Detective Belli (1969)
Category
🎥
Short filmTranscript
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00:04:30I forgot to tell you something.
00:04:32It's not too important, but it might have some bearing.
00:04:36My son knows a certain Romani who has a discotheque and a recording company.
00:04:41He offered to take me in as manager if he would have financed the venture.
00:04:48He asked my wife for the money, and she's all for it, but I'm dead against it.
00:04:55I would like to know if Romani is trustworthy or just another charlatan.
00:05:03Here's half a million lire for expenses.
00:05:08Later let me know what you want.
00:05:19That's my son.
00:05:21He's just as I pictured him.
00:05:25Oh, my God.
00:05:29Listen, I already told you, Miss Bronson is not in.
00:05:32It's useless to keep ringing the bell.
00:05:34Well, do you know when she'll be back?
00:05:35No.
00:05:36♪
00:05:49♪
00:05:56Sandy, don't worry, huh?
00:05:59Ciao.
00:06:01♪
00:06:22Nice hair.
00:06:23Mm-hmm.
00:06:24♪
00:06:40I drink whiskey.
00:06:42♪
00:06:49Would you like to hear some records?
00:06:52Sure.
00:06:53Would you rather I prepared some dinner?
00:06:57Now, who are you?
00:07:00The neighborhood fortune teller.
00:07:02Ah.
00:07:03And do you see a mad knight of love in your crystal ball?
00:07:07No, a long trip.
00:07:09I'm canceling your working permit.
00:07:11♪
00:07:16Belli, foreign permits office.
00:07:18♪
00:07:21Oh, that's decent.
00:07:23I mean, my permit's good for another three months.
00:07:25And I've never had any trouble renewing it.
00:07:28Don't give me any stories.
00:07:29Tomorrow morning in my office at 8 o'clock.
00:07:35Hmm.
00:07:36It's nice.
00:07:37Where'd you find it, Sandy?
00:07:38Oh, really now?
00:07:39Would you mind telling me what's going on?
00:07:42I have no intention of leaving Italy.
00:07:44I like the work I'm doing.
00:07:46I'm getting to be well-known.
00:07:48And at my age, that's good.
00:07:50I won't give it up without good reason.
00:07:52Hmm.
00:07:53You're right.
00:07:55But policemen don't consider sentiment.
00:07:57It's beyond them.
00:07:58But tell me, what have I done?
00:08:02Corruption of miners.
00:08:04I'm sure it wasn't too difficult for you.
00:08:07But why the hell did you have to pick on Fontana's son?
00:08:10Huh.
00:08:12So it's Mina's father.
00:08:14I knew it.
00:08:16But you're wrong, you know.
00:08:17I don't give a damn about Mina.
00:08:19He's always chasing after me.
00:08:21And I'm certainly not the first girl he's ever slept with.
00:08:25Okay.
00:08:26I will talk to Mina's father and explain.
00:08:29You'd better hurry.
00:08:30You've got less than a day.
00:08:31I should talk to the press.
00:08:32Good.
00:08:33I'll make the biggest scandal.
00:08:34Bravo.
00:08:35If you think that will help you.
00:08:49For love or for a favor?
00:09:16Don't make me leave.
00:09:19As for a favor.
00:09:22I'm disillusioned.
00:10:46I'm disillusioned.
00:11:17I'm disillusioned.
00:11:46Hello, Balder.
00:11:59The doorman called us.
00:12:01Who called you?
00:12:03Bad business.
00:12:07Nice little present for Christmas, huh?
00:12:18What do we write?
00:12:19Men or women?
00:12:20Ask him the floor.
00:12:21Okay.
00:12:22Listen, where did it happen?
00:12:23Please.
00:12:24Sorry.
00:12:25Please.
00:12:27Please.
00:12:28Please.
00:12:29Please.
00:12:57Time of death between 11.15 and 11.25.
00:13:07Roughly two hours ago.
00:13:09Thank you, doctor.
00:13:10Just as I was leaving the office.
00:13:13Well, you have one more suspect.
00:13:16Get me a sandwich.
00:13:17Yes, sir.
00:13:20Well, how about telling me what you're doing here?
00:13:26What is this, Balder?
00:13:27The third degree?
00:13:30Was it that obvious?
00:13:33How did he come in, the doorman?
00:13:35He had his own set of keys.
00:13:36He was bringing up the mail, sir.
00:13:38Then he said he was worried when Romani didn't answer the door and use the key.
00:13:43All right.
00:13:46And so?
00:13:48Nothing.
00:13:49A friend of mine was about to put up some money.
00:13:51They asked me to find out if Romani was trustworthy.
00:13:54So I came here to check it out and I found the door open.
00:13:58Very simple.
00:14:00And money for what?
00:14:03Romani was the owner of a recording house.
00:14:05Yeah, I know that.
00:14:06Who was the friend?
00:14:09Someone who's clear.
00:14:13Name?
00:14:15Ettore Fontana, criminal lawyer.
00:14:18Fontana.
00:14:19We'll see what he has to say.
00:14:22Oh, what there is isn't bad.
00:14:25Huh?
00:14:26And the missing piece?
00:14:27We couldn't find it.
00:14:28It looks like an old shot.
00:14:29All right.
00:14:30Hang on to it anyway.
00:14:32You saw a woman come up about half an hour ago.
00:14:34That's right.
00:14:35She was wearing one of those strange furs.
00:14:36Why strange?
00:14:37It was funny.
00:14:38I don't know how to describe it.
00:14:40Who is he?
00:14:41He's the doorman.
00:14:43Oh, I was saying that she came up about the same time that Senior Romani was here.
00:14:47I had seen her before, lots of times.
00:14:50She knew somebody in the building.
00:14:52She was beautiful, Captain.
00:14:54You know when she left?
00:14:55I don't know.
00:14:56I was busy.
00:14:57I'm always working, no?
00:14:59What kind of fur coat?
00:15:01Well, it was white, hairy, like rabbit fur, maybe.
00:15:07You mean a cheap fur, then?
00:15:08Well, it looked good on her.
00:15:12There are thousands of girls who go around in shaggy fur coats.
00:15:16Maybe she was just here to see somebody else.
00:15:47They're beautiful.
00:15:50Talk to them.
00:15:51I insist, I have to see them in an hour.
00:15:54Very well, at your place.
00:15:56See you later.
00:16:00Listen, stop like this.
00:16:02Like that.
00:16:03Not so steep.
00:16:04Relax, relax.
00:16:05Hold it, hold it.
00:16:07All right.
00:16:09Now look at me.
00:16:10At me.
00:16:11Smile.
00:16:12All right.
00:16:17One more, one more.
