Eye In The Labyrinth (1972)
Category
🎥
Short filmTranscript
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00:02:30Nine! No, you can't do it! No! No! No!
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00:05:30How did you get in here?
00:05:32Where's Lucas Bernhardt?
00:05:34I don't know.
00:05:36Where is he hiding?
00:05:38What do you want him for?
00:05:40I'm asking the questions.
00:05:45Well, where is he?
00:05:48I don't know, I swear.
00:05:50Oh!
00:05:51Oh!
00:05:52Oh!
00:05:53Oh!
00:05:54Oh!
00:05:57Better not call the police about this.
00:06:02If you do, I'll kill you.
00:06:05Ah!
00:06:06Oh...
00:06:07Ah...
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00:07:00I had a good day.
00:07:30I had a good day.
00:07:31I had a good day.
00:07:32I had a good day.
00:07:33I had a good day.
00:07:34I had a good day.
00:07:35I had a good day.
00:07:36I had a good day.
00:07:37I had a good day.
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00:07:49I had a good day.
00:07:50I had a good day.
00:07:51I had a good day.
00:07:52I had a good day.
00:07:53I had a good day.
00:07:54I had a good day.
00:07:55I had a good day.
00:07:56I had a good day.
00:07:57I had a good day.
00:08:00I had a good day.
00:08:01I had a good day.
00:08:02I had a good day.
00:08:03I had a good day.
00:08:04I had a good day.
00:08:05I had a good day.
00:08:06I had a good day.
00:08:07I had a good day.
00:08:08I had a good day.
00:08:09I had a good day.
00:08:10I had a good day.
00:08:11I had a good day.
00:08:12I had a good day.
00:08:13I had a good day.
00:08:14I had a good day.
00:08:15I had a good day.
00:08:16I had a good day.
00:08:17I had a good day.
00:08:18I had a good day.
00:08:19I had a good day.
00:08:20I had a good day.
00:08:21I had a good day.
00:08:22I had a good day.
00:08:23I had a good day.
00:08:24I had a good day.
00:08:25I had a good day.
00:08:26I had a good day.
00:08:27Lucas!
00:08:28Lucas!
00:08:29Lucas!
00:08:30Lucas!
00:08:31Lucas!
00:08:32Lucas!
00:08:33Lucas!
00:08:34Lucas!
00:08:35Lucas!
00:08:36Lucas!
00:08:37Lucas!
00:08:38Lucas!
00:08:39Lucas!
00:08:40Lucas!
00:08:41Lucas!
00:08:42Lucas!
00:08:43Lucas!
00:08:44Lucas!
00:08:45Lucas!
00:08:46Lucas!
00:08:47Lucas!
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00:08:50Lucas!
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00:08:52Lucas!
00:08:53Lucas!
00:08:54Lucas!
00:08:55Lucas!
00:08:56Lucas!
00:08:57Lucas!
00:08:58Lucas!
00:08:59Lucas!
00:09:00Lucas!
00:09:01Lucas!
00:09:02Lucas!
00:09:03Lucas!
00:09:04Lucas!
00:09:05Lucas!
00:09:06Lucas!
00:09:07Lucas!
00:09:08Lucas!
00:09:09Lucas!
00:09:10Lucas!
00:09:11Lucas!
00:09:12Lucas!
00:09:13Lucas!
00:09:14Lucas!
00:09:15Lucas!
00:09:16Lucas!
00:09:17Lucas!
00:09:18Lucas!
00:09:19Lucas!
00:09:20Lucas!
00:09:21Lucas!
00:09:22Lucas!
00:09:23Lucas!
00:09:24Lucas!
00:09:26Oil and water okay?
00:09:27Yes.
00:09:28How much?
00:09:29Give me three.
00:09:32But we know each other, Signorina, no?
00:09:34No.
00:09:35Hey!
00:09:55Do you recognize him?
00:10:17You say he's a German and has an accent?
00:10:19Yes.
00:10:20He must have been here three or four days ago.
00:10:22Hmm.
00:10:23I don't remember seeing him.
00:10:25May I see it, Signorina?
00:10:28No, I'm sorry, but I've never seen him.
00:10:38Would you like a Fernet?
00:10:40A Fernet, yes.
00:10:47It's me again.
00:10:48Is she there?
00:10:49Let me speak to her.
00:10:55Signorina, I wanted to tell you there is somebody in town that maybe can help you.
00:11:19Who?
00:11:20Somebody.
00:11:22He's okay?
00:11:23Let's go.
00:11:41This is the house.
00:11:42This one here.
00:11:43Hey, where do I go?
00:11:44Whom do I ask for?
00:11:45It doesn't matter.
00:11:46Go to the first floor.
00:11:47It's the door on the left.
00:11:53Come on.
00:11:54Come on.
00:11:55Come on.
00:11:56Come on.
00:11:57Come on.
00:11:58Come on.
00:11:59Come on.
00:12:00Come on.
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00:12:11Come on.
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00:13:00Come on.
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00:13:12Come on.
00:13:13Come on.
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00:13:15Come on.
00:13:16Come on.
00:13:17Come on.
00:13:18Come on.
00:13:19Come on.
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00:13:24Come on.
00:13:25Come on.
00:13:26Come on.
00:13:27Come on.
00:13:28Come on.
00:13:29Come on.
00:13:30Come on.
00:13:31Come on.
00:13:32Come on.
00:13:33Come on.
00:13:34Come on.
00:13:35Come on.
00:13:36Come on.
00:13:37Come on.
00:13:38Come on.
00:13:39Come on.
00:13:40Come on.
00:13:41Come on.
00:13:42Come on.
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00:13:48Come on.
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00:13:50Come on.
00:13:52Hey, who are you running to like that?
00:14:20You look terribly scared.
00:14:22What's the matter?
00:14:23Someone tried to kill me and stole my bag.
00:14:25Who?
00:14:26Did you see who it was?
00:14:27No.
00:14:28Could be the man who took me there.
00:14:29Who were you looking for?
00:14:30Oh, someone.
00:14:31Your husband?
00:14:32No.
