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00:00I
00:02Know we've almost an hour waiting and that bastard is not going to show up around here, so it doesn't make sense that we're still here
00:12Yes, you're right
00:14It will be better if we go back to the palace before it gets dark on the way
00:19If Mrs. Petra misses me when it's time to prepare dinner, I'll have a good time with her, so
00:23If
00:28You go a good step you will arrive before dinner but you are not going to come with me
00:37I'll be later
00:41And that because
00:43Because when we go through the town I'm going to get closer to the tavern
00:47And I have to do it alone, I imagine that a maid can no longer go with the son of the sea that is the tavern
00:54We will soon do it
00:56No matter what they say
01:00And why do you need to go there
01:03I'm going to get closer to ask for Gregorio and find out why he hasn't come to our date
01:10And it's not going to be dangerous for him to come back alone at night
01:14As long as that man is still free, everything is dangerous
01:18But don't worry, I'll be careful
01:20I promise you
01:50You
02:12Hey mom, no, no tell you I don't you got better
02:17I'm sorry, what are you doing here alone?
02:22Nothing
02:28Looking at the darkness that comes through the window
02:33I was getting carried away, I think it's time to go to sleep, have a good night
02:40Wait
02:42Are you okay?
02:45Of course
02:47I've noticed you a little serious during dinner
02:51Are you sure everything is fine?
02:53Very sure
02:57Didn't it bother you that we read the news about Manolo's request that you came with Pelá and I?
03:02Why would something like that bother me?
03:05Well, I don't know, but it gave me that feeling
03:08You two left in a hurry
03:11Because we were going for a walk
03:14Besides, what I talk about, I don't stop talking about it, I don't care
03:19So it didn't bother you?
03:21Don't you give importance to what you don't have?
03:24Well, thank goodness, because I didn't want to be the one to offend you
03:27I can't stand it
03:29Not even if you were the one who wrote the social news of the newspapers
03:32No
03:34But anyway, this time they didn't say anything bad about you
03:37They just commented on the surprise of seeing you together again at a social event
03:41What content have been, right?
03:44Well, they even praised you
03:47Yes, that's their game, to lower your guard
03:50And then to hit you again
03:53But I don't care if they make fun of me or make fun of me, really
03:58Man, it's better if they flatter you, right?
04:02If I tell you the truth, it would be better if they ignored me
04:04If they didn't talk about me, neither good nor bad
04:06Well, yeah, but that's impossible because you're the cousin of the Marquis of Lujan
04:09Yeah, I'm afraid of that
04:12That I'm going to have my whole life behind the press
04:16And that I will never be able to get rid of that San Benito
04:29Good evening, mother
04:33Are you going to rest?
04:35Yes, it's late
04:37Good evening
04:39Are you going to leave without giving me a goodnight kiss?
04:43No one understands you, son
04:45Now you want a goodnight kiss, but you leave
04:47Without saying goodbye to me
04:51Mother, but I told you I was leaving
04:53You didn't tell me you were coming back at this time
04:55Yes, you're right about that
05:01I stopped and I was going to come back earlier
05:03I'm sorry
05:05And why? If you can tell me
05:07Nothing important
05:09Nothing important?
05:11It won't be because of a woman?
05:13No
05:15I was with the engineers, as I told you
05:17And later I waited for a book I had to hand in
05:19And it didn't arrive
05:21And what book is that?
05:23One about airplane designs
05:27You're never going to get tired of those things, are you?
05:29No
05:31So the sooner I add it, the better for everyone
05:33Well, in any case, that has nothing to do with you not saying goodbye
05:35But you don't say goodbye on my terms when you leave
05:37Mother, I told you I was leaving
05:39And I remember you were quite dry
05:43As if not to be
05:45You allowed yourself the luxury of teaching me how my marriage has to be
05:49You're absolutely right
05:51I'm no one to talk to you about those things
05:53As the saying goes
05:55I sell advice that I don't have
05:57A saying full of wisdom
05:59Thank goodness you recognize it
06:01Yes, I do
06:03I want to make it up to you
06:05With a little gift
06:09You let me fall for the tauna
06:11You know I love these pastas
06:13Well, now you can taste them
06:15Thank you, son
06:17It's such a detail
06:19Do you like the disgust you have with me?
06:21Do you think you're going to buy me with some simple pastas?
06:23Mother, I want to be good to you
06:25I suffer a lot when you're angry with me
06:27And what do you think?
06:29That I like it when we're bad?
06:31Then why don't we hug each other
06:33And forget all the disputes we've had these days?
06:39Come on, come here
06:43My son
06:45Oh Manuel
06:49What if Mona made Perallo cook?
06:51He's never cooked before
06:53But what did he cook?
06:55Well, he tried to make a snack
06:57In his own way
06:59Come on, look, here's the great cook
07:01Apprentice
07:03And thanks
07:05Excuse me if I bother you, but I wanted to tell you something, Catalina
07:07This afternoon a telegram arrived for us
07:09And who sends it?
07:11The same newspaper that published the news
07:13About Manuela's last name
07:15And what do they want?
