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00:00And how did Mr. Manuel react?
00:10Well, you can imagine.
00:13The poor man didn't believe it.
00:15In fact, his eyes almost came out of the gills.
00:17Not at all.
00:19You don't even have your suspicions left in the inkwell.
00:22What do you mean, my suspicions?
00:24What do you call accusing without proof?
00:27I think the man in the gills was a scoundrel of the worst kind.
00:30And that's why I'm convinced that he's the cause of my mother's death.
00:33And also of Tomás'.
00:35Well, yes, but they may be your things.
00:37Because the only thing you're sure of is that Mr. Tomás knew something very fat.
00:40About your mother's death.
00:42And that's why they killed him, remember?
00:44Well, yes, but the others are possibilities.
00:47And you can imagine that Mr. Manuel was so disgusted without having the confirmation.
00:51Well, let's see, María, you were the one who encouraged me to tell him.
00:56Anyway, your grandfather's thing wasn't what impressed him the most.
01:01No.
01:03I also told him to fire my brother.
01:05Oh, the ...
01:07You haven't left one for marriage, like the one who says.
01:10Well, the truth is, I don't suppose so.
01:12Because you've put your world upside down.
01:14Well, yes, the truth is, yes.
01:20Well, I'm glad.
01:21Because you've done what you had to do.
01:23And I'm very proud.
01:26And now I don't know if I should have told him everything.
01:30He was much happier without knowing anything.
01:33Well, being ignorant doesn't mean being happy.
01:35Yeah, but it often goes hand in hand.
01:37And living in a lie, Hanna?
01:39Aren't you the one who always says you have to go with the truth first?
01:42Yes, and I say it, but ...
01:45I don't know, don't think that after telling him I feel very good.
01:49Oh my God.
01:52You should have seen the face he put on.
01:57And if you've ruined everything, María.
01:59But what are you going to ruin everything, Hanna?
02:01That's it, huh? Stop complaining about the milk.
02:04I've done it, done it.
02:06I've already done it, done it.
02:07And you had to let it go before everything went to hell.
02:10Well, it was already big enough.
02:12If what worries you is that your wedding is going to go to hell because of this,
02:16imagine if you had married without me.
02:18It would have been worse.
02:20Yes.
02:21Because lies have very short legs.
02:24Besides, Manuel is a good man and he's hot.
02:27He'll put up with this and whatever they throw at him.
02:30I hope so.
02:34And do you also know why?
02:36Because he loves you madly.
02:40And if this is going to go to hell, it's because you love him madly.
02:45And if this is going to go to hell, it's because your love wasn't as strong as you thought.
02:50And it does you a favor.
02:51María.
02:52Come on, put on a smile.
02:55And with this dress you're going to be the most beautiful bride in Spain.
03:04This woman is not going to leave me alone.
03:07Well, apparently it won't be so easy for you to get rid of her.
03:11Well, neither you, nor the cooks, nor myself.
03:18What do you mean?
03:20That she's going to be with us in the kitchen, Vera.
03:22And with you, of course.
03:24What?
03:25But that's nonsense, Lope.
03:27What does my mother do in the kitchens?
03:30Apparently she's a kitchen enthusiast, Vera.
03:33And she wants to collect recipes from the area.
03:35What?
03:36That's what she said.
03:40But my mother hasn't even gone down to her own kitchens.
03:42I highly doubt she knows where they are.
03:44It will be an excuse.
03:46Yes, a big one.
03:50Well, Mrs. Márquez has swallowed it.
03:53She's the one who gave her permission.
03:56That's why she came the other day.
03:59This is nonsense, Lope.
04:00Where have you seen a duchess entering the palace and the kitchen of the Márquez family?
04:05Well, you'll see in the promise.
04:07But of course, what you don't see is the promise.
04:09Well, I assure you that my mother doesn't care about the kitchen at all.
04:12But what I don't understand is what she wants to achieve with all this.
04:19Well, being close to her daughter.
04:21No, yes, that's obvious.
04:23But I don't work in the kitchens.
04:26It's just that you're going to have a very specific function.
04:30You're going to be in charge of transcribing the recipes we cook.
04:33What?
04:34What you've heard.
04:36Apparently, the fame of your calligraphy has exceeded the limits of the promise.
04:39Lope, I'm not kidding.
04:42Well, it would be better to take it that way, right?
04:45In the end, you've managed to be above me.
04:49What can I do?
04:51If you want to keep your job,
04:54obey the orders.
04:55Well, of course I want to.
04:56Of course I want to.
04:58But then you have no choice but to listen to what Mrs. Márquez says.
05:02That she will attend to your mother in everything she wants and in everything she asks.
05:07I can't believe she's going out with her.
05:25No, I'm not going to play cat and mouse with you.
05:28Not in my own house.
05:29What do you mean?
05:30I can't stand being angry.
05:33And much less that we treat each other as if we were two strangers.
05:36I wish we were, but it's not like that.
05:38Cruz!
05:39What?
05:40You're the one who came to talk to me.
05:42And I'm explaining the reasons to you.
05:43And you don't even ask me if I want to listen to them.
05:49Be reasonable.
