Igra sudbine 1121 Epizoda - Domaca serija
Category
🎥
Short filmTranscript
00:00Welcome to the club, parents, brothers.
00:15Andrija, it's not the time to be sad.
00:20Believe me, it's not.
00:22We are not here all day.
00:24Mirjana is not here.
00:26I know it's a standard behavior, but I haven't seen her all day.
00:32You know what, maybe you should call the police, just in case.
00:36I've already called the police. They're already looking for her.
00:39Do you know what she said to little Tarja?
00:42What did she say?
00:43Wait, wait, here she is.
00:45See, I told you she would come.
00:47Here she is. She says, I'm fine, but you have to find me.
00:53I'm here.
00:55What does this mean, you have to find me?
00:58I don't know.
01:00Maybe she's sending you something.
01:03You should answer her.
01:05Bye, see you.
01:23Hey, did you just decide to...
01:37Jovana, Jovana, stop it.
01:40Why, what did I do?
01:42You know very well.
01:45Stop making up stories.
01:47And tell me, please.
01:50What's your idea to call the police?
01:53Andrija, it's not my fault that you decided to surround yourself with women you've hurt.
01:59But you're the only one making a problem.
02:01You think so.
02:03And everything you've done, you'll get back.
02:06I mean, maybe you're great in business, but your private life is creaking, and you know it.
02:12And you still insist on getting into my private life, right?
02:16Your private life. Didn't we tell you...
02:18Tell me, I told you.
02:21And to leave Una alone.
02:25I warned you.
02:31Una, Boba, Senka, me.
02:37These are all women who will one day drink your blood.
02:41Andrija.
02:48Oops.
03:18I'm sorry.
03:30I hope I wasn't too harsh on Aleksija and you last time.
03:34What do you mean harsh? I mean, I don't know...
03:37I don't know, what do you mean?
03:39I mean, because of those price calculations.
03:41What?
03:42I just didn't want it to turn out that I'm not doing the job right,
03:45and I want to steal the money that doesn't belong to me.
03:48What do you mean, steal? No, no.
03:51How do I put it, I'm not tired of your stubbornness.
03:56You like stubborn women?
03:58Well, I like women who know what they want.
04:02Great.
04:03Great.
04:05Anyway, the lesson was helpful for you and for me.
04:09Yes, for me not to get carried away,
04:11and for you to tell us everything on time.
04:15Exactly.
04:16Yes, you see how well I understand you.
04:20You know what?
04:22I'll make you something,
04:25something world-famous.
04:28You'll see.
04:30I'm sorry.
04:38I'm telling you nicely, I'm worried about that relationship.
04:41I'm just not calm.
04:43I don't think you should compete with Bob.
04:46That's not healthy.
04:48Bob is his business partner and that's all.
04:50I'm not competing with him.
04:52I'm just trying to build trust in my own husband.
04:57And then she shows up at 10 p.m. in our house and that's it.
05:02It would be best if you didn't interfere in their relationship.
05:06You don't think he'll choose between you two, do you?
05:09No, no.
05:10And I would never ask him for that.
05:14I can't help but wonder what he wants from him.
05:18Well, you said yourself that Bob had a hard time at work.
05:22Maybe he's just looking for support.
05:26And she got it.
05:29Right away.
05:31He went to the office in the morning
05:35and started solving her problems.
05:40Your husband is a good director.
05:42He would allow his employees to suffer.
05:45You should be impressed.
05:47You know, he talked a lot about him as a man.
05:51I know.
05:53I know, and I wouldn't want him to reject her.
05:56I know I'm judging you for a good man, but...
06:01He was in a hurry.
06:04In a hurry?
06:06Yes, he rushed to the office in the morning and...
06:10Aha.
06:11Okay.
06:12Then we could talk about love.
06:15What kind of love?
06:19What kind of love?
06:22No, I'm not in love.
06:24I'm not in love, but...
06:26I don't trust her.
06:28I don't.
06:31You know what?
06:32Please, let's talk about how I can solve this, and...
06:37Okay.
06:38There is one solution.
06:40Get used to the fact that Andrija is in a business relationship with Bob.