07:17Nothing bad, calm
07:19They just want to interview us and take a few pictures
07:21For their society notes
07:23How fun, with pictures and everything
07:25I don't want to know anything about journalists
07:27And even less after what they did to us
07:29What the newspapers want is to sell
07:31And they don't care about looking for the morbid
07:33And the misfortunes, even if they are lies
07:35But I already told you that in the last news there were no lies
07:37And they even made fun of you
07:39Well, I prefer not to tempt fate by allowing them that chronicle
07:41I think it would be a golden opportunity
07:43To end once and for all
07:45With the rumors about us
07:47But I don't care what people say
07:51Well, not to me
07:53And not to you either
07:55Do you remember how happy we were when we got to the party
07:57And we saw that everyone was looking at us?
07:59Maybe
08:01Maybe, but then I forgot
08:03Well, not to me, Catalina, and that I tried
08:05Come on, think that it would allow us
08:07To give our opinion about what happened
08:09Because so far the world has only heard
08:11Curses and ambushes
08:13Pelayo is right
08:15Besides, it will be very entertaining to have the house full of journalists
08:17And photographers
08:19Come on, Catalina
08:21Think about it at least calmly
08:23Okay, I'll think about it
08:25But that doesn't mean I'm going to say yes
08:53Manuel?
08:55But what are you doing in my room?
08:57Don't you see that you could have surprised me?
08:59Undress
09:01I wouldn't see anything I haven't seen yet
09:05Even so, it's not convenient and you know it
09:09Get out of there
09:13You can't keep coming in like this because they're going to find out
09:15So what?
09:17I don't care
09:19My love, in a few days we're going to be husband and wife
09:21So what else do we have?
09:25They should find out when we get married
09:29Yeah
09:31Well, come on, tell me
09:33Have they told you anything about Gregorio at the tavern?
09:35Yes
09:37In fact, he was coming to that
09:39You see, apparently there was a fight
09:41Outside the town
09:43And Gregorio had to see her?
09:45Judging by the description
09:47Those who were present did
09:49Maybe that's why he didn't go to the meeting
09:51It could be
09:53Because it was a fight of the fatties
09:55In fact, the civil guard had to come
09:57And there was some injured
09:59And they didn't stop anyone?
10:01No, they just limited themselves to dissolving the noise
10:03Well, it's a shame
10:05Because they could have put Gregorio back in the dungeon
10:07Yes
10:09And you don't know where he stops?
10:11Neither
10:13But I'm sure he'll drop by the tavern again
10:15That's why
10:19I'm going to leave this letter to the tavern owner
10:21So he can give it to him as soon as he sees it
10:23And what have you written?
10:25Nothing new
10:27It's the same location as last time
10:29And I'm not going to tell you when
10:31No, because you can show up there again
10:33But let's see, Manuel, the only thing I ...
10:35There are no buts that are worth
10:37Hanna
10:39And why do you think he's coming back?
10:41After this fight
10:43Maybe he doesn't feel like it
10:45I wish
10:47But as long as he feels that Doña Pia is around
10:49He won't go far
10:53Unfortunately, you're right
10:55I hope this time he comes to the meeting
10:57And we can forget about this nightmare
10:59Once and for all
11:01I'm afraid it won't be that easy, Manuel
11:05Gregorio has a single purpose
11:07Which is to take Doña Pia's life
11:09And it will cost us blood, sweat and tears
11:11If he doesn't get it
11:17And now, please
11:19Tell me when
11:23No
11:35Santos
11:37Santos, can you hear me?
11:39Santos, can you hear me?
11:43God
11:45You're burning
11:47I have to get you out of the fever
11:53Mrs. Hercos
11:55What's wrong with me?
11:57I can't see well
11:59I have tears in my eyes
12:01What's wrong with me?
12:03I can't see well
12:05Nothing's wrong with your eyes
12:07Santos, don't worry
12:09You're fine
12:11It's just the fever
12:15At what bad time?
12:17At what bad time did you fall to your bones?
12:21Thank you
12:25Thank you
12:33How are you, son?
12:37I've had better times
12:39Can you hug me?
12:43Can you do me the favor
12:45Of putting the pillow back on me?
12:51Hug me, please
12:53Thank you
13:07We should have hugged more
13:11It's a wonderful feeling
13:13Yes
13:15You're right
13:19A mother
13:23I don't know why I didn't do it more often
13:27Why did I insist on reproaching him so much?
13:33It's all my fault, Feliciano
13:35I shouldn't have left you by my side
13:53Thank you
14:17Aren't you going to ask me about your son Manuel?
14:19I know he's here
14:21I heard him go to his room last night
14:23And you don't want to know where he's been?
14:27I imagine you're going to tell me
14:29Yes, because it seems I'm the only one here
14:31Who cares about those things
14:35He told me he went to talk to some engineers
14:39Good, and what's the problem?
