Rebel Moon - Part Two: The Scargiver (2024)
Kora and surviving warriors prepare to defend Veldt, their new home, alongside its people against the Realm. The warriors face their pasts, revealing their motivations before the Realm's forces arrive to crush the growing rebellion.
Category
🎥
Short filmTranscript
00:00:00 (ominous music)
00:00:02 (ominous music)
00:00:05 (ominous music)
00:00:07 (ominous music)
00:00:10 (ominous music)
00:00:13 (ominous music)
00:00:41 - On the far edges of the Motherworld's Reach,
00:00:44 circling the gas giant Mara, was the small moon of Veldt.
00:00:49 There, a village of humble farmers lived a simple life,
00:00:54 born of the earth, until the shadow of a warship
00:00:58 fell upon their fields.
00:01:00 The ship's commander, Admiral Noble,
00:01:03 demanded more than Veldt's people could give.
00:01:07 So it was that a woman named Korra
00:01:09 and a man named Gunnar set forth from the village
00:01:13 to gather warriors to stand against the Dreadnought.
00:01:17 On New Wadi, they were joined by the mighty Tarak
00:01:22 in the minds of Dagus, the fierce nemesis.
00:01:26 In the Coliseum of Pollux, the wayward General Tytus,
00:01:30 and on the planet Sharan, Darion Bloodaxe
00:01:33 and his lieutenant, Milius.
00:01:35 In an ambush on the floating docks of Gondaval,
00:01:39 Korra triumphed over Admiral Noble,
00:01:42 leaving his shattered body on the rocky coastline.
00:01:45 The victorious warriors returned to Veldt
00:01:49 to collect their pay.
00:01:50 The threat of a Dreadnought extinguished.
00:01:53 Or so they believed.
00:01:58 (water splashing)
00:02:05 - Malakassar.
00:02:07 (water splashing)
00:02:09 He is alive.
00:02:10 - He is.
00:02:12 Just.
00:02:13 But he's far from recovered.
00:02:15 (water splashing)
00:02:22 He had no brain function for quite a while.
00:02:28 We don't know how bad the damage was.
00:02:32 We'll know what's left of him
00:02:35 when we bring him out of the chrysalis.
00:02:37 (water splashing)
00:02:42 (dramatic music)
00:02:45 (water splashing)
00:02:48 - His airways are clear.
00:03:14 He's breathing on his own.
00:03:15 - Admiral.
00:03:19 Admiral, it's me.
00:03:21 - Geth.
00:03:26 - Yes.
00:03:27 - Where am I?
00:03:30 - You're aboard your ship, sir.
00:03:33 The King's Case.
00:03:35 We have been holding an orbit around Gondaval
00:03:38 hoping for your recovery, sir.
00:03:41 And thank thee all gods, our prayers have been answered.
00:03:44 - Geth, listen to me.
00:03:47 She's unfelt.
00:03:50 - Who?
00:03:54 Who is?
00:03:56 - The Skark, you know.
00:04:00 She's unfelt.
00:04:05 Is that cause for felt?
00:04:08 - Yes, Admiral.
00:04:11 It will be done.
00:04:12 (dramatic music)
00:04:16 ♪ Run far ♪
00:04:41 ♪ Over a rolling field ♪
00:04:44 ♪ My homeland calls to me ♪
00:05:08 ♪ Far within the fog ♪
00:05:13 ♪ My end will lie near ♪
00:05:17 - I'm Hagen.
00:05:21 This is Dan.
00:05:23 We welcome you to our humble village.
00:05:26 You must be tired and hungry.
00:05:29 - And thirsty.
00:05:30 Might we have prepared food and drink for you
00:05:32 in the long house?
00:05:34 - Come on.
00:05:35 You'll see what great hosts my people can be.
00:05:37 - Come on, Willett.
00:05:39 (dramatic music)
00:05:41 - Let's bring these Yeraks to the stable.
00:05:43 (doorbell rings)
00:05:46 - They've come back.
00:05:49 - Well, how do they look?
00:05:54 - Strong, like warriors, I guess.
00:05:57 - How many of them?
00:05:58 - Six, with Koran Gunnar.
00:06:00 - Six.
00:06:01 It won't matter how strong they are, will it?
00:06:07 (alarm rings)
00:06:10 - Commander Cassius.
00:06:34 - Soldier.
00:06:35 - All is as it should be, I trust.
00:06:37 - Yes, sir.
00:06:38 All is on target.
00:06:40 - Nothing out of the ordinary.
00:06:42 - No, sir.
00:06:43 - Very well.
00:06:44 - Ensure that the harvest is brought in as planned
00:06:46 and ready for our arrival in five days' time.
00:06:49 - Five days?
00:06:58 (dramatic music)
00:07:00 - Come.
00:07:26 Now, please, eat.
00:07:28 We must all be very hungry.
00:07:30 - Okay.
00:07:31 - Our villagers have prepared a bounty of food and drink
00:07:34 to show their fealty and gratitude at your arrival.
00:07:39 - But where is everyone?
00:07:42 - How would you feel?
00:07:47 A lot of you, if you were not capable of standing
00:07:52 to protect your own home.
00:07:55 If you had to ask others to lay down their lives for you.
00:07:58 - They should see there's no shame in our being here.
00:08:02 To swallow their pride enough to even ask for help,
00:08:04 that is bravery itself.
00:08:06 - Thank you.
00:08:08 - Yes.
00:08:09 - And as it happens, nobody need lay down their lives.
00:08:15 A defense won't be necessary.
00:08:17 Admiral Nopal is dead.
00:08:21 - What?
00:08:22 He's dead?
00:08:23 Really?
00:08:24 (laughs)
00:08:25 - You might need to say it again, he doesn't believe it.
00:08:28 He's dead.
00:08:28 - You do not believe that they will return?
00:08:34 - I don't.
00:08:35 It's imperial protocol in the event of an admiral's death
00:08:39 to return to the mother world at once.
00:08:41 - Then we owe you an even deeper debt of gratitude.
00:08:44 - You're wrong.
00:08:45 I just received word.
00:08:47 They'll be here in five days.
00:08:52 - Five days?
00:08:52 - Yes.
00:08:53 - But I thought that you said that you killed Admiral Nopal.
00:08:56 - I did kill him.
00:08:57 His body was smashed on the rocks, he is dead.
00:09:00 - It's against protocol to come with an admiral
00:09:02 to command a ship, right?
00:09:03 - That is true.
00:09:06 But death is not always deterrent enough
00:09:08 for the dissonance of the mother world.
00:09:10 They must be more in need of this grain
00:09:11 than we could have known.
00:09:13 Hagen.
00:09:16 - Yes.
00:09:17 - Call your men.
00:09:18 - Yes, sir.
00:09:18 - Send them to the ship.
00:09:19 - Yes, sir.
00:09:20 - Send them to the ship.
00:09:21 - Yes, sir.
00:09:22 - Call your villagers.
00:09:23 Let me talk to them.
00:09:24 - Okay.
00:09:51 - Dark days lie ahead of us all.
00:09:53 When the time comes,
00:09:56 we may all have to stand together in battle as brothers.
00:10:02 To succeed, there must be trust between us.
00:10:08 In time, we will teach you how to fight.
00:10:14 But first, you must show us your strength.
00:10:18 The way of the land.
