La Promesa - Cap 392
Transcript
00:00♪♪
00:30The time has come for me to give you back your scapular.
00:34I'm no one to tell you who you have to be with, but I need you to open your eyes.
00:38Lope, you don't understand.
00:39Well, no, I don't understand. That's why I need you to explain it to me.
00:41What if he knows more than we think?
00:44Do you think Mrs. Arcos has the slightest idea of what really happened?
00:48I have information that will surely be of great interest to you, Don Gregorio.
00:53If he's going to tell me that Pia is dead, the rumors have already reached me.
01:03That fool has had the worst possible ending because of his stubbornness.
01:08No, if I called him, it's precisely because I don't give you a hint of credibility to that rumor.
01:17What does he say?
01:18That I really believe that the supposed death of Pia has not been without a pantomime,
01:25borne with the help of some of his companions.
01:29And why would they do something like that?
01:31It is not clear. To deceive you, to leave at once and leave you alone.
01:37Where do your suspicions arise?
01:40Although you don't have to know everything, I've been to so many places.
01:44And Pia never left her town.
01:46Pia never left her town.
01:49Supposedly she died here on the promise.
01:51And then they took her body so that no one could say goodbye to her.
01:57The excuse they gave was that they didn't want the scandal that could occur
02:04when it was known that Pia had taken her life here, inside the palace.
02:11It's strange.
02:14It's strange, yes.
02:16Yes.
02:17And after that, I've seen several times that Hanna came out of the palace unconscious,
02:22with some messages for Mr. Baeza, of which I had not been informed.
02:27Everything very mysterious.
02:29Despite being the one who takes care of the maids, Mr. Baeza gives orders to Hanna behind his back.
02:37That's right.
02:39And as I already told you, it has been something constant.
02:41If you are right, they will have Pia hidden near here and someone will be taking care of her.
02:51That's it.
02:52And I think it could be Hanna, who will be bringing her food and everything she needs.
02:57Has Mr. Baeza given you any justification for being the one who gives Hanna the orders?
03:05Yes.
03:07Yes, he has given them to me.
03:09But when I did it, I found it uncomfortable, even annoying.
03:15If you are right, it's not strange that you are, of course.
03:19But that's not all.
03:21Later, Hanna was surprised to see us rummaging through the blankets where we keep the bedding.
03:26And then another one, in the kitchen, filling a pot.
03:31What excuse did he give you?
03:33That maid is too awake and always comes out well from the pressure.
03:36She doesn't fool me.
03:41The first thing is to check if Pia really died.
03:46And I know how to do it.
03:48Can I help you with something?
03:51Keep an eye on Hanna.
03:54Don't let her leave the palace under any circumstances.
03:59Don't worry.
04:01I won't take my eyes off her.
04:06Let's go.
04:36Let's go.
05:06Let's go.
05:37Let's go.
05:55Tell me.
05:57Please.
06:03I don't want Santos.
06:06And I've never loved him.
06:09He is vain and arrogant.
06:17Then why are you still dating him?
06:20Because I have no choice.
06:24Vera, I don't understand.
06:27What forces you to continue with him?
06:29Lope, please, don't ask me any more questions because I can't tell you anymore.
06:32Vera, don't you realize that this is crazy?
06:35That you can't be with someone you don't love.
06:40It's true that I can't do anything else.
06:45That's all you're going to tell me.
06:47You're not going to tell me anything else.
06:51What's wrong? Don't you trust me?
06:55Vera, I'm devastated.
06:57Devastated.
06:58First you leave me when I thought we couldn't be happier.
07:01And you don't know how much that hurts me.
07:03And me.
07:06Because you left me broken.
07:10Why do you keep hurting us both?
07:12Why?
07:16Okay.
07:19But...
07:22But don't ask me to tell you more than I'm going to tell you.
07:25And...
07:26And...
07:28Don't try to meddle or say anything to Santos.
07:33Promise me.
07:42Yes.
07:44I promise you.
07:46I'm doing all this because...
07:50Because Santos knows something about my past that no one else can know.
07:54And he has me at his mercy.
07:59Vera, you can't allow him to mistreat you.
08:02I do what I can. I try to stop him.
08:05What Santos is doing has a name, Vera.
08:08And it's called blackmail.
08:10That bastard is blackmailing you and you can't allow it.
08:13Much less allow him to take advantage of you and touch you if you don't want to.
08:17Because all of this is going to go further.
08:20Because a blackmailer
08:21Because a blackmailer
08:23never conforms, Vera.
08:25Never.
08:27He's always going to want more.
08:30I've been able to stop him so far.
08:32You said it.
08:34So far.
08:38Vera.
08:45There will come a day when he does something to you that you'll regret for the rest of your life.
08:51And I'm afraid that day is very close.
09:21No.
09:32Son.
09:34Son. Son!
09:36Manuel.
09:37Manuel!
09:39Manuel!
09:41Ma'am?
09:42No. Son.
09:43Ma'am, are you alright?
09:44Son.
09:46Manuel!
09:51Manuel!
09:52Ma'am.
09:53Wake up, ma'am.
09:54Manuel!
09:57My son.
09:59You're in the palace right now, in your room.
10:02He was having a nightmare.
10:06I know that.
10:07And what are you doing here?
