Igra sudbine 1123 Epizoda - Domaca serija
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🎥
Short filmTranscript
00:00What are you thinking about?
00:07About our future together.
00:11About passion, about love.
00:14About travelling.
00:18Ok.
00:20Sweetheart, we have to...
00:23You and I have to be patient, you know?
00:26Because, you see, the situation is...
00:29We have to put everything together and think about it.
00:33Those who don't have ambitions have to be patient.
00:37Take me somewhere.
00:40Where should I take you, sweetheart?
00:44Barcelona. Or Venice.
00:47Let's go somewhere, I beg you.
00:50Let's walk by the sea, let's kiss, let's smear, let's love each other.
00:53I'm so tired of this Kosmaj.
00:56And of these pastures and meadows, I really can't bear it.
01:00Sweetheart, I have to tell you. What will it do to you?
01:03I mean, what will it do to you to walk left and right?
01:06I've been everywhere.
01:09In Rome, in Dejanira, in Barcelona. Everywhere.
01:13Take a look at YouTube.
01:16Do you think that YouTube can replace reality?
01:19It can, sweetheart. It can.
01:21What will it do to you to walk around the streets?
01:24You know how it was filmed, they did a great job.
01:27You know how you sit at home with me.
01:30I don't go anywhere, I enjoy it a little.
01:33Come on, don't bother me anymore. Take me to Belgrade.
01:36Let's go to Belgrade, please.
01:39Sweetheart, how?
01:42Here I am, tell me, how?
01:45How, when your dad doesn't let you?
01:48What, do you want me to kidnap you?
01:51He's a cop.
01:53Don't go, sweetheart.
01:59Sweetheart.
02:01Let me go.
02:03Sweetheart.
02:05Let me go.
02:07Come on, don't get mad right away.
02:09I can tell you something honest.
02:11Okay, tell me.
02:13The most honest.
02:15I'm a little hungry.
02:18If there's a cookie or something.
02:21I haven't eaten anything since this morning.
02:24I'm starving.
02:26Listen.
02:28Come on, be here.
02:31And I'll go get you something nice.
02:52The owner decided to raise the price of the purchase.
02:55Because it's clear to him that now we have little time to find a new space.
02:59So that the settlement would only complicate things.
03:02That's the situation now.
03:05I'm very sorry.
03:08For everything that happened.
03:10That's my and Laura's loss.
03:12Come on, people, what are you doing?
03:14What are you doing now?
03:16If my calculations are correct,
03:18this current situation raises our expenses for 30,000 euros, right?
03:22Yes.
03:24As I said, that's our responsibility.
03:28We take the obligation to pay the entire amount.
03:32I mean, it's very generous of you.
03:35And we appreciate that gesture, but ...
03:37I agree with Paula.
03:39Still, this is not our loss.
03:42Okay.
03:44Can you please leave us alone?
03:46Can you please leave us alone so we can talk?
03:50Of course.
03:52Thank you.
03:54Thank you for the conversation.
03:57We'll be quick.
04:17Get out of here!
04:19Get out of here!
04:21I'll kill you!
04:23Wait, calm down.
04:25How can I calm down?
04:27Nobody here is normal.
04:29Not you, Skosmaj, not these Belgrade citizens.
04:33You are always in my sight.
04:36Focus on the important things.
04:38The money I promised you.
04:40Look what he's talking about.
04:42It's easy for you to philosophize.
04:44You're not in my skin.
04:46I feel like you're a professional,
04:49that you'll respect the agreement.
04:51Listen, I gave my word, but I don't care.
04:54I was kidding.
04:56Is the agreement still valid?
04:58The agreement is valid because I gave my word.
05:01But I don't know, I have to be much more careful in the future.
05:06I definitely don't need a life like this.
05:10I knew I could count on you.
05:13Listen, thank you.
05:14Thank you very much.
05:21Oh, cuckoos, cuckoos.
05:24Why did I do this?
05:45Mmm.
05:48Mmm.
05:54Mmm, cuckoos.
05:56Mmm.
05:58Mmm.
06:01This is great.
06:04Well, I chose the best for you.
06:10Come on, have lunch.
06:11Why are you staring at me so much?
06:13I don't know what you're eating in Belgrade.
06:15I don't know.
06:17I was looking at you because I'm risking everything.
06:21I didn't look at you like this.
06:24I'm risking everything with my arrival.
06:26But I know it will pay off.
06:30I mean, it will be a nice night.
06:33Take it easy with nice nights.
06:36What's easy?
06:38What do you mean easy?
06:39Take it easy until I first make sure you love me.
