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  • 5 months ago
Transcript
00:00Once upon a time, there were three little girls who went to the police academy.
00:07One in Los Angeles, one in San Francisco, the other in Boston.
00:14And they were each assigned very hazardous duties.
00:21But I took them away from all that, and now they work for me.
00:26My name is Charlie.
01:26Hi.
01:53Kelly Garrett.
01:54That's right.
01:55My name is Bill Cord. I was referred to you by...
01:58Oh, Tiffany Wells, right?
02:00I'm sorry, Tiffany who?
02:01Look, Mr. Cord, I already know why you're here.
02:03You do?
02:04Yes.
02:05Tiffany bought a new set of encyclopedias.
02:07She gave my name as a referral so she'd get the full discount.
02:10She told me all about it.
02:11Sorry to have wasted so much of your time, but I'm just not interested, okay?
02:15Bye.
02:20I admire your persistence, but I'm just not interested.
02:23Miss Garrett, this could be the most important opportunity of your life.
02:26Oh, sure.
02:27I'm not selling encyclopedias, I swear.
02:29Oh, you never are.
02:30It's education or research material.
02:33But if I let you in and you open up that case,
02:36I'll pop all those beautiful leather bindings,
02:38and in 15 minutes you'll have sold me a whole new set of encyclopedias.
02:41Do you already have a set of encyclopedias?
02:44Two sets.
02:46Well, then there's no way in the world I could sell you another set, is there?
02:50Agreed.
02:51Agreed.
02:52Now, can we start over, please?
02:53I'm Bill Cord.
02:55Klein Hoffman and Associates.
02:57I'm one of the associates.
03:00Can I come in, please?
03:01Just for a minute.
03:03All right.
03:04Thank you.
03:08Come on in.
03:09Have a seat.
03:17See?
03:18There are no beautiful leather bindings.
03:20Sorry about that.
03:22You were raised in the St. Agnes Home for the Orphan in Dallas, Texas, right?
03:27Yeah, that's right.
03:28Until the fire, and then, of course, you were moved into foster homes in the area.
03:32Yes, that was in...
03:331964.
03:35That fire destroyed most of the placement records.
03:39It was the biggest obstacle to my investigation, as a matter of fact.
03:42What investigation?
03:44Does the name Barrows mean anything to you?
03:47Do you know Barrows Hotel, San Diego?
03:50Well, I know the hotel.
03:52I can't afford it, but I know it.
03:56Well, I would like you to examine these, please, if you would.
04:03On December 16th, 1956,
04:07during a blizzard on the highway between Fort Worth and Dallas,
04:10there was a multiple car accident.
04:1223 cars, to be exact.
04:14In those cars, Oliver Barrows' wife, Mary, was killed.
04:18What does that have to do with me?
04:21Also in the car was a 17-month-old child, a girl.
04:25In the confusion following the accident, the child was lost.
04:29Lost? How?
04:30Six different hospitals, three different police jurisdictions.
04:33Nobody really knows how it happened, but the fact is, it happened.
04:37Oliver Barrows did everything he could to find his child, but he couldn't.
04:41He's still trying to locate her.
04:43And that's why I'm here.
04:46Wait a second.
04:49Miss Garrett, I have every reason to believe
04:51that you could be Oliver Barrows' lost daughter.
04:55I'm sorry. I can't believe that.
04:59I've put a great deal of time into this investigation.
05:02You're more than welcome to check my research, my notes.
05:05The fact is, you could be his sole heir.
05:14You're taking this much better than I expected.
05:18Do you mean this man really could be my father?
05:21Would you like to see a picture?
05:23Yes.
05:24Sure.
05:34He has a nice face.
05:36So what do we do now?
05:38Well, forgive me, but I have to determine
05:41if you're the right Kelly Garrett.
05:44That means blood tests, fingerprints, things like that.
05:49And then?
05:51And then I take you to San Diego
05:54and introduce you to your father.
06:01Tell me, boss, what do you think?