05:51Look, you know what? I'm going to do something better.
05:53I'd better go to bed.
05:54Don't go, please.
05:56I don't want to argue.
05:57Me neither.
05:58I just want to talk.
05:59Very well, then talk.
06:00Come on, tell me what you have to say.
06:02I want a truce.
06:04I need it and I think you do too.
06:06Speak for yourself, please.
06:07See? This is what I'm talking about.
06:10Why do we have to argue for no reason at all?
06:12We can talk calmly and get closer to that position.
06:14Do we really have to have this conversation again?
06:16Seriously?
06:18I don't know, maybe it's my fault.
06:19I haven't been clear enough.
06:20Alonso, this is going to be like this from now on.
06:23From now on and forever.
06:25Forever?
06:27Well, I know that time will fix things.
06:30And that we will recover what is ours.
06:33We can talk if you want, but only about how our coexistence will be from now on.
06:37What do you mean by that?
06:39I propose a non-aggression pact.
06:41I will not bother you again and you will stop making my life impossible.
06:44Which means not to attack the allies of one and the other.
06:48As in my case, it is the captain of the Mata.
06:50I have not attacked anyone.
06:51Because I arrived on time and prevented it.
06:53And on top of that, you intend to take away a business in which he has dedicated time and effort.
06:56You know perfectly well that that business was Catalina's business.
06:59You said it, it was.
07:01I don't understand that you want to favor Lorenzo by going over a member of the Lujan family.
07:06I remind you that Lorenzo is married to my sister, so he is also part of the family.
07:10But of course, it's mine, which may not be as important as yours.
07:14I've never said that.
07:15Look, Alonso, I think we've talked enough.
07:17So if you don't mind, I'm going to rest.
07:19Good night.
07:23A month later.
07:40Well, I guess some of you will be aware of the novelty.
07:43For example, by Mrs. Martínez and Mr. Ruiz.
07:46It has to do with the Duchess of Carril.
07:48That's right, she has asked permission from the Marquis to visit the service plant.
07:52Specifically, the kitchens.
07:54I'm also aware, Mr. Pellicer.
07:56Simona told me last night after meeting with Mrs. Marquesa and the Duchess of Marras.
08:01Me too.
08:02López had told me.
08:03Wow.
08:04It seems that everyone here was aware, except me.
08:07Even if it's in the middle of this palace.
08:09But that's what we mentioned at the first hour, Mrs. Arcos,
08:12to convey to the directors due to the chaos and unusual information.
08:16Yeah.
08:17And what is that lady here for?
08:20Well, apparently the Duchess is a great fan of the kitchen.
08:23And she wanted to know firsthand how our dishes are made.
08:27And why do you want to know something like that?
08:29To compile them in a recipe book.
08:31We know it's strange, but it has the approval of the Marquise.
08:34And we are no one to contradict it.
08:37Of course not.
08:38But something like that is still unheard of.
08:41And very uncomfortable.
08:42Because we are not going to be able to do what we like, having her around here.
08:46Because what you like to do in the kitchen, Mrs. García, is to cook.
08:51Yes, of course, it's a way of speaking, Mr. Baeza.
08:54It has become clear to me.
08:56I understand that the presence of the Duchess in the kitchens may be uncomfortable,
09:00but there is nothing to say about it.
09:03What are you thinking?
09:04Take it for the good side.
09:06It is an honor that the Duchess has been fixed on you.
09:09It is a recognition of the good work of the kitchen service of this palace.
09:13That's right.
09:14And when is the visit of the Duchess expected?
09:16Well, as far as we know, it may be this afternoon.
09:20We'll have to have everything ready then, right?
09:22No, no, no.
09:23The lady does not want anything special to be done.
09:26The idea is that she sees the kitchens in their usual environment.
09:29Except for one thing.
09:31Vera.
09:32She must be present at all times in the kitchen while you have the visit of the Duchess.
09:36I'm on it.
09:37And what does she have to do in the kitchen?
09:40Because if I have to dispense with any of my maids,
09:43at least I would like to know the reason.
09:45Look how she protests when it's her turn.
09:47The Duchess requires the presence of Miss González
09:51so that she transcribes the recipes, yes?
09:53So that she is constantly aware of them.
09:55Ah, look.
09:56Vera working as a writer.
09:58That sounds important, huh?
10:00In that case, the Duchess will be able to dispose of my office
10:03so that she can pass her notes to Limpio.
10:06Marimandra is already on the boat, just in case something happens to her.
10:09Does anyone have any questions?
10:11Any suggestions?
10:14Well, I will inform the maids and the maids
10:17so that they can spread their manners on the service floor
10:20while the visit lasts.
10:21Good idea, Mrs. Arcos.
10:23Yes, because one thing is that the Duchess wants to contemplate that usual environment,
10:28as you say,
10:29and another very different thing is that we do not take care of the shapes.
10:31Well, we know our own with the lackeys and the mozos,
10:34although in this case it is clear that the responsibility
10:37falls on the shoulders of the cooks.
10:39And of course, Vera.
10:41Don't worry, we'll be up to it.
10:43That's what we're here for. For the hard and for the mature.
