Igra sudbine 1124 Epizoda - Domaca serija
Transcript
00:00THE NEXT DAY
00:04Okay.
00:06So, where does this come from?
00:10What? You think I shouldn't?
00:13No, no. I mean, I don't know.
00:17But how did you come up with it all of a sudden?
00:21Okay, not all of a sudden.
00:24Andrija, I feel useless here.
00:27Somehow, I have nothing to do here,
00:30and then all sorts of stupid things come to my mind,
00:34and I think the job would solve it.
00:37Why is it so strange to you now?
00:40No, it's not strange at all.
00:43Look, if it bothers you that you don't earn,
00:47that's not a problem for me.
00:50But if that's the motive, to think about the job...
00:53No, no, that's not the motive.
00:56It's just that I'm losing my mind.
00:59Okay, then.
01:01Find... I don't know.
01:04Find a hobby.
01:06Andrija, what hobby? A hobby is not enough for me.
01:13What if I go back to the company?
01:16Of course.
01:18I mean, if...
01:20If that makes you happy.
01:22It will. Yes.
01:25Well, great.
01:27The old PR starts working again, right?
01:34Okay, I didn't mean the old PR.
01:39I meant...
01:42Cannes Capital.
01:54CINEMATOGRAPHER
02:04Hey, where are you from?
02:06Am I bothering you?
02:08No, I'm just asking. I don't know, I didn't expect you.
02:11I didn't know I had to apologize.
02:13You don't have to apologize, you have to miss it.
02:16They're on the handbook, and it says here,
02:19and then you have to go through it.
02:23Where can I get it?
02:25It's downstairs, and you can order whatever you want.
02:28You can order something to drink, to eat...
02:30I can have wine.
02:32You can have wine?
02:34Tell me, are you...
02:37Did you come just like that, or do you need something?
02:39I came to thank you.
02:41For your great gesture.
02:43Come on, how can I thank you?
02:45Please, you gave me half the money, and you spent more than fair.
02:48No, we just figured out what is right to do, and then we did it.
02:52I assume that spending was your idea.
02:56Of course, whose idea is more important?
02:58You didn't have to do it for me.
03:01We did it for the Dobrobit project.
03:04That's what we did.
03:06Okay, I get it.
03:08I don't want to rush who's wrong,
03:10to accuse someone, to deal with those things.
03:13If we want to succeed,
03:15we have to watch out for each other.
03:18And that's how it is.
03:20You have a good business mind.
03:23I was hoping that you made that decision,
03:27because of me.
03:31Maybe I did.
03:34Cheers.
03:42Just a minute, I'll get you a drink.
03:45Come on.
03:50Cheers.
03:59Look at him.
04:01Why are you looking at me like that?
04:04I haven't asked you anything yet.
04:06I know, boss, but...
04:08I guess what's the matter, and honestly...
04:10You'll never hit her. Never.
04:13I have a lot of complications with Leposa.
04:16I hope she's not the problem.
04:19Listen to me, Leposa.
04:21Everyone's crazy about her.
04:23She's a crazy old hag.
04:27It's about Gala.
04:31Really?
04:33I want to be with her, alone.
04:35But I need your help.
04:37To make sure it's private?
04:39That's right.
04:41There's something going on.
04:44Do you want to help me?
04:46Of course, boss.
04:48Don't let a snake bite you.
04:51Me, you, and the land.
04:53Is that clear?
04:55Give me your hand.
04:57Don't fall over, don't be afraid.
04:59That's right.
05:01That's a man.
05:03Thank you, boss.
05:09I don't see you working at Cannes Capital.
05:12I have more work to do.
05:15You're Nata, right?
05:17Is that her?
05:19What kind of argument is that?
05:21Why are you forbidding me to work?
05:23I'm forbidding you?
05:25What kind of man would I be
05:27if I forbade you to work?
05:29Find somewhere else.
05:31But why?
05:33You used to work at Starbillard, right?