06:04Well, none of this is conclusive,
06:07but, gosh, the hair, the eyes, the birthday, the blood type,
06:12all of it, this man Court is very thorough.
06:16Yeah. He also seems very sincere.
06:19Well, you've been with him every day for a week.
06:21If something was wrong, you'd sense it.
06:23Oh, I don't know. What are you afraid of?
06:26You three and Charlie, you're the only real family I have.
06:31Unless Oliver Barrows is your father.
06:34To tell you the truth, I don't know if I want him to be my father.
06:38But if he is, I want to know.
06:41Then go to San Diego and find out.
06:44I just don't want to make a mistake. Not in this.
06:48But you won't.
06:49Just go.
06:50And if you don't go, I will,
06:52because we are all dying of curiosity.
06:55And while you're there, we'll double-check
06:57Okay. And you'll call if you find anything?
07:01We'll call.
07:02Goodbye already.
07:03Goodbye.
07:04Okay.
07:06There goes one lucky girl.
07:08Oh, you are wrong, Tiff.
07:10Why?
07:11Because if she is his daughter,
07:13then Barrows is the lucky one.
07:15You're right.
07:17You're right.
07:48Laura, Richard.
07:50It's good of you to come.
07:52You know Linda, of course.
07:53Oh, yes, indeed.
07:54You look lovely tonight, my dear.
07:56Thank you.
07:57They all look lovely tonight, my dear.
07:59Tell me, where is the old curmudgeon?
08:01Uncle Oliver?
08:02I don't think he'd appreciate that.
08:04Oliver Barrows appreciates anyone with a check.
08:07The Assistance League has been very generous this year,
08:10and I insist he make an announcement
08:12before he begins toasting every stone and timber
08:15in this old mausoleum.
08:17Well, I think he'll be happy to see you.
08:19He's just over there, I think.
08:21I tried to get in touch with you all day.
08:24I thought something was wrong when you didn't return my call.
08:27Oh, no, I'm just, uh, hectic.
08:30Maybe we can talk later over a brandy, all right?
08:34All right.
08:36What was that all about?
08:38Just, uh, business.
08:42I have to go check the kitchen.
08:44Yeah.
09:03That's excellent.
09:05Mark?
09:06Yes, Mr. Staples.
09:07I want to go over the selection of the wines with you.
09:10Certainly, sir.
09:11Uh, with the appetizer,
09:12I thought we'd start with the Chassonnay Montprachet.
09:14Oh, it's the same item.
09:15Yes.
09:16Then if you approve, with the, uh, entrée,
09:18the Chateau Margaux.
09:19Oh, Margaux.
09:21Yes, the Margaux.
09:23Uncle Oliver should appreciate that.
09:26Substitute a Chateau Lascaux for the other guests.
09:28Yes, sir.
09:29We better open this up, and I'll let it breathe.
09:31Yes, sir.
09:41Thank you.
10:07That's very good.
10:0820 minutes, it'll be perfect.
10:11Ah, there you are.
10:12Oh, Uncle Oliver, I was just about to come up.
10:14No, it's better here.
10:15Mark, would you excuse us, please?
10:17Of course, sir.
10:20Can you explain to me
10:21why Dora Carver seems to think
10:23she owns a piece of my hotel?
10:25She said that?
10:26Not in so many words.
10:28But she was delighted that Carver Industries
10:30would be a partner in the maintaining
10:32of such a fine example of traditional architecture.
10:36Well, I don't know if Richard's company
10:38did put up most of the reconstruction money.
10:40But that loan was supposed
10:41to be paid back three months ago.
10:43It was, it was.
10:44But I have a feeling
10:45that Richard neglected to tell Dora.
10:47Then be sure he does tell her.
10:49I want no financial problems
10:51when I turn over the barrows to the city.
10:54I wish you'd reconsider
10:57making the announcement tonight.
10:59Oh, let's not go over all that again.
11:01You're familiar with the carousel
11:03in my grandmother's will.
11:04On my death, the barrows will go to the city
11:06unless I have a direct heir.
11:08And I don't.
