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00:00A FEW HOURS EARLIER
00:17Piedro, how are you?
00:20I don't know, Marta, I don't know.
00:22I just don't know how to make friends with Antonia and Lucia.
00:27Get used to it, right? It's always better than nothing.
00:31Yes, of course, but I don't know if it's going to last.
00:34Or if it's like calm before a battle, or before the storm, as we say in Italy.
00:39You do your best.
00:41And think that if in the end you make friends again, you'll be like before.
00:45Yes, I'll see when I can go back to Antonia's house.
00:49The doctor hasn't shown up all night.
00:51You wait to talk to them.
00:53You'll see how they take the surprise.
00:54And you'll have good ones.
00:56I'm leaving. I'm going to keep preparing breakfast at the Puerta del Sol.
01:02Marta, how was the exam?
01:05Great. I answered everything and I think I'm going to pass with a grade.
01:09I didn't expect less from you.
01:14What's going on? Did you have problems with Miro and Firafe, with Vanessa?
01:19Yes, later I had to talk to her and my father.
01:21And how was it?
01:23Well, I have good and bad news.
01:26Vanessa locked me up and I met my father and her.
01:30The good thing is that I faced them both and I told them that I was very in love with you and that you were the woman of my life.
01:37Well, I'm very happy to see you so excited.
01:40I know that sometimes I can be a crazy head and as immature as a 15-year-old kid, but I'm not a coward.
01:45In fact, I care as much about you as I do about facing my father and a third of the cavalry is needed.
01:51Well, I'm very proud that you faced him.
01:54We have to celebrate this, can't we? We can do something this afternoon.
01:57Well, wait. That's the good news. What's the bad news?
02:02The bad one is that when I told my father that I was crazy about you, he made me meet Vanessa and get engaged to her.
02:11Yes, but that's already finished, isn't it?
02:14Yes, but he also threatened me with kicking you out of the bookstore and talking to Don Fermín to fire you from La Moderna.
02:21If I don't do what he wants, let's go.
02:24Well, your father does have some good orders, yes.
02:27And you see him capable of doing that?
02:30I have to.
02:33Salvita, you should have told me this before.
02:36I didn't want to worry you about these things before the exam.
02:39Yeah, but I'm sorry you have to deal with this alone.
02:42Your father is one of those who impose. He has been very brave.
02:46You don't know how much.
02:48In fact, I'm afraid he won't hesitate to fulfill his threats.
02:56Look, I can lose my job at the bookstore, but not here.
03:02So we have to do something.
03:11It's a beautiful ring.
03:14Yes, it wouldn't have been cheap.
03:17What else does money give, Laurita?
03:19It's the least I could give Lazaro at such a special moment.
03:23Yes, and that Inés knew how to keep the secret very well.
03:26Yes, well, it had to be a surprise.
03:28And it was, it was.
03:30I was stunned when Fermín opened the case.
03:33But then everything went as expected, right?
03:36Of course, as he told me.
03:39And now we have to start with the preparations for the wedding.
03:43Well, you don't have to be in a hurry either.
03:46Yes, yes, yes, that takes a long time to choose the church, the guests, the costumes.
03:51We can't take too long.
03:53Well, instead of the committee you already have it, right?
03:56One less thing to worry about.
03:58All I want is to be up to the task.
04:00I don't want to disappoint your uncle.
04:02That will never happen because you are an exceptional woman.
04:06Thank you very much.
04:09The truth is that I am very happy to be part of this beautiful family.
04:14It is an honor.
04:16No, you give us the honor.
04:18But hey, we are not going to monopolize the conversation with our affairs.
04:22Inés, how are the rehearsals going?
04:24Well, well, well.
04:26We are rehearsing the second version of the script and ...
04:30I keep having meetings with the team of the play.
04:34Perfect. And you, Laurita?
04:35Is everything ready for the act of the suffragette in Madrid Cabaret?
04:39Yes, I think it will be a success.
04:41We have some exceptional speakers and I think we are going to fill it.
04:45It is admirable to see how many things your nieces do.
04:49Yes? It gives a lot of pleasure.
04:52That's why I'm so proud of them.
04:56Well, it's a shame not to continue with this pleasant conversation,
04:59but I'm afraid we all have pending tasks.
05:02So, well.
05:05See you later.
05:07I hope it goes well.
05:09Well, thank you for everything.
05:11Goodbye.
05:17You have been very kind to our future aunt.
05:21Well, if I'm honest with you, I can't believe it.
05:25I find her way of flirting forced.
05:28Doesn't she seem like a natural woman to me?
05:30Well, she must be nervous about the commitment.
05:31Maybe.
05:33Or maybe she's not as compassionate as she wants us to think.
05:36Time will tell.
05:41Laurita.
05:46I wanted to ...
05:47Tell me.
05:48I wanted to tell you something.
05:51Tell me.
05:55How's it going with Celia?
05:56How's it going with Celia?
05:58Good. We talked about what we thought and felt each one of us
06:02and now we work as the good team we've always been.
06:07Anything else?
06:09No, nothing else.
06:16I'm very sorry I didn't say goodbye to Jacobo.
06:19I'll try to call him tomorrow.
06:22Well, there's nothing else.
06:24He was very worried when I told him
06:27that I saw you capable of doing anything.
06:29Well, deep down in my heart I knew
06:32you weren't going to do anything crazy.
06:36I see you know me very well.
06:39I also knew you weren't going to stay still, that you were going to do something.
06:44You've suffered a lot with all this.
06:47That's why I couldn't stop telling Mrs. Bárbara what I thought of them.
06:51I wanted her to hear it from my own voice.
06:54To see her face and see how pale she was when she heard
06:57that they were two despicable women.
06:59You've taught them a lesson, my love.
07:01You've behaved with dignity and a measure.
07:05Admirable.
07:07I hope it's useful for something.
07:09That after talking to me, she realizes all the damage she's caused
07:12and that she doesn't hurt anyone else again.
