Rebel Moon: Part One - A Child of Fire (2023)
Rebel Moon (also known as Rebel Moon – Part One: A Child of Fire) is a 2023 American space opera film directed by Zack Snyder from a screenplay he co-wrote with Kurt Johnstad and Shay Hatten, based on a story Snyder conceived.[3][4][5][6] Its cast includes Anthony Hopkins. It is set in a fictional galaxy ruled by the Motherworld, whose military, the Imperium, threatens a farming colony on the moon of Veldt. Kora, a former Imperium soldier, ventures on a quest to recruit warriors from across the galaxy to make a stand against the Imperium before they return to Veldt.
Transcript
00:00:00 (ominous music)
00:00:02 (ominous music)
00:00:05 (ominous music)
00:00:07 (ominous music)
00:00:10 (ominous music)
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00:00:22 (ominous music)
00:00:28 (ominous music)
00:00:34 (ominous music)
00:00:36 - On the mother world,
00:00:45 1,000 kings ruled unchallenged in succession.
00:00:50 But in the royal bloodlines lust for power,
00:00:54 they consumed everything upon their planet.
00:01:01 The realm marched its armies into the vastness of space,
00:01:05 conquering everything in its path.
00:01:07 The glory of the mother world seemed without end
00:01:12 until the treachery of an assassin's blade
00:01:16 struck down the king and queen,
00:01:18 severing the royal bloodline forever.
00:01:21 In the chaotic aftermath of the king's death,
00:01:26 several conquered planets
00:01:28 on the edge of the mother world's reach
00:01:30 began to whisper of revolution.
00:01:33 A senator named Belisarius used the opportunity
00:01:39 to seize power, declaring himself regent.
00:01:42 As a show of strength, he sent his most brutal commander
00:01:48 into the outer reaches of the mother world's dominion
00:01:51 to find and crush without mercy
00:01:56 those who would call themselves
00:02:01 rebel.
00:02:01 (dramatic music)
00:02:04 (thunder rumbling)
00:02:07 (woman vocalizing)
00:02:10 the mother world's dominion.
00:02:13 (dramatic music)
00:02:16 (dramatic music)
00:02:18 (dramatic music)
00:02:21 (monkey hooting)
00:02:29 (dramatic music)
00:02:32 (woman grunting)
00:02:38 - Whoa!
00:02:39 (dramatic music)
00:02:41 (monkey hooting)
00:02:44 (dramatic music)
00:02:47 (monkey hooting)
00:02:54 (dramatic music)
00:02:57 (dramatic music)
00:03:03 (dramatic music)
00:03:05 (dramatic music)
00:03:08 (dramatic music)
00:03:11 (dramatic music)
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00:03:22 (dramatic music)
00:03:29 (dramatic music)
00:03:41 (dramatic music)
00:03:44 - Cora.
00:03:51 Cora!
00:03:53 I thought you were finished.
00:04:00 Everyone's up in the longhouse.
00:04:02 - These are my last rows and I'll be done.
00:04:05 - All right.
00:04:06 Okay.
00:04:07 Oh, Den was asking where you were.
00:04:11 He and his brother got the big snow elk.
00:04:14 Male.
00:04:15 He wanted you to see it before he dressed it.
00:04:17 - Why was he asking for me?
00:04:18 - Well, you know, because he's...
00:04:20 I just thought...
00:04:23 I just thought...
00:04:25 - You thought?
00:04:26 Move up!
00:04:31 (dramatic music)
00:04:37 (dramatic music)
00:04:39 - It's been a while since we've had fresh meat.
00:04:52 Forgot how good it is.
00:04:53 - Well, Dan said they saw the summer herds returning.
00:04:56 Maybe three days right away.
00:04:57 He was asking for you.
00:05:02 - I heard.
00:05:05 And yes, it's quite impressive.
00:05:07 - Which one?
00:05:08 The animal?
00:05:09 Or...
00:05:12 (howls)
00:05:16 Or the hunter?
00:05:20 (laughs)
00:05:26 - My people!
00:05:34 It is my duty as the head of this community
00:05:37 to remind you that the gods of the harvest
00:05:39 demand a tribute.
00:05:41 An offering.
00:05:44 But we all know it is the thrusting of hips
00:05:49 and the loud sounds of pleasure
00:05:52 that summon the seedlings to sprout.
00:05:55 So make love tonight.
00:05:59 For the harvest.
00:06:01 For the very food we eat.
00:06:03 - Yeah!
00:06:04 - For the gods!
00:06:06 - Yeah!
00:06:07 - Yeah!
00:06:10 - Let's have some music.
00:06:14 Some music to get us in the mood.
00:06:16 (upbeat music)
00:06:18 (crowd cheering)
00:06:21 - Dan is a good man.
00:06:48 - He's a good man.
00:06:49 - He's a good man.
00:06:51 - He's a good man.
00:06:52 - He's a good man.