05:36Yes.
05:38You covered for the director.
05:41That's a nice job.
05:43It suits you.
05:45Yes, but isn't Cannes Capital
05:47also in need of a PR director?
05:49That's not the point.
05:51What are you going to do
05:53where all the women are snakes?
05:57So that's where we are.
05:59Where are we?
06:01What did you conclude
06:03based on what I said?
06:05Everything.
06:07Everything?
06:09I just want you to feel comfortable.
06:12Why would I come to a place
06:14where there's a beast,
06:16where the atmosphere is like that?
06:18I would say that you don't look
06:20at me differently.
06:22You look at yourself.
06:39Do you want another one?
06:41Yes.
06:42We have to work.
06:44That's right.
06:45This was a test and you passed.
06:50I have to tell you something else.
06:52Tell me.
06:54This mistake about the purchase of space
06:56and personally mine.
06:58Okay.
06:59What does it matter?
07:00It doesn't matter anymore.
07:01It doesn't matter to me.
07:02I want everything to be clean.
07:03Everything is clean.
07:04The mistake has been corrected.
07:06Which means that it doesn't matter anymore.
07:08And that it doesn't happen again.
07:10It doesn't happen again.
07:11But you're a smart girl.
07:12I believe that you won't make the same mistake
07:14twice.
07:15I know.
07:16But I shouldn't have judged myself
07:18about the price of space.
07:20Now I'm just confused.
07:21What do you care?
07:22It doesn't matter.
07:23Trust me.
07:24It doesn't matter.
07:25You didn't do anything wrong.
07:27Tell me.
07:28Is this going to be like this
07:29or should I put it inside?
07:31I think it's good like this.
07:33So, it doesn't matter.
07:36I don't know.
07:37Something strange is happening
07:38with that space.
07:39How strange?
07:41The owner of the company
07:43that sold it to us
07:44is hiding it in the papers.
07:48Tell me,
07:49how did you find out about that space?
07:51I talked to the executive director
07:53of a building in Serbia.
07:55But the owner of the company
07:56is hiding it in the papers.
07:59Okay.
08:00We won't get into any trouble.
08:02I'll figure it out.
08:04You don't have to worry about him.
08:05You can do that.
08:07Okay.
08:08Here.
08:10Shall we go to the studio?
08:12Let's go.
08:13Follow me.
08:26Actually,
08:27you don't mind
08:28that I'm working with you, right?
08:30I do.
08:33I do.
08:34I think it's not smart.
08:35Especially
08:36on a professional level.
08:38Or on a personal level.
08:40Time is running out.
08:44Let me ask you something.
08:46You don't mind that Jovan is there, right?
08:48I do,
08:49but I'm trying to be professional.
08:51I don't want it to affect me.
08:53And I know
08:54I can't help it.
08:55But you can help me.
08:59I'm trying to prevent
09:00the damage
09:01in the future.
09:02I'm sorry.
09:05You think
09:06I wouldn't be professional, right?
09:09I think
09:10all the professionalism in the world
09:12couldn't change anything
09:14in Khan Capital
09:15and change the atmosphere.
09:17Well,
09:18if you don't give me a chance,
09:20you can't know
09:21if it's right or wrong.
09:22It can't be better than it is now.
09:24What do you mean?
09:26I could
09:27protect you all the time.
09:29I could
09:30hurt you.
09:33Don't exaggerate.
09:35Besides,
09:36I believe in you.
09:37You know what I mean.
09:38I would lose
09:39a lot of energy doing that.
09:40Believe me.
09:42Andrija,
09:43please,
09:44don't talk nonsense.
09:46You're surrounded
09:47by all those strong women there,
09:49and you don't mind
09:50being a born woman.
09:55And
09:57Did I get a job?
10:00Or...
10:03No.
10:06I have to
10:07finish something here
10:10and let me think, okay?
10:13Okay.
10:21Get some rest.
10:26Okay.
10:38Here you go.