10:46Well, if there is no doubt, let's go back to our workplaces.
10:51Thank you all.
10:58Hello Lope.
10:59Look at that face.
11:00And you'll see how the Duchess is going to be delighted.
11:04Well, we love it a lot.
11:06Let's see if all the ladies in the area are going to come by here.
11:19By the way, Julia.
11:21I have learned that you have offered to restore the portrait in the tea room.
11:25That's right.
11:26It will be a way to compensate for the kindness of your family to welcome me here these days.
11:30We will win, I assure you.
11:33We all appreciate that painting a lot.
11:35It is a memory of my dear mother.
11:37I am aware of your sentimental value.
11:39I hope to be up to that task.
11:41Well, yesterday I told Manuel that it was not the first time that he embarked on something like this.
11:45Yes, I have faced similar jobs before.
11:48Although never alone.
11:49But if you know the technique, you can face it alone, right?
11:52I admit that my passion is art.
11:54And although I do not consider myself an expert,
11:57I do have the skills necessary to return the painting to the splendor it had.
12:01That would be wonderful.
12:02Well, yes.
12:03It would be like having my mother here.
12:05Even if it were for a moment.
12:08Well, maybe we are setting a little high expectations for our guest and she is going to lag behind, right?
12:15If she is as good as they say, I wish her a promising future.
12:18She would be surprised by the number of paintings that accumulate in the army warehouses.
12:23Because of her poor state of conservation?
12:25That's right.
12:26Well, in that case, I could recommend her.
12:29Well, I will.
12:31If her work is worth it, I will.
12:34I will contact my army people.
12:36Wait a minute, Lorenzo.
12:38Before your people, I will go myself.
12:40Well, dear, I don't know if our guest is capable of restoring people.
12:45Well, for that we already have our maidens, right, dear Cruz?
12:49I was referring to two paintings that I have in my house in Madrid.
12:52I would like you to take a look at them.
12:54Let's start with the portrait of the ancient Marquise.
12:57Yes, it seems a very sensible idea.
12:59If she has to destroy a painting, let it be Carmen's.
13:01Cruz, please.
13:03Well, sorry.
13:05Well, the truth is that I don't have much to say about it.
13:08I've never liked that painting.
13:10It has always seemed to me very cheesy and reminiscent.
13:13But what are you supposed to propose with those comments?
13:16Well, I'm just warning you.
13:19Let's see, it is clear that Miss Valdés has very good disposition.
13:23But if it is the first time that she undertakes such a task alone,
13:26it is very easy for unexpected things to arise.
13:29I think she will do a great job.
13:32Well, do whatever you want.
13:34It seems to me that it is evident that she is very young and that she will have restored what?
13:37A painting or two?
13:39An oil from the martyrdom of Santa Bárbara,
13:41a cellar and some other small work.
13:44There you have it.
13:45There you have what?
13:47Well, if you want your mother to look like a decapitated saint.
13:50Enough, Cruz.
13:52The painting will not be at any risk.
13:54I will only remove the dirt and the old varnish.
13:57And then I will apply a new one.
13:59Wow, so she's going to fill our house with smells of oils and water.
14:03I also talked to Manuel and Don Alonso about that matter and they agreed to lend me their hangar to do my job.
14:10That way I won't bother anyone.
14:12You've already heard it. It's not going to bother you at all.
14:15So let's leave it at that.
14:25The next day.
14:29Mr. Rodríguez, is this a good time?
14:31Of course, sir.
14:33Do you already have the dress that the Count of Añil will wear for tomorrow's departure?
14:37Yes, sir.
14:38This is an important event.
14:40Nothing more and nothing less than a request.
14:43I am aware, sir.
14:44And I understand that you will go in the company of Miss Martina.
14:47Miss Catalina.
14:49I'm sorry, sir.
14:51It's just that the names have danced me.
14:53I haven't been here for a long time.
14:57And then?
14:59As I told you, sir, everything is ready.
15:01I just need to lighten the shoes.
15:03I leave it for the last moment, so tomorrow they will look brighter.
15:06Very successful.
15:07Thank you, Mr. Rodríguez.
15:08To you, sir.
15:16Marcelo, is everything going well?
15:18Of course, yes.
15:20Yes? Have you already prepared Mr. Pelayo's clothes?
15:22Mr. Pelayo is the Count of Añil?
15:24Of course.
15:25Marcelo, for God's sake.
15:27What a chance, Teresa.
15:29Well, less chance and more seriousness.
15:31Let's see what you have prepared for him.
15:33The one he usually wears, a suit with his vest, his pants ...
15:36One moment.
15:37What do you mean, the one he usually wears?
15:39Yes, I didn't want to interfere.
15:41But haven't you heard Mr. Pellicer?
15:43This is an important event.
15:46More reason not to be wrong.
15:48And as such, he has to wear a special wardrobe.
15:51Really?
15:53Well, of course, Marcelo, that's what the label dictates.
15:55Otherwise, Mr. Pellicer was going to ask you if you already had the clothes prepared.
15:59He may be right.
16:00Of course I have it.
16:02The ladies are already preparing Miss Catalina's dress and it is the most beautiful she has.