00:14:33A psychiatrist from Milan.
00:14:34His name is Lucas Bernard.
00:14:35Then how come you're looking for him around here?
00:14:42Why don't you go to the police?
00:14:44You can tell them about that bag of yours, too.
00:14:45No, I couldn't do that because I'm a foreigner.
00:14:48My visa's expired.
00:14:49It would just make trouble for me.
00:14:51I'm something of a foreigner myself.
00:14:52I was in the States for 25 years.
00:14:54Is there a hotel or something around here?
00:14:56A hotel?
00:14:57Have you taken a good look at this place?
00:15:00But if you would like a room, perhaps I can suggest the house of a lady friend of mine.
00:15:06It isn't much, but if you don't mind, come.
00:15:11It's that building there.
00:15:12Now, don't go getting any crazy ideas.
00:15:15Nobody's trying to kill you.
00:15:18The windows of that building keep falling down every day.
00:15:20Well, then, why did that man take me there?
00:15:22He's a kind of a nut.
00:15:24Here it is.
00:15:25This place used to be mine at one time.
00:15:28Now it's an orphanage.
00:15:37You needn't worry.
00:15:38She'll be all right here with me.
00:15:40She's a beautiful young lady, isn't she?
00:15:42Saro!
00:15:43Frank, go with Saro.
00:15:45Bring in her bags.
00:15:46Saro!
00:15:47My bags are in the car.
00:15:48Oh, then give him the keys.
00:15:49Move.
00:15:50Can't you hear when someone calls?
00:15:51You go with Senor Frank.
00:15:52I'll ask around and try to scrape up some news for you.
00:15:53By the way, what's your name?
00:15:54Julie.
00:15:55Nice name.
00:15:56Come, please.
00:15:57Let's hurry, Senorina.
00:15:58Senorina, do let me show you to your room.
00:15:59Then I must get back to the children.
00:16:00There are 25 of them, and I do have my hands full.
00:16:01Believe me.
00:16:02I hope you'll be comfortable here, Senorita.
00:16:03Oh, dear.
00:16:04Oh, dear.
00:16:05Oh, dear.
00:16:06Oh, dear.
00:16:07Oh, dear.
00:16:08Oh, dear.
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00:18:55Oh, dear.
00:18:56Oh, dear.
00:18:57Oh, dear.
00:18:58Oh, dear.
00:18:59Oh, dear.
00:19:00Oh, dear.
00:19:01Oh, dear.
00:19:02Oh, dear.
00:19:03Oh, dear.
00:19:04Oh, dear.
00:19:05Oh, dear.
00:19:06Oh, dear.
00:19:07Oh, dear.
00:19:08Oh, dear.
00:19:09Oh, dear.
00:19:10Oh, dear.
00:19:11Oh, dear.
00:19:12Oh, dear.
00:19:13Oh, dear.
00:19:14Oh, dear.
00:19:15Oh, dear.
00:19:16Oh, dear.
00:19:17Oh, dear.
00:19:18Oh, dear.
00:19:19Oh, dear.
00:19:20Oh, dear.
00:19:21Oh, dear.
00:19:22Oh, dear.
00:19:23Oh, dear.
00:19:24Oh, dear.
00:19:25Oh, dear.
00:19:26Oh, dear.
00:19:27Oh, dear.
00:19:28Oh, dear.
00:19:29Oh, dear.
00:19:30Oh, dear.
00:19:31Oh, dear.
00:19:32Oh, dear.
00:19:33Oh, dear.
00:19:34Oh, dear.
00:19:35Oh, dear.
00:19:36Oh, dear.
00:19:37Oh, dear.
00:19:38Oh, dear.
00:19:39Oh, dear.
00:19:40Oh, dear.
00:19:41Oh, dear.
00:19:42Oh, dear.
00:19:43Oh, dear.
00:19:44Oh, dear.
00:19:45Oh, dear.
00:19:46Oh, dear.
00:19:47Oh, dear.
00:19:48Oh, dear.
00:19:49Oh, dear.
00:19:50Oh, dear.
00:19:51Oh, dear.
00:19:52Oh, dear.
00:19:53Oh, dear.
00:19:54Oh, dear.
00:19:55Oh, dear.
00:19:56Oh, dear.
00:19:57Oh, dear.
00:19:58Oh, dear.
00:19:59Oh, dear.
00:20:00Oh, dear.
00:20:01Oh, dear.
00:20:02Oh, dear.
00:20:03Oh, dear.
00:20:04Oh, dear.
00:20:05Oh, dear.
00:20:06Oh, dear.
00:20:07Oh, dear.
00:20:08Oh, dear.
00:20:09Oh, dear.
00:20:10Oh, dear.
00:20:11Oh, dear.
00:20:12Oh, dear.
00:20:13Oh, dear.
00:20:14Oh, dear.
00:20:15Oh, dear.
00:20:16Oh, dear.
00:20:17Oh, dear.
00:20:18Oh, dear.
00:20:19Oh, dear.
00:20:20Oh, dear.
00:20:21Oh, dear.
00:20:22Oh, dear.
00:20:23Oh, dear.
00:20:24Oh, dear.
00:20:25Oh, dear.
00:20:26Oh, dear.
00:20:27Oh, dear.
00:20:28Oh, dear.
00:20:29Oh, dear.
00:20:30Oh, dear.
00:20:31Oh, dear.
00:20:32Oh, dear.
00:20:33Oh, dear.
00:20:34Oh, dear.
00:20:35Oh, dear.
00:20:36Oh, dear.
00:20:37Oh, dear.
00:20:38Oh, dear.
00:20:39Oh, dear.
00:20:40Oh, dear.
00:20:41Oh, dear.
00:20:42Oh, dear.
00:20:43Oh, dear.
00:20:44Oh, dear.
00:20:45Oh, dear.
00:20:46Oh, dear.
00:20:47Oh, dear.
00:20:48Oh, dear.
00:20:49Oh, dear.
00:20:50Oh, dear.
00:20:51Oh, dear.
00:20:52Oh, dear.
00:20:53Oh, dear.
00:20:54Oh, dear.