07:15I don't think Carla and Bárbara have learned anything from this
07:18because they should be aware of it.
07:22And that's something they lack.
07:25Whatever it is, I don't care.
07:29For me, the matter is settled.
07:31We just have to trust justice.
07:35Sooner or later, they'll deal with Carla.
07:39And they'll put her there, in front of a court.
07:44I hope we see it.
07:45I hope we see it.
07:47And that it's not in a long time.
07:50Well, and...
07:52Mrs. Bárbara won't get away with this either.
07:55Even if she's now free under bail,
07:58she'll have to answer for it very soon.
08:02Now we just have to wait.
08:06What we have to do is look to the future.
08:10And take care of our own affairs.
08:13Yes.
08:15And to be able to tell that woman everything I thought about her
08:18has helped me to turn the page.
08:22Now, I just have to be happy.
08:25Getting my work done,
08:27enjoying it with my classmates at La Moderna,
08:29with Clarita,
08:32and with you.
08:38I love you.
08:41I love you too.
08:45I love you too.
08:56What are you doing?
08:57Nothing, nothing.
08:59I wouldn't have caught you stealing melons.
09:01What melons, what melons?
09:02I was here like a fly in the swamp,
09:04I was coming for you.
09:06Well, I was thinking we should go see Antonia.
09:10The poor thing, besides being sick,
09:11is badly accompanied by the Italian.
09:13It's like she doesn't want soup,
09:14and she wants you to have two cups.
09:16Yeah, but Pietro said we shouldn't go
09:18because she's much better.
09:20Pietro knows about cakes and buns,
09:22but he has no idea about this.
09:24How is he going to be fine
09:25locked up with that woman
09:26who is waiting for the opportunity
09:27to take her husband from him?
09:30Well, according to Martita,
09:31he's taking care of her as if she were a nurse.
09:34Oh well, if Marta says so, it must be true.
09:36Because she values Antonia a lot.
09:39Well, hey,
09:40they told me you were going to bring a wedding photo
09:42so we could see it.
09:43Can we see it or not?
09:45Of course, woman, of course.
09:47Miguel will bring it later.
09:48But I just heard Miguel say you had it.
09:51I had it, I had it before,
09:53but now I don't have it anymore
09:54because now Miguel has kept it
09:56in a drawer in the bookstore.
09:59But he'll bring it later, come on.
10:00Well, yes, don't forget,
10:01because sometimes...
10:03What a mess you have with this photo thing.
10:06Anyone would say you don't want us
10:07to see you at the wedding.
10:08Well, of course.
10:09Of course we do.
10:10Let's see,
10:11the thing is that the photo
10:12isn't very good either.
10:13Let's say.
10:14Because, of course,
10:15after so many kilometers
10:16on top of a donkey,
10:17well, of course,
10:18in the end,
10:19we both had our faces,
10:20come on, disembodied.
10:21But, come on,
10:22something would rest there
10:23before saying,
10:24yes, I want to, right?
10:25Yes.
10:26But the photographer
10:27in the region
10:28is not very good,
10:29because, of course,
10:30he was used
10:31to photographing the deceased.
10:33So, of course,
10:34he was used
10:35to photographing
10:36people
10:37who didn't move
10:38at all.
10:39But, come on,
10:40we're not going to hang
10:41that photo
10:42in the Museo del Prado,
10:43for God's sake,
10:44Trini,
10:45the only thing we want
10:46is to take a look
10:47to see how the wedding went.
10:48With that,
10:49we'll be happy.
10:50Well,
10:51are we going to see it
10:52or not?
10:53Of course,
10:54of course.
10:55By the way,
10:56for good photos,
10:57the ones that are going
10:58to be taken
10:59at Mrs. Vampira's wedding
11:00and Mr. Fermin,
11:01he deserves
11:02how he looks
11:03with what Teresa
11:04told us yesterday.
11:05I don't feel cold
11:06or hot.
11:07I think
11:08that wedding
11:09won't change anything
11:10because Mrs. Vampira
11:11already walked around
11:12the salon
11:13as if she were
11:14the mistress of the court.
11:15The one who's going
11:16to be affected
11:17will surely be Teresa.
11:18Well,
11:19I'm leaving,
11:20I don't have time.
11:21They'll show me
11:22the photo.
11:23Of course, of course, of course.
11:26What were you talking about?
11:27About the next wedding,
11:28the modern one,
11:29which, by the way,
11:30now that we're alone,
11:31what do you think?
11:33What do I think?
11:34What do I think?
11:36That I don't like a hair.
11:38But well,
11:39I think that now
11:40what I don't have to do
11:41is to think.
11:42I just have to focus
11:43on my work
11:44and nothing else.
11:45Yeah, well,
11:46but that union
11:47is going to affect
11:48all of us.
11:50Well,
11:51we'll manage it
11:52as best we can.
11:54I don't care
11:55about Mrs. Alazara
11:56anymore.
11:58Are you serious?
11:59Because, for me,
12:00what are you saying
12:01with your little mouth?
12:02No, no, no, no.
12:03I don't want conflicts anymore, Trini.
12:05For the account that you have me,
12:06come on.
12:07For the account that you have me
12:08and everyone else, huh?
12:11Well, yes,
12:12maybe it's true
12:13that we would all have to
12:14apply the story.
12:15No wars
12:16with the owner
12:17consort of the modern one.
12:19That.
12:26Well, I would put
12:27a veil over my clothes
12:28because
12:29one thing is
12:30that we are Egyptians
12:31and another thing
12:32is that we are
12:33indecent people.
12:34The wardrobe will be
12:35as you feel more comfortable.
12:36I don't know,
12:37well, I think
12:38that the orange
12:39doesn't favor me much,
12:40really.
12:41But, well,
12:42don't tell the costume designer
12:43that in the end
12:44she's the one who knows.
12:45You seem nervous, Inés.