10:39Come on.
10:40Wait, Gala.
10:41Come on.
10:42There's no calories.
10:43Take it.
10:44No, no, no.
10:45There won't be.
10:46Oh, God.
10:47Wait.
10:48I think you need to eat something.
10:50Take it easy, Kayo.
10:51They look so nice.
10:53And they're nice and ripe.
10:55Beautiful.
10:56Come on.
10:57Great.
10:59I'm offering it to you.
11:01Oh, God.
11:02Oh, God.
11:04Do you know
11:05that I really feel
11:06like I'm on vacation now?
11:07There you go.
11:08Because you're really on vacation.
11:13And I'm bored.
11:15Do you know why you're bored?
11:17Because you're actually
11:18starting to rest.
11:19That's how you know.
11:20No, because I prefer
11:21to lie somewhere
11:22in a closed space
11:24and read some good literature.
11:26Okay, people.
11:27These are real peanuts.
11:29Now they're ripe.
11:30There's no more vitamin C
11:31that you need for diarrhea.
11:33Mila, it's better for you
11:34to eat this.
11:35You won't be bored at all.
11:36He says,
11:37it's better for you
11:38to eat this,
11:39and I'm eating this.
11:40Eat this.
11:41What are you eating?
11:42Come on, stop it.
11:43Eat it.
11:44Why did you come?
11:45You talk so much.
11:46You don't say anything
11:47and you miss the point.
11:48Eat these peanuts.
11:49I brought them for you.
11:50They're nice.
11:51Eat them.
11:52You'll get up.
11:53Me?
11:54I'm used to it.
11:55People!
11:56Look what I found.
11:57What is it?
11:58Is it a potato?
11:59Aha.
12:00What is it?
12:01It's a potato.
12:02It's very expensive.
12:03No, no, no.
12:04You can't eat it.
12:05You can't eat it.
12:06It's here,
12:07around the apartment.
12:08If anyone wants to
12:09look for it,
12:10they can come with me.
12:11Wait, you want to say
12:12that it's expensive
12:13and that we're going
12:14to eat it?
12:15Extremely expensive.
12:16No, he wants to say
12:17that it's cheap
12:18and that we're going
12:19to throw it away.
12:20Of course it's expensive.
12:21It's more expensive than gold.
12:22Yes, yes.
12:23Like platinum.
12:24Wait, wait, people.
12:25You want to lead us
12:26to throw it away
12:27and find it?
12:28I want to.
12:29Give it to me, give it to me.
12:30No, no,
12:31I have to keep it.
12:32No, no,
12:33I'll give you coordinates,
12:34people.
12:35I'll give you coordinates.
12:36Give us coordinates.
12:37We're here.
12:38Come on.
12:39What are we waiting for?
12:40Tell me.
12:41Come on, let's go.
12:42What?
12:43Come on, let's go.
12:44We're not Afghans
12:45who don't eat potatoes.
12:46Come on, come on.
12:47Come on.
12:48Okay, let's move
12:49around a bit.
12:50Let's go,
12:51let's go.
12:52Are you coming with us?
12:53No.
12:54What?
12:55I can't do that for you.
12:56It's not for me.
12:57Now I'm rolling
12:58in some mud.
12:59I can't wait.
13:00You're so great,
13:01Mrs. Gala.
13:02Here,
13:03take this trash.
13:04Come on.
13:05We're going
13:06to get rich.
13:07I didn't even know
13:08that.
13:09Come on, come on.
13:16What's going on?
13:17What?
13:18Don't ask me
13:19stupid questions.
13:20I'm asking you
13:21what's going on
13:22with the guests.
13:23They got mixed up.
13:24Didn't the water
13:25run out again?
13:26No,
13:27I found the potatoes,
13:28so I'm sending them
13:29to the search
13:30to find them.
13:31You're such a fool.
13:33What did I do wrong?
13:35How dare you
13:36announce that
13:37to the guests?