14:41Stop suspecting him
14:43I have my reasons
14:45He's been very rude to me
14:47And when he behaves like that
14:49I know he's hiding something
14:51Maybe he's just affectionate with his mother
14:53No, I know him well
14:55And I know there's something else
14:57Cruz, stop looking for trouble
14:59You have to trust people more
15:01Especially when it's about your son or me
15:03You wouldn't have given me a reason to trust you
15:07Besides, I think someone has to worry
15:09If our children come or go
15:11What's this about?
15:13That Manuel comes and goes
15:15And you
15:17You don't even bother to ask where he can be
15:19Of course
15:21We don't even talk about asking for explanations
15:23I think he's too old to go wherever he wants
15:25You never need to ask anything, Alonso
15:27I'm not surprised that the family is like this
15:29I don't understand you
15:31Where do you want to go?
15:33We haven't become everyone's food, Alonso
15:35Catalina, for example
15:37She's going to look for Pelayo
15:39And she comes back with him without asking anyone
15:41What's this about?
15:43You're jumping from one subject to another
15:45My dear daughter decides to go to a party
15:47With her ex-fiancé
15:49So everyone knows how stupid he is
15:51And you
15:53Instead of stopping him, you don't even open your mouth
15:55My dear daughter can decide what to do with her life
15:57Yes, while our life is ruined
15:59You're taking things out of context again
16:01I'm not taking anything out of context, Alonso
16:03All I want is for this to be a decent house
16:05And for there to be no more scandals
16:07But you don't care
16:09And then you come to me
16:11With what you want to fix things
16:13You and me
16:15But I see that you're trying to get my children in the way
16:17To mess everything up
16:27Come on, Mrs. Candela
16:29I need the prices fixed to put them on the scale
16:31The day has just begun
16:33We're working like chickens without heads
16:35And you, Mrs. Simona, how is Clara doing?
16:37Is she about to snow?
16:39One or two minutes to go
16:41Good morning
16:43Why is there so much to do?
16:45We want to speed up the work
16:47So that Lope and Simona have more time in the afternoon
16:49Another visit from the Duchess?
16:51Yes, if I catch her, we'll have to take care of her later
16:53So...
16:55We'll speed up the dinner and the food
16:57With the rooms
16:59That's all there is
17:01Well, no, because they're making you work more than you can handle
17:03And for the same day
17:05Don't think that no one here has messed up with the rooms
17:07I think it's very bad
17:09The only way to end this nonsense
17:11If the Duchess comes to the kitchens
17:13It's because the Marquess has allowed it
17:15And if the Marquess allows it
17:17We have no choice but to shut up
17:19And sit down and do well
17:21But it's unfair
17:23They're making you work more and more without any compensation
17:25And even if it was a one-day thing
17:27But that Duchess is walking around here constantly
17:29Yes, it seems she's taken a liking to it
17:31One day they'll install the promise
17:33Yes
17:35And if they continue to work like this
17:37The dishes will start to go wrong
17:39And the Marquess will end up reprimanding them
17:41And what does she want us to do?
17:43Vera is right
17:45Besides, she has to work a lot more with all this
17:47We have to complain, Mrs. Simona
17:49With education
17:51But complain
17:53And who does it? Who puts the cat to sleep?
17:55Who's going to tell the Marquess?
17:57Of course not
17:59It's true that we work more
18:01But we're used to it
18:03Besides, everything will pass
18:05Of course, she'll get tired of so many recipes
18:07And so many round trips
18:09Mrs. Simona, we don't have to put up with this
18:11She's worked all her life
18:13We haven't worked more
18:15In the hunts
18:17Or when the lords organize a party
18:19And fill the palace with guests
18:21We've always had to work
18:23This seems different
18:25But in the end, it's the same
18:27Work
18:29Work for many, work for one
18:31But work, that's what we've come to this world for
18:33I wouldn't have to tell her
18:35You can
18:37You know what the Bible says, right?
18:39That you'll earn the bread with the sweat of your forehead
18:41There are worse things
18:43Because I admit that visiting a duchess doesn't bother me that much
18:45No, not me
18:47She's a very nice lady
18:49And she treats us with sympathy
18:51And she tells you stories where someone important always appears
18:53Yes, she told us that once she had dinner with the kings
18:55So they're not going to tell the Marquess anything
18:57I'm not crazy
18:59Me neither
19:01I'm going to bed
19:05Pupil, this has to be done
19:07This is a bit too much
19:21Manuel
19:27Work
19:29You arrived just now. You were missing.
19:35Actually, I arrived yesterday. Now I'm coming from Lujan.
19:40Well, if you arrived just now, it means you left early.
19:45Yes.
19:48Yes, that's right.
19:54Is something wrong?
19:59No. No, it's nothing.
20:05I should go to the studio to...
20:08Yes, yes, of course. Don't worry. Come.
20:11I'm sorry.
20:27You and I have a conversation pending.
20:39That's right.
20:42Yes.
21:02I guess you know what I'm going to tell you.
21:04Yes.
21:08I know Jan and you are siblings.
21:10I know.
21:12And yet, we've both decided to shut up these days.
21:15And to act as if nothing had happened.
