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00:00A FEW HOURS LATER
00:11What did I tell you, Clarita?
00:14Is this a magical place or not?
00:19Well, it is.
00:20It is.
00:30That's why...
00:32I wanted to be completely honest with you, Clarita.
00:38You see, I...
00:41Many times...
00:43I'm afraid that they won't accept me.
00:47That people don't appreciate me and don't want to be with me.
00:52That's why...
00:54Many times I disguise myself to feel safer.
00:59You disguise yourself?
01:01Yes.
01:13I'm actually like that.
01:15Hello.
01:18You remind me a lot of someone.
01:21But now I don't fall.
01:28With the wig I feel protected.
01:31It's like...
01:33It's like you're wearing an armor.
01:35Do you understand?
01:37I think so.
01:39It's like...
01:40When I put on my favorite dress...
01:42In those moments I always feel much better.
01:46Do you feel better when you put on the wig?
01:49Yes.
01:51Yes.
01:53I was very afraid...
01:55That you wouldn't understand or that you'd get mad at me, but...
02:00I've realized that I don't have to be afraid of you.
02:03Being with you is like...
02:06Like being with my mother.
02:09I...
02:10I loved her a lot.
02:15And you?
02:17Yes.
02:19A lot.
02:23Look.
02:29Your mother...
02:32You loved her more than anyone else in the world.
02:36Yes.
02:37But I also love my siblings a lot.
02:40Especially Matilde.
02:41Well, Clarita, I think you're wrong.
02:45Because Matilde really loves Íñigo.
02:48You told me yourself.
02:53That's why it's good for you to want to be with your mother.
02:57Because there will come a time when Matilde returns all her love to Íñigo.
03:01And you...
03:03You'll be alone.
03:06Don't you think Matilde has already forgotten about your siblings?
03:09But...
03:11I never forgot about them.
03:16And that's admirable.
03:19You'll have to tell your mother.
03:23But we're not in a hurry now.
03:25Today, we can stay here as long as you want.
03:31Looking at the sky.
03:33Appreciating its beauty.
03:34And so you can also think about what you're going to do when you see your mother.
03:39I'm going to hug her.
03:41And I'm not going to let her go for a long time.
03:44Besides, I'm not going to cry when I see her.
03:48You do very well.
03:57What about school?
03:59I have to go back to school, right?
04:05Don't worry about that, Clarita.
04:08I've already taken care of that little problem.
04:24Well, boss.
04:25Let's see, for table four.
04:27Two cutlets, a carajillo and...
04:31And I can't take it anymore.
04:32I can't take it anymore.
04:33I can't take it anymore.
04:34Is it a new type of coffee?
04:35Or are you telling me that you're already exhausted at this time of the morning?
04:38No, what I'm telling you is that I'm glad you had it, huh?
04:41But congratulations.
04:44Have you had anything to drink today?
04:45Not yet.
04:46But it would be nice if you invited me to celebrate that you already have the job in the boat.
04:52First, lower your voice.
04:54Secondly, I don't know what boat you're talking about.
04:56What boat am I going to talk to you about?
04:58About the boat of the rain?
04:59It seems to me that I'm a little distressed.
05:02Distressed for what?
05:03Because you didn't tell me and I had to find out for someone else.
05:06And that's very ugly, boss.
05:07With the confidence we have.
05:09But it's okay, because I forgive you.
05:12Well, thank you very much.
05:15But...
05:17Could you tell me who gave you the blow?
05:20You say the blow, but not the blower.
05:22And what you would have to do is shout, proclaim to the four winds your love.
05:27Because that's what they celebrate.
05:28Look, Elias.
05:29Yes.
05:30I'm just going to ask you to be discreet.
05:31Well, you know that's in my nature.
05:33And don't spread the rumor.
05:35Teresa and I, for now, we want to keep it a secret.
05:39It would be a grave, you can count on it.
05:48Hey, Elias.
05:52Couldn't you open the grave a little and tell me how the information got to you?
05:57No, because then you couldn't trust me.
06:00Besides, if Mrs. Lázara finds out, she's in trouble.
06:03Wait, wait.
06:05Did you say Mrs. Lázara?
06:06Mrs. Lázara? Who said Mrs. Lázara?
06:08I said that if she gives me a straw, she's in trouble.
06:11Don't hide it, it's going to be bad for you.
06:17The vampire is very smart.
06:18Let's see, is it because you say it?
06:20Because my lips are sealed and I don't even tell you.
06:23Well, look, yes, Elias.
06:25There's something between Teresa and me.
06:27And we're going to celebrate it big.
06:29You and me.
06:30See?
06:31As soon as you say something, the celebration is over.
06:33And maybe the grave thing is no longer just a metaphor.
06:36Well, I don't give a damn about the next two orders if I'm not able to keep a secret.
06:39Don't tempt fate, don't tempt fate.
06:43Look, I'm going to give you a vote of confidence.
06:47But you, Chitón.
06:49And above all, normality.
06:51Of course, Chitón and normality.
06:54But I have to tell you something.
06:56I'm very excited that you're finally with the woman you love the most, Cayete.
07:00A hug.
07:01Elias, Elias, Elias.
07:02Yes, tell me.
07:03I've told you normality and that you hug me at work is not very normal.
07:06No, but I'm very excited.
07:08Yes?
07:09Yes.
07:10Well, look, take that excitement.
07:11Yes.