13:38We should have
13:39gone hunting
13:40for potatoes
13:41to get rich.
13:42We'll go,
13:43why not?
13:44We'll go now.
13:45Ljubinka!
13:46Please!
13:47Come here
13:48quickly!
13:49I'm coming!
13:50Come on!
13:51I'm coming!
13:52Hurry up!
13:53I'm coming!
13:55Come on,
13:56take the shovel
13:57and the axe
13:58and let's go.
13:59What shovel
14:00and axe?
14:01We're going
14:02to get potatoes.
14:03What potatoes?
14:04Come on,
14:05hurry up.
14:06Here,
14:07here.
14:08You too,
14:09you too.
14:10Come on,
14:11hurry up.
14:12All right.
14:13Hurry up!
14:14Pretty owl,
14:15you tremble
14:16when you sit
14:17on a hot
14:18stove.
14:19What happened?
14:20Don't remind me,
14:21get ready.
14:22Come on.
14:23Where are we going?
14:24We're going
14:25to get potatoes.
14:26I'm going
14:27to get potatoes?
14:28Yes.
14:29Pretty owl,
14:30how am I going
14:31to get potatoes?
14:32I don't have a dress
14:33for potatoes.
14:34But I'm going
14:35to work.
14:36Pretty owls
14:37don't grow
14:38on trees.
14:39Are you
14:40driving me crazy?
14:41You left
14:42last year.
14:43Last year
14:44is pretty owl
14:45for last year.
14:46This year
14:47I don't want
14:48to go.
14:49You know what?
14:50I don't want
14:51to argue with you.
14:52You're acting
14:53like you inherited
14:54the National Bank.
14:55Come on.
14:56Am I?
14:57God forbid,
14:58five minutes
14:59before me
15:00I'm lucky
15:01for five minutes.
15:17I don't want
15:18to argue with you.
15:19You're acting
15:20like you inherited
15:21the National Bank.
15:22Come on.
15:23Am I?
15:24God forbid,
15:25five minutes
15:26before me
15:27I'm lucky
15:28for five minutes.
15:29You're acting
15:30like you inherited
15:31the National Bank.
15:32Come on.
15:33Am I?
15:34God forbid,
15:35five minutes
15:36before me
15:37I'm lucky
15:38for five minutes.
15:39You're acting
15:40like you inherited
15:41the National Bank.
15:42Come on.
15:43Am I?
15:44God forbid,
15:45five minutes
15:46before me
15:47I'm lucky
15:48for five minutes.
15:49You're acting
15:50like you inherited
15:51the National Bank.
15:52Come on.
15:53Am I?
15:54God forbid,
15:55five minutes
15:56before me
15:57I'm lucky
15:58for five minutes.
15:59You're acting
16:00like you inherited
16:01the National Bank.
16:02Come on.
16:03Am I?
16:04God forbid,
16:05five minutes
16:06before me
16:07I'm lucky
16:08for five minutes.
16:09You're acting
16:10like you inherited
16:11the National Bank.
16:12Come on.
16:13Am I?
16:14God forbid,
16:15five minutes
16:16before me
16:17I'm lucky
16:18for five minutes.
16:19You're acting
16:20like you inherited
16:21the National Bank.
16:22Come on.
16:23Am I?
16:24God forbid,
16:25five minutes
16:26before me
16:27I'm lucky
16:28for five minutes.
16:29You're acting
16:30like you inherited
16:31the National Bank.
16:32Come on.
16:33Am I?
16:34God forbid,
16:35five minutes
16:36before me
16:37I'm lucky
16:38for five minutes.
16:39You're acting
16:40like you inherited
16:41the National Bank.
16:42Come on.
16:43Am I?
16:44God forbid,
16:45five minutes
16:46before me
16:47I'm lucky
16:48for five minutes.
16:49You're acting
16:50like you inherited
16:51the National Bank.
16:52Come on.
16:53God forbid,
16:54five minutes
16:55before me
16:56I'm lucky
16:57for five minutes.
