• 2 ay önce
Döküm
00:00FIVE HOURS EARLIER
00:11I was told you were looking for me.
00:13It's not necessary. I'll be brief.
00:16I want a report on the marmalade business.
00:19Costs, margins, clients, suppliers, everything.
00:22Get on with it because I'm in a hurry.
00:25Why is there such a spontaneous interest in the marmalade business?
00:30I'm a co-owner of a business that uses my family as a shield.
00:34It's my right.
00:36I understand.
00:38Although, there must be another reason.
00:41I can think of two.
00:43You can save your theories.
00:45I could, but I won't.
00:47Either it's because of Catalina, or it's because of Maria Antonia.
00:51There's no other reason than the one I told you.
00:53You know, that's the reason why you're not a businessman.
00:58You're very bad at lying.
01:01Think whatever you want. I want the report tomorrow.
01:05Why don't you tell me the truth?
01:09Whether it's because of your daughter or Maria Antonia,
01:11it's very clear what you're up to.
01:13You want to surprise me in vain.
01:15Find some excuse to kick me out of the business,
01:19but you won't find anything.
01:22And you know, I should be offended by your request.
01:26But I remember that I was the one who kept this business afloat
01:29all these months,
01:30since your daughter and her boyfriend's green carpet left it.
01:34I already told you that you can think whatever you want.
01:37Do you have a moment, Marquez?
01:39Sorry, I didn't know you were meeting.
01:43We just finished.
01:55I'm sorry.
02:07I see him.
02:10What's wrong?
02:11It's my mother. She's back.
02:13What do you mean she's back? Is she in the palace?
02:15No, no. She's already left.
02:17But she's back this time.
02:18I don't know. Don Rómulo took care of her
02:20and apparently she had a snack with Mrs. Marquesa.
02:23That's bad.
02:25Has she told her anything about you?
02:27No.
02:28No, my mother hasn't told me.
02:30How can you be so sure?
02:32Because if Mrs. Cruz knew who I am,
02:34I wouldn't be here and it wouldn't have taken long
02:36for me to break my promise, don't you think?
02:38And I don't think she's going to expose herself
02:41to such a scandal.
02:43I see.
02:45But I can't take it anymore, Lupe.
02:47I can't take it anymore.
02:48When will they realize that I want to continue
02:50living my life without them?
02:52Vera, for a mother it doesn't have to be easy
02:54to accept it either.
02:55I don't care.
02:56She doesn't have the right to come here
02:58whenever she wants.
02:59The first thing you have to do is calm down.
03:01And calm down.
03:03Listen to me, so far everything has gone well.
03:06Yeah?
03:07But what if next time it's not like that?
03:09What if because of her recklessness
03:11all of this is exposed?
03:15Lupe, I'm afraid of losing you.
03:17My love.
03:19You're not going to lose me.
03:21But what's clear is that your mother doesn't want to lose you either.
03:27But she should respect my decision.
03:29I know.
03:31And she may be right.
03:32But maybe she has a weighty reason
03:34that makes you break your prohibition.
03:37Like what?
03:38Well, I don't know.
03:40Maybe something has happened in your family
03:42or with your brothers.
03:44Well, whatever it is, I can't ask her anymore.
03:46And I'm not going to go in her search.
03:49But what's obvious is that your mother
03:51is not going to give up not coming.
03:53Not coming to see you.
03:55That's why we have to be prepared for when she comes back.
03:59What do you mean?
04:03Well...
04:05I don't know.
04:08Yes, I know.
04:10I'm going to talk to Don Romulo
04:11and I'm going to ask him to let me know
04:12when I step on the promise.
04:14Let you know?
04:15But why would he do that?
04:17Didn't he come back the last time
04:18with the excuse of a recipe?
04:20Yes.
04:21Well, I'm going to tell him
04:22that the instructions you wrote to him were wrong.
04:24Well, but then he'll have to read them on paper
04:26and send them to my parents' palace, Lupe.
04:27No.
04:29Not if I tell him that it's important to explain it in person,
04:31given its complexity.
04:34And you think you can fool him with that?
04:38That will depend on your mother.
04:41But I trust that she will.
04:46I don't know what I would do without you.
04:53It's going to be okay.
04:55You'll see.
05:07So that's the reason for the captain's anger.
05:09You have the right to ask for accounts when you please.
05:12That's right.
05:14But I suppose you didn't come to talk to me about Lorenzo.
05:17In part, yes.
05:18Well, not about your brother-in-law,
05:19but about the jam business.
05:23What is your request?
05:25No, I think ...
05:26I think you misinterpreted my words.
05:28Well, explain yourself better.
05:31My concern for the production of jams
05:33starts and ends with Catalina.
05:36Your daughter has already told me
05:37that you are thinking of returning your position to her.
05:41Do you think it's wrong?
05:42No, no, no. On the contrary.
05:44In fact, I wanted to show you my support
05:46and offer you my help,
05:47if necessary, of course.
05:49I would also give up being part of the business
05:51if that leaves you more at ease.
05:54Marqués,
05:56that company is very important to Catalina.
05:59I am aware that you know it, but ...