07:12And you're going to attend to Don Cipriano, who just came in.
07:15Go.
07:16Well, I'm going.
07:17I'm running.
07:18See you later.
07:25And I don't know.
07:26Clarita seemed very happy when I left her at the school door.
07:30Well, maybe she would have a friend or some activity that would make her especially excited.
07:35The fact is that later I'm going to give her a surprise.
07:37I'm going to pick her up and I'm going to take her to her friend Lara's house.
07:41Well, look, the truth is that it's been a long time since you met.
07:43Yes, because I spend a lot of time with her and she doesn't stop talking about Lara.
07:48The truth is that it's strange that you haven't met yet.
07:51Of course, that you haven't met yet.
07:55What a punctuality at the studio, gentlemen.
07:57Sorry for the delay, I beg you.
07:59No, you don't have to apologize for anything.
08:01Well, it seems to you that we are going to get down to business.
08:04I don't want to make cuts, but today I have a very tight schedule.
08:08Of course, I just wanted to inform you that I have already carried out the management
08:12and I have closed the last details of tomorrow's event of the Association of Writers.
08:16Great.
08:17Yes, and from now on, Teresa and Mrs. Lázara will take care of the rest.
08:23Thank you very much, Matilde, as efficient as always, and concise, which is to thank.
08:27For my part, I wanted to tell you that I have drawn up a plan for the acquisition of the gallery.
08:37You tell me.
08:38And if everything goes as planned and the signature is produced,
08:41we will celebrate it to the fullest, even hiring a post-it orchestra.
08:45And you, of course, Matilde, will be in charge of managing it.
08:49Excuse me, Don Fermín, but could you tell us what that plan is?
08:52Because the truth is that it disgusts me.
08:54The plan is very simple.
08:56It is about Emiliano Pedraza buying the gallery.
09:03And who is Emiliano Pedraza? Because it is the first time that I hear about him.
09:06He is a good friend, a successful businessman, a tenacious, intelligent and very ambitious man,
09:11both personally and professionally.
09:13Excuse me for insisting, Mr. Fermín, but what is the strategy to follow?
09:17Well, I have a meeting with Mrs. Bárbara in a while,
09:21and I hope she has the reaction I expect.
09:26Because otherwise we would be in the hands of any ungrateful person to whom Mrs. Bárbara wants to sell her properties.
09:33I cannot guarantee the success of the operation, but nothing better has occurred to me.
09:38Everything happens because Mrs. Bárbara gets involved.
09:43Do you see it as possible?
09:45I see that woman capable of not even renewing the rents and leaving the gallery deserted.
09:49But I do not want to lose hope.
09:53I am very sorry that my bad relationship with Mrs. Bárbara has made the negotiations difficult.
09:58You have nothing to regret, Inigo, for God's sake.
10:01But if Mrs. Carla is on her way to America, there is nothing that holds Mrs. Bárbara here.
10:06The normal thing is that she is in a hurry to sell.
10:09And that is our great weakness, Matilde, and in which I trust blindly.
10:14But of course, nothing is normal with that woman.
10:20A month later.
10:33You don't have to thank me for accompanying you or letting you sleep at home.
10:39I didn't want to bother you, but after what Agustín told me, I didn't want to see my brother.
10:46You don't have to give me any explanation.
10:48You know that I would do anything for you.
10:51Especially in these circumstances.
10:54And now you will tell me that I should have stayed with you.
10:59I would never do something like that.
11:02I don't think it's right to try to benefit from people's bad moments.
11:07Especially if these people are my friends.
11:11I'm here to help you, Laura.
11:13Not to compare you.
11:17What I would like to know is why Agustín decided to tell me precisely yesterday,
11:22and precisely in the gramophone store.
11:27Do you know something?
11:32What am I going to know, Laura? I don't know anything.
11:35Celia, you just told me that you are here to help me.
11:38Please, if you know something, tell me.
11:42Okay.
11:44I saw them. I saw Agustín and your sister kissing.
11:48I told them that either they told you something or I told you.
11:53So if it weren't for you, they would keep cheating on me and acting behind my back.
12:00I don't know. Laura, I don't know.
12:03I think that in the end they would have told you.
12:05They love you very much.
12:07Well, what a way they have to prove it to me.
12:14Laura, you're back.
12:29What? Didn't you have enough with yesterday?
12:31Today we have to show you the picture again.
12:33I need to see the picture to be able to buy the frame.
12:36Yes, but yesterday I already gave you the measurements when I left the store.
12:41Yes, but yesterday I already gave you the measurements when I left the store.
12:45Exactly Trini, and with the paper I went to the store.
12:49And don't you see how many frames I saw.
12:51I need to go back to the picture to see which one is the most suitable.
12:53Well, if it's giving you so much trouble and so much work, you might have to think about another gift.
12:58A plant, for example.
12:59Can you turn it?
13:01Esperanza, for God's sake, how are you going to wash it with your dirty hands?
13:05You're going to waste so much time.
13:08Oh, Trini, you're exaggerating.
13:10I just wanted to make sure that...
13:14That what? That what? What did you want to make sure?
13:16Well, I don't know, that there's something strange.
13:19Come on, even Elias has noticed.
13:21Well, of course, he's going to trust Elias.
13:23He always sees something strange everywhere.
13:26If he's with Elias, he's a weirdo.
13:27Right?
13:28Well, you'll know how much of a paparazzo you have with that picture.