12:46Are you okay?
12:47Do you have a problem
12:48with how the function
12:49has started?
12:51No, no, yes.
12:52Yes, I'm delighted
12:53with everything.
12:54Really,
12:55I love
12:56how the project
12:57is taking shape.
12:59Then,
13:01is there something else
13:02that worries you
13:03and is suspicious?
13:05Yes, it's just that
13:08I feel very bad
13:09about Laurita.
13:10I can't
13:11even look at her face.
13:15I understand
13:16that you feel that way.
13:17I don't either.
13:20I feel very good about that.
13:23I wanted to tell you
13:24this morning, but
13:27I'm a coward
13:28and I haven't done it.
13:31I thought
13:32you didn't want to talk
13:33about it with her
13:34or with me.
13:37It's just that
13:39there's something
13:42that you don't know.
13:46What is it that I don't know?
13:48I don't know.
13:49It doesn't matter.
13:50Nothing will change.
13:54You've already started
13:55and now you have to tell me.
13:57What did I ignore?
14:00Well, that
14:02Celia saw us kissing
14:05and she wants me
14:06to tell my sister
14:08or...
14:10Or what?
14:12Or that I stay away from you.
14:14And if I don't do
14:15one of the two things,
14:16then
14:18she'll tell her herself.
14:19She'll tell herself.
14:29I think that Celia is right.
14:32It's not fair that we continue like this.
14:35Yeah, but it's just that
14:37it's just that
14:38I don't have the strength
14:39to talk to her
14:41or to stop feeling
14:42what I feel for you.
14:45It's just that
14:46whatever we do,
14:47someone will suffer
14:48because of us
14:49or her
14:50when she finds out the truth.
14:52But what do we do?
14:55It's just that
14:57we can't stop seeing each other.
15:00We have to keep working together, right?
15:05The production has to go on, but
15:10it's going to be very difficult
15:11to repress what we really want.
15:19I'd love to have enough courage
15:21to talk to her,
15:22but it's just that
15:25I can't.
15:27I think it's always better
15:29to do it for you
15:30than for a friend.
15:32Because what we feel
15:35can't be avoided.
15:51Here I am.
15:52How can I help you?
15:54Thank you for coming so soon.
15:57I needed to talk to you
15:58and you haven't let me down.
16:00You've always been a gentleman to me.
16:02No, don't scold me, please.
16:04Look at the point.
16:05I can't devote myself to you all day.
16:08I'm sorry.
16:10I'm sorry.
16:12I'm sorry.
16:14I'm sorry.
16:16I'm sorry.
16:19I had a very unpleasant visit yesterday.
16:23Matilde showed up at this house
16:26and treated me with extreme rudeness.
16:29Her manners were completely out of place.
16:33And how does that affect me?
16:36I wanted to ask you
16:37if you think it's appropriate
16:38to file a complaint against her
16:40for the harassment I suffered.
16:44I don't think my situation
16:45is good enough for a lot of jokes, Fabio.
16:49With all the damage you've done to her,
16:53it's really strange
16:54that she came to settle the score with you.
16:57What's the matter?
16:58Have you forgotten
16:59that your daughter tried to kill her
17:00on the same day of her wedding?
17:02And that in that shooting
17:03she lost her mother's life?
17:07That she tried to drive her crazy
17:08and I don't know how many more troubles
17:10she has suffered against her.
17:11I know perfectly well
17:12what happened between the two.
17:13You don't need to repeat it to me.
17:15Of course.
17:16I'd need several days
17:17to explain everything
17:18you've done to her, Carla.
17:20I don't think
17:21she came here
17:22to tell you four truths.
17:24I didn't expect you
17:25to be on her side.
17:27She's not yours, Fabio.
17:28I'm not on her side.
17:30I'm on the side of justice
17:32and the law.
17:33The same law
17:34that neither you nor Carla
17:35have respected.
17:36My only sin
17:37has been trying
17:38to protect my daughter.
17:40Any mother
17:41would have done the same.
17:42Well, if you've only brought me here
17:44to tell me about your encounter
17:45with Matilde,
17:46this conversation
17:47is over.
17:48I have matters to resolve.
17:50No.
17:51There's another matter
17:52I want to discuss.
17:53I wanted to talk to you
17:55about the two of us.
17:57The two of us?
17:59But what do you mean,
18:00the two of us, Bárbara?
18:01There's no longer
18:02any of us.
18:06You've never asked yourself
18:07why I didn't take the same boat
18:09as my daughter.
18:11Ah.
18:12Now you're telling me
18:13you didn't leave for me.
18:15Of course I did.
18:17My feelings for you
18:18prevented me
18:19from making that trip.
18:20It's hard for me to believe you.
18:24But
18:25what you're saying
18:26may be true.
18:28It's a shame
18:29that it's over.
18:31Our relationship
18:32is over forever.
18:34We've crossed a point
18:35from which
18:36we can't go back.
18:37That's not true.
18:39It's impossible
18:40that she doesn't feel anything for me.
18:41Open your eyes.
18:43What was between us
18:44has died little by little
18:45over the last few months.
18:46There's nothing left.
18:48There are only reproaches
18:49and bitterness.
18:50What can I do
18:51for you to give me
18:52another chance?
18:55If you sell the gallery
18:56to Don Fermín,
18:58to Agustín
18:59and to the other businessmen
19:00who are interested
19:01in the purchase,
19:02that would see it
19:03as a gesture of goodwill.
19:07No.
19:08No.
19:09For me it would be
19:10an humiliation.
19:12In no way
19:13can I go through
19:14that.
19:15You see?
19:19I imagined
19:20a similar answer.
19:23You can't change.
19:25You'll never do it.
19:28Goodbye, Barbara.
19:44THE FOURTH DAY
19:55Well, what?
19:56Are we going to see that picture
19:57or are we going to have to
19:58imagine the wedding?
19:59Many are begging
20:00for a simple portrait,
20:01for God's sake.