00:06:54 - I'm not sure if he's a good man.
00:06:57 - He's a good man.
00:06:58 - He's a good man.
00:07:00 - He's a good man.
00:07:01 - He's a good man.
00:07:03 - He's a good man.
00:07:05 - He's a good man.
00:07:06 - He's a good man.
00:07:08 - He's a good man.
00:07:09 - He's a good man.
00:07:11 - He's a good man.
00:07:12 - He's a good man.
00:07:14 - He's a good man.
00:07:16 - You're a good man.
00:07:18 - I'm not a good man.
00:07:20 - You're a good man.
00:07:22 - I'm a good man.
00:07:23 - You're a good man.
00:07:25 - I'm a good man.
00:07:26 - You're a good man.
00:07:28 - I'm a good man.
00:07:29 - You're a good man.
00:07:31 - I'm a good man.
00:07:32 - You're a good man.
00:07:34 - I'm a good man.
00:07:35 - I'm a good man.
00:07:37 - You're a good man.
00:07:39 - I'm a good man.
00:07:40 - You're a good man.
00:07:42 - I'm a good man.
00:07:43 - You're a good man.
00:07:45 - The two seasons I've spent here have given me happiness
00:07:50 that I don't deserve.
00:07:51 I don't understand, I am a child of war.
00:07:57 To truly love and be loved,
00:08:01 I don't know if I'm capable of either.
00:08:07 The very idea of love, of family,
00:08:14 was beaten out of me.
00:08:16 I was taught that love is weakness.
00:08:22 And I,
00:08:25 I don't know how that will ever change.
00:08:31 You should get some rest.
00:08:40 - Yeah.
00:08:45 (gentle music)
00:08:47 - I noticed you left early last night.
00:08:58 Were you tired?
00:09:00 - That's right, I thought I'd make it an early night.
00:09:02 - I thought you were doing your part for the harvest,
00:09:05 because as I walked home I passed Den's house,
00:09:07 and that's surely what it sounded like.
00:09:10 - Sam, I don't know what you're talking about.
00:09:12 (laughing)
00:09:14 - I think you do.
00:09:15 (dramatic music)
00:09:19 (dramatic music)
00:09:22 (dramatic music)
00:09:24 (dramatic music)
00:09:40 (dramatic music)
00:09:43 (dramatic music)
00:09:54 (dramatic music)
00:10:09 (dramatic music)
00:10:12 - What do you think they want?
00:10:16 - Everything.
00:10:18 - I don't care what the potential upside might be.
00:10:23 A warship hanging over our lands cannot be good.
00:10:26 - That's your problem.
00:10:27 Your first reaction is always fear.
00:10:29 The Motherworld has deep pockets.
00:10:31 I'm simply saying maybe we can get a better price
00:10:34 from our friends in low orbit there,
00:10:35 rather than having to deal with the cutthroats
00:10:37 in Providence selling our grain to God only knows.
00:10:42 - Don't act like we don't know you've been selling
00:10:44 our surplus grain to the enemies of that ship up there.
00:10:47 I wonder what they would say if they found out
00:10:49 where our excess went last year.
00:10:51 - Well, I'm no revolutionary.
00:10:55 They offered the best price, I don't care about their cost.
00:10:58 - Obviously.
00:10:59 - Sindri, I don't have a side, only this community.
00:11:03 That's my only loyalty.
00:11:06 And I say we start by showing them goodwill, not fear.
00:11:10 That we are their partners, not their adversaries, right?
00:11:14 - Did you say partner, Gunnar?
00:11:18 - I did, is that a problem?
00:11:20 - That ship does not represent prosperity.
00:11:22 Its purpose is to destroy, to subjugate, to enslave.
00:11:27 Partnership is not in its vocabulary.
00:11:30 Give them what they ask for,
00:11:31 but volunteer nothing about how fertile this land is.
00:11:35 - I hope they leave before digging too deep
00:11:37 into who Gunnar sold last year's grain to.
00:11:39 - Right. - I've heard enough.
00:11:41 We will volunteer nothing.
00:11:43 Is that clear?
00:11:44 - They're coming, they're coming!
00:11:48 They're coming!
00:11:49 (dramatic music)
00:11:52 (dramatic music)
00:11:55 (dramatic music)
00:11:57 (dramatic music)
00:12:00 (dramatic music)
00:12:03 (dramatic music)
00:12:06 (dramatic music)
00:12:08 (dramatic music)
00:12:11 (dramatic music)
00:12:14 (dramatic music)
00:12:17 (dramatic music)
00:12:20 (dramatic music)
00:12:22 (dramatic music)
00:12:33 (dramatic music)
00:12:39 (dramatic music)
00:12:44 (dramatic music)
00:12:47 (dramatic music)
00:12:56 (dramatic music)
00:12:59 - Hello, I am Sindri, father of this village.
00:13:20 Welcome.
