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00:00♪♪
00:09Your wedding ring.
00:11♪♪
00:16I love you so much, Teresa.
00:19♪♪
00:22You're all I have.
00:24♪♪
00:27And that's why it hurts to see you
00:28with so much pain because of me.
00:30My heart breaks.
00:33I know you're honest, Marcelo.
00:35But unfortunately, love has very little to do
00:37in this situation.
00:39Does it help?
00:40What would really help
00:42is for you to get more involved in your tasks.
00:45I get involved?
00:46Well, even more.
00:48I need you to pay attention
00:49as if it were the most important thing in your life.
00:51I need you to strive to the limit of your abilities.
00:54I'm telling you, I'm already doing that.
00:55But not enough.
00:58Don't you realize that I've interceded for you
01:00in front of the heads of staff?
01:02And that every time you make a mistake,
01:04you not only put yourself in evidence,
01:06but also me.
01:09I need you to think about yourself.
01:12You don't know how hard it is
01:13to have to face you every two, every three.
01:16I'm sorry.
01:18♪♪
01:22And to top it off,
01:24to top it off,
01:25everyone thinks I replaced Feliciano too soon.
01:28And the more comparisons there are between you and him,
01:31the more pain it causes me.
01:33♪♪
01:36This is too much.
01:38You'll see how all this is going to change.
01:40I promise you I'm doing my best.
01:43♪♪
01:47Please, Teresa.
01:49♪♪
01:55No one should have any more complaints about you.
01:58No one.
01:59Do you hear me?
02:01No one will have any more complaints about me.
02:03I will put all my effort into doing things
02:05well and delicately.
02:08But please, don't leave me.
02:12I need you by my side.
02:14♪♪
02:19I hope you enjoyed today's visit, ma'am.
02:22If you've learned anything from the recipes
02:24of these humble cooks,
02:26I'm satisfied.
02:28I really appreciate your time and dedication.
02:31And I have to say, yes,
02:32I've enjoyed this unconventional snack.
02:36And forceful.
02:37You'll see how much energy it's going to give you.
02:40Lope, we can also make a basket for the lady, right?
02:44With some of the leftovers.
02:45Yes, and you can eat them in the palace
02:47when you feel like it.
02:49Of course, I'll make you a basket myself.
02:52No, no, it won't be necessary.
02:53I've eaten too much.
02:54Besides, I don't think I can taste a bite again.
02:58It's not hard at all.
02:59Lope can do it in a jiffy.
03:01Yeah, but you don't have to overdo it.
03:03Not even the good stuff.
03:05Wise words, ma'am.
03:07Well, if you don't need anything else...
03:11Did you forget something, ma'am?
03:13Yes, I thought I'd see Vera
03:16and I'd like to talk to her about the notes we took today.
03:19Of course, ma'am.
03:20Vera!
03:21Come here, do me a favor.
03:25Is something wrong?
03:27No, the Duchess wants to see you.
03:29Yes, that's right.
03:32Well, thank you very much, it's been a pleasure.
03:34The pleasure has been ours, ma'am.
03:36Come in.
03:46They're lovely, Mrs. Candera and Mrs. Simona.
03:49Yes, and that Lope is too.
03:53What's that about you being a cook's girlfriend?
03:57Who told you that?
03:59Who told you that?
04:01The cooks, who are charming and gossipy.
04:04I see.
04:05And the servant himself has also confirmed it to me.
04:07Lope is not a servant, Val.
04:09He's the cook of the palace.
04:10What's more, he's a nobody.
04:13And you're the daughter of a duke.
04:15No, I'm not that woman anymore.
04:17Can't you give up your identity?
04:19Can't you give up your lineage?
04:21Yes, I can.
04:22And I've already done it.
04:24Please.
04:26I beg you, go home with me.
04:28Mother.
04:30I remind you that as a father, I'm just the person who almost ruins you and puts you in jail.
04:35But everything has a remedy.
04:37Yes.
04:38And I've already found it here, in the promise.
04:41No.
04:42As a vulgar maid, no.
04:44You can't say those nonsense.
04:47A vulgar and happy maid.
04:50And you know what?
04:52I don't regret the decision I've made.
04:54No matter how much you try to change your mind.
04:58So don't insist.
05:00And leave things as they are.
05:04Do you want me to walk you out, Lopeza?
05:07No.
05:09I already know the way.
05:24No.
05:31A man got off the horse and approached me.
05:36And he demanded that I give him my brother.
05:39I thought they were going to kill me.
05:42Just like they did with my mother.
05:45But I thought they wouldn't be able to kill a baby.
05:51That's terrible.
05:54Yes, Manuel.
05:57But what's even worse is that the person who killed my mother belongs to this palace.
06:13The same ring that your grandfather, the Baron of Linaja, left you in inheritance.
06:20Manuel.
06:27I'm going to see Mrs. Pia.
06:29I just finished my homework and Mr. Romulo gave me permission to go.
