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00:00A FEW HOURS LATER
00:21Pietro!
00:22Do you know anything about Marta? She hasn't come to clean.
00:25Is she sick?
00:26She's perfectly fine.
00:28She asked me to tell you not to wait for her.
00:31She won't come today.
00:33And neither tomorrow.
00:34She won't come back to the bookshop, Salvita.
00:36What? Why? What happened?
00:39If I'm not misinformed, I think you've made a mistake.
00:42And that has to do with her decision.
00:45Yeah, but I was hoping I could talk to her.
00:48Talk about what, Salvita? Talk about what?
00:50Marta made it clear to you
00:52that she wanted to focus on her studies, on her work.
00:57And above all, not to be involved in your father's tricks.
01:01And I understand.
01:02My father also tried to get me involved with the bookshop in Salamanca
01:05and the studies.
01:06And he almost got me.
01:08So?
01:09It's all been said and done.
01:11I'm sorry.
01:13Wait!
01:14There must be a way to not lose Marta or my family.
01:18You're an experienced man.
01:21What do you suggest?
01:23It's very simple.
01:24We can't have everything in life.
01:27And to mature, we have to make decisions.
01:31That's it.
01:32Sometimes they're right and sometimes they're wrong.
01:36So you're telling me to give up?
01:38No, I'm not telling you this.
01:40I'm telling you that you were very young.
01:43And I can't stop you from trying.
01:46But I know how it will end.
01:50Unless you're able to achieve the impossible.
01:54Tell me what it's about.
01:56There's no point in trying.
01:58I don't know.
02:00It's the square of the circle.
02:06Good luck.
02:09Let's go.
02:10We're going to be late.
02:12Let me help you.
02:13No, it's okay.
02:14Yes, it's okay.
02:15Besides, we're not going to be late.
02:17And you know how much I like it when you're with me.
02:20And what I'd like even more
02:22is for you to cheer up a little.
02:25I can't, man.
02:27I've missed Laurita so much.
02:30I've missed you so much.
02:32I've missed you so much.
02:36I've missed Laurita so much.
02:38You feel guilty about her leaving.
02:41And I understand that,
02:42but I'm convinced that she'll end up forgiving you
02:45and going home.
02:46What if that's not the case?
02:48What if we never see her again?
02:50That can't be.
02:52Laurita and you have a very strong bond.
02:55It's been damaged, but it's not broken yet.
02:58How can you be so sure?
03:00Because I've seen you being born, darling.
03:02It's only a matter of time
03:04before you get back what you've always had.
03:07Uncle.
03:10I've given up starring in the play.
03:15And how did it go?
03:17Was Augusto in a coma?
03:18Not very well, to be honest.
03:20But it's what I had to do.
03:22What you had to do.
03:23For whom?
03:24For you or for Laurita?
03:26Well, I don't know.
03:28Somehow I have to redeem myself
03:30and I can't think of anything else.
03:32Inés, as you understand,
03:33I don't have the best opinion about Augusto in a coma.
03:36But you can't reject a leading role
03:38in a play of that magnitude.
03:40It would stop your career
03:41when it should be quite the opposite.
03:44Besides,
03:45Laurita wouldn't agree either.
03:48But how do you know?
03:50Have you talked to her?
03:51No.
03:52No, but I wouldn't understand
03:53that you'd risk all the sacrifice
03:55you've made to get here.
03:57Have you forgotten
03:58how hard it's been for you to regain your voice?
04:01No.
04:02No, but
04:03the decision has been made.
04:06Very good.
04:08Very good.
04:09Well, now
04:11either we leave
04:13or we're late.
04:14Let's go.
04:15Let's go.
04:26Teresa, I can't take it anymore.
04:28I can't go on with this farce.
04:30It's written on my forehead
04:32that I'm leaving,
04:33that everyone can read it.
04:35When are we going to resign?
04:37Because it can't happen today.
04:40Don't worry.
04:41I had planned to do it
04:42at the time of your break.
04:44For the one who has exactly...
04:48Gentlemen, it's been a pleasure
04:49to have you here, as always.
04:53I was going to tell you
04:54that for the one who has
04:55an hour and 27 minutes left,
04:56but I don't think I can take it.
04:58And do you know why?
04:59Because it makes you sick
05:00and it's harder and harder
05:01to hide it.
05:02Indeed.
05:05So,
05:06if we say it now?
05:09Now?
05:11Come on.
05:12And let's do it as soon as possible.
05:13As soon as possible and wherever you want.
05:15I'm coming.
05:17Teresa, Cañete,
05:19tomorrow at 9.30am
05:20we have the breakfast
05:21of the Law School.
05:23As you both know,
05:24it's a very demanding group,
05:26so get to work immediately.
05:31Didn't you hear me?
05:34I'm sorry, ma'am, but...
05:37It won't be possible.
05:40What won't be possible?
05:44Counting on us.
05:47Ah.
05:49The couple of little turkeys
05:50is going to take the day off?
05:52Well, I'm telling you,
05:53no way.
05:56Look,
05:59first of all,
06:01I demand that you refrain
06:03from giving your opinion
06:04about our private life.
06:05And secondly,
06:06we're not going to take
06:07any day off,
06:08but it's going to be impossible
06:10for us to take care
06:11of that breakfast.
06:14I'm starting to lose my patience.
06:17Can you please explain to me
06:19what you're trying to tell me?
06:23We will resign irrevocably
06:25from our jobs.
06:27Both of us.
06:28I don't understand.
06:29Nothing, Sara.
06:33I know where you're going.
06:35And I have to tell you
06:36that it's ridiculous
06:38and unprofessional.
06:40They want improvements
06:41in the working conditions
06:44and they do it this way,
06:45blackmailing me,
06:47me,
06:48the modern woman.
06:50I'm sorry,
06:51but you're not the modern woman.
06:52No, she's not.
06:54And all we want
06:55is to lose her sight now.
06:59Very well.
07:01Mr. Fermin
07:03will be delighted
07:04to know that
07:05you're leaving your boat
07:06at such a critical moment.
