Category
🎥
Short filmTranscript
00:00Tell me exactly what happened.
00:02All I know is that she was run over and is in a coma.
00:06Montse found out by pure chance,
00:08because he was at the clinic when he saw Gabriela's boyfriend arrive
00:11and heard what he was saying to the doctor.
00:13They're all very worried.
00:15They asked me to come tell you so Lorena can locate him.
00:18Bastards.
00:20And now, who are you talking about?
00:22The ones who inculcated the virus.
00:24The ones who inculcated the virus?
00:26Yes.
00:28Who are you talking about?
00:29The ones who inculcated Lorena.
00:31They're the worst.
00:32They're the worst people I've ever met.
00:34Do you think one of them ran over Gabriela?
00:36I don't doubt it.
00:38But please don't tell your friends.
00:40I don't want them to get scared.
00:41Yes, don't worry.
00:43I don't know anything.
00:45And thank you for coming.
00:46I'll make sure to tell Lorena.
00:48Yes.
00:49Is there any way I can send a message
00:51that she's already found out?
00:53So the girls can be more at ease.
00:55Yes, I'll send it to you.
00:58We'll be seeing each other.
01:02Take care.
01:03See you.
01:11Damn it.
01:17Have a good trip.
01:27Bye.
01:36What am I doing here?
01:47Hello, love.
01:48I was just thinking about you.
01:50Lorena.
01:51I didn't want to wake up yet.
01:53I was dreaming that we were together,
01:56I have to tell you something.
01:58I'd love to see one, you know?
01:59They say they see each other in Canada,
02:01Alaska, Norway,
02:03Finland, I think.
02:04Listen to me.
02:05I have to tell you something.
02:07Gabriela is in the hospital.
02:10What?
02:12What happened to her?
02:13She was run over.
02:15Tell me it's nothing serious.
02:17Tell me she's going to be okay.
02:18All I know is that she's in a coma.
02:20What?
02:22No.
02:24No.
02:27Lorena.
02:30Lorena, are you okay?
02:32No.
02:34I can't believe...
02:36I can't believe what I'm seeing.
02:40Tell me what happened.
02:42I don't know exactly.
02:44Eric came to ask me to let you know.
02:47Monce found Vicente at the clinic where they took her
02:49and heard everything.
02:51Why is she in a coma?
02:52I have no idea.
02:53I'm going to that clinic to find out.
02:54But first, I wanted to talk to you.
02:56I want to go back to Mexico right now.
02:57I want to be with her.
02:58Don't even think about it.
02:59It's too risky.
03:00I don't care.
03:02I need to see my sister.
03:03I understand how you feel.
03:05But it's best if you stay there.
03:07Anyway, you can't go in to see her while you're here.
03:10As soon as I hang up with you,
03:11I'm going to that clinic.
03:12I'm going to call you back.
03:13Okay?
03:14Okay.
03:16Don't worry, honey.
03:22I love you.
03:25Don't leave me, please.
03:30Don't leave me.
03:35What a shame.
03:36I hope she recovers soon.
03:38Let's hope so.
03:39And that her youth helps her get through this.
03:42If she dies, it's going to be horrible for Lorena.
03:44Just imagine.
03:45Monce, please.
03:46Don't say those things.
03:48Why are you always so careless?
03:50What I'm saying could be a possibility.
03:52They don't want to hear it.
03:53It's something else.
03:54That's enough!
03:55One more comment and I'll kick you out of the room.
03:59You'll see that,
04:00in less than what you imagine,
04:01she's going to get better.
04:03Months can pass.
04:05And when she wakes up,
04:06we don't know what consequences she could have.
04:08Don't get ahead of yourself.
04:09Gabriela is strong.
04:11And I understand that you're distressed,
04:12but you hurt yourself
04:13thinking about the worst possible scenario.
04:17You're right.
04:19I'm sorry, but I can't think of anything else.
04:21I imagine you haven't eaten anything.
04:23Let's go, it's getting late.
04:24No, no, no.
04:25I'm not hungry, thank you.
04:27Then let's go get some coffee.
04:29Come on.
04:30Come on.
04:34Do you know anything about Florencia?
04:36Yes, she left a while ago.
04:38She told me she was going to the hospital
04:39because they ran over Gabriela.
04:40What?
04:41Yes.
04:42She didn't tell me anything else
04:43and she left in a hurry.
04:52Florencia, I just found out
04:54that they ran over Gabriela.
04:55How is she?
04:57She was hit very hard in the head.
04:58She's in a coma.
05:00That's terrible.
05:02Where is she?
05:03At Clinic 28.
05:05I'm on my way.
05:15What's wrong?
05:17Why are you crying?
05:18They just told me that my sister had an accident
05:20and she's in a coma.
05:22Oh my God.
05:24I'm so sorry.
05:26What happened?
05:29They ran over her.
05:31Oh my God.
05:33Look, it's better if you go rest
05:36so you can be calm, okay?
