Fugitivas - Capitulo 36
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00:00If he gets close to us again, I'm going to report him to the police for harassment.
00:09What are you talking about? My only intention is to help you.
00:13Don't come at me with that. All you care about is helping your client.
00:18I understand that what is happening to that woman is terrible, but my brother is first.
00:23Tell me, who is the person who has threatened you? Is it Arturo Marquez?
00:27I'm not going to say anything.
00:29That man has done a lot of damage. Help me stop him.
00:32Don't insist. Please go away. Get away from us.
00:37Don't you realize that you are also at risk?
00:40Those people are not going to stop. They are capable of anything as long as they don't let loose.
00:46Look, if you help me, I have some savings that I can give you so you can go away from here.
00:52Understand, this is not a matter of money. Do you think my brother's life has a price?
00:58No, don't get me wrong. I didn't mean that. I want to protect you and for justice to be done.
01:04I already told you no. If you come near me again, I'm going to report you. Leave us alone.
01:11What are you doing?
01:26What's wrong with you?
01:28I decided to break up with Carmen. She's leaving the house today.
01:31Why?
01:32Things between her and me have not been good for a while. She did unforgivable things to me.
01:37I can't continue with her anymore.
01:39Do you still love her?
01:40No, not anymore. I lost all the affection I had for her.
01:44Then you do good by breaking up. When love is over, there is nothing more to do.
01:49If you want, I can take care of the work she did.
01:52Okay, I appreciate it.
01:55Does Matias know?
01:56Yes, I told him this morning.
01:58And how did he take it?
02:00He gave her the same. He has no special appreciation for her. He even told me that we were going to be better without her.
02:07Thank goodness. I would not like to suffer another loss.
02:10How are things between you?
02:12I think better.
02:14Last night he went down to dinner. He sat at the table instead of taking his food to the room.
02:19He didn't care that I was here.
02:21He didn't tell me the word, but it's something.
02:24Of course. I'm sure sooner or later he's going to win his heart.
02:29It's a matter of patience.
02:31For my grandson, all the patience in the world.
02:37I need to talk to you urgently.
02:39Why? What's up?
02:41I hired a detective to find out who Nicolás is in love with.
02:44What?
02:45Yes, I had no choice.
02:47And I know that last night he saw a woman.
02:50Do you know who it is?
02:52No, but I'm about to. I already have his fingerprints.
02:55The detective went to talk to the doorman of Nicolás' apartment and got information.
02:59It's a woman.
03:01She's tall, blonde, has clear eyes, she's white.
03:06She went to his apartment last night. She was there for about two hours and left.
03:10Can you believe it?
03:11Well, that doesn't mean anything.
03:13Of course not!
03:14Who goes to a man's apartment alone for two hours if it's not to sleep with him?
03:19She's a whore.
03:21Although the doorman told the detective that she was a woman.
03:26She's a whore.
03:28Although the doorman told the detective that she was a fine woman.
03:32Did he tell you that?
03:34Yes.
03:35Help me think who it could be, Flo.
03:39No, I can't think of who it could be.
03:43That woman is not going to win.
03:45I'm going to find out who that whore is and I'm going to take her eyes out.
03:49She's a witch.
03:50She slept with Nicolás knowing he was my boyfriend.
03:53What a disgusting woman!
03:55Calm down.
03:56Why do you keep finding out?
03:58You're just going to get hurt. You're going to end up very hurt.
04:01No, no, and no.
04:03I'm not going to stop.
04:05I'm going to find out, even if it's the last thing I do in my life.
04:08She probably had something to do with that stupidity for a long time.
04:12The doorman told the detective that it wasn't the first time she went to his apartment.
04:16Do you realize?
04:18The bastard cheated on me.
04:22What bad luck!
04:23Enough, please.
04:24You're getting obsessed with that subject and you're going to end up in a psychiatric hospital.
04:28Enough!
04:29No, no, no, no, no.
04:30I'm not going to stop.
04:32I'm going to get to the end.
04:33What a fool you are!
04:36Instead of scolding me, help me.
04:39Thank you, you're my friend.
04:41Okay, I'm going to help you because I don't like seeing you like this anymore.
04:44Don't spend on a detective anymore.
04:47I'm going to ask Nicolás who he slept with.
04:49And do you think he'll tell you the truth?
04:51I'm not going to ask him directly.
04:53I'm not stupid.
04:54I won't be a detective, but I have my skills.
04:58I assure you that I'm going to get the truth out of him.
05:00Oh, Flo!
05:01Would you do that for me?
05:03Of course, I'm proposing it to you.
05:05You're a sun!
05:06Thank you, thank you.
05:10Thank you for coming.
05:11What do you appreciate?
05:12I'm glad to see you.
05:13You're only seen on TV.
05:16Well, that's exactly the case I want to talk about.
05:19Lorena Martínez?
05:21That's right.
05:22I need you to publish an article about Arturo Márquez.
05:25Keep doing yours to prevent me from demonstrating the innocence of my client.
05:30I'm interested.
05:33I'm listening.
05:35As I have already said on several occasions,
05:37the trial against Lorena Martínez was full of irregularities.
05:41They presented evidence that was not supported.
05:44This is the case of the murder weapon,
05:45where fingerprints were not found.
05:48It was not possible to verify a sentimental relationship between her and the victim.