07:09When he has so many problems
07:10with his nieces
07:11and when he's at the door
07:12of his own wedding,
07:14he's going to be displeased.
07:18The decision has been made.
07:19Yes.
07:20Tomorrow, when our shift is over,
07:21we'll leave through the door
07:22of the modern woman
07:23for the last time.
07:24It won't be easy,
07:26of course.
07:28Perfect.
07:29I'll inform Mr. Fermin.
07:30Now get to work.
07:33For now,
07:34your obligations are still intact.
07:38Excuse me.
07:58I was lost in the woods.
08:01It was night
08:02and I didn't know
08:03how to get home.
08:05And when I was starting
08:06to get scared,
08:07I saw a yellow light
08:08and I followed it.
08:10It took me down a path
08:11surrounded by a herd of deer.
08:13Did you say deer?
08:15Well, there were also foxes.
08:17Suddenly it was daytime
08:18and I kept walking
08:20until I got home
08:21and I woke up
08:22in my bed very happy.
08:24Very good.
08:25You see, the dream
08:26started as a nightmare
08:27and ended as something good.
08:30It could even be a good omen.
08:35What do you mean
08:36by a good omen?
08:38That the three of us,
08:43Íñigo, you and me,
08:44have a promising future.
08:48And that's exactly
08:49what I wanted to talk to you about.
08:51I thought we could move
08:55and go somewhere else.
08:57Where?
09:00To La Rioja.
09:03We could live
09:04in a country house
09:05and we could have animals.
09:07Of course, it wouldn't be
09:08foxes or deer,
09:09but we could have cows and horses.
09:13It would be fun, wouldn't it?
09:16We would leave behind
09:17everything that has happened to us
09:19and, of course,
09:20you would go to school
09:21and there you could
09:22make new friends.
09:24And I forget
09:25the most important thing.
09:28Going to La Rioja
09:29would be the first step
09:30to reunite with the whole family
09:32again.
09:34With Pablo,
09:35with Aunt Concha
09:36and, with a bit of luck,
09:37with Luisa.
09:39I love it.
09:40When are we leaving?
09:43What do you mean
09:44you're leaving Madrid?
09:46Well,
09:47that was our intention.
09:49We were going to go
09:50to La Rioja
09:51and that was our intention,
09:53but I didn't want to say anything
09:54until it was definitive.
09:55And it is.
09:58If you agree,
09:59I would say yes.
10:01I'm so happy for you
10:02that I almost don't feel
10:03like losing you.
10:05Losing us?
10:07Never, ever.
10:08You can come visit
10:09whenever you want.
10:10By the way,
10:11congratulations
10:12because I've been told
10:13that the speech
10:14at the Madrid Cabaret
10:15was a success.
10:16Did they applaud you a lot?
10:17Well, it wasn't bad.
10:19They congratulated me a lot,
10:20to be honest.
10:21And,
10:22if it was so good,
10:23why are you so serious?
10:26Any news?
10:27No, no, nothing.
10:28It's just that
10:30I never should have liked
10:31Father Isalvita.
10:33We're going to miss you a lot.
10:35And you.
10:39Bye.
10:44Adi,
10:45I'm going back to work
10:46because I have to set an example
10:48with the speech I gave.
10:50I'm working
10:51and not resting.
10:53Bye, girls.
10:54Bye.
10:55Bye.
11:02Matilde,
11:03have you forgiven me
11:05for listening to Carla
11:07and believing me
11:08about talking to our mothers?
11:11To forgive you,
11:12I should have gotten angry.
11:15Do you promise?
11:18I promise.
11:21Bye.
11:24Do you want something to drink?
11:25No.
11:27What I want, Inés,
11:33a glass of water would be fine.
11:36Yes.
11:40I wanted to apologize
11:43because I think
11:44I wasn't fair to you
11:45when I told you
11:47that I didn't want to know
11:48anything about you or the play
11:49after everything
11:50you've done for me.
11:51No, you weren't fair.
11:53But I can understand
11:55that you're confused,
11:56that you feel guilty
11:57and that you need to do something,
11:58but it's just that
12:00leaving the pharaoh's court
12:01is a mistake.
12:02But a mistake, why?
12:04I'm sure you'll find
12:05a much better actress
12:06than me and you'll win.
12:07That's absurd.
12:09You're my choice.
12:11You're my actress.
12:13And
12:14it would be a mistake
12:16because nothing would change
12:17because nothing would change.
12:19Laura won't come back
12:20and she won't forgive us.
12:23The only ones hurt
12:24will be you and me.
12:26And we've earned it.
12:30Look, I
12:31don't want to argue.
12:33I just want us to face
12:34this situation
12:35in the best way possible.
12:38Then change your decision.
12:41No, but my decision
12:42is not the result
12:43of an impulse
12:44or a rage.
12:46I've thought about it a lot,
12:47Agustín.
12:50So
12:51please,
12:52I ask you to respect it.
12:53Please.
12:58If that's what you want,
12:59I'll respect it.
13:02But I won't look for
13:03a replacement.
13:06Then what are you going to do?
13:07Wait for you.
13:09Are you serious?
13:10Wait for you.
13:13It's a done deal.
13:16And once
13:18I've settled
13:19the professional matter,
13:21let's go to the sentimental one.
13:24I can understand
13:26that you want to leave the play,
13:28but I won't accept
13:29that you want to take me out of your life.
13:31Look, Agustín.
13:34When Celia
13:35saw us kissing,
13:37she told me
13:38that she was betraying
13:39my sister.
13:42And she was right
13:43about what we've done.
13:44It's horrible.
13:45It is.
13:46But you really
13:47don't have that feeling?
13:49Because Laurita is my sister.
13:51But she's also your girlfriend, Agustín.
13:52It's just that...
13:56We have to stop seeing each other.
13:57It's just that...
14:00I'd settle for one thing.
14:04Knowing exactly
14:05what you feel towards me.
14:07That's not going to change anything.
14:21I've already told you
14:22that I understand the reasons
14:23why you and Miguel
14:24pretended what you pretended.