00:16:19That's good.
00:16:21Five minutes, huh?
00:16:22With the blonde wig and the coat.
00:16:35Oh, it's enough.
00:16:36I'm working.
00:16:38I am, too.
00:16:39Romani sent me.
00:16:42What are you talking about?
00:16:44What are you talking about?
00:16:48Now tell me, what have I done?
00:16:50You hit the bullseye with Romani.
00:16:51I told you, I don't even know Romani.
00:16:53They saw you leaving his apartment.
00:16:55I got there soon after.
00:16:56I'll have you set up for life.
00:17:02Give me that purse.
00:17:03Why?
00:17:04I'll show you why.
00:17:12Which is the one to your apartment?
00:17:13What's it to you?
00:17:14What key did you use to get in?
00:17:21Where's the ones at the front door?
00:17:23There.
00:17:25If this is for the elevator, then what are these for?
00:17:27What are these for?
00:17:29I don't know.
00:17:30They're my keys.
00:17:32You were Romani's mistress.
00:17:33These are the keys to his apartment.
00:17:35No.
00:17:36I changed locks.
00:17:37They're just old keys.
00:17:39These are Romani's keys.
00:17:40You were his mistress.
00:17:42You went to bed with him and Mino at the same time.
00:17:44You convinced him to give you the keys of his house.
00:17:47That's it, isn't it?
00:17:50That's it, isn't it?
00:17:52That's it, for Christ's sake, that's it.
00:17:54I didn't kill him.
00:17:55He was already dead when I went in.
00:17:57I didn't kill him, I swear.
00:18:13He was in the bedroom.
00:18:15Gone?
00:18:19I went towards him.
00:18:22And then I got sick.
00:18:24I screamed.
00:18:26And then I ran away.
00:18:28Why did you run away?
00:18:30I didn't run away.
00:18:32I didn't run away.
00:18:34I didn't run away.
00:18:36I didn't run away.
00:18:38I didn't run away.
00:18:40I didn't run away.
00:18:41Why didn't you call for help?
00:18:43The neighbors, the janitor, the police?
00:18:45Why didn't you call someone?
00:18:47I don't know.
00:18:50I wanted to talk to Mino first.
00:18:52Why?
00:18:54Because...
00:18:57Because he had found me in bed with him.
00:19:00They'd had a terrible row.
00:19:02And you see, I was afraid.
00:19:04That Mino had killed him?
00:19:08Is that how it was?
00:19:10No, Mino didn't kill him.
00:19:12Mino has nothing to do with it.
00:19:14And neither do I.
00:19:16Do you believe me?
00:19:29Maybe it was you, maybe it wasn't you.
00:19:31We'll find out.
00:19:35Will they question me?
00:19:37You can bet on it.
00:19:39Tonight or tomorrow morning at the latest.
00:19:44The press will start asking questions.
00:19:46And Inspector Baldo will need a good name to play on.
00:19:49You mean mine?
00:19:51A woman always fits in.
00:19:55And happily enough, you're in trouble.
00:19:57Why do you say happily?
00:20:00Did anyone else know you had the Romani's keys?
00:20:02No.
00:20:04Or that Mino and Romani fought?
00:20:06No, nobody.
00:20:10The janitor saw you go in.
00:20:12But he didn't see you go out.
00:20:14You could always say you rang the bell.
00:20:16And when Romani didn't come, you went about your own business.
00:20:21I'm the only one who could disprove it.
00:20:27But I won't.
00:20:29As long as you don't tell the police I came here this morning...
00:20:31and asked you to leave the country.
00:20:34You never saw me before, okay?
00:20:37All right.
00:20:39And about your departure, we'll talk about it in three or four days' time.
00:20:42So you can be bribed, huh?
00:20:46I thought so.
00:20:48Don't count on it.
00:21:07A bullet in the brain.
00:21:09From two yards away.
00:21:13I didn't know.
00:21:15I sure knew nothing about it.
00:21:19When Sandy Bronson was Romani's mistress, did you know?
00:21:22No.
00:21:27I don't know.
00:21:29I don't know.
00:21:31I don't know.
00:21:33I don't know.
00:21:37Funny, the two jobs you gave me...
00:21:39Sandy and Romani...
00:21:41should end up together.
00:21:43Are you bored?
00:21:45Sorry, what did you say?
00:21:47I'm telling you that the police will be interested in finding out...
00:21:50if Mino knew about Sandy's two-timing.
00:21:53She was bellhopping with Romani and your son at the same time.
00:21:57Jealousy's an excellent motivation.
00:21:59I'd be concerned if Mino were my son.
00:22:01Mino?
00:22:03Hardly.
00:22:06If you keep my son's name out of this...
00:22:10I'll be sincerely grateful.
00:22:35Let's go to Romani's. He won't talk.
00:22:38Just Sandy and me.
00:22:41Can I count on the silence of both of you?
00:22:45The girl will keep quiet.
00:22:47She has nothing to gain.
00:22:49Her millions are always at stake.
00:22:52And you?
00:22:55I'm a police officer.
00:23:02It's not a matter of numbers.
00:23:06So long as it wasn't Mino, I'm not about to shield a murder.
00:23:11I'm a lawyer.
00:23:13A criminal lawyer.
00:23:15And I can honestly say I hate crime from every angle.
00:23:19If my son were a murderer...
00:23:21I would be the first to condemn him.
00:23:27Words are not sufficient proof...
00:23:30of anything.
00:23:32But that's what I think.
00:23:35I want you to meet my wife.
00:23:37They've questioned her too...
00:23:39because of the money she was going to invest in Romani's business.
00:23:42Darling, will you come here a minute?
00:23:45Ciao.
00:23:46Ciao, darling. Come in.
00:23:49This is a friend of mine.
00:23:51I don't think you ever met him before.
00:23:53Stefano Belli.
00:23:56A lawyer?
00:24:00No. Police officer.
00:24:05I would like to speak to you, Mrs. Fontana.
00:24:07No, alone.
00:24:09It's about Mino.
00:24:13How can you sleep with a guy like that?
00:24:15Why?
00:24:16Listen to him.
00:24:17In an hour.
00:24:26Castone, has anyone phoned for me?
00:24:28No, Mino.
00:24:30Send someone to get a pack of cigarettes, will you?
00:24:32All right.
00:24:38You're the one with Filfer, Mino?
00:24:40Yeah.
00:24:41Mino, right?
00:24:44Yes.
00:24:47I had trouble finding you.
00:24:49I have to talk to you.
00:24:51Business.
00:24:52What business?
00:24:54Who are you?
00:24:56Not here.
00:25:03So?
00:25:16Well?