00:20:55Oh, dear.
00:20:56Oh, dear.
00:20:57Oh, dear.
00:20:58Oh, dear.
00:20:59Oh, dear.
00:21:00Oh, dear.
00:21:01Oh, dear.
00:21:02Oh, dear.
00:21:03Oh, dear.
00:21:04Well.
00:21:05Well.
00:21:06You can get year by the road, too, you know.
00:21:11I wanted to swim.
00:21:12I didn't see anyone there.
00:21:15House kids took my clothes.
00:21:16A naked woman doesn't have to go into explanations.
00:21:18Especially if she's as young and beautiful as you.
00:21:21Hello, hello, it's no use, they're all wearing earplugs, I'll do the introductions
00:21:40later.
00:21:41They're all utterly disconnected for the moment.
00:21:46Come here you lousy tramp.
00:21:48Kill me tomorrow, tonight let me live.
00:21:51You'll die now.
00:21:52Give me half an hour.
00:21:54You shall die with no mercy.
00:21:56Please, my last little prayer.
00:21:59It's too late.
00:22:00Ah, you're an old ham.
00:22:03You've been hitting it off with Eugene.
00:22:06It's written all over your face.
00:22:07Well, at least you can say if you liked it or not.
00:22:13First, I didn't go to bed with him.
00:22:17Second, he isn't my cup of tea.
00:22:19Third, even if I had, I still wouldn't tell you.
00:22:30Will you quit bothering me?
00:22:32I'm interested in your feet.
00:22:35I'm finished now.
00:22:41Luis, Luis, the cigarette.
00:22:49You might as well open your mouth, or do you want me to smoke it for you?
00:22:58He's said to have Aztec blood in his veins.
00:23:01He's absolutely beautiful, don't you think?
00:23:04Yes.
00:23:05Oh, about this Dr. Lucas, Lucas Bernhardt, no, never saw him, never heard of him.
00:23:11He was certainly never here, I can assure you, don't know.
00:23:17Who told you to come here?
00:23:19A man in the village, his name is Frank, he was very sweet about it, really.
00:23:23Oh, yes, he's a very sweet person.
00:23:26I know, he's a born rogue, an ex-gangster who was kicked out of the United States.
00:23:33Well, I'm, I'm sorry, I feel as though I've been gate-crashing.
00:23:38I'd better be on my way.
00:23:40Oh, you're mad, you mean you want to, to drive away at this hour?
00:23:46You can wait at least until tomorrow.
00:23:49Don't you like it here?
00:23:50Must you go now?
00:23:51No, not really.
00:23:52Well, why be in such a hurry to leave then?
00:23:56Nice place, nice people.
00:23:59Ha, she's lying, she hates us all.
00:24:03Ah, pay no attention to him, he always says the opposite of what he thinks.
00:24:08Go on.
00:24:09You mean, you mean to tell me that you've been recording everything we've been saying?
00:24:13You are in noises of what I'm after, not words.
00:24:17I don't give a shit about what you've been saying.
00:24:20My music is composed from the sounds of nature, crickets, birds, thunder and the human voice.
00:24:26He's a composer and a great success in the offbeat nightclubs.
00:24:32His great ambition, of course, is to be performed at La Scala.
00:24:39Thomas and Corinne, they're sort of Abelard and Heloise, or Tristan and Isolde.
00:24:45Actors of mimicry, they were formed up on Broadway and in Greenwich Village, and get
00:24:49more and more off every season.
00:24:53They have their fight for the day, now they'll make up in bed.
00:24:57He's got to fight with her first, or he just doesn't function.
00:25:00Some people take a lot more than that to get it up.
00:26:09I can't take any more of this.
00:26:16I'm going to hit the sack.
00:26:19Good night.
00:26:26Me too.
00:26:30They're really going to bed, you know.
00:26:32Separately, that is.
00:26:33What are you doing?
00:26:49There's a book up on the shelf with an old binding.
00:26:56Les Contre-Latins?
00:26:57Yes, I think so.
00:27:01It's funny, because I gave one exactly like it to Lucas, only I'd written a few words
00:27:04on the front page.
00:27:05This can't be it.
00:27:06It's impossible.
00:27:07It belonged to my first husband.
00:27:08May I see it?
00:27:09No.
00:27:10I told you, it couldn't possibly be yours.
00:27:16Hello?
00:27:19Pronto?
00:27:22It's for you.
00:27:31For me?
00:27:36Hello?
00:27:39Hello?
00:27:42Hello?
00:27:45Hello?
00:27:48Someone at the village?
00:27:53Someone who wants to know if you've left?
00:27:56No, there was no one.
00:27:57It must have been a mistake.
00:28:01I'm going to bed now.
00:28:02I shall be leaving in the morning.
00:28:03As you like.
00:28:04Good night.
00:28:05Thanks for everything.
00:28:12Thomas, call the others.
00:29:01Excuse me, Signorina.
00:29:03I thought I heard someone coming from outside.
00:29:05Is that true?
00:29:06Please close the light.
00:29:07Of course.
00:29:08Wait, wait a minute.
00:29:11But wasn't it you who took me up to that house today?
00:29:14No, Signorina.
00:29:31Good morning.
00:29:45I thought you had gone.
00:29:57I decided to stay.
00:29:59If your invitation still holds.
00:30:01You can stay as long as you want.
00:30:16Hey!
00:30:17What are you doing here?
00:30:18What do you want?
00:30:19I want to talk to you.
00:30:20Come on, come out of there.
00:30:21Why are you hiding?
00:30:22Signor Frank, he says he wants to see you.
00:30:25He said it's very important.
00:30:28He's waiting for you at the orphanage.
00:30:31Hey, come back here.
00:30:33Good boy.
00:30:56This is all I got left.
00:30:57A room in a basement.
00:31:00In a building that used to be mine.
00:31:03I hope you didn't ask me here to talk about your private life.
00:31:06Find out anything?
00:31:07No, not a thing.
00:31:08No one's seen it.
00:31:10Is this yours?
00:31:11Yes.
00:31:12It's him, isn't it?