06:43I don't know if this is passion or infatuation,
06:46or if you really love me.
06:48Well, you don't see, Cuckoo,
06:50after all I'm doing,
06:52after all I'm risking.
06:54Well, it paid off.
06:56Look how stupid you got.
06:58Nothing greasy.
07:00The best.
07:04Mmm.
07:06Cuckoo.
07:08What is it now?
07:17I'm coming, I'm coming.
07:20I'm coming, I'm coming.
07:22I'm here.
07:27One hundred thirty-eight, five hundred fifty.
07:30Cuckoo.
07:32That's the password.
07:33I have to go.
07:35One hundred fifty-five, six hundred fifty.
07:37I have to go.
07:39I just realized what time it is.
07:41I have to go.
07:43Mila, my duty calls.
07:45I have to go.
07:47Really?
07:49I'm sorry, but...
07:51I don't know what to tell you.
07:55That's it.
07:57See you.
07:59Come on.
08:03See you.
08:30They didn't dare to improvise with such an important bet
08:33in that area.
08:35That's an increase of thirty percent, not a small one.
08:37Okay, listen to me.
08:39I think you're too strict.
08:41You're strict.
08:43Unforeseen things are happening.
08:45What can we do?
08:47It's their job to foresee.
08:49That's the problem.
08:51Okay, it's not really their job.
08:53It doesn't matter.
08:55We'll agree not to agree.
08:57Okay, guys, take it easy.
08:59Don't let me distract you.
09:01Okay, okay.
09:03We're talking about who's to blame.
09:05In the end, it doesn't even matter.
09:07Right.
09:09What we need to do now is to agree on what we're going to do.
09:12What are we going to do?
09:14Are we going to accept Pavlo's proposal or not?
09:16That's the question.
09:18I think we should be fair to him.
09:20These are people who try their best,
09:22give their all for the project to succeed.
09:24I think it's right for us to be fair.
09:26And I have a proposal.
09:30I suggest we split the expenses.
09:33They give 15,000 euros,
09:35we give 15,000 euros.
09:37And we show that we respect them,
09:39and we want our partnership to succeed,
09:43to reach a higher level.
09:45I think that would be good.
09:47Yes, all because of the laurels.
09:49All because of the laurels.
09:51What are you talking about?
09:53What laurels?
09:55What do you propose?
09:57What do you propose?
09:59To stop people paying everything.
10:01They're not to blame for everything.
10:03I think we should look for new partners.
10:05That's what leads us.
10:07We came here with one goal.
10:09What is our goal?
10:11The goal is for the fashion line,
10:13Ada Kanacki, to succeed.
10:15To lead us to the top of the fashion industry.
10:18I don't know.
10:20If we all agree on that,
10:22we'd better go back to Belgrade.
10:24What do you think?
10:27I think Luka is right.
10:30I think the two of them
10:31can't be 100% responsible for what happened.
10:34I mean, yes,
10:36Paolo's gesture is very nice,
10:38but I think it's realistic
10:40that both sides bear the costs.
10:42In the end, none of us could have foreseen this.
10:44Really, that's fair.
10:46That's right.
10:51I agree with Lenko.
10:53You agree with Lenko.
10:55Good.
10:57I think it's better that way.
10:59Yes.
11:01If we all agree on that,
11:04I have one more request.
11:08I don't know if I'll be able to do it.
11:12Okay, I'll tell Lenko,
11:14and he'll tell you.
11:16If you could ask the gentleman
11:19to be the one to suggest Paolo
11:22in the whole story,
11:24but not to involve Laura in it.
11:28Okay.
11:32Okay, okay.
11:35Okay, great.
11:37That's settled.
11:39We'll do it.
11:41Let's do it.
11:44Give me that.
11:48I like it when we all agree on something.
11:55What did you say about the material?
11:58We're waiting.
12:01We're waiting.
12:13First thing in the morning.
12:22Oh, good morning, Panchetta.
12:26Good morning, Mido.
12:28What is it?
12:29Were you sleeping?
12:31Yes, I was.
12:33Yes?
12:35Didn't I tell you to see if you could
12:38judge her performance?
12:40You go see her,
12:42so I can ask you something.
12:44Go ahead.
12:46What's it to you?
12:48You should know what it's to me.
12:50I brought Gala here,
12:52and I'm responsible for her.
12:54I don't want people to say
12:56I'm having an affair with someone.
12:57I don't want people to say
12:59I barely made it out of those stories
13:01and how much I washed my face.
13:03Stop it, Panchetta.
13:05Take it easy.
13:07Don't you think you went too far?
13:09Mido, believe me,
13:11I'm very weak.