00:25:23You killed Romani.
00:25:25What do you mean?
00:25:27Stop it. I know everything.
00:25:29You killed him.
00:25:30No.
00:25:32Talk to Sandy. Maybe she did it.
00:25:34She's the one who called me.
00:25:42Tell her you killed him.
00:25:44It wasn't me. I didn't do it.
00:25:46What do you know about Romani? Who was he?
00:25:48How do I know?
00:25:50He was no one to me. Just a guy.
00:25:52You were supposed to work with him. For what reason?
00:25:54He didn't care a damn about me.
00:25:56He was only using me to get money from my parents.
00:25:59He was only using me to get money from my parents.
00:26:08The pharmacy is close by.
00:26:12By the way, police.
00:26:29Why are you leaving?
00:26:31There's a lot of people.
00:26:35Listen, I'm getting thirsty.
00:27:00How much exactly?
00:27:02How do you know?
00:27:04Your husband told me.
00:27:06I find it very strange.
00:27:08Why?
00:27:10I didn't know you were such great friends.
00:27:13What does my husband want from you?
00:27:17I beat Mino up a while ago.
00:27:19I think I hurt him a little bit too much.
00:27:21But you're crazy.
00:27:23What have you done to him?
00:27:25Where's Mino?
00:27:27I don't know.
00:27:29I hope you'll be all right by now.
00:27:33How much money did you want to give Romani?
00:27:38A lot.
00:27:43He's dead, you know.
00:27:45What?
00:27:47Didn't your husband tell you? Shot with a bullet through the head.
00:27:49Right here, this house.
00:27:51You know, I was thinking about the murderer.
00:27:54Via Veneto in the morning.
00:27:56Crowds everywhere.
00:27:58He arrives, enters, shoots,
00:28:00walks out and disappears.
00:28:02He must have been very cold-blooded.
00:28:06Mino isn't my son.
00:28:08But it's as if he were.
00:28:10He's my sister's son.
00:28:14When she died, he was only eight.
00:28:16She was married to my husband.
00:28:18The boy is theirs.
00:28:20I decided to...
00:28:22to be a mother to him.
00:28:24That's why I love him so much.
00:28:29Keep him out of trouble.
00:28:50Shh, shh, shh, shh, shh.
00:29:02You got a light?
00:29:16Get up.
00:29:20Get up.
00:29:23Come here.
00:29:48Hugo, get a car.
00:29:50You, go home. Scram.
00:30:21Here's my statement. You want to hear it?
00:30:23All right.
00:30:25Original and three copies.
00:30:27Okay.
00:30:29We've seen hundreds.
00:30:31Not one says anything.
00:30:33Not even her.
00:30:35You saw her, no?
00:30:37What's her name?
00:30:39Oh.
00:30:41Sandy Bronson.
00:30:43Come into my office.
00:30:46Is she important?
00:30:48What did she say?
00:30:50Romani's mistress.
00:30:52You were attacked on the street last night.
00:30:54What did it have to do with the Romani case?
00:30:56I didn't ask because he wanted to speak to you about it.
00:30:59What's the relation between these occurrences?
00:31:02No relation.
00:31:04They're the same.
00:31:06I don't know.
00:31:08I don't know.
00:31:10I don't know.
00:31:12I don't know.
00:31:14Is there a connection?
00:31:15They insulted the woman?
00:31:17Yes. But the watchman said you grabbed his leg.
00:31:19Luckily enough.
00:31:21He was going to shoot because of a couple of slobs.
00:31:23And he has a family to support.
00:31:25When did you see Romani for the first time?
00:31:27When he was dead.
00:31:29Never before that?
00:31:31Where were you before being transferred to Rome?
00:31:35In Sardinia?
00:31:36I won't permit that!
00:31:38Where are you going?
00:31:41Home. Since you're taking over, I'll take a rest.
00:31:43to fill in a few gaps in your friend's declaration.
00:31:46Apart from that, it's your responsibility.
00:31:48My friend is above all my colleague,
00:31:52and I already questioned him at Romales.
00:31:53I might add that I've gone over and over his statement,
00:31:57and all is in perfect order.
00:31:59Fontana confirmed everything, point by point.
00:32:02I think the questions you asked were out of line.
00:32:11You think it means something?
00:32:13Who knows?
00:32:14All our leads are the same.
00:32:18Take a coffee, if you want.
00:32:26The color is green.
00:32:28The color is blue.
00:32:29The color is pink.
00:32:33I prefer pink to green, but I like green better than blue.
00:32:38Is pink and green a good color combination?
00:32:43I don't know.
00:33:04Police?
00:33:05Emanuel, right?
00:33:07Romanicus.
00:33:08Come with me.
00:33:09I have some questions to ask.
00:33:10But I'm busy.
00:33:12I'm sorry.
00:33:13Is it important?
00:33:16Just a minute.
00:33:22Please, tell them I had to go home,
00:33:24but I'll be back in one hour.
00:33:25Certainly.
00:33:26Police, we would like to ask you some questions for Romanicus.
00:33:42Please, tell them I had to go home,
00:33:44but I'll be back in one hour.
00:33:46Certainly.
00:34:13Why did someone like you agree to cut records
00:34:15for a two-bit company and for a cheap crook like Romani?
00:34:20Please, speak softly.
00:34:23Do you like the house?
00:34:25I've been living here for two months.
00:34:27It's amusing.
00:34:29My mother and brother live downstairs,
00:34:31but I never invite them up here, because they break my heart.
00:34:34I'm sorry.
00:34:35I'm sorry.
00:34:36I'm sorry.
00:34:37I'm sorry.
00:34:38I'm sorry.
00:34:39I'm sorry.
00:34:40But I never invite them up here, because they bore me.
00:34:43I asked you a question.
00:34:45But who are you?
00:34:46What do you want?
00:34:47I can have my servants throw you out.
00:34:50I told you, police.
00:34:52Police.
00:34:54The others said you weren't.
00:34:56Why did you disappear when they arrived, Mr. Policeman?
00:35:01Another division.
00:35:04So, why did you want to sing for Romani?
00:35:08Oh, my God.
00:35:09I just finished explaining to the others.
00:35:12Romani and I just talked about it, and that's all.
00:35:16I receive requests every day.
00:35:18But you said yes a long time ago.
00:35:22I'd have worked for him only because I promised it to a friend of mine,
00:35:26Mino Fontana.
00:35:28How do you mean, friend?
00:35:30We went to bed one afternoon.
00:35:34Crazy in the afternoon.
00:35:36Don't you agree?
00:35:38Then he's your lover.
00:35:41Don't be ridiculous.
00:35:42I don't like to be tied.