00:31:15Where'd you get it?
00:31:16I stole it from Antonio.
00:31:18The guy who took you to that abandoned place.
00:31:20Strange, isn't it?
00:31:24Everybody seems very strange here.
00:31:27Try to get them to talk.
00:31:29Let Goethe crowd know something.
00:31:31But be careful of those people.
00:31:34Don't trust them.
00:31:35Especially Goethe.
00:31:37Don't worry about it.
00:31:38I don't trust anyone.
00:31:39You can trust me any time.
00:31:41If you run into trouble, come to me.
00:31:43I'm your only ally around here.
00:31:45You say I can trust you.
00:31:47Are we allies?
00:31:49Kiss me.
00:31:54You young little slut!
00:31:55How dare you!
00:31:56And in my house!
00:31:57You son of a...
00:31:58Wait.
00:31:59Wait a minute.
00:32:00Let me explain.
00:32:02You must trust me.
00:32:24Looks like I've found a murderer for my work.
00:32:27This hand.
00:32:28But it's Lucas's.
00:32:29You can't deny it.
00:32:30It's his scarf.
00:32:31So?
00:32:32Is it a crime to take pictures of him?
00:32:34Why do you keep telling me he wasn't here?
00:32:36I told you three years ago in Tunis,
00:32:38before you'd ever met him.
00:32:40Oh, I see.
00:32:41I'm sorry.
00:33:24Frank a gangster?
00:33:50He used to be.
00:33:53He was pretty cheap.
00:33:55His real passion is women.
00:33:57Oh, I know.
00:33:59His fancy used to be Gerder.
00:34:01And then what happened?
00:34:03That's where I came in.
00:34:07If you can't stand her, why'd you stay here?
00:34:10Oh, she's as good or bad as any other.
00:34:13It's all the same.
00:34:15There are certain advantages with Gerder.
00:34:18She keeps you.
00:34:19But that shouldn't be difficult.
00:34:21No, I'm very expensive.
00:34:29Lewis.
00:34:34You were lying, weren't you?
00:34:36Lucas was here.
00:34:40Yes, he was.
00:34:44Well, why won't any of you admit it?
00:34:47I don't know.
00:34:49That's the way Gerder wanted it.
00:34:51I see.
00:35:21I'm sure of it.
00:35:38At first I thought he was fooling.
00:35:40We had known each other for ages.
00:35:43By the time I realized what he was after,
00:35:46it was too late.
00:35:52He knew very well I was a virgin and that I had a hang-up about virginity.
00:35:56A complex, or whatever you want to call it.
00:35:58It was the most important thing in my life.
00:36:01That was exactly why he did it.
00:36:04He wanted me to be a virgin.
00:36:06And I was a virgin.
00:36:08And he wanted me to be a virgin.
00:36:10And I was a virgin.
00:36:12And he wanted me to be a virgin.
00:36:14And I was a virgin.
00:36:16And he wanted me to be a virgin.
00:36:18And I was a virgin.
00:36:21That way.
00:36:23Forcing me.
00:36:25I hated him so.
00:36:33As I saw him lying there,
00:36:35I thought of killing him.
00:36:37There.
00:36:38And then.
00:36:40After a while he went back to the villa.
00:36:42By the time I'd come up, he had left without saying goodbye.
00:36:45I've never heard from him since.
00:36:51I've forbidden you to set foot in this house.
00:36:54You amaze me, Gerda.
00:36:55You won't let me set foot in my own house.
00:36:58It was your house, now it's my house.
00:37:00And in my house, people who talk too much are not welcome.
00:37:04I can throw you out whenever I choose.
00:37:06With a little help from Antonio and his gun.
00:37:08That wouldn't be nice, Gerda.
00:37:10Seeing as how I brought you a present.
00:37:21Now, what does this mean?
00:37:22You know how much that idiot's pictures get on my nerves.
00:37:25I don't think you've taken a good look, Gerda.
00:37:28Turn it over.
00:37:42What does this mean?
00:37:44It means that the kid has talent.
00:37:47And that's what I'm going to do.
00:37:49It means that the kid has talent.
00:37:52He can paint exactly what he sees.
00:37:55And only what he sees.
00:37:57He can't invent.
00:37:58He's a bit short on imagination.
00:38:02Have you had the same guests around in the last 10 days?
00:38:06Let's get down to it, Frank.
00:38:08What do you want?
00:38:09That's pretty simple.
00:38:10I want to come back.
00:38:12Not back in your bed, don't worry.
00:38:14I mean here.
00:38:16In this house.
00:38:19Just look at that panorama.
00:38:20What would you do here?
00:38:22You know, there's no place for you here anymore.
00:38:26You'll find a place.
00:38:28We'll go back into business together.
00:38:43Hello.
00:38:43We have a call for you from Milano.
00:38:45One moment, please.
00:38:49Hello.
00:38:52Hello.
00:38:52Hello.
00:38:53Lucas.
00:38:54Listen, I can't hear you.
00:38:55Hello, how did you know I was here?
00:38:56Lucas.
00:38:57Let me speak first.
00:38:58I've been trying to contact you.
00:39:00I thought I'd never find you.
00:39:02Hello, can you hear me?
00:39:03Lucas, hello.
00:39:05Oh, please call me back right now.
00:39:07I'll call home immediately.
00:39:08Hello, hello.
00:39:10Sorry, you've been cut off.
00:39:11The line must be out of order.
00:39:12Hello, hello.
00:39:18Hi.
00:39:43Louis.
00:39:44I've come to say goodbye.
00:39:47Louis, are you alright?
00:39:48Listen, I have to leave. I'm going back to Milan. Lucas called me.
00:39:55You mean Lucas telephoned? That's funny.
00:40:00What's so funny about him?
00:40:06Wait! Better drive by the garage before you leave.
00:40:10What for?
00:40:11Do what I told you. But wait till everyone's asleep. Go on, don't ask any questions.
00:40:18Okay.
00:41:18Open up, please! Let me out!
00:41:48Please let me out of here!
00:42:18Please let me out!
00:42:48Please let me out!
00:43:18Please let me out!