10:09I heard screams from the corridor and I got scared so I decided to come in.
10:14Well, you can go now.
10:16Yes, ma'am.
10:17Bring me breakfast.
10:19I'll have it here.
10:21Thank you.
10:52I brought you a little gift from my trip to Puebla de Tera.
10:56It's nothing, just a detail.
10:57I thought you'd like it.
10:59So here you go.
11:01Open it.
11:08It's made of silver.
11:10Maybe it's not the most luxurious jewel in the world.
11:13But when I saw it, I knew it had to be for you.
11:17It's elegant and delicate.
11:21Just like you.
11:25Thank you.
11:45What?
11:47You don't know what I brought you.
11:49Me?
11:50Yes.
11:52A gift from your friend.
11:56Don't think I didn't have a hard time getting it.
11:58Juana.
11:59Thank you so much.
12:00You don't know how good this is for me.
12:02To write to Zezaga, who you love so much.
12:03If only I knew.
12:04Right now?
12:05But how did you get it?
12:08I can get almost anything in here.
12:12But how did you do it?
12:14With effort.
12:16Look, if we have something here, it's time.
12:18So tell me in detail.
12:21Okay.
12:23I'll reveal my tricks to you.
12:26I already told you that sometimes my head hurts a lot.
12:29Yes.
12:30You told me you even throw up because of the pain.
12:33And sometimes they take me to the infirmary,
12:35put me on a stretcher and give me a pill to relieve me.
12:38I spend hours there.
12:40I'm not following you.
12:42The thing is that when I'm at the infirmary,
12:45a nurse always accompanies me.
12:47But since I fall asleep,
12:48sometimes the nurse leaves.
12:53Not every time I go there, my head hurts.
12:56So sometimes I don't take the pill and I fall asleep.
13:00Uh-huh.
13:02Then they leave me alone and I can be curious about the whole infirmary.
13:06There they have a closet that they keep everything.
13:09Also paper and pencil.
13:10Uh-huh.
13:13But what I've told you stays between you and me.
13:15No, no, don't worry.
13:16I'm not going to tell anyone.
13:18What I was thinking is ...
13:20How am I going to send the letter once I have it written
13:22if we can't get out of here?
13:27That also has a solution.
13:29The warden here likes the pesetas more than a fool.
13:33So if you have any money, everything is arranged.
13:37I don't have a penny, but I'll think about how I do it later.
13:39What I have to do now is ...
13:41write the letter
13:43and get it out of here no matter what.
13:48I'm sorry.
13:54And the river swept away everything that was in its way and I ...
13:57I fell apart.
13:59And Manuel began to hug
14:01and pull his head out over the water,
14:03trying to breathe.
14:06Mrs. Traigo, your breakfast.
14:10And how did that nightmare end?
14:13Thank goodness I woke up.
14:16Well, they woke me up.
14:18Oh, María Antonia, you don't know what it was.
14:22I was ... I was soaked in sweat.
14:25It was horrible, I couldn't stop shaking.
14:29It's normal for you to dream things like that, ma'am.
14:31Your son is at war and we are all living it with a lot of tension.
14:36May I know what tension you have?
14:39Well, I ...
14:40The one of scrubbing the floors?
14:41Or the one of ironing the sheets?
14:44It was just a way of speaking, I'm sorry.
14:46Well, I hope you learn to speak better.
14:48Or rather, that you learn to be quiet.
14:50Cruz, please.
14:52The girl just wanted to cheer you up.
14:55I don't need the cheer of a baby shower.
14:59Take the breakfast, I don't feel like it anymore.
15:02Okay.
15:04You don't have to come back.
15:05I'll stay with the Marquise.
15:08Yes, it will be better.
15:10Yes, it will be better.
15:17Come on.
15:19Leave that bed.
15:20Let's go for a walk.
15:22The fresh air will do you good to forget that nightmare you had.
15:25Yes, it will do me good.
15:28Come on.
15:30Let's go.
15:33Get up.
15:40Did you call me?
15:41Yes.
15:42Close the door and come in.
15:50So?
15:51What will you say?
15:56Petra.
15:59I don't want you to go around saying that absurd theory of yours that I poisoned myself.
16:05Absurd?
16:06Yes.
16:07Absurd.
16:08Based solely on your delusions.
16:13Well, I think it's getting more and more accurate, Ignacio.
16:17For example,
16:19I have already found out what Miss Martín bought at the pharmacy.
16:24She just bought some menthol pills.
16:27The pharmacist himself told me.
16:29How naïve you are.
16:31Do you really think that man can tell you happily that he sold poison to a young lady?
16:36Don't you think he would get into a huge mess?
16:39But there is something else.
16:42For example,
16:45the email you received shortly before suffering that horrible poisoning.
16:50I receive a lot of correspondence.
16:53Yes, Ignacio, but it wasn't a letter.
16:56It was a package.
16:58I don't know what you're talking about.
17:01Yes, you know it well.
17:04It was a package of those in which you receive some of those medicines
17:11that you sometimes take for pleasure.
17:14And as far as I know,
17:16they are a bit suspicious.
17:18Especially if you use it for other purposes.
17:21I don't know.
17:22I don't know.
17:23They are a bit suspicious.
