Σαν Ψέμα - Επεισόδιο 44
Σαν Ψέμα - Επεισόδιο 44
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TVTranscript
00:00 Don't cry my sweet, your smile is blinding
00:07 I'm going beyond myself, don't let this world hurt you
00:17 And as a lie, the truth hurts us a lot
00:25 And as a lie, the habit is a new life
00:32 And as a lie, my dream, the truth, I never see it
00:40 As long as I have you by my side, yes, in the lie I live better
00:48 Na na na na na na na na na na na na na na
01:03 [Music]
01:10 He gave me a job again. He wants me to write something to give to a woman who works with him. I didn't understand.
01:16 How did he manage to stop his harassment? It's unbelievable.
01:19 Don't accept to date this woman and don't do anything for her.
01:23 I'm sorry, Alyki is at home. What is he doing here?
01:26 I didn't call him, I would never do that.
01:28 Calm down a little. I'm not talking to you. Yes, but you're talking to me.
01:31 And he told me that this is how kids get hurt, that the pain from the beating is nothing and that there is a much greater pain in life.
01:43 I wish you never needed to hurt so much.
01:48 You know that.
01:50 Life, don't play with me because I don't know what will happen.
01:52 What will happen? Tell me.
01:53 I told you to go.
01:55 No, I'm not leaving. Do you know why?
01:58 Because now I need you more than ever. And when you want me, I stay.
02:03 My dear Stavros, are you sure you are safe to cook?
02:11 I have cooked.
02:12 And what does it smell like?
02:13 I'm staying.
02:14 Okay, I got a little bit of something.
02:15 Do you care in this life to have a ceramic on top of our head and we don't have just a ceramic?
02:20 A whole house.
02:22 Do you want to tell me something?
02:24 I don't understand why you reacted so intensely.
02:27 I didn't recognize you at that moment. It wasn't Petros I knew.
02:30 There was no reason to get things to the extreme.
02:33 Are you serious now?
02:34 She brought her partner home when Alice was here.
02:37 You asked about the beating and she went. Family stuff.
02:41 It's important that you got through.
02:43 Fortunately.
02:44 Yes. She helped me a good lady who works with our company.
02:49 She did almost self-therapy.
02:51 What lady is she?
02:53 I don't have any trouble coming to the parents' meeting.
02:56 Maybe it's better if I come?
02:58 No, you don't have to.
02:59 Maybe you want to go out.
03:01 You have your personal life.
03:03 If your dad finds out about this, will he go mad?
03:10 I'm sorry.
03:13 Why are you so unlucky?
03:15 I don't know. That's why I told you to talk. That's why I told you to be patient.
03:19 I need you. I don't know what to do.
03:20 Okay, okay. Listen.
03:22 First, calm down.
03:24 Look, first you'll go with her.
03:27 Yes? We don't know.
03:29 You did a good job.
03:32 Stop.
03:33 Okay, I'll go back to work. I'll think of something and I'll go.
03:37 You try not to do it too much. I'll be in trouble.
03:39 Okay, I'll try. It's not easy.
03:41 Okay. I love you.
03:43 I love you too.
03:45 [moans]
03:46 Martha, I want you to take over the promotion of the advertising material for the health care.
03:59 But, your work seems so boring. Should I hire you?
04:03 No, Mrs. Peraki. I just didn't sleep well because of the postpartum.
04:09 Stop it now, because I'm starting to get worried.
04:12 Go and send the news, please.
04:14 Has Petros come?
04:16 Not yet.
04:17 Why didn't he come? Has he notified?
04:19 I don't know. I have no idea.
04:21 Take the phone, please. And ask him if he's still at home. I have a lot of work.
04:24 Okay. Why are you so worried?
04:27 It's none of your business.
04:29 Well, leave it. I'll take the phone. Go, go. I'm done.
04:33 Yes.
04:34 Are you still with Christina?
04:43 Let's see.
04:47 - Good morning. - Good morning. Are you better today?
04:52 Yes, I'm fine. I just finished the parental meeting and I'm leaving the school for a few days.
04:56 - Did you go alone? - Yes. Why?
04:59 Because yesterday I was with Christina and that's why I'm asking.
05:03 We went alone. Did you want something?
05:05 George called. He got a call from Creative Minds for work.
05:10 Did you send his CV?
05:12 No, I have no idea. And as I said yesterday, George is done for me. Don't mention him again.
05:17 Okay. I didn't have you for such a tough guy.