00:43:48Please let me out!
00:44:19I got you just in time.
00:44:27Feel any better? You'll be all right.
00:44:30Some water?
00:44:37Thanks. Lucas's car was in there. He didn't leave.
00:44:44I know. It was a trap. Calm down now. Try to get some rest.
00:44:51Please, the medicine in my bag.
00:45:14Lock the door and don't let anyone in. Understand? No one.
00:45:44Why don't you get a poodle?
00:45:51Dogs are too intelligent. I prefer your sort.
00:45:56Stop it!
00:46:10Thomas, Eugene's feeling me up.
00:46:13Eugene's a pig.
00:46:43Good morning. Good morning, my dear.
00:47:13Hello? Hello?
00:47:40Listen, I can't hear you. Let me speak first.
00:47:44I've been trying to contact you. I thought I'd never find you.
00:47:48Hello? Can you hear me?
00:47:50It's the same as what he said to you on the phone, right?
00:47:54Word for word.
00:47:56There's your answer.
00:47:58They put together a piece of conversation Lucas had with somebody and mixed in a bit of static.
00:48:03Eugene's a master at turning on stuff like that.
00:48:07Right, Eugene?
00:48:09I don't know. I don't know what you're talking about.
00:48:13About that tape you fixed up to fool Julie.
00:48:16You wanted it to back up and go.
00:48:18You were afraid she'd find out something, eh?
00:48:20No, no.
00:48:21Then you changed your mind.
00:48:22You thought how much easier it would be to kill her.
00:48:25So you set a trap for her in the garage.
00:48:27You're on this with Louis. Or maybe he gave you the idea without meaning to.
00:48:31Frank, you're crazy. I have nothing to do with this thing.
00:48:34No, no.
00:48:35You're lying. Tell the truth.
00:48:37Tell the truth or I'll kill you.
00:48:39No, Frank. Stop it. Let him go. You're choking him to death. Please.
00:48:45Okay. So I fixed the tape.
00:48:48But I didn't even know what it was for.
00:48:51Gerda asked me to.
00:48:53Gerda, Gerda. All you ever do is hide behind that woman's skirts.
00:48:57And Lucas, they're trying to make me believe I killed him.
00:49:01But I know they're lying. It isn't so.
00:49:04That night we were all sitting in the living room after supper.
00:49:07Lucas was there.
00:49:08We began playing one of those games where you have to tell the truth when you're asked a question.
00:49:13Lucas was asking them.
00:49:15They were quite ruthless.
00:49:17He asked them in such a way it was impossible to invent lies.
00:49:21He was diabolic.
00:49:23He could pry out your most intimate secrets.
00:49:28Tony was the first one to break down.
00:49:31He succeeded in getting her to reveal things she'd never tell anyone.
00:49:45But it seemed that I was his most interesting guinea pig, being a psychiatrist.
00:49:50At once he obviously spotted that he could have a high time with me.
00:49:55The game became more like a session of public therapy with me as his patient.
00:50:01He dragged it all out of me.
00:50:03Things nobody ever knew.
00:50:05Things I had buried away forever.
00:50:09Like the three years I spent in the Nuthouse.
00:50:12Why I was sent there.
00:50:14I could never forgive him for that.
00:50:17No one knew about that.
00:50:20No one.
00:50:25I didn't want to.
00:50:28But all of a sudden I seemed to lose control.
00:50:33The only thing I could see in front of me was that little face.
00:50:39Not much more than a child's.
00:50:45Remember, Eugene.
00:50:47You have to tell us who she was.
00:50:49No harm in that.
00:50:51No, no, no, no, no.
00:50:52I know perfectly well who, but I want you to tell us.
00:50:57Come on, Eugene.
00:51:00She was my daughter, Lucy.
00:51:07Lucas went on grilling me.
00:51:10The others had left the room in disgust.
00:51:13And all of a sudden, a great wave of fury began stirring up inside me.
00:51:18I couldn't stand it anymore.
00:51:27I didn't know what I was doing.
00:51:32I began to hit him.
00:51:37But then...
00:51:39I don't remember what happened.
00:51:42I must have had an attack of something.
00:51:45I don't know.
00:51:46I don't know.
00:51:52I don't remember anything more of that night.
00:51:55There is one thing I am certain about.
00:51:57I couldn't have killed Lucas.
00:51:59What makes you so sure, Eugene?
00:52:01I saw him the next day from the window.
00:52:04He was going down to the sea with Thomas and Corrine.
00:52:08Everyone saw you go down to the beach with Lucas.
00:52:10But he wasn't with you and Corrine when you came back, right?
00:52:14No.
00:52:15Lucas came back up with us.
00:52:16I swear he did.
00:52:17You don't have to swear, Thomas.
00:52:19Tell him the truth.
00:52:20We have nothing to hide.
00:52:23It's true.
00:52:24We did go down to the water together.
00:52:28Thomas led the way.
00:52:31And Lucas was right behind me.
00:52:43Thomas went in by himself.
00:52:47But then Lucas told me...
00:52:49he'd rather take a swim in the underwater grotto.
00:52:52I said, go ahead.
00:53:07So, thinking I was alone,
00:53:10I took off my bathing suit to sunbathe in the nude.
00:53:16But Lucas did not go to the grotto at all.
00:53:20He came back to spy on me.
00:53:23He'd been watching me for some time,
00:53:25always snooping around.
00:53:28He must have guessed something wasn't right.
00:53:30Never missed a thing.
00:53:31There was something devilish about him.
00:53:33Maybe because he was a psychiatrist.
00:53:38Why was?
00:53:40Did I say was?
00:53:41Answer the question.
00:53:43Answer the question.
00:53:45Well, you know, it's the sort of thing you say
00:53:47when someone's talking about the past.
00:53:49Yeah.
00:53:50It's like when you're talking about someone who's dead,
00:53:52for instance.
00:53:53I don't know.
00:53:54I'm telling you everything I know,
00:53:56if you'll only listen.
00:53:58All right.
00:53:59Go on.
00:54:06It isn't easy to tell you this.
