Movie
Movie
  • 5 months ago
Transcript
00:30♪
01:00♪
01:30♪
01:40♪
01:50♪
02:00♪
02:10♪
02:20♪
02:30♪
02:40♪
02:50♪
03:00Mary Phillips was a very good driver,
03:03and when she left the casino, she was sober.
03:06Now, there's no reason for her to hit that car at that speed.
03:09Mr. Howell, the attendant who was run down in your parking lot last week,
03:13the police are calling that a hit-and-run?
03:15I'd call it a killing.
03:17Well, we ought to get busy establishing our covers.
03:20Well, I told the business office that you're here as my personal executive consultant.
03:25I'm not sure I know exactly what that means.
03:28Well, don't worry about it. Neither do they.
03:31Marty Cole is looking for a backup girl singer for his lounge act.
03:35Bosley said you sing, so I set up an audition for you this afternoon.
03:40And you have an audition with the dance captain.
03:43Terrific.
03:44What about my cover?
03:47Hey, Joey, there's been a lot of publicity
03:49concerning your appearance here at the Tropicana.
03:51We hear you're involved in a legal battle to maybe get out of your commitment.
03:55Hey, the people of Las Vegas, I love them.
03:57My beef is strictly with the management.
03:59You mean Mr. Frank Howell, the owner of the Tropicana?
04:02You got it, pal. Frank Howell was the bad news himself.
04:07The truck!
04:08The truck!
04:20Two dead.
04:22Jif's halfway there.
04:24Who the devil is doing this?
04:25We'll find out, Frank. It just takes time.
04:28Time? I don't have time. That's what's eating me alive.
05:09Yeah, sure, Dan. Yes, I will.
05:12Girls, listen, I know this is probably a poor time to bring this up.
05:17There's this Dan Tanner who's been asking to meet you three.
05:20Bosley, this is really a poor time to bring it up.
05:23Yeah, well, that's what I said.
05:25He's been staring at me again.
05:27Who's been staring at you?
05:29The fella who's with the computer man.
05:31He was staring at me again in the casino when I walked through just now.
05:34Well, who is he?
05:35I don't know. He was watching me last night, too.
05:38Maybe he just thinks you're pretty.
05:41Wait a minute. That fellow...
05:43Last night, when you came back from Hanes Casino down the street,
05:47I think he was walking behind you.
05:49You sure?
05:50Well, I didn't think anything of it at the time.
05:53But, I mean, if you think his interest in you is more than just general,
05:57maybe he deserves a little attention.
05:59I agree.
06:00Hey, look, I want to go down to the casino and see how Frank's holding out, all right?
06:04Come with me?
06:05Sure.
06:06Yeah, look, see if you can find out Mr. Watchful's name, okay?
06:09Sure, okay.
06:10Okay, see you later.
06:11Ladies and gentlemen, the Miss Louise Johnson.
06:19Three craftsmen are on the north side, ma'am.
06:22Try that over.
06:31Good morning.
06:32Morning.
06:33You know, you look like you're about ready to drop.
06:36Why don't you shut this thing down and try to get some sleep?
06:39Oh, it's up to them.
06:41Besides, he's got a million dollars of my money.
06:44Well, could you take your loss and walk away?
06:48It's too late, and he's got too much.
07:04Yeah.
07:05Can we start this again later?
07:09Five o'clock?
07:11No, it's five o'clock.
07:16That's fine.
07:18It's a wrap.
07:27Aren't you going to answer your page?
07:29What?
07:30Your page. Aren't you going to answer it?
07:33I don't know what you're talking about.
07:34You're Mr. Mason, aren't you?
07:36No, I'm Slocum. Ed Slocum.
07:39Oh, I'm sorry. I thought you were somebody else.
07:53Frank.
07:54Hi, pal.
07:55I just called the hospital to see how Jif is doing.
08:00Better?
08:03Frank, he didn't make it.
08:07The nurse went in to check him 20 minutes ago, and he's dead.
08:33What?
08:52What happened?
08:53We don't know.
08:54There seems to be signs of respiratory paralysis,
08:57which would indicate that curare might have gotten into his system.
09:01What's curare?
09:02It's used for patients with muscular spasms,
09:05but certainly was not prescribed in this case.
09:07You mean you made a mistake and you gave him that curare?