14:26I suppose that...
14:28you must have had a really bad time.
14:30Yes, that's true.
14:32But I don't know
14:33what to do.
14:34Yes, that's true.
14:36It's been a living hell.
14:37I don't wish it on anyone.
14:40And I really appreciate
14:41your understanding.
14:42And I wish Teresa
14:44understood me as much as you do.
14:46I don't know.
14:47But it's true.
14:48We shouldn't have
14:49dragged this out for so long.
14:51I don't know.
14:52It could have ended like this.
14:55In a complete disaster.
14:57I see.
14:58Well, I understand you,
14:59but I also understand her.
15:02It's normal
15:03for her to feel betrayed.
15:04She trusted you a lot.
15:05Yes, I know.
15:06And she's got
15:07all the reason in the world.
15:09But she doesn't know
15:10how hard it is.
15:11She doesn't look me in the eye.
15:12She only gives me orders
15:13and only the strictly necessary ones.
15:17Please, Trinidad.
15:19When you're done
15:20with your break,
15:21call the Wellington Hotel
15:22and tell them
15:23that a waiter
15:24is coming to pick you up.
15:26Right now.
15:27Sorry, Teresa.
15:28Don't go.
15:31What does Antonio want?
15:34Well, look,
15:35I don't want two friends
15:36to stop being friends
15:37because of a mistake.
15:39I'm not going to justify it.
15:41But we all know
15:42it has more to do
15:43with an absurd rule
15:46than with Trini's intention
15:47to hurt him.
15:49Well, he did it to me.
15:51And a lot.
15:52Yes, I know.
15:53And I apologize.
15:54I really apologize.
15:55I don't know.
15:56All my life,
15:57if it's necessary.
15:58Imagine
15:59what we would have done
16:00in his situation.
16:01Always with the fear
16:02of being discovered
16:03and being kicked out.
16:06You know what, Antonia?
16:08I've gotten tired
16:09of putting myself
16:10in other people's shoes
16:11all my life.
16:13As easy as it would have been
16:14for you to tell me.
16:15I know.
16:16I even confessed
16:17the feelings I had
16:18for your husband.
16:19What were you thinking
16:20at that moment?
16:21You didn't feel compassion
16:22even.
16:23Of course I felt compassion.
16:24You should have
16:25told me then.
16:26I know.
16:27I know,
16:28but then
16:29I would have put her
16:30in a commitment.
16:31I would have had to decide
16:32if I told Mr. Fermin
16:33that I was already married
16:34or not.
16:35Well, no,
16:36you wouldn't have put me
16:37in any commitment
16:38because I would have told him
16:39without hesitation,
16:40as it was my obligation.
16:41Look, there you have it.
16:42There's the answer.
16:43Of course,
16:44I couldn't tell him
16:45because I was trapped
16:46in his own lie.
16:51Did you know?
16:52No, I didn't know.
16:53No, he told me yesterday.
16:54And I was very surprised.
16:56That's true,
16:57but after listening to her
16:58and having her tell me
16:59the reasons,
17:00I can't help
17:01but feel
17:02the affection
17:03I have for Trini
17:04all these years
17:05of friendship
17:07at the weight
17:08of the deception.
17:13I don't know.
17:14Teresa,
17:15I really
17:18don't know.
17:19Last night
17:20I couldn't sleep
17:21because I was scared
17:22without knowing
17:23how to solve
17:24all this mess.
17:25I never thought
17:26that you and I
17:27would become
17:28good friends.
17:29And I never imagined
17:30that losing you
17:31would hurt so much.
17:32But it's true.
17:33You have become
17:34someone essential
17:35to me.
17:36I swear.
17:37Forgive me.
17:39Please.
17:46Teresa, say something,
17:47for God's sake.
17:48I can't take it anymore.
17:52Okay, Trinidad.
17:55I accept your apologies.
17:57I promise
17:58I won't fail you again.
17:59I swear.
18:04Okay.
18:06Don't worry.
18:07There won't be
18:08another chance.
18:20Did you hear
18:21what she said?
18:22I don't understand
18:23what she wants.
18:24I don't know.
18:28Goodbye, Antonio.
18:30As always.
18:43Yes?
18:44Inés, it's your uncle.
18:45Stop what you're doing
18:46and come to the living room.
18:48Did something happen?
18:49There's news about Laurita.
18:51I've talked to her.
18:52Hurry up, it's urgent.
18:54Hurry up, it's urgent.
19:06Good morning, Mr. Salvador.
19:07Good morning.
19:09Where the hell
19:10is my son?
19:11Your son
19:12came on time
19:13like a Swiss watch.
19:15Then he left
19:16but he hasn't come back.
19:18Where did he go?
19:20He didn't tell me anything
19:21but I'm sure
19:22he would have
19:23a very important message
19:24to deliver.
19:25Come on, Miguel.
19:26Don't be silly.
19:27You don't have to cover for him.
19:28He left me a note
19:29saying he was going
19:30to think about it
19:31for a few days.
19:33Think about what?
19:34About how to disappoint
19:35your father
19:36over and over again?
19:37I had no idea.
19:38I swear
19:39he didn't tell me anything.
19:40You have no idea
19:41how disappointed
19:42you make me.
19:44Me?
19:45Why?
19:46Because I trusted
19:47he was going to be your mentor.
19:48Your role model.
19:49That I was going to
19:50cut him short
19:51and put him in trouble.
19:52But what did we find
19:53in him?
19:54The complete opposite.
19:55He has turned him into
19:56a rebel.
19:57An irresponsible man.
19:58If you'll excuse me,
19:59Mr. Salvador,
20:00I think you're being
20:01a little unfair with me.
20:02I've done everything I could
20:03to lead him on the right path
20:04but it's not the same
20:05to train him for the profession
20:07as to influence
20:08his feelings.
20:09I don't have that power
20:10and if you'll allow me
20:11to say it,
20:12no one has it.
20:13Damn you, Miguel.
20:14Your most important task
20:15was not to say
20:16the only one
20:17but to influence
20:18his feelings.