00:10:20 (dramatic music)
00:10:22 If we do not act quickly,
00:10:24 the destruction of your village is all but assured.
00:10:29 Now, how long does it take to bring in your prop?
00:10:33 - Half a cycle around Mara.
00:10:36 - Now, it must be done in three days' time.
00:10:39 We need every man and woman who's able.
00:10:45 The grain is our most powerful weapon.
00:10:50 Without it, they are liable to blow us
00:10:53 out of existence from orbit.
00:10:56 If we bring it in fast,
00:10:57 we can use it both as bartering tool and shield.
00:11:02 Now, rest well.
00:11:07 The work begins at dawn.
00:11:10 - You heard the man.
00:11:11 Dawn.
00:11:13 (dramatic music)
00:11:15 - You think they'll learn to trust one another?
00:11:25 - They're frightened of outsiders,
00:11:31 the battle to come for their lives.
00:11:33 Trust, I don't know.
00:11:35 I just hope they all have the courage to stand and fight
00:11:40 if it comes to it.
00:11:41 - I had no idea what it would be like to fight,
00:11:43 how much it would scare me.
00:11:46 - You were afraid to die.
00:11:51 That's okay, everyone is.
00:11:53 - I didn't even think about dying in the moment.
00:11:57 If you would have asked me before how I feel,
00:12:00 I would have said I'd be petrified.
00:12:02 And I was scared.
00:12:05 The most afraid I've ever been in my life.
00:12:10 - What was it you were so afraid of?
00:12:12 If it wasn't death?
00:12:14 - It was you.
00:12:19 I was losing you.
00:12:38 (birds chirping)
00:12:41 - What Noble said
00:12:52 about you being the most wanted criminal
00:12:56 in the known universe.
00:12:57 You don't become that simply by running away.
00:13:06 (birds chirping)
00:13:08 You remember how I told you I was raised by Balsarius?
00:13:16 - Mm-hmm.
00:13:17 - Legion of the Imperium.
00:13:19 And how I was the bodyguard to the Princess Issa.
00:13:25 - Yes.
00:13:26 And that you were a decorated warrior,
00:13:29 friend of the royal family.
00:13:34 What happened to them?
00:13:35 - Under the healing influence of Ishtar,
00:13:41 the king had begun to see many things in a different light.
00:13:44 It was a dedication of what would be
00:13:54 the last Drednor-class battleship.
00:13:56 A symbolic end to an age of expansion.
00:13:59 In accordance with tradition,
00:14:02 the king would dedicate every ship.
00:14:04 But not this time.
00:14:07 This would be the princess's first royal duty,
00:14:14 her first official act.
00:14:16 The ship would be named Peacemaker and bear a royal seal.
00:14:30 Make no mistake, I was the loyal daughter
00:14:33 of my adopted father.
00:14:34 I could not betray him or defy him.
00:14:39 He had told me the princess must die,
00:14:44 and die she would.
00:14:58 My father said he would not stand by
00:15:01 and watch this child dismantle the war machine
00:15:04 we sacrificed so much for.
00:15:07 I had faith that Belisarius would protect me
00:15:13 and the empire he so loved.
00:15:15 - Attention!
00:15:18 (dramatic music)
00:15:21 - Strange.
00:15:40 Something's wrong.
00:15:47 Belisarius, where is the Kali?
00:15:50 Why aren't the furnaces lit?
00:15:52 Belisarius, I am talking to you.
00:15:57 Answer me now!
00:16:00 (dramatic music)
00:16:04 (dramatic music)
00:16:07 - Isa?
00:16:29 - Run!
00:16:30 - Isa!
00:16:31 - You little bastard.
00:16:34 (dramatic music)
00:16:37 - Do it.
00:16:59 - What are you waiting for?
00:17:02 What are you waiting for, child?
00:17:04 Do it!
00:17:05 - Do it.
00:17:07 - No, no.
00:17:08 - Do it, kill her.
00:17:09 Kill her!
00:17:13 - No!
00:17:14 (dramatic music)
00:17:16 - I forgive you.
00:17:20 - Don't.
00:17:23 (gunshot)
00:17:27 (dramatic music)
00:17:30 (yells)
00:17:48 (dramatic music)
00:17:51 - What have you done?
00:18:04 What have you done?
00:18:08 - Seize her!
00:18:10 - There she is, gentlemen.
00:18:15 The assassin of the royal family.
00:18:18 A loaf-holder.
00:18:20 A cancer of ethnic impurity.
00:18:25 Murderer!
00:18:27 - Murderer!
00:18:28 Murderer!
00:18:29 Murderer!
00:18:30 Murderer!
00:18:30 Murderer!
00:18:31 - Please!
00:18:32 - Please!
00:18:33 - You're a snake!
00:18:34 You scum!
00:18:35 (gunshots)
00:18:37 (yells)
00:18:39 (gunshots)
00:18:42 (dramatic music)
00:18:44 (dramatic music)
00:18:47 (yells)
00:19:02 - I fought my way to the shuttle.
00:19:13 (dramatic music)
00:19:15 And I've been living life as an outlaw ever since.
00:19:22 I thought about letting them kill me or just not fighting.
00:19:27 But somehow, the last words of the child,
00:19:34 her forgiveness,
00:19:37 I felt the only way to honor her was to run.
00:19:42 And try to be, I don't know,
00:19:44 more than a weapon.
00:19:49 More than a weapon.
00:19:54 It's what we're all trying to be.
00:19:59 - It's what you are?
00:20:05 (gasps)
00:20:12 (clattering)
00:20:13 - Good morning!
00:20:14 - Morning!
00:20:15 (bells ringing)
00:20:17 - This is the wake up call!
00:20:19 Wake up, everyone!
00:20:20 People, get up!
00:20:22 It's time to work!
00:20:24 Come on, you lazy people!
00:20:28 Wake up!
00:20:30 We don't have much time!
00:20:32 ♪ Run far ♪
00:20:36 ♪ I hear my homeland cry ♪
00:20:41 ♪ I hear my homeland cry ♪
00:20:46 ♪ Under ever-glowing skies ♪
00:20:49 ♪ Fountain full ♪
00:21:01 ♪ I follow your feet ♪
00:21:08 (dramatic music)
00:21:10 ♪ In the land ♪
00:21:18 ♪ In the land of man ♪
00:21:21 ♪ Far from far ♪
00:21:32 ♪ Your wandering soul ♪
00:21:36 ♪ Under stars I'll never moan ♪
00:21:41 ♪ My stay will fill the morn ♪
00:21:47 ♪ Far from far ♪
00:21:50 ♪ My heart, my home ♪
00:21:55 ♪ Far from far ♪
00:22:00 ♪ My heart, my home ♪
00:22:04 ♪ Home ♪
00:22:06 (dramatic music)
00:22:09 - Commander, I have the chief medical technician.
00:22:21 - Put him through.
00:22:23 - Release me!
00:22:25 - Commander, I think you should come down here.
00:22:27 - This is treason!
00:22:29 I command this ship!
00:22:30 By the old gods, I had a heat!
00:22:32 I am with one of you court-martialed!
00:22:34 I swear it!
00:22:35 Every one of you will die, I need none of you!
00:22:38 - You're just it, come down here now.
00:22:39 - On my way.
00:22:40 - In fact, I'll murder everyone but myself!
00:22:43 - You're not ready, yes?