17:25Especially if you use it for other purposes.
17:28You are an ignorant.
17:30You don't know anything.
17:32Since I took care of your correspondence for a while,
17:38I know much more than you should.
17:43Who you write to,
17:45who writes to you,
17:47and what they tell you,
17:49what they send you,
17:50what they say,
17:52and how much you pay for certain things.
17:55There's one thing I don't understand.
17:57What do you care
17:59about what happens to Martina?
18:01Why are you defending the girl?
18:03You're right.
18:05I don't care what happens to that spoiled brat.
18:08So, you do all this just to annoy me?
18:11To make my life impossible?
18:14Maybe.
18:16And I assure you that I just started, Ignacio.
18:18What will the Marquises think when they find out about your actions?
18:23And Margarita?
18:25Margarita will never look at you again.
18:30Very well.
18:32I agree.
18:33Speak.
18:34Say whatever you want.
18:37But be clear about one thing.
18:39If I fall,
18:41you will fall with me.
18:42Me?
18:44And tell me,
18:46how are you going to do it?
18:47What?
18:48I'll tell everyone that I'm Feliciano's father.
18:52You'll throw stones at your own roof.
18:55A nobleman
18:56who takes advantage of a poor maid,
18:58leaves her pregnant and doesn't recognize her son.
19:01Tell me,
19:02how would your dear Margarita look at you after that?
19:05And how do you think Cruz will react
19:07when I tell her
19:08that you asked me to come here
19:10to prove that she tried to kill Curro
19:12and that by trying to kill him,
19:13she ended up killing our son?
19:16I'll tell them it's a lie,
19:17because you didn't come here
19:18because I didn't tell you anything.
19:21Maybe not,
19:22but are you going to deny the rest?
19:25Whatever it is,
19:26it would be the word of a maid
19:28against that of a count
19:29and you don't have Cruz by your side anymore
19:31to defend you.
19:33Who do you think they're going to believe?
19:39Good morning.
19:40Good morning.
19:45Is the lady sick?
19:46She hasn't had a bite.
19:48No, she's not sick.
19:49She's just in a dog mood
19:51because she had a nightmare
19:52that left her very upset.
19:57Well, it looks like
19:59you don't have much appetite either.
20:01Well, they're not going to look for me
20:02because they don't want to eat.
20:03I have enough with what I have,
20:05with what's mine,
20:06to get mad at some capricious
20:08and clumsy people.
20:10And what's wrong with you?
20:12Your in-laws are not happy.
20:15It's because of the economic solvency
20:17they asked Virtudes, right?
20:19That's right.
20:20Although more than solvency,
20:21they should call it soltency.
20:23Because these people,
20:24you know what else they want?
20:25They are being released
20:26and they will never be saved.
20:28But what are you talking about?
20:30My daughter's in-laws have asked my Virtudes
20:32to give them 550 pesetas
20:35to give back to her son.
20:37But that's the money
20:38that the in-laws have asked for.
20:40That's right.
20:41Come on,
20:42Virtudes is not going to get so much money
20:43with her maid porn.
20:45It's not possible.
20:46Not in three lives.
20:48Well, I think that in a few weeks
20:49I could get it.
20:52What are you thinking?
20:53Are you going to steal a bank?
20:54You're not going to realize anything.
20:56Well, of course she realizes
20:57and that's why I'm telling her,
20:58Mrs. Candela.
20:59I know that Virtudes
21:00can't get it on her own,
21:02but maybe among all of us,
21:03if we put our shoulders up, well ...
21:05A collection?
21:07Like the one you made
21:08to pay for my eye surgery.
21:10The truth is that if I did it for an eye,
21:13what less, right?
21:14Do the same for an innocent creature.
21:17Yes, my dear Adolfito.
21:19Besides, this would be half the money
21:21that that surgery was worth.
21:26Do you think
21:27everyone wants to help?
21:29Of course.
21:31Even your mother and grandmother,
21:33your grandmother, Derchavea.
21:36How long does Virtudes have
21:37to get the money?
21:39The ideal would be in two months,
21:41which is when she is going to work
21:42at the village priest's house.
21:45Well, you'll see,
21:46when she has to go to work
21:48at Don Fermín's house,
21:49she's going to go with Adolfito.
21:51And your father-in-law will see
21:52what Virtudes has,
21:53solvency.
21:54Solvency
21:56and whatever it takes.
21:58Well, no more talk.
21:59Now we have to tell everyone
22:01and also close.
22:03Well, all the less Maria Mandrao.
22:05She is capable.
22:06She talks to Virtudes' in-laws
22:08to tell them
22:09to ask for a thousand pesetas
22:10instead of five hundred.
22:12You'll see, Mrs. Simona,
22:13how soon she'll be with Adolfito again.
22:23The marmalade business
22:24never ceases to give penguins benefits.
22:26And all thanks to the fact
22:27that I run the business.
22:29I already gave them
22:30before you took them.
22:33This war
22:34is a magnificent business opportunity
22:36that we have to take advantage of.
22:39Yes, take advantage.
22:41Are you thinking of investing more money?
22:43Don't count on me.
22:45Well, you can always ask for a loan.
22:47I don't see it.
22:49Of course you don't see it.
22:51You should have exploited
22:52your business better a long time ago.