13:32Come on, if you want to tell me, tell me.
13:34And if not, come on, tell me.
13:37Well, nothing.
13:39It's a done deal.
13:40No, it's not a done deal, Miguel.
13:43Esperanza is absolutely right.
13:45You're hiding something.
13:47And it's time for you to reveal it.
13:49We're on the move.
13:50Hiding what?
13:51Well, I don't know.
13:52For a wise guy like me, a lince,
13:55who notices right away,
13:56he quickly realizes that there's something strange in that picture.
13:59And not just in the picture, but in the wedding, in the prolegomena, and in everything else.
14:04Since we're talking about everything else, in general,
14:07do you know who I spoke to yesterday?
14:09My mother.
14:10And she says she sends her regards.
14:11Really, Trini?
14:12Yes.
14:13What a joy.
14:14Yes, yes, yes.
14:15She says she remembers you a lot.
14:16Oh, my mother.
14:17How exciting.
14:18Well, don't surprise me,
14:19because I'm a gentleman who leaves his mark on ladies.
14:21And especially on a lady like her,
14:22who is an extraordinary, fascinating woman.
14:24Well, and she also says she loves the pictures
14:27and that she wants a copy.
14:29Well, I can't agree more with your mother, fully.
14:33Yes, well, in fact, I also wanted a copy, if possible.
14:35Well, no, no, no, it's not possible,
14:37because we're only allowed to make a copy,
14:39and it's for my mother-in-law, understand it.
14:41Yes, yes, yes, I understand it clearly.
14:43Well, because that woman deserves a copy of whatever she wants.
14:47Well, I'm going to work, I have a job to do.
14:49Come on.
14:50Trini, if you talk to Mrs. Leonora,
14:52well, with your mother,
14:53give her memories of me,
14:55but very affectionate and well felt.
14:57Yes, I will.
14:58Okay, thank you very much.
14:59See you later.
15:00Very good, Juan, talk about your mother.
15:03But if you mess up again,
15:05the only photo you're going to see
15:06is that of your tombstone.
15:13Estrellita, Castro has called here
15:15because he wanted to talk to you urgently.
15:17He'll call you at the store in a few hours.
15:20Thank you very much, Inés.
15:22I'm going to leave you alone.
15:24No, no, stay.
15:26Laurita, I've been nervous all night,
15:29since Celia told me you were staying at her house.
15:32And that you wanted me to sleep here
15:34with the woman who understands,
15:36with the man I love.
15:38No, really, I don't get along with Agustín.
15:41Inés, please.
15:42Don't treat me like an idiot.
15:44Agustín told me.
15:45At least be brave and accept it.
15:48Laurita.
15:49No, no, don't come closer.
15:50Please leave me alone.
15:51Go.
15:53Go.
15:55Go.
16:11And I had thought of accompanying the desserts
16:13with a glass of oporto.
16:14So that it is a detail and a touch of distinction.
16:17Perfect.
16:18Yes, it is important to take care of the customers
16:20and the guests.
16:21A good wine will never be missing in our house.
16:25For special moments.
16:26Totally agree.
16:27And for my future husband
16:29to dazzle his work meetings.
16:31Future?
16:32Future husband sounds good,
16:34but I'm dying to take the future out of him.
16:45Fermín,
16:46how do you imagine our wedding will be?
16:48As you want me to imagine it.
16:51Well, I don't need big things.
16:54I just want us to always be together.
16:56And that modesty honors you,
16:58but what woman doesn't like wedding feasts?
17:02Well, yes,
17:03but I don't want you to spend a dime either.
17:05And that honors you even more,
17:07but I'm not going to stop at expenses.
17:09You're going to have the wedding you deserve.
17:11Oh, Fermín.
17:12And I don't do it just for you,
17:13I also do it for me.
17:14That one does not get married every day,
17:16and less with such an intelligent,
17:21attentive and beautiful woman like you.
17:25Now we just need to think about the date of the wedding.
17:28I'll leave the rest in your hands.
17:32Yes?
17:35Excuse me.
17:36Come in, come in, Mrs. Barbara.
17:38Mrs. Lázares, excuse us,
17:39we have a matter to discuss with Mr. León.
17:42Of course.
17:43Excuse me.
17:46Will you go, Mr. Fermín?
17:48Sit down, please.
17:57But sit down as a woman and keep me company.
17:59No, Salvita,
18:00I've already told you that I like to sit down as if I were a lady.
18:03Besides, I also keep you company when I'm standing.
18:05As you wish.
18:08By the way,
18:09did your father tell you anything about returning the money?
18:12Yes, you're like a whore.
18:15No, no, no, no, no.
18:16I mean, if that's what you want, go ahead.
18:21I don't know,
18:22what I want is you.
18:24And well,
18:25it's true that I didn't expect him to behave the way he did
18:29and to accept what was ours.
18:32I was also surprised.
18:34It's normal not to be conscious of someone else's.
18:37But I saw that he couldn't buy you
18:39and he gave his arm to the third party,
18:41because that's what he wanted, to buy you.
18:43It's true that he said you had touched his heart
18:45and that's not easy.
18:47But I don't know, it's too easy.
18:51That's weird, my father.
18:52What do you think?
18:55I don't know, imagination is mine, I guess.
18:59Well, you know what I'm telling you?
19:00That one has a lot of world
19:02and it's better not to be ringing the bell on the flight.
19:05What do you mean?