09:10I'm not saying anything of the sort
09:13until Dr. Jarvis here can perform an autopsy.
09:17There's no way of knowing.
09:18If there's going to be an autopsy,
09:20somebody on my side of the fence is going to perform it.
09:23Nobody gets a whitewash.
09:25Now, wait a minute. I resent that.
09:27This county coroner, I can assure you...
09:29I can assure you you touch him and I'll tear both your arms off.
09:33Frank...
09:34I mean it. I don't want them to touch him.
09:36Look, I know, and I know what you want,
09:38but we're going to need a court order to get it,
09:40and we can't get it here.
09:42She's right, Frank.
09:50They mean to tease you.
09:52Sorry, Jif.
09:54Come on.
10:00They're not going to bury this mistake.
10:02They're not going to make Jif a statistic.
10:04We won't let that happen, Frank.
10:07You're telling me that someone came in the window of Jif's room
10:12and stuck a needle into one of his life-support tubes?
10:15I'm saying that it's a possibility,
10:17and if the autopsy does reveal curare in his system,
10:20that's how it might have gotten there.
10:23You were wondering where the prophet was in all this.
10:26Have you figured it out yet?
10:28Well, maybe the prophet is in tearing you apart.
10:32Someone's doing a pretty good job of it.
10:35Why don't you get some sleep?
10:41Would you call me in four hours?
10:44Yes.
10:46I will.
10:49Charlie's computer come up with anything?
10:51Yeah.
10:53The fellow at the crap table,
10:56the one that's been watching you,
10:58Ed Slocum, he has a police record,
11:01several arrests,
11:03mostly having to do with high-level extortion,
11:06but no convictions.
11:08He seems to be some sort of a freelance
11:11tell-me-what-to-do-and-don't-know-what-to-do guy.
11:14He seems to be some sort of a freelance
11:17tell-me-what-to-do-and-I'll-do-it-for-you sort of guy.
11:20What about Mr. Haynes, our friend down the street?
11:23Well, he works for a large investment firm,
11:26the one that owns that hotel.
11:28Now, the firm looks clean,
11:30and Haynes doesn't have a police record.
11:32However, well, in checking his bank records,
11:36Haynes seems to have been sending monthly checks
11:39to the Paradise Arms apartments.
11:42Wait a minute. Paradise Arms?
11:44Mary Phillips, the girl who was murdered,
11:46lived there with my dancing friend Joan Wells.
11:49Yeah.
11:51Are we starting to see a light at the end of the tunnel?
11:54Well, at least a glimmer.
11:56I guess I ought to tell Frank, huh?
11:59You know, maybe we ought to figure a way
12:01to get him out of here for a few hours
12:04before he falls apart on us.
12:06I think that's a good idea.
12:13You'll never pay the rent that way.
12:16I know there's a pony in here.
12:18Somewhere.
12:19Speaking of rent,
12:21how come you and Mary didn't have to pay any?
12:23What are you talking about?
12:25Well, my mom forwarded a letter that Mary had written to me.
12:28So?
12:30Well, in the letter, Mary said that a Mr. Haynes
12:33was paying the rent on you and Mary's apartment.
12:35Is that true?
12:37Look, Mr. Haynes was right.
12:39Is that true?
12:41Look, Mr. Haynes was paying the rent strictly because of Mary.
12:45You mean they were friends, lovers?
12:47It started out that way.
12:49And then?
12:50And then Mary wanted out.
12:51Why?
12:52Well, I think she was afraid of him.
12:54Do you know why?
12:55She wouldn't tell.
12:58Well, maybe Mr. Haynes is trouble.
13:01You won't find him at the hotel.
13:03Oh?
13:04On Mondays, he practices for the Monday night race.
13:07Race? What kind of race?
13:08Stock cars.
13:09He drives stock cars.
13:11The truck's three miles north on 50.
13:13You'll probably catch him in a couple hours.
13:15Okay, thanks.
13:19See? Get as you give.
13:28Kelly!
13:29Kelly!
13:30Where are you off to?
13:32To take a second look at Mr. Haynes.
13:33Are you onto something?
13:34Well, I just found out Mr. Haynes is a stock car racer.
13:37Mechanically inclined? I wouldn't have thought.