00:54:09Lucas found out our secret.
00:54:12I'm a man, but only physically.
00:54:17I feel and think like a woman.
00:54:20I'm not a transvestite.
00:54:22I'm an actress.
00:54:24I'm Thomas' wife.
00:54:26A woman.
00:54:27A woman.
00:54:29I'm not a transvestite.
00:54:33Lucas!
00:54:35In the heat of the moment,
00:54:37Thomas threatened to kill Lucas if he told anyone.
00:54:41Our careers would have been ruined by the scandal.
00:54:44It would have been the end.
00:54:47Lucas said he couldn't care less about us and our careers.
00:54:52And he ran off over the rocks.
00:54:55And that's the last time we saw him.
00:55:40I love you.
00:56:10Yeah!
00:56:13No!
00:56:39Julie!
00:56:42Julie!
00:56:48Look at this.
00:56:50I found it in the water.
00:56:52Someone tried to kill me to get rid of me.
00:56:55Come inside.
00:56:58It's all my fault.
00:57:00I won't leave you alone anymore.
00:57:03It won't happen again.
00:57:05I promise you.
00:57:07No, no, no.
00:57:09I want to go away from here.
00:57:11I don't know.
00:57:14Maybe I'll go to the police with this.
00:57:17Yeah.
00:57:19But calm down now. You're too upset.
00:57:21I'll keep the shirt.
00:57:23The guy who tried to kill you will try to get it.
00:57:29You must trust me, Amy.
00:57:41Oh.
00:57:46That picture.
00:57:48What does it mean?
00:57:53I found it in Gurley's room.
00:57:55I wanted to show it to you, but...
00:57:57this wasn't the right moment.
00:58:00Don't be upset.
00:58:02Julie, don't worry.
00:58:04I will explain everything.
00:58:06Julie, please believe me.
00:58:10Julie.
00:58:12Let me go.
00:58:14Please let me go.
00:58:39Let me go.
00:59:09Let me go.
00:59:40This is where it was.
00:59:46Stop it.
00:59:48If you don't kiss me, I won't tell you anything else.
00:59:50I won't.
00:59:51Listen.
00:59:52I'll kiss you, I promise you.
00:59:54But only after you've told me everything that happened.
00:59:59I'm sorry.
01:00:01I'm sorry.
01:00:03I'm sorry.
01:00:05I'm sorry.
01:00:07I'm sorry.
01:00:13From up here, you can see all the women lying in the sun.
01:00:16Nude.
01:00:19Did you also see that thing you painted in the picture?
01:00:22And did you recognize the person with the knife?
01:00:26Will you tell me who it was?
01:00:28Will you kiss me first?
01:00:31Will you please tell me who it was?
01:00:34Just tell me! I've got to know!
01:00:39Oh, I've had enough of this! You're going with me to the police!
01:00:41They'll make you talk!
01:00:42No!
01:01:34SIREN BLARES
01:02:05THUNDER RUMBLES
01:02:11Saru!
01:02:17Saru!
01:02:35You stay still and quiet. Don't move.
01:02:39I'll take you to a hospital. It's nothing serious.
01:03:05THUNDER RUMBLES
01:03:14Saru!
01:03:21Saru, get up! Get up!
01:03:28Oh, my God!
01:03:34Oh, my God!
01:04:04SOBBING
01:04:35Julie.
01:04:38Julie, how are you? You feeling better?
01:04:41Oh, Louis, help me! It was awful!
01:04:45That poor boy. It was all my fault!
01:04:49Come on, now. Calm down.
01:04:52SOBBING
01:05:04THUNDER RUMBLES
01:05:30What are you looking for?
01:05:31I don't know. I...
01:05:33Lost something?
01:05:34I have a feeling something's missing. I don't know.
01:05:38You've really made up your mind, then?
01:05:39I've got to get away from here.
01:05:41I can't stand it a moment longer.
01:05:43I'm afraid of everything and everybody.
01:05:46Afraid of me, too?
01:05:48No. Not of you.
01:05:51But what use could you be?
01:05:53We're both of us too weak.
01:05:55We're defeated right from the start.
01:06:04Take this.
01:06:06What is it?
01:06:07What it looks like. A lump of sugar.
01:06:10Just close your eyes. Open your mouth.
01:06:19THUNDER RUMBLES
01:06:34THUNDER RUMBLES
01:06:45What strange colors.
01:06:47Used to have the same effect on me at first.
01:06:50But now it's something else. I couldn't live without it.
01:06:53Where'd you get it?
01:06:55Where do I get it?
01:06:57Why do you think I flop into bed with Gerda every time she wants?
01:07:00Gerda's yacht is a storehouse.
01:07:02It's the drug distribution center for most pushers in this country.
01:07:05Do the others know about it?
01:07:07They're all working for her.
01:07:09A little group of eccentrics, artists and actors.
01:07:12Kept by a crazy old millionaireess.
01:07:15That's the image.
01:07:17Where does Lucas come into this?
01:07:19You don't know?
01:07:21Didn't he ever tell you?
01:07:23Well, let's see.
01:07:25I'm sorry to be the one to tell you.
01:07:27But your Lester's boyfriend was a pusher.
01:07:30A very important pusher.
01:07:32He was Gerda's number one accomplice after Frank left.
01:07:35He worked it from the Milan end.
01:07:38A nasty character, believe me.
01:07:40You've been dying to get the little boy into bed since the day you came here.
01:07:45Well, how did it go?
01:07:49Did he do his duty? Like a man?
01:07:52I shouldn't think so.
01:07:54He's a slug, unless he's loaded with acid.
01:07:58Get up!
01:08:00So we are shamed, are we?
01:08:02Don't hurt her.
01:08:04Leave her alone.
01:08:07Very well.
01:08:10But now I'm going to tell you the truth.
01:08:13No one killed Lucas, Julie.
01:08:16He left the villa alive.
01:08:19None of us ever saw him again.
01:08:21Right, Louis?
01:08:23Yes.
01:08:25Answer me, you fool!
01:08:27You saw him leave?
01:08:29Well, did you or didn't you?
01:08:31You saw him go away?