21:17Well, I had decided to take the first step if I saw that you weren't doing it.
21:22Well, you're going to let me out of the room without saying anything.
21:25I see.
21:27You see, Manuel, it's just that...
21:29I've started to think that...
21:32Maybe you were disgusted when you found out.
21:35Disgusted is not the word.
21:40Surprised...
21:42Yes.
21:45It's no exaggeration.
21:47I needed time to assimilate it.
21:51I understand you.
21:53It's an easy story to take on.
21:56Imagine.
21:58To think that you are the son of some people.
22:01That your origin is one.
22:03And suddenly...
22:06Everything is a lie.
22:08Yes.
22:10Everything is a lie.
22:14It's like...
22:16As if you wanted to throw the foundations of a house.
22:19Pretending that they will stand.
22:22It seems impossible.
22:24It is.
22:27And that's why now...
22:29I'm a different person than I was before.
22:32A better person.
22:33I want to think.
22:36And all thanks to Hanna.
22:38Yes.
22:40For having her as a sister.
22:48Has she changed you so much?
22:50Hanna is the best thing that has happened to me in this life.
22:56Yes.
22:58I've always thought that...
23:01That the captain has never loved me.
23:04And my mother...
23:06The poor woman.
23:08She couldn't give me much love.
23:11But Hanna did.
23:13I would even tell you that I haven't been luckier...
23:17Than when I was with her.
23:20The same thing happens to me.
23:24How do you say it?
23:27That Hanna is the best thing that has happened to me in this life.
23:39I also have my secrets, cousin.
23:47You...
23:48You and Hanna...
23:51Yes.
23:53Since the first day the promise came.
23:56When we saw each other in the gardens and neither of us knew who the other was.
24:00No.
24:02No, no, no.
24:03You're kidding, right?
24:06I fell in love with her from the first moment I saw her.
24:10So...
24:12Hanna and you...
24:14Are you together?
24:19Yes.
24:21But it hasn't been easy to get here.
24:24Before, we had to go through a marriage that didn't make any sense.
24:30Because of my accidents.
24:31Even because of this stupid war.
24:36But nothing has managed to separate us.
24:40Now I understand why she told you that we were brothers.
24:44We have tried to keep it hidden, but we haven't always succeeded.
24:50Well, it seems that you have succeeded.
24:58You and my sister are dating.
25:02Soon, something more than that.
25:08We're getting married.
25:12You're getting married?
25:15Yes.
25:16Yes?
25:18Wait, you don't mind that I'm your sister's fiancé?
25:23No.
25:25Two of the people I love the most
25:28are going to be together.
25:30It can't bother me.
25:33It's just that...
25:37I'm going to need some time to get used to it.
25:46Here it is, doctor. Come in.
25:49The fever doesn't go down and it's hard for you to breathe.
25:55Dr. Guillén says he has a cold that's attacking his lungs.
25:59Why did you call me then?
26:02Because I wanted your opinion.
26:04The effectiveness of Dr. Don Emilio Palomino is known throughout the region.
26:10And I was calmer.
26:12And on the table you have the medicines that Dr. Guillén sent you.
26:28Actually, I proposed to her before we went to the front.
26:32So all those letters I saw you write weren't just for your family?
26:37No, most of them were for her.
26:43And I say, during all this time in the trenches,
26:46did you think about telling me?
26:49Curro, I swear I wanted to tell you many times.
26:55I didn't want to compromise her.
26:58I see.
27:00I understand you. Yes.
27:04You see, Manuel, I also have to tell you something.
27:08Something I wanted to tell you.
27:10It seems we interrupted.
27:14No, no, no, nothing important.
27:17Right, cousin?
27:20No.
27:23In fact, I'm leaving.
27:28Curro.
27:32Cousin.
27:33Cousin.
27:34Julia.
27:36He already told me, Julia, that you apologized to him.
27:39That's right.
27:41And I think you accepted it with pleasure.
27:43That's right.
27:44Besides, I also had a lot of guilt.
27:46I was also tired with the war.
27:49Well, that's in the past.
27:52The point is that to make you forget my bad habits,
27:58I have thought of compensating you.
28:00Oh yeah?
28:02Oh yeah?
28:18You say the dish you want to learn
28:21and that we don't care to teach you one or the other.
28:24Well, the truth is that today I didn't want to learn any particular dish,
28:27but something else.
28:29A dessert?
28:30No.
28:32I want you to help me, all of you,
28:34to make a gala menu.
28:38Sure.
28:39We, Amanda.
28:42That dinner would be for something in particular.
28:45A birthday, a handshake.
28:48Yes, my husband wants to make a dinner for businessmen
28:51with whom he wants to do business.
28:54And do you know more or less how many people it would be?
28:56Yes, around 20.
28:59A menu for 20 people.
29:04And do you know the tastes of those gentlemen?
29:07No, but since many of them come from far away,
29:10I would like them to serve products from these lands.
29:14And what do you think of hunting meat?
29:17I don't think it's a bad idea.
29:19What dishes do you suggest?
29:23A gala menu for 20 people.