05:38But...
05:39No, don't worry about work.
05:40I'll take care of it.
05:48You'll see that your sister will recover
05:50and that everything will be fine.
05:53Come on, go.
05:54I love you.
05:59Why did you leave earlier than Gabriela?
06:02Where did you go?
06:03I had an appointment with the director of a foundation.
06:05I'm looking for help for the mother
06:07of one of the children in the orphanage.
06:09What?
06:10I thought all the children in those houses were orphans.
06:13Not always.
06:15There are also many abandoned children
06:16and Teo's case is one of them.
06:19The only thing we know is that he was picked up in La Saladita.
06:23I asked Ismael to support me with a couple of agents
06:26so I wouldn't go alone.
06:28Didn't he tell you anything?
06:29He hasn't told me anything in a long time.
06:32In fact,
06:34last night we decided to separate.
06:37I don't live with him anymore.
06:39I'm sorry to say it like that, but that's good.
06:41I couldn't understand how you were with him
06:43after he cheated on you.
06:49Princess!
06:52What happened?
06:55Were you crying?
07:00Did you go to see your mom?
07:02Did you talk to her? What did she say?
07:05No.
07:06I went to the house where she works,
07:07but I didn't dare to go near her.
07:09Why?
07:11Because I'm afraid she'll reject me.
07:14Oh, princess.
07:17I can't stand it.
07:19If you don't try, you won't know if she forgave you.
07:24No, I don't think she did.
07:26She never went to see me in prison.
07:27She's ashamed of me.
07:29No, time passed.
07:31She's finally your mom.
07:33A mother doesn't report her daughter,
07:35no matter how much of a criminal she is.
07:37I don't know.
07:38You have to tell her you're sorry for what you did.
07:41Tell her you're someone else.
07:43I don't think she cares.
07:48What are you going to do?
07:50Nothing.
07:51I'm not going to look for her anymore.
07:53I'm sure she still hates me.
07:57I still thank you very much
07:59for finding the address where she works.
08:02For you, my princess.
08:04Whatever.
08:06I have to tell you something.
08:08Lorena's sister was run over.
08:10I don't love her.
08:12She's at Clinic 28.
08:13Montse called me to let me know.
08:17Let's go.
08:29Eric just told me about Gabriela.
08:32What did Alejandro tell you?
08:33That he's going to let Lorena know.
08:35It's going to be very hard for her to receive this news
08:37being so far away without having anyone to support her.
08:41How would she like to be by her side?
08:43She's going to be devastated.
08:45Gabriela is the only family she has.
08:48Why?
08:49Why does life have to be so hard on her?
08:52It's not fair.
08:53You'll see that God is not going to abandon her.
08:55Right now is when I value the most that we are together.
08:58At least we have each other.
09:02Not like Lorena, who is alone.
09:07Oh my God.
09:09Every day.
09:30Why you, Gabriela? Why you?
09:37Why you?
09:56News.
09:58An anonymous call reported that they saw Genoveva Vasquez in Colima.
10:02I already talked to our informant and he's following the trail.
10:05Keep me informed.
10:07This is the home of the house where Lizeth Parra's mother lives.
10:10I sent him to investigate.
10:11Very good.
10:12We are moving forward.
10:22Did you know that Lorena Martinez was a lover of prosecutor Dominguez?
10:29Did you know?
10:32I don't understand what has to do one thing with the other.
10:35Please.
10:37If prosecutor Dominguez had a relationship with the hammer,
10:40it is very likely that he is protecting her.
10:43You yourself have told me that we should not mix work with personal.
10:46Ask yourself why we have not been able to capture her.
10:50The prosecutor has not mixed things.
10:53So much so that he has done everything within his reach to catch her.
10:58As for mixing work with personal,
11:00the one who is free of sin throws the first stone.
11:06It's good that we have each other.
11:09Yes.
11:10Yes.
11:11As Lizeth says, in these moments is when you value more.
11:15I've been thinking that the best thing is not to go.
11:19Stay.
11:21If we are together, we will be fine, no matter what happens.
11:26But what if they discover us in Superior?
11:28Well, we all go back to jail.
11:31I blame myself for lying to Darío and I blame myself for covering them up.
11:37You are like my daughters, Superior.
11:44You are also like a mother to us.
11:48But sooner or later, we're going to have to go.
11:53I know.
11:54I just want you to know that there is no hurry.
11:58Thank you, Superior.
12:00Without you, I would have been one of us.
12:03Thank you very much for letting us stay.
12:06Well, I'm going to start cooking to see if the stress is removed.
12:12I can't stop thinking about what Lorena must be suffering.
12:15I'm going to buy tacos so they can have dinner before I start working.
12:20Yes?
12:21Yes.
12:31Marcela, forgive me, but I'm going to have to go back to Mexico.
12:35I won't be able to stay as we had agreed.
12:38Why? Did something happen?
12:40My sister had an accident.