06:34What's wrong?
06:37Are you okay?
06:40Yes.
06:41Manuel, what's wrong with your hand?
06:45Give me that.
06:48Come on.
06:58So you haven't stopped thinking about the suspicions I told you about your grandfather, the Baron.
07:05I can't get it out of my head.
07:11Manuel, we said we had to leave the past behind.
07:15I know, but ...
07:18I've taken out the ring and I've got a lot of memories all at once.
07:27Who would have imagined that behind a riddle there could be so much pain and suffering?
07:34You know what? It's over.
07:39I'm never going to wear it again.
07:42But it's a ring. And it's a jewel, so it's not to blame for anything.
07:47But I suspect it won't be pleasant to see it every day, right?
07:53I'm not going to let anything get in the way of us.
07:57And let nothing spoil our happiness, my love.
08:01I want to get married and spend the rest of my life with you.
08:07Me too.
08:10But I don't know why I feel like you're worried.
08:16A little. But it's not because of us.
08:21Mrs. Pia's case has me at a loss.
08:25You see, I can't stop thinking about the conversation I had with Rómulo about Gregorio.
08:30What you're still thinking about is the possibility of meeting him.
08:35I know it's dangerous, but I think I can find a way to leave Pia once and for all.
08:41I know it's dangerous, but I think I can find a way to leave Pia once and for all.
08:46Yeah, but to do that, you have to find him first, and it's not that easy.
08:52Do you have something in mind?
08:56What makes you think that?
08:58Manuel, I know you perfectly well. And I know what each of your smiles means.
09:06And this one makes you think I'm up to something?
09:13I can't lie to you. He's the thought.
09:18Then why don't you tell me what you're thinking?
09:25Let me mature it a little more.
09:28I have to give it another thought. I still don't know if it's feasible or ...
09:32or an illusion as a result of my desire to end this as soon as possible.
09:37Okay, but keep me informed.
09:40Yes.
09:42And whatever you're going to do, count on me.
09:47Yes.
09:51This kiss is to let you ask questions.
09:54No.
10:03My love, I swear that when I arrived, she had already gone speechless and they had told your mother everything.
10:07Well, with how gossipy you are, Mrs. Candela was to be expected.
10:10And Mrs. Simona is not short either.
10:12It was an imprudence to have left her alone with your mother.
10:14Lope, you haven't done anything, so don't blame yourself.
10:17No, Vera, it had to have been planned.
10:19Not only have they told her that, don't believe it.
10:21What else have they told her?
10:24Well, they started to get hot and told her my story with María Fernández.
10:28Really?
10:29Yes, really.
10:31Vera, I love those two very much, but they are big mouths.
10:34Your mother is going to think that I am not a man of trust and that I go from flower to flower.
10:36Come on, Lope, don't exaggerate.
10:37I'm not exaggerating.
10:39I have to talk to them because they have put me at the feet of the horses.
10:41They said it was a Don Juan.
10:43A Don Juan.
10:45What is your mother going to think now?
10:47She has had to take a horrible image of me.
10:49Lope, she was going to take it anyway.
10:52Even if you were the best person on earth.
10:55You will never be enough for my mother.
10:57And you don't care about that?
10:59The only thing I care about is you.
11:01Yes, Vera, but ...
11:02No, but nothing.
11:03Sooner or later she will find out.
11:06In any case, I'm going to talk to them and I'm going to tell them that they are corrupt.
11:10Come on, don't tell them anything.
11:12I'm sure they have done it with the best of will.
11:14To talk about something.
11:15It's not easy to get you into a conversation with a whole duchess.
11:19I guess.
11:20And with all the love and all the effort they are putting into it, the last thing they deserve is to take a rag to dust.
11:25If the poor knew how little they care about my mother's cooking,
11:28what's more, how disgusting it is ...
11:30Did you see the face he made when he heard the recipe for the callos?
11:34Lope, leave him alone.
11:39And did he say anything else about me when he left?
11:42Well, what was to be expected.
11:45Is it good?
11:47No, nothing good.
11:49Oh my God, Vera.
11:50But Lope, all this matters to me at the very least.
11:54Now this is my new life.
11:56And neither my mother nor my father have anything to say about it.
12:00I am no longer the daughter of the Dukes of Carril.
12:02Now I am Vera.
12:04A maid and a happily in love woman.
12:08But I am the only thing you want to be with you.
12:12And it is better that my mother is there, aware of all this.
12:15So the cards are on the table and everyone knows what to expect.
12:20Seen like this?
12:22That's how it should be seen.
12:31I love you, love.
12:32And me.
12:46I just met Manuel.
12:49Yes, we finished Villar's game.
12:52We had left half this morning.
12:55And because of your expression, I deduce that you have lost.
12:58Well, you're wrong.
13:00I hit him hard.
13:02Well then, I don't understand your attitude.
13:05Lately, there are reactions of yours that displace me a bit.
13:09If you say it because of Julia, it's better, right?