16:08Miss Catalina is the one who accompanies her.
16:11Marcelo.
16:12There are many gentlemen in this house.
16:14Too many, I would say.
16:15What Mr. Pellicer was trying to ask you is whether you already have the gala clothes of the Count of Añil prepared.
16:19I have told you that I have prepared the usual one.
16:21That man goes naked everywhere.
16:23No, Marcelo.
16:24He always goes elegant.
16:25But for an event like this, it is important that he wears a distinguished and aristocratic wardrobe.
16:29No one has explained it to me.
16:31You're supposed to know.
16:33And if not, I'm telling you.
16:37My God, and now what do I do?
16:40Well, first, keep calm.
16:42And second, find out if he wants to wear a jacket or a frac.
16:44And then, prepare it as soon as possible.
16:47And how do I find out about that?
16:49Well, how are you going to find out? By asking him.
16:51Come on, hurry up.
16:55Teresa.
16:59You told me that I have to ask him if he wants to wear a frac or a jacket.
17:04You can't tell, can you?
17:08Okay, I'll go with you.
17:10But it's important that you talk to Mr. Pellicer.
17:13Yes, yes. You just tell me what I have to tell him exactly.
17:17Let's go.
17:21Is something wrong?
17:23No, I was just accompanying Marcelo to show him where the cleaning products are.
17:31Let's go.
17:48And all of you, without exception, must wear the uniform.
17:52I will not tolerate another stain.
17:54Excuse me, Mrs. Arcos.
17:56And when the Duchess of Carril arrives, you must show her an impeccable image.
18:00Is that clear?
18:01Come on, go change your uniform.
18:03And let it be the last time I see you in that guise.
18:05It won't happen again, ma'am.
18:07You'd better.
18:12Mrs. Arcos.
18:13Santos.
18:14Judging by that smile of yours, it seems that you have to tell me something.
18:18Come on, come with me to my office.
18:27I see that you are already getting to know me.
18:35You don't know who I just saw running out of the courtyard.
18:40Teresa and Marcelo.
18:41He didn't tell me to keep an eye on that man.
18:46And where do you think they were going in such a hurry?
18:50Well, according to Teresa, to show her husband some cleaning products.
18:55And was the stain so urgent?
18:57It seems so, because he left the laundry half done.
19:00Has he really done that?
19:03How strange.
19:04I would have expected it from anyone else, but Teresa,
19:07How strange.
19:08I would have expected it from anyone else, but Teresa,
19:11Teresa would never leave a job if it weren't for a weighty reason.
19:16I don't know her very well, but that's exactly what I thought.
19:20And why do you think she did it then?
19:23Well, to fix some carelessness in her husband.
19:26It's obvious.
19:27It's just that that fool is not going to do anything right.
19:30He doesn't even know where the wind blows him.
19:32He's useless.
19:34So Teresa is trying to cover up her husband's mistakes.
19:38I'm sure of it.
19:41What a shame.
19:44She has replaced my son Feliciano with an incompetent who doesn't even know how to wear shoes.
19:50I think it's time to make public her incapacity and her impudence.
19:58Have you talked to anyone else about this?
20:01Not yet.
20:02I was going to do it with Don Rómulo.
20:05No, no.
20:06Don't do it.
20:08Don't talk to him or your father.
20:10So what?
20:13Hold on, Santos.
20:14Hold on.
20:15Because now everyone understands that Marcelo makes mistakes.
20:20But there will be a time when he really gets his foot in it.
20:23And then, there, there will be where we will have to end him.
20:29Okay.
20:31You know more about this than I do.
20:33Yes.
20:38What are you laughing at now?
20:41I just remembered something else.
20:43Yesterday I went to the ironing and sewing room for a brush.
20:47Did you also have an emergency with any of the gentlemen's garments?
20:50Absolutely.
20:51In fact, I had all the time in the world to enjoy how nice it was with what I found.
20:56What?
20:57A notebook of notes, full of stories and supposedly literary annotations.
21:02Some maid who thinks she's a writer.
21:06I know.
21:07I know who it belongs to.
21:09Who?
21:10María Fernández.
21:12She's had a habit of writing for a long time.
21:15But since I hadn't seen her again, I thought it had happened to her.
21:18Well, apparently not.
21:20Forgive me, but I couldn't help it.
21:23Well, I find it tremendously daring that a person who barely knows how to speak properly dares to write.
21:30Let's say, saints, that in this palace too many extravagant behaviors are allowed between the servant.
21:39Between you and me.
21:43Well, this is the hangar.
21:46We have left this space for you so that you can work comfortably.
21:49Thank you very much.
21:50You asked expressly not to give her direct sunlight, right?
21:52That's right.
21:53Direct sunlight ruins certain products.
21:55But artificial light alters colors, so it would be risky to work with it.
22:00Wow.
22:01I didn't know that.
22:02And although there are wonderful painters like Caravaggio who work in the light of the candles,
22:06this would not be suitable for restoration.
22:11As you can see, we have left the stool and on this table it has all the products that are missing.
22:16Varnish, brushes of various sizes, rakes, clean baths ...
22:21Indeed, everything is necessary. Thank you very much.