12:42It's very serious.
12:44I'm so sorry.
12:46How are you going to go?
12:48By bus.
12:49But the trip is very long. Why don't you go by plane?
12:52No, I checked the flights and there are no tickets available until the day after tomorrow.
12:56I have to go today.
12:58Where is the bus station?
13:00I'll take you.
13:01Yes?
13:02Yes, of course. Let's go.
13:03Thank you very much.
13:04Yes, yes, yes.
13:08Miss, can you give me a report on Gabriela Martinez, please?
13:13The patient is in intensive care.
13:17Therapy?
13:27Florencia, what happened?
13:30Nothing, I'm here in the waiting room. Where are you?
13:34Okay, I'm on my way.
13:38Excuse me, the cafeteria.
13:40You can go up there.
13:50Good afternoon.
13:51Good afternoon.
13:52Can I give you a report on the state of patient Gabriela Martinez?
13:55Is he your relative?
13:56Yes, I'm his uncle.
13:58The patient is in intensive care.
14:01If you like, I can call the doctor to give you a report.
14:04Yes, I will appreciate it.
14:09Doctor?
14:11Is the uncle of patient Gabriela Martinez here?
14:15Yes, doctor.
14:16Yes, doctor.
14:18He'll be here in a moment.
14:29The uncle of patient Gabriela Martinez?
14:31Yes, yes, it's me.
14:32I'm Dr. Tejada, a guard doctor.
14:35Nice to meet you, doctor.
14:36How is my niece?
14:38Well, she suffered a very strong blow to the head.
14:41Unfortunately, she is in a coma.
14:43At the moment, there are no signs of any change.
14:49Son, the lady from the reports told me that Gabriela is in intensive care.
14:55Is she that serious?
14:57Yes, she was run over and is in a coma.
15:03What a disgrace.
15:13What a disgrace.
15:14What a disgrace.
15:15What a disgrace.
15:16What a disgrace.
15:17What a disgrace.
15:18What a disgrace.
15:19What a disgrace.
15:20What a disgrace.
15:21What a disgrace.
15:22What a disgrace.
15:23What a disgrace.
15:24What a disgrace.
15:25What a disgrace.
15:26What a disgrace.
15:27What a disgrace.
15:28What a disgrace.
15:29What a disgrace.
15:30What a disgrace.
15:31What a disgrace.
15:32What a disgrace.
15:33What a disgrace.
15:34What a disgrace.
15:35What a disgrace.
15:36What a disgrace.
15:37What a disgrace.
15:38What a disgrace.
15:39What a disgrace.
15:40What a disgrace.
15:41What a disgrace.
15:42What a disgrace.
15:43What a disgrace.
15:44What a disgrace.
15:45What a disgrace.
15:46What a disgrace.
15:47What a disgrace.
15:48What a disgrace.
15:49What a disgrace.
15:50What a disgrace.
15:51What a disgrace.
15:52What a disgrace.
15:53What a disgrace.
15:54What a disgrace.
15:55What a disgrace.
15:56What a disgrace.
15:57What a disgrace.
15:58What a disgrace.
15:59What a disgrace.
16:00What a disgrace.
16:01What a disgrace.
16:02What a disgrace.
16:03What a disgrace.
16:04What a disgrace.
16:05What a disgrace.
16:06What a disgrace.
16:07What a disgrace.
16:08What a disgrace.
16:09What a disgrace.
16:10What a disgrace.
16:11What a disgrace.
16:12What a disgrace.
16:13What a disgrace.
16:14What a disgrace.
16:15What a disgrace.
16:16What a disgrace.
16:17What a disgrace.
16:18What a disgrace.
16:19What a disgrace.
16:20What a disgrace.
16:21What a disgrace.
16:22What a disgrace.
16:23What a disgrace.
16:24What a disgrace.
16:25What a disgrace.
16:26What a disgrace.
16:27What a disgrace.
16:28What a disgrace.
16:29What a disgrace.
16:30What a disgrace.
16:31What a disgrace.
16:32What a disgrace.
16:33What a disgrace.
16:34What a disgrace.
16:35What a disgrace.
16:36What a disgrace.
16:37What a disgrace.
16:38What a disgrace.
16:39What a disgrace.
16:41What is it, Alex?
16:44We need to meet up now.
16:45Why?
16:46I'll explain later.
16:47Could you to the Violetta in about 20 minutes?
16:50Yeah, sure.
16:51I'll just be down.
17:10Aguas, my grandma is coming.
17:12You know what?
17:14See you in a bit.
17:17What's up, Grandma?
17:19What did you buy?
17:21Some cigarettes.
17:22But I saw you smoking
17:23and I really wanted to have a cigarette with you.
17:28Give me one.
17:30I don't have any. Sebastian took them.
17:32Let's buy some so I don't stay hungry.
17:36Come on, let's go.
17:38Let's go, let's go, let's go.
17:39Come on, let's go.