13:11Well yes, yes, I work, I say it because of Julia.
13:15You can't answer in such an abrupt way to a guest,
13:18that the poor thing was stunned.
13:20I was fed up, Martina.
13:22Because apparently, that girl doesn't know how to talk about anything other than that damn war.
13:26Yeah, yeah, but that doesn't justify your tone.
13:30I don't think she wants to bother you.
13:32No, no.
13:33Well, I should have been more tactful.
13:36She is trying to be kind.
13:39I don't know, Martina, but I got the opposite.
13:42In fact, I have always tried to be polite.
13:46To answer in a kind way.
13:48But not anymore.
13:50Not anymore because I made it clear how much I was uncomfortable with her questions.
13:53That we are talking about war.
13:55Not about the fashion of Paris, nor about the last premiere of the theater.
13:59It's irritating.
14:08Do you see how he puts you?
14:09Yes.
14:13Curro, I ...
14:18I know that that war has affected you a lot.
14:21And that it still affects you.
14:24I know you've had to live terrible experiences.
14:28And I can't even imagine
14:30the number of horrible images you will have in your head.
14:35And that will probably accompany you for the rest of your days.
14:42That's right.
14:44I'm going to have to live with those images.
14:47Yes, I know.
14:53I get on your feet.
14:56And I get hot.
14:58Really.
15:03But I think you also have to get on Julia's feet.
15:08Because she is completely alien to your pain.
15:12And without eating or drinking it, she has taken a good hit, right?
15:18It's just ...
15:19Can you imagine?
15:22That you are the guest in a house and they talk to you like that.
15:30It's okay.
15:31Yes, I admit that ...
15:33My ways went beyond the set.
15:39I'm sorry.
15:40What? No, no, no.
15:41You don't have to apologize to me.
15:44It's her.
15:46Right?
15:48It's okay, it's okay.
15:50I'll do it as soon as I can.
15:55And she will understand your reasons perfectly.
16:00She is very smart.
16:03Very much.
16:05Nothing.
16:09Well.
16:11I'm going to leave the clothes clean around here.
16:13Thank you for doing the laundry for me on the promise.
16:16You're welcome.
16:18It is true that if you did it, then ...
16:21It would be an unnecessary risk.
16:23That of course.
16:25Anyway, try not to get obsessed.
16:29Here.
16:31If I had my son closer ...
16:34I've been hiding for weeks and this is making me eternal.
16:37Well, don't worry because your son is fine.
16:39Mr. Baeza and I will take care of getting in touch from time to time with Laveny
16:43so that he can tell us how it is going.
16:45And I thank you because I know it's not easy.
16:48What's more, you have to put yourself at risk with that ...
16:50loose canary out there.
16:53If Gregorio showed up, he would attack anyone.
16:56And he will show up sooner or later, but he will show up, I know.
17:01Unless ...
17:03we meet him before.
17:06I thought it was very clear that he would not look for that man again, Hanna.
17:09Yeah, but ...
17:11But what?
17:14I don't know. Manuel is up to something.
17:17Something like what?
17:19I tell him I don't know what it is, he hasn't given me details, but ...
17:22I'm convinced that if it's about him, it's a good idea.
17:26Besides, Manuel won't stop until he stops Gregorio's threats.
17:29I don't want him to put himself at risk for me.
17:32Well, don't worry. Manuel knows what he's doing.
17:37Anyway, I have to go now.
17:42I'll leave you here.
17:45Take care.
17:59I love you.
18:13Well, a friend of the count is going to compose a waltz in our honor.
18:16Will it be the dance that will open your wedding?
18:18Of course, what better than to start dancing a waltz composed by an ex-professor for the two of us.
18:23Right, dear?
18:24Yes.
18:25And can I know the name of the composer who will take care of the piece?
18:28His name is Gaetane Chauvinier.
18:30He is a French composer that I met on one of my trips.
18:33And I have a certain friendship with him.
18:35He is the same one who composed a piece for the link between His Majesties Alfonso XIII and Mrs. Victoria and Eugenio.
18:42I thought you were preparing an intimate ceremony, but I see that you shoot high.
18:46Well, being intimate does not mean that we give up giving it the relevance that a moment like this deserves.
18:52After all, a wedding is something you do once in a lifetime.
18:55Well, in the case of Margarita, more than one.
18:57But I'm putting on the same illusion as at my first wedding.
19:02And not only will we share a composer with the royal family,
19:05also, and thanks to the mediation of one of my sisters, we will have the presence of Orfeón Pamplonés.
19:10Who also sang at the wedding of the kings.
19:12I hope that the similarities between the two links remain there.
19:15You don't need me to remind you of the tragic end of the wedding of the kings,
19:19with that undesirable anarchist of Mateo Morral attempting against their lives.
19:23Fortunately, we do not have enemies of that style.
19:27At the moment, but time to time.
19:32Are you still awake at this time?
19:34Well, what a pleasant tertulia after dinner.