06:02I don't know if you don't know how vital it is to her.
06:07You see, when your daughter and I
06:09started the jam distribution,
06:12she confessed to me that she saw in the business
06:14a unique opportunity to show her worth.
06:17My daughter had already shown before
06:19her ability to run a complex company.
06:22The farm, for example.
06:23True.
06:24But always in your or Manuel's shadow.
06:28And in the case of the jams,
06:29it was something completely his.
06:31That is why every small advance
06:33she saw as a great success.
06:36Catalina has given up on that company,
06:38I would say almost like a mother for her child.
06:41And I am convinced that if you
06:42return the command, it will not disappoint you.
06:44Catalina has never disappointed me.
06:48I just want her to be happy.
06:49Don't go on.
06:51It took a long time to get the real purpose
06:52of this conversation,
06:53but in the end it did.
06:54It is not a fake statement.
06:56My love for Catalina has always been ...
06:57Words are words, Count.
07:00The acts so far have said the opposite.
07:03And tell me, what can I do
07:04to regain your trust?
07:06I don't know.
07:08But trying to manipulate me
07:09using my daughter's name
07:10I don't think it's the best way.
07:15I'm sorry if that was the impression
07:16you've had.
07:20Good night.
07:32Good night.
07:40Grease the molds of the cookies well.
07:43And hurry up,
07:44the Marquises are about to wake up.
07:46Have you already put the cookies in the oven?
07:48Better, because I have here the nuts,
07:50the hazelnuts and the almonds.
07:51Then take that where you came from.
07:53And that?
07:54What do you want?
07:55Kill the guest, Miss Martina?
07:57If she doesn't want me to take it,
07:58but she doesn't have to deprive others.
08:00Candela, take that from here
08:01if you don't want her to cut your hands.
08:03Don't put it on me like you almost did
08:05with Mrs. Eugenia in her day.
08:06But that happened at least a century ago.
08:09Don't be spiteful.
08:10Besides, you have to see one thing with the other.
08:12Candela, this is the same.
08:13I spoke to Hanna yesterday.
08:14It's very serious.
08:15Take them away.
08:16Okay, okay.
08:17I'll take the nuts, I'll open them,
08:18I won't sell them anymore.
08:19Look where you're going.
08:20A telegram from Salvador.
08:21That's great, isn't it?
08:23What do I do? Do I open it?
08:24It's your thing, isn't it?
08:25Because it's badly closed,
08:26you're going to read it.
08:27And if something bad has happened to her, Candela?
08:29But how is something going to happen to her?
08:31A telegram like that, all of a sudden?
08:32She'll yell at you to tell you she's arrived safely.
08:34And that's it.
08:35But telegrams are very expensive, Candela.
08:37And my savior of the brotherhood, El Puño Serrano.
08:40Open it, Leluy, so we can get out of doubt.
08:43Open it!
08:49What?
08:50What does Maria say?
08:57I have arrived safely.
09:01Period.
09:08And now what's wrong with you, girl?
09:12I don't know.
09:15She could have said something worse, right?
09:18Not so much, not so much, Maria.
09:20She writes because she writes.
09:22If she doesn't do it, why doesn't she do it, Maria?
09:24No one understands you.
09:25You said it yourself.
09:26Telegrams are worth a lot of money.
09:28I don't know, but she could have said something worse.
09:31You're drowning in a glass of water.
09:34The boy will have time to calmly write you a letter like God wants.
09:37Or better not wait for him.
09:39Because you know that your savior is more of a lizard than a lizard.
09:42Well, yes.
09:43You write to him.
09:44Make him happy, so he won't miss us so much.
09:46What's there to miss?
09:47The two of us are here.
09:48With the Simonas.
09:50Oh, yes, Candelilla.
09:51They're all leaving.
09:52And here we are, you and me.
09:53Tell him I haven't left.
09:55He'll do it.
09:57Don't say it with pity, Maria.
09:58Young people are like that.
10:00They leave to make progress.
10:03Young and poor.
10:04Because if we were fourth, another rooster would sing.
10:07You're right, Candelilla.
10:09As always.
10:10Come on, take the nuts.
10:12We're not going to have a fair day here.
10:13And the fat ones.
10:15I didn't remember that.
10:18Ma'am.
10:19What do you want, Petra?
10:21I'm here to consult with you on the minute, ma'am.
10:24Well, you'll have to wait because I'm busy.
10:26I'm busy.
10:29So do you like this dress, Teresa?
10:32I think you look beautiful, ma'am.
10:34But I think I'd like it even more if I cut it a little.
10:38Do you think?
10:39Won't it be too daring?
10:41It's not what you get in America.
10:42And I can confirm it because I was with the Duchess of Abrantes in New York.
10:46Don't listen to her, ma'am.
10:48That dress fits her like a glove, just the way it is.
10:51I wouldn't give her the slightest hint.
10:53Has anyone asked you for an opinion?
10:56Ma'am wants you to pick it up and see how it would look.
10:59Yes, do it.
11:03Be careful with the pins.
11:05Don't nail one to the lady.
11:08I assure you that I do it with the greatest care that I can.