22:24Thank you for undertaking this task.
22:26I will do it very gladly and more in this comfortable environment.
22:30I know it is also your workplace.
22:34Yes, but I also have a studio.
22:38I will try to bother you as little as possible.
22:40Julia, your presence in this hangar is not a nuisance.
22:43Don't worry about it.
22:46I had never been to a place like this.
22:48I don't think there are many in this area.
22:51Of course not.
22:53This was an abandoned and in disuse until I convinced my parents to renovate it.
22:57So you are also a restorer.
23:00Airplane builder, I prefer to be called.
23:02It's your passion, of course.
23:04It is.
23:06I couldn't even tell you how many hours I've spent locked up here,
23:10lighting up the birth of my airplane.
23:13It sounds fascinating.
23:14It is.
23:15Designing it, manufacturing it, assembling it ...
23:21I understand that this is your refuge.
23:24Yes.
23:26It was before the war.
23:29And since when did you return?
23:34Since I returned, I am stuck in the new designs of my new airplane.
23:38And as I have already told you, I have a studio inside the palace.
23:41So, in short, for the plans I just need paper and pencil.
23:45And let your imagination fly, never better said.
23:48Yes.
23:50And what about you?
23:52Where did you get that passion for art from?
23:55A good friend introduced me to him.
23:57So you can say that friend is a good influence, judging by his knowledge and skills.
24:01I think so.
24:03I consider that friendships are one of the most important things in life.
24:08Whoever has a friend has a treasure.
24:10It is so difficult to create a solid relationship of friendship.
24:13I think it is based on common experiences,
24:17on living complex situations, one next to the other.
24:22Yes, that can help, of course.
24:24Sharing a complicated event with another person forges very strong bonds.
24:29I can't even imagine how united you will be now with your peers,
24:34with whom you fought side by side,
24:37risking your lives for each other.
24:46There are people and moments that can never be forgotten.
24:51Yes, they are already part of us.
24:54If you don't need anything else, we're leaving.
25:37The garment must be a little wet.
25:41Pay close attention to the small details,
25:45such as the neck,
25:49fists and folds.
25:51The front part is the most important.
25:56What are you doing?
25:58I'm ironing Count Agnil's coat jacket.
26:01He's going to ask for a favor with Miss Catalina.
26:04She must be the most elegant guest.
26:06Yeah, but you shouldn't be ironing.
26:10That's my maid's job.
26:12I admit that I forgot to notify them in time,
26:14and that's why I'm doing it.
26:16Well, your responsibility is to take care of them so that they are on time.
26:20I know. It's just that I had a little misunderstanding with the task.
26:24I didn't understand it very well.
26:25It is also your responsibility to know things well,
26:29because you are paid for something.
26:31Don't worry, Mrs. Petra.
26:33This time I'm going to be scorned.
26:35But this is under control.
26:37No, you have nothing under control.
26:40And the worst thing that can happen to you now is that you burn that shirt.
26:47I'm not going to lie to you.
26:49It's not the first time that a family member is hired here,
26:54or someone close to an employee to compensate for their loyalty.
26:58In the end, if we don't support each other, who will support us?
27:02But for years, many years, no one as incompetent and unprepared as you had arrived.
27:07Me?
27:08You would have to be born twice to be a good lackey.
27:13But Mrs. Arcos, what you're saying is an exaggeration.
27:15No.
27:16I'm not exaggerating.
27:19Did you know that my son Feliciano took the position you have now?
27:24But he begged to grow his lack of experience with his ...
27:29With his effort and his humility.
27:31And what do I have to do with it?
27:35You are an insult to everything he represented.
27:38And to all the dignity that there is in this unworthy and sinful world.
27:42Really, Mrs. Arcos ...
27:43That you have taken his place in Teresa's heart only shows that she was not up to it.
27:49But I will not allow you to take his place in this house.
27:53I don't intend such a thing.
27:55I didn't even know Feliciano.
27:56You are not up to it.
27:58And Teresa neither.
28:01And I tell you, I know Teresa well and she will never be able to love someone like you.
28:21So you have already made a hole in the hangar.
28:24That's right.
28:25We have taken everything necessary.
28:27And the place is adequate.
28:28It's perfect.
28:29I am very grateful to Manuel.
28:31He has been very considerate in giving me a space in his hangar.
28:33This is my cousin.
28:39Have you heard it?
28:41Sorry, what?
28:43What are you thinking about? Let's see ...
28:46Well, I think I can guess.
28:48Are you thinking about a new design of airplane wings so that they are lighter and faster?
28:58Exactly that.
29:00Do you want lemonade, sir?
29:02Yes, thank you very much, Hanna.
29:04Well, then he has everything ready to remodel the painting.
29:08In fact, this afternoon the first cleaning processes started.
29:12Nothing transcendental, of course.
29:14But I'm very happy.
29:16Well, I really want to see the result.
29:18It will have to be a little more patient.
29:21My mother says that is one of my greatest defects.
29:24Impatience.
29:25I would be unable to face such a meticulous and slow task as yours.
29:29I guess you have to get used to it.
29:31Well, and the interest is also a lot, right?
29:33Where does yours come from? His passion for art?