22:54For example,
22:55if you sold your wheat abroad,
22:56I would pay you much better.
22:57And leave our neighbors without flour
22:59to make bread
23:00or with the prices skyrocketing.
23:02You're squeezing the title.
23:03No, I can't act like that.
23:06If we start playing with people's bread,
23:08this is going to end very badly.
23:10But those are not ways to do business.
23:12Look, brother-in-law,
23:13in this, as in many other things,
23:15we don't agree.
23:17So let's leave it.
23:19Let's change the subject.
23:27What do you think if we talk,
23:29I don't know,
23:31about women?
23:33No, about a woman.
23:35About Maria Antonia.
23:38What's going on with Maria Antonia?
23:40I was expecting you to tell me.
23:43I haven't seen her in days.
23:45And why do I have to know what's going on with her?
23:47Because I haven't seen her
23:49since the day I found you
23:51arguing in the greenhouse.
23:53What a coincidence, don't you think?
23:54Don't talk nonsense.
23:55Did it give you the feeling
23:56that you were having one word
23:57higher than the other?
23:58Lorenzo, I'm fed up with your insinuations.
24:01I don't have to give you
24:02any explanations.
24:10Well, wait a minute.
24:12Before you start eating,
24:14I want to give you an order
24:16from Mr. Marquez.
24:17I want you to buy Rajatabla.
24:19No one wins if they buy Oreno,
24:21Mr. Baeza.
24:22Well, I'm going.
24:24If any of you go to Lujan
24:26and ask for Mrs. Darre,
24:28you have to answer
24:29that she died in her town.
24:33I've already been asked.
24:35And what did she say?
24:36Well, I acted stupid
24:37and I'll go somewhere else.
24:39From now on,
24:40you have to answer
24:41what I'm telling you,
24:42without going into details.
24:44I'm not going to say
24:45or ask about it.
24:47I get sad just thinking about it.
24:50And what do we do
24:51if they ask for details, Mr. Baeza?
24:52The people of Lujan are very curious.
24:54Well, against the vice of asking,
24:56the virtue of keeping quiet.
24:58You only know
24:59what I'm telling you,
25:00so you don't have to tell me anything else.
25:03It's very difficult for me
25:04to talk about Mrs. Pia
25:05knowing that we will never
25:06see her again.
25:07Everyone.
25:09Yes.
25:10She has left a very big void.
25:15It's true that it was very sad,
25:17but not everyone is a shame.
25:19In fact, now we have an opportunity
25:20to bring some joy to the promise.
25:24We could help Virtudes
25:26to get her son back.
25:28Explain yourself, Miss Expósito.
25:30You see, the children's grandparents
25:32have given Virtudes
25:33an amount of money
25:34as a guarantee.
25:36No more, no less than 550 pesetas,
25:39one after the other.
25:41And my poor daughter
25:42neither has nor will have.
25:45But we could collect it
25:47to help them.
25:48Well, I think it's an excellent idea.
25:50Well, you're not going to get me a dog.
25:53Well, it's not mandatory either.
25:54Anyone can do it.
25:58Of course I'll help, Hanna.
26:00She too.
26:02Count on me.
26:03And with me, of course.
26:04And me too, of course.
26:05I want Simona
26:06to be able to enjoy
26:07her grandchild soon.
26:11I don't know what to say.
26:13Thank you very much from the bottom of my heart.
26:18Thank you.
26:26I see that everyone is very hungry today.
26:29Eat and shut up.
26:38Well, I ...
26:41I wanted to apologize.
26:43Can we know why, Mrs. Alcos?
26:45Yes, of course you can.
26:49I know that Mr. Bellicer and I
26:51have our differences.
26:54And well, sometimes one gives an order
26:57and the other the opposite.
26:59Well, yes.
27:00Unfortunately, it has happened several times.
27:03That's right.
27:04And with that, what we have achieved is
27:07to confuse the service.
27:09And I have been forced to intervene
27:10to avoid unnecessary harm.
27:14Of course, I am aware
27:15that we cannot continue like this.
27:17And from now on,
27:18I would like Mr. Bellicer and I
27:21to be able to agree on this.
27:25I also want the same.
27:28It seems very sensible of you, Mrs. Alcos.
27:31I appreciate the initiative.
27:33And it would also be sensible
27:35if we started eating the lentils
27:37because they are starting to get cold.
27:47I love you.
27:54You have no idea
27:55what I miss you for, Curro.
27:57And the desire I have to hug you.
28:00I pray every day for you
28:02so that you will return soon
28:03from that healthy and safe war.
28:06When that day comes,
28:08we will be able to lead a life like the one before,
28:10but happier,
28:11because now we will know how to love each other better.
28:16My life without you is boring and lonely.
28:19I hardly talk to anyone.
28:21I remember every moment
28:22how lucky I was to have you by my side
28:24and how blind I was
28:25for not knowing how to see my luck.
28:30I, Curro,
28:31I don't know if I should tell you this
28:34because you will have enough with your problems,
28:37but I need you to know.
28:39I can't hide something like this from you.
28:42My life, Curro,
28:43is now very different
28:44from the one I had
28:45when I wrote to you for the last time.
28:47And that's only a few weeks ago,
28:50but everything has gotten worse.