06:44That's all.
06:46Explain it to yourself.
06:50Well, I'm trying.
06:53It's just...
06:55I don't think it's just a business relationship.
07:12How are you going to make it world-famous?
07:16I'm very interested in that.
07:19Excuse me.
07:21Someone is calling.
07:26I'm here.
07:28Excuse me.
07:35It's her.
07:37I'm just calling to see how you are.
07:39I'm good.
07:41I'm in Milan.
07:43Business is going well.
07:46So...
07:48Just that.
07:49To ask how it is.
07:51Yes, sure. You called to ask how it is.
07:53Well, maybe I have something that will cheer you up.
07:57Things between her and Andrija are not going well.
08:01Yes, yes. You see, I'm not interested in that at all.
08:04Are you sure?
08:05Sure. I don't know what I'm doing here.
08:08I started a fashion collection that I invested a lot in, so that's my priority now.
08:15As you wish.
08:17So, are you interested in me?
08:20Ivana, what are you talking about?
08:22I could take you back to Milan for the weekend.
08:25What do you think?
08:27I don't think there's a need, because I'm here on business.
08:31I don't know where I'm going.
08:34I wouldn't dare to see you.
08:36That's all I wanted to say.
08:38Bye.
08:47Bye.
09:04Why do you think their relationship is not just business?
09:07Do you have any proof of that?
09:09No, no.
09:11Let's be clear, I don't think they are in some kind of intimate relationship.
09:16I just think they are strangely close.
09:23I think I know why you have that impression.
09:27Why?
09:28You and Andrija don't have an intimate relationship.
09:32What does that have to do with this?
09:36Wait, you think he needs to make up for the lack of that?
09:43That?
09:44No, no, no.
09:45I just think you are making up for your relationship with them.
09:50I don't understand.
09:54Andrija is close to you, but they are also close to her.
09:58Both relationships imply a lack of sex.
10:01That's why you are making up for them.
10:03That's why you think they are close in a different way.
10:07No.
10:08I think there's a big difference.
10:11Maybe in practice, but not in your imagination.
10:15Your brain connects similarities in relationships,
10:18and that can be confusing sometimes.
10:23I don't know.
10:26I need time to process that.
10:31You have to admit that your husband has a sense for female friendship.
10:35And that's all.
10:37That sounds pretty simple.
10:40We decided to complicate things,
10:42and that's how we torture ourselves without achieving anything.
10:48That's true.
10:50Pretty much.
11:03Come on, Mido.
11:05Cheers.
11:10Oh, sir.
11:12Oh, look, look, look.
11:14Where are you, sir? Sorry if I'm bothering you.
11:16You're the one who's bothering me.
11:18How can you bother anyone?
11:20Especially me.
11:22Listen.
11:23Can I do something for you?
11:24You can.
11:25I wanted to take a shower.
11:27I don't work, and we're in the shower booth.
11:30What are you talking about?
11:31My life.
11:32Mido, something's broken.
11:34Yes.
11:35That's impossible.
11:36Yes, my life.
11:37Something's broken, so I came to ask you to help me fix it as soon as possible.
11:43As soon as possible?
11:45Let's go.
11:46Right now.
11:47Mido Pljanovic will help you.
11:49Thank you.
11:50He was alive.
11:51You're welcome.
11:54I have an idea.
11:57What?
11:59What do you think about going to his party?
12:23Yes.
12:49Hello.
12:50Mirjana.
12:51I know where Mia is, Mirjana.
12:55Hello?
12:57I know where Mia is.
12:59Mia is on the river, Mirjana.
13:03On the river, on that place.
13:07On that place, on the river.
13:09I found that place.
13:22I can't believe it.
13:24There's something wrong with Mia.
13:26I can't believe it.
13:28I don't know what it was.
13:31Maybe it was the heat,
13:34or the river.
13:43Why are you so surprised?
13:45It's a strange situation.
13:47A strange situation?
13:49They call me in the evening.
13:51People go there in the evening, I don't know.
13:53Yes, but it seems to me that you just ran away from someone.