16:58You're acting
16:59like you inherited
17:00the National Bank.
17:01Come on.
17:02God forbid,
17:03five minutes
17:04before me
17:05I'm lucky
17:06for five minutes.
17:07You're acting
17:08like you inherited
17:09the National Bank.
17:10Come on.
17:11God forbid,
17:12five minutes
17:13before me
17:14I'm lucky
17:15for five minutes.
17:16You're acting
17:17like you inherited
17:18the National Bank.
17:19Come on.
17:20God forbid,
17:21five minutes
17:22before me
17:23I'm lucky
17:24for five minutes.
17:25You're acting
17:26like you inherited
17:27the National Bank.
17:28Come on.
17:29God forbid,
17:30five minutes
17:31before me
17:32I'm lucky
17:33for five minutes.
17:34You're acting
17:35like you inherited
17:36the National Bank.
17:37Come on.
17:38God forbid,
17:39five minutes
17:40before me
17:41I'm lucky
17:42for five minutes.
17:43God forbid,
17:44five minutes
17:45before me
17:46I'm lucky
17:47for five minutes.
17:48I'm lucky
17:49for five minutes.
17:50We did it,
17:51we are
17:58on the same page.
17:59We did that.
18:00We're on the same page.
18:01You counted
18:02out ten seconds,
18:03she's getting
18:04it.
18:05We did it,
18:06we have the same
18:07score.
18:08I counted ten
18:09seconds,
18:10she's getting
18:11I beg you to respect me, so that Beljko doesn't end up like you.
18:17Children.
18:20We're going to the woods, to roll on the mud, like poor people.
18:27And we're coming back, like rich people.
18:31Is that clear?
18:32Clear!
18:34Follow me. Grab your tools and let's go.
18:37Let's go.
18:38Let's go.
18:39Let's go.
18:40Let's go.
18:41Tartuffe!
18:42That's what I said, follow me.
18:43Let's go.
18:44Left.
18:45Let's go.
18:46Left.
18:47Left.
18:48Left.
18:49Are we going?
18:50Let's go!
18:51Let's go!
18:52Is there a song?
18:53No.
18:54Let's go!
19:10And?
19:12Boss.
19:14Is everything okay?
19:16I don't know.
19:18What?
19:19I don't know yet.
19:21Sit down.
19:27You haven't been to the woods again these days.
19:31The woods?
19:33No, no, God forbid.
19:34Not even that, since you forbade us.
19:36We wouldn't even think about it.
19:40I don't know, I just wanted to check.
19:44Because...
19:46I got a package.
19:48Right from there.
19:51From Kosmaj.
19:53Ask him one more time.
19:55From Kosmaj?
19:58Yes, from Kosmaj.
20:00It's from Mida Pjanovic.
20:02See?
20:03In person.
20:04It says.
20:06What's inside?
20:09That's what I'm asking.
20:13I hope you didn't...
20:15...throw something there.
20:17No, boss.
20:18Far from it.
20:19When we said we wouldn't, we won't.
20:21We won't betray you.
20:22We won't.
20:25Okay.
20:26Trivanovic.
20:31Then it's best if...
20:34...you open the package.
20:37Me?
20:39Yes.
20:43I can, boss.
20:44No problem.
20:45Thank you.
20:46You're welcome.
20:48But I need a colleague.
20:50I need a hand.
20:52I have a gift.
20:54What's it called?
20:55Oh, my God.
20:57It hurts me.
20:59Sometimes I feel like...
21:01...I can't tie my shoes.
21:04All of them.
21:05How do you tie your shoes?
21:07Like this.
21:12Hey, guys.
21:13Didn't you see something?
21:16Don't tell me it's inside...
21:19...a bomb.
21:23A bomb?
21:24Huh?
21:25Well, boss.
21:27Why would we think it's inside a bomb?
21:30Is there a reason for a bomb?
21:33Oh, boss.