05:19 Conditions change people.
05:21 And George will do well to support himself and not to depend on others.
05:25 Yes.
05:26 - Are you coming from the office? - I have some business.
05:30 Okay. Maybe I'll be late.
05:33 Yes, he's my son. Very talented.
05:40 I had him on the IRECT website.
05:43 Okay, thank you. I'll send you his CV and his CV.
05:48 Whatever it is, just tell me. I just don't want to know anything.
05:53 Yes, please. Do me the favor.
05:56 Thank you very much.
05:59 George, I hope you don't do it in the sea.
06:06 - My little boy! Do you want this? - Yes.
06:21 My little boy! You're my little butterfly!
06:24 Listen, I think you have too many games.
06:28 What would you say to give some of them to some other kids?
06:34 What kids?
06:36 There are so many kids in the world who would like to play with your games.
06:41 - And in Africa? - Of course, in Africa.
06:44 There you'll see how they'll be happy.
06:46 So, what do you say?
06:49 What if my mom takes my games and sends them to the kids in Africa and they don't come back?
06:54 What will happen?
06:55 No, no, no. That won't happen. We'll find another way.
06:59 Your mom won't take them. We'll send them to the address book.
07:03 Don't worry.
07:04 Okay. I'll make these kids very happy and I'll choose the most beautiful games.
07:10 I'm sure of it. I'm very proud of you.
07:12 Come on, let's start. Come on.
07:17 I'll put the ball, too.
07:19 You're a treasure.
07:23 Is that what you have?
07:28 What's the matter? You have so many balls.
07:30 Fill the cup. I'll bring you more.
07:34 Nice.
07:37 "I'm not a bad person. I'm a good person."
07:42 - Hi, how are you? - I'm fine. Did something happen?
07:53 No, I just wanted to suggest you to come for dinner tonight. I just put the ball in my hand.
07:59 Tonight?
08:01 Yes. I think we should talk about what happened yesterday.
08:06 You should call Filippos.
08:08 What do you mean? You want me to call Filippos?
08:11 Yes. Yes, as I said, we should talk about what happened.
08:15 I guess Filippos won't want to come.
08:18 No, I'll come.
08:20 Are you with him?
08:25 Give me a minute.
08:28 You don't have to. I don't know what you two have to say after yesterday.
08:33 Bye, Petros.
08:35 Who else will be with us at the table?
08:42 Me, my mum and a close friend.
08:44 Who is your mum?
08:46 Dad is exaggerating, my love. He's not my close friend.
08:49 - He's not? - No.
08:52 Yes, but he's very important to you. Don't say he's not.
08:56 - He's not. - Okay.
09:01 I think I'm sleeping.
09:03 - Okay, my love, go to sleep. - Okay, I'm going to sleep.
09:06 Good night.
09:08 Give me a kiss.
09:10 I learned at school that dads and moms kiss and you kissed. I know that.
09:15 How do you know that?
09:17 I know. If dads and moms don't kiss, there are no kids.
09:22 If there are, you kissed.
09:24 You're a bitch. You're a bitch.
09:27 - I'll eat you. - Mum, save me!
09:30 Good night, my love. Sweet dreams.
09:33 Good night, my little Christ.
09:36 Hey, Jordan. When will you be at the cafe?
09:46 I just left my house.
09:48 Don't rush, my dad is still there. I'm ready to go.
09:52 Perfect. I have an idea.
09:55 Let's go to a nice little tavern with traditional recipes.
10:01 It's a hit in this area.
10:03 We have a live show in a bit.
10:05 Will we leave the work and go to the fun?
10:08 That's work.
10:10 - A discovery. - What?
10:12 Yes. We'll order the whole catalog
10:15 and we'll find the secret ingredients that make the recipes.
10:19 - Addicts. - We said it.
10:21 Research is work.
10:23 - How did you come up with that? - I made some pies today.
10:26 I need inspiration.
10:28 I went to sign up online and it was a total failure.
10:31 Someone has been eyeing us.
10:33 It's not a secret.
10:35 You're so talented.
10:37 You don't get caught like that.
10:39 - What do you want now? To sell? - Why? You were right.
10:43 I believe that it's all the chef's fault.
10:47 I've given you everything to try.
10:50 You've got it all wrong.
10:53 It was a rejection.
10:55 We didn't tell them where we were going or where we were coming from.
10:59 I agree. We're in our own little scene.