00:22:45 - I am still commander of this ship!
00:22:50 Why do you stand there staring at me?
00:22:52 Cowards!
00:22:53 This is treachery!
00:22:55 - Welcome back, sir.
00:22:57 Are you ready to resume your command?
00:22:59 - Yes, of course I am.
00:23:00 Now tell these idiots to release me.
00:23:02 - Sir, as I've already told you,
00:23:05 there are protocols before you can be cleared
00:23:07 to resume command.
00:23:08 Tests that need to be conducted
00:23:10 to see if you are mentally and physically strong.
00:23:13 (dramatic music)
00:23:16 - Let me help you with your evaluation.
00:23:19 (dramatic music)
00:23:22 (dramatic music)
00:23:24 (gun firing)
00:23:29 (dramatic music)
00:23:31 - Unhook him!
00:23:32 (dramatic music)
00:23:35 - How far are we from Belt?
00:23:44 - A few days, sir.
00:23:48 - Admiral, my apologies for the scar
00:23:51 that was left by this incompetent medical team.
00:23:54 I'm sure it can be removed.
00:23:56 - No.
00:23:59 No, leave him.
00:24:02 She gave it to me.
00:24:04 When I deliver her to Balisarius
00:24:08 and her body is displayed in the rotunda of the senate,
00:24:12 I shall bear my chest.
00:24:14 And it will stand as a symbol
00:24:16 that it is I who brought to justice the scar giver.
00:24:20 As it is I that stands before my people as a savior.
00:24:25 (dramatic music)
00:24:27 (monster growling)
00:24:32 (dramatic music)
00:24:43 (dramatic music)
00:24:46 (dramatic music)
00:25:03 (dramatic music)
00:25:06 (monster growling)
00:25:22 (dramatic music)
00:25:25 (whip cracking)
00:25:44 (monster laughing)
00:25:47 (dramatic music)
00:25:51 (monster laughing)
00:25:54 (dramatic music)
00:25:58 (monster growling)
00:26:08 (dramatic music)
00:26:19 (dramatic music)
00:26:22 (dramatic music)
00:26:46 (dramatic music)
00:26:48 (dramatic music)
00:26:52 (dramatic music)
00:27:20 - How's the harvest been going?
00:27:23 Any protests from the villagers?
00:27:25 - Not, sir.
00:27:26 All is to schedule.
00:27:29 - I've not seen Faunus or Marcus during your reports.
00:27:33 - They've been busy driving the villagers, sir.
00:27:35 Getting that extra bit of work out of them.
00:27:39 - Very well.
00:27:41 - The work has continued around the clock.
00:27:43 We should have all the grain milled into flour
00:27:45 just in time for your arrival.
00:27:47 - Excellent, Private.
00:27:49 And if the villagers have held up their end,
00:27:51 maybe some mercy is in order.
00:27:54 - These dogs deserve nothing but our boot.
00:27:56 - Is that right?
00:27:58 We'll see when the job is done.
00:28:04 For the slain king.
00:28:07 - For the slain king.
00:28:09 (monster growling)
00:28:18 - Well, it's clear that Faunus and Marcus
00:28:20 and the rest of their men are dead.
00:28:22 The scar giver's among them.
00:28:25 And it seems our young private has chosen a side.
00:28:30 (dramatic music)
00:28:36 (water splashing)
00:28:38 (dramatic music)
00:28:41 (water splashing)
00:28:44 (dramatic music)
00:28:47 (dramatic music)
00:29:15 ♪ Far from home ♪
00:29:20 ♪ My heart ♪
00:29:28 ♪ My home ♪
00:29:30 (bell ringing)
00:29:40 - Everyone, if I could just...
00:29:42 I wanted to welcome our new friends.
00:29:44 I want to give you these small gifts I've made.
00:29:49 I know you all come from places much richer
00:29:52 and more sophisticated than here,
00:29:54 so I hope my gifts don't insult you with their simplicity.
00:29:57 But I have made them with gratitude.
00:30:00 When I first saw you all ride into our village,
00:30:05 I felt like General Titus was like the mountains themselves.
00:30:10 Strong and unmoving.
00:30:12 - Thank you.
00:30:16 - Tarak, your spirit is untamable,
00:30:26 but your nobility is undeniable, like the snow elk.
00:30:32 - Thank you, Megan.
00:30:35 (dramatic music)
00:30:38 - Young Melius, who shines as the sun upon our faces,
00:30:48 warming us and bringing us comfort, steadfast and true.
00:30:54 - Thank you.
00:30:56 - Nemesis, fierce as a storm with its flashes of lightning,
00:31:05 but with its life-giving rain.
00:31:07 That is the source of life.
00:31:10 The storm is the mother of us all.
00:31:13 - Thank you.
00:31:20 - Gunnar, you are our heart.
00:31:29 You give us hope.
00:31:31 (dramatic music)
00:31:34 - It's beautiful.
00:31:41 Thank you.
00:31:43 Look at this.
00:31:49 - And Korra,
00:31:53 you are our guardian wolf with bared teeth.
00:32:01 You stand between us and annihilation,
00:32:04 the strength of all of us together.
00:32:08 (dramatic music)
00:32:13 (audience applauding)
00:32:16 (dramatic music)
00:32:21 - Let's eat.
00:32:23 (dramatic music)
00:32:26 (audience cheering)
00:32:29 (dramatic music)
00:32:32 (audience cheering)
00:32:35 - You all right?
00:33:01 (laughing)
00:33:03 - You okay? - Yeah.
00:33:06 - Let's go.
00:33:07 (dramatic music)
00:33:10 - Jen, show us that move again.
00:33:25 - Ready?
00:33:26 - That's it.
00:33:29 (dramatic music)
00:33:58 (singing in foreign language)
00:34:02 (singing in foreign language)
00:34:05 (singing in foreign language)
00:34:09 (singing in foreign language)
00:34:13 (singing in foreign language)
00:34:17 (singing in foreign language)
00:34:21 (singing in foreign language)
00:34:49 (singing in foreign language)
00:34:52 (singing in foreign language)
00:34:56 (singing in foreign language)
00:35:00 (singing in foreign language)
00:35:04 (dramatic music)
00:35:30 (guns firing)
00:35:32 - All right.
00:35:51 Today we begin the preparation for our defense.
00:35:54 We start by moving the grain into the village
00:35:57 so that they can't shoot us from orbit
00:35:59 without risking its destruction.
00:36:01 Now the weapons left behind by the Imperial number
00:36:08 will help us hold our ground.
00:36:10 - Armor-piercing high explosive detonators.
00:36:12 - Got some comms.
00:36:15 - Good.
00:36:15 - Blood won't come out easy, but we can try.
00:36:20 - No, it's perfect.
00:36:22 Leave it.
00:36:22 Do we have more?
00:36:23 - Sure.
00:36:27 - Gather and account for every hunting rifle,
00:36:29 every knife, every round of ammunition in the village.
00:36:35 We'll need to dig defensive positions
00:36:52 to give us the element of surprise.
00:36:55 - All right.
00:36:55 (dramatic music)
00:36:58 - Let's do it.
00:37:02 Let's see what you got.
00:37:04 - Wait.
00:37:07 Tuck your elbow.
00:37:11 Keep both eyes open.
00:37:13 (guns firing)
00:37:17 - Okay.