13:39Maybe he drives a big truck with smoke windows.
13:41Interesting hypothesis.
13:43By the way, are you aware that our Mr. Slocum is watching you again?
13:48Yeah, I know. I'm gonna have to lose him.
13:50I think we can manage that.
13:51Stall a while.
14:38Hey!
14:49Hey, what's the matter with you?
14:51Oh, sir, I am terribly sorry.
14:54Apparently, I lost control of my vehicle.
14:57It was really all of my fault.
14:59Please, please forgive me.
15:00All right, you're forgiven. Now get it out of the way.
15:02Don't you think we ought to report this to the local authorities?
15:05No, forget the authorities.
15:06I mean, in case of injury.
15:07There are no injuries. What's the matter with you?
15:09Sir, I actually hurt my elbows.
15:20Sir, are you hurt now?
15:23Hurt? Me? No.
15:28What you're gonna be.
15:36Huh?
16:36It's getting a little hot.
16:37Yeah.
17:07Oh, hello.
17:09Two winners in a row. Must be my day.
17:11Two winners?
17:13Well, first I beat him. Now I run into you again.
17:16Very rich stuff. Very rich.
17:19My, aren't we glib with the ladies.
17:23You into stock cars?
17:25I'm into questions.
17:28About what?
17:30My friend, Mary Phillips.
17:33What about her?
17:37My mother sent on the letter Mary had written to me.
17:40You didn't tell me the two of you were friendly.
17:43Well, my personal life is my business.
17:47In her letter, Mary said that she was afraid of you.
17:50Did she?
17:52She said she was afraid of you, and now she's dead.
17:57What the hell are you getting at?
17:59I don't know, but I intend to find out.
18:02You know, for a smart lady, you're making some dumb moves.
18:06I can see what Mary meant.
18:08You are someone to be afraid of.
18:10Mary was killed in a car accident.
18:13Her car was rammed from behind, rammed at a high speed.
18:17It takes a nifty piece of driving to make that look like an accident.
18:23You better get out of here.
18:25Is that a threat, Mr. Haynes?
18:27Let's just say I think the weather will be better for you back in Dallas.
18:31You know what I think, Mr. Haynes?
18:33You're a man with a problem.
19:02How did you do this?
19:04What'd I do?
19:06Well, in the middle of a million-dollar crap game,
19:09you got me out here on a picnic.
19:12Does it hurt that much?
19:14Well, that's not it.
19:16Just hanging around you, a guy could lose his edge.
19:20What's his edge?
19:22That's his drive, his nerve.
19:25And if you want to stay in the game,
19:27That's his drive, his nerve.
19:30And if you want to stay in this business and survive,
19:33you got to be ready.
19:35Well...
19:37maybe it's time you got out of this business.
19:41And do what?
19:44Do this.
19:46Just sit in the sun,
19:49watch the people, relax, enjoy life.
19:53Get in touch with yourself.
19:56I'm a million dollars down,
19:58and you want me just to walk away?
20:00Listen, you're down a million dollars,
20:02but if you quit now,
20:04you would still have plenty left.
20:07That's called losing.
20:11And you really can't stand that, can you?
20:14That sure bothers you.
20:18I like you, Frank.
20:20I like you a lot more than I had planned to.
20:24Well, for what it's worth,
20:27failing is mutual.
20:29For what it's worth?
20:31It's worth plenty, don't you understand?
20:33That's the whole point, don't you see?
20:35What's the point?
20:37What we feel.
20:39That's worth a lot more than winning a crap game,
20:42don't you see?
20:54Whoops.
20:55Looks like we should have taken a longer walk.
20:58It seems he likes the lady.
21:00Well, they're entitled, right?
21:02Hey, Frank's number one.
21:05What he wants, he always gets.
21:07Aw, come on now.
21:09Nobody always gets.
21:11No, he comes as close as any.
21:14That's okay.
21:16He deserves to.
21:18I'm for him.
21:21He's been good to me.
21:23How long have you worked for him?
21:24Six years.
21:26Frank had Leslie and me working in the main room then.
21:30We were gonna make it all the way.
21:33A number one.
21:37How did she die?
21:39Car accident.
21:41Must have been rough for you.
21:43She died.
21:45Everything stopped.
21:48The good times, the big future.