00:13:21 - I'm Admiral Atticus Noble,
00:13:23 Lord and representative of the slain king.
00:13:26 I welcome you to his warm embrace.
00:13:28 Please, father, tell me about this beautiful village.
00:13:49 - Walk with me up to our longhouse.
00:13:52 We can have a cup of ale
00:13:53 and I will tell you about life here.
00:13:56 - Oh, sounds perfect.
00:13:58 Lead the way.
00:13:59 - We've carved out a simple life here
00:14:17 and we take pride in the love of our community
00:14:20 and the hard work it takes to survive here.
00:14:23 - Well, your people seem healthy and well-fed.
00:14:26 As their leader, much of that prosperity
00:14:27 must be credited to you.
00:14:29 - No, we are a community.
00:14:30 The credit is no one person's.
00:14:31 - Oh, I know that in the best of times,
00:14:33 the credit's shared, but when the stores are empty,
00:14:36 you know where the responsibility falls.
00:14:38 - The weight of the leader, I suppose.
00:14:41 - So you, you understand the feeling of like a father,
00:14:47 the need to feed your children, yeah?
00:14:49 I was hoping that your land
00:14:53 and the people of Veldt might be able to help
00:14:54 as we search for a small band of revolutionaries
00:14:56 hiding in this very system.
00:14:58 Through my command at the Regent Balisarius,
00:15:01 bid me find and bring to justice.
00:15:04 - We are humble farmers,
00:15:05 far removed from the politics of the mother world.
00:15:09 - And still you can serve.
00:15:10 The rebels we seek have been attacking our supply ports,
00:15:15 led by a woman named Devra Bloodaxe
00:15:18 and her brother, Darion.
00:15:19 Their capture's inevitable.
00:15:22 However, it's taken longer than anticipated
00:15:25 and we found ourselves admittedly low on stores.
00:15:28 And as you know, or may have heard,
00:15:30 an army runs on its stomach.
00:15:32 I was thinking of a partnership
00:15:35 where you supply us with food,
00:15:38 whatever you have to spare, of course.
00:15:40 In exchange, you're compensated at,
00:15:42 let's call it triple the market value, shall we?
00:15:46 With that windfall,
00:15:47 we'll be able to buy plenty of harvesters,
00:15:50 robots, and won't have to do this difficult work by hand.
00:15:52 - We believe that doing the work by hand
00:15:57 connects us to the land
00:15:59 and honors these sacred fields that give us life.
00:16:02 - Well, there's always the peace of mind
00:16:03 knowing that you're playing an invaluable role
00:16:05 in the important mission of rooting out enemies
00:16:07 of the mother world.
00:16:09 (birds chirping)
00:16:12 - It's quite a proposal.
00:16:23 - Yes.
00:16:24 - If only we had some surplus to offer.
00:16:26 You see, the land is rocky
00:16:28 and yields barely enough to feed ourselves.
00:16:32 So it is with sincere apologies
00:16:33 that we must decline the offer.
00:16:35 However, we are grateful for the presence
00:16:37 of such a benevolent and powerful protector.
00:16:40 - No surplus.
00:16:46 None at all?
00:16:48 Your land looks so fertile.
00:16:53 Your fields seem larger
00:16:54 than what your population might need.
00:16:56 - Of course, I understand how it might seem.
00:16:59 Yet the scale of the planting is evidence of the poor soil
00:17:03 and our harsh winters only add to the short season.
00:17:06 - Now, what do you say we share that cup of ale, eh?
00:17:09 - Sorry.
00:17:22 It's just, I mean, look at these beautiful people.
00:17:27 I can't imagine these glowing complexions
00:17:30 are nourished by a barren field, that's all.
00:17:32 - Hmm.
00:17:35 - Now, who's the man or woman among you
00:17:38 who oversees the harvest?
00:17:40 There must be one of you whose thumb is greener
00:17:45 than the rest.
00:17:46 Someone?
00:17:49 Hmm?
00:17:52 - Yes, sir.
00:17:53 That is me.
00:17:55 - Good.
00:17:57 - Yes, I oversee the harvest.
00:17:59 - Well, these people trust you, and so do I.
00:18:04 I'm just trying to understand how I could be so wrong
00:18:06 about what this land could yield, that's all.
00:18:08 - Well, sir.
00:18:13 Sindri, our beloved father,
00:18:19 is always looking out for the welfare of our village
00:18:22 and so insists on keeping reserves
00:18:24 in case of famine or drought,
00:18:26 which, as you know, is the responsibility of a leader.
00:18:32 But we have been lucky these last few seasons,
00:18:35 and our surplus has been more than we can store.
00:18:38 So there might be a chance that we can spare a small amount,
00:18:44 depending, of course, on the scale of your needs.
00:18:47 - Good, good.
00:18:49 Yeah, I mean, it's always wise to hold some in reserve,
00:18:52 isn't it, father?
00:18:53 Yeah.
00:18:56 Yeah.