00:37:18 Today we're gonna learn the basics of attack and defense.
00:37:22 We have turned your harvesting tools into weapons.
00:37:25 So what we're gonna try and do is...
00:37:27 That.
00:37:29 - Like a professional.
00:37:42 - Great.
00:37:50 Really good.
00:37:51 We've got a natural.
00:37:53 (dramatic music)
00:37:56 (explosion booms)
00:38:03 (gun fires)
00:38:09 (dramatic music)
00:38:12 - Yeah.
00:38:17 - Got it.
00:38:19 (dramatic music)
00:38:22 - Coming down.
00:38:28 (dramatic music)
00:38:31 - That's Cora's drop ship.
00:38:35 She was in bad shape when I tracked her out.
00:38:38 - How long you said it's been here?
00:38:41 - Two seasons.
00:38:42 - Go.
00:38:43 - The ship Cora was found in
00:38:47 still rests in the mountains to the east.
00:38:49 Now we sweat and working together,
00:38:55 we could pull it out.
00:38:56 It could be a powerful asset.
00:38:58 (dramatic music)
00:39:01 the ship Cora was found in.
00:39:03 (dramatic music)
00:39:06 (dramatic music)
00:39:09 - Wow, it still works.
00:39:31 (dramatic music)
00:39:34 (engine starts)
00:39:37 - Hold on.
00:39:39 (dramatic music)
00:39:43 (explosion booms)
00:39:47 (dramatic music)
00:39:51 (dramatic music)
00:39:54 (explosion booms)
00:40:10 (explosion booms)
00:40:16 (dramatic music)
00:40:18 - How many?
00:40:28 - You have 15 rifles.
00:40:30 - But it doesn't matter how many we have.
00:40:32 - How many people know how to work?
00:40:34 - Ivar should not have a weapon.
00:40:35 - I agree, I completely agree.
00:40:37 - Start sharpening all the blades.
00:40:38 We just need to figure out what--
00:40:39 - Listen.
00:40:40 Listen.
00:40:42 - I'll answer them.
00:40:44 - I've never been one for making confessions.
00:40:50 Now we know what each of us must do.
00:40:57 You're all here because I want you to know
00:41:02 who the hell you're fighting with.
00:41:05 Everyone must share the truth.
00:41:07 I'll go first.
00:41:11 (dramatic music)
00:41:14 - Sarawu.
00:41:17 The Regent Baliseris has sent me and my ship
00:41:24 as a show of force to hover above the parliament of Sarawu.
00:41:29 So the choice of whether or not to vote for independence
00:41:32 from the realm would be obvious.
00:41:36 But the brave people of that world
00:41:37 defiantly voted for freedom.
00:41:39 And in answer, I was ordered to open fire on the capital.
00:41:44 I refused and my ship was shot down.
00:41:48 Crawling from the wreckage,
00:41:52 we fussed the forces of the mother world
00:41:54 till our guns were dry.
00:41:55 I knew my men would fight with me to the death.
00:42:00 So I struck a deal.
00:42:03 My men's lives for the surrender of my own.
00:42:07 I begged for mercy from the Regent to spare them.
00:42:11 But mercy is not known to the Regent Baliseris.
00:42:15 To punish me, my men were executed before my eyes.
00:42:25 The decision to defy Baliseris had been mine alone.
00:42:31 Not a day passes that I don't think of those men
00:42:35 that died for me.
00:42:37 How my surrender betrayed their courage
00:42:40 and condemned them to their fate.
00:42:42 Never again.
00:42:45 I'll never surrender.
00:42:48 You should understand that today
00:42:50 before you choose to follow me tomorrow.
00:43:04 I've never fought in a battle like the one that's coming.
00:43:09 But I was raised in a place that was much like this.
00:43:13 When the ships appeared in the sky above my world,
00:43:16 I looked to my tribal elders for how we would respond.
00:43:20 They cowered, submitting and giving them everything
00:43:23 because they were too scared to fight.
00:43:26 They said, "What can we do
00:43:27 "against the might of the mother world?"
00:43:30 Those who were too weak or too old to work
00:43:34 were killed.
00:43:35 The rest of us were scattered to labor camps
00:43:39 all over the universe.
00:43:41 Families torn apart.
00:43:44 It was as if my people never existed.
00:43:48 (dramatic music)
00:43:51 (dramatic music)
00:43:54 (dramatic music)
00:43:57 (dramatic music)
00:44:00 (dramatic music)
00:44:02 (dramatic music)
00:44:05 (dramatic music)
00:44:08 (dramatic music)
00:44:11 (dramatic music)
00:44:37 My camp was liberated by the resistance.
00:44:41 And I found a new family who showed me another way.
00:44:47 So when the time comes,
00:44:48 I'll give my life to protect this village if need be.
00:44:54 To stand and die for a place to call home.
00:44:58 What more honorable end could one ever hope for?
00:45:06 I had a life before.
00:45:08 Long before.
00:45:13 It seems.
00:45:15 We were a little fishing village.
00:45:32 The Imperium troops slaughtered everything and everyone.
00:45:37 We were peaceful people.
00:45:50 But we hadn't always been.
00:45:54 Once, long ago,
00:46:00 we were a people of war.
00:46:02 I had never killed before.
00:46:07 Never spilled blood until I spilled my own.
00:46:14 (dramatic music)
00:46:17 My pain became rage.
00:46:27 And my rage became revenge.
00:46:30 But the bloodlust of my ancestors
00:46:35 still lived in those ancient gauntlets.
00:46:38 My blood awakened them.
00:46:40 They showed me how to fight.
00:46:44 And I was reborn.
00:46:46 But since that day,
00:46:50 I've been living in the dark.
00:46:54 But since that day,
00:46:57 I've been a creature of revenge.
00:46:59 And yes.
00:47:02 Yes, I will kill them.
00:47:07 - None of us get to choose our parents.
00:47:23 And mine happened to be a king and queen.
00:47:26 My father, the king, insisted on presenting our terms
00:47:33 to the armies of the Motherworld himself.
00:47:35 And their answer was to return his body
00:47:40 with the promise of invasion.
00:47:41 My mother told me then,
00:47:45 a boy doesn't become a man until his father dies.
00:47:49 And a prince becomes a king.
00:47:52 (horse neighing)
00:47:54 It was the last time I cried.
00:47:55 Soon after, their ships darkened our skies.
00:48:06 And my mother, for honor's sake, she would not run.
00:48:19 I wanted to stay to protect her, but the queen knew
00:48:23 to preserve a bloodline in the throne.
00:48:26 I lost my mother and my world that day.
00:48:46 I was smuggled off planet,
00:48:48 hidden in a refugee transport,
00:48:50 headed for a near bright star.
00:48:52 I ran for duty's sake for the preservation of a kingdom
00:48:58 and a bloodline that no longer exists.
00:49:00 I was robbed of my opportunity to defend them.
00:49:06 But no more.
00:49:10 When we finish here, that is where I'll go.
00:49:14 Home.
00:49:15 To atone for the mistake of misplaced honor.
00:49:22 - Cora, we haven't heard from you.
00:49:32 What is your story?
00:49:33 - I am a war orphan.
00:49:43 The discipline of a military life suited me.
00:49:45 I served on a ship very much like the king's gaze.
00:49:49 Never having a family, I believed I had found one.
00:49:58 That is until I arrived here on Veldt.