20:19To make him see
20:20what's best for him
20:21for his own good,
20:22for his future,
20:23for me.
20:24Or do you think
20:25that a cleaner
20:26is just what's best for him?
20:28What would you do
20:29if your son
20:30was determined
20:31to throw his future
20:32aside?
20:33If he made the mistake
20:34of choosing
20:35such a lowly woman?
20:37Such a lowly woman?
20:39If I had a son,
20:40I would be proud
20:41that he would look
20:42at a woman
20:43so hardworking,
20:44honest,
20:45brave
20:46and exemplary
20:47like Marta.
20:48You're looking at me
20:49because if that's the case,
20:50you're ending
20:51your own grave.
20:52If I had a son
20:53like Salvita,
20:54who is a man
20:55like you and me,
20:56I would talk to her
20:57face to face
20:58like adults do.
20:59Are you done?
21:00Yes.
21:01I guess I'm fired.
21:02Not yet.
21:03Do you know
21:04why I wanted
21:05to name you
21:06his mentor?
21:07Because a son
21:08never speaks
21:09to his father.
21:10Believe me,
21:11I've tried.
21:12And believe me
21:13if I tell you
21:14that Salvita respects you
21:15and all she wants
21:16is your approval.
21:17Strange way
21:18to do it, isn't it?
21:19Studying a career
21:20she's not interested in,
21:21maintaining a relationship
21:22with a woman
21:23she's not interested in,
21:24her true mentor
21:25or mentoress,
21:26to put it better,
21:27is that cleaner
21:28from Baja Ralea,
21:29as you call her.
21:30Because if Salvita
21:31has finally focused
21:32on her work
21:33and her studies,
21:34it's thanks to Marta.
21:35And now,
21:36if she has to fire me,
21:37well,
21:38she has to.
21:39Look, Miguel,
21:40he's my only son,
21:41my heir.
21:42And I promised his mother
21:43that I would make him
21:44a useful man.
21:45So as soon as he
21:46shows up around here,
21:47let me know
21:48immediately.
21:49I will.
21:50Look, Miguel,
21:51if Salvita is fired,
21:52get ready.
21:54Because then,
21:55yes,
21:56you will go behind
21:57straight to the hole.
21:59Deal?
22:12Uncle,
22:14is it true
22:15that you talked to Laurita?
22:16Yes.
22:17And what did she say?
22:18That she wants to talk to you.
22:20To me?
22:21Yes.
22:22But how did she find her?
22:24Once,
22:25they told me
22:26that I had to have friends
22:27even in hell.
22:28Well,
22:29I have one in Berlin.
22:31I thought you were going
22:32to respect my decision.
22:33That's incredible.
22:34No,
22:35no,
22:36what I am is an egoist
22:37because there is nothing
22:38that distracts me more
22:39than seeing that my two nieces
22:40are so disgusted
22:41and you already know
22:42that I'm not a man.
22:43It's her routine.
22:44So, please, Inés,
22:45talk to her.
22:46And
22:47do you think we are in time
22:48to solve it?
22:49Because I don't know
22:50what to tell her.
22:51What your heart tells you,
22:52darling,
22:53is your sister.
22:54Listen to her
22:55and let her speak.
22:56I'm sure
22:57everything will be fine.
23:00I don't know, uncle,
23:01I need time.
23:06Remember,
23:07what your heart tells you.
23:17Laurita?
23:18Are you there?
23:20Yes, Inés,
23:21here I am.
23:24I...
23:27Are you okay?
23:28Yes, yes, I'm fine.
23:29It's just that
23:30I can only think of
23:31apologizing to you
23:32and I guess
23:33you will still
23:34not want to forgive me,
23:35so
23:36I don't really know
23:37what to tell you.
23:38Well,
23:39then
23:40I'll start.
23:42Inés,
23:43I'm no one
23:44to forgive you.
23:45I'm just a normal girl.
23:47Who knows
23:48if I would have done the same
23:49in your situation.
23:51Betray your own sister?
23:54You didn't want to betray me.
23:56Just as you didn't want
23:57to fall in love with Agustín
23:58or Celia didn't want
23:59to fall in love with me,
24:00but
24:01I've learned that
24:02sometimes these things
24:03happen
24:04without us looking for it.
24:07It's just that
24:08I never thought that...
24:09Wait, Inés.
24:10Let me finish.
24:12It's true that
24:13these days
24:14I've had a very bad time.
24:16I've felt that life
24:17was being very unfair to me,
24:19but
24:20you know what?
24:22If there's something
24:23that hurts me more
24:24than what you've done,
24:25it's
24:26thinking about
24:27never seeing you again.
24:29Thinking about losing you,
24:30Inés.
24:31No.
24:32No, you'll never lose me.
24:34If you don't want to,
24:35of course.
24:36Of course I don't want to.
24:37Just like
24:39I don't want you to
24:40do that
24:41nonsense
24:42that the guy
24:43has in his head.
24:45Inés,
24:46you can't give up opera.
24:48You can't give up
24:49your career
24:50as a singer and actress.
24:52I've been with you
24:53since you started.
24:55Since I found out
24:57that you had
24:58that wonderful talent and...
25:00I've suffered with you
25:01everything that happened to you
25:02in the vocal cords.
25:03Now,
25:04I can't allow myself
25:05to be the reason
25:06you reject your dream.
25:11And
25:12about Agustín...
25:13No.
25:15There won't be anything
25:16between us.
25:17No.
25:18Inés, wait.
25:20If you love him,
25:22if you love each other,
25:23I...
25:25I don't want to be an obstacle
25:28for the simple reason
25:29that
25:30I'm not
25:32going to be in your lives.
25:35But then,
25:37you're not coming back?
25:39Inés,
25:41you have to promise me
25:43that you're going to do
25:44what I've asked you.
25:47Yes, I promise you.
25:50But,
25:51Laurita,
25:52why are you so good
25:53and so generous with me?
25:55Well,
25:57because I've realized
25:58that I can find
25:59another Agustín,
26:01but I'll never find
26:02a sister like you.