00:19:01 I am confused, though.
00:19:02 Curious as to why you should have me believe
00:19:05 this land could barely yield enough to feed your people.
00:19:08 Seems that wasn't entirely true.
00:19:09 - No, no, no, wait, wait.
00:19:10 Admiral, no one is trying to mislead you.
00:19:14 Sindri simply has a slightly more conservative view
00:19:17 on reserves than I do.
00:19:18 But we're both excited about a possible partnership.
00:19:22 Just bear in mind the reality of what we can supply.
00:19:27 (dramatic music)
00:19:29 - Father, who is this exactly?
00:19:35 - He's of no consequence.
00:19:37 I have been empowered by my people to speak for them.
00:19:42 This man has no authority here.
00:19:44 You would be wise to ignore him.
00:19:48 - Well, a rift.
00:19:50 It's not quite the idyllic community I'd first seen.
00:19:54 - Father, if I may offer you some advice
00:19:59 when dealing with subordinates
00:20:01 who need to be kept in place.
00:20:03 I find people can lose sight of the stakes
00:20:05 and sometimes need a gentle reminder
00:20:08 of just how those with power deal with those without.
00:20:10 (dramatic music)
00:20:19 (sighing)
00:20:21 - Admiral.
00:20:42 - Sindri.
00:20:43 - Please.
00:20:44 - I would never.
00:20:46 - It's fine.
00:20:47 (dramatic music)
00:20:50 - I, let me show you what I mean.
00:20:55 Please.
00:20:59 Admiral.
00:21:02 (smashing)
00:21:04 (screaming)
00:21:06 (smashing)
00:21:11 (screaming)
00:21:16 (smashing)
00:21:19 - What did you do?
00:21:28 - When can I expect my harvest?
00:21:31 - Oh, I don't, I don't.
00:21:34 - I said tell me, partner, when I can expect my harvest.
00:21:39 - Nine weeks.
00:21:43 - Very well.
00:21:46 In 10 weeks, I shall return.
00:21:47 And you should have my 10,000 bushels prepared for my ship.
00:21:52 - 12, we barely produced 12,000 bushels.
00:21:55 We'll starve to death.
00:21:57 I don't understand what you want.
00:21:59 - No, it's simple.
00:22:01 I want everything.
00:22:04 (dramatic music)
00:22:10 (smashing)
00:22:12 - God, listen up.
00:22:24 I need all of this gear moved to this big stone building
00:22:26 that should suit us for now.
00:22:28 Marcus, you gonna help me evict the current residents
00:22:31 from our new home, copy?
00:22:32 - Copy you, boss.
00:22:34 Copy you.
00:22:39 - Hello, everyone.
00:22:39 (guns firing)
00:22:43 - I am JC1435 of the Mechanicus Militarum,
00:22:59 defender of the king.
00:23:01 Correction, of the slain king.
00:23:03 It is my honor to serve.
00:23:05 - I'm Briar Varys.
00:23:08 We're moving these supplies over to that building
00:23:11 if you wouldn't mind lending a hand.
00:23:12 - Thank you, Private Varys.
00:23:14 That falls perfectly into my protocols.
00:23:17 - I'm not gonna hear you, dirty, drying turtle.
00:23:19 Come here.
00:23:20 What the hell are you waiting for?
00:23:21 Get out, man.
00:23:22 (speaking in foreign language)
00:23:29 (whistling)
00:23:31 - Mm.
00:23:39 Thank you.
00:23:49 (dramatic music)
00:23:51 - What in the name of the old gods are you looking at?
00:24:04 - I'm sorry.
00:24:05 I was just waiting to see if you needed some more water.
00:24:08 - Some more water?
00:24:09 - For Jack!
00:24:11 - That's how I like them, young,
00:24:16 strong enough to put up a fight.
00:24:17 (laughing)
00:24:20 - Boss.
00:24:22 - Mm.
00:24:23 - Look, they left us a jimmy.
00:24:24 It's a jimmy, man!
00:24:27 (howling)
00:24:30 I didn't know we had any of those left.
00:24:32 (howling)
00:24:34 - All right, careful.
00:24:40 The ground's uneven till you get to the bridge.
00:24:42 - Thank you, Private Varys.
00:24:44 But I believe I can manage.
00:24:46 - You know they won't fight anymore, boss.
00:24:47 - What do you mean they won't fight anymore?
00:24:49 - There's something in their programming.
00:24:51 Once the king was killed,
00:24:53 they just lay down their weapons and refuse to fight.
00:24:57 Just watch.
00:24:58 No matter what I do, he doesn't fight back.
00:25:01 (gunshots)
00:25:05 - Hey!
00:25:07 Careful with that stuff, you stupid machine!
00:25:09 - I do need to scrap you, dumb shit!
00:25:11 - You hear me?
00:25:12 You're not hearing me.
00:25:15 (gunshots)
00:25:17 - Hey!