00:50:05 This place taught me what a home and family could really be.
00:50:12 - Anything else you'd like to add?
00:50:14 - No.
00:50:19 - Sure.
00:50:25 - How's the spring water?
00:50:27 - What?
00:50:29 - For several days now, Titus pretends to drink
00:50:32 because he doesn't want us to know
00:50:34 how much he cares about the coming battle.
00:50:36 - I'm not sure I'm ready for that.
00:50:39 - He cares about the coming battle.
00:50:40 - Greedy as water.
00:50:51 Old stories can be hard to give up.
00:50:58 - Yes, they can.
00:51:00 - Friends, I can only say,
00:51:09 thank you for coming to this village and giving us hope.
00:51:13 - Thank you.
00:51:16 - I don't know what will come of all of us
00:51:20 by end of day tomorrow.
00:51:22 I can only pray that your pasts will burden you less.
00:51:27 - Well said, we'll drink to that.
00:51:32 - The village is ready.
00:51:34 - Good.
00:51:35 - Whatever handful of officers they send down
00:51:37 to collect the grain, we take them.
00:51:39 With all our strength in the field, with no mercy,
00:51:44 sparing none who set foot on your land.
00:51:46 - Then what?
00:51:49 Negotiate a trade?
00:51:51 You think they would listen?
00:51:52 - I do, but should all go wrong, as it were made,
00:51:57 you see to it that the truck ship is still in working order
00:52:01 and first thing in the morning, hidden from view.
00:52:04 - Oh well.
00:52:06 (door slams)
00:52:08 - Water.
00:52:11 No need, Titus.
00:52:15 - And that's general Titus.
00:52:17 - Of course.
00:52:18 - To you, goes home.
00:52:20 (Titus whimpers)
00:52:22 (dramatic music)
00:52:25 (dramatic music)
00:52:28 (dramatic music)
00:52:31 (dramatic music)
00:52:33 (dramatic music)
00:52:36 (dramatic music)
00:52:42 (dramatic music)
00:52:58 (dramatic music)
00:53:00 (dramatic music)
00:53:06 (dramatic music)
00:53:19 (dramatic music)
00:53:26 (dramatic music)
00:53:29 (dramatic music)
00:53:34 (dramatic music)
00:53:40 (dramatic music)
00:53:50 (dramatic music)
00:54:20 - Hello, James.
00:54:21 - You know, the last person who called me that
00:54:29 was the old commander of the Mechanicus Militarium,
00:54:32 as he died in my arms.
00:54:34 - Oh, I'm sorry.
00:54:36 - It's all right.
00:54:39 I like the way it sounds.
00:54:41 It makes me feel something other than hopelessness.
00:54:44 You see, I was given memories of a world
00:54:50 I will never see.
00:54:52 Loyalty to a king I cannot serve,
00:54:55 and love for a child I could not save.
00:54:58 But the sound of that name, as you said,
00:55:03 lets me feel, even in the smallest way,
00:55:06 why I exist at all.
00:55:10 - Is that why you saved Sam?
00:55:13 - I'm not certain.
00:55:17 I know only that the thought of her being hurt or destroyed
00:55:22 opened a part of me that had been closed.
00:55:26 - You're choosing a side, James.
00:55:31 You and I are alike, designed to kill for them.
00:55:35 Understand, their nightmare is you and I fighting together,
00:55:40 not because we're ordered or commanded,
00:55:44 but to defend something we love.
00:55:47 (dramatic music)
00:55:49 You must know you cannot win.
00:55:56 (crickets chirping)
00:56:16 (James sighs)
00:56:19 - All set.
00:56:22 - Dreadnought.
00:56:36 - Finish him!
00:56:43 Finish him, finish him!
00:56:44 Come on, quick, quick, quick!
00:56:46 (dramatic music)
00:56:48 Finish your work!
00:56:49 Find your positions!
00:56:51 (dramatic music)
00:56:58 - These are the new formations.
00:57:09 - It's the grave.
00:57:15 - Look, they piled it against the building
00:57:16 so we can't destroy them.
00:57:18 And there and there, they've stacked a discover
00:57:21 to shoot from.
00:57:23 - Clever.
00:57:23 - Certainly not the plans of a farmer.
00:57:28 Seems General Titus hasn't drunk away his roots just yet.
00:57:32 - Look here.
00:57:33 Thermal imaging shows clusters of people
00:57:36 in the longhouse at the top of the village.
00:57:38 No doubt they're women and children.
00:57:40 - Hmm, good.
00:57:44 We'll do our best to forestall a pitched battle
00:57:45 in the village.
00:57:46 While I negotiate, we'll dispatch the cryptair
00:57:50 to capture the women and children.
00:57:51 We'll land a small contingent of armor.
00:57:55 Won't need it when they see blades at the throat
00:57:57 of their most vulnerable.
00:57:58 Then we'll see how motivated they are to fight.
00:58:02 (dramatic music)
00:58:05 (dramatic music)
00:58:07 (dramatic music)
00:58:10 (dramatic music)
00:58:33 (dramatic music)
00:58:35 (dramatic music)
00:58:38 (dramatic music)
00:58:41 (dramatic music)
00:58:44 (dramatic music)
00:58:47 (dramatic music)
00:58:50 (dramatic music)
00:58:53 (dramatic music)
00:58:56 (dramatic music)
00:59:09 (dramatic music)
00:59:15 (dramatic music)
00:59:17 - Okay, run inside now!
00:59:29 - Come on, everybody. - Let's go, come on!
00:59:30 - Quick, faster! - Get inside, let's go!
00:59:32 Move, move!
00:59:33 (dramatic music)
00:59:38 (dramatic music)
00:59:41 (dramatic music)
00:59:57 (dramatic music)
01:00:00 (dramatic music)
01:00:12 (dramatic music)
01:00:24 (dramatic music)
01:00:27 (dramatic music)
01:00:40 (dramatic music)
01:00:53 (dramatic music)
01:00:56 (dramatic music)
01:00:59 (dramatic music)
01:01:12 (dramatic music)
01:01:24 (dramatic music)
01:01:27 - No village welcome, no?
01:01:30 Where's my warm embrace?
01:01:34 I've never given that cup of ale, you know?
01:01:39 Antheleus, tell me what we're trying to achieve here.
01:01:43 - The same thing as the last time we met.
01:01:48 I kill you.
01:01:49 - Yes.
01:01:52 What an honor it was.
01:01:54 A scar.
01:01:59 From the scargiver herself.
01:02:03 - No blood need be spilled here today.
01:02:05 I will offer you one chance to avoid slaughter.
01:02:08 - You do understand what the Regent Balasaris
01:02:10 will give me when I bring you to your knees
01:02:11 before him, don't you?
01:02:13 - A seat in the Senate is what you seek, I would imagine?
01:02:16 - It's what I deserve.
01:02:17 - If so, take the grain you need to feed your men
01:02:19 on your voyage back to the Motherworld.
01:02:21 - No more and no less.
01:02:23 You leave the villagers unharmed
01:02:26 and report to Balasaris that the warriors you sought
01:02:28 evaded capture.
01:02:29 - And I should take nothing, yes?
01:02:33 Nothing at all?
01:02:34 - You take your lives.
01:02:37 This is your choice.