05:52Until some deposits appeared,
05:54which Juan Pablo Correa allegedly made to a Lorena Martínez account.
05:59It was at that moment that the accusations against him made more sense.
06:03Any witness who declared against him?
06:05Yes.
06:06Claudio Vilchis, the bank manager where both accounts were opened.
06:12Good morning, Andrea.
06:13Good morning, sir.
06:14Can you tell Detective Rojas to bring me the report of the CCTV cameras?
06:17Of course, right away.
06:23Vilchis was willing to change his statement to the judge.
06:27We agreed to meet in court, but he never came.
06:29Did he regret it at the last minute?
06:31That's what I thought, but it wasn't like that.
06:34I called his cell phone and his sister answered me,
06:36and when I asked him about him, he told me that he was very serious in the hospital,
06:40that I should forget about him.
06:41What happened to him?
06:42He was beaten.
06:44He ran away with luck.
06:45He could have died.
06:47Do you think Arturo Márquez had him beaten to prevent him from reaching the courts?
06:52I'm convinced.
06:54I investigated in which hospital Vilchis was,
06:57and when I entered his room,
06:58he and his sister didn't recognize me.
07:00They called security to get me out of there.
07:03And to top it off,
07:04Vilchis asked to speak with Prosecutor Domínguez
07:06to point out Lorena as the person who had him beaten.
07:10Arturo Márquez is behind all this.
07:11I'm sure of it.
07:12He's threatened them.
07:13Not only that.
07:14Everything is very well armed.
07:15Of course.
07:17But how long are we going to allow impunity to continue in this country?
07:21There is a woman convicted of a crime she did not commit,
07:24and a man who almost lost his life just because he decided to change his testimony.
07:27What's next?
07:29Look, Alejandro, what you just told me is very serious.
07:33Do you agree that I go hard and direct against Márquez?
07:36Absolutely.
07:37But you have to be aware of who you're messing with.
07:41Márquez won't like what you're going to write.
07:43He can take retaliation against you.
07:46Are you willing to play it?
07:47I mean, if you tell me no, I understand you perfectly.
07:50I am aware that this can bring me many enemies,
07:52but if we want this country to change,
07:55we have to show the corrupt who benefit from the trafficking of influences.
08:00Count on me.
08:01I'll get the article out today.
08:03I knew you had the gallows.
08:06You're welcome.
08:07I think I'm going to enjoy it.
08:11Come in.
08:15These are all the photos we managed to get of the C5.
08:19You can clearly see the moment when two men get into the truck with Claudio Vilches.
08:24None of the photos show Lorena Martínez.
08:26And the truck doesn't have plates.
08:28Martínez was in charge of not leaving any clues.
08:31We had no way of proving that Lorena Martínez was involved.
08:34No.
08:35She left with hers.
08:37She called me last night.
08:38What do you mean she called you?
08:40She was here when her call came in.
08:41What did she say?
08:42She told me she didn't send anyone to hit Vilches.
08:44I can't believe it.
08:45She's a cynic.
08:47Tell me she managed to track the call.
08:49We tried.
08:50The commander connected the geolocator,
08:52but she cut the call before we could get her location.
08:55Damn it.
08:56If that's what she's trying to make fun of us.
08:59If that's the case,
09:01don't tell her.
09:02If that's the case,
09:03I won't allow it.
09:05Even if it's the last thing I do,
09:07I'm going to catch her.
09:10Today we're going to work with watercolors.
09:13Yes!
09:16Okay, please pass them around.
09:18Can we choose the colors?
09:20Of course.
09:23Does anyone know why Teo didn't come?
09:26He didn't want to get out of bed.
09:29Why?
09:30Who knows?
09:31He always does the same thing.
09:33He starts crying and doesn't let anyone get close to him.
09:36I'm very sorry.
09:38Poor thing.
09:50You drive me crazy.
09:51I can't stop thinking about you for a minute.
09:53Please don't say those things.
09:55I need to talk to you urgently.
09:57Okay, we'll meet at the cafeteria in front of the building.
10:00No, it has to be in the office.
10:01No, no, no, I'm sorry.
10:03I don't want Veronica to make me one of her scenes.
10:06Let's meet somewhere else.
10:08No, it has to be here.
10:09I'll explain why in a minute.
10:11Come, please.
10:12Okay, I'm on my way.
10:19The only link we have to get to Lorena is Castillo.
10:22And since we weren't allowed to use his cell phone,
10:25we have to plan another strategy.
10:27Castillo?
10:28How come I didn't think of that before?
10:30What's up with him?
10:31It's obvious that he's on Lorena's side.
10:33He admitted it openly through the national network.
10:35We can report him for cover-up.
10:37Besides, he kept seeing her.
10:39That's why you were about to arrest her.
10:41Yes, but in order to report him, we need evidence,
10:43and we don't have any.
10:45We can get them.
10:46How?
10:48Tell me.
10:49Andrea, call Judge Hernandez.
10:52Yes, of course.
10:54Let's see if it works.
10:59Hello?
11:00Marta, how are you? I'm Patricio.
11:02Very well, thank you. And you?
11:04I'm craving a cinnamon roll from the place you showed me.
11:09How about we have a coffee
11:11and enjoy a couple of rolls there?
11:16Regardless of what's happened around my work,
11:19I'd like to have a relationship of my own.