21:51Since then, I've just been...
21:53getting through the days.
21:59Frank, move!
22:11Let's get him!
22:12Frank, what the hell's going on?
22:13You just stay here!
22:15This is my bullshit.
22:36You got a look at him?
22:38Move!
22:45Move!
22:51Lock it!
23:05Hit that thing, Lonnie! Faster!
23:15Move!
23:40What's the matter?
23:42I don't know!
23:46Oh, no!
23:50Trying to choke!
23:59What is this thing?
24:01Shouldn't this thing be turned the other way?
24:03Yes, it should be.
24:04How'd that happen?
24:05The vibration from the speed?
24:07Maybe.
24:09Sabrina, could I ask you a question?
24:12Yeah.
24:13How come you carry a gun?
24:15Maybe she has a permit.
24:18Why do you have a permit?
24:20You have to have a permit to carry a gun, right?
24:23Right.
24:25Right.
24:44I got a visit from that Kelly Garrett girl today.
24:48About what's he doing here?
24:50Maybe you'd better tell me.
24:55What are you talking about?
24:58She just said Mary Phillips' accident wasn't an accident.
25:02Somebody rammed her at high speed.
25:04That's crazy.
25:06I don't know what's going on.
25:08I don't know what's going on.
25:10Somebody rammed her at high speed.
25:12That's crazy. You don't believe that.
25:15I don't know, but I'm beginning to get some kind of a strange gut feeling,
25:19and I don't like it.
25:21A gut feeling about what?
25:23About you, Cole.
25:25About you.
25:28Look, Haynes, I don't know what you're talking about.
25:32I mean, if you've got something to say, then just say it.
25:37All right, let me spell it out for you.
25:39You came to me, right?
25:41You said we had something in common.
25:43We both wanted to break Frank Howell.
25:45Take everything away from him.
25:47Those were your words. That's the way you put it, right?
25:49We are. We're doing it.
25:51Oh, yeah, I know.
25:53You got that college professor with his computer.
25:55Set up a phony shooting so Joey January could break his contract.
25:58You bring in this guy, Slocum, in case there's any rough stuff.
26:01You did it all, and you did it good.
26:04But you never said anybody would get hurt.
26:06But you never said anybody would get killed.
26:10Why would I want to hurt Mary?
26:13Well, remember, I introduced you two.
26:15Oh, yeah, I remember.
26:17And I remember how pleased you were to take something else away from Frank.
26:21Yeah, it pleased me.
26:23Because he took something away from me.
26:28He took everything.
26:30Cole, I'm gonna leave you with one thought.
26:32Once I have something,
26:34I don't like to give it up.
26:36I don't like to lose it.
26:38And I especially don't like to have it taken away from me.
26:41So if Mary's death was anything but an accident,
26:44and you or any of those two had anything to do with it,
26:49there isn't gonna be a place in this world big enough for you to hide in.
26:53You got it?
27:05He's getting suspicious.
27:09And so is Sabrina.
27:13I'd make a book, but she's not what she pretends to be.
27:16Nor are her two friends, either.
27:18Hey, what are you getting at?
27:20I'm not sure.
27:22I'm going to find out.
27:24Look, I'll do it tonight.
27:26And this time, I'm gonna do it.
27:28I'm gonna do it.
27:30I'm gonna do it.
27:32Look, I'll do it tonight.
27:34And this time, I won't miss.
27:36Forget it.
27:38I paid you to do it
27:40while Howell and I were with her so I'd have an alibi.
27:44So I could watch his face when she went down.
27:47You know, I've worked with some odd types.
27:51But you take the cake.
27:53I've got my reasons.
27:55Oh, I'm sure you have.
27:57Now what?
27:59You just keep hanging in with the professor.
28:02Case, let's go.
28:20I was driving the boat.
28:22Those two guys could walk in here right now,
28:24and I couldn't recognize them.
28:26I don't care what his lawyer says.
28:29If Joey January doesn't open tonight,
28:32he's in breach of contract.
28:34So get the room ready.
28:41It's 5 o'clock, and I have a date with the computer man.
28:45Don't you think you could wait for a little while, Frank?
28:47I really think we ought to talk.
28:52They tried to kill me today.
28:54Those shots weren't meant for you, Frank.
28:56No, they were meant for the sand.