00:25:20 Stop!
00:25:20 - What if I shoot you instead, huh?
00:25:24 I could kill you right now,
00:25:27 and no one would care.
00:25:29 Would they?
00:25:30 - That's enough.
00:25:31 - What do you say?
00:25:32 Wanna die?
00:25:33 I said, huh?
00:25:34 Come on, boy.
00:25:35 - I've said enough.
00:25:44 - Get these crates into that house now.
00:25:49 Private.
00:25:50 - Yes, boss.
00:25:51 - Are you malfunctioning?
00:26:01 - No, sir.
00:26:03 - Get up.
00:26:06 Go to the river.
00:26:07 Clean yourself.
00:26:08 The rest of you, stop staring.
00:26:13 Get back to work.
00:26:14 Get back to work, you assholes.
00:26:16 - That includes you, Marcus.
00:26:17 (gunshot)
00:26:23 (gunshot)
00:26:28 (water splashing)
00:26:31 - Excuse me.
00:26:45 - Thank you.
00:26:51 That is kind.
00:26:52 - You're a soldier?
00:26:54 - Long ago.
00:26:58 - Do you mind?
00:26:59 I'm Sam.
00:27:00 - Please.
00:27:01 Tell me, Sam.
00:27:11 Do you know the story of our slain king
00:27:13 and his beautiful daughter, the Princess Isa?
00:27:17 - I don't.
00:27:18 - Well, you remind me of her.
00:27:22 In myth, she was called the chalice or the redeemer.
00:27:27 She was Pueri Salvatoris.
00:27:30 And even before she was born,
00:27:32 I and my brothers pledged everything we were,
00:27:35 everything that dwells inside this metal skin,
00:27:38 to fight in her name.
00:27:40 So when word reached us on some distant battlefield
00:27:45 that she, as prophesied, had been born of flesh
00:27:48 and blood into our world,
00:27:50 I felt a great warmth for the universe
00:27:55 and trusted that she was to usher in
00:27:57 a new age of peace and compassion
00:28:00 and bring us home.
00:28:03 - She was magic?
00:28:07 - Aye, yes.
00:28:09 She was more than magic.
00:28:11 On the day of her coronation,
00:28:15 she, along with our honored king and queen,
00:28:18 were assassinated in cold blood
00:28:21 by those they trusted most.
00:28:24 I fear we lost some measure of our honor
00:28:27 since that betrayal.
00:28:29 I'm afraid our compassion, our kindness,
00:28:35 our very joy died with that young girl.
00:28:40 - I think it lives in you.
00:28:51 - Thank you.
00:28:52 (dramatic music)
00:28:57 (wind howling)
00:29:00 (dramatic music)
00:29:02 (wind howling)
00:29:05 (dramatic music)
00:29:08 - This is your world, Gona!
00:29:35 - I didn't know that he would kill them.
00:29:37 - Doesn't matter, he's dead now.
00:29:38 - What are we gonna do about the soldiers
00:29:39 in the granary, yeah?
00:29:40 Next is gonna be the other house.
00:29:42 - Stop, stop, stop, please.
00:29:44 How about we bring in the crop
00:29:46 and we fall on their mercy?
00:29:48 We make ourselves invaluable to them.
00:29:50 They wouldn't be able to kill us.
00:29:51 They would need us.
00:29:52 - Yeah, he's right.
00:29:53 Farming, that is our skill,
00:29:56 that we can do, that they cannot.
00:29:59 If we show them how good we are,
00:30:00 they will be forced to spare us.
00:30:02 - Yes. - Yes, yeah.
00:30:04 - Do we agree? - Yes, yeah.
00:30:05 - A work fights for us. - Yes, yes.
00:30:06 - A work fights for us. - Yes, yes.
00:30:08 - Yes?
00:30:09 We settle them.
00:30:12 We show them how valuable we are.
00:30:14 And when we have fulfilled our side of the deal,
00:30:16 they will be forced to rethink how much food they leave us.
00:30:19 We can appeal to those gentlemen in the granary,
00:30:23 appeal to their humanity.
00:30:24 - Yeah, they must.
00:30:25 - Good.
00:30:33 - So, it's running.
00:30:36 Would have thought you'd have had enough of that.
00:30:41 - You heard them.
00:30:44 Their delusion.
00:30:45 They think those soldiers will show them mercy
00:30:47 even after what they did to Sindring.
00:30:50 Right in front of them.
00:30:51 - When I found you in the wreckage of that ship,
00:30:59 I considered leaving you.
00:31:02 I was afraid you could bring trouble to us.
00:31:04 - But do I for a moment regret bringing you into our lives?
00:31:10 - I do not.
00:31:11 You've become a part of us.
00:31:14 And yet now you leave when we need you most.
00:31:18 When your people need you.
00:31:21 - I can't.
00:31:27 - You mean you won't.
00:31:29 - This place is already lost.
00:31:32 - But what if that could change?