26:06I love you.
26:08And I...
26:10And the guy...
26:11Tell him about me.
26:13I'm here, niece.
26:15I'm here.
26:16I'm listening.
26:18Laurita?
26:27Well,
26:29you've heard it.
26:30Now...
26:32Now you have an excuse
26:33not to be happy.
26:38Yes.
26:48Antonia, it's Pietro.
26:53I've just arrived in Italy.
26:55Edilucia,
26:57the trip has been perfect.
26:59I'm with Giancarlo now.
27:00That's great news.
27:01What did he say?
27:03Nothing more than that,
27:04but it's not little, right?
27:05Later we'll talk
27:06at the conference
27:07and he'll give me more details.
27:09How exciting it must have been
27:10a mother reuniting
27:11with her son
27:12after so many years,
27:13a son with his mother.
27:15I think about it
27:16and goose bumps.
27:17And it's not for less.
27:19It's just that Lucia,
27:20when she went to the United States,
27:21Giancarlo was a boy.
27:22Now he's a man
27:23made and right,
27:25and maybe he hasn't even been recognized.
27:27Yes, I think a mother
27:28always recognizes her son,
27:29and vice versa.
27:32Well,
27:33it's good to be
27:34where it's good, right?
27:35And it's never too late.
27:36Neither for us
27:37nor for them.
27:40It came to my mind
27:41when Marta
27:42appeared in La Moderna.
27:44Do you remember?
27:45As if it were yesterday.
27:47I threw the foxes
27:48and with a hunger
27:49I had to give him
27:50one of your cookies,
27:51do you remember?
27:52Yes.
27:53And the neighbor already knew
27:54that we would end up
27:55like a family,
27:56the three of us.
27:58She was a girl
27:59and now
28:01she's a woman.
28:03Yes.
28:04She's a mature,
28:05sensible woman
28:06with very clear ideas,
28:07especially
28:08in what
28:09her future is concerned.
28:10That's what I told her
28:11and Saldita.
28:12Did you talk to him?
28:13Yes.
28:14What did he want this time?
28:15Always the same,
28:16that he doesn't want to
28:17announce his feelings
28:18for Marta
28:19and I had to get
28:20very serious, Antonia.
28:21I told him that
28:22Marta doesn't want
28:23to see him again
28:24and that he won't
28:25come back to the bookstore.
28:26We trust that
28:27I'll leave her alone.
28:28Very well said.
28:29Because if that boy
28:30is not for her,
28:31you are not for her
28:32and there is nothing more to talk about.
28:35I'll go.
28:41Mr. Pietro.
28:43Mrs. Antonia.
28:44And what are you doing here, Saldita?
28:46I was looking for Marta.
28:47She's not at home.
28:49But please, Saldita,
28:50we don't want you
28:51to leave her alone.
28:52If you let me explain...
28:53Look, boy,
28:54I have nothing against you,
28:56but we don't want you
28:57to give Marta
28:58more headaches.
28:59What do you want now?
29:00I want to tell her
29:01something very important
29:02and if you tell me where she is,
29:03I'll go where I came from.
29:05Well, if it's so important,
29:06tell us.
29:07Come on,
29:08tell us.
29:09With all due respect,
29:10I can't tell you anything
29:12before talking
29:13to the person interested.
29:16But I speak like a lawyer.
29:17Yes.
29:18I don't like this.
29:19No.
29:21Well,
29:22if you don't give us
29:23your arm to twist,
29:24neither do we.
29:25Good afternoon.
29:26I beg you, please.
29:27I want to love Marta
29:28with all my soul
29:29and I really just
29:30want to make her happy.
29:31I don't want to hurt her.
29:33You told me to make a decision
29:34and I choose her,
29:36much earlier than my family.
29:41Marta was going to go
29:42to the presentation day
29:43of the elementary school.
29:45She's not coming back until late,
29:46so you'd better
29:47talk to her tomorrow.
29:50I don't think I can wait that long,
29:51but thanks for the information.
30:01What's your name?
30:03Nothing.
30:04You can have everything
30:05in life.
30:06Of course.
30:07And to make a decision.
30:10What did you do with me?
30:12Of course.
30:18I guess it will be strange
30:19for a businessman,
30:20but I've always liked
30:21this moment.
30:23Filling the envelopes
30:24with the legs.
30:27Actually,
30:28if we can do it,
30:29that means
30:30everything is going well.
30:31And I guess your nieces
30:32have come back to talk
30:33even if it's only on the phone.
30:34It also influences
30:35your good mood.
30:36You don't know
30:37how much I've lost weight.
30:39Me too.
30:40So we can focus
30:41on our wedding.
30:42And the last envelopes.
30:44Cañete's?
30:45Teresa's.
30:50What's going on, Lazara?
30:51Your smile has been erased
30:52suddenly.
30:55I don't want to ruin
30:56this moment for you,
30:57but I have to tell you
30:58something that has to do
30:59precisely with them.
31:01I hope it's nothing serious.
31:02Tell me.
31:04Well, a while ago
31:05I went to inform you
31:06about the breakfast
31:07at the Law School
31:08that will be held tomorrow.
31:09Is there a problem
31:10with that matter?
31:11No, not with that one.
31:13The problem is that
31:14without coming to account,
31:15I have been presented
31:16with his resignation.
31:17Irrevocable, by the way.
31:20But what nonsense is that?
31:23Cañete and Teresa?
31:25For what reason?
31:26What have I missed,
31:27Lazara?
31:29What you have missed
31:30is my inability
31:31to better manage
31:32the problem.
31:34What did you have to manage?
31:36To have had more left hand.
31:38To have tried to win me
31:40if not his appreciation,
31:41at least his respect.
31:42No, no, no.
31:43I don't agree.
31:44I don't agree.
31:45I know you have done
31:46the impossible
31:47to make Teresa feel comfortable.
31:48If you haven't done it,
31:49I'm sure it has more to do
31:50with her than with you.
31:52I appreciate your support
31:53and your understanding.
31:54You are going to be my wife.
31:56That means
31:57that I will always
31:58support you.