11:09Uncle Oliver, you can't be sure.
11:11You have a daughter.
11:13My daughter's gone forever.
11:15I've had to face it.
11:16Now you have to face it.
11:18Now come and help me handle that herd upstairs.
11:21All right, I'll be up in a minute.
11:22I have some things to finish here.
11:24Well, suit yourself.
11:26You've been a good friend.
11:29And I appreciate all the years
11:31you've given to the barrows.
11:33♪
12:04♪
12:28The Chateau Margaux, sir.
12:30Ah, thank you, Mark.
12:34Is anything wrong, sir?
12:36Should be just fine.
12:37I tasted it myself.
12:39Pour a little.
12:47Very good.
12:48Excellent, as a matter of fact.
12:50Fill it up.
12:52Thank you.
13:04Just a little?
13:06Yes, Mark.
13:07That's fine.
13:13Oh!
13:17Mr. Barrow, sir, are you all right?
13:19Oliver?
13:21Get Dr. Carter.
13:22Yes, sir.
13:23Maurice!
13:24Somebody call an ambulance.
13:26Oh.
13:28Don't worry, Uncle Oliver.
13:29You're gonna be all right.
13:31Everything's gonna be just fine.
13:33♪
13:59♪
14:13Are you all right?
14:15You mean aside from being terrified?
14:17Aside from being terrified.
14:19Oh, I'm fine.
14:20Come on.
14:29♪
14:40Hello.
14:41I'm William Cord.
14:43I believe Mr. Staley's expecting us.
14:45Oh, yes, sir.
14:46If you'll follow me, please.
14:59Bill, and you're Miss Garrett.
15:01I'm Glance Staley.
15:03Hello.
15:05Well, you were right.
15:06She's everything you said.
15:09Well, I don't know what he told you, but...
15:11Well, he told me that you were very lovely
15:13and very intelligent,
15:14and strangely enough, not in that order.
15:17Kelly's a little worried about meeting Mr. Barrows.
15:19He is expecting us, isn't he?
15:21Well, he's very much looking forward to meeting you.
15:23Unfortunately, I do have to prepare you
15:25for something rather unpleasant.
15:27Uncle Oliver suffered a mild coronary last night.
15:30Well, how is he?
15:32Oh, he's fine, he's fine.
15:33As I said, it was very mild.
15:35Well, maybe we should come back another time.
15:37Yes, I think that would be better.
15:38No, no, he's looking forward to seeing you.
15:40He's waiting for you right now, right this way.
15:54Uncle Oliver?
15:56This is Bill Cord, and someone we'd like you to meet.
15:59Oh, come in.
16:09So you're Miss Garrett.
16:11Is that your real name?
16:12I don't know my real name.
16:14Garrett is the family name of one of the sisters
16:16at the orphanage where I was raised.
16:18I see.
16:20And you believe your true name might be the same as mine.
16:23Barrows.
16:25I don't know what to believe, Mr. Barrows.
16:28But I've done quite well with Garrett.
16:30Yes, I can see how well you've been doing
16:32by reading these papers.
16:36Why do you want to be my daughter?
16:40You make this sound like some kind of audition.
16:43I don't want to be your daughter,
16:45but if I am, I'd like to know it.
16:48You realize you're not the first young lady
16:50who's been presented to me as my daughter.
16:55I can appreciate your suspicions, but...
16:57Miss Garrett.
17:00Are you after my money?
17:05I'm sorry to have taken up so much of your time, sir.
17:08I think we've both made a mistake.
17:10Is that all you've got to say?
17:13That's all I can say and still remain a lady.
17:18Come back here.
17:20And forget the sir.
17:22Turn around.
17:26You haven't looked at her once.
17:30Looked at who?
17:32Over there.
17:37My wife, Mary.
17:40And if my instincts are correct,
17:43she's your mother, child.
17:56You should have told me about the painting.
17:58You can't imagine how I felt standing there looking at...
18:01At yourself?
18:03All right, I apologize, but we all want a deceit.
18:06How I would react?