11:01 We have to avoid the bad taste.
11:04 Excuse me. Someone's here.
11:07 I'll be late to go to the tavern to eat.
11:10 - We'll do the live show later. - It's done. See you in a bit.
11:14 Come on, open up. Can't you hear?
11:17 What does she want now?
11:20 I'm coming.
11:22 - Hi. - Hi.
11:24 I don't feel well.
11:26 Should we cancel it?
11:28 I called you here to see you, not to come to the conflicts.
11:32 I don't understand. Why all this?
11:35 I was waiting for you to understand.
11:37 I couldn't call you on my own.
11:39 The moment you told me you were with me, I had the nerve not to call Filippos.
11:43 I also think you could have made better choices.
11:47 Good evening.
11:49 - Good evening. - How are you?
11:52 - Fine. - I wanted to come with you, but...
11:55 I respect the kid's opinion.
11:58 Petros, it's very polite of you to invite us for dinner.
12:01 I imagine you realized your mistake and you want to apologize.
12:05 I called you here to clear things up, not to apologize.
12:09 If someone has to apologize, it's you.
12:13 - Petros, do you want to calm down? - I'm calm.
12:16 I think Filippos is still in the ship and he has forgotten his ways.
12:20 I was a bit carried away because I don't like to take advantage of my girl.
12:24 - What did I do? - Filippos...
12:26 If you stay away from us, everything will be fine.
12:29 But the deal will be over soon, right?
12:32 - Life will bring it back to you. - Stop it, both of you!
12:36 I know this meeting is not for the best.
12:40 I never took advantage of you and I expect you to take a stand.
12:46 I'll prove to you that I don't like to interfere in other people's lives and to interfere in my own.
12:54 And now that I know Filippos better, I understand why you chose him.
13:00 - Why? - You are both very impulsive and you can't control your temper.
13:05 - It's not true. - It's not?
13:07 - No. - I remember a story about my temper.
13:12 You used to work in a restaurant and you used to treat a customer with a beer for no reason.
13:16 There was a reason.
13:20 Let's sit down and eat.
13:23 I'll try to be polite, no matter how hard it is.
13:27 Zoi, let's go.
13:32 I'm sorry.
13:36 Come in, my child.
13:40 I came because I'm worried about Filippos' appointment with Zoi.
13:48 - They were holding me back. - It will be fine.
13:52 - But you should share your worries. - That's true.
13:56 You didn't tell me you talked to your sister.
14:00 Did you learn anything?
14:03 You know me. I'm a very discreet person.
14:07 - Filippos, you are here too? - Yes. How are you, Lilla?
14:14 - I'm fine. How are you? - Fine.
14:17 You invited them to dinner today.
14:20 Yes, but we said they might be late.
14:23 - I'm sorry, I forgot. - It's okay.
14:27 - Sit down with them. - Of course.
14:31 Can I bring you a sandwich?
14:36 Filippos must be very interested in travelling.
14:40 - Because of your job, I mean. - Yes, it's interesting and difficult.
14:44 Christina, I imagine you will follow Filippos' next destination.
14:50 You seem very in love and I think it's very normal.
14:55 - Yes, we have talked about it and he is willing. - That's how women in the Navy are.
15:00 - They are indecisive. - You are right.
15:03 - I want to say that we haven't reached a conclusion. - Come on, honey.
15:07 - Don't embarrass the kids. - But she is still young.
15:11 I can't stay away from Alyki.
15:14 You have left her for a much longer period of time.
15:18 I want to say... I'm not saying this to judge you.
15:22 But you are a good mother.
15:25 I have an understanding of the kids' situation.
15:28 And I know that Christina is a good partner and a very good mother.
15:32 - Honey, what are you doing here? - Why aren't you sleeping?
15:41 I woke up to drink water.
15:44 Is he your close friend?
15:51 - What is this? Are you going to cook again? - No, I just...
15:55 - You don't like the dough? You can leave it for a while. - No, leave it.
16:00 - You will make it worse. - Me? Are you calling me a "Susan" now?
16:05 - No, I'm just a "preliminary". - Tell me now.
16:09 - What did your sister say on the phone about the date? - She didn't say anything.
16:13 Come on now. I think it will be fine.
16:16 Otherwise, why would she accept the invitation?
16:20 I can't. I'm so anxious.
16:23 - I'm sorry, but I have to go. - Where are you going?
16:26 - Are you going to cook again? - No, I have an important meeting.