20:02Well, it's okay.
20:03It's okay.
20:04Here you have it.
20:07But Miguel,
20:08you can't see anything like that.
20:09Well,
20:10we only have a copy
20:11and of course,
20:12the fingerprints
20:13and then they get damaged
20:14in two days.
20:15Don't be offended.
20:16If I do,
20:17you'll say
20:18that my hands
20:19are cleaner than a surgeon's.
20:20You're right, Trini.
20:21It's of very poor quality, isn't it?
20:22It's like old.
20:24And it's already yellowish.
20:25Well, that's because
20:26now people
20:27tend to age the photos
20:28to make them look
20:29older.
20:30What are you saying?
20:32People are going to buy
20:33second-hand clothes
20:34and they can buy new ones.
20:37Well, I'll bring it closer.
20:38I'll bring it closer.
20:40Come here!
20:42You can't see the details
20:43like that,
20:44Miguel.
20:46There's something
20:47that scares me.
20:48Yes,
20:49me too.
20:51Are you indifferent?
20:52What do you mean
20:53indifferent, Esperanza?
20:54What do you mean?
20:56I don't know what to tell you, Trini.
20:57I'd have to look at the details.
20:59Let's see.
21:05Well, well, well,
21:06that's it, that's it.
21:07But, Trini,
21:08what are you doing with the photo?
21:09Do I need it
21:10to give you the frame?
21:11Well, that's it.
21:12I'll tell you
21:13the measurements later
21:14so you can buy the frame.
21:15And we won't take the photo anymore
21:16because it's going to spoil.
21:17Come on,
21:18I'm going to work.
21:19Yes, I'm going to the bookshop
21:20because Salvita is alone.
21:27I'm so lucky
21:28that they don't hide anything.
21:30The truth is that
21:31you're more right
21:32than a saint, Esperanza.
21:34I don't know.
21:38I don't know.
22:08What a surprise.
22:12Do you want to come in?
22:14Of course, yes.
22:28I was preparing the posters
22:29that we are going to place
22:30for the caravancheles,
22:31the latina
22:32and the markets
22:33that we find.
22:35The more women know about the event,
22:36the better.
22:38Isn't Laura here?
22:40Laura has gone
22:41to take the posters
22:42to the high school club.
22:46Don't look at me like that.
22:48I'm aware
22:50that you saw
22:51how Inés and I kissed.
22:55In any case,
22:56I want to tell you
22:57that more than a kiss
22:58was that
22:59our lips touched.
23:00I mean...
23:01Agustín,
23:03I know what I saw.
23:04It's clear that yes,
23:05but I want you to know
23:06that
23:07there was no premeditation
23:08in any of the parts.
23:10In fact,
23:11neither of us
23:12knows very well
23:13what is happening to us.
23:16I don't need
23:17any explanation.
23:19What I need
23:20is that you be honest with Laura
23:21and tell her the truth.
23:22It's clear
23:23that we are going to do that.
23:24The only thing we need
23:25is a little time
23:26for Inés and I
23:27to clarify
23:28our feelings.
23:29Do you understand?
23:31No.
23:33I don't think it's good
23:34to delay that conversation.
23:35It's a matter of days.
23:36We just need
23:37a little time
23:38to find out
23:39where we are
23:40and put the play in motion.
23:41We have too many things
23:42on our hands.
23:44I don't
23:45like your excuses, Agustín.
23:47How would you feel
23:48if two people
23:49you trust the most
23:50betrayed you like that?
23:52You have to tell Laura.
23:54It's not the time
23:55for cowardice.
23:57It's not a matter of cowardice.
24:00Oh, no?
24:01And what is it?
24:02Are you going to
24:03live a double life
24:04with both of them?
24:05Does that amuse you?
24:06No, that would be
24:07the last thing I would do.
24:08Then I don't understand
24:09why you don't react.
24:11I already told you
24:12that Inés' situation was unexpected.
24:13In fact, it didn't go
24:14beyond what you saw.
24:17Look,
24:18I don't care what you tell me.
24:21You have to tell Laura.
24:23And if you don't,
24:24I'll do it.
24:26And this can't be negotiated.
24:29That's your last word.
24:33You have decided
24:34that I tell you
24:35everything that happened.
24:37Even if it doesn't matter.
24:44I'll talk to Laura.
24:47Today.
24:49Today.
24:51As soon as I have the chance.
25:04As soon as I have the chance.
25:21Marta.
25:24I've been watching all morning
25:25to see if my father
25:26comes to talk to Don Fermín
25:27and he hasn't shown up.
25:29He regretted it
25:30and he won't come to say goodbye.
25:32My father would have to change a lot
25:33to avoid a threat,
25:34but who knows.
25:37You should go back to the bookstore.
25:39Those two customers
25:40look like they're going to buy something.
25:41Let's see if I put an encyclopedia
25:42on them
25:43and my father will be happy with something.
25:57Girl,
25:59I have to talk to you.
26:01You tell me, Don Salvador.
26:03Today I received
26:04a very unpleasant call
26:06from the parents
26:07of my son's fiancée.
26:09Those gentlemen
26:10threw me out.
26:12It seems that Salvita
26:13is still in her thirties
26:14and doesn't want to know
26:15anything about her daughter.
26:17Yes, that's what she told me
26:18she was going to do, yes.
26:20Well,
26:21this is a problem
26:22that we'll have to fix,
26:23don't you think?
26:25Of course.
26:26Maybe she should talk to her son
26:27and listen...
26:28No.
26:30I prefer
26:32to deal with you.
26:37What is this?
26:38Money.
26:39A good amount.
26:41Enough so that you can
26:42finish your studies
26:43without straining.
26:45As my son told me,
26:47he wants to be a teacher.
26:49But this is a fortune.
26:50It's a lot of money, yes.
26:52If you manage it well,
26:53it will last a long time.