00:35:44I only have friends.
00:35:46Mino's a little wild, and I try to take care of him.
00:35:53So, she works for Romani only to take care of Mino, because he's wild.
00:36:03So?
00:36:08What did the inspector think of the fairy tale?
00:36:10He said it was stupid enough to be true.
00:36:14Neither you nor the inspector understand anything.
00:36:31There's a lot of perfume.
00:36:33But I could smell the alcohol when I came in.
00:36:38And your eyes are like glass.
00:36:41Where's the needle?
00:36:48I'm not very neat, but you're no better.
00:37:13Now, I know something Baldo doesn't.
00:37:16I asked you a question about Romani.
00:37:18You were upset enough to take a dose.
00:37:21Why?
00:37:27I'm asking you a question.
00:37:30Bastard.
00:37:31Let me go.
00:37:35Oh, come on.
00:37:36But I have no time now.
00:37:37Can you come back tonight?
00:37:39Oh, come on.
00:37:57Listen to this.
00:37:59Romani wants to take you away.
00:38:01One of you's jealous, so?
00:38:04Oh no, don't.
00:38:06You're a serious man. There are serious industries around you.
00:38:10The bluff is only Romanis.
00:38:13But you're a drug addict. You're not smart.
00:38:36Oh, Mr. Tragic.
00:39:06He's dead anyway.
00:39:11An auto accident of Noah's.
00:39:13Dr. Lanning. Minow introduced him to me.
00:39:16But I'm going off heroin.
00:39:19I'm going to kick it.
00:39:20And then?
00:39:21I'll go back to marijuana.
00:40:06Hello, Sandy?
00:40:36How did Romanis request the money?
00:40:39It was by chance.
00:40:40I met my wife and I came up with the idea to propose.
00:40:43My wife sounded good and she told me.
00:40:46Did she know anything?
00:40:49Will you make me wait?
00:41:01Look, you see the way it fits.
00:41:03Does it mean anything to you?
00:41:05No.
00:41:07No, nothing.
00:41:08Maybe...
00:41:10Maybe it was just taped to the paper.
00:41:13Or maybe it's just a...
00:41:15A mark made by the printer.
00:41:17Someone gave this picture to Romani.
00:41:19Was he for or against Romani?
00:41:21Who's the woman?
00:41:22What do they want from Romani?
00:41:24You know nothing about it?
00:41:26No.
00:41:27I would have told you.
00:41:29Oh.
00:41:30Oh, please take me to bed.
00:41:34I feel so sad.
00:41:36Like when I was in England.
00:41:38By the way, what were you doing back in England?
00:41:41Oh, nothing much.
00:41:43My mother's a teacher.
00:41:45In a country house.
00:41:47Maybe I should have told you.
00:41:49No.
00:41:50No.
00:41:51No.
00:41:52No.
00:41:53No.
00:41:54No.
00:41:55No.
00:41:56No.
00:41:57No.
00:41:58No.
00:41:59No.
00:42:00No.
00:42:01No.
00:42:02No.
00:42:03No.
00:42:04No.
00:42:05No.
00:42:07Maybe you're just a little girl who wants a lot of money.
00:42:11I don't know.
00:42:14I haven't been earning for such a long time.
00:42:17But you're very careful about the beds you sleep in, huh?
00:42:20Was it a coincidence that Mino's father is loaded with dough?
00:42:24And then you go with Romani.
00:42:25Whether it was his or not, he had plenty to spend.
00:42:31Wait.
00:42:37If I wanted to be a whore, I'd have all the men and money I wanted.
00:42:42All right, all right.
00:42:43Now, what about the photograph?
00:42:45What do you know about it?
00:42:46I've already told you that I didn't know anything about it.
00:42:49Romani and I never talked about business.
00:42:51Oh, stop it.
00:42:52Don't give me that.
00:42:53People do a lot of talking in bed.
00:42:55What did he tell you?
00:42:56What did he say?
00:42:57Who's the photographer?
00:42:58I don't know.
00:42:59I don't know anything.
00:43:06Yeah, all right.
00:43:09Sorry about the bed.
00:43:10I'm a little messed up these days.
00:43:13It would have been bad for both of us.
00:43:18Stefano!
00:43:25Claude was looking for a negative the other day.
00:43:28But I don't know if it has anything to do with your photograph.
00:43:32Who is this Claude?
00:43:33A friend of Mino's.
00:43:34He's a photographer.
00:43:36Romani often hired him because he's good.
00:43:39Yesterday, he stormed in on me furiously, knocking me around.
00:43:43Always for the same reason.
00:43:45Because I went to bed with Romani, he said I had to know something.
00:43:48He was looking for a negative.
00:43:50But I didn't know what he was talking about or who he was talking about.
00:43:56Why didn't you tell me before?
00:43:59Because.
00:44:01Because he threatened to kill me.
00:44:03He threatened to kill me if I told anyone.
00:44:06Everyone's threatening me now.
00:44:18Not bad.
00:44:25Well.
00:44:27You said you're a friend of Mino's.
00:44:30What do you want?
00:44:32I'm a friend of Sandi's too.
00:44:33I'm sorry, no discounts.
00:44:35No exceptions?
00:44:37Not with the quality of my work.
00:44:42I'm a friend of Romani's too.
00:44:45Poor guy.
00:44:47I'm in the middle of something, but if you want to talk, go ahead.
00:44:51Sandi told me what you're interested in.
00:44:55I have the negative.
00:44:58Look, what are you talking about?
00:45:00I haven't seen Sandi for a long time.
00:45:02You don't trust me.
00:45:04Quite right.
00:45:05Explanation.
00:45:06Sandi told me you could take care of the negative a little better than we could.
00:45:11Let's form a company.
00:45:1340 for you, 40 for me, and 20 to Sandi.
00:45:20Well.
00:45:22Show me.
00:45:24Otherwise we'll never understand each other.
00:45:27But of course.
00:45:29It's a print.
00:45:30The negative comes later.
00:45:34I still don't understand.
00:45:48Hey, wait.
00:45:50You could at least tell me what you're talking about.
00:45:55Getting more interested now.
00:45:56So the negative you were looking for is the right one.
00:46:03I haven't said anything about a negative.
00:46:07It sounds like a funny business to me.
00:46:10And I don't want to get mixed up in it.
00:46:13Goodbye.
00:46:23Have you known Mino a long time?
00:46:25High school and college.
00:46:27Architecture?
00:46:29Yes.
00:46:31Well, I figured.
00:46:33I can tell from your work.
00:46:35You go to Mino's house often, don't you, I imagine?
00:46:39Do you know his parents?
00:46:41What does that matter to you?