13:13I'm trying very hard to be strong
13:15because I'm on vacation.
13:17So I don't jump right into the fire
13:19and I don't let my true nature
13:21get in the way.
13:23What are you doing,
13:24with that young girl?
13:26What's wrong with you, Panchetta?
13:28It's nothing.
13:30You're crazy,
13:32but that's the problem.
13:34It's not my problem,
13:36it's yours.
13:38Don't put me in the same boat
13:40with that loser.
13:42I won't.
13:44I'm a fool,
13:46stupid and crazy.
13:48I grew up on some cosmic branch.
13:50I don't see what's going on around me.
13:52I don't think
13:54you're blind.
13:56You're like all the other women.
13:58You only see what suits you.
14:00That's it.
14:02I'll pretend I didn't hear that.
14:04Okay.
14:06Here are two more numbers
14:08for your business
14:11that you need to seal.
14:13Thank you.
14:15Believe me,
14:17I don't know why I'm helping you anymore.
14:19Why?
14:21Thank you, Panchetta.
14:22Because you're a man.
14:24Because you're a woman.
14:26Because you're a woman.
14:28Let's be honest.
14:30Tell me,
14:32do you know anything
14:34about Gala?
14:39Panchetta,
14:41I can't believe you're here.
14:43Do you see this?
14:45Hit me.
14:47Hit me so I don't have to hit you.
14:49I have a picture.
14:50You're a moral wreck.
14:52What do you mean?
14:54You don't have it in you.
14:56I can't see it.
14:58I don't have time for you.
15:00I'm waiting for the pig.
15:02Hit me, woman.
15:04Hit me.
15:09I'll kill you.
15:14Ljubinka!
15:16Yes?
15:18Bring this here.
15:21Put it down.
15:26What's wrong with you, dear?
15:28You didn't eat a kilo of roast meat.
15:30I mean, I'm not sorry,
15:32but it's too much.
15:34My appetite opened up a bit.
15:37A bit?
15:39What if it was a lot?
15:41I'd probably run around the house
15:43like your father's son-in-law.
15:45Listen to me, Ljubinka.
15:47A girl your age
15:48has to keep an eye on the line.
15:50Do you know why?
15:52So she can be pretty.
15:54That's right.
15:56But not just for herself,
15:58but so she can be pretty
16:00for the rest of her life.
16:02Mom, how did dad invite you?
16:04How?
16:06How was it supposed to be?
16:08He had a flat tire in front of our house.
16:10When I saw him for the first time,
16:12I thought,
16:14God, what a peasant.
16:16Really?
16:18He wasn't as clumsy as he looked.
16:20He knew how to drive,
16:22how to be nice,
16:24how to get up.
16:26You see, dad's not that bad.
16:28He was then,
16:30and now he's a disaster.
16:32He doesn't even give me two percent,
16:34but he's starting to chase young girls.
16:36You're wrong, dad's not like that.
16:38Dad would never do that.
16:40He's really great.
16:42Great?
16:44He's great when he has a flat tire
16:46and he needs help.
16:48Come on, bring it over there.
16:50Come on.
17:04You can't believe it,
17:06but Gvozden
17:09has completely changed.
17:11He looks like,
17:13how should I put it,
17:15like a daddy.
17:16Well, that's nice.
17:18Well, yes.
17:20And he was terribly worried.
17:22He didn't show up all day.
17:24I told him, Gvozden,
17:26everything's fine,
17:28they're kids, that's how they behave.
17:30Well, he found it in the end.
17:32But let me tell you,
17:34he looked incredible.
17:36I was shocked,
17:38it was a little funny.
17:40I couldn't imagine Gvozden
17:42looking like a worried dad.
17:44Imagine that.
17:46Mija gave them
17:48an incredible headache.
17:50They found it, of course,
17:52but she gave them a task
17:54to be like inspectors,
17:56to search.
17:58She sent them selfies
18:00from different positions.
18:02Actually, that was the place
18:04where Gvozden and Mirjana started.
18:06So they had to find that place
18:08and that's how she connected them.
18:10It was her wish.
18:12Well, it's important that they found it.
18:14Well, of course.
18:16And in the end,
18:18they decided
18:20to be a real family.
18:22Imagine, the three of them,
18:24a real family.
18:26Fantastic, beautiful.
18:28And then they're going
18:30on a serious journey.
18:32Where?
18:34Mija wants to go to Spain,
18:36even though she's never been there.
18:38At least that's what Gvozden told me.
18:40And then later,
18:42they'll agree
18:43where they should go
18:45and where they should find
18:47their peace,
18:49their home.
18:51Their base, yes.