01:08:33Answer me!
01:08:35I saw him go away.
01:08:38Of course you did.
01:08:39Now get up and go to your room.
01:08:41Yes, I'll go to my room now.
01:08:47Do you believe it now?
01:08:50No, you don't.
01:08:52What does it matter anyhow?
01:08:54Who'd ever believe you?
01:08:56What proof do you have?
01:08:59All I want is to be left alone.
01:09:03I want to go away from here.
01:09:05I never want to see any of you ever again.
01:09:08I know, dear.
01:09:10You will leave tomorrow morning.
01:09:22Thank you.
01:09:43Forget it, Gerda. It's me.
01:09:45You frightened me.
01:09:48So I frighten you, scare you.
01:09:52Maybe you're right.
01:09:54Now what do you want, Frank?
01:09:56Just a little business talk.
01:09:58I thought we had our business talk.
01:10:00And now I'm going to bed.
01:10:02I'm not glad about the old arrangements.
01:10:06And now I've got the upper hand.
01:10:08And what do you mean?
01:10:11There's a murderer around here.
01:10:14And one thing's for sure, it isn't me.
01:10:17I wasn't here.
01:10:19Ever since you kicked me out.
01:10:22I think you all agreed to get rid of him.
01:10:25And one of you killed him.
01:10:29Now you don't want the police to come sticking their noses in here.
01:10:33Or in that boat of yours.
01:10:34You're a bad joke, Frank.
01:10:36You haven't a shred of proof except for that picture.
01:10:39And that doesn't show anything.
01:10:41Why were you so scared of it then, huh?
01:10:44You did try to kill a girl, didn't you?
01:10:46What did you call that proof?
01:10:48No one tried to kill Julie.
01:10:51Since I failed in crime,
01:10:53there's nothing for me to lose if I take that picture to the police.
01:10:57They'd welcome me with open arms.
01:11:00Sure, what can you expect from a cheap blackmailer?
01:11:03How much do you want, Frank?
01:11:05How much?
01:11:07Seventy percent.
01:11:09And that isn't all.
01:11:11From now on, I'm the one that's going to make the decisions.
01:11:15Just like old times.
01:11:17What about Julie?
01:11:20She'll be our guest here in my villa.
01:11:25And for how long?
01:11:26As long as necessary.
01:11:29Then I'll decide what to do.
01:11:32Who's going to persuade her to keep her mouth shut?
01:11:34I am.
01:11:36Maybe with a little help from your young friend.
01:11:48Watch it, Gerda.
01:11:50Jealousy can give bad advice.
01:11:54You'll answer for Julie's safety.
01:11:56If anything happens to her,
01:11:58you know what to expect.
01:12:09This should hold me for the time I'm away.
01:12:12Hello, Mr. Frank.
01:12:14For the time I'm away.
01:12:16How long will that be?
01:12:18I don't know yet.
01:12:19A week, maybe two.
01:12:21Frank, I'll see you then.
01:12:23Sure, sure.
01:12:30That boy, Saro.
01:12:33He's still down at the villa.
01:12:35He'll probably go with Gerda on her yacht.
01:12:41To Greece.
01:12:42So long.
01:14:42Julie, run!
01:14:43Run, Julie, run!
01:14:45Louis!
01:14:49Let me go!
01:14:50Let me go!
01:15:12Louis!
01:15:19No, Louis!
01:15:26Don't do it, Louis!
01:15:28Come back!
01:15:29Come back!
01:15:30Louis!
01:15:37Louis!
01:15:42Louis!
01:16:12Louis!
01:16:43She's gone to the police.
01:16:45I saw her go in.
01:16:46Didn't get a chance to stop her.
01:16:48What should we do, Frank?
01:16:49Tell us what to do.
01:16:50You'll have to get out of here at once.
01:16:52There's no other way.
01:16:53And what about you?
01:16:54Me?
01:16:55I'll stay here.
01:16:56This is my place.
01:16:58I don't figure into this story.
01:17:00What about Gerda?
01:17:02She knows damn well she can't afford
01:17:04to have the police find her here now.
01:17:06They'll be here in less than an hour,
01:17:08so get on that yacht and get the hell out of here.
01:17:10All of you.
01:17:11There's no time to lose.
01:17:13And you take him with you.
01:17:15I'll look after Lucas's body.
01:17:17So you get your villa back, Frank.
01:17:20You're the master now.
01:18:10Ready, Gerda?
01:18:28We've got to do it.
01:18:29You know that.
01:18:30Come on.
01:18:31You go ahead.
01:18:32I'll be right up.
01:18:34Go ahead.
01:18:55Go ahead.
01:19:26Go ahead.
01:19:27Go ahead.
01:19:56Go ahead.
01:20:02Go ahead.
01:20:26Go ahead.
01:20:40Go ahead.
01:21:00Get up, Julie.
01:21:02Come with me.
01:21:03You murderer.
01:21:04You did it.
01:21:05You killed Lucas.
01:21:07You and I are the only ones who know the truth.
01:21:11Only we're not likely to tell anyone, are we?
01:21:14So now you're going to kill me.
01:21:16Go and get it over with.
01:21:17Oh, Julie.
01:21:19There's something better we can do together.
01:21:25Come on, Julie.
01:21:26I'll show you.
01:21:27I'm getting out of here.
01:21:29Get out of my way.
01:21:31You're useless, Julie.
01:22:00Get out of my way.
01:22:29Get out of my way.
01:22:58Get out of my way.
01:23:27Get out of my way.
01:23:56Get out of my way.
01:24:25Get out of my way.
01:24:54It was you, Julie.
01:24:57You killed him.
01:25:06He wasn't just your lover.
01:25:11He was my doctor, the only man who could cure me.
01:25:16I had a terrible neurosis caused by an obsession which was driving me to an asylum.
01:25:25He was my father, my God.
01:25:28He gave me my life back.
01:25:30He was the only man who ever succeeded in making me live.
01:25:34Then he suddenly walked out on you.
01:25:38You discovered where he was and you came looking for him.
01:25:42You met him before Gerda and the others realized you were here.