11:11And I give faith, Teresa.
11:20It's done.
11:26Is this really what they wear in America?
11:28It's the most modern there.
11:30And the most vulgar.
11:32But here we are in Spain, where we are much more decent.
11:35Besides, I don't think that's the style of the lady.
11:38I say that I know better than you what my style is or not.
11:42So do I look good like this?
11:44I think you are very favored.
11:46Well, let's not talk about it anymore.
11:47I'm not going to be less than the ladies of those Lares, right?
11:50So you want me to fix it and cut it a little?
11:52But only a few centimeters.
11:54I think, ma'am, that you have made an excellent decision.
11:57Thank you very much, Teresa.
11:59Let's look at the minute later.
12:02Now I have to change.
12:20Do you really still keep that book?
12:21But how am I not going to keep it?
12:23You said with a lot of love, right?
12:25Yes, everything in the world.
12:27But it is still a poetry book with dry flowers.
12:30What's more, I don't understand how the ants haven't finished eating it.
12:33Hey, I'm telling you, I really have it in good handling.
12:35I thought it was a beautiful gift.
12:37Come on, Martina. Stop making fun of yourself.
12:39I'm already ashamed enough just to remember it.
12:42I don't understand why.
12:44And I'm not making fun of you, really.
12:46I know you took care of every detail.
12:48And you picked up those flowers in our corner.
12:52Yes.
12:54Don't you think it's been an eternity?
12:57It's as if everything had changed since then.
13:01The same, the ones who have changed have been us.
13:12Julia!
13:14How did you sleep?
13:15How did you sleep?
13:17I asked the servants not to bother me.
13:19Did you sleep well?
13:21Great. Thank you, Martina.
13:23Wonderful.
13:25Well, I'm going to ask them to serve you breakfast.
13:27We could go to the dining room, but I think we'll be more comfortable here, right?
13:32Julia, are you really okay?
13:36Yes, she's serious.
13:38Is something wrong?
13:41I apologize.
13:43Why?
13:45I've caused you more than problems.
13:47First with my fainting, last night with the cake ...
13:49Well, I'm not going to let you say that, really.
13:51Yes, none of what happened is your fault.
13:53But I should have told you before my allergy to nuts.
13:56But you were going to know that that cake had nuts in it.
13:58Yes, and the important thing is that we are now aware.
14:00And that she has recovered soon.
14:02I think it was thanks to the stories of that maid, Hanna.
14:07I don't usually trust these lies, but she insisted so much that I agreed.
14:11And you did very well.
14:12Yes, Hanna knows all the plants in the world.
14:16The ones that make you sick and the ones that cure you.
14:18So you can trust her blindly.
14:20Yes, thanks to her stories, I have no trace of the reaction.
14:24And even better.
14:26I would have died of shame if they had warned the doctor because of me.
14:28Let's see, Julia, you are our guest.
14:31So our greatest wish is that you are comfortable here, in La Promesa.
14:34And if you are not, then tell us and we will correct what is needed.
14:38I admit that they are getting it.
14:40I am very happy in La Promesa.
14:43By the way, do you like poetry?
14:47They talked about that before I arrived.
14:49Yes, I have a compendium of romantic poems in my room that you will love.
15:10Who told you that you are not worthy of me in front of the Marquise?
15:14And you to attack me?
15:16That's not true.
15:18Of course it is.
15:20I was trying to make myself look bad in front of the Marquise.
15:23Sins of pride, if you think you already know everything.
15:26Not everything, Mrs. Arcos.
15:28But I do know something about sewing and wedding, because I have been lucky enough to travel.
15:32In fact, the Marquise was very happy with my clothes,
15:35but she was not happy with me.
15:36But I have been lucky enough to travel.
15:38In fact, the Marquise was very happy with my advice and not so much with yours.
15:43Sorry, I didn't mean to say that.
15:45Yeah, but you said it well.
15:48I apologize, Mrs. Arcos.
15:50I just said it because I'm nervous.
15:53Go away.
15:55I will forget what happened.
16:01No.
16:03In fact, I think it is better that we talk about it.
16:06Because since I arrived, the only thing I have received from him has been hostility.
16:10As if he had something personal against me.
16:14Of course I have something very personal against you.
16:20This is for Marcelo.
16:23You said it.
16:26You have no right to meddle in my marriage.
16:30Your marriage should have been with my son.
16:33You have already forgotten about him.
16:34I swear to God
16:36that I have not stopped thinking about Feliciano, not a single day.
16:39Don't say goodbye as a witness to a lie.
16:42It is impossible that you will love my son and return to the little time hanging from the arm of anyone.
16:48Tell me.
16:50Did you remember my son when you married Marcelo?
16:53Did you remember him when you fell asleep for the first time?
16:57Tell me.
17:04Tell me.
17:35Have you seen Mr. Baeza?
17:42Mr. Baeza.
17:44I was glad to find you.
17:46Mr. Ruiz, the order of flours that I requested has just arrived,
17:49including the special flours for pastry, which arrived from Madrid.
17:52That's great. That flour will make the difference.