26:56You look like a smart
26:57and saving girl.
26:59Don't let this opportunity pass.
27:01If you think it's not enough,
27:03I can offer you something else.
27:05Anything
27:06as long as you forget about Salvita.
27:09Salvador, do you know what's going on?
27:11One doesn't know
27:12if she's a saving girl or not.
27:13Because they've always given
27:14what's fair to eat
27:15and to dress
27:16and sometimes not even that.
27:17Then you'll understand better
27:18than anyone
27:19what I'm offering you.
27:21But don't get me wrong.
27:23A waitress can be
27:24as poor as a rat,
27:25but as proud
27:26as a Marquise.
27:27And with enough money
27:28to tell her
27:29to go with her money
27:30to get some fresh air.
27:32Are you sure
27:33about what you're saying?
27:35As sure as there are things
27:36in this world
27:37that can't be bought.
27:38And one of them
27:39is the affection
27:40I have for your son.
27:41Not even with all the gold
27:42from the Bank of Spain
27:43can you pay
27:44for me to stop loving you.
27:45Am I clear?
27:50I wish you all the happiness
27:51in the world, Mr. Fermin.
27:53To you,
27:54your future wife.
27:55And I hope
27:56she doesn't stumble
27:57like a servant has.
27:59I hope so too
28:00because at my age
28:01I'm not up for that.
28:03How is Antonia?
28:05We're waiting
28:06for the doctor
28:07to come see her,
28:08but it seems
28:09she's better.
28:10Thank you for asking.
28:12Thank you
28:13for the congratulations.
28:24Congratulations, Mr. Fermin.
28:26I heard
28:27about your engagement.
28:29Thank you very much, Agustín.
28:31Love
28:32has taken a long time
28:33to get to me,
28:34but when it has,
28:35it has been
28:36a great help.
28:37Mrs. Lázara
28:38is a great lady.
28:39I'm glad
28:40about your future marriage.
28:42I hope I can say
28:43the same about you.
28:44If you decide
28:45to take a step forward
28:46with my niece.
28:47Well,
28:48at the moment
28:49I don't want to talk
28:50about this with Laura.
28:51I don't want to scare her.
28:52You do too.
28:53Laurita is very independent
28:54and if you hear
28:55any rumors,
28:56take them
28:57from Villadiego.
28:59By the way,
29:00I also wanted to tell you
29:01that on the way here
29:02I met
29:03Mr. Fabio
29:05who assured me
29:06that Mrs. Bárbara
29:07doesn't want to sell us
29:08the gallery.
29:09A door for hope.
29:10Maybe she'll change her mind.
29:12That doesn't seem possible.
29:14Mr. Fabio
29:15is completely convinced
29:16of the lady's intention.
29:17Well,
29:18that's very bad news
29:19for you,
29:20for everyone,
29:21because even though
29:22I'm the owner of this place,
29:23I wouldn't like
29:24to have to deal
29:25with any mischief
29:26or with Mrs. Bárbara herself
29:27if she finally decides
29:28to stay
29:29with the locals.
29:31In any case,
29:32it doesn't seem
29:33like a good time
29:34for these businesses.
29:36Or not, Agustín.
29:37Or not.
29:38I've been thinking
29:39about an idea
29:40for days
29:41that would allow us
29:42to control
29:43the entire
29:44purchase and sale
29:45process of the building.
29:46What do you mean?
29:48I have a friend
29:49who has made a fortune
29:50in Argentina
29:51and now wants to settle
29:52in Spain
29:53and is looking
29:54for profitable
29:55and very secure
29:56investments
29:58here in Madrid.
30:00And I understand
30:01that if he's your friend,
30:02he's someone you can trust.
30:03Absolutely.
30:04Emiliano Pedraza
30:05is a good guy
30:06and I trust him.
30:08And do you know
30:09how we could do it?
30:11Of course.
30:12Sit down
30:13because the explanation
30:14is long.
30:20For the last time,
30:21I ask you,
30:22are you sure
30:23about what you're doing?
30:24As much as my name
30:25is Marta.
30:26What are you doing here?
30:28Talking to the girl.
30:30What for?
30:31To make her fire you, right?
30:33I think
30:34what you're doing
30:35is very unfair.
30:36In fact,
30:37if I move a finger
30:38to hurt this girl
30:39I'm deeply in love with,
30:41I'll change my last name,
30:43forget my family
30:45and even give up my inheritance.
30:47All so I can spend
30:48the rest of my life
30:49with Marta.
30:50I have to admit
30:51that I was wrong
30:53with Marta.
30:55Today she has shown me
30:56that she is a woman
30:57of character
30:58and firm convictions.
31:01She has given me
31:02a life lesson.
31:05So,
31:06you're not going to ask
31:07her to fire you?
31:08Of course not.
31:10In fact,
31:11it will be an honor
31:12for me
31:13if you pretend
31:14to be this girl.
31:15You have my blessing.
31:18And now, Salvita,
31:19I hope you behave
31:20like a gentleman
31:21with her.
31:22I would not forgive you
31:23if you let a woman
31:24like Marta
31:25leave.
31:30Don Salvador,
31:31this is yours.
31:44What a long face.
31:46My God.
31:48I have seen
31:49the most exciting
31:50funeral.
31:51Well,
31:52no one wants to celebrate
31:53the vampire's wedding
31:54with Don Fermín.
31:55We could have saved
31:56the cakes
31:57they want to invite us to.
31:58Oh, really?
31:59No one has been given
32:00a sweet?
32:01Well,
32:02I have been,
32:03to be honest.
32:04And what bothers me
32:05the most
32:06is that I will have to
32:07do the paripé.
32:08Because, of course,
32:09anyone can make
32:10the owner's wife
32:11look ugly.
32:12I don't care.
32:13Anytime.
32:14Even if I don't have
32:15to go to the brothel,
32:16I'm welcome.
32:17And if they make us
32:18look sweet,
32:19better than better.