00:46:43What is it you want, eh?
00:46:45Nothing.
00:46:46If you see Mino, I'd like to leave a note for him.
00:46:48Would you have some paper?
00:46:50On the desk.
00:46:51There's a note.
00:46:53Your letterhead.
00:46:55Not this.
00:46:58Police.
00:47:00I finished it.
00:47:04Hey, hey, what are you doing?
00:47:07Idiot.
00:47:08Listen, you can't do that.
00:47:22Hey.
00:47:24Hey.
00:47:50So this is where the photo came from.
00:47:53It's your work.
00:47:55It's not really a professional job.
00:47:57But maybe you were in a hurry, right?
00:48:00You don't only want to put him to bed,
00:48:02but you can't resist taking that picture too, right?
00:48:06Who's the woman?
00:48:11Did Romani give you the idea of using that photo?
00:48:13Or was it an idea of your own?
00:48:15Who's the woman?
00:48:23Get out.
00:48:25I'll call the police.
00:48:27I am the police.
00:48:29No, no.
00:48:30The police don't hit till you're inside.
00:48:35Before you have time to dial that number, I'll kill you.
00:48:42I'll tell whoever's calling
00:48:44to contact the police.
00:48:49Don't exaggerate.
00:48:50You can't do that.
00:48:51Don't exaggerate.
00:48:53You can find a simpler way of telling me
00:48:55you're not enjoying my visit.
00:48:59It's been a long time since we had a nice chat.
00:49:22So, who are you with?
00:49:28Do you like Caldo?
00:49:32It's my birthday.
00:49:39Be careful not to get in trouble.
00:49:45I'm thinking of a riddle.
00:49:46A riddle.
00:49:51No music.
00:49:55I met Claudio, you know him?
00:49:57Who's Claudio?
00:49:58The photographer.
00:50:00His son's friend.
00:50:02The guy with the leg.
00:50:07Women will take their hair to go to bed.
00:50:10Maybe.
00:50:17But why do you think of a riddle?
00:50:27I bet that with you
00:50:30you start with your hair to go to bed.
00:50:33You tremble.
00:50:38Don't drink champagne anymore.
00:50:40It hurts you.
00:50:46What?
00:50:47Thursday at eleven o'clock the murder
00:50:48arrives at Via Veneto.
00:50:50Listen to this, it's interesting.
00:50:53It's a woman.
00:50:55The porter isn't there, so she takes the elevator.
00:50:57Romani's in good spirits.
00:50:59He's waiting for some money.
00:51:02He thinks that the woman is going to bring it to him.
00:51:05But she begs to be left alone.
00:51:07She pleads with him.
00:51:08She's desperate.
00:51:09But he won't listen.
00:51:10She loses her mind and fires.
00:51:12And so we have one window
00:51:13and one blackmailer
00:51:14done away with.
00:51:17Who?
00:51:19Let's say she has a son.
00:51:21And the son often takes friends to the house.
00:51:24One friend is more interesting than the others.
00:51:27The woman's marriage is a failure.
00:51:30Or maybe one day she's bored more than usual.
00:51:34Anyway, she ends up in bed with him.
00:51:38He's a photographer and immortalizes the conquest.
00:51:42Then the boy boasts about it.
00:51:45And shows the picture around.
00:51:47To Romani as well.
00:51:50Romani is a quick thinker.
00:51:52And he blackmails her.
00:51:57That's how it went, huh?
00:52:00You want to help me give a name to that lady?
00:52:03You give her a name.
00:52:05I can't help you.
00:52:14That's too bad.
00:52:17Anyway, thanks for the show.
00:52:18I'm sure you didn't mind.
00:52:20I have no intention of doing it.
00:52:22I'm sorry.
00:52:24I'm sorry.
00:52:26I'm sorry.
00:52:28I'm sorry.
00:52:30I'm sorry.
00:52:32I can't have mercy on you.
00:52:35It doesn't matter.
00:52:37I have a lot in my mind.
00:52:41Why do you worry about the blackmailing, Terri?
00:52:46It's true.
00:52:48I betrayed my husband.
00:52:51We don't love each other.
00:52:53It happens sometimes.
00:52:55Do you know why my sister died?
00:52:58It was after a surgery.
00:52:59She was forced to take morphine.
00:53:03We didn't know she was under the influence of drugs.
00:53:07One day we found her dead.
00:53:11And overdosed. It was then I decided to...
00:53:15to be a mother to Sofia's son and marry her husband.
00:53:19Even though I was so young.
00:53:23If you feel like making the whole world unhappy...
00:53:27you're making a big mistake. I'm insensitive.
00:53:39Why are you involved in this situation?
00:53:43Because I'm an idiot. I could stay in bed and wait to read the murderer's name in the papers.
00:53:47Then why don't you?
00:53:51It's very simple. Money. I found a bottomless well. And I have a theory.
00:53:55The more money I have, the better off I am.
00:53:59And some of it is your money, too. Didn't you know your husband gave me unlimited credit?
00:54:05He was well informed. I must have told him I worked like a...
00:54:09a strong boxer. When I want to do something, I can't stop.
00:54:13Now I find myself more and more involved without understanding anything.
00:54:25It was either Claudio to get back the negative...
00:54:29or Sandy for the same reason.
00:54:33Or it was Mino, in agreement with Sandy.
00:54:43It's just a hypothesis. Don't take it.
00:54:55I talk too much, don't I?
00:55:09Give it all up.
00:55:13What are you hoping for?
00:55:17I hope to be a little bit smarter than the police that will put on this case.
00:55:21But what's your husband's interest in this?
00:55:25Huh? Do you know?
00:55:33You're not the type to get stuck on people, are you?
00:55:37Too bad if I am.
00:55:51I think I'm getting on their nerves.
00:56:21Tell them I took a cab because my car broke down.
00:56:25I came to see your husband.
00:56:29No, not now.
00:56:37Your living room is very comfortable.
00:56:41You're in the bathroom.
00:56:45Let them wait. They're not coming to look for you in bed.
00:56:51I'll see you there.
00:57:21I knew you would come for the car.
00:57:25They were looking for Mino.
00:57:29They found out he had argued with Romani.
00:57:33I think he boasted about it with his friends.
00:57:37Luckily he wasn't here. He's been gone since morning.
00:57:41It's better I go to the police.
00:57:45They will hold him for questioning.
00:57:49Stay with me.
00:57:53I need you now.
00:57:57Did they ask about me?
00:58:01Yes, but they believed what I told them.
00:58:05They pretended to believe you.
00:58:09I'm beginning to stink a little bit too much.
00:58:13I'm going to go to bed.