17:55Well, I hope so, because for what they have cost,
17:57there is no justification for the lack of quality.
17:59Don't worry, the gentlemen will pay for it with great pleasure.
18:02In fact, I am going to premiere that flour in the cake that we will serve tonight.
18:05As long as it does not bring dry fruits, go ahead.
18:08Of course not, we are on alert.
18:10Be careful that none of the cooks will bring dry fruits
18:13while Miss Julia is here in the palace.
18:15All precaution is little.
18:17Well, tell me, what were you looking for me for?
18:19I wanted to tell you something about desserts.
18:22I think you have changed the menu of the ladies.
18:24Do you need any special ingredient?
18:26No, no, no.
18:28I wanted to talk to you about the cakes I served at Mrs. Margarita's snack bar.
18:31Ah, yes, yes.
18:33And what about that?
18:35Because someone has arrived who liked the guests very much.
18:37Yes, that's right.
18:39Mr. Ricardo sent me the congratulations.
18:41In fact, one of the guests, the Duchess ...
18:43López.
18:45You don't have to keep bothering Mr. Baeza.
18:48I've already found out what I wanted to know.
18:50Thank you very much, Mr. Baeza.
18:51I've already found out what I wanted to know.
18:53Thank you very much, Mr. Rómulo.
18:55And sorry for the inconvenience.
18:57No, no, wait, wait.
18:59They have aroused my curiosity.
19:01What about those cakes?
19:03No, no, nothing important.
19:05Well, something will be when you show so much interest in the guests.
19:07What López wanted to know was what was the flavor that I liked the most.
19:11Yes, that's it.
19:13And you know the answer.
19:15Yes, Mrs. Margarita herself just told me.
19:17The first ones to fly off the plate were the chocolate ones.
19:18Well ...
19:20Mystery solved.
19:22I just know what I have to do next time.
19:24Prepare lots of chocolate cakes.
19:26Sorry for entertaining you with this nonsense.
19:34But what happened? I was about to ask.
19:36Precisely for that, López.
19:38Wasn't that what you wanted?
19:40I've thought about it better.
19:42And I think ...
19:44I'm getting too obsessed with the subject of my mother.
19:46And no matter how much we talk to Mr. Rómulo,
19:48we won't be able to prevent him from coming back.
19:50Sorry for getting you into this mess.
19:53You don't trust me very much because I almost had you in the boat.
19:56It will be better this way, López, believe me.
19:59Yes, you think so.
20:01You have put me on a very serious commitment.
20:03Now I'm going to have to get fed up of preparing chocolate cakes.
20:07You're so stupid.
20:16Look how perfect.
20:18So you can say later that I don't take a shower with the needles.
20:20Of course.
20:22As if it were the same to patch up a sheet that your girlfriend wore.
20:25Lower it a little bit.
20:27I don't know how you manage to keep me in shape.
20:30Well, are you okay, miss?
20:33We already thought the two of us that you had abandoned us.
20:36With all these sheets to patch up.
20:38Forgive me.
20:40I don't know if you forgave.
20:42If we understand that in certain companies, time flies.
20:44I wasn't with López.
20:46Yes, but it's not what you think.
20:48Mr. Baeza was also there.
20:50Well, I don't see Mr. Baeza very much.
20:53And speaking of boyfriends,
20:55I already found out about the telegram Salvador sent you.
20:57Salvador sent you a telegram and you didn't tell me?
21:00Because there wasn't much to tell.
21:02It has arrived well, period.
21:04And?
21:05And that's it.
21:07Well, María, you know that telegrams are very expensive.
21:09Yes, but it was hard for him to put a I love you very much or a roof of less.
21:14Well, look, exactly twice.
21:16Teresa, what's wrong with you?
21:18Well, it happens to me that first I had to go up to fix Mrs. Marquesa's dress.
21:22Then change, come down and put on a lot of sheets.
21:25This quadrant is driving me crazy.
21:27But let's see, did you argue with someone?
21:29Why are you like this?
21:31Don't say anything.
21:33María Mandrago.
21:35I don't want to speak ill of her.
21:37No, if that's what we're here for.
21:39Well, let's see what happened.
21:41Well, she told me horrible things.
21:42She told me that she never loved Feliciano and that's why I married Marcelo.
21:47That if when I go to bed with my husband I remember him.
21:50For God's sake, the evil of that woman has no limits.
21:53You have that woman to get them in with foreign life, you see.
21:56I loved Feliciano with all my soul.
21:59We already know that, Teresa.
22:01Although I am not to argue, but Mrs. Petra has a little bit of reason.
22:07María.
22:08It is what we all think.
22:10That we were stunned when you appeared in La Promesa with that man on your arm.
22:16I didn't look for him, María.
22:18It just happened like that.
22:20So suddenly?
22:22Well, that's it. Now you are the one who is getting into other people's lives.
22:25And everyone has their times.
22:28Teresa, I am sincerely glad that you have found a person to remake your life.
22:33And me too.
22:35I barely knew Feliciano, but I'm sure he was a great man.
22:38He was the best.
22:41And I have not stopped thinking about him not a single day.