32:20And you, Teresa,
32:21what do you think?
32:22That you are silent
32:23without saying anything?
32:24It wouldn't be very funny
32:25to have to make
32:26the rendezvous
32:27with Mrs. Vampire.
32:28Well, I don't feel like it,
32:29but I don't want
32:30any trouble with her.
32:33This way, Manuel.
32:34You can leave it
32:35on the table.
32:40You can leave.
32:43Well,
32:44I am very grateful
32:45that you wanted
32:46to share
32:48with us,
32:49delighted to taste
32:50these pastries
32:51that we see
32:52every day
32:53in front of our noses
32:54and we can never eat them.
32:55You have had
32:56an idea
32:57worthy of a bishop.
32:58Well,
32:59the truth is
33:00that the idea
33:01was Fermin's.
33:02He told me,
33:03dear Lazara,
33:04why don't you
33:05share a little agape
33:06with the maids?
33:07It seems like a lie
33:08that we are going to get married.
33:09Mr. Fermin
33:10is always so attentive.
33:11Yes.
33:12Well,
33:13are you going to get married
33:14right away
33:15or are you going to have
33:16a baby soon?
33:17No, no, no.
33:18We will get married right away.
33:19Of course,
33:20with the age they have
33:21to wait.
33:22I mean,
33:23Mr. Fermin,
33:24Mr. Fermin
33:25is not a child anymore.
33:27And will it be
33:28a simple wedding
33:29or a posthumous one?
33:30Well,
33:31I would like
33:32an intimate wedding,
33:33but Fermin
33:34wants a wedding
33:35above all
33:36and it is natural
33:37because, of course,
33:38he knows so many people.
33:39Everyone who is important
33:40in this city
33:41will be invited.
33:44The pastries
33:45are ready.
33:47I'll have a chocolate one.
33:49Well,
33:50although Pietro
33:51has had a lot of work
33:52with the design
33:53of the door of the sun,
33:54the truth is that
33:55he has not left his work behind
33:56because this is delicious.
33:58Well, it is that Pietro
33:59always fulfills,
34:00even being worried
34:01about Antonia,
34:02who, by the way,
34:03poor thing,
34:04let's see if she recovers soon.
34:05Of course,
34:06Antonia ...
34:07Well, it's okay, Chachara.
34:08Come on.
34:09There is a lot to clean
34:10and many customers
34:11to attend to.
34:12One thing is a small snack
34:13and another very different
34:14to take the afternoon off.
34:16Come on, talk.
34:17Well,
34:18I'll take this one
34:19for the road.
34:20Yes, me too, this one.
34:22Wait a second, Teresa.
34:25I wanted to thank you.
34:28Thank me?
34:29Why?
34:30For putting me
34:31so many blocks
34:32since I started working here.
34:34Thanks to that,
34:35I have become even stronger.
34:36Thank you very much,
34:37Teresa, really.
34:45Thank you very much, doctor.
34:49Come in, come in.
34:51And what have they told you?
34:53Nothing, that ...
34:54Apparently,
34:55something would make me feel bad
34:56and he gave me the salpullido
34:57and hence the fever.
34:59But ...
35:00that's it.
35:01So,
35:02no contagious disease?
35:03Nothing.
35:04Oh, good.
35:05No.
35:09Come in.
35:10Yes.
35:11Hello.
35:12Hello.
35:13Well, well.
35:14The pity is that
35:15you had to
35:16be here
35:17locked up
35:18both.
35:19Not at all.
35:20It hasn't been so bad either.
35:21No?
35:22No.
35:23We have had the opportunity
35:24to get to know each other better.
35:26Who was going to tell us
35:27that we had so many things
35:28in common?
35:29Well, yes.
35:30It's true.
35:32I'm going to miss him
35:33even when he goes to Italy.
35:35And I really hope
35:36he does very well.
35:37Well,
35:38it doesn't have to go badly.
35:39At first,
35:40I'll spend a few days
35:41with my son
35:42and then he can go
35:43to live with the cousins
35:44that I still have left.
35:46I don't want to be a nuisance to him.
35:48Well,
35:49I'm sure he'll welcome you
35:50with open arms.
35:51Yes.
35:52We'll have to see about that.
35:54Don't worry,
35:55I'm not going to live
35:56under a bridge.
35:59I'm going down to the Garcés' house.
36:02I want to give Marta the news
36:04that she can come back here.
36:06I'm sure she'll be very happy.
36:09Thank you very much for everything.
36:10Really.
36:13Thank you, too, Lucia.
36:17Bye.
36:25I really wanted to be alone with you.
36:28Me too.
36:29No.
36:39Have you really gotten along
36:40with Lucia?
36:42Yes.
36:43At first,
36:44I thought it was a curse,
36:45but
36:47little by little,
36:48we started to understand each other,
36:49although I haven't forgiven her
36:50for some things.
36:51I guess so.
36:54No matter how well
36:55you've gotten along with her,
36:57I don't think you have
36:58any desire
36:59to stay here in Madrid.
37:00No.
37:01No, no, no.
37:03But it's nice
37:04to get to know her better.
37:06But I really want
37:07to go back to work.
37:08Really?
37:09Yes.
37:10You really want to go back to work?
37:11I think
37:13you'll be fired soon.
37:15Why?
37:16Because I have news.
37:19About the fat ones.
37:22Has something bad happened?
37:24More or less.
37:25What?
37:27Don Fermín
37:28is going to marry
37:29Doña Lázara.
37:31What?
37:33Are you serious?
37:34Yes.
37:36But I can't go, aunt.
37:44Come on,
37:45Doña Lázara's invitation
37:46was more poisonous than a viper.
37:47Well, you see.
37:49What she told me
37:50when we were alone
37:51gave me goosebumps.
37:52So this woman
37:53hasn't even signed
37:54the peace treaty with me.
37:56What are you going to do?
37:59Nothing.
38:00Nothing at all.