17:50Marce, thank you so much for bringing me here.
17:52Don't mention it.
17:53I hope your sister gets better soon.
17:55I hope so.
17:57Hey, really, I'm sorry about Ana.
17:59I'm so sorry to leave her job like this.
18:01Don't worry, I'll explain.
18:02But please keep me informed.
18:04And you know that when you want to come back,
18:06this is your house.
18:07Have a good trip.
18:21Do you want me to call a doctor I trust
18:23so he can give us another opinion?
18:25No, no, no, thank you.
18:27I know she's well taken care of here
18:28and I fully trust what the doctor said.
18:30Okay.
18:31But I think it might be convenient
18:33if she's transferred to a private hospital.
18:35You don't know if she has medical insurance.
18:37No, she doesn't.
18:39If you want her to be transferred, you'd have to pay for it.
18:41No, no, I'm sure she'll be well taken care of here.
18:44Besides, all the doctors who treat in private hospitals
18:47also do it in public.
18:48If you know, then why are you telling me
18:50it would be convenient to transfer her to a private hospital?
18:53It was just a thought out loud, son.
18:55Please don't get involved in that plan.
18:57If you're not going to say anything important,
18:59you'd better shut up.
19:00What's wrong with you, please?
19:02I'm here for you.
19:03So that you can feel accompanied by your family.
19:05So please don't talk to me like that.
19:07Dad, enough.
19:08It's not the time to argue.
19:10I just got on a bus to Mexico.
19:13I'm on my way.
19:19Can you explain to me what's going on, Alejandro?
19:23Remember I told you about the guy who threatened me at my house?
19:26Telling me I had to drop the case.
19:28How can I not remember?
19:30I've had a lot of problems since that day.
19:32I've had a lot of problems.
19:33I've had a lot of problems.
19:34I've had a lot of problems.
19:35I've had a lot of problems.
19:36I've had a lot of problems.
19:37I've had a lot of problems.
19:38I've had a lot of problems.
19:39I've had a lot of problems.
19:41I've been very careful since that day.
19:42He ran over Gabriela, he's in a coma.
19:45And something tells me that that fool was the one who did it.
19:47Oh, my God.
19:49He asked me to drop the case and that's what I did.
19:52But the unfortunate guy didn't keep his word.
19:54We have to find that guy.
19:56Yes, of course.
19:57I need you to give me more details of him.
20:05This girl is impressive.
20:07Boss.
20:09They're looking for you.
20:10Who?
20:11Yomera.
20:13Perla Maria Zumbado.
20:16That's a surprise.
20:18You're returning the money you stole from me?
20:21No, I never stole anything from you.
20:23I paid you what you owed me.
20:25You're so generous.
20:27What brings you here?
20:29I need to get back to work.
20:30You're shameless.
20:33Leave us alone.
20:37Can you help me or not?
20:39What happened to you?
20:40You left because you were going to be better off elsewhere?
20:44I was.
20:46I had a great relationship with a man who loved me very much.
20:51Why did you leave him?
20:53Frida dumped him.
20:55Frida Segovia?
20:57She's still alive?
21:00Why do you say that?
21:01You didn't know? She's very sick.
21:03I thought she was dead.
21:09♪♪♪
21:19-♪♪♪
21:29-♪♪♪
21:39-♪♪♪
21:49Un regalito.
21:51Ábrelo.
21:54Mmm.
21:56-♪♪♪
22:01-♪♪♪
22:08Gracias.
22:10-♪♪♪
22:15-♪♪♪
22:20-♪♪♪
22:25-♪♪♪
22:30Ay, qué buena noticia.
22:32Para ti sí, porque no le va a dar un gustito a tu ex.
22:36Y ahí voy a estar yo, ¿verdad? Pues para consolarlo.
22:40Entonces, ¿qué? ¿Me vas a dar trabajo?
22:42Te lo doy.
22:44No hay nadie como tú para el tubo.
22:47Sí, pero es que no había pensado
22:48volver a trabajar en el tubo.
22:50Es que no estoy segura de tener, pues, ya sabes,
22:52la misma condición.
22:54Pues yo no te veo como para otra cosa.
22:57Ay, pero si en el bar de mi ex era cajera.
22:59Soy buenísima para la administración, las cuentas.
23:02No, no, no, mi reina.
23:04La caja no se la confío a nadie.
23:08Si quieres trabajo, ahí está el tubo.
23:10No hay más.
23:12Es que ya no soy la misma de antes.
23:14Ya no, como que...
23:16Tubo o nada.
23:18Lo tomas o lo dejas.
23:21Está bien, ni modo.
23:24¿Cuándo puedo empezar?
23:27Hoy mismo si quieres.
23:29Ya sabes, vístete, lucidora.
23:32¿Todavía estás de buen ver?
23:35El que no enseña, no vende.
23:43Alejandro, si supiéramos su nombre, algún apodo,
23:46sería más fácil rastrearlo.