11:22I'd like to have a relationship of my own.
11:26I'd like to have a relationship of my own.
11:29That's why I called you.
11:31Please, accept it.
11:34Is that okay?
11:36Don't say anything else.
11:37I'll go over there right now and pick you up.
11:40No, that's not necessary.
11:43I'll see you there in half an hour.
11:46Is that okay?
11:47More than okay.
11:56Good morning. I'm here to see Florencia.
11:58Of course. Come with me.
12:03Good morning.
12:09Damn it!
12:10Useless!
12:11Old woman!
12:13Fake!
12:15You're kidding!
12:17Thank you, thank you very much.
12:20What's going on?
12:22Veronica hired a detective to find out
12:24who the woman she's dating is.
12:26No, I can't believe it.
12:27The detective found out who the owner of your building is
12:30and he told her who you were with last night.
12:32She doesn't realize it's me at all.
12:34You have to go back to her.
12:36What? No.
12:37It's the only way for her to stop investigating.
12:39No, no, no, not even dead.
12:41Nicolas, you don't understand the gravity of things.
12:44Imagine that she finds out it was me
12:46and that I'm the one who killed her.
12:48No, no, no.
12:50Imagine that she finds out it was me
12:52and that I'm the one who killed her.
12:55Yes, my friend, I understand.
12:56But I'm not going back to her.
12:58Look, let's take precautions for a while
13:00until she gets tired of chasing me.
13:02She's not going to get tired.
13:03I know her.
13:04The only way for her to calm down
13:06is for you to go back to her.
13:07You have to do it.
13:08No, no.
13:09I'm sorry, but I'm not going to do it.
13:11Being with that woman is hell.
13:15Don't you realize the danger we're in?
13:19If Ismael finds out, you'll lose your job.
13:23And he won't want to see me again for the rest of my life.
13:26Yes, I understand.
13:28But my sacrifice is too great.
13:30I don't know how unbearable it is.
13:33Let's stop seeing each other for a while.
13:35Or let's see each other in a remote place,
13:37whatever you want, whatever it is.
13:38But don't make me go back to her, please.
13:40There's no other way.
13:42There's no other way.
13:43If the detective gets a little smarter,
13:45he's going to hit on me.
13:46And that's going to be hell.
13:50You can be smarter than her.
13:53You can handle the relationship however you want.
13:57Do it for us.
14:02Okay, fine.
14:03Why did I tell you?
14:05That you miss her.
14:07That there is no other woman in your life other than her.
14:11That if you told her you were in love with another woman,
14:14it was because you're afraid of commitment.
14:17And if she asks you about the woman last night,
14:20you tell her she was your therapist.
14:22That among other things,
14:24she made you see that you just want to be with her,
14:27even if it's hard for you to admit it.
14:31And you think she's going to believe me?
14:33Of course.
14:34It's the only thing she wants to hear.
14:36Oh, Ismael.
14:41Let's go.
15:02Yolanda, it's good to see you.
15:04I wanted to ask you about Teo.
15:06What's going on with him?
15:07When he's very sad, he stays in his room all day
15:10with a stuffed dog he has.
15:12He doesn't want anyone to get close to him.
15:14And he doesn't eat?
15:16I've taken him, but I haven't tried a bite.
15:19Since he doesn't speak and doesn't express himself with anything,
15:21it's very difficult to know what's wrong with him.
15:24How often does this happen to him?
15:25When he just got home, it was very frequent.
15:28Every two days, approximately.
15:30Over time, they are no longer so frequent.
15:33Do you think I can go in and talk to him?
15:35Oh, of course.
15:37I hope you get to know something.
15:44Verónica, Nicolás wants to talk to you.
15:48With me?
15:49Yes.
15:50You can use my office.
15:52I have to go with the architects to review some plans.
15:55I have nothing to talk to Nicolás about.
16:01Don't get involved in that plan.
16:03It's important that you hear it.
16:05Just because you ask me to.
16:09Okay.
16:22Get to the point.
16:23I don't have much time.
16:27I wanted to apologize to you.
16:30I know I've hurt you.
16:32I don't know how to handle things and...
16:35Well, forgive me.
16:38Look, what happened is that I felt trapped.
16:41Because of you.
16:42You insisted that we had a more formal commitment.
16:45And that scares me a lot.
16:48I'm not in love with any other woman.
16:51I lied to you because I'm a coward.
16:55Yesterday, a therapist came to my house.
16:58She made me see that the best thing was to be honest with you.
17:02And to explain to you why I told you a lie.
17:06A therapist came to your house?
17:08Yes.
17:09I felt really bad.
17:11For everything I had done, I asked her for help.
17:14I had to bring her home because it was the only time I had...
17:18You know, because of my work career.
17:21I don't want to lose you because of...
17:24The problems I have in my head.
17:28Do you want...
17:30What?
17:32Do you want to go back with me?
17:34Yes!
17:35Yes, my love.
17:37Yes.
17:38Let's go.
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25:27Además, todo sobre el deporte, el entretenimiento y el club.
25:31Despierta, un noticiero de NMASC.
25:33Lunes a viernes, 7 a 9 de la mañana, con las estrellas.
25:49Domingo, 8.30, por las estrellas.
25:51Y 24-7, por VIX.
25:53Cuando una puerta se cierra...
25:55Libro, al fin.
25:57Y 24-7, por VIX.