22:44As much as Mrs. Petra says otherwise.
22:46Well, let's not start again.
22:48That María Mandrago does not pinch or cut.
22:50Exactly. And if she tells you something again, she comes and you tell us.
22:53Yes, and we tell it to Don Romulo.
22:55Or to Marqués.
22:57Put her in her place.
23:09White cake?
23:11White cake.
23:13But so far we are making like a chocolate cake.
23:16Or that German cake, the sachet.
23:19The sachet is Austrian.
23:21But yes, they are very similar, although they have some difference.
23:25Try it.
23:27Can I try it too?
23:30Miss Catalina.
23:33Thank you, Candela.
23:35Amanda.
23:36Amanda.
23:38You should have told us about your visit and so we would have it prepared.
23:44This is delicious.
23:46I could eat it all in spoonfuls.
23:48We will serve it later.
23:50I will exercise patience.
23:52Very good.
23:54And what is the reason for your visit?
23:56Lope.
23:58What will you say again, Scandil?
24:00They told me you had a little chat with my father.
24:03But I don't know more than that.
24:04What did he want?
24:06If it can be told, of course.
24:08Yes, it can be told, Miss.
24:10There is no problem.
24:12Especially because you are one of the interpreters.
24:14I suspected it.
24:16So it has to do with the jam, then.
24:19Mr. Marqués asked me what was my opinion about the current confections.
24:25And what did you answer?
24:27Well, the truth.
24:29Lope.
24:31Look, the captain is a bad guy, huh?
24:32What about the enemies?
24:34I didn't say anything against the captain.
24:36I assure you that.
24:38But I did say that if they bought low-quality raw material, it would be noticeable.
24:42Well, not to have said, you haven't been crowned, huh?
24:44Don't worry, Lope.
24:46You said what you should.
24:48Do I ask you anything else?
24:50Yes, I also wonder about the women of Wuhan.
24:52The hired ones, if they were happy.
24:54And you would tell them, from what you know about the market in Wuhan,
24:57that they are complaining about the captain, right?
24:59Miss, what I told them is that they were not happy.
25:02Miss, what's going on?
25:05I guess it's okay if I tell you.
25:09My father is considering putting me in charge of the jam business.
25:14But that's wonderful!
25:17We could get the old recipes back.
25:20And a kick in the captain's ass.
25:22Candela!
25:24And returning to command, I would like to count on you again.
25:27Come on, what were you thinking? That we were going to say no?
25:29Well, of course we would come back to you.
25:32But when you say,
25:34recovering command, do you mean yourself?
25:38Well, my plan is also for Pelayo to be reinstated.
25:42I understand your reluctance.
25:44The last time we left you at the stake.
25:46No, that's not why, miss.
25:48What we are afraid of
25:51is that the count will hurt him again.
25:53For nothing in the world, we want that nightmare to happen again.
25:56Don't worry, Simona, that's not going to happen.
25:59I promise you.
26:01And why don't we celebrate with a little more sponge cake?
26:04The boat is taking ages.
26:06Wait a minute.
26:08If it's about celebrating, I have something better.
26:10Oh yeah?
26:11Let's go.
26:29Hanna, do you have a second, please?
26:32I'll take care of all this.
26:42What do you need?
26:46How are you?
26:48I haven't seen you all day.
26:50Well, I haven't stopped for a minute.
26:52And yesterday we barely coincided.
26:54Don't you want to see me?
26:56Or have I done something that has bothered you? I don't understand.
26:58Don't worry, it has nothing to do with that.
27:00It's just, well ...
27:02You know, the tasks that Mrs. Petra assigned me.
27:08So, is everything okay between us?
27:12There's something I want to tell you.
27:15Okay.
27:16Well, here I am.
27:19Do you remember when we distanced ourselves from each other to hide secrets?
27:25Yes.
27:26Do you think I'm hiding something from you?
27:28No, not at all.
27:29Look, Hanna, I learned the lesson.
27:31And if I did it, it wasn't with bad intentions,
27:32but I read Ramona's letter and I didn't know how to handle it.
27:34I know, I know.
27:35What I'm saying is that ...
27:36I know why you say it.
27:37Hanna, it was a serious thing.
27:38You know that I attacked you too and I should have told you.
27:40It was a mistake.
27:41But that's in the past.
27:42No, no, no, it's not in the past, Hanna.
27:44They almost fired you for my fault.
27:45No, it has nothing to do with that.
27:46Hanna!
27:47That's not it.
27:48I don't hold a grudge against you for this,
27:49nor do I think you're hiding anything from me.
27:51It's something else.
27:52It has nothing to do with it.
27:54So what's going on?
27:56Well ...
27:57Hanna!
28:00This woman must have lied to you.
28:03I have to go.
28:05Hanna, Hanna, tell me, please.
28:09Don't worry, Curro.
28:10It's not that important.
28:14I'm coming, Mrs. Petra.
28:15I'm here.
28:39This coffee is reviving me.
28:41The meals here at La Promesa are so abundant and so excellent
28:45that they invite you to a good nap.
28:47Well, as if you were going to deprive me of it.
28:51Which leads me to make you an indecent proposition, Cruz.