18:53Well, the kids are incredible.
18:55You see, if it wasn't for Mija,
18:57none of this would have happened.
18:59The kids are incredible, really.
19:02Well, we certainly don't have
19:04the time for kids yet.
19:07But how's work?
19:10Let me tell you,
19:11it's boring.
19:13I don't feel like it,
19:15but I have to.
19:17She didn't say it was boring.
19:19On the contrary,
19:21I'd say it's very dynamic.
19:23Believe me,
19:25she's not right.
19:27As far as I can see,
19:29there's a fierce fight
19:31for your loyalty.
19:33So what?
19:35That's how it should be,
19:37isn't it?
19:39If you say so.
19:41Let's get to work.
19:43Okay?
19:45Okay.
19:47Let's go.
19:49See you.
20:11I'm sorry.
20:25Mrvice!
20:27Come here!
20:32Hey.
20:34What's up?
20:36We need to talk.
20:39Did Mido tell you
20:41that he was with Gala?
20:43With Gala?
20:45I don't understand.
20:47What?
20:49If I didn't come into her room,
20:51I'd kick his ass in five minutes.
20:53God sent me to stop that.
20:55Come on, tell me what you know.
20:57What do I know?
20:59I don't know anything.
21:01I know about the star,
21:03this is the only thing I know.
21:05There's no talking to me,
21:07I've told you that before.
21:08Let's move on to the next question.
21:10Did Mido chase younger women before?
21:13No, God.
21:15If I heard something like that,
21:18I'd tell you right away.
21:21You'd better,
21:23because if you knew,
21:25and you didn't tell me,
21:27I'd kick your ass.
21:29Come on, walk.
21:38Yes.
21:56Bobo, come on.
22:05Andrija,
22:07I'd like to apologize again.
22:11What for, Bobo?
22:14My conscience is bothering me all the time.
22:18You didn't do anything.
22:20You just defended yourself from Jovana.
22:23Yes, but it's unacceptable
22:25to come to your door
22:27in such a state
22:29and so late.
22:32We've known each other for 20 years.
22:35We're people, Bobo.
22:37But that's not professional.
22:41Can we put that aside?
22:45I was thinking about something else.
22:48I don't want Una to get mad at me because of that.
22:54Because of what, exactly? Tell me.
22:57Because I was so stubborn
22:59and because of this whole situation.
23:02I'm begging you,
23:04don't get carried away by these things, okay?
23:07If only I could.
23:09Let's finish this once and for all.
23:12Deal?
23:14Okay, I'll try.
23:26Here.
23:31Thank you.
23:38I think it's a big problem for you
23:41that Andrija is going out with other women.
23:44I know
23:46he's dating her.
23:50But I just
23:52can't explain it to myself.
23:56What exactly is the problem?
23:58I don't know.
23:59I just know
24:01that I feel bad.
24:04You'll have to overcome that.
24:06You know,
24:08Andrija won't let go of every woman he's dating.
24:11I know.
24:13I mean, that would be crazy.
24:16I just can't not feel bad.
24:19All those women are in his circle
24:22and I'm on the outside.
24:24That's the key.
24:25Would you like someone more active in your role?
24:29Well, I don't know
24:31how to be more active
24:32and what that means for me.
24:34Have you considered
24:35getting into a more intimate relationship with Andrija?
24:38Milena, you keep coming back to that.
24:40What does that have to do
24:41with his work environment?
24:44Maybe he would like that back.
24:50I don't know.
24:52I just know that I want to be
24:53useful and equal in that.
24:57Equal or dominant?
25:00You said you're on the outside
25:02and everyone else is in front of you.
25:06Yes.
25:07But
25:08I still don't know
25:10how I would be able
25:11to take that dominant role.
25:13Una,
25:14every woman has that in her.
25:18Maybe I'm an exception.
25:19You're not.
25:20You just haven't found a way
25:21to awaken that in you.
25:27But
25:29Andrija is a powerful man.
25:32Dominant in this case
25:33means
25:34first
25:35in front of others.
25:38And that would please you, wouldn't it?
25:52Come on, Bito, come on, Bito.
25:53That's it, that's it, that's it.
25:54A little more to the head, a little more to the head.
25:56That's it, Bito, master.
25:58You're going to fuck me up.
26:00You're going to break my guest's neck.
26:03That's it, beautiful.
26:04Now...
26:09That's it.
26:12That's it.
26:21Where is that woman's head?
26:24For a little head, so we don't lose it.
26:27Didn't I tell you nicely
26:28to close the door, huh?
26:32You know what my late grandmother used to say?
