:00But it's not so many years of difference.
12:04No, it is. In this case, yes.
12:06It seems that everything has changed around me.
12:09In what sense?
12:11It is that I am less and less concerned about the values that were instilled in me when I was a child,
12:15and that have served as a guide throughout all this time.
12:19Things have been changing.
12:21There is something natural about that.
12:23Yes, me.
12:25Sometimes I think I'm someone else.
12:27I am able to do things that I never thought I would be able to do.
12:33If you keep talking to me with riddles, it's as if you don't tell me anything.
12:37Sorry, don't listen to me. I'm tired.
12:40Tired, because I say bad things, to get used to it.
12:44I hope Santos has not infected you with his discomfort.
12:47No, but your son's thing is not contagious, is it?
12:50When it comes to my son, anything can happen.
12:53How is he?
12:54Better, better. Much better, yes.
12:56Thank God.
12:57Well, he has to wait, he is young.
12:59Although it is true that lung ailments are often complicated.
13:03Yes. Sometimes they are very dangerous.
13:06I myself, once I was about to die because of one of them.
13:11But you don't feel sick, do you?
13:13No, no, no. Don't worry, I'm fine.
13:16I just need to rest.
13:21A few days later
13:40Isn't that the newspaper that is going to chronicle your daughter and her count?
13:45I think so, but I'm not very sure.
13:49Well, I'll take a look at the echoes of society.
13:52It will be the last chance I have before they start publishing Catalina's lies about me.
13:57Don't worry, she won't say anything inconvenient.
14:00An unfounded hope, it seems to me.
14:03No, it is not. Because I myself have expressly asked her not to do such a thing.
14:07And that's going to stop her?
14:09Much, I think so.
14:11Bless my grace.
14:14Cruz, you still don't know my daughter.
14:17Even if I hadn't told her anything, she would never take advantage of that interview to charge against you.
14:21But what are you saying, Alonso? She announced it herself.
14:24That she was going to file against me in that chronicle.
14:28She did that in a moment of anger, Cruz.
14:31But Catalina is a Lujan.
14:33She will never do or say anything that harms the family.
14:37And she doesn't.
14:39What do you mean by that? That I do?
14:42I leave it to your interpretation and your conscience.
14:45My conscience is very calm, dear.
14:48And my interpretation is that the one who doesn't know her daughter is you, her own father.
14:52What Catalina are we talking about?
14:54The one who bragged that she didn't care what they would say
14:57and then locks herself in the hangar just for some rumors?
15:01The one who mocks the social norms? The one who does whatever the queen wants?
15:05Look, it's no use talking about how my daughter is now.
15:09I just wanted to reassure you about that interview.
15:12Not start arguing again.
15:16With your permission, ma'am, sir. This postcard has just arrived.
15:36Here. I'm sure you're more excited to read it to yourself.
15:42It's from Mariana.
15:45Antonia.
16:02Come in.
16:04Mr. Bézar.
16:05Come in, come in.
16:08Sit down, please.
16:11Better like this.
16:13How can I help you?
16:16Actually, I'm not here to ask you anything, Mr. Bézar.
16:19Quite the opposite.
16:21Look, I think it's fair that I tell you about my latest movements
16:25regarding Mrs. Barre's husband.
16:27What happened to that man?
16:30The first thing I want to do is apologize for not having told you about all this until now,
16:35but, look, what I was going to do entailed a certain risk.
16:39And I was convinced that you would be totally against it.
16:42What are you talking about, exactly?
16:47I've gone to great lengths to get something to pressure that bastard.
16:52And I think I've found it.
17:10We have a surprise.
17:12And what is it?
17:13It's the badminton game that Burro ordered.
17:16The compensation he had promised.
17:18No more, no less.
17:20Let's see ...
17:24The rackets ...
17:26Well, it doesn't weigh anything.
17:27Very logical, considering that what is going to hit them is even lighter.
17:33Let's see ...
17:36Well, yes, it doesn't weigh anything.