18:08I think that was deceitful, manipulative, and dishonest.
18:11No, never dishonest.
18:13Ever since Staley hired us,
18:15I've been working 24 hours a day on this case.
18:17I deserved a chance to see if I was right.
18:19And you believe you were.
18:21If any doubts I had are gone,
18:23Kelly, you've got to accept it.
18:25The old man does.
18:27So I accept and everyone's satisfied.
18:29Not good enough, Mr. Cord.
18:31Mr. Cord?
18:33Last week it was Bill.
18:35I want every item that led you to me.
18:37I want it checked and rechecked.
18:39I want to be sure I am who I am,
18:41or at least who he thinks I am.
18:43Kelly,
18:45you're a very stubborn lady.
18:47Margaret! Margaret!
18:49Mr. Barrows!
18:51Mr. Barrows, you know the doctor said
18:53that you're not supposed to walk on your own.
18:55You're supposed to stay in your wheelchair.
18:57Be quiet, girl. Margaret!
19:05These grounds haven't been graced
19:07with such loveliness in 20 years.
19:09Thank you, Mr. Barrows, but...
19:11And enough for the Mr. Barrows.
19:13I'd like you to call me Father,
19:15but I'll settle for Oliver.
19:17That'll be more comfortable.
19:19And as for you, Mr. Cord,
19:21I haven't had a chance
19:23to voice my appreciation.
19:25Excellent work.
19:27There'll be a letter on the desk of your firm tomorrow morning,
19:29together with a sizable bonus for you, too, I might add.
19:31Well, that's really not necessary, sir.
19:33But if it were,
19:35it wouldn't be worth mentioning, would it?
19:37Margaret,
19:39you and I have places to go
19:41and things to do.
19:43It's time this city took a look at my daughter.
19:45I couldn't agree with you more.
19:47Speaking of bonuses, you'll have no objections then
19:49if I take your daughter to dinner this evening?
19:51You'd be foolish if you didn't.
20:07Well, what do you think?
20:09It's lovely.
20:11We'll take it.
20:13And the other two.
20:17Thank you.
20:35It's really beautiful.
20:37Yes, your great-grandmother thought so.
20:41You spend a fortune in those chandeliers.
20:43Brought them all the way from Vienna.
20:45I can see why.
20:47Sometimes,
20:49when there's a slight breeze
20:51and a Christmas touch,
20:53if you listen closely,
20:55you can hear someone playing a Strauss waltz.
20:57This room is full of people.
20:59I'll bet it's like
21:01something out of a fairy tale.
21:03She'd be glad to know
21:05the barrows is yours.
21:07All of her.
21:09Now, please, no protests.
21:11That was her doing, not mine.
21:13I don't trust her.
21:15I don't understand.
21:17But she wanted the hotel to belong to someone
21:19who appreciated it,
21:21loved it as much as she did.
21:23The 25-year-old Rachel,
21:25I didn't quite fit her image,
21:27although she allowed that I might have a child who would.
21:31And I think you are just what she had in mind.
21:43Good evening.
22:03Good evening, Mr. Coburn.
22:05Good evening, Eva.
22:07Tell Kelly that I'm here, please.
22:09Eva,
22:11the first thing you do is make Mr. Cord a drink.
22:13You're going to need it.
22:15What do you have, son?
22:17Um...
22:19Scotch on the rocks, I guess.
22:21Easy on the rocks.
22:23Young man,
22:25I'm going to be in your debt for the rest of my life.
22:27Sir?
22:29Today was the most wonderful day
22:31I've spent in my entire life.
22:33With Kelly?
22:35Margaret. Margaret Ellen, whether she likes it or not.
22:37Well, I think she's going to have to like it.
22:39I went back over all my research that led me to her,
22:41and it looks sound.
22:43I need no shadows cleared away, Mr. Cord.
22:45I'm her father,
22:47not a research analyst.
22:49This was at her request, sir.
22:51Well, forget it.
22:53I'm quite satisfied with the daughter I have.
22:55My lawyers are presently
22:57making out all the necessary papers.