38:01I'm going to focus on my job,
38:02do it well
38:04and enjoy your company.
38:07Thank you for what I get.
38:09I'm glad
38:10I don't have to face her anymore.
38:13Now I just have to wait
38:14for her not to tickle you anymore.
38:15Well, let her try.
38:17She won't get it.
38:19If I keep facing her
38:20it doesn't make any sense
38:21because I can always
38:22get lost.
38:23Especially now
38:24that she's going to marry Don Fermín.
38:26Well, let's both
38:27get over it, Teresa.
38:29Let's forget about the vampire.
38:30At least as long as
38:31she allows us to.
38:33Well, yes.
38:34Look, we can do that
38:35today.
38:36We'll go to the theatre later.
38:39Sounds like a great idea.
38:40For a day when we leave
38:41early at the same time
38:42we can't stop
38:43taking advantage of it.
38:45Well, finish your things
38:46and I'll finish mine.
38:47Right now.
38:49Elias.
38:50Yes?
38:52Take these coffees
38:53to table 9.
38:57And when you're done
38:58could you pick that up
38:59because I've already finished.
39:00Of course.
39:01Of course.
39:08Elias.
39:10What do you know
39:11about Teresa and Cañete?
39:13Are they in a relationship?
39:15Well, as far as I know, no.
39:17I see.
39:18Well, we just have to see them
39:19to know that they're
39:20having an affair.
39:22Well, let's see.
39:23Some time ago
39:24they were about to
39:25get married
39:26but...
39:27but...
39:28everything got stuck
39:29because Mario,
39:30Teresa's ex-boyfriend,
39:31showed up
39:32and I don't think
39:33they got back together.
39:34Well, you should
39:35keep an eye on them
39:36because it's obvious
39:37that they have
39:38a relationship
39:39beyond friendship.
39:40Well, if you want
39:41I can ask Cañete
39:42to see what he says.
39:43You don't have to ask anything.
39:45It's clear that our manager
39:46and our chief of staff
39:48are together.
39:50I'm not saying
39:51yes or no,
39:52Mrs. Bázara.
39:53What you should do
39:54is to be more attentive
39:56and to be alert, Elías.
39:58I want to be the first
39:59to know about these things.
40:01Eh...
40:02Don't worry.
40:03I won't miss a single one.
40:05You'd better.
40:25How's it going?
40:26Have you brought the posters
40:27to the lyceum?
40:28Yes, I came here
40:29to the race.
40:31And, well,
40:32where have they put them?
40:33Well, I haven't seen them
40:34but they told me
40:35they'd put them inside
40:36and outside the building.
40:37They're very excited
40:38about the event.
40:39Well, just like you, right?
40:41The truth is, yes.
40:42I'm more and more
40:43motivated.
40:44Today I met Concha Méndez
40:45and she told me she'd come.
40:47What?
40:48But that's incredible.
40:49Yes, yes,
40:50and if it wasn't enough
40:51they keep calling women
40:52asking for information.
40:53They all say they'll come.
40:54I don't know,
40:55maybe we'll miss
40:56the Madrid-Cabaret.
40:57Well, that's great.
40:59We'll think about what to do
41:00if that happens.
41:02Look,
41:03Agustín is coming.
41:05He came to visit me
41:06all day.
41:07Hi.
41:09How are you?
41:10You've been very busy.
41:11How are the rehearsals
41:12with Inés?
41:14Well, uh...
41:16Everything's moving
41:17as I expected.
41:20You're very serious.
41:21Is something wrong?
41:24Ahem.
41:26Well, I...
41:27I'm going to develop
41:28the new gramophones.
41:35Hey, Agustín.
41:36Do you want to tell me something?
41:37You're scaring me.
41:41It's something about Inés that...
41:44It's not easy for me to tell.
41:46My sister has lost her voice again.
41:48No, no, no.
41:50It's not that, no.
41:54It's not that.
42:02Lara!
42:04I'm so happy to see you again!
42:07We're friends.
42:09I'll never leave you alone.
42:12I came here every afternoon.
42:14And I stayed a long time waiting for you.
42:17But then it got late
42:18and I had to go home
42:19with my sister.
42:21I'm very sorry
42:22for being sad because of me.
42:23I wasn't sad.
42:24I knew you were coming back.
42:26What happened to you?
42:27I've had...
42:29some very serious problems
42:30that have prevented me
42:31from coming here.
42:32I see.
42:33Well, it's okay.
42:34You told me what could happen
42:35and everything I had to tell
42:37my sister.
42:38I've followed everything
42:39to the end.
42:40I wasn't expecting less from you.
42:42You're a very smart girl.
42:46I want you to promise me
42:47that you're not going to leave me alone again.
42:49I promise you.
42:52It makes me very happy
42:53to see you so well.
42:55You're growing at the moment.
42:57What's so bad
42:58that happened to you?
42:59It has to be very serious
43:00for you not to be able
43:01to come and see me.
43:04It has been like that.
43:06You can't imagine
43:07what I've been through.
43:09What is true
43:10is that I've missed you a lot.
43:12You know we're friends
43:13forever.
43:20You see,
43:23between Inés and I
43:24are being born
43:26some very strong feelings
43:28that we haven't looked for
43:29in either of us,
43:31but they're there.
43:33Agustín, if this is a joke,
43:34I don't like it.
43:35It's not a joke.
43:37Both Inés and I
43:38have tried to stop this,
43:40bury what we feel,
43:42stop this impulse,
43:43but...
43:46we can't.
43:47No.
43:50In any case,
43:52everything is limited to a kiss.
43:56Wait a minute, Agustín.
43:58Are you telling me
43:59that you've kissed my sister?
44:02Just once.
44:04And you think it's not enough?
44:06I'd like you to understand.
44:08No, no.
44:09If I understand it perfectly,
44:10you're telling me
44:11that you're falling in love
44:12with my sister
44:13and that you've kissed her.