13:56Ran away? I don't know, maybe I did.
13:58I don't know what that has to do with this.
14:00So you did.
14:02Don't say that.
14:04Whatever happened, happened.
14:06Was it a girl?
14:10Yes.
14:12Unfortunately, she was wrong.
14:15There were many wrong people.
14:18There were several of them.
14:21Well, maybe I could correct your mistake.
14:26Luka, look, let's solve one thing right now.
14:29Come on.
14:30I'm your bad cover for a man who wants to heal a broken relationship.
14:35Don't play with fire.
14:42Okay, where are you taking me for dinner?
14:48I don't know.
14:53Now I remember that I told her about the river.
14:56But why the starfish there?
14:58Why did she run away?
15:00Mirjana, it's our child.
15:02She just wants to send us something in her own way.
15:06Our child is smart.
15:09How do you understand her message?
15:13I understand everything.
15:15She grew up without us.
15:17She just wants to go back to where it all started.
15:20To go back to where it all started.
15:23That's how I understand it.
15:25To the river.
15:26Our child wants to reunite with us.
15:29Well, yes.
15:31Okay, then.
15:33Let's go to the river.
15:35Come on.
15:48THE RIVER
15:59Since it's so hot and steamy,
16:02let's close this window.
16:04What window? I'm used to it.
16:07I'm used to driving a truck around Africa, America, Canada all the time.
16:11It's 50-40 degrees in the summer.
16:13It's nothing for me.
16:16Come with me.
16:18Here you go.
16:22Come on, let's go.
16:24I'm sorry.
16:26Just a moment.
16:28I'm sorry.
16:30I'm afraid I can't forgive you.
16:32It's okay.
16:34Come on.
16:36Thank you.
16:45THE RIVER
17:07What are you doing?
17:09Nothing. You?
17:11What do you mean, nothing?
17:13You were trying to get into Mido's room.
17:15I'm a bit slow today.
17:18I wanted to talk to Mido.
17:21But I see he's locked up.
17:23I really don't know why he locks himself up every day.
17:27It's like he's got Ali Baba's blessing in his room.
17:30I don't know either.
17:32There must be a reason.
17:34I just can't get there to talk to you.
17:37To ask you about this mess.
17:39I'm sorry about Trivanović.
17:42And I'm sorry you don't play the piano.
17:45I really miss it.
17:48Listen.
17:50I know Dad wanted me to marry you.
17:53But my heart beats only for Trivanović.
17:56That wouldn't be fair.
17:58I'm sorry.
18:00Why are you apologizing for your sincerity?
18:03I understand you.
18:05I'd really like you to find a real man.
18:08He didn't think I was a chance for you.
18:13Do you and Trivanović have any plans?
18:18No, Mom.
18:20I mean, he can't come to Kosmaj anymore.
18:24I don't know what to do.
18:26I have to figure out what to do.
18:28But I really don't know.
18:30I'm so sorry to hear that.
18:32I'm so sorry.
18:34You'll always have a good friend in me.
18:37Someone you can count on.
18:39Believe me.
18:41I love you.
18:46Now we'll see what's going on here.
18:50First, I'll have a visual look.
18:54Wait, wait.
18:56Do you know anything about water installations?
19:01Why are you asking me all this?
19:04Are you asking me if I'm going to die?
19:06No, I'm not.
19:08Listen to me.
19:10The thing behind your head is called a battery.
19:14Okay, okay.
19:21I think...
19:24This is good.
19:27This battery is good now.
19:31Wait, which one are you talking about?
19:34The bathroom or your battery?
19:37Look, look, look.
19:39Trivanović is asking me.
19:41Slowly.
19:43We're starting to get to know each other.
19:46Well, okay.
19:48What's missing, Mom?
19:50A better battery.
19:52Thank you very much.
19:54You're so strong.
19:56You're going to break everything.
19:58Don't say that.
20:00How's your battery?
20:02This one?
20:04Thank you for asking.
20:06It's good.
20:08I think it's going to be even better.
20:11I'm so glad.
20:13Look, I put this number for you.
20:16Just in case.
20:18I installed it for you.