25:59Cuando una puerta se cierra...
26:01Libro, al fin.
26:03Domingo, 8.30, por las estrellas.
26:05Domingo, 8.30, por VIX.
26:07Cuando una puerta se cierra...
26:09Libro, al fin.
26:11Domingo, 8.30, por las estrellas.
26:13Domingo, 8.30, por VIX.
26:15Cuando una puerta se cierra...
26:17Libro, al fin.
26:23Hi, Teo.
26:27I brought you a game.
26:30I'm going to explain it to you and you decide if you want to play or not.
26:42What do you think?
26:47Look, what it's about is putting a color to each emotion.
26:51How you feel.
26:54Look.
26:55Yellow is joy.
26:59Blue is sadness.
27:03Green is calm.
27:08Red is anger.
27:12And black is fear.
27:15Did I explain well?
27:18Perfect. Let's start.
27:21How do you feel today?
27:29Are you angry?
27:33Are you angry with Omar?
27:37With Jose?
27:40What makes you feel, Jose?
27:45Jose makes you feel calm.
27:48What makes you feel, Omar?
27:53Omar makes you feel joy.
27:55What makes you feel, Jesus?
28:00Calm, too.
28:03In Marta's room there are some cards.
28:05What do you think if we play something?
28:07I like the idea.
28:09I know several very good games, but the one I like the most is El Chinchón.
28:12Do you know how to play?
28:14I know, but I'm terrible.
28:16The point is to have fun.
28:18Do you know how to play?
28:20No, but you can play.
28:22No, let's play something else, Nuria.
28:24Come on, cheer up.
28:26I don't feel like it.
28:37Do you think there's a way to tell me you're so sad and angry?
28:41Sad and angry?
29:01M?
29:04M?
29:07Mario, the sports teacher.
29:09Marcos, your classmate.
29:13Oh, I know, Mrs. Maria.
29:18Teo, I can't think of anyone else whose name starts with M.
29:23Mom.
29:26Mom.
29:30Do you miss your mom?
29:33Would you like to see her?
29:36Do you want a hug?
29:39No.
29:49Thank you very much for accepting my invitation.
29:53What do you want for breakfast, young man?
29:55Please.
29:57I want some green chilaquiles with chicken.
30:00And for me, red chilaquiles with egg.
30:03And to drink?
30:05A Coca-Cola without sugar.
30:07Two Coca-Colas without sugar.
30:09And for dessert, I'm going to start with a cinnamon roll.
30:12How many do you want?
30:14No, no, no.
30:16I can't.
30:18I don't think I can handle another one.
30:20You're not kids.
30:22Besides, I want to find out how they make them,
30:25how they make them so delicious.
30:27I think that instead of sugar,
30:29they sweeten them with sweetener.
30:31Yes.
30:33And I'm sure they put clarified butter on them.
30:35I understand that clarified butter doesn't make you fat,
30:38so we can eat as much as we want.
30:41Any excuse is good.
30:51Marta.
30:53Yes?
30:55I don't want you to get upset, please.
30:57But...
31:00I need to ask you a question.
31:02It's very important.
31:04About the fugitives again?
31:07Yes.
31:09Lorena Martinez in particular.
31:12I've told you a thousand times
31:14that I have no contact with any fugitives.
31:17Yes.
31:19I'm sorry, but...
31:21My question is about Martinez's behavior
31:24during the time they spent in prison.
31:27And why do you want to know?
31:30Yesterday, Attorney Dominguez received a call from her
31:33asking her to believe in her innocence.
31:36Personally, I think
31:38Martinez doesn't have the characteristics of a criminal.
31:42According to a very naive person,
31:44he would do what she did.
31:46The contradictory thing is that, on the other hand,
31:49she just had a man beaten
31:51to such an extent that he is in a hospital.
31:53And how can you be sure that she did it?
31:57The victim stated it.
31:59That's why I'm interested in your opinion.
32:02So what?
32:03No.
32:04I'm leaving.
32:05Please.
32:06It was stupid of me to accept your invitation.
32:08You don't want to be my friend.
32:10You want me to be your informant.
32:12No, please, please.
32:13I'm sorry.
32:14I don't want to bother you.
32:16I promise I won't talk about work again.
32:19You told me that before, too.
32:21Now I do.
32:23I promise.
32:24Please.
32:25Okay?
32:26Okay.
32:31How clumsy I become when I'm with you.
32:36Shall we sit down?
32:46You have to see this.
32:50Businessman of the Mafioso Year of the Year.
32:53The real face of Arturo Márquez.
33:24Businessman of the Mafioso Year of the Year.
33:28The real face of Arturo Márquez.
33:32It's not surprising that in this country
33:34wealthy people take advantage of their situation
33:37to cover up their crimes.
33:39That's the case of the renowned businessman Arturo Márquez.
33:43Let's remember that lawyer Alejandro Castillo
33:46was on national television
33:48to announce that there were many irregularities
33:51in the process of his client Lorena Martínez,
33:54allegedly guilty of the murder of Juan Pablo Correa.
33:57In that interview, Castillo blamed Márquez
34:00for using Lorena Martínez as a scapegoat
34:03to cover his back.
34:05However, the lawyer continued to investigate
34:08and found Claudio Vilchis,
34:10the man who provided the evidence against Lorena Martínez.