28:58No, I think they were meant for Sabrina.
29:00Me?
29:02I mean, the shots came closest to you.
29:04Oh, wait a minute. That's probably because a guy had a bad aim.
29:07But what if they were trying to hurt Frank by hurting you?
29:11You mean like they hurt Jip?
29:13Yeah.
29:15Well, if that's true, then I don't want you here.
29:17I want you out of town.
29:19Wait a minute, Frank. We can't quit now.
29:21You can quit if I tell you.
29:23I don't want you to get hurt.
29:25I don't want anybody to get hurt.
29:27Frank, we don't give up that easily.
29:29You're not giving up.
29:31I'm firing you.
29:33All of you.
29:41So go home.
29:43This is my fight.
29:45Mine alone.
29:54Wait a minute.
29:56Frank, you can't just dismiss us.
29:58You can't stay here, Sabrina.
30:01The odds are against you.
30:03You'll get hurt. It's too risky.
30:05It's risky, but it's worth it.
30:07Nothing's worth it. Case is closed.
30:09Look, Frank.
30:11We've gone a little bit beyond a client relationship.
30:14And whether I go or stay is my decision,
30:16and you can't take that away from me.
30:18I don't want the responsibility.
30:20Well, you can't take that away from me, either.
30:22Ah, Frank, you've been living in a vacuum for so long
30:25that you think people are like odds,
30:27and you can switch them around to suit yourself
30:29so you can get that edge you were talking about.
30:31Well, Frank, people aren't like odds,
30:34and you don't get an edge.
30:37I got to get out of here.
30:39Okay, go on. Go.
30:41But sooner or later, you know, we have to finish this.
30:45I'll get it.
30:50Hello?
30:51Chris, Marty.
30:53Look, I've decided to break you into the 530 Lounge show.
30:57Can you come down? We'll talk over what we're going to do.
31:00Uh, I'm a little bit hung up right now, Marty.
31:02Can we do it later?
31:04Not really.
31:06I've got to go.
31:08I've got to go.
31:10I've got to go.
31:12Not really.
31:14Uh, I'm by the front bar.
31:16Hold on a second.
31:18Marty wants me to come down to get ready for the 530 show.
31:22We still on the case? Do I keep up my cover?
31:25We're still on the case. Go.
31:27Be right there.
31:36There's the professor.
31:39Slocum.
31:42You, uh, stay with him in case it gets heavy.
31:45Case, you wait in the car.
31:47Tell me, what are you going to do with her?
31:50Well, first I'm going to ask her exactly why she and her friends are here.
31:54I suppose she won't tell you.
31:57Well, then, when you get there,
32:00you can start earning some of that money I paid you.
32:12Thank you.
32:26Hi. Hi.
32:28Oh, gosh, I'm a little nervous.
32:30Opening night, I guess.
32:32Well, in that case, let's go for a drive.
32:34Wait a minute. Now?
32:36Well, when I'm nervous, uptight, I drive.
32:39It relaxes me.
32:41Besides, I've got to pick up some music at my house.
32:44Okay.
32:59Here we are.
33:01Who's he?
33:03My driver.
33:05I thought you said you were going to drive.
33:07Driving relaxes you.
33:09Again.
33:11Hey, that's not funny.
33:13I meant to be.
33:15You don't do as you're told.
33:37♪
33:40♪
33:42♪
34:06Are you going to tell me what this is all about?
34:09No.
34:12You're going to tell me what you're about.
34:15You and your two friends.
34:17What do you mean?
34:21I want to know why you're here with Frank.
34:26What do you mean with Frank?
34:28He's a friend.
34:30He's just a friend.
34:32I am sick of this.
34:34What?
34:36She protected him, and now you're protecting him.
34:39She?
34:41Oh, your wife.
34:43You know, you're just like...
34:45She...
34:47You see, I-I knew.
34:49I knew what was going on with them.
34:52She kept telling me it wasn't true.
34:56You mean that Frank and your wife were having an affair?
35:01She...
35:05She wanted to, and...
35:08And he would have, soon.
35:12Marty, you're not making any sense.
35:15What do you mean I'm not making any sense?
35:18I know. I know what was going on between those two.
35:22And I warned her. I-I gave her a fair warning.
35:28She said she...