29:25Men, especially.
29:26I don't think anyone comes with their wives.
29:30Say something.
29:31Any dish you can think of.
29:33If you're pointing to Vera.
29:35It's not that simple, ma'am.
29:37A gala menu is not decided in a breath.
29:41You have to think it over.
29:43That's right.
29:44Hurries are not good advisors.
29:46This is not preparing the recipe for a dish.
29:48We have to think of a menu as a whole.
29:51I see.
29:52The truth is that I didn't imagine it would be so complicated for you.
29:59I'm coming up with several ideas that I think you might like.
30:04How about preparing smoked salmon canapés with cheese cream and caviar?
30:08If you don't like caviar, you can skip it.
30:10No.
30:11I've never liked it.
30:13And the truth is that mixing it with salmon seems like a good idea.
30:17To continue, some chicken sandwiches with a sauce called curry.
30:21They eat it in India and it's delicious.
30:23Besides, it would give the dinner a exotic touch.
30:26Good. So there is variety.
30:28For starters, I propose mushroom cream with mushroom bread croutons.
30:32I would flavor it myself with mint.
30:35And the croutons, being crunchy, would give it texture.
30:38It could be.
30:39I can think of two main dishes.
30:42Cocoban with truffle mashed potatoes.
30:45More chicken?
30:46Yes.
30:47The difference is in the truffle.
30:49We have a delicious truffle that they bring us from Camañas.
30:51It's a beautiful village in Teruel.
30:53But if you don't like it, we can make a grilled lamb loin with mint sauce and asparagus risotto.
30:59Look, the Italian touch never goes wrong.
31:03As you can see, what we are doing is preparing a classic menu with modern touches.
31:07Yes, I see it perfectly.
31:11And for dessert, what do you think?
31:14Crème brûlée with a touch of lavender.
31:17Lavender on a plate.
31:20Yes, it gives it an exquisite touch, I assure you.
31:24I didn't know lavender was used in desserts.
31:27Well, yes.
31:29And if you tell me the sparkling wines they have in their winery,
31:32I can recommend you what wine goes best with dinner.
31:39Well, the truth is, young man, that...
31:41not knowing what to recommend a moment ago,
31:44you got a menu out of your sleeve in an instant.
31:49I'm sorry.
31:57Come on, Shantos.
31:59Open your mouth, this medicine will do you good.
32:02You'll see.
32:11Can I come in?
32:15No, it's dangerous.
32:19It's done.
32:24They told me another doctor came to see him.
32:27Is he worse?
32:28No.
32:30But he's not better either.
32:32And his fever doesn't go down.
32:34So I brought Dr. Palomino, who is a doctor from the...
32:38from the countryside.
32:40And what did he say?
32:42Well, he sent you this medicine that...
32:45that it seems to work better,
32:47and that in a short time it should get better.
32:50May God hear you.
32:53Yes.
32:56I wish when my son Feliciano was so bad,
32:58I would have brought other doctors to treat him.
33:02But I didn't.
33:06Don't be ridiculous with that, Mrs. Alcos. It's useless.
33:09No.
33:11We didn't do anything.
33:14And we allowed that butcher to operate on him.
33:16That's not true. Of course things were done.
33:19Although, they were still done late and badly.
33:22Which is the same as not doing anything.
33:24And we didn't know that the doctor who sent to bring her,
33:26Mrs. Marquesa, would behave that way.
33:29If he kills himself, he's not a criminal.
33:33And he treated Feliciano without any kind of examination.
33:36Yeah.
33:38But I'm sure that with Mr. Curro, he acted in a different way.
33:41Of course he did.
33:46But as I say, it's not worth turning him around.
33:49We have to look forward.
33:53Forward.
33:58There's no other way.
34:04No.
34:05I can see that you're looking forward.
34:08And that soon you'll forget, Teresa.
34:11For God's sake, don't start with that again, Mrs. Alcos.
34:15Life goes on.
34:16No.
34:17It doesn't.
34:19My life is tied to my son's recourse, Feliciano, forever.
34:22While yours changes.
34:24And what did you want me to do?
34:26That I stay single for life?
34:28No.
34:29Not that.
34:30But don't think you'll get married so soon.
34:32You have such a poor memory.
34:36I swear I haven't stopped thinking about ...
34:38No.
34:39Don't say his name.
34:42I swear I haven't stopped thinking about ...
34:44Don't say it!
34:46I'm not going to repeat it.
34:50Do you know the only thing?
34:53The only good thing about Feliciano's death, Teresa,
34:58is that I can't marry you.
35:02Because you've made him a disgrace for life.
35:09Come on, go.
35:12Go.
35:32Yes.
35:34Yes, General.
35:35Don't worry.
35:37No, no, no.
35:38I assure you that we can't be the origin.
35:40You have my word.
35:43I'm telling you that's impossible.
35:47Because the raw material we use is of the highest quality.
35:50Excuse me, sir.
35:51Do you want coffee with milk?
35:54Yes.
35:56Yes.
35:59Yes.
36:01No, no, no, General.