26:34For a drunk man
26:36a poster is not worth it.
26:37But
26:38I'll admit
26:39it's not easy for you,
26:40it's not easy for you
26:41so much of a woman, Juri.
26:42I need to get rid of him.
26:43I need to get rid of him.
26:44Don't ask me anything.
26:45Don't ask me anything.
26:46That's how I was judged.
26:47What am I going to do?
26:48What am I going to do?
26:50You don't have any money.
26:52I don't want to go to some
26:54exotic paradise island.
26:56We lost it.
26:58That's how we sang the song.
27:00I don't have any money.
27:02Mido Pzanović doesn't have any money.
27:04I have as much as you want.
27:06But that island is far away.
27:08I'll go there.
27:09Well, okay.
27:10There's a small island nearby.
27:12Let's go there.
27:14I don't know.
27:15Let's go.
27:16It's nearby.
27:17There's no island nearby.
27:19But you know what?
27:20I have a café.
27:22Wouldn't it be bad if we went there
27:24for 4 or 5 hours to go crazy?
27:26No, sir.
27:27It's not acceptable.
27:29I don't want to do that.
27:30It's none of your business.
27:32Okay, go.
27:34He'll think of something.
27:36Okay.
27:46I don't want to do that.
28:12Nora?
28:13What's wrong?
28:14Nothing.
28:15Bye.
28:20Who told you to do this?
28:44Hi.
28:45Hi.
28:46Who's waiting is waiting.
28:48Can I come in?
29:15Hello.
29:21Vrbice!
29:23Come, come in hurry.
29:25But sir, now...
29:26I need your help.
29:28Can I just...
29:29There's no just.
29:30There's no just.
29:31This is a question of life and death.
29:32Now or never.
29:36But how did you come up with that now?
29:39All of a sudden?
29:40Okay, not all of a sudden.
29:43Andrej, I feel useless here.
29:46Somehow I don't have anything to do here,
29:49and then I come up with all kinds of nonsense,
29:52and I think that I would solve it later.
29:56Why is it so strange to you now?
29:58No, it's not strange to me at all.
30:02Look, if it bothers you that you don't earn,
30:06it's not a problem for me.
30:13I'm sorry.
30:19Did you come here for nothing?
30:21I came to thank you for your great gesture.
30:24Come on, how can I thank you?
30:26Please, you gave me half of the money,
30:28and you spent more than fair.
30:30No, we just understood what is right to do,
30:32and then we did it.
30:34I assume that sharing expenses was your idea.
30:38Of course, whose idea is more important?
30:40You didn't have to do it for me.
30:43I'm sorry.
30:55Here you go, girl, come on.
30:57Wait, Gala, come on.
30:59There are no calories.
31:01No, no.
31:02No, oh God.
31:03Wait, I think there must be some order.
31:05I don't know yet.
31:07Slowly, Kaja.
31:08They look beautiful.
31:10They are nice and ripe.
31:12Beautiful, come on.
31:14Excellent.
31:16I offer you now.
31:18Oh God, they are good.
31:38Boss,
31:40are you all right?
31:42I don't know.
31:44I don't know yet.
31:46Sit here.
31:53You haven't been to Kosovo these days.
31:56What is your argument?
31:58Why are you forbidding me to work?
32:00I'm forbidding you,
32:02but what kind of man would I be
32:04if I forbade you to work?
32:06What's wrong with that?
32:08Find somewhere else.
32:10But why?
32:12You worked in Star PR,
32:14didn't you?
32:16Yes.
32:18And what did you do there?
32:20I worked in Star PR.
32:22I worked in Star PR.
32:24You worked in Star PR, didn't you?
32:26Yes.
32:28You covered the place of the director.
32:30That's a nice workplace.
32:32It suits you well.
32:46What's going on?
32:48What?
32:50Don't ask me stupid questions.
32:52What's going on with the guests?
32:54They got mixed up.
32:56Didn't the water run out again?
32:58No, but I found the truffles,
33:00so I sent them to the search to find them.
33:02What a fool you are.
33:16Boss,
33:18now you remembered.
33:20The guys who sculpted me,
33:22the surgeons,
33:24they wash their hands.
33:26Maybe I can wash my hands first.
33:28I remembered.
33:30If you don't mind,
33:32I have to go.
33:34What?
33:36Do you have a bear in your life?
33:38Do I have a bear in my life?
33:40Yes, you do.
33:42Well, now you do.
33:44Thank you.
33:46Good luck to you.
33:48Thank you.
33:50But don't lie to me.
34:06Lidl
34:14Lidl
34:20Oh my God.
34:36Lidl
34:38Lidl