01:02:39 Disgrace and relegation
01:02:41 or your head cleaved from your shoulders,
01:02:43 your ship serving as your tomb,
01:02:45 your families and all of the Motherworld
01:02:47 will know that you were slaughtered
01:02:49 by the peasants of Belt.
01:02:50 - You know I've been tasked
01:02:52 with bringing honor to the Motherworld.
01:02:54 I intend to see that task through to its end.
01:02:58 What amuses me most about all of this
01:03:01 is you think you have any power with which to negotiate.
01:03:04 You do not.
01:03:05 You think I don't know you're hiding your women and children?
01:03:10 As you stand here talking to me,
01:03:11 your plan is already failing.
01:03:12 Well, unless of course,
01:03:16 a different arrangement could be made, perhaps.
01:03:18 I could take the grain you offered.
01:03:21 I could do as you asked
01:03:24 and leave the villagers their lives.
01:03:25 There would be one cost to this concession, however.
01:03:29 And that cost is you.
01:03:33 'Cause every member of your band
01:03:37 would be greatly treasured by the Imperium,
01:03:39 but there is no denying the one most sought after
01:03:42 by the Honorable Regent is you.
01:03:45 Artheleia's herself.
01:03:46 So herein lies your choice.
01:03:54 Artheleia, surrender to me.
01:03:57 And I will permit the villagers to live.
01:04:02 However, if you refuse,
01:04:06 those this village holds most dear,
01:04:09 the elderly, the children,
01:04:11 currently sheltered up in that longhouse
01:04:14 will be slaughtered by my men on the way to them now.
01:04:17 Has enough blood not been spilt
01:04:19 in that beautiful building already?
01:04:21 Are you truly prepared to allow this
01:04:25 to continue in your name?
01:04:26 It's time, Artheleus.
01:04:29 Cora.
01:04:43 (thudding)
01:04:45 Cora, what are you doing?
01:04:46 I thought so.
01:04:49 Why don't you go and say goodbye to your friend?
01:04:52 Her father awaits you.
01:04:53 Cora, look at me.
01:04:55 Huh?
01:04:58 What's happening, huh?
01:05:01 I'm sorry.
01:05:06 I won't allow this place to die for me.
01:05:09 I know what I'm doing.
01:05:11 He's lying to you.
01:05:12 Just let me go.
01:05:13 No.
01:05:14 Just let me go!
01:05:15 No, no!
01:05:27 (dramatic music)
01:05:30 No!
01:05:38 (dramatic music)
01:05:41 (thudding)
01:05:43 (dramatic music)
01:05:46 (thudding)
01:05:49 (thudding)
01:05:53 (dramatic music)
01:05:55 (thudding)
01:05:59 (dramatic music)
01:06:02 (men shouting)
01:06:05 (dramatic music)
01:06:08 (grunting)
01:06:10 (guns firing)
01:06:21 Come on, Cora!
01:06:24 We need to get you up to that ship.
01:06:27 Come on, you're our only chance.
01:06:32 Let's go.
01:06:37 (dramatic music)
01:06:40 (grunting)
01:06:42 (dramatic music)
01:06:45 (grunting)
01:07:01 (dramatic music)
01:07:04 (guns firing)
01:07:07 Get up, soldier!
01:07:11 Let's go!
01:07:12 Right to the front!
01:07:15 - A877, you need to get out of there immediately.
01:07:19 - Lift off!
01:07:20 We need a lift off now!
01:07:21 (dramatic music)
01:07:24 - Get him out!
01:07:31 (guns firing)
01:07:34 - Bring around the main gun!
01:07:37 (guns firing)
01:07:44 - Oh, damn.
01:07:50 (guns firing)
01:07:54 (dramatic music)
01:07:57 (guns firing)
01:08:00 - Go! - Come on!
01:08:08 (guns firing)
01:08:13 (dramatic music)
01:08:25 (guns firing)
01:08:28 - Hold!
01:08:30 (dramatic music)
01:08:34 (dramatic music)
01:08:50 (panting)
01:08:53 Eyes to the right!
01:08:59 (guns firing)
01:09:01 (guns firing)
01:09:07 (dramatic music)
01:09:09 (grunting)
01:09:20 (dramatic music)
01:09:23 - This side, go!
01:09:27 (guns firing)
01:09:31 (dramatic music)
01:09:36 (grunting)
01:09:48 (guns firing)
01:09:51 - Let's go!
01:09:54 (grunting)
01:09:56 (explosion booms)
01:10:09 (grunting)
01:10:13 (dramatic music)
01:10:16 (explosion booms)
01:10:19 (dramatic music)
01:10:21 (explosion booms)
01:10:36 (grunting)
01:10:45 (dramatic music)
01:10:48 (choral singing)
01:11:13 (dramatic music)
01:11:15 - Hold on.
01:11:30 - There.
01:11:41 (explosion booms)
01:11:43 We'll drop into formation.
01:11:45 When I give the signal, start the smoke.
01:11:50 - Holy shit.
01:11:51 Cora, are you sure?
01:11:56 - Now.
01:11:57 Start it now.
01:11:58 (grunting)
01:12:05 (dramatic music)
01:12:07 (explosion booms)
01:12:10 (explosion booms)
01:12:18 (dramatic music)
01:12:26 (guns firing)
01:12:28 - Docking.
01:12:41 - That ship is taking damage.
01:12:43 - I have casualties.
01:12:45 And my instruments are not responding.
01:12:48 I'm surrendering control.
01:12:51 - We've got you, soldier.
01:12:53 I'm gonna put you down into the main hangar
01:12:55 for maintenance and medical extraction.
01:12:57 (alarm beeping)
01:13:00 (explosion booms)
01:13:10 (dramatic music)
01:13:18 - The time has come
01:13:23 for all that you love, for your home,
01:13:26 protect each other and show them no mercy.
01:13:30 For Sidney!
01:13:31 (screaming)
01:13:34 (guns firing)
01:13:36 - We can't let Titus and the others do all the work.
01:13:50 Are you ready to fight and die?
01:13:54 - Yeah!
01:13:55 - Let's leave the dying to your enemies.
01:13:57 (guns firing)
01:14:00 (screaming)
01:14:02 (dramatic music)
01:14:05 (screaming)
01:14:10 (dramatic music)
01:14:12 (dramatic music)
01:14:15 (screaming)
01:14:28 (dramatic music)
01:14:31 (dramatic music)
01:14:33 - Admiral, by now the Krypteia
01:14:54 must have captured the women and children.
01:14:57 We are still waiting for an update, sir.
01:14:59 (guns firing)
01:15:02 (dramatic music)
01:15:18 (gasping)
01:15:20 (dramatic music)
01:15:23 (gasping)
01:15:25 (dramatic music)
01:15:28 (gun firing)
01:15:40 (dramatic music)
01:15:43 (dramatic music)
01:15:46 (guns firing)
01:16:07 (dramatic music)
01:16:09 - Well, they got one down in the hold.
01:16:22 - Eric, can you hear me?
01:16:23 - Hey, I'm attempting to move you now, okay?
01:16:25 - All right, okay.
01:16:26 I got you, I got you.
01:16:27 You're all right.
01:16:28 - Two down, non-responsive.
01:16:33 Bring the gurneys.
01:16:34 (dramatic music)
01:16:36 - Load 'em up.
01:16:37 - All right, come on, take it.
01:16:39 Take the shoulder.