36:03The process of sterilization of the fruit is still in full swing.
36:08They boil, they boil for several minutes a day.
36:12That's why I tell you that the origin can't be our jam.
36:15Sir, how many terrones do you want?
36:19General, we have several people supervising the process daily.
36:24That's why you have to help me.
36:26Yes, deny that our jams have something to do with the poisoning of those soldiers.
36:32Of course, of course.
36:34I would know how to pay that favor with interest.
36:39Always at your disposal, General.
36:42If you had the kindness to let me know if there were any news.
36:46At your command, General.
36:49Goodbye.
36:50Goodbye.
36:52So, Captain, do you want a terrone or two?
36:55You're an idiot, aren't you?
36:57Excuse me?
36:58Do you know what this is?
36:59A phone.
37:00And do you know what it's for?
37:02To talk.
37:03And haven't you been told that when a man is talking, he shouldn't interrupt him?
37:06You don't even know that?
37:08I thought that...
37:09Don't think so much.
37:10Focus on following orders.
37:12I don't think it's that difficult.
37:14I'm sorry. I'm sorry to have bothered you.
37:16Well, you have.
37:17I was having a very important conversation and you couldn't think of anything else but to bother me.
37:21It won't happen again.
37:23Of course it won't happen again.
37:24Because since this is repeated, I will personally make sure that you are fired.
37:27Do you understand?
37:29Yes, sir.
37:30Get out of my sight. I don't want to see you.
37:32But I haven't put sugar on it yet.
37:44It's cold.
37:46It will be useless.
37:49You haven't told me anything about that handshake.
37:53There's not much to tell.
37:55Well, dear, there will be something.
37:57Did you have a good time?
37:59It was exciting.
38:01Right, Pelayo?
38:02Yes. They brought a good orchestra and we met old friends.
38:06What is this about some journalists and even a photographer coming to this house?
38:10What are you saying, Cruz?
38:11What you are hearing, dear.
38:13Here your daughter and the count intend to bring a journalist to interview them.
38:17They want to take pictures all over the palace.
38:20Is that true?
38:22What do you mean if it's true?
38:24Do you think I'm making it up?
38:26I don't know how you dare to say something like that without our consent.
38:29Can I speak, Cruz?
38:31Of course. Speak.
38:33Let's see how you justify this nonsense.
38:35First of all, you asked us for permission, Milla Pelayo,
38:38when you quarreled with that journalist who started the persecution against us.
38:42Dear, I'm not the one who has to give explanations here.
38:45Of course. I'll give them to you.
38:48Well, let's try to solve this misunderstanding.
38:51This misunderstanding has nothing to do with it, Alonso.
38:54Let me speak.
38:59Those journalists must be guessed because neither Pelayo nor I have given the yes to that interview.
39:04They just made us the proposal and Catalina said from the beginning that she wanted to think about it.
39:08And she pretends to believe me.
39:09It's the truth.
39:11But seeing how she has behaved, I'm interested in that interview. I think I'm going to say yes.
39:15This is a provocation, Alonso. Do you hear her?
39:18Let's see. I don't think we should worry about an interview.
39:22So you think it's good?
39:24What I'm saying is that we've been isolated here for months without doing social life.
39:28Maybe it's even good for us that the press comes.
39:32I'm just saying that I have to be informed about what is going to be done in this palace.
39:36Well, she is informed.
39:38And I'm sorry to contradict you, Father.
39:40But Cruz should be worried about the visit of those journalists.
39:44And why?
39:45Because I'm going to tell everything I think about you.
39:48And how you have treated me during these years.
39:50That's enough, Catalina.
39:51Don't you dare bring any journalist to this house.
40:11Teresa, are you okay?
40:13Yes.
40:14Yes, yes.
40:15Yes?
40:16And then why are you crying?
40:19No, it's just that I was just removing a stain with aguaraz and ...
40:24and the steam got into my eyes.
40:29And you?
40:30And you?
40:31And you?
40:32And you?
40:33And you?
40:34And you?
40:35And you?
40:36And you?
40:37And you?
40:38And you?
40:40Yeah.
40:42You can keep lying to me, Teresa.
40:45But you don't lie to me.
40:55Mrs. Arcos has given me ...
40:58a good scolding.
41:01Has it been because of the job?
41:03You don't listen to that woman. She's a whore.
41:07Has it been because of Feliciano?
41:10Do you still pretend that you will marry Marcelo?
41:16And he has told me very ugly things.
41:20You see that woman has a very poisonous tongue.
41:24Do you know what I do when Principia releases Billy?
41:27What?
41:29Well, I start making very difficult accounts for myself.
41:32I start adding 63 with 45.
41:35For example.
41:36And this takes up so much of my brain that I don't think about what you're telling me.
41:42I wish I was able to do something like that, but I don't think I can.
41:46Well, I have to go.
41:49I have to go.
41:51Well, no.
41:52Not because I came to tell you something very urgent.
41:55What happened?
41:56Well, your husband, who was serving coffee to the captain of the Mata,
41:59and he had to do something that was getting him upside down.