28:54Value your cook.
28:55I want him to work for us when we get married.
28:58I don't think he would like to work for you.
29:00He would never betray us that way.
29:02Well,
29:03who less than you expect can surprise you.
29:06Wow,
29:07it seems I've touched on a sensitive subject.
29:09Ignacio, have you ever been told as a child that you can't play with food?
29:13My childhood is getting further away and there are things I'm forgetting.
29:17By the way,
29:18have you already thought about where you are going to live when you get married?
29:21Wow, it looks like you're throwing us out, Cruz.
29:24Well, we haven't made a firm decision yet.
29:27But it will surely be in my palace.
29:29That way I can better dedicate myself to my business.
29:31The truth is, it's bigger and more comfortable than my house in Madrid.
29:34And what are you going to do with it?
29:35Because I understand that keeping it will cost you a lot of money.
29:38Well, for now,
29:39nothing.
29:40The rent pays for the expenses, so ...
29:43I didn't know it was rented.
29:46Wow, it looks like you've been a bit scattered lately, Alonso.
29:52Well, regarding your question,
29:54I'll probably end up getting rid of it.
29:56My children live in Canada and I don't think they'll need it.
29:59And with what it's costing your daughter to find a husband, she doesn't either.
30:02Ignacio, don't say that, because my daughter is young and she will end up getting married.
30:05And if she does, will she go with her husband?
30:07It's the law of life.
30:09I wouldn't sell the house so soon,
30:11sister-in-law.
30:12Right now you don't need it, but in the future, who knows?
30:16I don't think my children will demand it from me.
30:18No, if I don't say it for them, I say it for you.
30:22Marriage, at first, promises happiness.
30:24But then ...
30:26Who knows?
30:28Wow.
30:29And that pessimism?
30:30It's clear that this marriage thing is something new for you.
30:33But I'm sure Margarita knows what I mean.
30:36You didn't have a crisis with Fernando, did you?
30:39Yes, of course I did, but we always solve them.
30:44Yeah, until there comes a day when they don't get solved anymore.
30:49Well, thank you for the warning.
30:53You're welcome. After a thousand loves.
30:57I don't want you to make any mistakes.
31:00I'm sorry.
31:09But you didn't understand anything I told you.
31:11Have you seen the sole?
31:12It protrudes from the shoe. It's badly glued.
31:15I should have adjusted it a little more.
31:17No, it has to be perfectly adjusted.
31:19I used fine tips, as you told me.
31:21But I never told you to use 50.
31:24This has to be repeated.
31:26And I hope this time you show a little more interest.
31:28It wasn't out of disinterest, I promise.
31:29Well, you make it worse for me.
31:30If you're not even able to fix the sole of a boot ...
31:33I didn't understand your instructions.
31:35And why don't you ask me? Instead of making that mess.
31:38Fix it.
31:40And let it be the last time I give you a second chance.
31:44Understood?
32:00What are you giving me for the game, worker?
32:03You're strong, aren't you, Martina?
32:04I'm going to win, as always.
32:07Well, actually, no.
32:09If I can avoid it.
32:13This cake is delicious.
32:14And without nuts.
32:16Why? Don't you like them?
32:17She's allergic.
32:19We had a scare yesterday.
32:21Sorry, I didn't know.
32:22It's just that if you spent more time with us,
32:24instead of being with your airplanes,
32:26it would be better.
32:28And you feel better?
32:29Yes, I barely ate a little and I only suffered a small reaction.
32:32And Hanna gave him one of her umbrellas and she's like new.
32:36I didn't know you were a pilot.
32:37And one of the best in the country.
32:39Come on, he builds his own airplanes himself.
32:41Is that true?
32:42No, no, no. Don't say it with admiration.
32:45I've ridden in a bunch of these and I can tell you that I had an incredible fear.
32:48Besides, I wouldn't do it again, not even crazy.
32:50Well, I would love to.
32:51But I don't want to.
32:52It's incredible.
32:53Besides, I wouldn't do it again, not even crazy.
32:55Well, I would love to.
32:56It must be a unique experience to be able to touch the clouds up there.
32:59And I'm sure Manuel loves to be accompanied on some of his flights.
33:05Yes, but ...
33:07for that he should have a plane.
33:10What happened to the old one?
33:12It's in a friend's hangar.
33:15Was that what he did in the war? Air combat?
33:19No.
33:20We ended up in the infantry.
33:22And for what reason? There must not be many men with his talent.
33:28Well, it was actually where they assigned us to all the Spaniards that ...
33:32we were only volunteers.
33:34Did you coincide then with many Spaniards?
33:41Some. It depended on fate.
33:45I'm sure they have a lot of very interesting stories to tell.
33:52Sorry.
33:53I just realized it's something you don't want to remember.
33:57Sorry for my lack of touch.
34:01Don't worry.
34:03It's natural curiosity.
34:09Is something wrong?
34:14I don't know.
34:17Look ...
34:19Now that I look at it, I have the feeling that we've seen each other before.
34:23That's quite unlikely, isn't it, Manuel?
34:26Yes, I know.