34:13That lawyer discovered that Vilchis
34:16had been threatened to create illegal deposits
34:19that blamed Martínez for receiving Correa's money.
34:22When the bribery was discovered,
34:24Castillo got a meeting with the judge
34:26who was in charge of Lorena Martínez's trial
34:29so that Claudio Vilchis would expose
34:31that he had forged his statement
34:33and that the deposits were fake.
34:35Vilchis never went to court
34:37because he appeared in a seriously beaten hospital.
34:40What does Vilchis say now?
34:42That it was Lorena Martínez who had him beaten.
34:45Don't you think it's a coincidence
34:47that the day he was going to change his statement to the judge,
34:50he didn't show up because he had to be hospitalized?
34:56Vilchis now blames Lorena Martínez
34:58for being the one who beat him,
35:00making up that she wanted him to change his statement
35:03by force so that they could declare her innocent.
35:06If that were the case,
35:08why would Martínez's defense lawyer
35:10have asked for a meeting with the judge
35:12the next morning of the beating?
35:14He was afraid that Vilchis would tell the truth,
35:16so he decided to take retaliation against him.
35:18Everything is very clear.
35:20We are facing a man without scruples,
35:22and in order to save his reputation,
35:24he doesn't care about hurting whoever gets in his way.
35:31The worrying thing about the case
35:33is that Marquez is covering up
35:35the real murderer of Juan Pablo Correa.
35:37Let's not forget that the victim was executed in his own house
35:40and that he celebrated an ostentatious party
35:42for the anniversary of his construction company.
35:44How long are we going to continue allowing
35:46the money to be used by the justice of our country?
35:51Arturo Marquez has to pay for what he has done.
35:53He is the one who has to be behind the bars.
35:55Who the hell wrote this?
35:57Castillo, who else?
35:59Surely he is the one who gave that information
36:01so that they could write the article.
36:03Damn it!
36:04Who do you think you are, you bastard,
36:06to be defaming me like that?
36:09Hire someone to investigate all the cases
36:12in which Castillo has intervened
36:14as a defender of criminals.
36:20And I also want to know
36:22who the hell is this Quiroga
36:24who wrote the article
36:26and what relationship he has with that lawyer.
36:28I'll take care of it.
36:39The ranch, the fortune,
36:41germinates the seed of contempt.
36:43She has always lied to you.
36:44What are you doing with this woman?
36:45She's your sister.
36:46But also the one of love.
36:47Do you remember someone from my past?
36:49One day I'll tell you the truth.
36:50Let go of my wife, you idiot!
36:54The Price of Loving You
36:56starts Monday, September 2,
36:57at 9.30 p.m. on Las Estrellas.
37:09Always available on the platform
37:11closest to you.
37:13Follow us to have the information you need.
37:15N+, wherever you are, we are.
37:38The Price of Loving You
37:40starts Monday, September 2,
37:42at 9.30 p.m. on Las Estrellas.
37:44Always available on the platform
37:46closest to you.
37:48Follow us to have the information you need.
37:50N+, wherever you are, we are.
37:52Always available on the platform
37:54closest to you.
37:56Follow us to have the information you need.
37:58The Price of Loving You
38:00starts Monday, September 2,
38:02at 9.30 p.m. on Las Estrellas.
38:04Always available on the platform
38:06closest to you.
38:36The Price of Loving You
38:38starts Monday, September 2,
38:40at 9.30 p.m. on Las Estrellas.
38:42Always available on the platform
38:44closest to you.
38:46Follow us to have the information you need.
38:48The Price of Loving You
38:50starts Monday, September 2,
38:52at 9.30 p.m. on Las Estrellas.
38:54Always available on the platform
38:56closest to you.
38:58Follow us to have the information you need.
39:00The Price of Loving You
39:02starts Monday, September 2,
39:04at 9.30 p.m. on Las Estrellas.
39:34The Price of Loving You
39:36starts Monday, September 2,
39:38at 9.30 p.m. on Las Estrellas.
40:04The Price of Loving You
40:06starts Monday, September 2,
40:08at 9.30 p.m. on Las Estrellas.
40:10The Price of Loving You
40:12starts Monday, September 2,
40:14at 9.30 p.m. on Las Estrellas.
40:16The Price of Loving You
40:18starts Monday, September 2,
40:20at 9.30 p.m. on Las Estrellas.
40:22The Price of Loving You
40:24starts Monday, September 2,
40:26at 9.30 p.m. on Las Estrellas.
40:28The Price of Loving You
40:30starts Monday, September 2,
40:32at 9.30 p.m. on Las Estrellas.
40:34The Price of Loving You
40:36starts Monday, September 2,
40:38at 9.30 p.m. on Las Estrellas.
40:40The Price of Loving You
40:42starts Monday, September 2,
40:44at 9.30 p.m. on Las Estrellas.
40:46The Price of Loving You
40:48starts Monday, September 2,
40:50at 9.30 p.m. on Las Estrellas.
40:52The Price of Loving You
40:54starts Monday, September 2,
40:56at 9.30 p.m. on Las Estrellas.
40:58The Price of Loving You
41:00starts Monday, September 2,
41:02at 9.30 p.m. on Las Estrellas.
41:04The Price of Loving You
41:06starts Monday, September 2,
41:08at 9.30 p.m. on Las Estrellas.