19:06Well,
19:07it's not necessary to make a band to tell what's ours, right?
19:10What's between us can stay between us for the moment.
19:14I think it's good, yes.
19:17I mean,
19:19you didn't get what you wanted
19:21and you're almost like at the beginning.
19:23Were you already checking, Esperanza?
19:25No, woman.
19:26I was looking for you
19:28to warn you to move your butt
19:30to win the panel.
19:32What happens is that I accidentally heard what you said.
19:38You should know that we are not like at the beginning,
19:40as you say.
19:42That's true.
19:43Now we are much better.
19:46Well, a little better.
19:48I don't see it so clear because, come on,
19:50instead of moving forward, it looks like you're going around in a circle.
19:53But what circle?
19:55Let's see.
19:56As far as I know,
19:58you can't tell anyone that you're a boyfriend.
20:00Doesn't that mean that Don Salvador went out with yours?
20:06Maybe you're right.
20:13I'm going to talk to my father
20:15until he blesses us.
20:25If it weren't for your fairy godmother,
20:27who am I?
20:28Come on, let's go to work.
20:37Well, and that would be the proposal
20:39that we can make to the gallery's businessmen
20:41for the acquisition of their premises.
20:44Tempting, there is no doubt.
20:46And I wouldn't like you to think
20:48that I'm pressuring you.
20:50And if you try, it's in your right,
20:52as I am in mine,
20:54to reaffirm my position.
20:57I hope you understand my negative roundaboutness.
20:59Certainly...
21:00Let me finish.
21:02If you had any questions,
21:04see how you understand it perfectly.
21:08Do you think I have the slightest interest
21:10in favoring the people
21:13who have ruined my daughter's life?
21:15Ma'am, I'm not going to allow it.
21:17I don't need your consent at all.
21:19You are part of that plot.
21:21And if I were Gallardia, I would admit it.
21:24Or didn't you have dealings with Inigo Peñalver?
21:26And did you even allow him
21:28to represent you in the negotiations?
21:30I don't think I can make us responsible
21:32or guilty of what happened to your daughter.
21:34I can.
21:35Of course I can.
21:37Just as I can prefer a thousand times
21:39to see this gallery turned into a solar
21:42before negotiating with you.
21:44It seems to me that you are not in a position
21:46to be the victim
21:48after being an accomplice
21:50to the deception that occurred to your daughter.
21:52Pretending your own death
21:54is of an extraordinary low.
21:56And that has led you to run out of allies.
21:59If I sell the gallery to Don Fermín,
22:01to Agustín
22:03and to the other businessmen
22:05who are interested in the purchase,
22:07I would see that as a gesture of goodwill.
22:09No.
22:11It would be an humiliation.
22:13There is no way
22:15I can go through that.
22:17You see?
22:19I imagined a similar answer.
22:21You can't change.
22:23You will never do it.
22:25Goodbye, Barbara.
22:27I don't need allies.
22:29I spend and I spare
22:31to defend my own interests.
22:33Very good. Perfect.
22:35But be very clear
22:37that you will not be able to sell the gallery
22:40to anyone, much less
22:42being my tea room in the lot
22:44and being in force
22:46as the rent contracts
22:48of the bookstore and the cinema are.
22:50We'll see about that.
22:52And believe me if I tell you
22:54that I will not make any more attempts
22:56to convince you.
22:58It's good not to waste more time
23:00because you already know my answer.
23:02Goodbye, Don Fermín.
23:09Goodbye.
23:27If you're looking for Laura, she's not here.
23:29It's just that...
23:31we need to talk to her.
23:33The only thing I can do
23:35is tell her when she comes.
23:37If she comes.
23:39Because she's very affected.
23:43I'm not going to the rehearsal until I talk to Laurita.
23:45She's staying in La Bordilla.
23:51But you'd better not go, Inés.
23:53She's very down-to-earth and angry.
23:55She needs to be alone.
23:57Yes, but we have to explain
23:59that everything that has happened
24:01has not been premeditated, that we did not want to deceive her.
24:07Maybe I wasn't very right
24:09when I told Laura about the situation.
24:13But I felt very pressured.
24:15Pressured?
24:17You put the pressure on yourself when you kissed.
24:19I don't say anything for seeing you.
24:23And I'm not going to get into feelings.
24:25I know better than anyone that the heart plays tricks
24:27and makes you fall in love with the wrong person.
24:31But I also know that in these cases
24:33you have to face it and take the consequences.
24:35Yes, but now we have to find solutions.
24:37Celia.
24:39And for that we have to talk to Laurita.
24:41So please tell us how we can do it.
24:43What am I going to know, Inés?
24:45I have no idea.
24:47But you've been with her the last few hours.
24:49That's why.
24:51That's why I can't give you any advice.
24:55Laura feels that you have done something terrible to her.
24:57And right now unforgivable.
25:01Excuse me.
25:05Tell me.
25:07Estrellita, what a joy!
25:11No, no, no, no. I understand perfectly the delay.
25:13Nothing happens.
25:17What?
25:19You want to send me a bill here in the store?
25:27Yes.
25:29Yes, yes, yes. Send it.
25:31Thank you very much, Estrellita.
25:33A kiss.
25:37Is something wrong, Celia?
25:43I'm going to Germany in three days.
25:47But that's excellent news.
25:49Yes, it is.
25:51But not so much in these circumstances.
26:03Marta, wait.