31:59I find it very embarrassing
32:00that we have come
32:01to this extreme.
32:02But I admit that
32:03when the relationship
32:04twisted,
32:05it has been very difficult
32:06to straighten it.
32:07I understand that Teresa
32:09has not just assimilated
32:10working under your orders,
32:11but Cañete.
32:13I have not just seen it.
32:15And why both?
32:17No, better.
32:18Why both at the same time?
32:21I think there is
32:22an explanation, Fermín.
32:23A sentimental explanation.
32:26I think they are a couple.
32:27Now,
32:28the idea is born
32:29more from her than from him.
32:33Well, whatever it is,
32:34they will lose the job
32:35and the head of the waiters
32:36is a terrible blow
32:37to the company.
32:40Yes,
32:41but from this blow
32:42we will come out strengthened.
32:44Do not doubt it.
32:46I think that
32:47more than a problem
32:48it will be a blessing.
32:50Cañete and Teresa together?
32:53I never thought
32:54I never thought it,
32:55my mother.
32:56Since Drogel
32:57has said that rule,
32:58it seems that Cupid
32:59has settled in the room
33:02and shoots arrows
33:03by docker.
33:09I will talk to them
33:10to re-train.
33:12Sorry?
33:13Yes, yes, trust me,
33:14I will talk to them
33:15and I'm sure
33:16I'll get them to stay.
33:17I've always said
33:18this is a great family
33:19and I'm going to do
33:20the impossible
33:21to keep it that way.
33:22You're right.
33:23Yes.
33:25Anyway,
33:26why don't you let me
33:27talk to them?
33:28I was the one who got in the way,
33:30so if I apologize
33:31in case they have not felt
33:33appreciated,
33:34then I think ...
33:35No, I don't think
33:36you have to go that far
33:37and I repeat,
33:38you are not to blame for anything.
33:39It will be better
33:40to talk to them.
33:41I insist, really,
33:42let me do it.
33:45Agree?
33:46Very good,
33:47but I admit
33:48that I will not allow
33:49under any concept
33:50that they treat you
33:51with disregard.
33:52Trust me.
33:54The important thing
33:55is that,
33:57whatever happens,
33:58no employee
33:59sits above the modern one.
34:00As long as you and I
34:01are together,
34:02everything will be fine.
34:18Well, I didn't have them all,
34:20but finally Antonia
34:21has behaved as usual,
34:22like a good companion
34:23and has mediated
34:24between Teresa and me.
34:26So, Teresa
34:27has forgiven you?
34:28Well, yes.
34:29And look,
34:30thank God,
34:31because what a scare.
34:32Although it is true
34:33that in the end
34:34she said something strange.
34:35I think
34:36she's thinking of leaving.
34:38Leaving where?
34:40The modern one.
34:41No, I don't think so.
34:42Teresa is the modern one.
34:43Well, like you.
34:44Yeah.
34:46Ah, have you said
34:48that Antonia
34:49is good
34:50at negotiating?
34:51Do you think
34:52I could have an affair
34:53with Don Salvador?
34:54Or Don Salvador
34:55with his son?
34:56Well, you haven't told me
34:57what happened yet.
34:58Well, I didn't want to worry,
34:59my love,
35:00neither you nor the baby.
35:02Although,
35:03on the other hand,
35:04I would like you
35:05to be proud of me.
35:07That you know
35:08that your father
35:09is a brave man
35:10who does not bow to anything.
35:11So,
35:12you've had it tough with him.
35:13Well, yes.
35:14But I have remained firm.
35:16Let's see.
35:17Surely,
35:18what you wanted to tell him
35:19sounded very good
35:20in your head
35:21and you knew
35:22what words to use.
35:23But are you sure
35:24that you have transmitted them?
35:25Very sure.
35:26I have stood up for him
35:27and I have made him see
35:28without losing the composure
35:29that he was making a mistake
35:30with Salvita.
35:32And that parents
35:33must learn
35:34to respect the decisions
35:35of our children
35:36because that is exactly
35:37what I plan to do
35:38with ours.
35:39One moment, one moment, one moment.
35:40Have you told him
35:41that we are going to have one?
35:42Of course not.
35:43Ah.
35:44But imbued
35:45with the spirit of paternity,
35:46I have felt very sure
35:47of my words
35:48and I have allowed myself
35:49to advise him
35:50to talk to Salvita
35:51and above all
35:52to listen to her.
35:53But what happened?
35:54Did he fire you?
35:55No.
35:56Not for now.
35:57But I have shown him
35:58that I am not an idiot
35:59who only serves to give him
36:00the reason.
36:02And what is going to happen
36:03to Salvita
36:04if he goes to Salamanca?
36:05Well, at the moment
36:06the boy has left home
36:07for a few days
36:08to reflect.
36:09But well,
36:10whatever it has to be.
36:11What is clear
36:12is that this marks
36:13a before and after
36:14in my relationship
36:15with Don Salvador.
36:16Well, you should know
36:17that I am very proud of you.
36:18Well, both of you.
36:19And I am proud of you
36:20for having fixed
36:21Teresa's problem.
36:22It seems that it was yesterday
36:23when...
36:24When what?
36:25When he fell in love with you
36:27and you had to pretend
36:29that you had been a priest
36:30and then you met
36:31his cousin, the nun,
36:33and then you lost
36:34his penis and...
36:35Well, and how about you?
36:36Because you also had
36:37yours with Cañete.
36:38Wait, wait, wait,
36:39wait a moment.
36:41What are you doing?
36:42Well, I don't want
36:43the baby to hear it.
36:44And you think that way
36:45he won't hear it?
36:46Well, he will think
36:47about his parents.
36:48Well, he will think
36:49that he does what he can
36:50and that they love each other a lot.
36:51Well, yes, that,
36:52that is the only thing
36:53that hasn't changed.
36:59Those voices?
37:06They are the neighbors
37:07who are arguing
37:08in the portal.
37:12My God,
37:13there is no one alive here.
37:14In this community
37:15everything is a mess.