23:48¿Cómo saberlo?
23:50Seguramente debe tener antecedentes penales.
23:53¿Crees que puedas reconocerlo?
23:54Sí, por supuesto, se me quedó muy grabada su cara.
23:57Mira, te lo puedo dibujar.
23:58A ver, sí, sí, sí.
24:01A ver, sí, sí.
24:05Una nariz así.
24:07Recuerdo de sus ojos.
24:10Más o menos...
24:13Más o menos así.
24:16Pues no es mucho, pero voy a intentar entrar
24:18al registro de todos los delincuentes
24:20que están fichados.
24:22Con estas señas que tú me estás dando,
24:23quizás podríamos identificarlo.
24:26Sería excelente.
24:27Oye, pero deberías de levantar una denuncia,
24:29digo, para que quede el antecedente.
24:32Ándale, vamos, yo te acompaño.
24:34Bueno, está bien, tiene razón.
24:36Vamos.
24:40Cecilia, qué gusto.
24:42¿Cómo seguiste?
24:43Bien, muy bien.
24:45Estoy como nuevo.
24:46Gracias, pero muy apenado contigo.
24:48Ay, no, no, ya ni me digas, fue una emergencia.
24:51Sí, pero en lugar de que pasáramos un rato agradable,
24:54tuviste que llevarme al hospital.
24:56Si me hubiera pasado a mí,
24:57hubieras hecho lo mismo, ¿o no?
24:59Pues sí.
25:00Pues ya está, no se hable más del tema.
25:03Me gustaría invitarte al teatro para convencerte.
25:06¿Te gustaría?
25:08¿De noche?
25:09Sí, claro.
25:11Podemos ir a la función de las ocho.
25:13Me encantaría,
25:14pero es que en las noches me es imposible.
25:17Tengo un paciente al que cuido por las noches.
25:21¿Y no tienes un día libre?
25:24No, por ahora no.
25:26Qué trabajo tan esclavizante, ¿eh?
25:29No lo siento así, la verdad es muy gratificante.
25:32Y uno se encariña con los pacientes.
25:35Si tú lo dices.
25:36Bueno, te llamo mañana para ver
25:37qué podemos hacer durante el día, ¿okay?
25:40Sí, está bien.
25:41Hasta mañana.
25:46¿De qué paciente hablas?
25:49No hay tal, es un invento.
25:51Le dije a Facundo que era terapista.
25:54No, que le diga que soy mesera y que trabajo en las noches.
25:57¿Y no pudiste elegir otra profesión?
25:59Tuve sangre y te desmayas.
26:01Ay, no, fue lo primero que se me ocurrió.
26:07Agarra uno.
26:09Eh, no sé.
26:12Ándale.
26:13Si ambos fumamos,
26:16qué mejor que hacerlo juntos.
26:22Mmm.
26:24Ay.
26:26Ay, Dios, ya no me acordaba cómo raspar la garganta, ¿eh?
26:30Mmm.
26:32No sabía que te gustaba fumar.
26:34Antes de entrar a la cárcel lo hacía,
26:36pero lo dejé porque en el reclusorio
26:38sale muy caro el vicio.
26:40Mmm.
26:41Una cajetilla vale...
26:46¿Y tú llevas mucho fumando?
26:48No, es mi primera vez.
26:51¿Y te gustó?
26:53Pues, no sé cómo es el primero.
26:56¿Y tienes ganas de volver a fumar?
26:59La verdad que no, me da igual.
27:02A mí también.
27:05Pero fúmale, fúmale.
27:07Mmm.
27:09Se te va a consumir en los dedos.
27:13Mejor no.
27:15¿Por qué no?
27:16¿Para qué?
27:19Entonces, yo también lo apago.
27:25Muy bien.
27:27Ahora, levántalos y tíralos ahí.
27:37Bonilla me dijo que encontraron a la madre del niño.
27:40¿Qué pasó?
27:42Bonilla me dijo que encontraron a la madre del niño.
27:45¿Qué piensas hacer?
27:46Estoy buscando una fundación
27:47para que me ayuden a rehabilitarla.
27:49Pero no te hablaba por eso.
27:52Hoy...
27:53Hoy en la mañana atropellaron a Gabriela.
27:56Y el tipo y yo.
27:57Necesito que me ayudes a encontrarlo
27:58para que pague por lo que hizo.
28:00Claro que sí, pero antes de que me des cualquier dato,
28:02¿cómo está Gabriela?
28:03Mal, recibió un golpe muy fuerte en la cabeza
28:05y entró en coma.
28:06¿En coma?
28:07Sí.
28:08Por favor, necesito que me ayudes a encontrar
28:10al impeliz que la atropelló.
28:11¿Tienes las placas del coche?
28:13No, no tengo ni el modelo, ni la marca.
28:15No estaba con ella cuando sucedió.
28:17¿Sabes dónde la atropellaron?