26:05Lucia, how are you?
26:07Busy.
26:09Packing all my things.
26:11You can imagine.
26:13When are you leaving?
26:15Tomorrow.
26:17I'm going to Barcelona.
26:19And from there I have a few more trains to catch.
26:23If what you want to know is if I'm in the mood,
26:25I'll tell you that I'll be fine in Italy.
26:27Don't forget that I have an appointment.
26:29I'll tell you that I'll be fine in Italy.
26:31Don't forget that I have my son Giancarlo there.
26:33And a lot of life ahead.
26:37Well, I'm glad you're so excited, Lucia.
26:39Well, but before I leave,
26:41I wanted to tell you something.
26:43I wanted to thank you.
26:45For your understanding and for your company.
26:47For how well you treated me, Marta.
26:51You don't have to thank me for anything, Lucia.
26:53I just did what I thought I should do.
26:55Well, thanks to you,
26:57you can say that Antonia and I
26:59are even friends.
27:03I'll never forget that you were the first
27:05who stopped turning his back on me.
27:09Here.
27:11What's this?
27:13A gift.
27:15A little detail I wanted to have with you.
27:19Open it.
27:27A notebook?
27:29Yes. Well, actually, the gift isn't the notebook.
27:31It's what's written inside.
27:33All the Italian recipes
27:35I could remember.
27:37In his day,
27:39they helped me with Pietro,
27:41and I hope
27:43they can help you now.
27:45I don't know what to tell you, Lucia.
27:47Thank you very much.
27:49I've told you
27:51many times, but...
27:53But thank you, really.
27:55Thank you, and good luck.
27:57Oh, and I have something else for you.
27:59I brought it to the post office this morning.
28:01And since Antonia wasn't there,
28:03I picked it up.
28:07It's the test grades.
28:09Oh, I can imagine.
28:11Don't open it,
28:13so we can celebrate.
28:15What if they're bad, Lucia?
28:17But, Marta, how can they be bad?
28:21Do you know what I would do?
28:23I would open them
28:25with the guy from the bookshop.
28:27So he'd be the first to find out.
28:29Well, the first one
28:31behind you, always.
28:33Right?
28:37So you'd break up with Vanessa?
28:39Yes, Miguel.
28:41He took it very well.
28:43Smooth, smooth, incredible, but true.
28:45Yes, but your father was determined.
28:47Hey, why is there so much interest?
28:49Interest? No, none.
28:51Well, the one you can have
28:53for someone you value,
28:55and he's your boss' son.
28:57Well, yes, it's fine.
28:59Yes, I'm interested.
29:01Because your father told me
29:03he'd give me a promotion
29:05because he was convinced
29:07I had promoted your engagement
29:09with Vanessa.
29:11And a little less, he told me
29:13to keep an eye out
29:15for everything to go well.
29:17Besides, he specified
29:19I was dead because you're for Marta,
29:21not Vanessa.
29:23So I'm a dead man.
29:25Or, if you prefer, I'm a non-ascended man.
29:27Or, if you hurry, I'm a fired man.
29:29Well, well, relax.
29:31Miguel, don't get dramatic.
29:33Look, I'll give you some good news.
29:35My father has accepted my relationship with Marta.
29:37Yes, yes, I knew this was going to end in disaster.
29:39I knew that...
29:41Did you tell him what you heard?
29:43That he has given us his blessing
29:45and is delighted with us.
29:47There's something left to be clarified,
29:49but he hasn't said anything.
29:51But that's great news!
29:53I can go back to being
29:55the bookshop manager!
29:59I mean, the great news
30:01is that you can be with Marta
30:03and the manager thing
30:05is a possibility.
30:07If you want to know more about that,
30:09you'll have to talk to my father.
30:11By the way, he's coming this way.
30:17How are you, Salvita?
30:19Is everything in order?
30:21Have you had breakfast?
30:23If not, don't leave it for later.
30:25Eating properly is essential
30:27for good health.
30:29Hello, Miguel.
30:31Good afternoon, Don Salvador.
30:33Father, I'd like to have a moment
30:35to talk alone.
30:37It's about the relationship with Marta.
30:39Perfect, perfect.
30:41Have breakfast first,
30:43and later we'll find a place to talk.
30:51Don Salvador,
30:53I'd also like to talk to you.
30:55Now that your son's life
30:57is on track for your satisfaction,
30:59shouldn't we talk about
31:01that promotion he proposed to me?
31:07If you'll excuse me,
31:09I'm going to have a snack too.
31:15Come in.
31:23Come in, it's open.
31:29Antonio, is Clarita here?
31:31No.
31:33She's not in La Corrala either?
31:35No, I don't think so. What's going on?
31:37I can't find her, Antonio.
31:39I went to look for her at school
31:41and they told me they haven't seen her all day.
31:43Maybe she's at her friend Susana's house.
31:45No, neither.
31:47She told me she hasn't seen her either.
31:49So I thought maybe
31:51she was with her friend Lara.
31:53And nobody at school knows who she is.
31:55Neither her teachers, nor her friends,
31:57nor anyone.
31:59Antonio, has something happened to her?
32:01No, no, no.
32:05I'm sure nothing's happened to her.
32:07Don't worry.
32:09Maybe she's at that Lara's house.
32:11No, neither me nor anyone.
32:13There's no way to find her.
32:15That's why I thought maybe she was here with Marta.