17:39I love the feathers it has.
17:41Do you know why they are placed that way?
17:43No idea.
17:44So that they are more stable in the air.
17:47Yes, and that's why it has that cone shape.
17:51But you all know everything about badminton, because that would be playing with advantage.
17:55Don't worry about that.
17:57Look, here you have the regulation of the very noble sport of badminton.
18:02And you want me to study this? Because I really don't feel like it.
18:07Well, you should.
18:09I'm sure you can take the reading and that Burro explains how to play.
18:12I know him better, but I'm sure he's an expert.
18:16Well, let him prove it.
18:18Shall we play?
18:20Well, it's just that playing, what is said to be playing, we can't yet.
18:24And why?
18:25Because if you look closely, there is no net.
18:30Well, what a chore, isn't it?
18:32Yes, but it's actually much better this way.
18:34Because while we wait for the net to arrive, we can practice with the rackets or the flyers.
18:39And you will learn faster and it will be easier for you.
18:42Yes? Well, let's go.
18:44Shall we play?
18:46Yes.
18:51I think he changed his way of seeing it.
18:53It is true that he continued to act tough, but at that moment my threat of reporting him began to overwhelm him.
19:00And despite the fact that he doesn't lack money, the idea of taking 2,000 pesetas didn't displease him either.
19:04How to displease him?
19:07We have already said it many times, that man will be a bad guy, but he is not stupid.
19:11Yes, but I don't know how we are going to be sure that that man has left.
19:15That he is not going to come back, that he is going to leave Mrs. Atarri alone once and for all.
19:20I'm afraid we will never have that certainty.
19:22The only thing we can do is wait for his intelligence to impose itself on his thirst for blood.
19:29I have proposed that we meet again.
19:32So that he takes the money, if it appears, we will have a lot of profit.
19:36But if he doesn't, the uncertainty will be greater.
19:39Of course, for us.
19:42Because he knows perfectly well what awaits him if he doesn't come.
19:46I assure you that I made it completely clear to him that I will not hesitate to report him for the murder of his cellmate.
19:53But I am convinced that sooner or later, one way or another, we will be able to get rid of Gregorio Castillo.
20:00God forbid.
20:02Anyway, that's all. Keep informing him, Mr. Beza.
20:06As you wish.
20:08Sir.
20:09Yes?
20:11Thank you. You have done something that had no reason and I asked you to do it.
20:18I had no choice.
20:20Yes, you did, sir. What you have done requires real courage.
20:26It was not a matter of courage. It was a matter of principles.
20:30Well, then you have even more merit.
20:35It is an honor to work for you.
20:39You know, if you keep jumping at me like that, I won't be able to get in through this door, as far as I'm concerned.
20:47Thank you, Romulo.
21:06And I don't take away his reason. I understand him. I understand him.
21:10So, María Antonia, have I sent you a postcard from Mallorca?
21:13Yes, this morning.
21:16And well? How is it going? What does it say?
21:19I haven't read it yet.
21:21And I'm very sorry. Really.
21:26Well, they gave it to me when I was having breakfast and I left it for later.
21:29And the truth is that later I completely forgot about it.
21:33Well, let's hope that María Antonia is okay.
21:36A person who is not okay does not send you a postcard, he sends you a telegram, right?
21:40Well, it's true that you are right about that.
21:42I apologize. Goodbye.
21:46Bad news?
21:48No, just an uncomfortable conversation.
21:51I was talking to the newspaper. I called them to cancel the story that Catalina and I were going to do.
21:55Oh, I see.
21:57As you can understand, they have not taken it very well.
22:00They insisted that we stop at the right time, which was already too late to back down.
22:05Anyway, a bad time, but it's over.
22:08And if it's not much to ask, why did you make that call?
22:12Because Catalina told me.
22:14But she would have some reason.
22:16She said she was going to feel uncomfortable in front of the camera and, above all, in front of the journalist's questions.
22:20As you know, Catalina doesn't like those things.