22:59Well, then, thank you.
23:01She's a very lovely lady.
23:03You don't know how lovely.
23:09Well...
23:21Well,
23:23I, uh, did say the Yacht Club, didn't I?
23:25That is what you said.
23:29Well,
23:31it's going to be an interesting evening.
23:33Let's go.
23:35Sir, have a good time.
23:37Bye, Oliver.
23:53All right, one more.
23:55Make me grow big and strong.
23:57Oh, no, I can't eat another bite.
23:59I'm sure you can. Listen, these are better hamburgers than they make at the...
24:01I know. They're much better than the hamburgers at the Yacht Club.
24:03Look, I'm sorry.
24:05I should have explained things to you.
24:07There really is a Yacht Club.
24:09And this is a
24:11Y-A-T Yacht Club.
24:13It means young and thrifty.
24:15Just some friends.
24:17We get together, share the wealth and have a good time.
24:19And you're not having a good time, are you?
24:21Oh, I'm having a great time.
24:23I love it.
24:25But it wasn't what you expected.
24:27Well, no, it's not what I expected.
24:29Did you see the looks that I got
24:31when we walked down the dock?
24:33Oh, don't worry about my friends.
24:35They're used to the unexpected from me.
24:37It's normal.
24:39Well, I hope I did my part in, uh,
24:41keeping your reputation alive.
24:43I think you just made my reputation.
24:47You want to dance?
24:49Oh, sure. It's a regular cotillion.
24:51Come on.
25:01I think you're crazy.
25:03Well, I may be crazy,
25:05but I'm not dangerous.
25:07I thought lawyers
25:09were supposed to be, uh,
25:11straight and consistent
25:13and dependable.
25:15And dull and...
25:17Dull? No way.
25:19Not you.
25:21I think you'd better get to know me
25:23a little bit better
25:25before you make any rash statements like that.
25:27Well, I've been with you
25:29every day for a week.
25:31I think I know you pretty well.
25:33Oh, you do, huh?
25:35Yeah, I do, huh?
25:51I want you to know
25:53I didn't plan on it ending this way.
25:55Neither did I.
25:59Do you want me to take you home?
26:03No.
26:07Come with me.
26:29Come on.
26:59Come on.
27:19Are you Staley?
27:21Glenn Staley?
27:23Who are you, and what do you want?
27:25Mr. Gundy wants to talk to you.
27:29I said, Mr. Gundy wants to talk to you.
27:35Richard, what the hell is this?
27:37I came here to do the talking.
27:39Mr. Carver tells me
27:41the old man nearly died.
27:43This hotel goes to the city.
27:45It cost me $15 million.
27:47I wouldn't like that.
27:49What's he talking about?
27:51Well, I, uh, told you,
27:53I needed outside money.
27:55I don't need it.
27:57I told you, I needed outside money.
27:59It's $3 million for those bonds
28:01you were supposed to pay off, huh?
28:03You must live very well
28:05to let yourself slide that far behind.
28:07My deal is with Carver Industries.
28:09And your deal is with me.
28:11Since I bailed your friend out here,
28:13I am Carver Industries.
28:15Consequently, I hold $12 million worth
28:17of options on properties in this block,
28:19none of which are worth anything
28:21for development without the hotel.
28:23So I'll deliver.
28:25Deliver?
28:27Reassure me.
28:29The old man nearly gave the hotel
28:31to the city the other night.
28:33I stopped him before he could make the announcement.
28:35Glenn, how?
28:37How doesn't matter. The point is, it worked.
28:39He's right.
28:41Where does that leave Carver Industries' investment?
28:43Exactly where I promised.
28:45What about the girl who may turn out
28:47to be his lost daughter?
28:49What about her?
28:51She's the key to my plan, that's all.
28:53I still don't see what you have in mind.
28:55Just be patient, Richard. You'll see.
28:57We'd better see.
28:59The options on the properties
29:01come due in six weeks.
29:03You fail, Staley.
29:05We'll exercise
29:07our option on you.