41:10The Price of Loving You
41:12starts Monday, September 2,
41:14at 9.30 p.m. on Las Estrellas.
41:16The Price of Loving You
41:18starts Monday, September 2,
41:20at 9.30 p.m. on Las Estrellas.
41:22The Price of Loving You
41:24starts Monday, September 2,
41:26at 9.30 p.m. on Las Estrellas.
41:28THE PROMISÉ TELEGRANZA
41:30THE EMERGENCY
41:32THE EMERGENCY
41:34THE EMERGENCY
41:36THE EMERGENCY
41:44The Emergency
41:46The Emergency
41:48The Emergency
41:50señala inconsistencias en la investigación por el asesinato de Héctor Cuen en Sinaloa,
41:54y la Secretaría de Salud emite alerta de viajes por la viruela cínica, detalles en
41:58punto de las 10 estrellas.
42:00Tu día empieza en Despierta, con el análisis de la información y las historias que te
42:07importan.
42:08Además, todo sobre el deporte, el entretenimiento y el crimen.
42:14Despierta, un noticiero de NMAS, lunes a viernes, 7 a 9 de la mañana, con las estrellas.
42:20Cuando la guerra empieza, hay que elegir bandos.
42:23Si queremos que Gabriel pague, debemos unir fuerzas.
42:25¿De qué lado vas a estar?
42:27He arriesgado todo por Gabriel, y ni sus luces.
42:29Y esa elección podría salir muy cara.
42:32Los tres estamos juntos en esto.
42:33Juana Bravo.
42:34No dudo que ella pueda ser su cómplice en el asesinato de Francisco de Armas.
42:37Últimos capítulos, 9.30 de la noche.
42:40En la finca La Fortuna germina la semilla del despecho.
42:43¿Ella siempre te ha mentido?
42:44¿Qué haces con esta mujer?
42:45Es tu hermana, pero también la del amor.
42:47¿Me recuerdas a alguien de mi pasado?
42:49Algún día te diré la verdad.
42:50¡Suéltame, mujer imbécil!
42:54El Precio de Amarte inicia lunes 2 de septiembre, 9.30 de la noche, por las estrellas.
43:00Laboratorio Supersecreto de Comedia
43:08¡Lánzenme!
43:10La risa es una ciencia exacta.
43:12Afortunadamente, aunque nuestros científicos no son los más exactos,
43:16sí son los más divertidos.
43:17Televisa. Sabemos hacerte reír.
43:20Más de 35 millones de votos.
43:22Haz un sonsazo.
43:23Demostraron que lo que pasa en la casa no se queda en la casa.
43:26Y ahora tú decidirás quién sigue en este juego de estrategias y emociones.
43:30Nos vemos en La Casa de los Famosos México.
43:33Lunes a viernes, 10 de la noche, por El Cinco.
43:35Domingo, 8.30, por las estrellas.
43:38Y 24.00 por VIX.
43:40Porque los domingos, el deporte no se detiene.
43:44Mantente informado con los resultados que más te interesan.
43:47Dinámicas y el mejor entretenimiento están aquí.
43:51Bienvenidos al programa que siempre te da más, más deporte.
43:56Este domingo, 11 de la mañana, con las estrellas.
44:00En las estrellas, las mañanas son más divertidas.
44:02A las 9, música, consejos, rutinas de ejercicio y juegos en hoy.
44:06Vamos a hacer yoga facial para suavizar los surcos.
44:09Y al terminar, notas, cocina, famosos y más, solo en Cuéntamelo Ya.
44:14De Antonio Banderas junto a Will Smith, sacaron los pasos prohibidos.
44:18De lunes a viernes, con las estrellas.
44:20Llegará un luchador bien equipado.
44:22¿Necesitan ayuda?
44:25¡Desastre!
44:26Solamente tengo tres habitaciones.
44:28Si querían vacaciones, pues hay que disfrutar.
44:32¿Vas a querer dormir arriba o abajo?
44:34¿Lo dejaste solo en el cuarto?
44:36Con todo el dinero.
44:37Está Libre. Este jueves al terminar el lote.
44:45Flo.
44:48Flo.
44:49We're back.
44:51That's great.
44:53What's up?
44:54Didn't you like it?
44:55Sorry, I have my head in the other direction.
44:57They just released a terrible article about my dad.
44:59How?
45:00Well, slander about a witness of Lorena Martínez, among other things.
45:07From businessman of the year to mobster of the year.
45:10The real face of Arturo Márquez.
45:13I don't know if they were going to celebrate their reconciliation,
45:17but I need Verónica to help me with something, okay?
45:20Excuse me.
45:21Yes, of course. You don't have to apologize.
45:23Well, I'll see you later.
45:24Yes, my love.
45:27See you soon.
45:30Let's go to my office.
45:38I need you to investigate all the cases
45:40that Alejandro Castillo has taken to Lorena Martínez's lawyer.
45:43Okay.
45:44What do you want them for?
45:45My dad needs to deny all those atrocities
45:48that journalist wrote against him.
45:50Knowing what he was doing before can help him.
45:52Okay.
45:54If you want, tell me that if you're happy
45:56that Nicolás and I are back.
45:58Because it seems he gave you the same.
46:00Of course I'm happy if I help you with that,
46:02but as you will understand, my dad's issue
46:05doesn't let me think about anything else.
46:07Yes, of course.