22:24But also and above all, she told me that she did it so that Mrs. Cruz would not feel uncomfortable.
22:30Don't make me laugh.
22:32It's the truth.
22:33It seems to her that there have been too many tensions between the two of them lately.
22:37Look, don't take it the wrong way, but I don't believe a word.
22:41I don't know what will be the reasons why Catalina has canceled that story.
22:45But I'm sure it's not out of consideration for me.
22:48Yes, it's hard to believe the truth.
22:51That's what she told me.
22:59Excuse me, Mr. Baeza.
23:00One second. I have a glass of wine here that doesn't fit me.
23:05How do I look at it?
23:07Of course, tell me.
23:09He wanted to talk to me.
23:10Come in, come in.
23:15What I have to tell you, you won't like it.
23:18Don't worry, Mr. Baeza.
23:19As you know, this week's service has been affected by Mr. Pellicer's illness.
23:25Mr. Pellicer's son, you understand.
23:26Yes, Mr. Baeza.
23:27Mr. Pellicer's father was forced to entrust his husband with Mr. Pellicer's son's tasks because he had no other option.
23:36Beyond the contingency, I have to tell you, Mrs. Villamil, that your husband was not up to what was expected of him.
23:44You don't know how sorry I am, Mr. Baeza.
23:46You know very well that an obligation of the good lackey and the good maid is to know how to replace a partner when he has a problem.
23:54And that this incidence is not noticeable.
23:57It was not the case in this substitution.
24:00I have received two very serious complaints.
24:02One on behalf of Mr. Curro and the other on behalf of Captain de la Mata.
24:06Apparently, Mr. Curro had problems preparing a horse ride.
24:11Captain de la Mata had an accident due to a very unfortunate intervention by his husband, asking him questions while talking on the phone.
24:21Look, Mr. Baeza, I would like to tell you that I can change this situation with a simple snap of my fingers.
24:27But unfortunately it is not like that.
24:29The only thing I can do is apologize and promise you that I will talk to Marcelo again so that he pays more attention to the tasks.
24:36Mrs. Villamil, you know that I am on your side.
24:39I don't know your husband, but if you defend him like that ...
24:44Moreover, if you have married him, it will be because you have seen in him something that has happened to us unnoticed.
24:49We have not been able to see what will appear.
24:53But it is taking a long time to appear.
24:55I thank you for your trust.
24:56That trust cannot be unconditional or unlimited.
24:59Of course, Mr. Baeza.
25:01If your husband does not panic, he keeps getting in every time he has the opportunity.
25:04Yes, Mr. Baeza.
25:06You have to warn him that he must change.
25:09Mr. Pellicer and I cannot spend our lives looking the other way.
25:13I will do what I can, Mr. Baeza.
25:16I hope so.
25:25But what are you doing?
25:27Why did you get out of bed?
25:30What do you think, father?
25:32Santos, your situation is not to take the joke.
25:34And I guarantee you that I take it very seriously.
25:36It seems so. Seeing that you are not resting, what should you do?
25:39I've been here for days.
25:41Santos ...
25:42Come on, father.
25:43I'm already recovered, and thanks to Mrs. Petra, by the way.
25:46And you don't have to be in bed.
25:48I see.
25:51I thought you weren't sick as usual, like when you were a child.
25:56Come on, father.
25:57Not that you suffered a lot my affections.
26:00I was never there to see them.
26:02I always said to be aware of what happened to you.
26:03You don't have to lie.
26:05We both know that the aunt didn't care when she was sick.
26:09She didn't even let me rest in bed.
26:11That's why I'm so grateful for what Mrs. Petra did for me.
26:15And don't look at me like that.
26:18I'm not saying that the aunt was bad to me.
26:22But she wasn't affectionate either.
26:24And ... she didn't know how to take care of a child.
26:27Of so many that she had, I guess.
26:29I say what would be the other way around, right?
26:31The other way around.
26:32If she had taken care of so many, she would know how to do it.
26:38What I mean is that sometimes I felt like one of so many.