29:19We'll see her.
29:21I appreciate everything.
29:23But tonight, it's too soon.
29:25I see.
29:27You've been talking to that young man of yours.
29:29Well, I expected
29:31a lawyer to be more discreet.
29:33Please.
29:35Please try and understand.
29:37This week
29:39has been wonderful.
29:41More than I can dream possible.
29:43But we still don't know for sure.
29:45Well, I am.
29:47And your mother would be, too.
29:49But why are you
29:51dissatisfied?
29:53Is it me?
29:55Oh, you know that's not true.
29:57If I had selected
29:59a father, I couldn't
30:01have chosen anyone more kind
30:03and gracious and loving.
30:05That's why I want you to wait.
30:07I care
30:09for you, Oliver.
30:11And I want this to be right and true.
30:15That's why I want you to wear this tonight.
30:17It was your mother's.
30:19Her favorite.
30:23Oliver,
30:25it's beautiful.
30:27So are you.
30:37Now, no more protests, understood?
30:39Understood.
30:48Mr. Sterling,
30:50nephew or not,
30:52I never allow anyone to fuss about in the kitchen.
30:54Well, it's force of habit,
30:56Harmon.
30:58You know how particular Uncle Oliver is about his
31:00muggle.
31:02Well, you'll find out how particular I am if you're still here
31:04when I come back.
31:18♪
31:20♪
31:22♪
31:24♪
31:26♪
31:28♪
31:30♪
31:32♪
31:34♪
31:36♪
31:38♪
31:40♪
31:42♪
31:44♪
31:47BELL RINGS
31:53I know you're all aware
31:55that tonight marks a very special moment in my
31:57life.
31:59Return of my daughter.
32:01Few men have been so
32:03blessed as to have lost
32:05and found
32:07such a beautiful jewel.
32:09Made more precious
32:11by the loss of time.
32:13Affection,
32:15A good wine does not wither with age.
32:18Which reminds me, I'm entitled to one glass.
32:22Yes.
32:23Yes.
32:24Yes.
32:25Yes.
32:26Yes.
32:27Yes.
32:28Yes.
32:28Yes.
32:29Yes.
32:30Yes.
32:31Yes.
32:32Yes.
32:33Yes.
32:34Yes.
32:35Yes.
32:36Yes.
32:37Yes.
32:38Yes.
32:39Yes.
32:40Yes.
32:41Yes.
32:42Yes.
32:43Yes.
32:45A full glass, if you please.
32:46Yes, sir.
32:49It is with great pride and joy that I announce today,
32:52not only in my heart, but legally as well,
32:56that the beautiful lady sitting at my right is my daughter.
33:02Ladies and gentlemen, I give you Miss Margaret Ellen Barrons.
33:09Bravo.
33:10Thank you.
33:15Mama.
33:18To you, father.
33:35Mr. Barrons.
33:36Good morning.
33:38Mr. Barrons.
33:40I'm going to call the doctor.
33:45Oh.
33:56Kelly.
34:14Oh.
34:31I'm so sorry.
34:33Anything I can do, any of us.
34:39Thank you.
34:43Well, Uncle Oliver was a good man.
34:47So if any comfort to you, you made him happier
34:49than I've ever seen him.
34:51I only wish that.
34:52Thank you, Glenn.
34:53Margaret, I know this isn't the time or the place,
34:57but as Uncle Oliver's executor, there
34:59are some details concerning the estate
35:01that need to be attended to.
35:03So when you're ready, you call me.
35:05I don't want it.
35:07I understand you're upset.
35:08We'll talk later.
35:09No, I'm not upset.
35:11I just don't want something that's not mine.
35:13It is yours.
35:14The Barrows belongs to you.
35:16It's your responsibility.
35:18Uncle Oliver gave it to you, to no one else.
35:21Kelly, he's right.
35:23We'll talk when you feel like it.
35:42Here.
35:44No, thank you.
35:46What I need are answers.
35:49I have to know, Bill.
35:53Kelly, don't put yourself through this.