28:18Si hay cámaras del C5, podría solicitar las imágenes.
28:21En la esquina donde vive.
28:23Calle Comercio con Agrarismo.
28:25Perfecto, con eso es suficiente.
28:26¿Dónde está internada?
28:27La clínica 28, la que está por prolongación.
28:30Ahí.
28:32Hablé con las muchachas.
28:34Les dije que se podían quedar el tiempo que ellas necesiten.
28:37¿De veras?
28:38Sí, pero no te emociones.
28:40En algún momento se tienen que ir, son prófugas.
28:43¿Se lo van a decir a mi papá?
28:44Ay, sí, no me meto.
28:46Esa es decisión de ellas.
28:48Estoy seguro que mi papá las va a comprender.
28:51Ya sabrán qué hacer.
28:52Yo les dije que si la policía las llegara a encontrar,
28:55me voy a responsabilizar de haberlas encubierto
28:58para que tu papá no se vea involucrado.
29:00Eso no va a pasar.
29:02Ojalá, pero si llega a suceder,
29:04no quiero que a tu papá le pase nada.
29:06Yo lo que quiero es que nadie regrese a la cárcel,
29:08ni las muchachas ni tú.
29:11Esperemos que no.
29:13Por eso solamente Diosito lo sabe.
29:18Si crees que ese tipo trabaja para Arturo Márquez,
29:21¿por qué no se lo dijiste al Ministerio Público?
29:23Porque sería ponerlo sobre aviso.
29:25Y conociéndolo, es capaz de mandarlo a desaparecer.
29:28Oye, ¿y qué tal si intento intervenir
29:31el celular de Márquez?
29:32Claro.
29:34¿Cómo no se me había ocurrido?
29:36Si en algún momento el matón se pone en contacto con él,
29:38¿tú vas a poder obtener su ubicación?
29:40Es que eres un genio.
29:42Oye, pero no cantenos victoria, ¿eh?
29:43Porque intervenir en el teléfono no es cosa fácil.
29:47No sé, tenemos que tener mucho cuidado.
29:50Sí, ¿tienes el número del celular de Márquez?
29:52Sí.
29:53Te mando el contacto.
29:54Ajá.
29:56Ahí está.
29:57Lo tengo, ajá.
29:59En cuanto tenga alguna noticia, yo te aviso.
30:01Recuerda que cuando se trate de todo lo relacionado
30:03con el caso de Lorena,
30:05me tienes que marcar al celular de Guatemala.
30:07Sí, lo tengo presente.
30:08Bien, estamos en contacto.
30:11Cuídate, ¿eh?
30:12Gracias, igual.
30:16Ya es la hora de la visita.
30:18Voy a entrar a verla.
30:19Aquí te esperamos.
30:26Por favor, dime que tú no tuviste nada que ver
30:28con lo que le pasó a Gabriela.
30:30¿Cómo se te ocurre?
30:32Por supuesto que no.
30:34Aunque esa muchachita no es muy de mi agrado,
30:36yo no sería incapaz de hacer algo que afectara a tu hermano.
30:39Es que eso no hace...
30:40¡Pero nada!
30:42Me estás ofendiendo con tus preguntas.
30:47Voy por un café.
30:49¿Qué pasó?
31:08Aquí estoy, mi amor.
31:12No sabes lo que me vale verte así.
31:15Pero confío en que vas a salir de esta.
31:20Yo voy a estar a tu lado siempre.
31:23No pienso moverme dure lo que dure de esta pesadilla.
31:31O me gustaría saber dónde anda esa cabecita.
31:35Lía contigo hasta allá sin importarme nada.
31:39¿Qué pasa?
31:44Quiero que me vuelvas a sonreír.
31:47¿No sabes lo que daría por volver a ver
31:50esa sonrisa que me ha hecho tan feliz?
31:58¿Te acuerdas de aquel día en que te conocí?
32:02Estabas esperando el camión y te dije si te daba un aventón.
32:06No querías.
32:09Pero ven, necio, cuando por fin aceptaste
32:14y te subiste al coche, sonreíste de tal modo
32:17que me enamoré de ti de inmediato.
32:21Desde ese día, tu sonrisa me llenó el alma.
32:27Mi amor, me muero de ganas de abrazarte.
32:40Tienes que regresar pronto, por favor.
32:44Quiero que vuelvas a nuestra vida cotidiana
32:46que me hace tan feliz.
32:49Volver a ayudarte a estudiar, prepararte el hacer,
32:54ver una película y que te quedes dormida en mis brazos.
32:59Amo la vida que fuimos construyendo juntos, amor.
33:03Sigue luchando, por favor.
33:06Tienes una vida por delante y muchas cosas que hacer.
33:10Muchos sueños por cumplir.
33:14Regresa, por favor.
33:17Regresa, te lo ruego.
33:34Superiora.
33:36Dime.
33:38Quiero pedirle una disculpa por la discusión
33:40que tuvimos el otro día.