29:38I asked you something and it came from you, right?
29:42No, but it's the same thing that Manuel and Curro asked me a while ago.
29:46It can be seen that everyone has the same curiosity.
29:48Yes.
29:50Yes.
29:51But I don't mind repeating it a thousand times.
29:53Actually, the passion came to me through a friend.
29:56Something older than me.
29:57She was a painter.
29:58Daughter of a well-known collector.
30:00Well, that's playing with advantages.
30:02And what's her friend's name?
30:04Ángela.
30:05And I have to say that she is the real expert.
30:08She taught me everything about pigments and materials to use.
30:12Anyway, everything I know.
30:14Well, what a genre that is on her part.
30:16She changed my life.
30:18And that I met her by chance, through another friend.
30:22I have to admit that before I had never stopped to look at a painting carefully.
30:26Well, it's amazing how people around us can make us change our perception of things.
30:31Well, I think that the experts here are Curro and Manuel.
30:40Excuse me, that. Why?
30:43I'm convinced that her experience on the front has generated very strong friendships and unbreakable bonds.
30:49You know, we also talked about that this morning.
30:53But yes.
30:55They were very complex situations.
30:58And we depended on each other to survive.
31:03I can't think of a stronger bond than putting one's own life in the hands of another.
31:11No, I guess not.
31:20Come in.
31:26Mrs. Duquesa.
31:28Don't tell me you weren't expecting me.
31:30Mrs. Cruz told me that you were aware of my visit.
31:33And that's right, Duquesa.
31:35Mrs. Marquesa is delighted to receive you.
31:39And not only today, but also the rest of the days that you are welcome.
31:44Well, I trust that this situation will not last forever.
31:47Well, I suppose you will be eager to complete the recipe as soon as possible, yes.
31:53And above all, not to abuse the generosity of Mrs. Marquesa.
31:58Mrs. Marquesa is delighted to have you here, Duquesa.
32:03And as for me, I want you to know that I am at your disposal.
32:07Thank you very much.
32:08Is there really something that I would like you to do for me?
32:12Whatever you order, ma'am.
32:13That I go to look for Vera, the maid.
32:15I understand that she will be in charge of transcribing the recipes.
32:19Yes, that's right.
32:21Well, in that case, let me tell you that this office is also at your disposal.
32:26Here you will feel more at ease than in kitchens to carry out those tasks.
32:30They had already told me this.
32:32And now go.
32:33Go find the girl I want to meet with her.
32:36How are we going to organize ourselves?
32:38Of course, ma'am.
32:40Immediately.
32:46Oh God.
32:54I can't take that spoiled brat Catalina anymore.
32:56You have to get her out of here as soon as possible.
32:58If it were up to me, I would do it and with pleasure.
33:00She has exceeded all my limits.
33:02Come on, she's even giving me urticaria.
33:05Doesn't that friend of Martina have an allergy to walnuts?
33:08Well, I have Catalina.
33:09You are a bit exaggerated, aren't you?
33:11I already told you no.
33:12So please, get her out of my sight.
33:14All I want is to regain her love and trust to be able to leave here.
33:18You can hurry up now.
33:19And you think I don't try?
33:21I've even gone down to the kitchens to apologize.
33:23Wow, it seems that lately everyone wants to go down to the kitchens.
33:27Catalina has always felt a predilection for those cooks, especially Simona.
33:32Yeah, she likes to deal with this surreale.
33:35Don't be offended.
33:36No, no, yes, I'm not offended.
33:38But one thing I'm going to make clear to you.
33:40Don't get confused.
33:42I am no longer under your orders.
33:57Ma'am.
33:58Here I bring Vera.
34:00Ma'am.
34:02How are you?
34:04Fine, ma'am.
34:08I suppose you will have many things to do, right?
34:11Yes, of course.
34:14I'll leave you alone then.
34:21How long is this going to last, mother?
34:23What else are you going to do?
34:24Whatever it takes to get you back, daughter.
34:27A mother never gives up.
34:29Well, I think you should loosen up a bit and let me live my life.
34:32Loosen up?
34:33Is this how you talk now?
34:34Like a market slacker?
34:35Enough, mother!
34:42Honey.
34:44You don't know how much I've suffered for you.
34:49I don't want to cause you any suffering,
34:51but I need you to know that I'm much better alone.
34:57How can you say that to me?
34:59Leave this horrible life you have and come back home with me.
35:03I don't want to do it.
35:05And no matter how much you tell me, I know that father would never forgive me.
35:09In fact, sometimes I think he's the one behind his insistence.
35:13No.
35:15I would never betray you.
35:17Because he knows perfectly well everything that can happen to me.
35:22But I will make him reconsider.
35:24I will talk to him, as I am talking to you now.
35:29Mother, please stop coming.
35:32With his presence, I will simply get father to find out where I am.
35:37I can't.
35:39I won't rest until we become a family again.
35:53Mr. Conde.
35:56I was looking for you.
35:58Me?
35:59Why?
36:00I don't understand that you and Catalina plan to attend a party.
36:04That's right. Tomorrow afternoon.
36:06Is it an important event?
36:08The request of an old friend.