35:59Oliver Barrows was satisfied.
36:01Why can't you be?
36:03You said it yourself.
36:05Because now it's my responsibility.
36:08Will you help me?
36:11You know I will.
36:13You won't be working alone this time.
36:18You know I will.
36:20You won't be working alone this time.
36:24You know I will.
36:46Hello?
36:47Charlie, this is Kelly.
36:49Kelly, you sound strange.
36:51Something wrong?
36:53Oliver Barrows is dead.
36:56I'm sorry. I truly am.
36:59If there's anything I can do...
37:02I want to hire you.
37:04I need to know who I am.
37:20Kelly went through all that alone?
37:22Why didn't she call us?
37:24Well, she has now.
37:25Angels, William Cord's work was done as a lawyer.
37:28Primarily research.
37:30I want to start fresh.
37:32I don't understand, Charlie.
37:33Who's challenging a right to the inheritance?
37:35She is.
37:36That's why I want you to go to San Diego, Tiffany.
37:39Work with Kelly.
37:40Go at it as though neither of you had ever heard of Margaret Ellen Barrows.
37:44Concentrate on the estate and anyone associated with it.
37:48If there's anyone with anything to gain, besides Kelly and all this,
37:51it should be there.
37:53All right, Charlie.
37:55What about me, Charlie?
37:56You stay here, Chris.
37:58Cord should be in Los Angeles within 24 hours.
38:01I want you to pick up the trail where his research left off.
38:05If there's the slightest variance, dig it out.
38:08Will do.
38:09Any questions, Bosley?
38:11No, Charlie. Just concerned.
38:14Depending on how this goes, somebody could get hurt.
38:18I just wish I could be sure it wasn't going to be Kelly.
38:21So do I, Bosley.
38:23So do I.
38:28You realize, Mr. Warden, that we went to a great deal of trouble
38:31to make sure that your law firm handled the probate of the Barrows' estate.
38:35I must appreciate it.
38:36By far the largest I've ever handled.
38:38Size shouldn't mean time will be a problem.
38:41I don't know.
38:42Appraisals, title searches,
38:45legal encumbrance suits.
38:47It takes time before estate taxes can be paid and everything wrapped up.
38:51It's important that you understand you have just three weeks.
38:54Three weeks?
38:56That's impossible.
38:58Three weeks to sell just the hotel, the Barrows.
39:02That's all we're interested in.
39:05What you're asking could be very expensive.
39:09I mean, I have to answer to the state,
39:12and there are others that have to be paid.
39:15Cut it.
39:18You just do it.
39:21Three weeks.
39:33Enjoy your lunch, Mr. Warden.
39:36Excuse me.
39:42Well, if all this was mine, I wouldn't take a chance of losing it.
39:46Neither would I. It really is all mine.
39:49That's why I wanted you and Chris and Boz.
39:51I want no ifs, no questions.
39:54Questions? I have one. Why didn't you call?
39:56I would have arranged lunch in one of the private dining rooms for you.
39:59Glenn, this is Tiffany. She works for the same firm I do.
40:02How do you do, Tiffany?
40:04Between us, I think your employer should arrange a replacement for Margaret here.
40:07Kelly, please, Glenn.
40:09All right, Kelly.
40:11But it is Margaret Barrows that has some important decisions to make.
40:14You seem very sure that Kelly is Mr. Barrows' daughter.
40:17No doubts, huh?
40:19My only concern is that Kelly has doubts.
40:21Uncle Oliver didn't have any.
40:23I have a whole file cabinet full of proof.
40:26Good. I'd like to start there, then, if I may.
40:30I don't understand.
40:32I want Tiffany to examine everything.
40:35Oh. Well, she's welcome to look at whatever she likes.
40:38Thank you.
40:40But, by the way, there are some documents, and I do need your signature.
40:44Margaret Barrows' signature.
40:46I'm sorry, but not yet.
40:49Kelly, it could take months or years to clear up this estate,
40:53and there are the other bequests to consider.
40:56Financially speaking, it's...