34:28But your face looks familiar to me.
34:32It's not the first time they tell me.
34:34They always find me similar to a well-known French actress.
34:37Which one?
34:39I can't think of one right now.
34:41Oh, I'm terrible with names.
34:44But if you don't remember, I'll read it.
35:07Hello.
35:08Can you tell me what happened to Santos?
35:10I just ran into him and he was cursing at you.
35:12Nothing, it's nonsense.
35:14Well, it's clear that it wasn't for him.
35:16That I was wrong to fix the cover of these boots.
35:24And you really think this is well done?
35:26I've had enough with a fight.
35:27Look, Marcelo.
35:29Do you know what would happen if any of the gentlemen came to see this?
35:32That you would be on the street.
35:34Yes, I understand.
35:36I'll really do it right now.
35:37This time Santos has explained himself.
35:40So all this is because you didn't understand.
35:42And why didn't you ask?
35:45It's obvious that I should have done it.
35:49Look, I understand that Santos respects you.
35:52Because he's very strict.
35:54But you can always ask me.
35:57I know, Teresa.
35:58Calm down.
35:59I can't calm down, Marcelo.
36:01One more mistake like this and the job will last you less than a sigh.
36:05I will not make any mistakes again.
36:08I hope so.
36:09Bye.
36:30Are you okay, Catalina?
36:33You haven't said a word all afternoon.
36:36In fact, you haven't opened your mouth since you got down to the kitchen.
36:39Which is strange to me.
36:40Because normally your visits to Simona usually generate the opposite effect on you.
36:44Has something happened?
36:48Do you know why I love Simona so much?
36:51I know what you told me.
36:52That she's like a second mother to you.
36:55Yes.
36:56But besides that, she's one of the wisest and most prudent people I know.
37:03I understand.
37:06She warned you against me, didn't she?
37:09No. Don't judge her, please.
37:12And how was I going to do it?
37:14I understand her perfectly.
37:16She wants the best for you and I've hurt you in the past.
37:19Although we agreed to bury that past, right?
37:22Yes.
37:24But I want to see you again with good eyes.
37:29It's important to me.
37:32And as you said, Simona is like my second mother.
37:36If I'm going to be an impediment to the marmalade business, I'll leave without a problem.
37:40No, but it's not about the marmalades.
37:43It's just that the cooks are like my family.
37:46Well, you don't always fit in with your political family, right?
37:48Look at your stepmother.
37:50You don't understand me.
37:53Okay, I'll talk to her and I'll earn her appreciation again.
37:57Really?
37:59Didn't I get it with you?
38:05Yes.
38:22Teresa told us that Mrs. Arcos had thrown a rag at her for marrying Marcelo.
38:27Apparently, she told him some nonsense.
38:29That's why Mani Mandrago is unique, he knows how to leave a bad body.
38:33And I can't give him the reason, but a girl does have it.
38:36And I admit that I told Teresa that she hadn't expected Tudano to get married so soon.
38:41María, one day you could learn the art of silence.
38:44I prefer the art of speaking. Notice what I tell her, Simona.
38:46You already dominate that.
38:48What did Teresa say?
38:50Well, Teresa said that she hadn't forgotten about Feliciano and that she kept reminding him every day.
38:54Come on, you're even excited to tell him.
38:56Poor thing.
38:58Teresa has a big heart to love so much.
39:00María Fernández.
39:02If I love her, I'll burn her.
39:04But after what happened to Feliciano, it's hard for me to understand his wedding.
39:10And what is it that you don't understand exactly?
39:13That she married that man.
39:15When she keeps saying that she remembers every single day of Feliciano.
39:18At first, I was also surprised.
39:20But come on, she married the one who is alive.
39:22Or did you want her to marry the dead one?
39:24Maybe she didn't get married.
39:26Or maybe she's waiting for another girl.
39:28If you're not in a hurry to get married, it doesn't mean the others don't have her.
39:30Look at how we are with the girls.
39:33Let's see, if Teresa has decided to move on with her life,
39:37I'm sure that marrying this boy has helped her.
39:39Well, yes, because a man can entertain you.
39:41Although there are times when you get bored with a bad thing.
39:44Besides, Feliciano died a long time ago.
39:47I think that Mrs. Margarita expected much less time for Count Dayala to start flirting with her.
39:53You're right about that.
39:54As Red Sardich said,
39:56the widow is not healthy or married or buried or stoned.
40:01Yes, you don't have to get lost.
40:04Time flies.
40:06And the flesh is soft.
40:08Don't tell me that, I stayed.
40:10I was a young widow, I had the flesh.
40:12Of course, that's why it was in everyone's mouth.
40:14But there were three or four vegetables that took an hour and a half to cook.
40:18I couldn't stay quiet.
40:21You stayed quiet.
40:22No, you stayed quiet.
40:24And what did she say?
40:26Remember, once I found her in the market in my town.
40:29I went to her and told her,
40:31because of the death of her husband, the widow lost her love.
40:34And because of the bad tongues, she lost her honor.
40:37But a widow, honest and honest,
40:39does not fit in the mind of people with bad tongues.
40:41What?