46:09You don't even want to know what he told me that convinced me.
46:12Verónica, please.
46:13At another time, okay?
46:14Don't you understand the priority of what I'm asking you?
46:17Yes, yes.
46:18I'm sorry, but...
46:19Oh, coming back with Nicolás puts me in the clouds.
46:22Get out of that cloud
46:24that my dad, me, and the whole company need you.
46:27Is it that serious?
46:29Read the article of this journalist
46:31so you can get an idea.
46:32It's on all social networks.
46:33That's what I'm going to do.
46:35I'm going to work.
46:36Do it right.
46:38Do it right.
46:44And in the end,
46:45after we were able to separate his emotions by color
46:47and trying to understand that he was sad and angry,
46:50he said, Mom.
46:52Did he speak?
46:53Yes.
46:54And I can assure you that he has no problems speaking.
46:57It was probably because of the trauma he received
46:59when he separated from his mother.
47:01He's like that because he misses her.
47:03Do you know anything about her?
47:05No.
47:06We only found him under a bridge.
47:08He's been like this for many days.
47:09There, alone.
47:10No one told you anything about him?
47:12No.
47:13He was completely alone.
47:15We have to find his mother.
47:18It's going to be quite difficult.
47:20Especially when Teo doesn't give us any sign or reference of her.
47:23Who could get us close?
47:25I'd like to try investigating him.
47:27Do you have the date and place where they found Teo?
47:30Those data must be in his folder.
47:37TELEPHONE RINGS
47:44Well played, lawyer Castillo.
47:46The article on Quiroga is very good.
47:54Open up, Castillo!
47:58He got here so fast.
48:01There's no need to scream.
48:03How long are you going to stop slandering me?
48:06What you did today was too much.
48:08Too much is what you've done to cover your back.
48:11How much did you pay that Quiroga
48:13to publish that article full of lies?
48:15Not a single cent.
48:17And they're not lies.
48:18You're behind what happened to Claudio Vilchis.
48:20I have no idea who that guy is.
48:22I don't know him.
48:24If you say so.
48:26What I don't understand is what he's doing here.
48:28What I don't understand is what he's doing here.
48:30If that article is fake.
48:32I want to know.
48:33Why are you bringing her against me?
48:35And why are you so interested in that murderer?
48:38What does she give you?
48:40Sex?
48:41She doesn't lack respect, you idiot.
48:44Now I understand everything.
48:46You mess with her
48:48and that's why you're defending her.
48:51I'm not going to let her come to my house
48:53and disrespect me.
48:55Let go of me, you idiot!
48:57Don't you dare touch me again.
48:59I'm tired of your slander.
49:01Don't you realize you have everything to lose?
49:05You don't have a single proof against me.
49:08What that reporter from Pacotilla published
49:11is nothing more than hallucinations.
49:13So it's the last time I tell you, Castillo.
49:16Either you leave me alone
49:18or you have the consequences.
49:20I don't care about his threats.
49:22If he thinks his crimes will be unpunished, he's wrong.
49:25I'm not afraid of him.
49:27Do you think I'm afraid of you?
49:29The only thing I have for you is pity.
49:32You messed with the wrong person.
49:35You declared war on me and I'm going to destroy you.
49:38Are you aware?
49:39His threats?
49:41I'll use them to my advantage.
49:45Fine.
49:47You asked for it, Castillo.
49:55THE LORD OF THE SKIES
50:03Excuse me.
50:04Are you Mr. Claudio Vilchis' relative?
50:06Uh-huh.
50:07I'm a reporter for the newspaper El Despertar de la Nación.
50:10Can you confirm the facts that were published
50:13in La Revista Vanguardia,
50:15where Arturo Marquez is held responsible
50:17for the beating received by his relative?
50:19No, I don't understand what you're talking about.
50:22An article was published today where you talk about it.
50:24No, I haven't seen any article.
50:26Look, it's this one.
50:32Isn't it surprising that people in this country...
50:39Yes, but two rolls, that's a lot of sugar.
50:42Well, I ate three.
50:47How are things with your family?
50:50Well, not very well.
50:53Do you still have problems with your son?
50:55No.
50:57With Dario, I understand him better and better.
51:00Now my grandson worries me.
51:03He found out that he had been in jail in the worst way.
51:06Oh.
51:07Did he take it badly?
51:09Yes, terrible.
51:11He's a murderer and a liar.
51:14Why do you think that?
51:16Because I told him that all these years
51:18he had been in La Paz, Baja California.
51:21He was betrayed.
51:23I understand.
51:24And why did he tell you that?
51:26Because that's what Dario had told him.
51:29Matías resented it a lot.
51:31Don't worry.
51:33Sooner or later he will accept the explanation you give him.
51:37But now give him time to assimilate it.
51:40He must have been very disillusioned with you.
51:43Yes.
51:45We got along so well.
51:47It breaks my heart that he is angry with me.
51:50It hurts a lot, doesn't it?
51:52Of course. He is my grandson.
51:54I didn't know about his existence.
51:57As soon as I met him, he stole my heart.
52:01Calm down.
52:02Very soon everything will be like before.
52:07Well, I say goodbye because I have to go to the market.
52:11Do you want me to accompany you?
52:12No, thank you.
52:13Don't bother.
52:14No, it's no bother.
52:17I want to tell you something before we say goodbye.