44:15That's not true.
44:17Do you think I'm an idiot?
44:18I swear there's nothing like that.
44:20Everything that's happened to us,
44:21everything...
44:23has happened without knowing how.
44:24I don't know,
44:25the proximity of work,
44:26spending a lot of time together.
44:28Suddenly we've seen each other
44:29in each other's arms.
44:30Do you understand?
44:31No, no, no.
44:32This can't be true.
44:33No, no.
44:34It can't be happening to me.
44:35Tell me it's not true.
44:36I'm sorry.
44:46Sometimes,
44:48I thought I'd never see you again.
44:51And that scared me.
44:54You know what we've talked about.
44:59I've been practicing with the needle.
45:02And now I'm braver.
45:05Very good, Clarita.
45:06But you know,
45:08that was just a rehearsal
45:10for something bigger
45:11that we have to do.
45:12What do you mean by something bigger?
45:16That...
45:18if we want to go to heaven,
45:19we can't stay here.
45:24Don't worry,
45:25because it'll be like...
45:27like falling asleep,
45:28but...
45:29forever.
45:34Will that hurt us a lot?
45:37On the contrary.
45:38Once we take that step,
45:39we won't feel pain again.
45:44I'm very scared.
45:47Clarita,
45:49it's like when you had the needle.
45:51Do you remember?
45:52At first, you were scared,
45:53but then nothing happened.
45:54Right?
45:58We're going to do something similar.
46:01You won't feel anything.
46:03And...
46:04the reward will be huge.
46:06When we get to heaven,
46:07our mothers will be waiting for us
46:09with their arms open.
46:11And finally,
46:13we'll be happy forever.
46:16Are you sure
46:17I'm going to go back to my mother?
46:23As sure
46:25as you could talk to her
46:26thanks to the magic stamp.
46:30Are you sure?
46:31Yes.
46:34Are you willing to do anything?
46:43Yes, I'll do anything you say.
46:57Where's Clarita?
46:59With her friend, Lara.
47:00The truth is,
47:01since she's with that girl,
47:02I see her better.
47:03Has peace contributed to this house?
47:05That's how I really am.
47:08Hi.
47:09Matilde,
47:10the one you really love is there, Inigo.
47:11You'll be alone.
47:13I'm very excited
47:14that you're finally with the woman
47:15you love, Cayete.
47:17A hug.
47:18I'll let you continue
47:19with your thing.
47:20Our thing?
47:22Yes, of course.
47:23I don't get it with Agustín.
47:24You treat me like an idiot.
47:25Agustín told me.
47:26At least be brave and accept it.
47:28Clarita, no, no, no.
47:29Don't come any closer.
47:30Please, leave me alone.
47:31Go away.
47:32What's the plan?
47:33For now,
47:34I have a meeting
47:35with Mrs. Bárbara.
47:37I hope she reacts
47:38as I expect.
47:39You're hiding something.
47:40Hiding what?
47:41There's something strange
47:42in that picture.
47:43And not just in the picture,
47:44but in the wedding,
47:45the prolegomena,
47:46and everything else.
47:47Let's go.
47:48Fermín,
47:49how do you imagine
47:50our wedding will be?
47:51As you want me to imagine it.
47:52Well, I don't need
47:53big things.
47:54If it has to be simple,
47:55let it be.
47:56All I want
47:57is for us to always be together.
47:58I have the feeling
47:59that if I don't tell Mr. Fermín
48:00one last time,
48:01I'll regret it.
48:02You should put your feet on the ground.
48:03But Mr. Fermín
48:04is going to make a huge mistake.
48:05Don't worry.
48:06Mr. Fermín is old enough
48:07to be in charge of his actions.
48:08As far as I know,
48:09you couldn't tell anyone
48:10that I'm his girlfriend.
48:11Doesn't that mean
48:12that Mr. Salvador
48:13went out with his girlfriend?
48:15I'm going to talk to my father
48:16and I'm not going to stop
48:17until he gives us his blessing.
48:18Do you think
48:19I have the slightest interest
48:20in favoring the people
48:21who have ruined
48:22my daughter's life?
48:23Ma'am,
48:24I'm not going to allow it.
48:25I don't need
48:26your consent at all.
48:27I don't think
48:28I can be responsible
48:29or guilty
48:30for what happened
48:31to your daughter.
48:32Of course I can.
48:33Just as much as I can
48:34prefer to see this gallery
48:35turned into a living room
48:36a thousand times
48:37before negotiating with you.
48:38Laura feels
48:39that you've done
48:40something terrible
48:41and unforgivable right now.
48:42How could I not see it?
48:43Besides,
48:44it's been going on for a long time.
48:45Laurita, please,
48:46we want to ask you,
48:47beg you,
48:48if it's necessary,
48:49to forgive us.
48:50I'm begging you, please.
48:51It all happened
48:52unexpectedly.
48:53Can you forgive us?
48:54No.
48:55Why do you think
48:56she hasn't been to school
48:57all day?
48:58Because she's presented
48:59some justifications
49:00supposedly signed by me.
49:01And I haven't signed anything.
49:02You can do anything in heaven
49:03and you'll be as happy
49:04as you were before.
49:05Were you happy too?
49:06Yes,
49:07but now I'm going to be happier.
49:09The postman brought it
49:10this morning.
49:11These are the grades
49:12for the exam.
49:13Don't open it
49:14so we can celebrate.
49:17What if they're bad, Lucio?
49:18What about school?
49:20I have to go back
49:21to school, right?
49:22Don't worry about that, Clarita.
49:25I've already taken care
49:26of that little problem.
49:27Clarita presented
49:28these justifications
49:29at school.
49:30Signed with my name.
49:31And I haven't signed anything.
49:33Holy Virgin,
49:35it can't be.
49:37What?
49:38What can't it be?
49:41You've seen this letter
49:42a thousand times, Matilde.
49:45It's Carla's letter.