01:16:40 All right, I got the legs.
01:16:41 - Here we go.
01:16:42 - All right, here we go.
01:16:43 (door slams)
01:16:44 - All right, all right, let's go.
01:16:46 Calling it in.
01:16:47 Some shrapnel damage.
01:16:48 Injury seems to be suffering from a small ammo wound.
01:16:51 Two minutes out, visual inspection on the elevator.
01:16:54 Let's go.
01:16:54 (dramatic music)
01:16:57 (screaming)
01:17:05 (dramatic music)
01:17:07 (screaming)
01:17:17 (dramatic music)
01:17:20 (dramatic music)
01:17:29 (screaming)
01:17:31 (dramatic music)
01:17:35 (dramatic music)
01:17:42 (dramatic music)
01:17:46 (gasping)
01:17:48 (dramatic music)
01:17:51 (crying)
01:18:03 (dramatic music)
01:18:06 (dramatic music)
01:18:09 (crying)
01:18:17 (dramatic music)
01:18:21 (dramatic music)
01:18:36 (crying)
01:18:38 - It's okay.
01:18:40 You did good.
01:18:48 (dramatic music)
01:18:52 (dramatic music)
01:18:55 (dramatic music)
01:19:13 (dramatic music)
01:19:16 (dramatic music)
01:19:19 (dramatic music)
01:19:21 (dramatic music)
01:19:24 (dramatic music)
01:19:27 (dramatic music)
01:19:30 (screaming)
01:19:57 (dramatic music)
01:20:00 (screaming)
01:20:20 (dramatic music)
01:20:22 (dramatic music)
01:20:34 (dramatic music)
01:20:46 (dramatic music)
01:20:49 (screaming)
01:21:10 (dramatic music)
01:21:15 (dramatic music)
01:21:18 (dramatic music)
01:21:42 (dramatic music)
01:22:11 - Help me with this helmet.
01:22:13 Support the neck.
01:22:14 Strange, I'm not seeing any wounds.
01:22:19 How about that one?
01:22:20 Stable?
01:22:21 - Pulse is elevated.
01:22:22 I don't see any wounds either,
01:22:23 but there's a little blood,
01:22:24 maybe under his armor.
01:22:25 - Let's get the battle car,
01:22:26 there's a wound up here.
01:22:27 I'm checking the pulse.
01:22:29 Okay, this one's pulse is very low.
01:22:34 Wait, that's not, that's not.
01:22:36 (gunshots)
01:22:40 (screaming)
01:22:42 - Give me the charges.
01:22:52 - Charges.
01:22:53 - Wait.
01:22:54 Make your way back to our ship
01:22:58 and have it running.
01:22:59 We won't have long to get off this thing
01:23:01 before it blows.
01:23:01 - Okay.
01:23:02 (dramatic music)
01:23:05 (dramatic music)
01:23:08 - I'll be waiting for you.
01:23:15 - Should be an elevator down this hall.
01:23:18 - I got it.
01:23:19 Be quick.
01:23:20 (dramatic music)
01:23:24 (dramatic music)
01:23:27 (gunshots)
01:23:38 (gunshots)
01:23:50 (gunshots)
01:23:54 (dramatic music)
01:23:56 (dramatic music)
01:23:59 (dramatic music)
01:24:02 (dramatic music)
01:24:05 (dramatic music)
01:24:30 (dramatic music)
01:24:33 (gunshots)
01:24:40 (radio chatter)
01:24:46 (dramatic music)
01:24:49 (gunshots)
01:24:51 (gunshots)
01:25:03 (gunshots)
01:25:13 (screaming)
01:25:17 (gunshots)
01:25:19 (dramatic music)
01:25:22 (dramatic music)
01:25:24 (dramatic music)
01:25:27 (dramatic music)
01:25:30 (dramatic music)
01:25:33 (gunshots)
01:26:00 (screaming)
01:26:02 (gunshots)
01:26:05 (gunshots)
01:26:25 (gunshots)
01:26:27 (gunshots)
01:26:29 (gunshots)
01:26:35 (beeping)
01:26:47 (beeping)
01:26:55 (beeping)
01:26:57 (gunshots)
01:27:15 (gunshots)
01:27:23 (dramatic music)
01:27:26 - Intruder alert, repeat intruder alert.
01:27:33 - Sending backup.
01:27:34 What is the nature and number of the intruders?
01:27:36 - There are shots fired, there are men down.
01:27:39 - It's a woman and a family.
01:27:41 - A what?
01:27:44 What's going on?
01:27:47 - There is a situation in the engine room.
01:27:49 He said a woman has infiltrated the ship.
01:27:52 (dramatic music)
01:27:56 - Arthur Leyes.
01:27:57 Arthur Leyes has aborted the ship.
01:28:02 - That is impossible.
01:28:04 - No, it's her.
01:28:05 She's come to us.
01:28:07 - It's perfect.
01:28:08 - Alert all sectors.
01:28:09 I want her captured at once.
01:28:11 Cassius, you may fire on the village.
01:28:15 - Sir, the grain.
01:28:20 - There's no need for the grain now.
01:28:22 The Scargiver has come to us.
01:28:25 - But we have men on the ground.
01:28:30 - Yes, a few less mouths to feed.
01:28:35 Once we have the Scargiver,
01:28:37 we'll return directly to the Motherworld.
01:28:40 We won't need the grain, will we?
01:28:41 - Destroy it.
01:28:44 You heard the Admiral.
01:28:50 Charge the cannons.
01:28:51 - Main gun.
01:28:54 - Yes, sir?
01:28:55 - Target the village.
01:28:56 Charge the cannons.
01:28:58 - Right away, sir.
01:28:59 We have orders to target the surface.
01:29:07 - Sir, we've lost contact with the engine.
01:29:14 - Where is she?
01:29:15 - We're looking, sir.
01:29:16 She's moving from sub-level three to four.
01:29:18 - Tell me what the hell is going on.
01:29:20 - All available security personnel, report to engine room.
01:29:23 - I need an update now.
01:29:25 - Sir?
01:29:32 - Control of the six of us, I'm with you.
01:29:34 - Sir?
01:29:35 - All area command to report to headcount
01:29:46 for the second module.
01:29:48 - Come on, come on.
01:30:12 - Let go.
01:30:13 (dramatic music)
01:30:16 - I'm going.
01:30:31 Go, go, go, go, go.
01:30:33 (guns firing)
01:30:36 - You good, man?
01:30:57 Come on.
01:30:58 (gun firing)
01:31:26 - I thought dying in battle was all I wanted.
01:31:28 Fighting for something.
01:31:31 I think I was wrong.
01:31:34 I don't think I wanna die at all.
01:31:38 But if I must.
01:31:43 - Together.
01:31:47 Come on.
01:31:51 (guns firing)
01:31:55 (dramatic music)
01:31:58 (gun firing)
01:32:01 (dramatic music)
01:32:04 (choral music)
01:32:25 (dramatic music)
01:32:27 (choral music)
01:32:30 (guns firing)
01:32:41 (dramatic music)
01:32:50 (guns firing)
01:32:53 (dramatic music)
01:33:04 (dramatic music)
01:33:06 (guns firing)
01:33:31 (dramatic music)
01:33:33 (dramatic music)
01:33:36 (dramatic music)
01:33:47 (choral music)
01:33:57 (dramatic music)
01:34:00 (guns firing)
01:34:13 - Cora.