00:31:34 What if we did fight?
00:31:35 Not only us, but others.
00:31:37 - Who else do you think would come here and fight?
00:31:39 - Others that have reason to hate
00:31:42 all that the Motherworld represents.
00:31:43 Korra, you know this universe better than I.
00:31:49 What if you could find the warriors that Noble seeks?
00:31:55 The outlaws to fight alongside us?
00:31:59 - If I find warriors to fight for Veldt,
00:32:01 I give the village hope.
00:32:02 If I give them hope, they fight and surely lose.
00:32:06 I won't have that blood on my hands.
00:32:08 Or will I throw my life away the same as the rest of you?
00:32:12 (somber music)
00:32:30 (water splashing)
00:32:33 - Take this.
00:32:39 I wanna go.
00:32:41 - Samia.
00:32:44 - What is it?
00:32:45 - Did you need some more water?
00:32:47 - Just a little water.
00:32:50 - Stop it!
00:32:51 - What?
00:32:53 - Help!
00:32:56 Help!
00:32:57 Please help!
00:33:00 (screaming)
00:33:02 - Get off me!
00:33:06 - Get up!
00:33:08 - Please!
00:33:12 Stop it!
00:33:15 Please!
00:33:16 I can't!
00:33:17 I can't!
00:33:18 Get off me!
00:33:19 Get off me!
00:33:20 (screaming)
00:33:22 - Don't, don't!
00:33:24 - That is right.
00:33:26 What do you have in mind?
00:33:29 (dramatic music)
00:33:32 - I'm gonna tie you to a post.
00:33:49 I make you watch every day
00:33:52 as she turns from a farm girl to a whore.
00:33:55 (screaming)
00:33:59 - Marcus, my good man.
00:34:00 This all sounds nice,
00:34:07 but you're not gonna do anything.
00:34:10 Not until I split this sapling myself.
00:34:15 Then you may have her.
00:34:23 Then you get all to have her.
00:34:27 (screaming)
00:34:29 - Get over!
00:34:32 Stop!
00:34:36 Stop.
00:34:47 - Desert.
00:34:50 Perfect.
00:34:53 Definitely get her.
00:34:54 (dramatic music)
00:34:57 (dramatic music)
00:35:00 (dramatic music)
00:35:03 (dramatic music)
00:35:06 (dramatic music)
00:35:08 (gunshots)
00:35:36 (screaming)
00:35:38 (dramatic music)
00:35:41 (screaming)
00:35:59 (dramatic music)
00:36:03 (screaming)
00:36:05 (dramatic music)
00:36:09 (screaming)
00:36:12 (dramatic music)
00:36:14 (screaming)
00:36:21 (gunshots)
00:36:25 (dramatic music)
00:36:29 (gunshots)
00:36:33 (gunshots)
00:36:41 (gunshots)
00:36:43 - Please.
00:36:44 - Our killer.
00:36:46 Is that what you want?
00:36:47 Huh?
00:36:48 Huh?
00:36:49 Ah, look who decided to join us.
00:36:52 Kill her.
00:36:55 Kill them both.
00:36:56 (screaming)
00:36:58 (dramatic music)
00:37:01 (dramatic music)
00:37:04 - What are you waiting for?
00:37:14 - I gave you an order.
00:37:15 Kill this bitch.
00:37:16 (gunshots)
00:37:18 (gunshot)
00:37:28 (dramatic music)
00:37:31 (dramatic music)
00:38:00 (gunshot)
00:38:02 - We're gonna have to fight.
00:38:09 - Cora, you may need this.
00:38:14 I found it at the site of the crash.
00:38:29 - I thought it was lost.
00:38:31 - Our culture is not for such weapons.
00:38:37 I feared it could be dangerous.
00:38:43 - You were right.
00:38:46 Thank you.
00:38:47 - Where will he go?
00:38:52 - There is someone, general named Titus.
00:38:56 Once a hero of the realm,
00:38:57 who turned his own forces against those of the mother world.
00:39:02 Last I heard, he was still out there somewhere.
00:39:05 If I could find him, it meant for him to lead.
00:39:09 Gunnar, last year in Providence,
00:39:13 you sold grain to the resistance.
00:39:16 - Yes.
00:39:20 I met a man there who introduced me to the insurgents.
00:39:23 The blood taxes.
00:39:25 - Would he still know how to find them?
00:39:27 - It's possible.
00:39:28 - Then you'll take me to him.
00:39:32 - Of course I will.
00:39:33 - Hey, bring down one more Iraqi.
00:39:40 - A general in an army?
00:39:46 We might stand a chance.
00:39:50 - Be careful.
00:39:56 (dramatic music)
00:39:58 - A safe journey to the both of you.
00:40:08 (dramatic music)
00:40:13 (dramatic music)
00:40:16 (dramatic music)
00:40:19 (dramatic music)
00:40:22 (dramatic music)
00:40:50 - So you were a soldier for the mother world?