37:17Ah, you go down
37:18and you find out
37:19what happened?
37:24Well, very good.
37:25I go down.
37:26Come on.
37:27Trini, my love.
37:28The trash.
37:31The trash?
37:32You go down.
37:35Well, tell them
37:36that you are pregnant
37:37and that they already know.
37:46What are you doing
37:47in my corral?
37:48I didn't know it was yours.
37:49In the end,
37:50it was a good game, huh?
37:51Marta, don't go, please.
37:52I've been waiting all afternoon.
37:53Don't run away.
37:54No, yes,
37:55I'm not going to run away
37:56because it turns out
37:57that I live here.
37:58The one who doesn't understand
37:59what he's doing here is you.
38:00I have to tell you
38:01something very important
38:02that will change everything.
38:03Look, whatever you say
38:04will not change anything, Salvita.
38:06You let me pass.
38:07Look, Marta,
38:08please listen to me.
38:09If what I tell you
38:10doesn't convince you,
38:11I'll leave
38:12and I won't bother you again.
38:16Okay, tell me.
38:20Come with me to Salamanca.
38:23Let's see, Salvita,
38:24either you're going deaf
38:25or I'm not explaining myself well.
38:27I repeat for the umpteenth time
38:28that what I want is to study.
38:29To be able to study,
38:30I need to work.
38:31I know.
38:32And that's why I've thought
38:33of a plan in detail.
38:35In case you didn't know,
38:36Salamanca is the capital
38:37of students,
38:38so your first problem
38:39would be solved.
38:40And the second, too.
38:42Because you could be
38:43my assistant in the library
38:45Is it or isn't it
38:46a perfect plan?
38:48It would be
38:49if it weren't for a detail,
38:51that your father
38:52wouldn't let me, Salvita,
38:53and I wouldn't be the one
38:54to break up with your family.
38:55So, I've listened to you,
38:56but nothing has changed.
38:57Good afternoon.
38:58Pietro told me
38:59that I had to make a decision,
39:00that not everything
39:01in life could be decided.
39:03But I think it is,
39:04as long as
39:05you still love me.
39:07Let's see, Salvita,
39:08I still love you,
39:09but that's not
39:10the most important thing.
39:11You're wrong.
39:12That's precisely
39:13the most important thing.
39:15But what are you doing?
39:16You don't have to
39:17apologize for anything.
39:18Marta, my love,
39:19the woman who has changed my life
39:21and to whom I won't give up.
39:25Will you marry me?
39:29Look, my father would die
39:30if I left the family business,
39:32and my mother would be very sad
39:33if I left the studies.
39:35So, if I accept
39:36their demands,
39:38they will have to accept
39:39mine.
39:40Marry you.
39:41I will marry you.
39:43But are you sure
39:44your father will accept?
39:47When he realizes it,
39:48it will be too late.
39:49Because we will be married.
39:50It's called consummate events.
39:51Is it or isn't it
39:52a perfect match?
39:55No, yes, yes,
39:56I didn't expect this,
39:57Salvita, yes.
40:02Well,
40:03what?
40:04My knee hurts.
40:05Will you accept the ring or not?
40:07Well, come on, I accept.
40:08I will enroll in Salamanca
40:09and, well,
40:10I will look for a job.
40:11I had a letter of recommendation
40:12from Don Fermin.
40:13Of course,
40:15I prefer not to work
40:16in the library
40:17so as not to mix
40:18convenient things.
40:19I understand.
40:20Whatever you want.
40:21Okay, well, yes,
40:22I want to marry you,
40:23Salvita.
40:32Sorry,
40:33I didn't know your size.
40:35Now.
40:39Well, I guess
40:40the engagement will be the same, right?
40:41It wasn't going to be perfect.
40:43Well, it has been.
40:57What happened?
40:58You're starting to worry me.
41:01It looks like
41:02you've been doing
41:03a few hours in the basement
41:04to make an extension
41:05of the subway.
41:06And well,
41:07you don't know what's going on there.
41:08Come on.
41:09Well, you know how they are.
41:10They have begun
41:11to take the opposite.
41:12Suddenly,
41:13the environment has begun
41:14to boil.
41:15As far as I know,
41:16it is not the first time
41:17that works must be done
41:18in the building
41:19or that something must be repaired.
41:20And why has the environment
41:21boiled so much?
41:22Well,
41:23because this time it is different,
41:24because the cause of the breakdown
41:25has a culprit.
41:26A breakdown?
41:27Tell me we haven't gone
41:28because we've been
41:29on a streak.
41:30No, no,
41:31it is seen that the workers
41:32have hit the foundations
41:33of the building.
41:34What?
41:35Yes.
41:37My love,
41:38you know that people
41:39are very exaggerated.
41:40It is impossible
41:41to do so much damage
41:42with a hammer
41:43and much less
41:44in the foundations
41:45of the building.
41:46Surely,
41:47it is not so much.
41:48Well,
41:49it has not been with a hammer.
41:50It has been a whole block.
41:51But hey,
41:52you're right.
41:53They are not the culprits.
41:54But guilty of what?
41:55Is there someone else involved?
41:56I don't understand anything.
41:57They start to bite
41:58and end up causing
41:59a crack in the foundations.
42:00It doesn't make any sense.
42:01Although it is true
42:02that thanks to that
42:03they have been biting,
42:04they have discovered
42:05that the foundations
42:06of this building
42:07have been in a
42:08deplorable state
42:09for many years.
42:10And what does that mean?
42:11Well,
42:12there is a risk of collapse.
42:14No, woman.
42:15No, woman.
42:16The foundations
42:17are made to last
42:18in time.
42:19Oh, well, of course.
42:20You are now
42:21an expert in construction.
42:22I didn't know that.
42:23Since I read that book
42:24about the construction
42:25of the Panama Canal,
42:26a fascinating story.
42:31Miguel?
42:32Madrid?
42:33Is it an earthquake zone?
42:37As far as I know, no.
42:39And what was that?
42:42A gust of wind.
42:44Oh, my God.
42:48Of course I don't like
42:49people going to the movies
42:50with food.