20:20Now you can pay as much as you want.
20:22Don't worry, don't worry.
20:24It shouldn't be bad.
20:26Great, great.
20:28Thank you.
20:30Great, bravo, bravo.
20:36Please come to Kosmaj.
20:38I missed you so much.
20:41I can't come, Ljubinka.
20:43You know I don't have a chance to show up.
20:46Because the boss is following me.
20:48He's following every step I take.
20:50I just want to tell you
20:52that we can't go on like this.
20:54We have to come up with a plan.
20:56I'm going to come up with a plan.
20:58Okay, Ljubinka.
21:00If you don't want to come up with a dangerous plan.
21:03You know what I remembered?
21:05What?
21:07That I should pack my bus
21:09and come to Belgrade.
21:11To your place.
21:13No, Ljubinka.
21:15Please don't come.
21:17I'm begging you.
21:20But we really have to see each other.
21:25We have to see each other.
21:27I understand you.
21:29But you have to understand me too.
21:31If you come, your dad will follow you.
21:33Mido will come to my boss.
21:35Don't worry, we'll tell him everything.
21:37And I'll get fired.
21:39I'm begging you, Ljubinka.
21:41Don't do this.
21:43Here, Ljubičica.
21:45I have an idea.
21:47A very good idea.
21:49I expected this.
21:51Here's what we'll do.
21:53I'll come one night.
21:55When everyone's asleep.
21:57You won't fall asleep.
21:59That's a deal.
22:01I'll come.
22:03And then we'll see each other.
22:05Wait, when are you going to call me?
22:07I'll call you exactly when.
22:09Just to reduce the traces.
22:11And you know how we're going to...
22:13When I come in front of you,
22:15you'll see me.
22:17I'll celebrate with this song.
22:19Like this, Ljubinka.
22:29I miss you so much.
22:35That means you miss me too.
22:41Great.
22:45I have to ask you.
22:47Do you train?
22:49I see you have muscles.
22:51You look great.
22:53No, I don't train.
22:55It's because of the truck driving.
23:03Are they big trucks?
23:05Big?
23:07You can't believe it.
23:09Do you know how many trucks there are?
23:11When I drive this big, I don't see myself.
23:13When you drive it through Africa,
23:15in the desert,
23:17at 45 degrees,
23:19it has 26 wheels,
23:216 tires,
23:23when it breaks,
23:25the others work.
23:27Can I fart?
23:29You can, you can't.
23:35Congratulations.
23:37Like a bubble, like a stone.
23:39Fart, fart.
23:41You have to fart a lot,
23:43because I'm not responsible for my actions.
23:47Get away from me.
23:49Why are you looking at me like that?
23:51It was terrible.
23:53I saw it.
23:55I recorded it.
23:57You?
23:59You have a thousand wives.
24:01Who?
24:03A thousand?
24:05I'm more than that.
24:07Those were the driver's adventures.
24:09It's all calculated.
24:11Why black, white, yellow?
24:13Small, tall, fat, all beautiful.
24:15Who wants to be big?
24:17Look at me when I look at you.
24:19I would go slowly.
24:21Wait, you can't go yet.
24:23I have a suggestion.
24:25I'm really grateful to you
24:27that you came right away.
24:29You immediately solved the problem.
24:33I wanted to invite you
24:35because I have a bottle
24:37of wine.
24:39I brought it from Belgrade.
24:41But I can't.
24:43I don't have anyone to drink it with.
24:45I thought
24:47if you want
24:49to come back in the evening,
24:51we'll pour some wine,
24:53maybe a little cheese,
24:55a little beer.
24:57If you agree.
24:59I agree.
25:01We agree like a board on a board.
25:03How do you agree?
25:05Where are we going to pour that bottle of wine?
25:07I told you not to complicate it.
25:09Here?
25:11The best.
25:13You gave me that idea when you mentioned it.
25:15Where do you want it better than here?
25:17That's not hygienic.
25:21We agreed.
25:23I'm going.
25:25See you later.
25:27We'll have a drink
25:29of this wine from Belgrade.
25:31I can't wait.