32:17No, Marta's working at La Moderna
32:19and she left this morning and hasn't come back since.
32:21But how come she hasn't gone to school all day?
32:27Because she's presented some excuses
32:29supposedly signed by me.
32:31And I haven't signed anything.
32:33Neither has she, because this isn't her letter.
32:35Look.
32:37But there's more.
32:39I don't know how she does it.
32:41She's done it before, Antonia.
32:43Please, Antonia.
32:45I'm begging you to help me.
32:47I don't know where she could be.
32:49I don't know, honey. I don't know her habits.
32:51I don't know.
32:53Where could my sister be?
32:55Why don't you call your brothers?
32:57Maybe they know a place you don't.
32:59Maybe she's hiding somewhere.
33:01Here in La Corrala, I don't know.
33:03Of course.
33:05Yes, we should ask.
33:07Antonia, please.
33:09Ask in La Corrala if anyone knows that Lara
33:11or if she's seen my sister with a girl these days.
33:13Yes, yes. Don't worry.
33:15Calm down.
33:17I'm sure she's fine.
33:21This girl...
33:29You know,
33:31if my mother were with us,
33:33I'd ask her to take me to the river
33:35to watch the sunrise
33:37like we did so many times.
33:41And you? What would you ask her?
33:45For us to go together
33:47to Los Pinos Park.
33:51For us to play tag.
33:55For her to sleep with me
33:57and stay until I fall asleep.
34:01And for her to make croquettes for dinner.
34:05Yes.
34:13Hey, do you think
34:15I can make croquettes in heaven?
34:17Of course.
34:19You can do anything in heaven.
34:23And you'll be as happy as you were before.
34:27Were you happy too?
34:29Yes.
34:31But now I'm going to be happier
34:33because I'm going to meet my mother.
34:35Like you.
34:39I have to go.
34:41Why?
34:43Because it's getting late.
34:45I haven't told my sister
34:47that I was going to sleep outside.
34:49But, Clarita,
34:51if you go home, maybe Matilde won't let you come back here.
34:53And then
34:55you won't be able to meet your mother.
34:59I have everything ready for us to spend the night.
35:03Do whatever you want.
35:07If you prefer school
35:09and your fake life,
35:11meeting your mother in heaven
35:13and being happy forever,
35:15you go.
35:17I'm going to stay here.
35:19And if necessary,
35:21I'll travel alone.
35:25No.
35:27I'm staying with you.
35:33Yes.
35:37I'm glad you're doing well in Seville, Jacobo.
35:41Yes.
35:43Sorry, but I have to go. We'll talk later.
35:45Bye.
35:47Lidia.
35:49I was waiting for you.
35:51Any news?
35:53A lot.
35:55And they all say
35:57that the suffragette event will be a success.
35:59The first one is that,
36:01Clara Campo Amor and Victoria Ken
36:03will also participate with Chamedez.
36:05That's good news.
36:07And not only her.
36:09Other members of the Lyceum Club and women defenders
36:11of the universal suffrage have also confirmed their attendance.
36:13But there's more.
36:15More?
36:17Some media want to cover the event.
36:19But this is going to be a big event.
36:21The problem is that
36:23I won't be able to contact the missing people.
36:25That's why
36:27I've made two lists.
36:29One with illustrious women
36:31who haven't confirmed their attendance yet.
36:33And the other one with newspapers
36:35that haven't given me an answer yet
36:37or I haven't been able to talk to them yet.
36:41Wait.
36:43What do you mean you won't be able to take care of all this?
36:45I talked to Estrellita Castro today.
36:47And I'm going to Germany in three days.
36:51Wow.
36:53Congratulations.
36:57I still have to prepare a lot of things for the trip.
36:59But I'm going to the event this afternoon.
37:01I'm twice as happy.
37:03And I'd like to congratulate you.
37:05You're also going to the big door,
37:07to the Madrid Cabaret event organizer.
37:13Do you want to tell me something?
37:17No.
37:21Although I haven't been here for a long time,
37:23I've made great friends.
37:27And I'm sorry
37:29to leave the people
37:31I love so much.
37:33I understand.
37:37But Celia thinks
37:39her future is at stake.
37:41And maybe
37:43at some point in the future
37:45she'll be able to meet again
37:47those people she loves so much.
37:49I'm sorry.
37:57It's the end, Trini. The end.
38:01Come on, don't exaggerate. It's not the end, man.
38:03It's not the end. Besides, as long as there's life.
38:05There's no life.
38:07You haven't seen how Don Salvador looked at me.
38:09He pierced me with his gaze.
38:11The thing is
38:13I had the feeling
38:15that he was for the work of Salvita and Marta
38:17and I've allowed myself to put some merits
38:19and I've put my foot up to the curb.
38:21Well, son, you don't need to go around so many times.
38:23That's it. Besides,
38:25he hasn't said no yet.
38:27No, but he will. And worse.
38:29Because I've seen the word farewell tattooed on his forehead.
38:31It's just that I understand him less and less.
38:33I don't know what he has in his head, Don Salvador.
38:35It's more and more unpredictable.
38:37I look at him and...
38:39Is something wrong with you?
38:41Yes, it is. Of course it is.
38:43It's just that I'm in pain.
38:45All the time.
38:47And I can't take it anymore.
38:49You don't listen to me, son.
38:51Don't say that.
38:53Yes, I do.
38:55Because this gut doesn't stop growing
38:57and my ankles are going to split one of these days.