21:34Even if it's a bomb...
21:36...I'll open it for you.
21:38The package.
21:41You want to open it?
21:42Yes.
21:43Great.
21:45Come on.
21:46I didn't mean...
21:47Come on, Trivanovic.
21:48You said you'd open it.
21:50No, I meant...
21:51No, no.
21:52What's wrong?
21:53If it's a bomb...
21:54No, no.
21:55You open the package now.
21:59Come on.
22:02Okay.
22:03I'll open the package...
22:05...but...
22:08...I don't have a scalpel, boss.
22:16Here's the scalpel, boss.
22:21Come on.
22:33There we go.
22:44And where are your...
22:45...promised potatoes, you black shit?
22:47I'll lose 200 kilos.
22:50Be patient, girls.
22:51They've always been here.
22:52We'll find them somewhere.
22:55We can't let other people find more than us.
22:58We have more than us.
23:00So, one.
23:01One.
23:02Because if someone finds one,
23:04it means he won,
23:05because we didn't find anything.
23:08Just dig, darling,
23:09and don't worry,
23:10you won't finish it.
23:11Come on.
23:21Come on, my falcon.
23:22Open it.
23:24There's nothing to be afraid of,
23:26if your conscience is clear.
23:28Come on, colleague.
23:29You can do it.
23:30There, there.
23:31Now I'll just...
23:36Maybe we know what could be inside.
23:41We'll find out when you open it.
23:43Come on.
23:45Great.
23:47Great.
23:52Great.
24:00Sejanić.
24:04Boss.
24:05I just remembered.
24:06Yes?
24:07All the guys in scalpel and surgery,
24:09I had a copper operation,
24:11so I saw them wash their hands.
24:13Maybe I can wash only their hands first.
24:16I just remembered,
24:17if I could,
24:18I'd like to go to the office for a short while,
24:21just...
24:22What?
24:23So we explode, right?
24:24Why would we explode?
24:25I'm ashamed of you.
24:26No one's getting out of here.
24:29Come on, Trivanović.
24:30Open it.
24:31There, there, boss.
24:32Come on.
24:33I'm just looking from which angle to make the first cut.
24:37Okay.
24:39Okay, okay, okay, okay.
24:50Plitko!
24:55Oh, my mother.
24:58Oh, my God.
25:08Huh?
25:10What's wrong?
25:11What happened?
25:14Huh?
25:16Whiskey.
25:20Whiskey, boss.
25:22Whiskey!
25:24Whiskey!
25:25Whiskey!
25:27Boss, hurry up!
25:29Wait, wait, wait.
25:30How do I open it?
25:31How do I open it?
25:34Huh?
25:35Whiskey, boss.
25:36How do I open the packages, man?
25:38To a friend in the sky,
25:39and tambourine as a token of gratitude
25:41for saving his daughter.
25:44Heartfeltly,
25:45Mido Pianović.
25:47Hey, bravo, Mido, bravo.
25:48Huh?
25:49Look at Mido, look at Mido.
25:51Hey, hey, hey.
25:52He needs some help.
25:53No, thank you.
25:54You can go to Sokić now.
25:56No, we volunteer.
25:57We'll have a break for Sokić, nice and easy.
25:59Come on.
26:01Now?
26:02This is not for kids.
26:03Come on, now.
26:04Right now.
26:05Come on, come on, come on, come on.
26:06What are we going to do?
26:07No, no, no, no, no, no, no, no.
26:08Don't touch it, it's dangerous.
26:10Come on.
26:11Come on.
26:14Thank you, doctor.
26:15Great.
26:16Enjoy.
26:17Come on.
26:18Come on.
26:26Mido, Mido.
26:28Come on, sir, man.
26:30Is it tasty?
26:33Huh?
26:40Oh, my God, Mido.
26:42What is it?
26:43You're dangerous, dangerous.
26:45Me?
26:46You, you.
26:47You're strong.
26:48Don't, please.