19:38Besides, we were waiting for you.
19:41For us, why?
19:43Well, I'm dying to know your impressions after returning to social life.
19:49I hope you haven't had a bad time.
19:52You have worse drinks with your own family, I assure you.
19:56So it went well?
19:58It was fun, right Pelayo?
20:01That's right.
20:02And who attended that request?
20:04Authorities or members of the royal house?
20:07Yes, not in vain. The groom is a relative of Queen Victoria Eugenia.
20:11Oh yeah? Is he English?
20:12Half English.
20:13There were also members of the European royal houses.
20:16They will be the ones who are fighting us right now, but there are not many.
20:19There was even a photographer and a journalist to immortalize the moment.
20:23And did they portray it together?
20:25Well, I don't know. Of course, I haven't done anything to avoid it.
20:28I don't want to hide.
20:29My intention is to behave normally, and if you don't like it, don't look.
20:50Santos!
20:53I'll go now.
20:56Where are you supposed to go without the regulatory uniform?
20:59Sorry Mrs. Petra, but my father has sent me to collect firewood.
21:03And do you have to go? Why doesn't Marcelo do it, who has just arrived?
21:06He is also coming. Apparently, many hands are needed.
21:09They have hired a truck to collect as much firewood as possible and replenish the warehouse,
21:14which is practically empty.
21:16And they have hired a truck just for that?
21:18Well, in fact, they are also going to transport straw and fodder bullets for the animals.
21:24And when will you be back?
21:26Well, I don't know. In fact, I don't even know where we are going to collect firewood.
21:30I understand that it will be the small forest next to the river.
21:33It may be. If everything goes well, we should be back in the afternoon.
21:41I wasn't aware of this.
21:44You weren't aware of this?
21:46No. As always, I am the last to find out about things.
21:50Although the truth is, I admit that the lackeys are not in my competition.
21:57The truck is already here.
21:59Come on, don't make them wait.
22:01And the sooner you leave, the sooner you will return.
22:04Do you want me to bring you a gift from the forest?
22:07A flower, a stick, a round song?
22:10Even if you are very careful, I will be satisfied.
22:13That's always Mrs. Petra. Don't worry about me.
22:17Come on.
22:34So you got up early this morning.
22:37I wanted to go horseback riding for a while.
22:40I guess you arrived late from that party last night.
22:43That's right. I haven't slept much, but it pays off.
22:47I love the first hours of the day.
22:50I like the freshness of the earth before the sun rises.
22:54Me too. Everything seems new. And even the countryside smells better.
23:01How was Pelayo and you last night?
23:04Good. Very good.
23:07Did you enjoy the evening?
23:09A lot.
23:10I'm glad.
23:14It seems that this morning you don't really want to talk to me.
23:19Are you still upset about the jam business?
23:23I prefer not to talk about it, father.
23:25Yes, daughter, but I prefer that you make an effort and we try to get closer.
23:32I'm going to be late to go to the motel.
23:34Catalina, please.
23:36Okay, what do you want?
23:38To explain my reasons for not leaving you in charge of the business.
23:46I know that in a way I'm being a little unfair to you.
23:50And you still keep your 13.
23:52I have my reasons.
23:53Yes, Cruz. Those are your reasons.
23:57Always Cruz.
23:59Stop being afraid of your wife.
24:01No. It's not fear.
24:03No?
24:04No.
24:05Then what is it?
24:10Look, father.
24:12I understand that you will keep me away from the business as a punishment for everything that happened with the guns.
24:17Or because I abandoned it overnight.
24:20I even understand that you like the way Lorenzo manages it.
24:24Because after all, he doesn't give losses.
24:26What makes me desperate is that he does all this so as not to upset his wife.
24:29For the love of God.
24:32Father, you have what you have chosen.
24:54Simona, are you reading the letter in full?
24:56Do you want to know everything?
24:57Yes, I also want to know how Virtudes is doing.
24:59A little patience.
25:01I want to give him an eye first.
25:04I'm happy like a worm.
25:07Well, you can tell.
25:08He has a smile that doesn't go out of style.
25:10And what is that due to?
25:12Well, it was good to see Salvador.
25:14Today is his day off.
25:15And I feel like kissing him.
25:16But don't cheat on him.
25:18I don't even want to break a rib.
25:20What time did you meet Salvador?
25:22Well, he talks to Petra.
25:24And as soon as he finishes eating, I go out for a walk.
25:26Good.
25:27Well, perfect.
25:28Because that way we have time to finish the cookies.
25:30And you take them.
25:32Really?
25:33Yes.
25:34Of course, we are making cookies here for a laugh.
25:36A wonderful detail.
25:37Because they are also his favorites.
25:38The chocolate ones.
25:39Of course, there are a lot.
25:40Well, where is the meeting going to be?
25:44In Luján Square.
25:46Do you want me to tell him something about you?
25:48Well, yes.
25:49If possible, tell him that when he has free time,
25:51he comes to see us at La Promesa.