38:59And I have to pretend
39:01as if nothing happened.
39:03I understand you perfectly.
39:05What are you going to understand me?
39:07What are you going to understand me?
39:09I would understand you if you had this gut or these ankles.
39:11And why don't you have them?
39:13You don't understand me.
39:15But don't worry.
39:17Don't worry because we're going to put a remedy to all this.
39:19What remedy?
39:21Well, yes.
39:23I think it's time to tell them
39:25that I might be pregnant.
39:27And after a few days we tell them that I'm pregnant.
39:29And that's it.
39:31No more lies.
39:33And no more hiding.
39:35You're right, my love.
39:37We're going to make everyone find out.
39:39But we're going to do it the fastest and most effective way.
39:43Elias.
39:45Good idea.
39:51Once I read in a book
39:53that up here...
39:55Don't talk.
39:56Sorry.
39:57Execute.
39:59Mrs. Lázara, how can I tell you?
40:01But how did this woman find out
40:03if we haven't told anyone?
40:05Well, I don't know.
40:07But Elias already knows.
40:09And he has escaped because the manager told him.
40:11Well, he has seen us talking
40:13and he has drawn his own conclusions.
40:15Yeah, but we talk to everyone.
40:17Yeah, well, but maybe we've lowered our guard.
40:19And he has seen too much complicity.
40:21We have to be more polite, Cañete.
40:23Polite?
40:25Yes.
40:27I'm already being polite.
40:29Every time I look at you
40:31I feel like kissing you.
40:33Well, that's exactly what we don't have to do.
40:35Excuse me.
40:37I didn't want to bother you.
40:39I just wanted to know
40:41if everything is ready
40:43for tomorrow's writers' meeting.
40:45Yes, everything is ready.
40:47Don't worry.
40:49Very good.
40:51I didn't expect less.
40:53I'll let you continue with your work.
40:55Our work.
40:57Yes, of course.
40:59With the work.
41:01Right?
41:03Yes, of course, the work.
41:05We were discussing something in common.
41:07Very good. I like it that way.
41:09That there is communication
41:11between
41:13the people in charge of La Moderna.
41:15Let's get to work.
41:19You have to see the cold blood this woman has.
41:21But you've seen her.
41:23What she's done with her little finger.
41:25She's been nagging with all the cynicism in the world.
41:27Well, look, I'm a little jealous.
41:29I wish I had half the cynicism she has.
41:31Even if she marries Don Fermin,
41:33I would go to the salon.
41:35But I can't, Cañete, I can't.
41:37You're furious, woman.
41:39What you have to do is forget
41:41everything that has happened.
41:43Yeah, but it's not that easy either.
41:45Yes, I have the feeling
41:47that if I don't warn Don Fermin for the last time,
41:49I'm going to regret it.
41:51Teresa, you already know
41:53that you can count on me for whatever you need.
41:55But you should put your feet on the ground.
41:57Yes, but Don Fermin is going to make a huge mistake.
41:59Teresa, Don Fermin is already old enough
42:01to be the owner of his actions.
42:03Besides, what have you achieved so far?
42:05Any confrontation with Don Fermin?
42:07Many head-butters?
42:09Encounters with the vampire?
42:11And all for what?
42:15That woman is a demon.
42:17And she has resources for everything.
42:19And it's not that she only saves the skin, always.
42:21It's that as you continue to be enemies with her,
42:23she is capable of not stopping until you sink.
42:25And hey,
42:27we all feel affection for Don Fermin,
42:29but we can't take responsibility
42:31for his decisions.
42:33He'll know what he's doing.
42:49Do you know anything about Clarita?
42:51Nothing. It's as if she had swallowed the earth.
42:53Hasn't she come for the corral?
42:55No, she's gone to look for it in the dumpster.
42:57And Antonio?
42:59Antonio is asking all the shops in the neighborhood,
43:01but no one knows anything.
43:03No, not for the shops, not for the corral,
43:05because I've already asked everyone and no one knows anything.
43:07And about Lara, his friend, neither.
43:09No one knows who that Lara is.
43:11They haven't even heard of her,
43:13which is very strange.
43:15And Matilde? Has she found out anything?
43:17No, no. Matilde has gone to Madrid Cabaret
43:19to talk to Íñigo and warn him
43:21and ask for his help.
43:23Hi. What are you talking about?
43:29Well, since you haven't said anything,
43:31I wanted to tell you that my father told me
43:33that he's willing to talk about us for a long time.
43:35That's good.
43:37And also to ask you about your exam results.
43:39Have they arrived?
43:41Yes, they have, but I haven't looked at them yet.
43:43And that?
43:45Well, look, Salvita, first, because I don't dare,
43:47and second, because I don't have time for that now.
43:49If it's because you suspended me,
43:51you can tell me anyway.
43:53No, it's not that, but I don't have time.
43:55I'm telling you.
43:57Salvita, please, if you haven't come to help us,
43:59please don't cheat on us.
44:01Help what?
44:03I mean, something serious has happened, but ...
44:05Clarita, Matilde's sister,
44:07has disappeared and we can't find her.
44:09I didn't know anything.
44:11But I'm at your disposal to help you
44:13if necessary.
44:15Well, come on, we have to spread out
44:17the neighborhoods of the city.
44:19Come on.
44:25Laurita.
44:27Laurita, we want to talk to you.
44:29We need to talk to you.