16:30 - With Yordan? - No, with Maros.
16:33 Come on now. Tell me about Yordan.
16:36 - How is he doing? Is he making progress? - Not at all.
16:39 And I have to go.
16:42 I'll come too. I know you'll go there to cook.
16:45 You'd better go. I can't see you.
16:49 I'm not going to cook. I'm going to Vassos' house.
16:52 - What am I going to do? Will I be alone? - Maybe you should go to your house.
16:56 No, I'll come with you. I'll walk a bit to Vassos.
17:00 It's better to walk than to leave your father.
17:03 Come on. Let's go.
17:08 - Are you coming? - Yes.
17:11 [Music]
17:14 [Music]
17:41 - Hello, Vassos. - Hi.
17:44 - How are you? - I'm fine. And now that I hear you on the phone, I feel even better.
17:48 This new phone for my job has given me real life.
17:52 And I promise, I won't make it to the sea.
17:55 You'll make it. I have no doubt.
17:58 I have a great portfolio. I made it in a park with an excellent company.
18:02 And of course, I had excellent inspiration.
18:05 - I'm so happy. - Do you really know who inspired me?
18:09 - Who? - You.
18:11 I didn't do anything. You decided to start from the beginning.
18:14 No. You did everything to get me out of the lethargy.
18:17 - And I only respect you for that. - Come on.
18:20 The only mystery is who suggested me for the job.
18:24 - Have you thought about the possibility of Petros? - Petros?
18:27 Petros doesn't even want to see me. And he's right.
18:30 But you are best friends. You don't change your feelings from one moment to the next.
18:34 Vassos, if Petros did it, I'll feel even worse.
18:39 - George, Petros is a big heart. - You're talking to me. I know that.
18:43 He has felt the absence in the office, but he doesn't want to show it.
18:46 He has a lot to deal with. Especially now with what happened with Zoi.
18:50 What? What happened? Don't tell me they broke up.
18:53 - It would be too much for them. - What do you mean? They kissed.
18:58 - Oh my God. - Sure, sure. Finally.
19:01 Yes, but we'll tell everything on the way.
19:04 Don't you want to go home? We'll eat together. We have an order with Martha.
19:07 Vassos, I don't feel comfortable with Martha.
19:10 Come on, George. You won't hide for a lifetime.
19:13 By the way, Martha has no problem with you. She told me.
19:17 Yes, she told you, but I don't feel comfortable. I don't know.
19:21 - If you keep hiding like this, I won't help you again. - Fine.
19:25 I'll come because I'm very hungry and I have nothing to eat here.
19:30 - Then run and catch up on it. - Then shut up and run and catch up on it.
19:35 - My Aliki, this is Philip, my friend. - Hello, Aliki.
19:45 - How do you know my mom? - A long time ago.
19:49 - What do you do for a living? - I'm a sailor.
19:52 - Do you have children? - No.
19:56 - Why did you come to our house? - I invited him, my love. He's a friend of my mom.
20:01 - Why did you sit next to my mom? - My love, it's not right to ask so many questions.
20:06 - Why? - My love, didn't you want a drink?
20:09 You drank and now it's time to go to bed.
20:11 Because little kids have to go to bed early to grow up fast.
20:15 - Let's go. - No. Melina wants to take me.
20:20 - She's happy to take you, Alikaki. - Give a kiss to dad and mom.
20:24 - Who loves you very much.
20:26 - Good night.
20:32 - Come on, Melina, let's go. - Good night, Aliki.
20:36 - Good night. - Let's go.
20:38 - After all, it's not a good idea to have a table.
20:46 With so much speed, they might understand something small.
20:49 - When Melina comes back, we'll leave.
20:51 - Yes, because we want to be alone. We have to talk.
20:55 I owe you an answer.
20:57 - Before we leave, I wanted to tell you something.
21:01 Seriously. Can we go to the garden to talk?
21:04 - No, we'll talk tomorrow. - Not tomorrow, now.
21:08 - It's urgent. - Don't go to the garden. I'll go out.
21:13 - I'll wait for you in the car. - Thank you.
21:19 - What can we talk about?
21:22 Come on.
21:25 Go to your friend. He's angry.
21:28 - Sit down. - I'm sitting.
21:38 - What fairy tale do you want me to read to you, ma'am?
21:42 - First, I want you to tell me something else.
21:44 - What else do you want me to tell you?
21:46 - Did you forget our secret?