26:44And you know what?
26:47I was an orphan when I was very young.
26:50I have never known that it is ...
26:54what everyone says is the best thing in life.
26:59The love of a mother.
27:01But I guess it will be very similar to what Mrs. Petra has done for me these days.
27:06Her gestures, her concern, her ...
27:10her affection, her spirits.
27:13And that ...
27:15is something I will never forget.
27:27I'm ready to go back to work.
27:31Where do I start?
27:47But the problem was so big that Mr. Baeza made you.
27:49And what else, as big as it was.
27:51The important thing is that you are playing it and that you are taking things to the limit.
27:54Well, don't exaggerate either, Teresa.
27:56I'm not exaggerating, Marcelo.
27:57If you don't calm down, they're going to kick you in the street.
27:59I don't know how to tell you.
28:00Well, well.
28:04You can't go on like this.
28:07You're right.
28:08I know I'm right.
28:10And what's the point of you being right
28:12if you don't do anything to straighten up later?
28:14I'm going to straighten up, I promise.
28:16Don't you realize it's always the same?
28:18I read the letter, I yell at you ...
28:19Yes, I know.
28:20And you swear and swear that you are going to correct yourself.
28:22And I don't say it to say it.
28:23And what's the point of you saying it?
28:24And what's the point of you saying it?
28:27If the next day you do exactly the same thing again,
28:30you don't pay attention to your homework,
28:32you don't ask for help or you ask for it too late
28:34and you spend more time chatting than working.
28:36That's not true either.
28:39And you're not even,
28:40not even
28:42able to admit your guilt.
28:45You're right, forgive me.
28:48And there it is again.
28:50Forgive me, Teresa.
28:51Teresa,
28:52this time I'm going to do everything right,
28:54you'll see.
28:55Well, stop saying it and do it.
28:58I'll try and I'll try to do it better.
29:01It's not enough to try, Marcelo.
29:04You've strained the rope too many times,
29:06you have to do it better.
29:07I'll do it better, Teresa.
29:08And stop drawing attention.
29:10Okay.
29:12In this job, the less they look at you, the better.
29:14I'll try not to look at me.
29:15Marcelo.
29:16They won't look at me, you'll see.
29:19All you have to do is pay attention,
29:21go unnoticed and not bother.
29:23Is it really that hard?
29:25No.
29:26Then do it.
29:27Yes.
29:30And try to do it right.
29:32Because if you make a single mistake again,
29:35it's very likely
29:36they'll kick you in the street.
29:39I won't fail again, I promise.
29:41I hope so.
29:43Maybe they'll even set an example for me.
29:48It was a joke.
29:49Stop joking and get to work.
30:11From what I see, you like torrijas.
30:13Very much.
30:14Very much.
30:16Well, with all the free time I have here,
30:18the truth is that I'm going to end up defending myself in the kitchen.
30:21I know.
30:23Look, as I continue to lock up longer,
30:25when the promise arrives,
30:26I will be able to compete with Mrs. Simona.
30:28Well, even with my own López.
30:31Well, the torrijas, of course,
30:33are delicious, but
30:35it seems to me that she won't be able to spend much more time
30:38locked up here.
30:39I think so.
30:41If everything goes well,
30:42she won't be able to develop her culinary skills
30:45because she won't be here for many days.
30:48Really? But explain to me why.
30:50This indicates that apparently that man, Gregorio,
30:53has given up on his intentions with you.
30:56Oh my God!
30:57But how did they get it?
30:58No, he got it.
31:00It was all thanks to Don Manuel,
31:02who has been completely involved in helping her.
31:04God bless him.
31:05Yes.
31:06He located Gregorio and made an appointment with him.
31:09But that must have been very risky.
31:11But ...
31:12Don Manuel is no longer the boy he was until recently.
31:15The passage of time and, I suppose, the war,
31:18have changed him.
31:19But then you managed to convince Gregorio.
31:22It seems so, Mrs. Darre.
31:24It would be with money ahead.