25:52I miss him.
25:53Yes, we love him very much.
25:55I was going to tell him.
25:56But now also on your behalf.
26:00Is something wrong, Simona?
26:01Are you okay, Virtude?
26:02Yes, yes.
26:03Everything he tells me in the letter is good.
26:05Then why are you sighing?
26:09Can I read the letter?
26:11No, they are personal things.
26:13Oh, how mysterious.
26:15No, he can tell something, right?
26:17Come on, get out of that mouth.
26:20Well, it's fine.
26:22Let's see.
26:23Do you remember that in the last letter,
26:25my Virtudes told us that she was working for a seamstress?
26:28Yes, of course.
26:29Well, apparently she has made great progress.
26:32And every time they give her more complicated orders.
26:35She doesn't just make patches.
26:37The truth is that Teresa's teachings have gone very well for her.
26:40And what about the child?
26:42How is Dorfito?
26:43He is eating.
26:45He is very happy there in the field.
26:48And my in-laws too.
26:50They are very happy to have him there.
26:52They don't know how envious I am of them.
26:54But that's wonderful, Mrs. Simona.
26:56In the end, everything has gone well.
26:58And that child is going to have a very happy upbringing, you'll see.
27:01Yes, that is the most important thing.
27:04María, a man has brought this for you.
27:07For me? Really?
27:16Candies!
27:17And who sends you those delights?
27:19Well, there is a note.
27:23Salvador.
27:25Oh, what a detailer, the boy!
27:28That's love at first sight.
27:34Yes, love at first sight, but ...
27:37But he's not coming.
27:39Why? What happened?
27:41Well, an unexpected thing happened to the count of Matesán.
27:45And he can't take the afternoon off.
27:47Oh, my God.
27:49Well, I know it's not the same, María.
27:51But if you want to hug us ...
27:53One after the other.
27:57Can we put our hands in the candies?
27:59Because the pains with sweets are less.
28:01Well, yes, I know.
28:04Do you like them?
28:05No, thanks.
28:06I do.
28:07Hey, don't start with a finger, huh?
28:11Thank you, María.
28:12Take these letters to the count of Matesán.
28:14And don't forget,
28:16Thank you, María.
28:18Take these letters to the counter as soon as possible.
28:21The one that arises the most is the one addressed to my friend José María Lavilla,
28:24admiral of the Spanish Navy.
28:26The poor man has just got widowed.
28:28Oh, yes, yes.
28:29I remember perfectly his wife, Mrs. María Cristina.
28:32An elegant and generous woman.
28:34I know.
28:35It leaves an impossible void to fill.
28:37And since I already had news of the sad event,
28:40well, I got ahead of myself.
28:42I need you to prepare your luggage,
28:44because I suppose the burial will take place in San Fernando.
28:47Rómulo, you are as efficient as ever.
28:49But I'm afraid I'm not going anywhere this time.
28:52I thought you would like to convey your condolences directly to Don José María.
28:57It would make sense if I went with my wife.
28:59But as things stand, I don't think she wants to accompany me anywhere.
29:03I understand.
29:04That's why it's important that the mission arrives on time.
29:06Because it is precisely to excuse my presence.
29:10And ...
29:11And changing the subject,
29:13do you have any news about Doña Pia?
29:15How is she doing in that cabin?
29:17Precisely.
29:18Yesterday he was visiting Miss Expósito and he found her well.
29:21Well, taking into account her circumstances, of course.
29:23Yes.
29:24Every time I think about how bad it will be for her.
29:26Yes, the truth is that she lives in a very cramped place.
29:28She is dead of fear, knowing that that man is out there.
29:32Well, she is a strong woman.
29:33She can handle it.
29:35I hope you are right, sir.
29:36I put myself in her place and I doubt that I have the same strength.
29:39Well, no, I rectify.
29:40I'm sure I wouldn't have it.
29:42I get the impression that something worries you.
29:45Something, Rómulo?
29:46Everything worries me.
29:48In case I had a few disagreements with my wife,
29:50I keep arguing with my daughter Catalina.
29:52But I'm sure the waters will soon return to their course.
29:55Today I have tried to get closer and it has been of no use.
29:59In a way, I feel that I have failed you.
30:01I know, sir. I'll take care of it.
30:04Really?
30:05Well, I don't know the specific details of the conflict you have with your daughter,
30:10but I dare to say, without fear of making a mistake,
30:13that sometimes one is forced to do what is not correct.
30:18And he has to sacrifice his own principles to avoid bigger evils.
30:23Are you trying to tell me something?
30:25No, I was just philosophizing, sir.
30:28I thought this could still be of help.
30:31Good. You can go now.
30:35With your permission.
30:54Why is this tea so dark today?
30:56Have they left the herbs longer than usual?
30:59No, I understand that they have prepared it the same.
31:01In fact, I don't see any strange color.
31:03Am I making it up? If I say it is darker, it is darker.