01:25:47And I realized immediately what he really was.
01:25:51What did he tell you when he first saw you?
01:25:56He told me to go away.
01:26:01My savior.
01:26:03My idol.
01:26:05My father.
01:26:09He told me he didn't want me anymore.
01:26:16He said he didn't care what happened to me.
01:26:21He wasn't interested.
01:26:24I was just a toy he'd taken apart to see how it worked and put the pieces back together again.
01:26:29Now he was throwing me aside to look for another.
01:26:33I had to kill him.
01:27:03I had to kill him.
01:27:34So while the others were lying deaf and blind in the sun,
01:27:38you were busy cutting off Lucas's head.
01:27:42And you ran away without anyone seeing you.
01:27:49The thing is I was...
01:27:53Something was wrong with me.
01:27:57Something was wrong with me.
01:28:00And that's why I was under analysis with Lucas.
01:28:06Ever since your father drove your mother out of the house when you were two years old,
01:28:11you had a compulsive urge to commit horrible, shameful, even atrocious actions.
01:28:19Every time you did this, a defensive mechanism would wipe the whole thing from your memory.
01:28:28A kind of censorship which came down like a curtain to hide it from your consciousness.
01:28:36So by the time you'd gone back to Milano,
01:28:40the murder had been completely blocked out of your mind.
01:28:46I had no idea I didn't left Milano and what I'd done.
01:28:49When I set out to look for Lucas, I really believed that he was alive.
01:28:53I know absolutely nothing about what happened.
01:28:57And you came back here as if it were the first time,
01:29:00when every trace of Lucas had disappeared.
01:29:06And later, when the body was discovered lying there all covered with blood,
01:29:11horrified and scared of the consequences,
01:29:15Gerda and her friends began suspecting and accusing one another.
01:29:19But a pact of complicity and fear kept them from talking.
01:29:23They couldn't allow the police to come poking their noses in.
01:29:27Not with that yacht loaded with dope.
01:29:32I suggest we better get rid of him.
01:29:34I knew it was you who killed him when I found those pants in your suitcase.
01:29:42They are the one sorrow painted in the picture.
01:29:45So you kept piling up proof against me.
01:29:48Yes, while that subconscious defense mechanism of yours kept trying to destroy it.
01:29:55You could always find some excuse for not going to the police.
01:30:00You kept trying to hide all the evidence that could furnish the watertight proof.
01:30:07You went so far as to strike a second time.
01:30:10No, it's not true. Don't say that.
01:30:12Oh, yes, it is, Julie.
01:30:15That boy, Sorrow, you killed him.
01:30:19You could have saved him if you wanted to.
01:30:23You had no intention of taking him to the police.
01:30:28Police?
01:30:30Since I knew what happened, I used you to blackmail the others.
01:30:34To get them out of my house.
01:30:36That's why I protected you.
01:30:40I killed Antonio.
01:30:42Remember?
01:30:43That man who took you to that deserted house in the village?
01:30:47Yes, I remember.
01:30:49I killed Antonio.
01:30:53Remember?
01:30:54That man who took you to that deserted house in the village?
01:30:57To prevent him from killing you.
01:31:01He was the killer of the gang.
01:31:03Took his orders from Goethe.
01:31:08You should be grateful for that, Julie.
01:31:10Yes, Frank, I am.
01:31:14You've always needed a man to possess you.
01:31:18To be your master.
01:31:20Your father.
01:31:22Lucas.
01:31:24Now there's me.
01:31:26Yes, Frank, now there's you.
01:31:50Can't you sing something else?
01:31:53Get me a cold beer.
01:31:55Yes, Frank, right away.
01:32:02Two little babies have I brought
01:32:07A third lies in my body
01:32:12I'd surely part with them every once
01:32:19If you saved the life of Judy
01:32:28Come on, Julie.
01:32:30I'm dying of thirst.
01:32:49I'm dying of thirst.
01:33:19I'm dying of thirst.
01:33:49I'm dying of thirst.
01:33:50I'm dying of thirst.
01:33:51I'm dying of thirst.
01:33:52I'm dying of thirst.
01:33:53I'm dying of thirst.
01:33:54I'm dying of thirst.
01:33:55I'm dying of thirst.
01:33:56I'm dying of thirst.
01:33:57I'm dying of thirst.
01:33:58I'm dying of thirst.
01:33:59I'm dying of thirst.
01:34:00I'm dying of thirst.
01:34:01I'm dying of thirst.
01:34:02I'm dying of thirst.
01:34:03I'm dying of thirst.
01:34:04I'm dying of thirst.
01:34:05I'm dying of thirst.
01:34:06I'm dying of thirst.
01:34:07I'm dying of thirst.
01:34:08I'm dying of thirst.
01:34:09I'm dying of thirst.
01:34:10I'm dying of thirst.
01:34:11I'm dying of thirst.
01:34:12I'm dying of thirst.
01:34:13I'm dying of thirst.
01:34:14I'm dying of thirst.
01:34:15I'm dying of thirst.
01:34:16I'm dying of thirst.
01:34:17I'm dying of thirst.
01:34:18I'm dying of thirst.
01:34:19I'm dying of thirst.
01:34:20I'm dying of thirst.
01:34:21I'm dying of thirst.
01:34:22I'm dying of thirst.
01:34:23I'm dying of thirst.
01:34:24I'm dying of thirst.
01:34:25I'm dying of thirst.
01:34:26I'm dying of thirst.
01:34:27I'm dying of thirst.
01:34:28I'm dying of thirst.
01:34:29I'm dying of thirst.
01:34:30I'm dying of thirst.
01:34:31I'm dying of thirst.
01:34:32I'm dying of thirst.
01:34:33I'm dying of thirst.
01:34:34I'm dying of thirst.
01:34:35I'm dying of thirst.
01:34:36I'm dying of thirst.
01:34:37I'm dying of thirst.
01:34:38I'm dying of thirst.
01:34:39I'm dying of thirst.
01:34:40I'm dying of thirst.
01:34:41I'm dying of thirst.
01:34:42I'm dying of thirst.