01:34:15 Cora, where are you?
01:34:17 - The engine's running, I'm waiting for you.
01:34:20 - You're running out of time.
01:34:21 - I'm almost to you.
01:34:23 - Okay, good.
01:34:26 (dramatic music)
01:34:29 (dramatic music)
01:34:32 - All personnel, stay alert.
01:34:55 We have a heated demo on the ship.
01:34:58 (dramatic music)
01:35:00 (dramatic music)
01:35:13 (guns firing)
01:35:17 (dramatic music)
01:35:21 (guns firing)
01:35:24 (dramatic music)
01:35:26 (Cora screaming)
01:35:35 (dramatic music)
01:35:38 (Cora panting)
01:35:42 (dramatic music)
01:35:45 (dramatic music)
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01:35:52 (dramatic music)
01:35:56 (dramatic music)
01:35:58 (dramatic music)
01:36:01 (dramatic music)
01:36:12 (Cora panting)
01:36:22 (dramatic music)
01:36:25 (dramatic music)
01:36:28 (Cora screaming)
01:36:36 (dramatic music)
01:36:38 (dramatic music)
01:36:44 (dramatic music)
01:36:48 (dramatic music)
01:36:54 (dramatic music)
01:36:57 - Arthur Leyes.
01:37:04 Suppose I should say thanks
01:37:08 for not accepting my offer of surrender.
01:37:10 Make a better ballad when I slay you in battle.
01:37:13 You've done well to get this far.
01:37:18 Much better than I expected.
01:37:23 Much better than could be expected
01:37:24 from a bunch of fucking farmers.
01:37:27 - Yeah.
01:37:30 (dramatic music)
01:37:36 - Target acquired.
01:37:41 We have a lock on the village.
01:37:44 - Confirmed.
01:37:45 - Sir.
01:37:50 (dramatic music)
01:37:53 - What?
01:37:58 - Your gun is charged and ready to fire.
01:38:03 - Oh no.
01:38:04 (dramatic music)
01:38:08 (computer beeping)
01:38:15 - Fire at will.
01:38:15 (gun firing)
01:38:19 (dramatic music)
01:38:21 (gun firing)
01:38:30 (dramatic music)
01:38:32 (dramatic music)
01:38:49 - It's Cora.
01:38:50 - Take her.
01:38:54 (dramatic music)
01:38:57 - No, no!
01:38:59 (dramatic music)
01:39:02 (grunting)
01:39:12 (dramatic music)
01:39:16 (grunting)
01:39:19 (grunting)
01:39:21 (dramatic music)
01:39:24 (grunting)
01:39:26 (dramatic music)
01:39:29 (screaming)
01:39:38 (screaming)
01:39:51 (dramatic music)
01:39:54 (screaming)
01:39:57 (dramatic music)
01:40:00 (screaming)
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01:40:23 (screaming)
01:40:25 (dramatic music)
01:40:52 (screaming)
01:40:54 (dramatic music)
01:40:57 - Come here.
01:41:08 (screaming)
01:41:21 Open your eyes.
01:41:23 Open your eyes!
01:41:24 Look at me!
01:41:30 (gun firing)
01:41:37 (dramatic music)
01:41:40 (grunting)
01:41:51 (dramatic music)
01:41:53 (gun firing)
01:41:58 (screaming)
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01:42:07 (grunting)
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01:42:31 (gun firing)
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01:42:47 (screaming)
01:42:57 (dramatic music)
01:43:00 (grunting)
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01:43:18 (gun firing)
01:43:37 (grunting)
01:43:39 (gun firing)
01:43:42 (dramatic music)
01:43:45 (gun firing)
01:43:48 (grunting)
01:43:58 (dramatic music)
01:44:01 (grunting)
01:44:03 (dramatic music)
01:44:06 (grunting)
01:44:19 (breathing heavily)
01:44:25 (breathing heavily)
01:44:28 - Stay with me.
01:44:33 Stay with me.
01:44:34 Stay with me.
01:44:36 Stay with me.
01:44:37 Why can't I have this one?
01:44:39 Stay with me.
01:44:43 - It's okay.
01:44:44 Look at what you've done.
01:44:46 You saved us.
01:44:49 All of us.
01:44:51 (breathing heavily)
01:44:54 I love you.
01:45:02 - Please.
01:45:02 Please.
01:45:06 - I know what you are.
01:45:07 And I love you.
01:45:10 - Please.
01:45:15 (dramatic music)
01:45:19 (dramatic music)
01:45:22 - Look.
01:45:26 - Form up on me.
01:45:33 - Yes, Commander, on you.
01:45:34 - Target those dropped ships.
01:45:36 - Yes, Commander, on you.
01:45:37 - Black Mountain Squadron, take those fighters.
01:45:42 (gun firing)
01:45:45 (gun firing)
01:45:49 (dramatic music)
01:45:52 (gun firing)
01:46:00 (dramatic music)
01:46:17 (gun firing)
01:46:19 (gun firing)
01:46:29 (gun firing)
01:46:46 (dramatic music)
01:46:49 (screaming)
01:47:00 - Titus!
01:47:11 (screaming)
01:47:14 (screaming)
01:47:17 - Look, it's Defrable Dax and the entire Rebel fleet.
01:47:32 It's really over.
01:47:34 It's...
01:47:35 No.
01:47:39 No.
01:47:44 (sobbing)
01:47:46 I love you.
01:47:57 I love you.
01:48:12 - From other worlds they came to fight for us.
01:48:15 To die for us.
01:48:19 May they find their peace.
01:48:25 We honor them now in the only way we can.
01:48:30 By remembering their names.
01:48:34 When next we bring in the harvest.
01:48:41 A season from now.
01:48:43 A hundred seasons.
01:48:46 And by carrying on.
01:48:50 By carrying on.
01:48:54 - All of you.
01:49:11 Honor the fallen.
01:49:13 You honor my brother and his bravery.
01:49:18 - Do not speak of me when you speak of honor and bravery.
01:49:23 I've lied to you.
01:49:27 To all of you.
01:49:29 - Titus.
01:49:40 - I know, child.
01:49:41 I know.
01:49:43 - You know that I'm Arthur Leyes.
01:49:48 Adopted daughter of the regent Belisarius.
01:49:51 And the assassin of the princess Isa.
01:49:55 - I know your name, yes.
01:50:08 - But you were not her assassin.
01:50:10 For the princess is still alive.
01:50:14 You thought she could be killed so easily?
01:50:21 No.
01:50:24 She's more than that.
01:50:26 - What am I to do?
01:50:32 - You have a reason now, do you not?
01:50:37 To find her and to fight?
01:50:38 - If you do choose to fight,
01:50:43 I will stand with you.
01:50:47 - All of us.
01:50:54 - And I as well.
01:50:57 (dramatic music)
01:51:00 - If I could be of use,
01:51:09 I do have this.
01:51:13 - You wish to fight with us, Robo?
01:51:19 Help find this lost princess?
01:51:21 - If what you say is true,
01:51:23 and the princess lives,
01:51:27 I have no choice.
01:51:29 I serve the line of the slain king.
01:51:31 It is my honor to fight.
01:51:33 - To find her and to fight.
01:51:39 (dramatic music)
01:51:42 (dramatic music)
01:51:45 - To find her and to fight.
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