42:51But at the moment
42:52there is no rule
42:53that prohibits it.
42:54See you tomorrow, Maria.
42:55Bye.
43:01Bye.
43:08Good evening, Inés.
43:10What a coincidence to meet.
43:12The world is a handkerchief.
43:14And life is a sea of tears.
43:16What did you say?
43:18That despite what you may think,
43:20I'm not doing it against my will.
43:22I was talking to my cashier when...
43:23Shut up.
43:24No, I was talking to my cashier when...
43:25Shut up and kiss me.
43:32I don't understand anything.
43:35Has something happened?
43:37It's just that Laura
43:38has called me from Berlin.
43:40Laura has called you?
43:41Is she okay?
43:42Yes, she's fine.
43:43She told me that...
43:45That you can kiss me.
43:49She has asked me
43:50not to give up the play,
43:51or my career as an actress,
43:52or what I feel for you.
43:54Wow.
43:55I didn't expect that.
43:57And I think I'm going to listen to her.
43:58As long as
44:00you still want to count on me.
44:04Can I think about it?
44:06Yes, of course.
44:07After how I've behaved with you.
44:12When can you go back to rehearsals?
44:15Whenever you want.
44:18You and I are in debt to Laura.
44:21And the only way
44:22we can pay her
44:24is to make this happen.
44:25And that everything that has happened
44:27has been worth it.
44:29It will be.
44:31I promise.
44:48Yes, yes, yes.
44:49I've received it.
44:50I have it here in front of me.
44:53Yes, I've received it.
44:54I have it here in front of me.
44:57No, I haven't just read it,
44:59but practically everything is correct, yes.
45:09The decision is practically taken.
45:11Don't worry.
45:13Well, right now I'm waiting
45:14for my wife to come.
45:15I'll call you as soon as I've signed it.
45:19I have to go.
45:20Goodbye.
45:21Goodbye.
45:24You arrived at the right time.
45:27Who were you talking to?
45:28I was talking to Cesar's lawyer.
45:31Look at this.
45:33It's the Madrid-Cabaret sales contract.
45:37Here you go, sir.
45:39If I sign it,
45:41we'll have enough money
45:42to buy the hacienda
45:44and be able to live peacefully
45:46during your time
45:47until it's profitable.
45:49And we won't have to sell the apartment either.
45:52We could leave without having to sell it.
45:56Without a doubt.
46:02My dear Madrid-Cabaret,
46:05I've lived here a lot.
46:08Well,
46:10I'm sure I'll leave it in good hands.
46:14May I?
46:15Yes.
46:21Wait, don't sign it.
46:24Why not?
46:26Is it because Clarita doesn't want to come with us?
46:28No, Clarita is very excited.
46:29It's not that.
46:31Then I don't understand.
46:33Now we don't have to be afraid of anyone
46:35and we don't have to worry about anything.
46:39I've had doubts
46:41for another reason.
46:46What do you mean you're getting married?
46:48But...
46:49I've been told and I said yes.
46:51Yes, and we came here
46:52so you could give us your blessing
46:53because you're like a mother to Marta.
46:56Darling,
46:58you and I together
46:59are capable of doing anything.
47:02And I mean it literally.
47:04Look,
47:05everything that's happened to us
47:06in the last few months,
47:07here we are,
47:08alive, together.
47:11Forever.
47:12Forever.
47:14I don't want to break my family
47:16but I can't think of separating myself from Marta.
47:18And when we're married to God,
47:21my father won't have a choice but to accept it.
47:24Have you spoken to Cañete and Teresa?
47:26No, not yet.
47:27I was waiting for the end of the shift.
47:29Don't take too long, please.
47:31We have to convince them to stay.
47:33We have to think
47:34about how your father will react.
47:36Look, my father has agreed with Marta
47:38as long as I go to Salamanca to study.
47:40Well,
47:41I'll go to Salamanca to finish my law degree
47:43but I'll marry Marta.
47:45It's nothing,
47:46because those things are very supervised.
47:48There are architects, engineers,
47:50making sure nothing happens.
47:51Well, I wouldn't trust much of that.
47:55If not,
47:56remember what happened on the street in Unzocano.
47:58I wouldn't have stayed in your house
48:00for another minute, Trino.
48:01Don't you have to go clean somewhere?
48:08You'll see,
48:09but I'm going to Antonia's tonight,
48:11for sure.
48:12You're going to miss her.
48:17I'm going to remember her a lot.
48:19Always.
48:20You're here.
48:22I was going to your house to look for you.
48:24Well,
48:25I just wanted to tell you something
48:26about the rehearsal schedule.
48:28No, no, no, no.
48:29Forget about the rehearsal schedule.
48:30At the moment,
48:31they're all canceled until notice.
48:33The theater owner
48:35wants us to suspend the show.
48:37But how are you going to go like this,
48:39with one hand in front and the other behind?
48:40That's nonsense.
48:41No, Miguel.
48:43Nonsense would be
48:44letting Mrs. Laza
48:45get on top of Teresa
48:46without me doing anything.
48:48I love Teresa madly
48:49and I'm going to defend her.
48:51So I'm going with her.
48:52You're the only one
48:53who can talk to Mr. Fermin
48:55and that he's right.
48:56Yeah, well,
48:57look at what he's done.
48:58So now he values her more than before.
49:00Well, but there's still hope
49:01because they haven't gotten married.
49:03So we still have to stop him.
49:06Did we get it?
49:09Emiliano Pedraza
49:10has bought the gallery.
49:12It's signed.
49:15Thank you very much, Mr. Fermin.
49:17Finally,
49:18the gallery will be in the hands
49:19of an entrepreneur
49:20with his feet on the ground
49:21and his head in his place.
49:22But here it says
49:23they're going to report us.
49:24According to the contract,
49:26if you want to leave the company,
49:28you have the obligation
49:30to notify the company's management
49:32in advance
49:33and not overnight.
49:35Bad luck
49:36for the groom to see the bride dressed.
49:38I didn't know that.
49:39Bad luck?
49:40Yes.