36:11And does she know or is it a surprise?
36:13How was the representation of the magician for Catalina?
36:18Well, in any case, I am very happy that you are going to recover part of your social life again.
36:22Thank you very much.
36:23I think it is an advance that is seen in society after everything that has happened, right?
36:27Yes, of course it is.
36:29Well, I don't erase a new account, as they say.
36:32And precisely Catalina likes accounts a lot.
36:35What are you looking at, sister-in-law?
36:37Well, don't worry because the count is immune to sarcasm, right?
36:40Yes, one ends up getting used to receiving it so much.
36:43Yes, I see.
36:44For something in particular?
36:46Well, I think that in the end time has given me the reason, don't you think?
36:50Yes.
36:51It seems to me, it seems so.
36:54Well, I'll leave you alone.
36:56I see that you were having a lot of fun before I came to bother with my sarcasm.
37:05Yes.
37:18Excuse me, Mrs. Arcos.
37:21Can I talk to you for a moment?
37:23What do you want, Teresa?
37:25It's too late.
37:27It will only be a moment.
37:30Yes, but you have already wasted a precious time putting that husband of yours where he belongs.
37:36That's exactly what I wanted to talk to you about.
37:38Wow.
37:40I see that you have not wasted much time in going to cry.
37:44And it is not for less given the level of rudeness that you have dedicated to him.
37:47I assure you that I have not told him anything that was not true.
37:51That husband of yours is a real incompetent.
37:55Look, Mrs. Arcos.
37:57I know that Marcelo makes mistakes.
37:59But that only happens because the promise has just arrived again.
38:02And I do not deny it.
38:04It's new.
38:05But you, for example, had no problem adapting when you got here.
38:10But when I got here, there was a keymaker who was kind and who made an effort for everyone to be comfortable in the palace.
38:18Wow.
38:19What luck.
38:22But it turns out that now the keymaker is me.
38:25You have no right to treat him like that.
38:27Marcelo is doing everything he can.
38:31Tell me something, Teresa.
38:33Why isn't he here defending himself?
38:36Because he is preparing the clothes of the count of Aguililla for the hand request.
38:40Okay.
38:41I'll ask you another way.
38:44He is not a man who needs his wife to defend him.
38:47Well, that's enough.
38:50Marcelo does not have to show his manliness to you or anyone else.
38:54As you can imagine.
38:56It's not something that interests me either.
38:58No, of course not.
39:00It is something that attracts him.
39:02Because I am the one who bothers her, but it is much easier to attack him, even if you have the problem with me.
39:08Is that clear?
39:11My God.
39:12When is he going to stop crushing him like this?
39:16What happened to you, Teresa?
39:19You were so desperate to forget my son that you had to sleep with the first idiot who crossed your path.
39:25For God's sake, don't be vulgar.
39:26No.
39:28You are the vulgar one.
39:30For trying to replace my son with that ...
39:34With that fight.
39:35That's enough.
39:36Stop insulting him.
39:39Be brave and tell me what you have to tell me.
39:41I can't stand seeing you here like nothing.
39:45You swore eternal love to my son on his deathbed.
39:49And you were as broken as me when Feliciano died.
39:54I thought your pain and your love, Teresa, were sincere.
39:57They were sincere, Mrs. Arcos.
39:59Of course they were sincere.
40:02A part of me broke when Feliciano died.
40:05In fact, a part of me died with him.
40:08Don't lie to me anymore, Teresa.
40:09I'm not lying to you.
40:11I'm telling you the truth.
40:14What do you know about my pain?
40:18But I have the right to redo my life.
40:20In fact, Feliciano asked me to do it.
40:24Do you have anything to object to that?
40:28Not at all.
40:31Being with that useless man is your best way to redo your life, Teresa.
40:40Go ahead.
40:42And enjoy it.
41:03You saw how she got on.
41:05The restoration of the mother's painting was like an offering to her.
41:08Well, it wasn't that big of a deal.
41:12As always, you defending your wife.
41:14It's not true.
41:16What happens is that maybe you provoked her a little.
41:19Remembering my mother with affection is not an offense against her.
41:22You're right. I understand you.
41:25But you also have to understand that for her it doesn't have to be easy
41:28to have a painting of the former Marquise of Lujan on top of the fireplace.
41:31That painting was long before she arrived.
41:33Yes, but she could have asked me to remove it.
41:37And she didn't?
41:39On that occasion, I managed to convince her.
41:42We were just married and she didn't want to take the opposite from me.
41:46Well, it's probably because she was aware of her worth.
41:49And if I don't finish burning the fireplace, it's because of that.
41:52Because she knew it was painted by a renowned artist.
41:55Anyway, the painting is there.
41:57No, the painting is in the hangar.
41:59We'll see if when it's restored Cruz allows him to re-preside over the tea room.
42:03Daughter, you're never going to give up, are you?
42:05You know I'm not.
42:07And that's why I'm not going to give up on the jam business.
42:11I want to get back what's mine.
42:17Regarding that, Catalina ...
42:19Regarding that, will she have a plan? No?
42:22We have to save the business from the captain's clutches.
42:24It won't be that easy.