00:40:54 Fighting for the realm?
00:40:56 - You could say that.
00:41:01 - Of high rank, I suppose.
00:41:06 I mean, are you wanted for the search?
00:41:17 - That and more.
00:41:20 - Okay.
00:41:21 - Anything else you wanna ask me?
00:41:26 - They won't just kill us, will they?
00:41:28 I mean, I understand making an example of Sindri
00:41:33 to keep us in line.
00:41:35 But we're just farmers, we're not a threat.
00:41:39 How can you know they will destroy us?
00:41:43 - When they first came to my world, I was nine years old.
00:41:47 I never asked for anything.
00:41:50 There were no terms.
00:41:52 Only the lust for destruction.
00:41:58 The mother world's forces were commanded
00:42:03 by a young general named Alasarius,
00:42:06 who relished the ecstasy of combat.
00:42:09 The people of my world had mounted a brave defense,
00:42:17 but they had served only to enrage the young general
00:42:20 and gave him provocation to take out
00:42:22 that anger on the innocent.
00:42:25 I found myself face to face with Alasarius,
00:42:43 who loved commanding his troops,
00:42:45 from the cunning tower of his ships,
00:42:48 but on the battlefield itself.
00:42:51 (ominous music)
00:42:53 (ominous music)
00:42:56 (ominous music)
00:42:59 (ominous music)
00:43:01 (ominous music)
00:43:04 (ominous music)
00:43:07 (screaming)
00:43:27 (ominous music)
00:43:34 - Alasarius killed my entire family and took me with him.
00:43:38 I don't know why he spared me.
00:43:42 Why of the hundreds of thousands that died at his hands,
00:43:45 he chose me to live.
00:43:46 Saw something in me, I suppose.
00:43:51 Someone's sharing his pain.
00:44:00 They gave me the name Arthelaeus,
00:44:02 began my training and education
00:44:04 in the histories of the Motherworld.
00:44:07 And for five years, I lived on that ship
00:44:09 with its soldiers who were my only family.
00:44:13 No softness, only the hard lessons of war.
00:44:27 He took me often on missions of diplomacy,
00:44:31 and I was his child.
00:44:33 I was his protégé.
00:44:36 I was his student.
00:44:37 I was one of them.
00:44:40 Daughter of a decorated commander.
00:44:45 Friend to the king and the royal family.
00:44:48 Living a life of privilege.
00:44:51 (ominous music)
00:44:53 (cheering)
00:44:58 (ominous music)
00:45:00 But regardless of my social standing,
00:45:13 I was expected to do my duty,
00:45:15 to fight for the Motherworld.
00:45:18 (ominous music)
00:45:20 (ominous music)
00:45:23 At the Academy Militarium,
00:45:31 they encouraged us to find a lover.
00:45:34 Someone we would defend with our lives
00:45:38 when the politics of expansion became too abstract.
00:45:42 And the why of the conquest was lost
00:45:45 in the sheer savagery of combat.
00:45:47 (guns firing)
00:45:51 - Come on, let's go!
00:45:52 Come on!
00:45:54 (guns firing)
00:45:57 - So at the age of 18,
00:46:02 I was made an officer and given a command.
00:46:06 (guns firing)
00:46:08 (ominous music)
00:46:14 (guns firing)
00:46:16 (guns firing)
00:46:27 (guns firing)
00:46:34 (ominous music)
00:46:37 (ominous music)
00:46:39 I fought for the king of distant worlds
00:47:01 under the banner of a people
00:47:02 who murdered my entire family
00:47:05 and destroyed my world.
00:47:07 They had trained me, broken me,
00:47:11 and rebuilt me in their image.
00:47:13 I'm only telling you this so you know who I am.
00:47:19 You ask how I know that they'll destroy you.
00:47:25 That's what I would do.
00:47:34 (thunder rumbling)
00:47:37 (dogs barking)
00:48:03 (guns firing)
00:48:05 - Hakshas,
00:48:08 bounty hunters.
00:48:11 They work for the Imperium.
00:48:12 - Wait.
00:48:18 (man yelling)
00:48:19 Oh no.
00:48:20 Kor, that's our guy.
00:48:22 That's the man we came to see,
00:48:23 the one that introduced me to the bloodaxes.
00:48:26 - Did the bloodaxes give you any other way to contact them?
00:48:30 - No, they said they were sheltered
00:48:32 on a planet called Sharan,
00:48:33 protected by a king named Leviticus.
00:48:37 - Leviticus.
00:48:38 Come.
00:48:41 (dramatic music)
00:48:45 (men chattering)
00:49:00 (liquid pouring)
00:49:03 - Shut up.
00:49:07 (men chattering)
00:49:11 (thunder rumbling)
00:49:24 (dramatic music)
00:49:27 - Carbosed.
00:49:36 - Anyway, I think our best chance to find the bloodaxes
00:49:41 is to contact the Leviticans.