31:07Can I tell them to prepare it again?
31:10No. Pour a good splash of milk to see if it clears up a bit.
31:25Ma'am.
31:30This is colder than an ice cream.
31:33I can assure you that both the tea and the milk were hot.
31:37Are you going to take me against all odds?
31:40Of course not. Right now I'm telling them to heat it up again.
31:44I just want a tea, like every day. It's not that hard, I say.
31:48Good morning.
31:49Good morning.
31:51What's the matter, mother? Why are you so relieved?
31:54I'm fed up with useless maidens.
31:57Mother, getting upset won't get you anywhere good.
32:00Look around you. It's a beautiful day. Why don't you take advantage of it?
32:04Weren't you going to leave the palace?
32:06Yes, but I'll do it after lunch.
32:09I've met with some engineers. I have doubts about the new design of my project.
32:14You mean your little plane, right?
32:16Exactly. It's the one you love so much.
32:19It's the one you love so much.
32:21It's the one you love so much.
32:23Exactly. It's the one you love so much.
32:26Damned puppets.
32:28Ma'am, I've asked them to heat it up again.
32:33You know, mother, I think I'm going to sit here with you for a while.
32:37Let's see if I can get that to work.
32:39Hanna, please, can you get me a cup of that tea?
32:42Don't even think about it. It's loaded and cold. It's better in cold water.
32:47You know, that's making me want to sing it even more.
32:52Please.
32:57Mother.
33:01Apart from her bad mood, she's more beautiful when she smiles. Did you know that?
33:05I don't even know the truth, Manuel.
33:07What I'm telling you is completely true.
33:10You see, in reality, she gets ugly when she frowns.
33:15She loses part of her natural charm.
33:21I'm sure that if she smiles, the next tea will taste better.
33:26Manuel, even if you look at me like that, that tea is horrible.
33:29And you're not going to convince me otherwise.
33:32Mother, I do it for you.
33:35And for those around you.
33:39And I'm particularly talking about father.
33:42I don't know what happened between you two, but I assure you that father is wrong.
33:46Really wrong.
33:47Manuel, leave him.
33:50I'm sure everything can be fixed if they get a little goodwill.
33:54If you're going to continue with this nonsense, let's leave this conversation right now.
33:58Besides, you're not the right person to teach me what an exemplary marriage is.
34:03Or do you want me to remind you how yours ended?
34:05Ma'am, do you want a napkin?
34:07Don't interrupt me.
34:09Did I ask you for anything?
34:11No, forgive me.
34:19Come on.
34:31Hey, Teresa.
34:33What?
34:37I'm sorry.
34:40What?
34:43I'm sorry I questioned your relationship with Marcelo.
34:49And I'm sorry if my comments have hurt you.
34:54Do you forgive me?
34:58Of course, Maria.
35:01Don't worry, everything is fine.
35:06Maria.
35:07What are you doing here?
35:08Wasn't it supposed to be your day off today?
35:11Yes, it was.
35:12I was supposed to meet Salvador, but it's known that his boss has asked him for a task and we had to cancel the appointment.
35:20I'm going to have to put up with the urge to hug him for a while.
35:24Yes, for a while.
35:26Because very soon he's going to start hitting on you.
35:31Tyra, come on.
35:35What happened to you? You're naked to the bone.
35:38We fell into the river.
35:39But it looks like they threw a barrel of water on you.
35:42Wait a minute, how did you fall?
35:44If you ask your husband.
35:46Yes, I tripped and fell.
35:47A stupid accident.
35:48No, a stupid accident, Marcelo.
35:50And thank goodness there was a rock.
35:52If I didn't drown and Santos tried to help me, he fell too.
35:56Next time I'm not going to move a finger for you.
35:59The water was cold.
36:00Yes, it was.
36:01And the colleagues took a long time to get us out of there.
36:05A cut, all useless.
36:07Come on, come on.
36:09You're shaking, guys.
36:13Better?
36:14Yes.
36:15Thank you, Mr. Arcos.
36:17Thank you, I'm much better.
36:19You should take care of yourself a little more, Feliciano.
36:21You can catch pneumonia.
36:23You're right.
36:29See what I'm telling you?
36:30Do you see it?
36:47You are beautiful.
36:52What are you doing here, Manuel?
36:53And you?
36:56I came to get some fresh air.
37:00Well, it's a good thing we met.
37:06I come from Lujan.
37:08And I can't wait to tell you.
37:11My management is giving results, Hanna.
37:13I don't know what management you're talking about.
37:17I know how to attract Gregorio.
37:20But have you located him?
37:22Not exactly, I haven't located him.
37:24But I've found out that, from time to time,
37:26he drops by Lujan's tavern.
37:29So I left him a note in an envelope,
37:31quoting him in a remote place.
37:33So, in the end, you're going to meet him.
37:37But what are you going to tell him?
37:38Because I don't know how you're going to get them to leave last year.
37:41I have a plan.