33:42Me puse en un mal plan, perdóneme.
33:46Yo sé que nada me justifica, pero es que el estrés
33:49me rebasó, tenía mucho miedo de lo que nos pueda pasar
33:52cuando dejemos esta casa.
33:54Tranquila, estás disculpada.
33:58Muchas gracias por entenderme.
34:00¿Cómo no te voy a entender?
34:02Si me doy cuenta de lo que significa
34:04que se queden desprotegidas.
34:06Afuera es aún mucho más peligroso
34:08a que se quedan aquí.
34:10Pues sí, aunque tratemos de pensar que nuestro plan
34:12de ir a Brasil nos va a cambiar la vida,
34:14pues es que todo es tan incierto.
34:17Ya veremos qué pasa.
34:19Por lo pronto se pueden quedar.
34:22Eso no me hablé de su parte, que se haya retractado.
34:25Entre dejarlas en la calle y correr el riesgo,
34:28preferí lo último.
34:30¿Quiere que le ayude con los platos?
34:32No, no, tienes que irte a arreglar
34:34para empezar a trabajar, ¿no?
34:36Sí, pero puedo hacer las dos cosas.
34:38No, vete a arreglar, ya casi acabo.
34:40Está bien.
34:42A pesar de que a veces soy testaruda y contestona,
34:45la quiero mucho, superiora.
34:48Yo también.
34:54Ya vete a arreglar.
35:01¿Cómo está?
35:03Igual.
35:05Es como si estuviera dormida.
35:09¿Hasta cuándo va a durar esto?
35:15Buenas noches.
35:17¿Tú qué haces aquí?
35:19Vine a acompañar a Vicente y saber cómo está Gabriela.
35:22¿Cómo está Gabriela?
35:24Bien, ¿y tú?
35:26Bien.
35:28¿Cómo está Gabriela?
35:30Sigue en coma.
35:32¿Qué te dice el doctor?
35:35Que no puede determinar cuándo va a reaccionar.
35:37Puede tardar días, meses, semanas.
35:40Lo siento mucho.
35:42Ya pedí que revisaran las cámaras del C5.
35:45Si hay cámaras en el lugar,
35:47ojalá y se alcancen a ver las placas.
35:49Con eso sería suficiente para encontrar al responsable.
35:51¿Y de qué se le puede culpar?
35:53Atropellar a alguien causándole heridas importantes
35:55y huir es un delito grave.
35:57No puede encontrarlo, por favor.
35:59Tiene que pagar por lo que le hizo a Gabriela.
36:01Cuenta con eso.
36:09¿Supiste algo de Gabriela?
36:11Fui al hospital.
36:13La señorita que me dio informes me confirmó que está en coma.
36:18¿Pudiste verla?
36:20No.
36:22El doctor que me atendió me dijo
36:24que recibió un golpe muy fuerte en la cabeza.
36:27Que estaba en terapia intensiva.
36:30Cuando llegué, vi a Arturo Márquez
36:32y evité que me viera.
36:35En estos momentos, ya debe estar enterado
36:37de que supuestamente dejé tu caso.
36:40Pero sí iba a preguntar qué hacía allí
36:42y eso no nos conviene.
36:44¿A dónde está mi hermana?
36:46Supongo que a darle apoyo a Vicente.
36:48Escuché que le marcó a Florencia
36:50preguntándole dónde estaban y fue a buscarlos.
36:52Entonces, ¿Vicente está con ella?
36:54Así es.
36:57Parece que el amor que siente por ella es genuino.
36:59La querrá mucho, pero no deja de ser quien es.
37:02Olvídate de eso.
37:04Ahora, lo único que importa
37:06es que Gabriela salga del coma.
37:08Tienes razón.
37:10¿Por qué decidiste regresar?
37:12Habíamos quedado que no lo ibas a hacer.
37:15Lo sé, pero es mi hermana.
37:17No puedo estar tan lejos de ella.
37:19Entiendo.
37:21Pero, por favor, ten mucho cuidado
37:23cuando regreses a la ciudad.
37:25Trata de pasar desapercibida, ¿sí?
37:27No te preocupes.
37:29En cuanto llegue a México, te llamo, ¿sí?
37:31Te amo.
37:45Yo me voy.
37:47Solo vine a reiterarte mi apoyo
37:49y que cuentas conmigo para lo que sea.
37:51Gracias.
37:53Cualquier novedad del C-5 te aviso, ¿sí?
37:56Buenas noches.
38:00Eres un descarado.
38:02¿A qué viniste tanto? ¿Te preocupa la hermana de tu amante?
38:04Ay, por favor, Florencia, no seas infantil.
38:06Con tu comentario solo me confirmas
38:08que la decisión que tomé fue la correcta.
38:19Ya me voy.
38:21¿A dónde vas?
38:23A hacerme los famosos estudios que me mandó a hacer el doctor.
38:25Yo no estoy con muchas ganas.