35:30couldn't help how she felt.
35:32She...
35:34She ran out of the house and jumped in the car and drove away fast.
35:39Very fast.
35:42Hey, they said it was an accident, but it wasn't.
35:46I know. I know.
35:50She-She drove her car off that bridge deliberately.
35:55Couldn't have Frank, and she...
35:59didn't want me.
36:02So she killed herself.
36:07She killed both of us.
36:10Marty, you're condemning Frank for something you thought he would do?
36:14No, for something I know he was about to do.
36:17Well, he always gets what he wants. You know that. You've seen that.
36:22He's your friend, Marty. He wouldn't hurt you like that.
36:25You just won't stop, will you?
36:27You won't stop protecting him.
36:30It won't do you any good.
36:33Because I'm taking it all away from him.
36:37Everything he cares for.
36:42The kid in the parking lot, Mary Phillips.
36:46Chip.
36:50Marty, you killed three people...
36:53to hurt Frank?
36:56And when he falls...
36:59when it's all gone...
37:02he's gonna feel what I've been feeling.
37:06And I'm just gonna watch him die.
37:12Like I died.
37:17I'm just...
37:20gonna watch him.
37:25I'm just gonna watch him die.
37:56Three thousand on don't pass.
38:03He could break the bank.
38:05Look at all that money.
38:06How much has he got there?
38:08A million and a half.
38:10I thought I told you people to go home.
38:12Frank, listen.
38:13Before you get hurt.
38:15Bree, maybe he's right. Maybe we should go home.
38:18It's best.
38:19Fine. As soon as Chris finishes, we'll go home.
38:23Fine. As soon as Chris finishes the 5.30 lounge show, we're on our way.
38:27There's not gonna be a 5.30 lounge show.
38:30What do you mean?
38:32Marty called in sick.
38:34Wait a minute. That doesn't make sense.
38:36Marty called Chris for a rehearsal.
38:38There's not gonna be a 5.30 lounge show.
38:44I saw your friend at 5.30.
38:46Where?
38:47With Marty Cole over at the bar.
38:49Doing what?
38:50I don't know.
38:51I was talking with that guy, and then Chris came down, and they split.
38:54Marty was with him?
38:56Are you sure?
38:57Yeah. Him and another guy.
39:00Is there something wrong?
39:01No.
39:02Thanks a lot.
39:04But why did Marty lie about the show, and why did he call Chris?
39:07Listen, there's something that's been bothering me a little bit, and it's bothering me a lot now.
39:12What are you talking about?
39:13Well, when we were in Jeb's hospital room and I was checking the equipment,
39:16Marty was a little uneasy.
39:18And then when the motor on the boat quit...
39:20You're trying to tell me that Marty had something to do with this?
39:23Well, I'm saying that it's possible.
39:26Now, suppose, just suppose that Marty knew that Slocum was in that boat,
39:31and he didn't want us to catch him.
39:33Look at wine.
39:35Maybe we ought to ask Slocum.
39:37Maybe we should.
39:38Yeah.
39:39Look, why don't I get him away from the crowds? I'll pay you.
39:42Okay, I'll go with you.
39:51$3,000 on boxcars.
39:56Mr. Slocum, paging Mr. Ed Slocum.
40:01Mr. Howell!
40:03Will you raise the limit to $5,000?
40:06You can't do that in one roll. It's 30 to 1.
40:11Mr. Ed Slocum, emergency call at the front desk.
40:16All right, $5,000.
40:19Another $2,000, please.
40:23$5,000 on boxcars.
40:37Frank, I've got to go.
40:39Chris may be in trouble.
40:41I have to stay here.
40:46Excuse me.
40:49Mr. Slocum.
40:50What?
40:51Excuse me.
40:52Mr. Slocum, as you can see, this is a revolver I'm pointing at you.
40:56We both know that Marty Cole has taken our friend Chris somewhere.
41:00We're very concerned, so concerned,
41:03that if you don't take us to her, I'll use this.
41:07There'll be no discussion on the boat,
41:09and if you don't take us to her, I'll use this.
41:13But if you don't take us to her, I'll use this.
41:16There'll be no discussion on the matter.
41:18You'll either do as you're told,
41:20or you've seen your last ice game.
41:22Do you understand?