21:48 - Of course I didn't forget it.
21:50 I never forget what we say, because you mean your mom's job.
21:54 - Yes, you said you'd find her a job, but you didn't do anything.
21:59 And you're lying to me.
22:01 - No, my sweet Liki. I never lie to you.
22:04 - Then let's go and tell her now. - No, wait.
22:07 - Now! - Come on, Liki.
22:09 - My love, come on. It's time for you to sleep.
22:11 We can't go now.
22:13 - If you don't tell my mom, I won't love you
22:15 and I won't go back to my room and you won't read me fairy tales.
22:19 - Okay, I'll let you say it.
22:21 But not now, because I'm waiting for a very important answer
22:25 from the job I asked for my mom.
22:27 I'll tell her when I find out, okay?
22:29 - And why not now?
22:31 - Because if something changes, mom will be sad.
22:34 Anyway, I'll find her job. Okay?
22:38 And then we'll go and tell her together.
22:40 - Do you promise? - I promise.
22:44 [phone vibrates]
22:46 - Hey, Taki. What's up?
23:00 I'm fine.
23:02 So, did we have any news?
23:04 He's out of work.
23:06 I don't know how he's out of work. He's still a teenager.
23:10 I can't believe it.
23:12 Unbelievable.
23:14 - Yes.
23:17 I understand.
23:19 - And now where is the kid?
23:21 When did this happen?
23:23 Did you do it again?
23:25 - Where did you learn it?
23:27 - Ah, from a friend.
23:29 I see. I understand.
23:31 - Okay, and why don't you tell me anything, Irena?
23:34 At least I, as a father, should know.
23:39 - Anyway.
23:41 Your mom is successful.
23:43 Yes, yes. Who knows what harm she has done to his soul.
23:47 You know her now. You know her very well.
23:51 Of course.
23:53 She has affected him so much.
23:55 She thinks his father is a monster.
23:58 Yes, yes. She does it to protect him.
24:01 Anyway.
24:03 Do you have her phone number?
24:05 Okay, yes.
24:07 Wait a minute.
24:09 Yes, yes.
24:11 I'll give you a call.
24:13 You won't get in trouble.
24:15 Listen to me.
24:17 Please. Thank you very much.
24:19 I'm listening.
24:21 Okay.
24:23 It's done.
24:25 Okay, I have it.
24:27 Okay. Thank you.
24:29 Okay.
24:32 [Music]
24:35 Get up.
24:45 Get up, Panathema.
24:47 Life is neither the right time nor the right moment.
24:53 Okay, tell me. What do you want to tell me?
24:58 I won't be hateful if I don't understand first.
25:01 That's why I want to ask you a question.
25:03 Just one question.
25:05 Why did you kiss me?
25:09 Why did you kiss me and promise that nothing happened?
25:14 Can I not talk about this?
25:16 Can't I ask you?
25:18 You acted like we never kissed.
25:21 And you do it so well that I'm starting to doubt if it really happened.
25:24 If it's in my imagination. Why do you do this?
25:27 Did you regret it?
25:29 Are you done? Can I talk?
25:31 Yes, I'm done. I'm listening.
25:34 It's not in your imagination.
25:36 It really happened.
25:39 It was just a mistake.
25:42 And I thought that if we don't talk about it, it will be like it never happened.
25:48 I'm sorry for the regret.
25:55 I see.
25:57 And that's why I called you and Filippos to forget it forever.
26:03 It's an absurd idea.
26:07 I couldn't think of anything else.
26:10 This kiss means nothing to me.
26:14 Yes, I understand.
26:17 Please, don't talk about this mistake.
26:23 Go to the car. Filippos is waiting.
26:25 Stop asking me what to do.
26:27 Right now, the only thing I want to do is to be here with you and tell me the truth.
26:33 Petros, let's leave the lies and tell the truth between us.
26:37 Do you mean what you said?
26:40 Our kiss meant nothing to you.
26:45 Filippos loves you.
26:51 I saw it in his eyes.
26:53 He truly loves you.
26:56 Nice.
27:05 You won.
27:08 I will do what you want for the last time.
27:11 I will obey your instructions and I will leave.
27:15 You should bring my good night to Melina before you give her the answer you owe her.
27:42 I will say it again. Filippos and Zoi are a perfect match.
27:47 Tell your sister something.
27:50 Who was it?
27:52 I set the alarm clock to night instead of day.
27:55 We are here.