25:33Don't worry.
25:37Don't worry. Everything is fine.
25:39This wine is already drunk.
25:41I'll fix it.
25:43See you later.
25:45Bye.
26:01Bye.
26:25Excuse me.
26:27You're finally here.
26:29I'm in a hurry.
26:31You're always busy.
26:33I'm 15 minutes late.
26:35I told you it's important.
26:37What happened?
26:39The owner of the studio fired her.
26:41She wants to see you urgently.
26:43Why?
26:45Where is she paid?
26:47I don't know.
26:49I'll find out tonight.
26:51I'm really worried.
26:53Don't worry.
26:55I'm sure it's a minor issue.
26:57I don't think so.
26:59It's not a big deal.
27:01We paid the bills.
27:03Kira is paid.
27:05I have something else to tell you.
27:09You'll have to finish it tonight.
27:11Why?
27:13I'm going to dinner with Luka.
27:17Laura.
27:19You're thinking about him again.
27:21We had a deal
27:23that you're not going to do it.
27:25I'm not doing anything.
27:27He invited me to dinner.
27:29I can't reject him now.
27:31I'm not going to do it.
27:33Are you crazy?
27:35Why are you acting like this?
27:39You know
27:41my opinion about all this.
27:53Let's go.
28:05Move!
28:07What did you do?
28:09I can't tell you.
28:11I pulled some moves
28:13and I'm waiting to see
28:15how it's going to develop.
28:17Do you think I'm going to sit on my ass?
28:19Do you think I'm like your guests
28:21that you talk to them all day long?
28:23What are you talking about?
28:25We have a plan.
28:27We do, but I don't know anything concrete.
28:29I can't tell you anything concrete
28:31so you wouldn't be in danger.
28:33If you talk to me like this
28:35I'm going to rip your ass off.
28:37Yes?
28:51Bobo, hello.
28:53Hello.
28:55It's wonderful
28:57to see you again
28:59in your chair.
29:01You know I like it
29:03when I take a break from problems.
29:05You're a man
29:07who solves the tone of papyrology.
29:09Please.
29:11Problems at work are zero
29:13compared to private problems.
29:15I agree.
29:29I really like vodka.
29:31If you're going to mention harmonica,
29:33you're going to mention the drums, too.
29:35I've heard that
29:37she plays harmonica better
29:39than the piano.
29:41Just so you know.
29:43Look at you.
29:45You don't understand anything.
29:47What do I know?
29:49The End
30:01Stop whining
30:03like you're a god.
30:05Break my brain.
30:07Seljo,
30:09some people say
30:11only bad people don't like music.
30:13That's music.
30:15It looks more like a door scratch than music.
30:17Oh God, what are you talking about?
30:19Who sings
30:21is evil.
30:23You're not singing,
30:25you're whining.
30:39Yes?
30:41Good evening.
30:43Good evening.
30:45Good evening.
30:47Here I am,
30:49exactly as we agreed.
30:51Exactly as we agreed
30:53on a glass of wine.
30:55Yes, yes.
30:57Here.
30:59Thank you.
31:01Here you go.
31:03Thank you.
31:13He moved you to the shadows
31:15so that I wouldn't be able to hear
31:17what Boba was talking about. Horrible!
31:19Yes.
31:21Do you know what that means?
31:23That means he's
31:25starting a counter-offensive.
31:27But let me tell you,
31:29I'm going to figure out
31:31how I'm going to get to him.
31:33He won't be able to.
31:35I don't doubt that.
31:43Yes,
31:45if he's in my village,
31:47he'll remember Baba Gaja,
31:49he'll have him in his arms,
31:51Mara,
31:53Omelette...
31:55Where are you, kids?
31:57Where are we?
31:59Have you seen where we're going?
32:01We need to find something.
32:13I really liked Milan.
32:15Really?
32:17Yes.
32:19Is that because of work or...?
32:21It's because of work,
32:23and because...
32:25I'm sorry, I have to hang up.
32:27I'm sorry, too.
32:29Tell me, I'm late for dinner.
32:43Is everything okay?
32:51I think you should know something.
32:53What?