28:53I'm not even alive in the promise,
28:55but locked up in a sanatorium
28:56where they treat me like a madwoman
28:58capable of committing any atrocity.
29:01And they force me to take pills every day.
29:07I guess I don't have a choice.
29:11I guess you can't imagine
29:12how I ended up here.
29:14Sometimes I think about it
29:15and I feel like I'm in a nightmare
29:17that I will one day wake up from,
29:19but unfortunately this is my reality.
29:24It all started
29:25because someone poisoned the count next door.
29:28And who do you think they accused?
29:31Yes, me.
29:34They accused me of wanting to kill him
29:35for wanting to marry my mother.
29:37I know that if you had been in the promise
29:39you would have defended me, but you weren't.
29:42Or I would have accepted to be admitted to this center
29:44or the Count of Ayala would have accused me
29:46in front of the Civil Guard.
29:48I don't know what would have been worse
29:49because in front of justice
29:50I could have tried to prove my innocence,
29:52but here I am surrounded by women
29:55who have lost their hearing
29:56and there are days when I...
30:00I...
30:02I remember your poor mother,
30:04everything you told me about her.
30:07And I'm afraid that if I'm still locked up,
30:09I'll end up like her, but...
30:11But I want to be strong,
30:13get out of here
30:15and that when you come back from that war
30:17we'll be together forever.
30:20That's why I'll fight to prove that I'm innocent.
30:24You fight to get out of that war alive
30:26and that we can love each other as we deserve.
30:29I love you.
30:34I've been told that when the King went to rest at the farm,
30:37the Queen accompanied the Princess of Sarsal
30:40on a horse ride through St. Ildefonso.
30:43Poor princess.
30:44Her husband is in prison and in the hands of the English.
30:48Well, that princess has her husband in Gibraltar.
30:51I mean, nearby.
30:52I'm sure they'll let her visit him.
30:54That's why he's here, in Spain.
30:57Salvador, since you're here,
31:00do you know anything about that rumor
31:02that we've heard that Mrs. Adarre
31:04has died in her village?
31:07Well, we've also heard something,
31:09but so far it's just rumors without confirmation.
31:12Mr. Baeza is trying to find out more.
31:15Well, have him inform me.
31:17And tell the rest of the service
31:19that we feel very much the end of poor Pia.
31:22I suppose they will be very affected.
31:24Yes, sir.
31:25Mrs. Adarre was very loved by everyone.
31:29It has been a great loss, without a doubt.
31:34I'm sure God has already taken her in his bosom
31:36and is finally resting.
31:39Shouldn't we hold a mass for her soul?
31:42I don't think Mrs. Adarre's soul
31:45needs many masses to go up to heaven.
31:48But I'll talk to Mr. Fermin when I go to Lujan.
31:52I'll see when.
31:53Although I'm not in the mood today.
31:56Are you still upset about that nightmare?
32:01The truth is that I feel better,
32:03but I'm still a little impressed, to be honest.
32:06Has something happened?
32:09Nothing, a bad night.
32:12A scary night.
32:14She had a terrible nightmare and woke up screaming.
32:18It is not necessary to go into detail, dear.
32:21And what did you dream of, if I may know?
32:25With my son Manuel.
32:28And it is natural, given the circumstances you are living.
32:32Well, depending on who.
32:33I'm sure Lorenzo doesn't have nightmares, does he?
32:37Well, some of them, yes.
32:39Although, as I suppose you know well,
32:41you don't need to be asleep to have bad dreams.
32:45Cruz, it is normal for a woman to have nightmares.
32:47Even so, you should avoid copious scenes.
32:51And have dinner at least two hours before going to bed.
32:53So that I have time to digest.
32:56And avoid wine and liqueurs at night.
32:58Exactly. And don't make it too hot in the room.
33:01I've heard that a hot bath before going to bed also helps.
33:04Well, that's enough.
33:05That's enough.
33:08Can you get into your business and leave me alone once and for all?
33:12I'm fed up with so much advice.
33:13To tell me how to lead my life
33:15or how I have to face Manuel being in front of me.
33:17Cruz, everyone does it to help.
33:19Well, it doesn't help me at all, Maria Antonia.
33:22It would help me more if you took care of what really matters.
33:26For example?
33:28For example, to find out how the poison got to Martina's room.
33:31Well, that's clear.
33:32No, it's not clear, Ignacio.
33:34You locked up that poor girl
33:36so that they take care of her while you investigate, right?
33:40Who is investigating here?
33:42Huh? Who?
33:45Is there anyone who wants to know what really happened?
33:47Cruz, I think you're exaggerating.
33:49Lorenzo, you don't even need to talk.
33:51I really didn't expect anything from you.
33:54But you, Margarita.
33:56Do you want to do something for your daughter, yes or no?
34:00Of course I do.
34:01Your daughter is locked up in a asylum
34:03and you're not doing anything to get her out of there.
34:05Stop accusing me.
34:06Cruz.
34:08What can I do?
34:09I don't know, I don't know.
34:10But something, Margarita, something.
34:14And you, Ignacio?
34:15And you, Ignacio?
34:17I don't see you very concerned about investigating anything.
34:20Cruz, it's not necessary.
34:21Yes, it is necessary.