52:21Tell me.
52:23I would like us to see each other again and that we could go out more often.
52:29I want us to have the opportunity to get to know each other more.
52:33Why?
52:34Because...
52:37Because since I met you, little by little I have a great illusion for you.
52:44I would like us to become life partners.
52:49Us?
52:51I don't understand. What do you mean?
52:57That I am very interested in you.
53:00You seem like an incredible woman to me.
53:02And I would really like us to try a life together.
53:06What are you saying?
53:08At this point in life,
53:10I hadn't thought about love again and much less about making my life.
53:16I was the same until you appeared.
53:19What do you say?
53:24I thank you very much.
53:26But right now I am 100% dedicated to my family.
53:31You don't even want to give yourself the opportunity to think about it?
53:36You don't even want to give yourself the opportunity to think about it?
53:41Okay.
53:43I'm going to think about it.
53:46I'm going to leave now because I'm getting late.
53:49Okay.
54:05Okay.
54:11You can't imagine what just happened.
54:13A reporter approached me because an article just came out
54:16where they blame Arturo Marquez for the beating you received.
54:20This has already gone out of control.
54:27Oh no.
54:28What are we going to do?
54:30There are many reporters on the street.
54:32We have to get out of here.
54:34How are we going to get out?
54:35You are not well and we are being watched.
54:38This is hell.
54:42Quiroga's article must have Arturo very upset.
54:45It's not for less.
54:47I already read the article.
54:49What's wrong with Castillo? He's crazy.
54:51It's just that since he decided to defend that murderer, he's gone crazy.
54:56Yes.
55:00Thank you very much.
55:02What happened?
55:03They authorized the order to kick Castillo's apartment.
55:05Good.
55:06Tell the commander that we are going there right now.
55:10What are you going to do?
55:12Report Castillo for cover-up.
55:14With that, Lorena will be alone.
55:16But for that to happen, I need evidence that I hope to find in Castillo's apartment.
55:20Good.
55:21My dad is not in his office.
55:22Something must have come out.
55:24But I already told Soto and Bonilla to accompany us.
55:26Then you live with us.
55:27Good.
55:28Are you sure?
55:29Yes. Yes, let's go.
55:34There are reporters outside the hospital.
55:36Don't even think about talking to any of them.
55:38Okay.
55:39Not a word, understood?
55:49I saw Carmen go out this morning with her things.
55:52If you don't want to tell me, I respect it, don't worry.
55:54I just wanted to know if you were okay.
55:56I'm not going to lie to you.
55:57It's just that I don't know what to do.
55:59Don't worry.
56:00I just wanted to know if you were okay.
56:02I'm not going to lie to you.
56:03It's hard to end a relationship of years.
56:06But I'm convinced that we couldn't be together anymore.
56:09It was the best.
56:10Yeah.
56:11Well, yes.
56:12It's not so easy to break the habit of the night and the morning.
56:15There's always some affection left.
56:17No, in my case, not even that.
56:19Things haven't been good between us for a long time.
56:22We weren't happy anymore.
56:23Although Carmen didn't want to accept it.
56:25Well, anyway, I don't want you to feel pressured by me.
56:29Take the time you need to assimilate the separation.
56:33I don't need time or I feel pressured.
56:38On the contrary, you are the illusion of my life.
56:44The best thing that has happened to me for a long time.
56:56I talked to Marcelo Canales.
56:58I'm going to see him in the afternoon because he's going to interview me.
57:01I'm not going to sit idly by while that bastard Castillo gets his way.
57:06Here's everything we've investigated about him.
57:08He has dedicated his life to defending pure criminals.
57:11No relevant case.
57:13He's just a simple lawyer.
57:15Miserable.
57:17I don't know what to do.
57:18I don't know what to do.
57:20I don't know what to do.
57:22I don't know what to do.
57:23Miserable.
57:25The most outstanding thing he has done in his career
57:27was to reduce the sentence of a man who stole in a supermarket.
57:31And that because he was a vagabond.
57:33And he declared that he did it because he was hungry.
57:35Exactly what I thought.
57:37He's a damn failure looking for the opportunity.
57:41In his moment of fame.
57:43How pathetic.
57:45And what about Quiroga?
57:46Do you know Castillo?
57:47He was the one who published the story of the vagabond.
57:50We'll also have to scare him.
57:54So that he learns to have a bit of journalistic ethics.
58:02And now what?
58:12This was all I needed.
58:20What are you doing here?
58:23Where are you going?
58:25It's an indicative order.
58:32We have to check everything.
58:35If what you expect is to find something that has to do with Lorena Martínez,
58:37you're wasting your time.
58:39Look for Arturo Márquez's house.
58:41He stole all the documents related to her.
58:50Don't even think about it.
58:51If you let us do our job, you're going to force me to arrest you.
58:59I'm going to find her.
59:00And I'm going to put her behind bars.
59:03Don't even remember if I don't.
59:04You've always told me that I should look for someone with whom to redo my life.
59:08But that lady is not for you.
59:10Why not?
59:11She's polite, she's a good person.
59:12She was a prisoner because she killed her husband.
59:16What's going on?
59:17You think you're so cool writing behind your computer.
59:20Arturo Márquez made it very clear that the accusations against him are just slander.
59:27They have this place in their sights.
59:28Do you realize the risk you put us all?