40:58Well, it's extremely irresponsible to continue this way.
41:01I'm sorry, but I said not yet.
41:04Well, of course.
41:11There are so many things I didn't know about Kelly.
41:14I had no idea she ever lived up there.
41:16I don't think she did, either.
41:18Mrs. Blaine had to give her up after a year when her husband died.
41:21They weren't as lenient in foster-home placement then as they are now.
41:26Next stop.
41:32Well, it has been an incredible four days.
41:35I'm glad you're here.
41:37Well, it has been an incredible four days.
41:40What an adventure.
41:41Wait a minute. This is only the beginning.
41:43I still don't know how you did it.
41:45Did what?
41:46Well, you have a missing child,
41:48born at home in San Diego,
41:50lost after a car crash in Texas,
41:52no fingerprints.
41:53I hate to admit it, but it really wasn't me.
41:55It was a computer. Glenn Staley's idea.
41:58I don't get it.
41:59I didn't either until I saw the computer work.
42:01You see, Barrows only had pictures of the baby,
42:04his wife, Mary, and himself,
42:06and two generations before him.
42:08So you put the pictures in the computer?
42:10That's right.
42:11And what it gives you back is projected possibilities
42:13of facial characteristics at different ages.
42:16That's all there is to it?
42:18Hardly. Then comes the legwork.
42:20Driver's licenses, government employee records,
42:22state licenses, et cetera, et cetera, et cetera.
42:25Yeah, I guess we're all on file somewhere.
42:28Especially pretty lady detectives.
42:31But I had six good, strong possibilities,
42:33so I worked backwards from there
42:35until I found state foster care people
42:37who handled children from the orphanage.
42:39You see, the Blaines took the child while they lived in Texas,
42:42then they brought Kelly to California when they moved here.
42:45I think you missed your calling.
42:47How's that?
42:48I think Charlie could use you.
42:55Uh-oh.
42:57Oh, no! Bill!
42:59Don't panic. I'll just go and find a place to fall.
43:02Bill, hang on.
43:14Wait a second. I'll put up the top.
43:16Hurry!
43:17What's the matter?
43:18It's stuck.
43:19Grab a car from those people.
43:21Here, put this on your head.
43:23Come on!
43:24Come on! Come on out!
43:26Come on, take my hand.
43:31Aah!
43:33Oh, my shoulder!
43:39Aah!
43:54Come on.
44:05Here.
44:06Oh.
44:08Wow.
44:10The one thing about the weather this time of year
44:12is very unpredictable.
44:14Yeah, especially if it's one of those freaky storms
44:17comes up from the south.
44:19Sure doesn't look like it's gonna let up.
44:21Ooh.
44:22Here.
44:24This'll wrap you.
44:25Thank you.
44:26Stay warm.
44:39Um, we might be here a little while,
44:42so I'll go out and see if I can get the top up on the car, okay?
44:47Yeah, that's probably a good idea.
44:50Here.
45:02Four days that woman's been at those files.
45:04Four days!
45:06Can't afford four days.
45:09What does she hope to find?
45:11Nothing to find.
45:15Why does she have to be a detective?
45:17There was no way of knowing what she was gonna be.
45:19Well, couldn't this Tiffany Wells be putting on some kind of act?
45:22What difference does it make?
45:23If this drags on much longer, we're all gonna be ruined.
45:29Glenn.
45:31What if the new Ms. Bowers were dead?
45:34I don't like it.
45:37I don't like what you're suggesting.
45:39You've heard the phrase, all or nothing.
45:42Wait a minute.
45:43Uncle Oliver was... was different.
45:46I put up with everything from him over the years.
45:51Glenn.
45:54There's really very little difference.
45:58We're so close.
46:04How do you suggest I do it?
46:09Didn't the old man give her a new car?
46:12Yes.
46:13And don't new cars sometimes get mechanical defects?
46:18Little bugs that have to be worked out.
46:43Come on.
47:13Come on.
47:43Come on.
48:13Come on.
48:43Oh, no.
49:13Oh, no.