31:25No, indeed, he offered her a good amount of money,
31:28but it wasn't just that, no.
31:31Money wasn't the only argument.
31:33And what else did he do?
31:34For the moment, all we can know is that
31:37Don Manuel is not only a good pilot,
31:39but he also seems to be very good at negotiating.
31:43That, of course, yes.
31:45Thanks to him, this hell that has had to happen
31:48will come to an end.
31:50I would love to believe you, but I can't.
31:54Well, it's been a long time, it's normal.
31:59Mr. Baeza, what's going on?
32:02I see in your eyes a halo of concern,
32:05despite the good news you bring me.
32:07What's going on?
32:08Well, I'm just tired.
32:10Are you sure? Is that all?
32:12Yes.
32:13Well, I'm tired and I'm also worried
32:17that I'm going to deceive you.
32:18Worried about what?
32:20Well, all this almost surpasses me,
32:23and now that it seems that everything is going to be solved, I don't know.
32:27You don't know what?
32:28Well, I'm afraid that it will get twisted at the last minute.
32:35I see, I understand.
32:36But hey, it's not a reasonable fear, so don't listen to me.
32:39Yes, I always listen to you, Mr. Baeza.
32:41But in this matter, you shouldn't do it,
32:44because it's all old-fashioned apprehensions.
32:46No, that's not true.
32:47It may be because of fatigue, but you're old, you have nothing.
32:50Oh my God, no.
32:52As a young man, if I have something left, I'll ask for it.
32:55Don't say silly things and you'll run out of ice cream.
32:57What else?
33:07Teresa, are you okay?
33:09Are you worried about something?
33:14Someone, rather.
33:16I see.
33:18And I guess you know who I'm talking about.
33:21Your husband, right?
33:25This morning, Mr. Baeza has thrown a good rag at me again because of him.
33:29And he's not wrong.
33:31He doesn't pay enough attention and makes mistakes all the time.
33:37I know it's a little hard for him, right?
33:40It's not just hard for him, Maria.
33:42It's just that it seems that ...
33:45It seems that sometimes he doesn't want me to stop bothering him.
33:48Well, don't be hard on him.
33:50The man won't be wrong if he wants to, I mean.
33:53Well, I promise you that sometimes I think the same thing.
33:55And then I feel guilty about it, of course.
33:57Well, it's not your fault.
33:58Maria, it was me who brought him here.
34:00And I was also the one who spoke to Mr. Baeza and I assured him.
34:03I assured him that Marcelo would adapt to the tasks of this palace.
34:07Well, but he's been here no less.
34:09And this job is not learned in two days.
34:11We all know that. And the elders too.
34:14But one thing is to be patient and another is not to have eyes in your face.
34:18I really don't understand what's wrong with Marcelo.
34:24And that look?
34:26What look?
34:28Maria, that look.
34:31What?
34:33Is there something you're not telling me?
34:35No.
34:36Maria.
34:40It could be.
34:41What do you mean, it could be?
34:44Yes.
34:45And I'm not going to tell you this because I don't want to get you in trouble.
34:49That's why I hadn't told you before.
34:51But it could be that Marcelo is a little confused, to put it mildly.
34:57What do you mean confused?
35:00Yes.
35:01I've seen him a few times more worried about making the maids laugh than at his own work.
35:10What do you mean?
35:12Well, I mean, Teresa, that this man is married to a very good friend.
35:15You.
35:17And I think he spends too much time talking nonsense with his partners.
35:21As far as I'm concerned.
35:22And it wouldn't hurt if you told him something, of course.
35:25Because here, as there is no more work and less nonsense, it will last very little.
35:30Yes.
35:48My mother told me that you canceled the news.
35:53And she also told me that you did it out of respect for Cruz, which makes it a little harder for me to believe.
35:58Cruz is not the main reason.
36:01And what is it?
36:03I've already told you, I'm not going to feel good in front of the journalists.
36:07Being the center of attention.
36:10I prefer to dedicate my time to work.