34:23It's necessary because I'm at home.
34:26Period.
34:46Phew.
34:48Phew.
34:50It's so cold in here, miss.
34:51You get the cold in your bones.
34:54It's not that bad.
34:55Yes, it is.
34:56You're going to catch something bad here.
34:58Good thing I brought you a hot plate of lentils.
35:02Thank you very much, Simona.
35:04But I have a stomachache that I can't swallow anything.
35:08And that?
35:10Well, so many things.
35:13My brother.
35:14The situation at home.
35:18But above all, that my cousin is locked up in a asylum.
35:22And not being able to do anything to avoid it.
35:25I have heard that it is a center of much category.
35:29Yeah, and I'm the one who says it.
35:31Ayala, I don't believe a word of that man.
35:34But I don't think Mrs. Margarita realizes that her daughter is being taken care of badly.
35:39It seems to me that my aunt is losing her mind because of that man.
35:43How can they put an innocent girl in such a place?
35:46I understand that you are angry and upset, but ...
35:49But don't say that, because in the end you will get bitter.
35:54Well, yes, it may be.
35:57The truth is that lately I have been going from trouble to trouble.
36:01And who do you have a problem with, miss?
36:04Well, look.
36:06I had it with Cruz for receiving Adriano at the palace.
36:10He insulted us, humiliated us ...
36:14Who do you think he is?
36:16Always above everyone else.
36:18You know how the Marquise is.
36:21On top of that, he made me face my relationship with Count Daniel.
36:25At this point.
36:27And what did you tell him?
36:29Well, much less than I should have told him.
36:32But I got angry, I got mad and ...
36:35And that eats me up inside.
36:36No, don't get mad, miss.
36:39It is very easy to blackmail someone when you catch him with the scythe.
36:44The difficult thing is to get up when you fall.
36:48And you always do that.
36:50That was before.
36:52And now too, you'll see.
36:54You believe in my strength more than I do, Simona.
36:57I have reasons to do so.
37:00You are not one of those who bow their heads.
37:03If what worries me is Adriano.
37:06That the poor man is not to blame for anything.
37:08He had to be shocked.
37:11Yes, but at least it seems that he did not take it badly.
37:14He even has an affair with him.
37:18You know what, miss?
37:20Every time you name this boy,
37:23a smile is drawn on his face.
37:26Me?
37:28What are you up to?
37:30Miss, we've known each other for a long time.
37:33Many years.
37:39You've got me well.
37:43Well, you're right.
37:46Yesterday, Adriano and I kissed.
37:50I knew it.
37:53But what am I doing, Simona?
37:55This story doesn't make any sense.
37:57And why not?
37:59Because it's crazy.
38:00After what happened to me with Count de Añil.
38:03What do I do with another man?
38:05I shouldn't be with him.
38:07Listen to me, miss. I'm going to tell you ...
38:09But I'm a fool.
38:11A hollow head who doesn't know what he's doing.
38:14Shut up for a moment, miss.
38:16Sorry to talk to you like that.
38:18But I can't stand hearing you speak ill of yourself.
38:23Let's see.
38:25Don't you realize that you can't turn things around so much?
38:28Don't think so much.
38:31And listen only to your heart.
38:33It's very big and very wise.
38:36I'm telling you.
38:47Have you finished writing the letter to Tomás?
38:50Yes.
38:52I've written three pages on both sides.
38:56My wrist hurts from writing everything.
38:58And have you thought about how to pay the sealer?
39:09Do you think this bracelet would work?
39:14It's ...
39:17It's beautiful.
39:19I gave it to the young man to whom I sent the letter.
39:22I really appreciate it.
39:24But right now the important thing is that my letter ...
39:26reaches him.
39:28So do you think it will be useful to pay the sealer?
39:50Well, I don't know how Mrs. Darre will be, but I haven't seen her in days.
39:53I haven't seen her in days.
39:56But the last time she brought a lot of water and food, right?
39:59Well, yes, but I've been doing some calculations and ...
40:03It may not be enough.
40:06If it's not the finish line, of course.
40:08She was very down-to-earth and in the end she's there alone.
40:12So I'm afraid she could do something crazy.
40:15No, no. Mrs. Darre is a very sensible woman.
40:18I know, but in the end she's been there for a long time and she hasn't seen her son for a long time.
40:23I'm afraid of the worst.
40:25Don't be a whiner.
40:27You'll see how soon we can bring Darre to a more comfortable place.
40:30And when will that be?
40:32Soon. You'll see.
40:34In Lujan, people are already talking about how Mrs. Darre died in her town.
40:37Now we just need this to reach Mr. Castillo's ears.
40:40Well, we also need him to act as we want him to.
40:43And he will. Trust me.
40:45As soon as Mr. Castillo believes that Mrs. Darre has died,
40:49he will go to the town to check that the tombstone is there.
40:50And as soon as he sees it, Mrs. Darre will be out of danger.
40:53I know, but days can pass for that.
40:56And I need to see her before.
40:58Besides, Petrán won't leave me and I can't go to the cave.
41:01Now that Mrs. Arcos has settled the mea culpa with Mr. Pellicer,
41:05you can lower your vigilance and be calmer.
41:08God willing, because if not ...
41:10You'll see how it is.