40:43They would look good together.
40:45No, no, there was more.
40:47Of course, since they had started, I was not going to stay there.
40:49I told them that if they accused me,
40:50of flirting with one or the other,
40:53it was because that was what they wanted to do.
40:56Seeing how ugly Mario was.
40:58Oh my God, did she say that?
41:00She didn't say anything else because I dragged her out of there,
41:03before they got married.
41:05It would not have been wrong to slap one of them.
41:07Then they tell me that I talk too much.
41:10She doesn't talk too much, she talks as she pleases.
41:13Look, but since that day the rumors are over.
41:15I don't know if they would end,
41:17but they tried not to reach my ears.
41:18To say something else to you?
41:20It's not talking, it's what is said.
41:23Returning to the subject of Teresa,
41:25I am not surprised that she got married.
41:27What surprises me is that she married that man.
41:30Yes, that man does not look like Teresa.
41:32Or doesn't it seem strange to you
41:34that no one has seen you kiss her or make out with her?
41:37That you are just married.
41:39That marriage is stranger than a green dog.
41:41I don't know if they are discreet or not.
41:43Or if they miss you.
41:44Or if they miss you.
42:06Manuel.
42:08Jane.
42:09You are here.
42:11My God.
42:15Jana, are you okay?
42:18I just wanted to be with you.
42:25My love.
42:28You know we're getting married, right?
42:32And whatever happens, you can tell me.
42:39Well, I'm all ears.
42:45Are you going to be late for dinner, Manuel?
43:00They are used to waiting for me.
43:03So don't worry about them.
43:06Tell me.
43:09I'm going to be late for dinner.
43:10So don't worry about them.
43:12Tell me.
43:17It was yesterday.
43:19It was a wonderful day.
43:21Did I do something that ruined it?
43:23No, no, it has nothing to do with that.
43:26It was a wonderful day and I had a lot of fun with you.
43:31I had so much fun that I was not able to tell you something
43:34that I should have told you a long time ago.
43:36Jana, you're giving me a lot of wrinkles.
43:40Tell me anything, I'm not going to be scared.
43:42I wouldn't be so sure.
43:48Okay, now you're worrying me.
43:51What's going on, Jana?
43:55My name is not Jana, Manuel.
44:01The time has come for you to know the truth about me.
44:10I love you.
44:15Julia does not stop talking about the war.
44:17And not only does she talk, but she also asks questions.
44:20And I assure you that it is the last thing I would like to talk about.
44:22I can't believe it.
44:24Well, the next time I bring up the subject, you tell her to stop.
44:26As if that would help.
44:28No, and there is something else that I still don't understand.
44:30Why is she still here?
44:32Maybe it's time to tell her kindly that she has to go.
44:34And she's not going to be calm.
44:36It's going to be me.
44:38Why did I betray her?
44:40And love is such a precious thing that you have to cultivate it.
44:43Yes, I think that too, but ...
44:45But nothing.
44:47What would it do to tell Mr. Marquez? Tell me.
44:49It is my obligation, I must do it.
44:51Do you think we can put this dish in the dining room?
44:53That must have happened to me.
44:55Marcelo, a lot of things happen to you.
44:57I really don't understand how they have hired you,
44:59with how demanding they are with the service.
45:02Hey, you can always learn.
45:04No one does it by looking.
45:06Yes, but to learn you need attitude.
45:08What has it done that bothers you so much?
45:10Let's leave it at that.
45:12No, don't throw the stone and hide your hand.
45:14Tell me.
45:16Lorenzo told me that you want to take the jam business from him
45:18to give it to your little daughter, Catalina.
45:20I haven't made a decision yet, but I'm thinking about it.
45:23Well, look, for once,
45:25it will be better if you continue like this, without making a decision,
45:27as you always do.
45:29Above all, I want to make Catalina happy.
45:31But so far, she has been made a wretch.
45:33Simona will be able to forgive me for the evil I did to her.
45:36Look, think that she is in front of a man who loves her madly
45:38and would do anything for her.
45:40Anything.
45:42Yes, that's what I said.
45:44Okay, come to the kitchen.
45:47I doubt the Marquise swallowed the excuse
45:49that she wanted the cake recipe.
45:51What lady is she interested in cooking?
45:54They are more interested in eating well.
45:56Yes.
45:58Go find out what excuse he gave her to get out of the way.
46:06What are you doing, María Fernández?
46:07Here, patching up the sheets.
46:09Go upstairs and fix the ladies' bedrooms.
46:11They have already gotten up from their nap.
46:13Now?
46:15Of course, now.
46:17You'll patch that up later.
46:19Leave that for a moment and go up to the music room.
46:21Mrs. Marquise is waiting for you.
46:23What about that?
46:24What happened?
46:25Well, she's worried.
46:27Did they do something bad to her?
46:29No, not that we know of,
46:31but whenever Mrs. Marquise calls you upstairs,
46:33it's to throw a rag.
46:35Well, stop speculating and go up at once.
46:37If you don't, you're leaving soon.
46:49And as for the secret,
46:51how long can a very fat secret
46:53that a friend told you keep?