00:58:17I'm beginning to stink a little bit too much.
00:58:21Why did you beat him up?
00:58:25I never saw him before.
00:58:33Is he the one?
00:58:37He doesn't look like him.
00:58:41Your memory fails too easily.
00:58:45I remember faces.
00:58:49He worked for Romani.
00:58:53When we went to his studio,
00:58:57that place looked like a cyclone had hit it.
00:59:01What does that have to do with me?
00:59:05A witness described a man who looks like you.
00:59:09So what?
00:59:15Look, Bailey.
00:59:19You had a copy of the photograph.
00:59:23You went to Romani's photographer.
00:59:27Very logical.
00:59:31Did you get anything out of him?
00:59:35I wouldn't have gone on my own.
00:59:39Inside.
00:59:43Come in, please.
01:00:01Yes, it's him.
01:00:05He asked me where the photographer lived.
01:00:09He has a funny door.
01:00:13He asked me where the photographer was.
01:00:17I explained it to him.
01:00:21That's a hell of a door.
01:00:25And so?
01:00:29What color was my hat?
01:00:33Green, I think.
01:00:37He didn't have a hat.
01:00:41After a certain age, women have to wear glasses.
01:00:45Maybe he didn't have a hat.
01:00:49It wasn't me.
01:00:53Come here.
01:00:57Well,
01:01:01now I'm not so sure,
01:01:05but he was somebody who looked like...
01:01:27It's true that you shouldn't tell me everything.
01:01:31If you don't, we'll have to stop you.
01:01:57Watch out!
01:02:23Are you crazy?
01:02:25Do you know the Russian roulette?
01:02:27The one with the gun?
01:02:29What's that got to do with it?
01:02:31No, with the car.
01:02:33At the first shot, it went well.
01:02:35Tell me everything you know about the photo,
01:02:37or I'll shoot the second one.
01:02:39I told you what I knew.
01:02:41Come on, I'm worried about you, too.
01:02:43Don't you know that the person behind the wheel
01:02:45is more likely to die?
01:02:55No.
01:03:09The second shot went well, too.
01:03:11Now the third.
01:03:25Please, I don't know anything.
01:03:27Let me down, please.
01:03:31They'll put me in jail tomorrow morning.
01:03:33Think about it and see who's more likely to die.
01:03:55I'm the girl in the photograph.
01:03:59Claude found me some modeling work.
01:04:01And to thank him, I went to bed with him.
01:04:05It was he who took the photograph.
01:04:07I don't know how Romani got hold of the negative,
01:04:11but he started to blackmail me.
01:04:13He threatened to tell Fontana about it
01:04:16and prevent me from marrying Mino.
01:04:20Why should Romani care?
01:04:23You're not going to tell me he was in love with you.
01:04:26No.
01:04:28He wanted to hire me out to married men
01:04:31and then squeeze money out of them.
01:04:34And you did it.
01:04:40Well, finally I told Mino.
01:04:42And that's why...
01:04:44That's why he and Romani quarreled.
01:04:46And that's why we went to his house
01:04:49to try to force him to give me the negative.
01:04:52But he was already dead.
01:04:56He was already dead, honestly.
01:04:59And you're the one who tore up the place looking for the negative?
01:05:03Yes.
01:05:04Did you find it?
01:05:07Yes, it was in the wallet.
01:05:09Why did you want to marry Mino? For money?
01:05:13No, I don't want to marry Mino.
01:05:17I have a boyfriend in Brighton.
01:05:21I want him to make Fontana give me lots of money.
01:05:24At least $20,000.
01:05:27Why so much money?
01:05:29Because my boyfriend always needs a lot of money.
01:05:34He plays the guitar and that's about all.
01:05:38You're not the type of girl who can make money that way.
01:05:41You're not smart enough.
01:05:43You're too stupid.
01:05:47However, the negative has nothing to do with it.
01:05:50We're back where we started.
01:05:53What should I do?
01:05:55Russian roulette all over again?
01:06:03Where's the negative?
01:06:05I've burned it. It's enough.
01:06:08It's all over now.
01:06:13Contraceptive.
01:06:15Are you interested?
01:06:20I'm interested in the name of the person who made the prescription.
01:06:23Ah, Landy. Romani introduced me to him.
01:06:27They both came to bad ends.
01:06:30Yes, I took over his practice.
01:06:32But I never really knew Dr. Landy personally.
01:06:34Franca, his nurse, would be able to help you.
01:06:36But today is her day off.
01:06:38Where can I find her?
01:06:40I can give you her number.
01:06:42But not until tonight.
01:06:55Injection?
01:06:57Franca?
01:06:58Yes.
01:06:59Thank you.
01:07:04Oh, it was a struggle.
01:07:06Everybody in the building wanted to congratulate me today.
01:07:08I got my nursing diploma.
01:07:10Congratulations. And Merry Christmas.
01:07:14Come.
01:07:21How could Landy lose control of his car?
01:07:23Brakes and tires were all right. No one's in sight.
01:07:25And yet, he has a fatal accident.
01:07:28Maybe he fell asleep at the wheel.
01:07:31He had been taking tranquilizers for quite some time.
01:07:35Why?
01:07:37Nervous exhaustion. Too many clients.
01:07:40What was he like?
01:07:42Dr. Landy? Wonderful, kind, and very honest.
01:07:47I know a person who bought the rugs from him.
01:07:51Emanuele, the singer.
01:07:53Then she needed him.
01:07:55No.
01:07:57Who could gain anything by his death?
01:08:01Apart from me, nobody.
01:08:03He wasn't married.
01:08:05No relatives.
01:08:07How could you gain?
01:08:10Because he wanted to send me away.
01:08:13He said I couldn't make it here.
01:08:15He insisted that he preferred a male nurse.
01:08:17And he said he was letting me go because he wanted to hire a student.
01:08:22He was from his hometown.
01:08:25Did he leave anything important among the papers in his office?
01:08:28Bills, receipts.
01:08:30We have taken almost everything to his house.
01:08:33Yes, I asked to speak to you.
01:08:35But not here. I prefer my studio.
01:08:57Alone in his villa, tragic error causes death.
01:09:03The Fontana case comes to a close.
01:09:05The male nurse confirms that the car in the villa was Sofia Fontana's.
01:09:10Morphine addict.
01:09:12Wife of noted lawyer dies from overdose of morphine.
01:09:34Sorry, I couldn't find my glasses.
01:09:38There is a lot of confusion in the house today.
01:09:43This was my first wife.
01:09:47You didn't remain a widower for long.
01:09:50No.
01:09:51Please do sit down.
01:09:59I want to speak to you about Mino.
01:10:01I must interrupt you.