27:59 Vassos' house is down the street.
28:02 Thank you for the company and for bringing me here.
28:05 If you learn something about Zoi, you can call me.
28:08 If I learn something about Filippos, I will call you.
28:12 Okay.
28:13 They must find each other again.
28:16 You didn't tell me what's going on between you and Jordan.
28:21 Have a good day.
28:23 Okay. Bye.
28:25 I'm sorry I hung up earlier.
28:34 It's okay. I'm here.
28:36 I couldn't answer. I had Maros with me.
28:39 I couldn't figure out anything. Do you know how busy she is?
28:42 I'll be there in 20 minutes.
28:43 Okay. I'll wait for you.
28:45 Okay. What's wrong?
28:47 Nothing. I'm just tired.
28:49 We will go to the tavern, we will try all the recipes and I will make you a kefi.
28:53 You said that when you are with me, time flies.
28:56 Nana, I have to tell you.
28:59 With all this delay, the time has passed.
29:02 Maybe we should go to the tavern again?
29:06 I'm sorry. Did you get a cold?
29:09 I wasn't at fault for being late.
29:11 You know Maros. She is a pain in the ass.
29:13 No, Nana. I didn't mean that. Don't take it the wrong way.
29:16 It's just that now she is a bit late and I'm tired.
29:21 I'm sure. I wasn't at fault.
29:24 I'm sorry. I'll ask you again.
29:26 No need. We will go another time.
29:29 What's going on? You were excited about the business until yesterday.
29:33 Did something change? Did you regret it?
29:35 No, of course not. Why would I regret it?
29:38 Tomorrow I will be more relaxed. You will see.
29:40 Will we talk tomorrow?
29:42 Yes.
29:43 Great.
29:44 Nana, don't misunderstand me.
29:47 Okay. Nothing happens by force. Good night.
29:56 Tsipouri? You called me Tsipouri?
29:59 How did you know?
30:00 I heard you.
30:01 I said, "Zmaro is a pain in the ass."
30:05 Because you are a pain in the ass.
30:07 Nana, don't lie to me. I heard you.
30:11 Tsipouri said it. You are so shameless.
30:14 Come on, Zmaro.
30:15 Who were you talking to?
30:16 Zmaro.
30:17 You don't want to tell me. Where were you going?
30:20 To the tavern. We were just lost in the street.
30:23 Great. Then we will go to Vassos together.
30:26 I will knock on the door so that I am sure you won't get lost.
30:30 Okay. We didn't have a date.
30:35 We will meet at the same time.
30:37 Hello, Glenn.
30:38 Hello, Martha.
30:39 Vassos? Can I talk to you for a second?
30:42 Yes. One moment.
30:43 Why did you bring him here? It's my house too.
30:48 Girls, if I am bothering you, I can leave.
30:50 No, George. You are not. We can have two guests.
30:54 We are waiting for someone else.
30:57 Deliveras is here. He is on vacation.
30:59 He is so cute.
31:02 What are you doing here?
31:07 Am I bothering you? No.
31:08 What is this?
31:09 This is Delivery. I got Deliveras on the way.
31:12 I paid for it. I left him a bottle of bourbon.
31:14 And I brought some wine. For the good. For the peace of the house.
31:17 What? What happened? You are here too?
31:19 You are an artist and a housewife.
31:20 Don't worry. The situation has changed.
31:22 I am getting a job tomorrow.
31:24 A job?
31:25 You are a bandit?
31:26 You accused everyone for your dirty work?
31:28 Martha!
31:29 What dirty work? I lost my job.
31:31 Savros!
31:32 Who else?
31:35 I really don't know who he is.
31:37 He is doing it again.
31:41 He is going to the others. He is throwing them all out.
31:43 I will make him a prostitute.
31:44 I am going to the others.
31:45 What happened? A lot of people gathered.
31:52 We are a nice atmosphere. We are all here.
31:54 It's a special company.
31:56 You are here too?
31:58 Yes. I got out of your footsteps.
32:00 My cutie.
32:01 Maybe we should go eat?
32:03 Let's do it.
32:04 Martha?
32:06 Are you going to eat with us?
32:07 No.
32:08 Suddenly, I feel like I lost my appetite for some reason.
32:12 For many reasons.
32:14 She is probably on a diet.
32:20 Did the little bird go to sleep?
32:28 Where did everyone go?
32:29 The night was unbearable.
32:32 The couple was tired.