38:27Puro parder el tiempo.
38:29No resongues. Siempre es mejor estar segura.
38:31Pues sí.
38:33Ya me voy, que tengo que ir en ayunas.
38:35¿No quieres que te acompañe? Me he visto rápido.
38:37No, gracias. No es necesario.
38:39Nos vemos.
38:42¿Qué pasó?
38:44No dormí nada.
38:46Pero por fin lo logré.
38:48Pude intervenir el celular de Márquez.
38:50Eres única.
38:52Me apasiona lo que hago.
38:54Me instalé un programa para que se grabe
38:56todas las llamadas que reciba y que haga.
38:58Si encuentro algo de importancia,
39:00me lo pongo en contacto.
39:02¿Y tú?
39:04¿Y tú?
39:06¿Y tú?
39:08¿Y tú?
39:11Si encuentro algo que me llame la atención,
39:13te aviso de inmediato.
39:15Perfecto. Estamos en contacto.
39:17Oye, gracias.
39:19Ya te debo muchas.
39:21Ya te va a salir caro, ¿eh?
39:23Cuídate.
39:25Igual.
39:40¿Qué tenemos para hoy?
39:42Nosotros nada.
39:44Bonilla y Soto fueron a buscar a la mamá de Lizette Parra
39:46en el domicilio que obtuvimos.
39:48Perdón. No sabía que estaba aquí.
39:50No te preocupes.
39:53Necesito que me hagas un favor.
39:55Es que tengo que salir a una comisión.
39:57Claro. ¿De qué se trata?
39:59Llegaron las imágenes de las cámaras que me pidió
40:01el fiscal Domínguez que pidiera al C-5.
40:03Se las puedes integrar cuando quieras.
40:05No, no, no.
40:07No, no, no.
40:09¿Se las puedes integrar cuando llegue?
40:11Sí, se las doy.
40:13Gracias.
40:15Imágenes del C-5.
40:17¿Y de qué son?
40:21Atropellamiento
40:23Gabriela Martínez Aceves.
40:25Así se llama
40:27la hermana de la martillo.
40:31Es ella.
40:33¿Y por qué Ismael está investigando
40:35que hayan atropellado la hermana de la martillo?
40:38No tengo idea.
40:40Te digo que qué gato encerrado.
40:45La fiscalía asegura que no parará
40:47hasta detener
40:49a todas las prófugas que se fugaron
40:51del penal de Santiago
40:53en la noche del año nuevo.
40:55De las 34 que se fugaron,
40:57solamente falta por detener a 14.
40:59A ver si las encuentro.
41:01Ay, no va a pasar. Por favor.
41:03Hasta crece.
41:05Aquí están los reportes.
41:07A ver si encuentro las noticias.
41:09¿Qué es lo que está tardando?
41:11¿Qué es lo que está tardando?
41:13Su taxi.
41:15Gracias.
41:17Por favor.
41:19La señora tiene que estar suave.
41:23Buenos días.
41:25Hola, hijo. Ya está listo el desayuno.
41:27Gracias. ¿Y Estrella?
41:29Salió temprano a hacerse los estudios
41:31que le mandó el doctor.
41:33Qué raro. Yo la iba a acompañar.
41:35Me dijo que no era necesario.
41:37Siéntate. Te sirvo.
41:45Sí.
41:47Oiga.
41:49Su cara se me hace conocida.
41:51Pero por más que le pienso,
41:53no me acuerdo bien de dónde.
41:55Me debe estar confundiendo.
41:57No, no. Estoy seguro que la he visto en otro lado.
42:00Oiga.
42:02¿Usted no es artista?
42:04No, no, no.
42:06Ah, caray.
42:08Entonces, ¿quién sabe de dónde?
42:10No sé. Le digo que me debe estar confundiendo.
42:12Sí, seguramente.
42:28Querida Frida.
42:30No, por favor, ya. Ya no quiero más guerra.
42:32Tranquila. Vengo en son de paz.
42:34Qué bueno, porque no tiene caso seguir peleándonos.
42:36No.
42:38Yo nunca le voy a decir a Darío que eres casada
42:40ni que fuiste a bailar en Exótica
42:42y nada de tu pasado si nos mantenemos en paz.
42:44Tienes toda la razón.
42:46¿Para qué seguirnos peleando a Darío
42:48cuando tú no tienes nada que ofrecerle?
42:52¿Por qué lo dices?
42:54Porque conozco tu secreto.
42:56Y ya sé que te estás muriendo.
42:58¿Cuánto tiempo te queda de vida?
43:02Te quiero mucho, pero lo primero
43:04siempre será mi libertad, mi juego.
43:06Amo el peligro y enfrento mis miedos.
43:09La adrenalina que me enciende el fuego.
43:11Te quiero mucho,
43:13pero no me muero.
43:15Objectiva.
43:17No soy perfecta, no soy leyenda.
43:19Tampoco soy lo que la gente inventa.