01:10:05My money, Fontana.
01:10:07Until now, I followed your instructions.
01:10:11I don't blame you.
01:10:14I should have remembered.
01:10:18I left the name blank.
01:10:20There are no risks that way.
01:10:31Now you and I will have a little talk.
01:10:34If the police question me, as they probably will,
01:10:36I'll tell them that my number one suspect is Mino Fontana
01:10:39and that I said nothing until now.
01:10:41Because of my respect for you.
01:10:43Because I wanted to know more.
01:10:45It's the only ace up my sleeve.
01:10:47I'm sorry, but I have to use it.
01:10:50Be careful, Valdi.
01:10:53I can become a dangerous enemy.
01:10:56Fontana speaking.
01:11:05Thank you.
01:11:09Mino is in the hospital.
01:11:12It's serious.
01:11:15I don't know what to do.
01:11:17I don't know what to do.
01:11:19I don't know what to do.
01:11:21I don't know what to do.
01:11:23It's serious.
01:11:34Where is he?
01:11:36In the operating room.
01:11:37How is he?
01:11:39Nobody will say.
01:11:41Oh, sister, can we get some coffee here?
01:11:44No, I'm sorry.
01:11:46It seems you got all of them.
01:11:48There were three.
01:11:50They got in an argument and started a fight.
01:11:52Two broken ribs and a brain concussion?
01:11:54Right.
01:11:55What do they have to do with this case?
01:11:57Who are they?
01:11:59The photographer and two friends.
01:12:02I had just released them.
01:12:07Does it mean anything to you?
01:12:09Any connection?
01:12:11No.
01:12:12Now it's too late for the proposal I had in mind for you.
01:12:15Tomorrow morning at 8, my report will be in the office.
01:12:22Thank you.
01:12:34My husband doesn't want to see anyone.
01:12:36He will speak with the police tomorrow.
01:12:39Now he wants to be alone with his son.
01:12:44How is he?
01:12:48Dead.
01:12:52No.
01:13:19How did you get in?
01:13:21The door.
01:13:22If it's for the money, I've already decided.
01:13:25I give you 2,000.
01:13:27You're not worth any more.
01:13:29And if you want to go to the police and tell them I take drugs,
01:13:33I don't think you had better.
01:13:35Because I'll say you've been blackmailing me
01:13:38and that I've already given to you money.
01:13:40When?
01:13:41I made a check into your name and cashed it.
01:13:43You bitch.
01:13:45Just protecting myself.
01:13:47You should understand that.
01:13:51Anyway, it's good publicity.
01:13:53Have you noticed the trend today?
01:13:56Singers who take drugs get higher prices for shows.
01:14:04Come back tomorrow or some other time.
01:14:10Is he a singer?
01:14:16Out.
01:14:19Sorry, Michel.
01:14:21It's okay. We'll see you at the studio tomorrow.
01:14:23Don't forget, tomorrow.
01:14:25What are we doing for New Year's?
01:14:26We'll see.
01:14:28Come, Chris.
01:14:32You're very good.
01:14:34I'm from the old school.
01:14:36You'll be safer if you're covered.
01:14:42Do you remember me now?
01:14:44What do you mean, do I remember him?
01:14:48He's dead.
01:14:50How?
01:14:52Claude, do you know him?
01:14:54I'll walk you up to him.
01:14:56Okay.
01:14:58I'll be right there.
01:15:10What are you doing?
01:15:12I'm going to kill you.
01:15:14You're crazy.
01:15:16Do you know him a while ago you're among the first to know
01:15:34Tomorrow the day after I filled up and the day after is no better. I can't even go to his funeral
01:15:46I
01:16:05Was stupid reasoning from the beginning
01:16:07If Romani is a swindler then he lies lies all the time. He was gonna make records
01:16:12That mean you would have sung for him who believed him fairy tales lies was to get money from the Fontana's for example
01:16:21And the man will confirms it. She'll sing for embassy. You never even thought about that. All right, let's say I'm wrong
01:16:28Let's assume something new
01:16:30Romani isn't like a man. Well wanted to sing for him
01:16:34Oh
01:16:37He had you where he wanted you you couldn't refuse to sing for him that's why embassy was launched I
01:16:44Don't know what you're talking about
01:16:46Minos death opened my eyes. They beat him to death. Why to get something out of him. I told you
01:16:52I don't know what you're talking about
01:16:56About a naked woman in a bed. I thought it was Sandy Bronson, but it was you
01:17:02You went to bed with Claude and he took a picture of you
01:17:05That is not true
01:17:07It is like it's true. You killed Romani just to get the negative back
01:17:16Don't be ridiculous, I don't go around planning for people to kill I don't have time
01:17:25I have a copy of the picture. I'll take it to the police turn it over to them
01:17:32So
01:17:34so
01:17:35So I'm the one who's in the picture that Claude took. All right, I
01:17:39Was drugged I think I don't know then Claude spoke to Romani and he said he would publish a photo unless I agreed to sing
01:17:45for his company I
01:17:47Needed time time to think
01:17:51With a scandal be good publicity
01:17:54all bad
01:17:55then suddenly Romani was found dead and I
01:17:59I breathed a sigh of relief
01:18:01Then I won him called and said she has a negative
01:18:04What was this? She called twice yesterday in a little while ago. How much did she want? She said 50,000
01:18:10Was enough for her. Did you give it to her? I told her to go to hell. So what are you going to do?
01:18:17I'm not going to worry about
01:18:20One has to know how to take you I
01:18:23Didn't really think you killed Romani. I just wanted to hear if the girl in the picture was you
01:18:29You cut your foot on that glass and you are going to disinfect it. No medicine. I have a medicine phobia
01:18:37That's me. Not bad. I
01:18:43Want to take a ride to the sea
01:18:47I'm leaving now that you've told me what I wanted to know
01:18:51With three or four blunts in a little while. I'll be much richer
01:18:55Fifty thousand dollars richer
01:18:59Where do you expect to get it?
01:19:03You wouldn't think
01:19:06I see you've got the idea. I inherit the deal
01:19:11If not, I send the picture to all the papers
01:19:15It's worth it to you know
01:19:25I
01:19:55I
01:20:25I
01:20:55I
01:21:25I
01:21:38Don't
01:21:40I
01:21:54Don't know
01:22:10I've thought a lot about it. Nino's death imposes a decision on me.
01:22:14Tomorrow morning I'll report everything to the police.
01:24:10Dear Doctor, we are sorry to inform you that Signor Danilo Forti died of viral hepatitis
01:24:38here in our hospital on September 21st.
01:24:41Hello Valenti, it's me, Belli.