32:33 Anyway, Christina told me to tell you good night.
32:36 Does that mean I have to go too or can I keep you company?
32:41 Anyway, Philip is a very nice guy.
32:44 From what Christina looks like, she has the best men around.
32:48 What about you?
32:51 Me?
32:52 When are you going to decide to move on?
32:55 Christina moved on.
32:57 Mel, it's not the time for this conversation.
33:00 As you think.
33:01 I just want to remind you that life doesn't wait.
33:05 When the time comes, I will decide too.
33:09 I hope you decide for the best.
33:11 I should go too.
33:14 I'm going to meet some friends.
33:16 You should go have fun.
33:18 I was going to tell you to come too, but I know you have Alyki.
33:21 Yes, I miss the Jordanians and I can't go.
33:23 Anyway, Alyki moved me today.
33:27 She wanted me to read you a fairy tale.
33:29 Of course, I love her too.
33:32 I know, Melina.
33:35 Petros, I hope you make the right decision.
33:38 It would be a shame to hurt Alyki again.
33:41 Good night.
33:43 I'm telling you, he was chasing me for years.
33:55 It's a matter of time, but I'm not a rock.
33:58 I'm a rock island.
34:00 Why don't you tell us what it was you didn't tell us?
34:02 I'm not going to tell you.
34:05 I'm just going to tell you that it's a matter of privacy.
34:08 I can't talk.
34:11 Come on, mom.
34:14 I can't talk because he's in front of two people.
34:18 You mean the men?
34:21 You can catch them easily.
34:24 I think something happened and we should go to the bedroom.
34:28 Let's go.
34:30 No, no.
34:31 No, no.
34:33 Come on.
34:34 You didn't tell us why you were here.
34:51 Why Martha or why Vaso?
34:52 Why did you come here to tell us about the job?
34:55 Why did you come?
35:00 I came for both.
35:02 I have put in the app the plan that you must try it.
35:09 What is this?
35:11 Sit down, I'll tell you.
35:13 What's wrong with you, my love?
35:16 I have a lot of things going on.
35:18 What are you talking about?
35:20 I saw your live with Jordan.
35:23 It was perfect.
35:24 Don't remind me. Leave me alone.
35:27 Vaso, what will happen?
35:29 We are in the middle of a meeting.
35:32 Will you fire them or I will fire them.
35:35 They are making noise.
35:37 We are saved.
35:38 I should have expected it from such friends.
35:42 She is my friend and I won't fire her.
35:45 She is a liar.
35:46 I will take my brother.
35:48 I don't trust him.
35:49 I don't trust any nurse.
35:52 What was that?
35:56 They will demolish my new house.
35:59 I thought they were sleeping.
36:02 Don't you want to sleep?
36:05 To be honest, no.
36:09 Are you alone?
36:14 Yes.
36:15 Do you want me to make company?
36:18 The kids have gone out.
36:22 That's how it is.
36:24 You forgot about us.
36:26 No, but...
36:30 They seem very far away.
36:33 As if years have passed.
36:36 When the kids were young...
36:45 ...when they were grown up.
36:47 You know...
36:50 ...I wonder many times...
36:52 ...if I was a right father.
36:56 You were, Giotis.
36:58 Should I confess something?
37:01 I'm scared.
37:04 I'm very scared.
37:07 What if the kids find out...
37:11 ...that their mother is alive?
37:13 What if they find out that I have been living in a lie all these years?
37:19 I'm thinking about it, but I don't want to.
37:22 The truth is that...
37:25 Please, help me.
37:27 The kids should never find out the truth.
37:30 What should I do?
37:32 Tell Aspasia to go back to Germany.
37:35 You are her friend. You will convince her.
37:38 She can listen to you.
37:40 I will try to help you.
37:47 I can't promise you anything, though.
37:50 What happened, Decalé?
37:59 Nothing. We just wanted to relax.
38:02 We had a competition.
38:04 Who would drink half a bottle of wine?
38:07 Half a bottle of wine?
38:09 Who would want to drink it?
38:12 I won, but the wine didn't win.
38:15 I went to get it, but it fell in the middle.
38:18 Are you serious?
38:20 I can't stand to see them.
38:22 I can't stand to see you, either.
38:24 Help me get this guy to relax.
38:27 I will give him a relaxing massage.
38:30 Get out of here.
38:32 What's wrong?
38:36 Go on.
38:38 Go on.
38:40 [♪♪♪]
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