44:31Yeah, but I don't want to listen to you.
44:33What are you going to tell me?
44:35What I already know, that you have been laughing and lying to me for a long time.
44:37Look, I don't want explanations,
44:39so either you leave or I leave,
44:41and I don't care if I leave like this.
44:43Laurita, please, we want to ask you, beg you,
44:45if necessary, to forgive us. I beg you, please.
44:47Can you forgive us? No.
44:49What you have done to me, I will never be able to forgive.
44:51How have you been so stupid?
44:53You have been the most stupid in the world.
44:55I didn't realize
44:57when I prepared dinner for you and you were so strange,
44:59or when I told you about Agustín and you were so weird,
45:01or even when I went to see you rehearse.
45:03How could I not see it?
45:05Besides, it had been going on for a long time.
45:07No, but if you have noticed something strange between us,
45:09it is because we were fighting
45:11against what was happening to us.
45:13We felt very bad. Don't be a hypocrite.
45:15I've been playing. Do you really think
45:17I'm enjoying all this?
45:19Well, yes, I think so.
45:21I'm going!
45:27What's going on here, nephews?
45:29I hear your voices
45:31from the living room. What's going on?
45:33Uncle, what are you doing here?
45:35I came to see how you are.
45:37Celia told me this morning that you were upset.
45:39Yes, I'm upset.
45:41Well, not anymore, it seems.
45:43Except for your voice.
45:49Is someone going to explain
45:51to me what's going on here?
45:59I really appreciate the difference
46:01that your publication brings a photographer.
46:03No, no.
46:05Your wife is not invited.
46:07She is very much invited.
46:09Yes, it will be over tomorrow.
46:11Sorry, I have to go.
46:13I have an emergency. Bye.
46:15Matilde,
46:17what's going on?
46:19It's Clarita. She's not here.
46:21What do you mean she's not here?
46:23We've looked everywhere
46:25and there's no sign of her.
46:27We don't know where else to look.
46:29Calm down, honey.
46:31Maybe she's with her friend Lara and that's why she's late.
46:33I want to think about that, but I don't know where Lara lives.
46:35And no one can give me her address
46:37or her signs because
46:39no one knows anything about her or her family.
46:41And I have a bad feeling about this.
46:47Clarita gave these justifications to the school.
46:49Signed with my name.
46:51And I haven't signed anything.
46:55What?
47:03The Holy Virgin
47:05can't be.
47:07What? What can't be?
47:11You've seen this letter a thousand times, Matilde.
47:15It's the letter
47:17of Carlos.
47:31That woman is neither a lady nor is she in her right mind.
47:33All she is, is a criminal
47:35who wants to ruin Inigo and Matilde's lives.
47:37I hope she fails this time.
47:45Do you really want to find my daughter
47:47among these four walls?
47:49What my agents expect to find
47:51is some proof that tells us where Carla is hiding.
47:53You have to find something, Inspector.
47:55Whatever it is.
47:57My sister's life is at stake.
47:59My father has appointed me
48:01at the last hour of the morning in the classroom.
48:03That's good news.
48:05It's to close the last gaps in our relationship.
48:07I see.
48:09What if I'm not capable?
48:11Of course you're capable.
48:13You stabbed yourself with the needle
48:15and only girls who are very, very brave do that.
48:17Clara, this is very different.
48:19It's much easier.
48:21I have to keep seeing him if I want to fulfill my dream.
48:23And does your dream really lead you
48:25to betray your sister in the worst possible way?
48:27Fermín, it's not necessary to make blood.
48:29No, it's not making blood, Clara.
48:31No one in their right mind
48:33would forgive a stab of this kind.
48:35No one.
48:37I have a very strong need to be a mother.
48:39I've told you a lot of times.
48:41You're more laid back, more full.
48:43Yes?
48:45Well, because happiness swells.
48:49She called you little star, Castro.
48:53I accepted the offer.
48:55Congratulations, Celia.
48:57I'm sure you're doing very well
48:59You're becoming a renowned artist.
49:01You have to stay calm.
49:03Any false step can be fatal for your sister.
49:05The situation is already fatal, Inspector.
49:09We don't have news of Clarita.
49:11It seems you've read the Bible, Teresa.
49:19Wait, Mr. Fermín.
49:21I know we've already talked about this,
49:23but I need to do it one last time.
49:25I have a series of recommendations for you, Salvita.
49:27Of course, you may not follow them,
49:29but when I expose them to you,
49:31you'll realize that it's the best
49:33for your happiness and your future.
49:35Well, woman,
49:37it won't be the first time that Mr. Fermín
49:39has given his face for you.
49:41Yes, but his future wife is well prepared.
49:43I think it takes a lot of vampires
49:45to end with Mr. Fermín's good character.
49:47I have the feeling that this is going to end badly.
49:49You still have time to figure it out,
49:51because you still have time.
49:53No, Miguel, no.
49:55I'm sick of lies.
49:57I can't take it anymore.
49:59I'm going to talk to Teresa tomorrow
50:01and tell her I'm pregnant.
50:03We have to clear things up, sister.
50:05For everyone's sake.
50:07If you had thought for everyone's sake,
50:09we wouldn't be in this situation.
50:11But don't worry.
50:13I've thought of a solution to end all this.
50:19Our mothers are very proud of our bravery.
50:21Are you ready?
50:25Let's go.
50:27Clarita, please come here.