01:24:43Ah, ciao Belli.
01:24:44Now you can do me a favor. I have to consult some news clippings.
01:24:49I don't know how I'm going to explain this.
01:24:51The head reference clerk just came in by taxi.
01:24:53He said he thought the building was on fire.
01:24:58What are you looking for?
01:24:59A name.
01:25:08Died alone in her villa.
01:25:18Wife had known a lawyer.
01:25:19Overdose of morphine.
01:25:21Husband and sister in Rome rushed to her side.
01:25:23A male nurse from nearby hospital says he saw a car parked in the garden of the villa.
01:25:30Of particular interest is the parked car in the villa seen by the male nurse of Umagino Hospital.
01:25:35Mr. Sofia Fontana was supposedly alone in the house when she gave herself the fatal injection.
01:25:40The nurse is certain Forti...
01:25:48Investigation closed.
01:25:49Male nurse clarifies statement.
01:25:51The car belonged to the deceased Sofia Fontana.
01:25:56On the other hand, the nurse had no difficulty in identifying the car parked in the garden as belonging to Sofia.
01:26:01Mr. Fontana, still in a state of shock, refuses to be interviewed by our reporters.
01:26:15I have to know only one thing to be certain.
01:26:18You're the one person who can help me.
01:26:21Answer me truthfully.
01:26:23Were you Romani's mistress?
01:26:29No.
01:26:30Come on.
01:26:36And before your sister died, you were engaged to Dr. Eugenio Landi, weren't you?
01:26:43Poor Eugenio.
01:26:46I've never forgotten him.
01:26:49That was all I needed to know.
01:26:51If you were engaged to Landi.
01:26:54Now I know everything.
01:26:57What?
01:26:58I'm sorry, Vera.
01:27:01Sorry for what?
01:27:03It was that photograph that threw me off.
01:27:06It had nothing at all to do with this case.
01:27:08I realized that when I found Sandy dead.
01:27:11The murderer didn't even bother to look for the negative.
01:27:14Romani was blackmailing two different people for two different reasons.
01:27:18And Sandy kept the game going.
01:27:22The first person being blackmailed, the one in the photo, was Emmanuel.
01:27:28The other, the killer, was...
01:27:32Who?
01:27:36Your husband's been very clever and he put me with my back against the wall.
01:27:40Now all he has to do is talk and I go to prison.
01:27:44He was always in charge of the game.
01:27:46Did you know that?
01:27:48What do you mean?
01:27:51I'm trying to say that your husband's the killer.
01:27:54I only realized that when I went to Landi's house.
01:27:57The murderer went there to look for something.
01:28:00I didn't know what, but I found out afterwards.
01:28:03He was looking for the address of a male nurse who saw a car at your villa in Cimichino when your sister died.
01:28:08Do you remember?
01:28:12Yes.
01:28:14But why did he want the nurse's address?
01:28:17Because he has to kill him.
01:28:20But why?
01:28:22Because your sister's death wasn't an accident.
01:28:24Your husband killed her because he wanted to marry you.
01:28:26That was the key.
01:28:27The crime ten years ago.
01:28:29Perfect.
01:28:30Except for one detail.
01:28:33A male nurse saw a car at the villa.
01:28:35Obviously the killer's car.
01:28:37Because your sister was alone.
01:28:56He tells Landi about the other details.
01:28:59The story isn't clear to him.
01:29:01He reads the papers again.
01:29:03He notices the nurse's details.
01:29:05And he informs himself.
01:29:07That's how he reconstructs the crime like I did.
01:29:09And he starts to blackmail your husband.
01:29:11Forcing Landi to help him.
01:29:13The two of them call Forti to Rome.
01:29:15The nurse that Landi had hired to keep him close.
01:29:18She told me frankly.
01:29:19The nurse had been fired for this.
01:29:22Forti was the weapon with which to convince Fontana to pay.
01:29:25But your husband is a criminal.
01:29:27He knows perfectly well that paying a ransom is useless.
01:29:30So he kills.
01:29:32First Landi.
01:29:33Then Romanis.
01:29:34Then Sandy.
01:29:35He goes to Landi's house.
01:29:37He looks for Forti's address.
01:29:38But he can't find it.
01:29:39Forti isn't in Rome.
01:29:40He's still in Fiumicino.
01:29:42There's a letter in Landi's letterbox.
01:29:44It's a wonder the criminal didn't find it.
01:29:46If he had, he'd have known that Forti's still in Fiumicino.
01:29:51Did you tell the police?
01:29:54No.
01:29:57It's all so absurd.
01:30:00If I talk, I go to prison.
01:30:03I told you, he's been very clever.
01:30:05I don't have any proof.
01:30:07And Forti?
01:30:12Forti's life is in danger if the murderer finds out he's still in Fiumicino.
01:30:18But don't think I'll go to prison to save his neck.
01:30:21You're a bastard.
01:30:23Oh, stop it.
01:30:24I've been enough of an idiot already.
01:30:28Get out of here.
01:30:36I am sorry.
01:30:51I am sorry.
01:31:21I am sorry.
01:31:51I am sorry.
01:31:53I am sorry.
01:32:21I am sorry.
01:32:23I am sorry.
01:32:51I am sorry.
01:33:13That's why your husband got me involved in this story.
01:33:16He wanted to know if he'd married a monster.
01:33:22You killed your sister because Fontana was rich.
01:33:24Only for that reason.
01:33:26Then when Romani and the others blackmailed you,
01:33:28you lost your head and you killed again.
01:33:30And now you are about to repeat the performance.
01:33:33You came here looking for Forti.
01:33:35You were afraid that I might speak to him
01:33:37and find out that the car by the house was yours, not Fontana's.
01:33:41I'm sorry.
01:33:43I'm sorry.
01:33:45I'm sorry.
01:33:47I'm sorry.
01:33:49You didn't know Fontana's.
01:33:52You didn't know Forti had died.
01:33:54That's why he never came to Rome.
01:33:58I told you Vera at the very beginning
01:34:00that my theories made you too nervous.
01:34:04I knew it was you.
01:34:06But I needed proof.
01:34:13I realized that the end was near.
01:34:16I knew that since I met Romani.
01:34:46I knew that since I met Romani.
01:35:16Baldo, were you sleeping?
01:35:20Well, at least I'll wake you up.
01:35:24Put us in your report that the killer is Vera Fontana.
01:35:28There is a hospital here in Fiumicino.
01:35:30Send an ambulance immediately to Longomare.
01:35:34Now you will be convinced that I am clean.
01:35:46Now you will be convinced that I am clean.
01:36:08And these, if they find me?
01:36:12Son of a bitch!
01:37:12You