42:26Why? I've talked to Lope, Pelayo, even the captain.
42:30And you know this can't go on like this.
42:33I've also talked to Cruz.
42:37I don't know.
42:42I admit that Julia makes me nervous with so many questions.
42:45Well, I think she's a tremendously curious person.
42:48Yes, especially in relation to war, which is precisely what I'm trying to forget.
42:53I'm sorry, I just see her as a kind person.
42:58One thing doesn't take away the other, Hanna.
43:00Yes, Julia is charming.
43:02But it bothers me that all the time she's asking me about the front.
43:05I understand you.
43:08On top of that, there's something in her questions,
43:13in the way she looks at me when she does them,
43:15that is disturbing to me.
43:16What?
43:17Yes.
43:18But well, I don't know.
43:20Maybe it's me who is more sensitive with the whole issue of war.
43:23That would be understandable.
43:26No, but there's something else, Hanna.
43:28It's as if Julia is thinking about something she doesn't say.
43:35We all hide things sometimes.
43:37No.
43:39It's as if Julia wants to know something that she doesn't dare to ask me.
43:44Let's see, has she told you or done something that makes you think that?
43:50No, she hasn't.
43:52But it's just a hunch.
43:54Well, maybe you're right.
43:57Maybe you're more sensitive than usual.
44:00Yeah, because I'm the one with the problem, right?
44:03Everything points to it.
44:05Look, yes, it's true.
44:07Because I notice everyone is very strange, including you.
44:11Wow, me too.
44:13You're going to tell me that lately you've been behaving in a strange way with me, aren't you?
44:17I don't know what you're talking about.
44:19I'm talking about you wanting to tell me something yesterday.
44:22And you didn't come looking for me to talk about it.
44:25We're talking now, aren't we?
44:27Come on, Hanna.
44:28I almost had to force you to stay.
44:30What do you think?
44:32Curro, work has absorbed me.
44:34That's all.
44:36I don't doubt that, Hanna.
44:38But you used to have the same job and that didn't stop you from seeing me.
44:44Curro...
44:47What?
44:50Look, it's okay.
44:52It's me.
44:53I'm the only one who sees the problem.
44:54I wasn't going to tell you that.
44:55No, but you think so.
44:57You think your brother has gone crazy, don't you?
44:59No, I don't think so.
45:01I don't think so.
45:02At least not when it comes to me.
45:05What?
45:07That you're right.
45:09And that I'm hiding something from you.
45:12So I understand that you find me strange.
45:15But it's for a good reason.
45:18What?
45:23I've talked to Manuel.
45:26And I've told him the whole truth.
45:32What truth have you told him?
45:36Our origins.
45:39Who we are.
45:40Who our mother was.
45:44But then he knows that...
45:45Yes.
45:50Manuel knows that you and I are brothers.
45:56But he doesn't know that you and I are sisters.
46:02What do you mean?
46:04That I replaced Feliciana too soon?
46:06Because if that's what you think, it would be good if you said it openly.
46:09That there are already many insinuations.
46:11That in this house we love to get into other people's lives.
46:14Tell them how they have to feel, what they have to think.
46:16But we don't realize what those people are feeling inside.
46:19Or how it affects our comments.
46:22You left the business.
46:24Now you want to get it back because you want to.
46:27But that would be giving in to the whims of a spoiled girl.
46:30Look, Catalina.
46:31I'm sure that if your father could, he would put the business in your hands.
46:34And not because you want to.
46:36But because it's the best for the business itself.
46:38It's just that you don't depend only on your father.
46:40If only we could get her out of there.
46:42We've been looking for her for a long time, sir.
46:44And we haven't found any place where she can be safe.
46:47We want to drive that man crazy and neutralize him.
46:49Mrs. Martínez.
46:50Lope.
46:51Why don't you show the duchess how the tripe is prepared?
46:55Holy Virgin.
46:56I should have known what that was before.
46:59A traditional recipe from Cayos, Mrs. Simona.
47:01We're done.
47:03I've heard the duchess say it's the duke's favorite dish.
47:06I wanted to ask you when is Julia leaving?
47:10I didn't care if she stayed a few days, but this is taking too long, right?
47:13No, I didn't know she was uncomfortable with his presence.
47:16How he is so ...
47:17So kind, so nice and above all so discreet.
47:20Yes, Martínez, I'm sure that and much more.
47:23But this is not a hotel, dear.
47:25Although it starts to look like it.
47:26What? It can't be.
47:28You know that Manuel and I want to get married in secret.
47:31And that means that no one can know where or when it will be.
47:36So you can't come either.
47:38I can't believe you don't want me to go to your wedding, huh?
47:41He says that some French soldiers will be able to return to their homes after 11 months of absence.
47:47And it's a lot to ask him to stop talking about the war.
47:50This is a painful matter.
47:51It's not a matter of social conversation or entertainment.
47:55And I'm tired of trivializing it every time your little friend talks about it.
47:59I want to know if something has changed between us.
48:01I know I've told you a very big secret,
48:04but I also know that a marriage can't start with a secret like that.
48:11I'm very confused.
48:12And I think that, as things stand, it would be an option to postpone our wedding for the moment.