37:44Manuel.
37:45I need you to be careful.
37:48He's a very dangerous criminal,
37:49and I can't let anything happen to you.
37:51I have everything under control.
37:55Look, I've managed to locate a man
37:57who was in the same prison as Gregorio.
38:00And he has confirmed the same story that Mr. Baeza told us.
38:03You mean...
38:04Yes.
38:05Yes, the death of that inmate in strange circumstances
38:07and whose evidence pointed to Gregorio being behind it.
38:11Hanna, he's given me a series of decisive details
38:13that could lead that man back to prison.
38:16But let's see, Manuel,
38:17what kind of details are you talking about?
38:22I'd rather keep you out of it for now.
38:25I promise I'll tell you everything when this is over.
38:29Let's see,
38:30why do you think Gregorio is going to meet you
38:32just because you're Mr. Manuel de Lujan?
38:36It's true that you said there's a chance he won't come,
38:38but I've left him a note
38:39because it's hard for me not to read it.
38:43I made it very clear in the note
38:44that I wanted to talk about Pia Adarre.
38:47And I hope that's enough
38:48to attract that bastard's curiosity.
38:51Manuel, please,
38:52I need you to tell me where you've mentioned her.
38:56In the old slaughterhouse in Ruines.
38:59I'm going with you.
39:00No.
39:03Hanna, and no one can find out about this.
39:06And when I say no one,
39:07I don't even mean Mr. Baeza.
39:12Hanna, give me your word.
39:17Okay.
39:18I promise.
39:20But promise me you'll take care of yourself, Manuel.
39:23Please.
39:25I promise.
39:31Hanna, you have to be patient with my mother.
39:35I'm sorry.
39:36I'm sorry for her.
39:38But please, be patient.
39:41You know she argued with my father
39:42and she's quite irascible.
39:44She's always irascible,
39:45for one reason or another.
39:47And in the end, she always ends up paying for it
39:48with the others, the servants.
39:52I'm learning a lot
39:53about the relationship and my parents.
39:57Especially about what I don't want
39:58to happen to us.
40:06I'm sorry.
40:26Be careful.
40:30There has been a change of plans, Mr. Arcos.
40:32In the end, the Marquis will go to the burial
40:35of his friend's wife,
40:36Admiral Villa.
40:38You don't need to prepare her luggage.
40:40If I'm honest, Mr. Baeza,
40:42it was something I already imagined,
40:43because it was not normal that Mrs. Cruz
40:45had not told me anything about it.
40:47That's all, Mrs. Arcos.
40:49I will be in charge of transmitting the menus
40:51we have agreed to the kitchens,
40:52and I will also tell you the budget
40:54they have for the meal of the week.
40:57Okay.
40:59By the way, Mr. Baeza,
41:01do you know if you are going to extend
41:03the visits of the Duchess of Carrio
41:05and the kitchens much more?
41:06If I'm honest, I don't know.
41:08I know the same as you.
41:09The Duchess will come from time to time
41:11to sign up for the palace recipes.
41:15Neither the Duchess nor the Marquis
41:17have been able to confirm
41:18the periodicity of these visits.
41:21In other words,
41:22the visits can be extended
41:24indefinitely.
41:25That's right.
41:27Do these visits cause you any discomfort?
41:31Well, the truth, Mr. Baeza, yes.
41:34It bothers me that a lady from the court
41:36of the Duchess of Carrillo
41:37passes by the service floor.
41:40But it still bothers me more
41:41than using my office.
41:42Well, you offered it yourself.
41:45It was a matter of courtesy, Mr. Baeza.
41:47But that does not imply
41:48that I have been for months
41:50without knowing if I can
41:51or cannot use my office
41:52because I don't know
41:53when the Duchess will need it.
41:54Yes, I understand.
41:55It also seems to me
41:56an extravagance,
41:57all this to say it in some way.
41:59But even if I agree with you,
42:02the Marquess has given her good opinion
42:05and we have no choice
42:07but to obey.
42:08Yeah.
42:09Obey and be quiet.
42:10That's right.
42:13Excuse me,
42:14but have you called me?
42:15Yes, come in.
42:16I have to give you
42:17some instructions for tomorrow.
42:19Well, if you don't need anything else from me,
42:21Mr. Baeza.
42:27Are you well, Santos?
42:30More or less.
42:34But you are burning.
42:37You have a high fever.
42:40It was the fall in that damn river.
42:42What happened?
42:43We went to the woods for firewood
42:45and we fell into the river.
42:46Well, it was Marcelo
42:48who fell into the river.
42:49And Santos, to rescue him,
42:51fell too.
42:52And that useless Marcelo
42:53doesn't even know how to walk.
42:55Does it hurt?
42:57A little.
42:58The head.
42:59And ...
43:01And my throat bothers me a lot when I swallow.
43:03Oh my God.
43:04Let's hope it's nothing
43:05and he recovers with a little rest.