42:03Why?
42:04Well, because he interrupted her while she was talking on the phone.
42:08And what did the captain tell him?
42:10Well, you're less handsome.
42:12That's why I came to tell you so that you can cheer him up a little.
42:15And so that you can correct him, to see if he doesn't get in trouble.
42:18Thank you very much for letting me know, Maria.
42:19We've been together for a long time.
42:22Yes, but that's why you have each other.
42:25That for some reason you are married.
42:34Yes.
42:49Have you put a good ham bone in the broth so that it gives it substance?
42:52A very beautiful bone.
42:54That broth brings back a dead man.
42:56Oh, don't say those things, Candela.
42:57They give me very bad luck.
42:58It's a way of speaking, Simona.
43:00He's so young.
43:01I'm sure he has a big cold.
43:02You know that in two days we will have him around here giving the tour.
43:04And then we will regret that he has recovered so soon.
43:08Hello.
43:09Has the Duchess of Carria already left?
43:11Yes, thank God.
43:12Because when that woman is here, I can't do anything in the kitchen.
43:15Well, what dish have they taught you today?
43:17No, today I didn't want a specific dish.
43:19Today I wanted a whole menu.
43:22Well, I don't know what your cooks will think,
43:24but of course I don't think they will find it very funny.
43:26Well, imagine that.
43:27As if now the Marquise would start to plan the kitchens of other palaces.
43:31And he would be interested in their dishes.
43:33In a good place we would leave that.
43:36And then they got a menu that they liked?
43:38Lope has started to talk with his golden beak.
43:42And we have taken the step.
43:43Yes, boy, take him to Potosí.
43:45A menu has been taken out of the sleeve.
43:47The sea of ​​Apayao.
43:48Well, let's see if he prepares it for us one day.
43:54What did you say?
43:55Some are left.
43:57The pantry, along with the fish that the people brought years ago.
44:00Well, let a maid put a good piece in a pot with water in Santos' room.
44:05Has the fever not gone down to the boy?
44:06Nothing, not a pinch.
44:08We are making a very rich pusherito, with a good ham bone.
44:11Well, later I will try to take it.
44:14Although it will be difficult because the fever has it completely numb
44:17and it takes work until he takes the medicines.
44:21Do you want me to go see how he is?
44:24You.
44:25And what are you going to do?
44:26Send him one of your magic remedies?
44:30Maybe it can help him.
44:32Yes, of course.
44:34Like the medicine that you sent to my son helped him, right?
44:40Doña Petra, Feliciano was very weak.
44:42And the remedies don't work miracles either.
44:45I could see that with my son.
44:47Go if you see him.
44:49So he doesn't want me to go.
44:52No, of course not.
44:55Let a maid bring ice to Santos' room.
45:00What a pulse you have.
45:02This is nothing.
45:04A miniaturist should go to work.
45:06They are able to paint a picture in a grain of rice.
45:09In a grain of rice?
45:11Let's see, as entertainment it's fine, but ...
45:14I don't know if it's the most practical thing to decorate a wall.
45:20What?
45:21Do you have a favorite painting?
45:24I don't know.
45:26Do you have a favorite painting?
45:30Or a special painter?
45:32No. There are so many that I like.
45:35Yeah.
45:37Well, I think my favorite painting would be the birth of Venus.
45:41I saw it once in a photograph in a magazine and I was dazzled.
45:45By Botticelli, yes. Beautiful.
45:47I would love to see it for real.
45:49Well, I'm afraid I'll have to wait because it's in Florence.
45:52And with Italy at war, it's not a good time to travel.
45:55Let's see if that damn war is over, really.
45:59Did you know that Botticelli also painted part of the Sistine Chapel?
46:03Well, I had no idea.
46:05Well, I'm pretty ignorant about art.
46:09It's hard to learn.
46:12Julia, Martina.
46:15Do you remember that this morning I told you that I was going to compensate you for being so grumpy?
46:20Sure.
46:21No one forgets things like that in a house where there's nothing to do.
46:25Well, the promised is due.
46:28This is the compensation.
46:33A remedy against grumpy people?
46:35You're not going to compensate us with that because I don't have any at the moment.
46:38No, not this one. Look at this one.
46:41I don't understand.
46:43Let's see.
46:44I've ordered everything you need to play the bandit.
46:48We'll set up a challenge in the garden and we can do a tournament.
46:51Challenge Pelayo, Catalina, Manuel ...
46:53Hey, I've never played, but I think it's really fun.
46:57And you, Julia, have you ever played?
47:01Yes.
47:03Just once.
47:05Well, you'll see that we're going to have a great time playing.
47:09And if you don't know, I'll show you.
47:13I really did everything I could.
47:15But Feliciano was very sick, so I don't know what I could do to save him.
47:19Didn't you tell Marimandra? Or is she like that?
47:22But you're already convinced that I'm to blame for ...
47:25for the death of his son.
47:27And they've been in charge of repeating it to me several times.
47:30That woman is resentful of the world.