36:14And more so now that I'm going to run the jam business.
36:19Besides, I can tell you.
36:22No, no, I'm not feeling well.
36:25I'm down.
36:28Let's see if you're going to be sick.
36:31What's wrong with you? You can tell me.
36:36Catalina, why are you crying?
36:38Forgive me.
36:39No, you're stupid.
36:42What's wrong?
36:43I don't know, it must be a bad streak, I don't know.
36:45What do you mean a bad streak? From the outside it seems that you are in a very good streak.
36:49No, I don't know, it must be the wear and tear.
36:51It's just that there are too many things at the same time.
36:54Trying to know if I want Pelayo or not.
36:57The fights with Cruz, which are as always or even worse.
37:02The jam business.
37:04Trying to claim what is mine by right.
37:06There are too many things.
37:08There are too many things.
37:20Everything is finally going to end, Maria.
37:25What is going to end?
37:27Everything and the matter of Doña Pia, which is going to be resolved.
37:31Do you mean that that son of his mother is going to leave Doña Pia alone?
37:36Just like that?
37:38And how is that going to be?
37:39Let's see, I also stayed for you and Fusa.
37:42But it turns out that Manuel has been looking until he finds evidence that incriminates Gregorio in the murder of the judge.
37:48The one that Mr. Besa told you about?
37:50Exactly.
37:52And now he has told Gregorio that he has that evidence and he has threatened to report him.
37:59So he was brave, Mr. Manuel.
38:01Well, brave and something else, because he had to have something.
38:06What?
38:07Well, that he was offered a lot of money. A good amount.
38:11And above all, so that he leaves and never comes back.
38:15The fact is that if Gregorio accepts all that money, which I think he will,
38:19it is possible that all this is over and that Doña Pia returns to the world of the living.
38:28What's going on?
38:30I don't know, Hanna.
38:31What is it that you don't know?
38:33Because what Mr. Manuel has done is a blackmail.
38:36And blackmail, everyone knows that when the blackmailer runs out of money, he comes back for more.
38:41And blackmail comes back.
38:43I know, Maria, but I want you to know that it seems to me that this is not going to end like this.
38:47Because it is not convenient for you to believe it.
38:49What I mean is that Manuel has enough evidence to put Gregorio back in jail.
38:54And this time forever.
38:56So the money is just an incentive.
38:59Anyway, if he accepts it, he won't dare to come back.
39:02Well, when are you going to see him?
39:05Manuel has met him tomorrow to give him the money.
39:09Well, I hope all this is resolved.
39:12And that Doña Pia can get out of that lock and return to the promise and reunite with her godfather.
39:18You'll see how it is.
39:21We'll have to tell him, won't we?
39:23Don't worry, Mr. Baeza has already gone to see her.
39:27I'm sure he's going to jump out of joy.
39:30And with good reason, too.
39:34Come on, let's go.
39:37See you.
39:41The next day
39:46So you're not meeting the cooks today?
39:48No.
39:49Not today, not in the next few days. I'm going on a trip.
39:52Well, I could have told you.
39:54The cooks have organized to attend to her and I assure you that it is difficult for them to fit everything.
39:58Yes, I'll take care of it.
40:00And that's why, as a disgrace, I've brought you a gift.
40:05Water of chance. One for each cook and the other for you.
40:10I know it's not your favorite perfume and I've never seen you use it when you were the daughter of the dukes of Carril, but who knows?
40:16Now that you're a maid, you have other tastes.
40:21The truth is that I do have them.
40:24Who do you think you're fooling?
40:27It turns out that now I love water of chance. What am I going to do?
40:30Please.
40:32And López? He hasn't brought him any gifts?
40:36Well, look, I would have loved to bring that boy a gift, but I don't know what his tastes are.
40:42You see, I don't know him enough, although I have to say that I like him better every day.
40:49So that means that he approves of my relationship and that in the end he will leave me alone?
40:57Not even dead.
41:05Damn.
41:21Julia.