43:08That Marcelo doesn't even look
43:09where he steps, Mr. Baeza.
43:12It's a danger to everyone.
43:15I'm sure it's nothing.
43:17Tomorrow I will wake up
43:18and I will be perfectly fine.
43:21Well, then ...
43:23I leave you alone
43:24so that you can discuss your matters.
43:37Well, the two of you were delighted
43:39with that request.
43:40It's a shame I didn't find them
43:42so that they would tell me first hand.
43:44Well, no.
43:45Or that it is second hand
43:46what I have told you is what happened.
43:48Sister-in-law,
43:49that Pelayo and Catalina
43:50enjoyed that party a lot.
43:52And they are not around here.
43:54I think Catalina went out early this morning.
43:57She has always liked the company of animals
43:59more than that of people.
44:00Please.
44:01Don't be malicious.
44:02Sister-in-law,
44:03be happy for your stepdaughter.
44:06The truth is that Catalina
44:07was very relieved
44:08to have attended a social event
44:10after so much confinement.
44:12And above all,
44:13that everything would have gone perfectly.
44:15Well, the truth is that it surprises me.
44:18Because those publications
44:19did not leave neither Catalina nor the count
44:21in a happy position, let's say.
44:23You already know how high society works.
44:25One rumor covers another.
44:27The rumors about Catalina and Pelayo
44:29will have been old.
44:30Also, according to your own stepdaughter,
44:32that request was full of members
44:34of the European royal families.
44:36So they would have much more juicy rumors.
44:38And who was the boyfriend?
44:39Because all he said
44:40was that he was a relative
44:41of Queen Victoria Eugenia.
44:43He would be a grandson
44:44of Queen Victoria of England.
44:46He had at least nine children
44:47and they all gave him grandchildren.
44:48So there are plenty of candidates.
44:50And to your wedding?
44:51Is a member of the royal family going?
44:53Again with our wedding, Captain?
44:55Anyone would say
44:56that you are going to cancel the invitation.
44:57It makes me curious.
44:58I have never been to a wedding
44:59of such ...
45:03not so young people.
45:09Who will call at this time of night?
45:15House of the Marquises of Wuhan.
45:18That gentleman is here.
45:20Right now, sir.
45:25It's for you, Captain Delamatte.
45:37Tell me.
45:41Yes.
45:42Yes, my commander.
45:51I want you available
45:53for a telephone conference
45:54first thing tomorrow morning.
45:56Very well, sir.
45:57The captain will not say anything.
45:58But we are going to find out
46:00what is so important
46:01that Commander Alcaraz
46:02wanted to communicate to you.
46:04I'm going to call the doctor.
46:05Because I don't want to risk
46:06that cold grabbing your chest.
46:09I'm not a child anymore, father.
46:11Given your background,
46:12the precise thing is to act with prudence.
46:15They will suspect something
46:16if they have called you.
46:17At the moment they are that.
46:18Only suspicions.
46:20For your sake,
46:21I hope they are never confirmed.
46:22I will investigate
46:23what was the origin.
46:24Do it, yes.
46:26But do it discreetly.
46:27Alonso can't know this.
46:28Got it?
46:29Your husband won't find out.
46:30This time I'm going to be
46:31the one who decides the recipes.
46:33And we're going to start
46:34with the desserts.
46:35Well, at this point,
46:36Lope can help you more than me.
46:39The boy
46:40has wood as a baker.
46:42How timely.
46:44Since you are well,
46:45you will be in charge
46:46of replacing Santos
46:47in the care of Mr. Curro,
46:49while Deva remains in charge.
46:51You have been in charge
46:52of his training.
46:53I say that he will be prepared, right?
46:54Yes, but ...
46:55he still has many things
46:56to learn.
46:57It will have to be enough.
46:59Among the guests,
47:00by the groom,
47:01the couple formed
47:02by Count de Añil
47:03and Mrs. Catalina de Luján
47:04stood out.
47:06The two young men
47:07were the center of attention
47:08throughout the evening.
47:10We already know why.
47:12But we don't know
47:13where Gregorio is, right?
47:14Manuel has located him.
47:15And in fact,
47:16he has mentioned him
47:17in the old slaughterhouse.
47:19Couldn't he have met
47:20in the town square today?
47:21With all the people?
47:22Bad news, Hanna, huh?
47:25Marcelo!
47:28You have nothing to say.
47:30Hi, Teresa.
47:32But you're in a bad mood.
47:33I thought ...
47:34No.
47:35I've seen this better,
47:36don't think.
47:37Go with Mr. Curro.
47:40What?
47:41If you do it without believing it,
47:42I didn't realize.
47:43That's your problem,
47:44that you don't realize anything.
47:45Before I asked you about Don Manuel
47:46and I want to know
47:47how everything is,
47:48I saw a certain fear
47:49in your eyes
47:50and it seems to me
47:51that it has to do with Gregorio.
47:53It is possible that ...
47:55that this afternoon
47:56the whole nightmare ends.