47:32That's why she says those barbarities.
47:35Well, I wish I could have saved Feliciano.
47:38But I wish I could have saved Feliciano.
47:40What do I tell you? Don't listen to her, Leñe.
47:43Santos has more nasty and poisonous tracts than usual.
47:47That's true.
47:49It's true that he has taken a lot of credit for that boy.
47:51Notice how far he has gone to look for another doctor to examine him.
47:55But yesterday Dr. Guillen came to see him.
47:58Well, nothing, she went to look for another doctor today.
48:00And do you know who paid her?
48:02Her?
48:03Exactly.
48:05From her own pocket.
48:07When she has seen Marimandra doing something like that
48:10for someone who was not her son.
48:12Leña, it's pretty weird.
48:14So you don't listen to what she tells you.
48:16Because she is very upset.
48:20Enough.
48:21Enough.
48:34Enough.
48:44Well, father, here we are.
48:48But if you are going to convince me for the discussion ...
48:50Wait, Catalina.
48:51You still don't know why I called you.
48:53Sit down.
48:57You are right, excuse me.
49:00I thought that after the discussion with Cruz,
49:02I was going to throw a rag at myself.
49:03No, I'm not going to do that.
49:05Although I didn't like what I saw.
49:07I don't like to argue either.
49:09Neither with Cruz nor with anyone.
49:11I want to think about that.
49:13Someday we will talk about that.
49:15But not today.
49:17So why did you call us today?
49:22Come in, Lorenzo.
49:23We are all here.
49:24Sit down.
49:25And that?
49:27Is this meeting going to last long?
49:28I hope not.
49:29But I don't think it's welcome that you are standing and we are sitting.
49:33Okay.
49:35But be brief.
49:38I'm waiting for a phone call.
49:41Be careful.
49:45I just want to tell you that I have made a decision about the jam business.
49:50What decision do you have to make?
49:51The business is going perfectly.
49:53Really?
49:54And then why have we had those problems with the army?
49:57We are not responsible for those intoxications.
50:00What intoxications are you talking about?
50:01It doesn't matter, Catalina.
50:02I'll get to the point.
50:05I have decided that the business will go back to Catalina and Pelayo.
50:40Curro.
50:41Did you want to see me?
50:45I have something to tell you.
50:49Is that what you wanted to tell me before you arrived in Julia Martínez?
50:53Yes.
50:54Yes, that's right.
50:57Good.
50:58Come on, I'm all ears.
51:00You'll see, Manuel.
51:02You have been honest with me.
51:06Telling me about you and Hanna.
51:10And I have to be honest with you.
51:13Is that okay?
51:16Honest with what?
51:18There's something else I haven't told you.
51:23And I can't keep hiding it from you, so...
51:27Hanna and I are brothers, yes.
51:32But from different fathers.
51:42And what do you mean by that?
51:47That I have a brother.
51:49Yes, a brother with whom I do share a father.
51:55Oh.
51:56Well.
51:58And who is it?
52:05It's you.
52:08Manuel, you and I are brothers.
52:12Manuel, you and I are brothers.
52:22I sent for another doctor who prescribed a different specific.
52:26But why did he do that?
52:28Wasn't it clear to him?
52:30At least he should have consulted me.
52:32Don't you think there's a calm atmosphere in the palace?
52:35Do we think it has something to do with the fact that the Duchess of Carril is not visiting us today?
52:40Well, I'm not going to say no.
52:43But let's see, what's going on with this lady?
52:45It's outrageous to have her here, but at the end of the day, it's not that bad.
52:49If this infidelity reached my mother's ears, her marriage would be broken.
52:54And both would be more devastated than they already are.
52:56You can be calm.
52:58We're not going to hurt them.
53:01Yes, but then how are you going to get to the origin of what happened to your mother?
53:05How are the visits of the Duchess of Carril going in the kitchens?
53:09Well, ma'am, the Duchess shouldn't have a complaint.
53:12I want to know what's going on in those painstaking meetings in Petra's office.
53:16How is Mrs. Villamil's husband doing?
53:19All I do is receive complaints from everyone because of him.
53:22That's why I can't do anything else but consider my son Santos' warnings.
53:27He insists that Marcelo is not prepared to perform the functions of a lackey.
53:31Have you bought a badminton game?
53:32That's right. And I don't know why he's being delayed.
53:35And that's why I want to go and ask if something has happened.
53:37Do you want me to go with you?
53:38I was thinking of going for a walk.
53:41Better. I've been sitting all day and it will be good for me to stretch my legs a little.
53:44You have made this decision exclusively to punish me for the distance between us.
53:49This decision has nothing to do with what is happening between us.
53:52I don't intend to punish you, Cruz.
53:54It's not a personal matter, it's business.
53:56Well, you're making a very serious mistake.
53:58One more on the list. Nothing new under the sun, dear.
54:01Well, if you keep doing this, I don't think there will be a next time.
54:03This is not working, Marcelo.
54:05If you don't pay attention to your tasks,
54:07the only thing you're going to get is for the truth to come out and for everything to come out.