41:12Very good.
41:14Mario, why have you arrived like this?
41:16Like this? Walking?
41:17It's about putting one foot, then the other, then the other again,
41:21and that's how it works.
41:23What are those scared faces for?
41:25You look very pretty.
41:27No, no, nothing has happened.
41:29Nobody is scared.
41:31Well, if you say so, Mrs. Baeza.
41:33Hanna, Mrs. Petr has told you that we have to go to the laundry.
41:36There is a lot of laundry to wash.
41:38I also have to go to the laundry?
41:40Yes, we have to wash blankets and napkins.
41:42And this time she said it in a very good way.
41:44Barely without shouting.
41:45Well, yes, it's weird, yes.
41:47But to hear Mrs. Petr apologize is not something that usually happens.
41:50No, I was also surprised.
41:52Well, as soon as I finish the rooms, I'll go to the laundry.
41:55Very good, Miss Expósito.
41:57Then we will finish clarifying this matter.
42:00Good.
42:02Shall we go?
42:04Let's go.
42:08What are you doing?
42:10Nothing important.
42:15Hello.
42:24Hello.
42:26Maybe he will think that I am a bit heavy with so many visits.
42:30No, never.
42:32I really like your visits.
42:45What are you wearing there?
42:47A game of tabas that I made for a friend's daughter.
42:50Do you want to see it?
42:52Yes.
43:00They are not as sophisticated as in their pieces, but ...
43:10They seem made of bone.
43:12They are made of bone.
43:13They are made of bone.
43:15With Mr. Cordero's hind legs.
43:17And you also painted them?
43:19Yes.
43:21As you can see, I'm not very good with the brush, but I did what I could.
43:24Well, they look very nice on you.
43:27And is the game very complicated?
43:30Not as much as your chess.
43:33For me, for sure.
43:35Have you ever played tabas?
43:37No, I've heard about them, but I've never played or seen them play.
43:41Well, it's easy.
43:43You have to take the tabas and throw them.
43:46And as soon as they fall, they will go to the game.
43:48Like with the dice?
43:50Not at all, because you also have to take them as soon as they have fallen.
43:55But they don't have six sides, like the dice.
43:58No, they have four.
44:01Look.
44:03This is GT.
44:06Panca.
44:08Verdugo.
44:10And King.
44:11Here, it doesn't matter the chance, but the player's ability.
44:15So it's like chess.
44:17I wouldn't say so.
44:20You know what?
44:22I challenge you.
44:25But Miss, what's the need to be defeated if you told me a minute ago that you've never played this?
44:30Defeated?
44:32Well, we'll see.
44:34I'll be the first to throw.
44:36Let me finish explaining the rules.
44:38You'll explain it to me while we play, so you learn better.
44:39I'll throw.
44:42Well, what?
44:44Did I win?
44:47I'd better explain the rules to you, because this doesn't make any sense.
44:51Whenever you want, sir.
44:53Fine.
44:57Well, do you know that Queen Helena of Montenegro has ordered the construction of a hospital with 300 beds for war prisoners?
45:03Those are a lot of beds.
45:05But of course, thousands die in that war.
45:10I'm sorry, Hanna.
45:12Are you sure you're okay, miss?
45:16Maybe it can happen to you.
45:18I know it, and everyone knows it.
45:21Including Mrs. Marquesa, who was unbearable today.
45:25Today?
45:27Always.
45:29But today I was about to tell you that I also had the right to be devastated.
45:33Because in the end, Manuel is my fiancé.
45:36What?
45:37Well, I didn't tell you, Maria.
45:40Well, thank goodness, because with how weird you are, I see you capable.
45:43What do you mean weird? I'm not weird.
45:45No, girl. You're weirder than a green dog.
45:50Well, if I'm weird, what?
45:53What do you want me to do to Maria with everything I'm going through?
45:56Mrs. Pia just passed away.
45:58Manuel and Curro are at war.
46:00Yes, that's the reason to be sad.
46:02But I'm talking about you being very weird.
46:05What am I weird? Tell me.
46:07Come.
46:09Well, look, to begin with, you're very thoughtful.
46:12You eat at two o'clock. You're gossiping with Mr. Baeza.
46:15And you do mysterious errands for him.
46:18Maria, I'm not gossiping with anyone.
46:20I talk to Mr. Baeza from time to time because it comforts me to talk to him, nothing more.
46:24And what about the errands?
46:27They are simple orders.
46:29I am behaving exactly the same as anyone would behave in my situation.
46:32I don't know if I believe you.
46:34You're weird.
46:36Come on, you're weird.
46:39Well, think whatever you want.
46:47But do you think the stairs at the entrance to the service are very clean?
46:52I have given them until they shone.
46:56What are they going to shine?
46:58It doesn't even seem that they have any light.
47:00Yes, it doesn't even seem that you have given them any water.
47:03But if I have brought them shine step by step ...
47:06Well, you can't see it. They are scattered.
47:08I don't care how I do the things that you are always going to stick to my work.
47:12How dare you, foolish?
47:14What I hear, it seems that you enjoy scolding me.
47:18Have I done something to you?
47:20But do you really have the audacity to ask me for explanations?
47:25They wouldn't be too much.
47:26What else?
47:29Well, I'm not going to bother answering you.