41:23Are you here to give me a badminton class?
41:25No, no, no.
41:27Then it is clear that you are interested in the world of pictorial restoration.
41:31Not especially, really.
41:33That's because you don't know him enough.
41:36Look, I just put the new varnish on him.
41:39Ah.
41:40I think it was true with the type of varnish that was used and it is a very good quality one.
41:45That has made my task easier and I hope he can take more time to wear out this time.
41:51Yes, we all hope so.
41:53That is why I was doing tests with different solvents.
41:56The last thing I would like is to damage the painting, so I'm going with my feet on lead.
42:00Is that what smells so strong? The solvent?
42:03Yes. This is too alcoholic.
42:06Do you want me to explain to you what a solvent differs from another?
42:08No, no. It won't be necessary.
42:11Maybe at another time.
42:13As you prefer.
42:15Vera.
42:17I have not come to talk about solvents or varnishes.
42:25I wanted to talk to you about another matter.
42:28Very different.
42:30I think it's fair.
42:32Fair?
42:34Yes, that said.
42:37These last few days I have noticed that you have a certain interest in me.
42:41And I would like to clarify things before I go any further.
42:47Look, I don't feel attracted to you.
42:51I'm sorry.
42:53But nothing is going to happen between us.
42:57And I'm sorry to be so direct, but given the circumstances, I think it's for the best.
43:04It is true that I have an interest in you, Curro.
43:07But mine is not a romantic interest.
43:11Look at me.
43:13I'm sure that if you make an effort and remember, you will realize who I am.
43:18I recently became familiar with your cousin Manuel.
43:22If you look at me well, maybe you remember when and where he saw me.
43:27Someone showed him a portrait of me.
43:30Someone?
43:33Who?
43:35I'm sure he didn't introduce me as Julia.
43:37Because I have never been Julia.
43:39My name is Matilde.
43:41Do you remember me now?
43:43Do you know who I am?
43:45I was Paco's girlfriend.
43:47The partner who died by his side fighting the Germans.
43:50Do you remember me now?
43:52Do you remember him?
43:53Or are you one of those war ghosts that I prefer to forget?
44:08The truth is that I find it curious that a lady is interested in this kitchen thing.
44:12As they say now, she is single.
44:14Yes, but let her come personally.
44:16I don't know, the logical thing would be for her to send one of her cooks.
44:19We are good parents.
44:22Well, it's a bit early to think about that, isn't it?
44:26I hope not.
44:28I assure you that being a father is what I like the most in this world.
44:32But I can't look forward to anything with so much force.
44:35While your mother is dedicated to giving smiles and fragrances, we can't do anything.
44:39López is winning the cooks by interest.
44:41But that's the only thing that proves that he is a strategist.
44:43The attitude he is having is a bit suspicious for a lady of his class.
44:46And that can raise a network of jealousy.
44:48Santos, I'm getting to know you.
44:51What are you up to?
44:54So if I'm right, tell me what it's about.
44:59As you say, you are getting to know me.
45:02So you already know how much I like mystery and intrigue.
45:06He has to get up and finish getting ready.
45:09Otherwise, he will run out of time.
45:11Time for what?
45:13What are you going to do? To receive the gentlemen from the press, who have just arrived.
45:17What?
45:19How? It can't be.
45:21If they are waiting for him ...
45:23Anyway, if Gregorio has some common sense left, he has no choice but to accept the deal.
45:27But still, it doesn't quite reassure me.
45:30Me neither.
45:32Until I meet that man, I see that he takes the money and leaves so as not to breathe in peace again.
45:37What are those two journalists doing down there?
45:39Didn't we cancel the interview?
45:41What?
45:42You can see them yourself.
45:47Have you ever done that coin trick?
45:49Of course, I did it a lot.
45:51How can you leave the salary to this troubadour and trust him?
45:54Yes, the truth is that since I was a child, those tricks were good for him. I loved them.
46:01What do you mean you loved them?
46:03But you had met us at the house of the burglar queen.