41:44Bodley, empty your gun and give it to him.
42:07Okay, Mr. Slocum, just keep the gun pointed at us.
42:09Walk slowly. Don't talk.
42:11Keep the gun pointed at us. Walk slowly. Don't talk.
42:13And we may all live through this.
42:25Well, looks like your friends are going to keep you company.
42:41What happens, Slocum?
42:43Suspense!
42:46Don't!
43:03Hold it!
43:04Uh-uh.
43:05You okay?
43:07Yeah. He went out back.
43:09Watch it! Trap him!
43:16Hit the stars, Rod!
43:40Sixth winner of the line.
43:43Pay the line.
44:01Frank.
44:02Frank.
44:04Are you okay?
44:06Frank.
44:07Are you okay?
44:09Uh, yeah.
44:11Where's Marty?
44:13He's dead, Frank.
44:17It was Marty all along, right from the beginning, the whole thing.
44:21Why?
44:23Why?
44:25Well, it had to do with his wife, Frank.
44:28And you.
44:30Leslie and I had nothing to do with each other.
44:32Well, I know, but, see, he thought that maybe you would.
44:35He thought? There was nothing to think about.
44:38I know. Look, don't try to make any sense out of it,
44:40because there isn't any.
44:46May I have the dice, please?
44:55Don't pass, eh?
45:06Travis.
45:08The line loses.
45:10Paint it, don't pass.
45:15Frank?
45:17I'm all right.
45:19No, you're not all right. Stop now. Stop now and take your losses.
45:22I told you, that's called losing.
45:35Okay, okay, okay.
45:54Raise the limit.
45:56One more pass for all of you.
45:58Everything on the table.
46:00Hotel, if you win, it's all yours.
46:03If you lose, it's all mine.
46:09Oh, for God's sake, Frank.
46:11He's been playing don't pass,
46:14and don't pass is for nonbelievers.
46:17Don't pass is for nonbelievers.
46:19Don't pass is for nonbelievers.
46:21Don't pass is for nonbelievers.
46:23Don't pass is for nonbelievers.
46:26And, Sabrina, sooner or later,
46:28you have to be a believer.
46:30Frank, sooner or later,
46:32you're gonna have to stop putting your life on a pair of dice.
46:54For all of it.
46:56And don't pass.
46:58And don't pass.
47:00Roll.
47:23Seven.
47:25Pay the line.
47:27Don't pass loses.
47:30You lose.
47:38Ladies and gentlemen, this table is closed.
47:41Yow.
47:44You have a show to do.
47:46You'd better get to it.
47:51We'd better start packing.
47:53We've got a plane to catch.
47:55Yeah, I'll be there in just a minute.
47:57Okay.
48:02I'll be there in a minute.
48:04I'll be there in a minute.
48:06I'll be there in a minute.
48:08I'll be there in a minute.
48:10I'll be there in a minute.
48:12I'll be there in a minute.
48:18Still yours, Frank.
48:23I'm glad for you.
48:26Yeah, you win some, you lose some.
48:30Yeah.
48:39Goodbye, Frank.
48:43Goodbye, Frank.
49:05All right, one, two, three, four, five.
49:07Okay, Sal, I'll meet you out front.
49:09Oh, excuse me. I'm sorry.
49:11Dan, finally. Come down here.
49:13The girls, I've been wanting you to meet them.
49:15Angels. Angels, this is the private eye I was telling you about.
49:18Meet Dan Tanner.
49:20You're Dan Tanner? You're Dan Tanner?
49:22I just said that.
49:24Yeah, I told Bosley I wanted to take you out to dinner while you're in town.
49:27Well, Bosley, you didn't tell us.
49:29Look, I did. I mean, I tried. I mean, I begged.
49:32Well, uh, maybe next time.
49:35Maybe tonight. We could take a later plane.
49:37Right. Or, you know what? Maybe you could fly back on the plane with us.
49:41Well, see, I'm sorry. See, I'm working on a case.
49:44The boss was right.
49:46You really are angels.
49:51Oh, he's cute.
49:54Bosley, why didn't you tell us?
49:56I did. No, you didn't.
49:58I did, too. Now, wait a minute. You told us, but you didn't tell us.
50:01I did. I didn't tell you.
50:03Thank you!
50:33Bye-bye!