47:32For two reasons.
47:36The first, because I don't give explanations to the maids.
47:39Understood?
47:41And the second,
47:44because I know you're not going to last long in this house.
47:47I know you're going to go to town to work for the priest.
47:50What did you think? That he wouldn't find out?
47:52No, no, it's not sure.
47:54It's just a possibility.
47:56But I have to get my son back.
47:58Do you want to leave here?
48:00Don't worry, no one is going to stop you.
48:03You can pick that door for me right now.
48:05No, Mrs. Arcos, I still plan to stay a while.
48:10You plan.
48:12So we're here to fulfill your wishes.
48:15No, it's not that.
48:16Go out that door right now and go scrub the stairs until they shine like a mirror.
48:20Let's go.
48:22And close the door.
48:39Look at him, he looked stupid, but he's not.
48:44What are you doing?
48:46Don't you see that letter is not good for us?
48:47I thought it was.
48:49You should have thrown something from the golden stick.
48:51You're an ignorant, aren't you?
48:53Well, let's keep playing.
48:55It's better this way.
48:57The truth is that the mayor and the keymaker are arguing all day.
49:01They treat us like cattle without a fence.
49:03When one says white, the other says black.
49:05Well, I don't think it's that bad.
49:07The truth is that when Mrs. Arcos and Mr. Pellicer hook up,
49:10you don't know who to obey.
49:12It's a bit of an uncomfortable situation.
49:14And in the end, it's not that bad.
49:15It's a bit of an uncomfortable situation.
49:17And in the end, we always end up paying the same, the ones below.
49:20But hey, it looks like they've already signed the peace.
49:23The good thing is when we all work with the same goal.
49:26Right, Salvador?
49:28I love the 40s.
49:30We're on a roll, huh?
49:32I told you you should have thrown gold.
49:34You're in Bavia, Vera.
49:36And you want to leave in peace?
49:38It's just a game.
49:40Well, even if it's a game, you have to play well.
49:42You're in Bavia, Vera.
49:43You know what I'm saying?
49:45I'm leaving.
49:47I came to have a good time.
49:49Not to be bitter.
49:51Let's go.
49:52Let's go.
50:12Cruz, I finally find you.
50:14Did you need me for something?
50:16Yes.
50:18I wanted to apologize.
50:19We've all been very unlucky this morning,
50:22telling you what you should or shouldn't do
50:24so you don't have nightmares.
50:26If only it were this morning.
50:29As if a mother who has a son at war
50:32was able to decide what she wants to dream of.
50:36Are you looking for something, Ignacio?
50:39Because this way of giving me the ears
50:41is a bit rude, even for you.
50:43We're friends.
50:45It's normal to support each other among friends.
50:46Cruz, it's normal to support each other.
50:48You and I haven't been friends for a long time,
50:50so stop giving me the ears, please.
50:52I just pretend to be kind.
50:56With some interest, sure.
50:59But from me,
51:01after having admitted Martina to a asylum,
51:03you won't get anything.
51:06I already warned you.
51:08If something bad happens to my niece,
51:10I'll finish you off.
51:12Come on, Cruz.
51:14I think I have a right to have control
51:16over my poisoning while I investigate.
51:19Investigate, you say?
51:21Well, tell me how you do it
51:23because I don't see you moving a finger.
51:25But what else do you want me to do?
51:27Well, whatever.
51:29Except wait for the answers from heaven to fall on you.
51:40Petra.
51:42Come closer.
51:46Come here.
51:52Mrs. Marquesa and I were talking
51:54about everything that happened with Martina.
51:56You know, my poisoning.
51:59And what do you want from me?
52:01Well, we both want to get to the bottom of the matter.
52:05And I've heard that you have some information
52:08about this sad matter.
52:10Me?
52:12Uh-huh.
52:14Come on, tell me.
52:16Is there something that may interest Mrs. Marquesa?
52:19Or has the cat eaten your tongue?
52:30I can't get my head out of my face, can I?
52:32Damn, the day of the wedding.
52:34Now that you mention it, Maria,
52:36I have to tell you something.
52:38Mr. Baeza told me to be a little clearer.
52:41A good understander doesn't need many words.
52:44And you are better than good, Mr. Pellicer.
52:46If so far I have wanted to convey
52:49my confidence in your worth,
52:51know that this can change at any time.
52:54You acted without heart and with a lot of selfishness.
52:57That's the truth.
52:59Well, enough. I'm a little fed up with so much hypocrisy.
53:01You are a lynx looking at the straw in someone else's eye
53:03and not looking at the beam in the cross itself.
53:05And when that letter reaches Curro's hands,
53:07he'll know where you are and he'll know
53:09that you still want to kiss him anyway.
53:11I hope so.
53:13Hey,
53:15wait a minute.
53:17Do you know his name?
53:19I'm very distressed, I don't want anything.
53:22This situation is getting out of hand.
53:24But Cruz, I have a bad feeling
53:27that something bad is going to happen
53:29if it hasn't already happened.
53:31Hanna, what's going on?
53:36My God.
53:38I need you to be my eyes
53:40and my ears
53:42in the promise.
53:44Goodbye, Mr. Castillo.
53:46But now leave.
53:48It's convenient that no one sees you around here.