26:49I'm not a mother.
26:51It just seems to you.
26:52How not?
26:53I'm a gentle, huge, you know?
26:56Is that so?
26:59God help me.
27:00What did you think?
27:01What?
27:02Tartuffe.
27:03On Cosmo.
27:04So, I don't remember when I heard something so creative or how.
27:09That's right.
27:10Do you like my Mido-clicker?
27:13I'm not for throwing, you know?
27:15Come on, man.
27:16You and me, 100 years.
27:18And you and me.
27:24I have to tell you.
27:25Tell me.
27:26I'm glad you gave me a chance to be alone.
27:31Me too.
27:32But I'm sorry you only have these apartments.
27:36We're forced to play these games, you know?
27:39I'm a little bit helpless.
27:41Just a little, just a little.
27:44What do you mean?
27:45What?
27:46I mean, I told you that I love traveling.
27:50Me too.
27:51But we always dream about some exotic areas, islands.
27:58Although I am aware that for something like that you need much more than apartments.
28:04I am aware of that.
28:06Forget the apartments.
28:09Apartments are not important.
28:13I have Mido-cash as much as you want.
28:17Do you have Mido in your life?
28:19I have Mido in my life.
28:20You do?
28:21And I have you.
28:22Thank you.
28:23I have you.
28:24Thank you.
28:26I wish you good luck.
28:27Thank you.
28:28Just don't lie to me.
28:29Don't lie to me.
28:30Me?
28:32Why would I lie to you?
28:33I don't lie to you.
28:35When Mido is easy.
28:39Well, Vanja.
28:41I am glad that you came to me.
28:44There is enough for the rest of the job.
28:48Here, I sent you the table in which the reports should be submitted.
28:53Ok.
28:55And where are the reports?
29:01Here they are.
29:05Is something wrong?
29:06No, no, everything is fine.
29:10I am glad.
29:22You know what I am interested in?
29:24What fool sent us five kilometers away from home to look for a turtle?
29:29I didn't.
29:30I mean, I have a job and you wanted to go.
29:33And I was forced to come here.
29:35It's not my fault, it's not my duty.
29:37You don't lack a little recreation.
29:39Ilija, why are you complaining?
29:41I don't need recreation.
29:56Come on.
29:58You are in the water bowl now.
30:00Ok.
30:01In the fireplace.
30:02Ok.
30:03In the piano.
30:04Ok.
30:05Tell me, did you go to the forest and make a hole like this and you buried the money?
30:09You know what you look like to me?
30:11That I dig holes and hide the money.
30:14I am not a shepherd.
30:18I will tell you.
30:19You will tell me everything.
30:22You can tell me.
30:34When you wanted my job so much, this is a perfect opportunity for you to prove yourself.
30:40I doubt that anyone can prove himself by putting numbers in tables.
30:44But ok.
30:46And when you finish it, the middle of the table should be from last year.
30:53For which there is probably no need anymore.
31:12Let's see what you have prepared.
31:14Thank you.
31:15Can I?
31:16Of course.
31:19I didn't know if you like basil.
31:24I didn't want to overdo it.
31:29It's great.
31:30Is it?
31:31Yes.
31:32Come on, please.
31:33Let's eat together.
31:34Great.
31:35I'm glad you like it.
31:45Thank you.
31:50Wait, what materials are we talking about?
31:53I'll tell you now.
31:58Good afternoon, girls.
31:59Hi.
32:00I found out who is the owner of the space.
32:15Can I ask you to take Vanja to the office with me for a while?
32:21No.
32:23Please.
32:25Maybe I need Vanja now.
32:28Maybe you need her.
32:30And if she goes with me for a while, the company will collapse.
32:34It's a matter of principle.
32:44Hi.
32:53Here I am.
32:58I'll put your necklace tomorrow.
33:15Where is he?
33:17Who?
33:18Don't be crazy.
33:19Where is Mido?
33:21Ma'am, I really don't know why I would have that information.