00:49:43 - It might expose us.
00:49:45 First we find General Titus,
00:49:46 then we'll see about your rebels.
00:49:53 (man coughing)
00:49:55 - Is this your owner?
00:49:58 - Move on, he's not for sale.
00:50:00 - Everything's for sale in this place, so how much?
00:50:04 You know, I have a room upstairs
00:50:06 with relatively clean sheets.
00:50:09 - Very generous offer, but I don't disagree.
00:50:11 (man grunting)
00:50:12 - I guarantee you by morning,
00:50:14 you're gonna be begging me for more.
00:50:17 - I said move on.
00:50:19 - Oh, come on, Mama.
00:50:22 - Whoa, whoa, whoa, whoa, whoa.
00:50:23 Let him come and play.
00:50:26 - You need to leave.
00:50:27 - Listen close, you jealous little bitch.
00:50:29 (man grunting)
00:50:32 - Now you listen close.
00:50:37 I told you, you need to leave.
00:50:38 (man grunting)
00:50:41 (guns firing)
00:50:43 (man grunting)
00:50:46 (men chattering)
00:50:52 (man grunting)
00:50:55 - I'm looking for information.
00:51:00 Has anyone here heard of General Titus,
00:51:09 or know where he might be?
00:51:11 (man grunting)
00:51:18 - Of course, General Titus.
00:51:21 (man grunting)
00:51:23 Crazy bastard turned his own men
00:51:25 on the Mother World's forces
00:51:27 at the Battle of Sarawu.
00:51:30 - Do you know of his location?
00:51:34 - Last I heard, he was fighting
00:51:36 in the Coliseum at Pollux.
00:51:38 (man grunting)
00:51:42 I'd be careful if I were you, little miss.
00:51:45 Last hunter who went looking for him
00:51:47 ended up with his head on a pike.
00:51:50 Outside the Coliseum entrance,
00:51:52 as a warning not to bother him.
00:51:56 (man grunting)
00:52:00 - So he's on Pollux?
00:52:04 - That's your plan?
00:52:08 - That's my plan.
00:52:09 What?
00:52:12 - Guess we need to find a ship to take us to Pollux.
00:52:16 - You're catching on.
00:52:19 - Hey, bitch!
00:52:21 (laughing)
00:52:25 Oh, you should have killed me.
00:52:28 Now you're gonna die.
00:52:29 - I'm gonna give you one chance
00:52:33 to just turn and walk away.
00:52:36 - Are you gonna give all of us one chance?
00:52:42 (dramatic music)
00:52:48 (dramatic music)
00:52:51 - Kill her.
00:53:01 (guns firing)
00:53:03 (dramatic music)
00:53:06 (dramatic music)
00:53:09 (guns firing)
00:53:12 (dramatic music)
00:53:15 (man grunting)
00:53:32 (dramatic music)
00:53:36 (guns firing)
00:53:38 (man grunting)
00:53:49 (dramatic music)
00:53:52 (guns firing)
00:54:01 (dramatic music)
00:54:04 (guns firing)
00:54:06 (dramatic music)
00:54:09 (gun firing)
00:54:15 (gun firing)
00:54:20 (dramatic music)
00:54:33 - Impressive.
00:54:34 - Were those all shots I paid you
00:54:40 working for the Motherworld?
00:54:41 I don't like bounty hunters.
00:54:43 - I didn't ask.
00:54:44 And to be clear, I don't like bounty hunters either.
00:54:47 - So you're a gun for hire?
00:54:48 - No, that's not my thing.
00:54:50 I'm more of an opportunist, you might say.
00:54:54 - A real hero.
00:54:55 - Wait!
00:55:02 Look, I heard you in there, trying to get to Pollux.
00:55:06 I could help you.
00:55:08 - Oh, I understand, we're just simple farmers.
00:55:11 - We're searching for soldiers
00:55:12 for a fight against the Motherworld.
00:55:14 We have some money, but this is not the one you get rich on.
00:55:18 - I understand.
00:55:20 Still, pay me what it's worth to you.
00:55:23 Soldiers for a fight against the Motherworld?
00:55:27 Well, my name's Kai.
00:55:31 Come on, my ship's starting to port.
00:55:33 (ominous music)
00:55:37 (ominous music)
00:55:40 (ominous music)
00:56:08 - Right, setting course for Pollux.
00:56:10 I need to stop in Nuwadi first.
00:56:13 You know, there's a rancher there.
00:56:15 He has a man that might just work out for you.
00:56:18 - Is he worth our time?
00:56:19 Because we can't afford to waste any.
00:56:21 - I think you'll like him.
00:56:23 You ever been off planet?
00:56:26 - No.
00:56:27 - What did you do on the farm?
00:56:28 - Oh, I oversee the harvest, planting,
00:56:31 cataloging seeds, and making sure that--
00:56:33 - That sounds great, you might wanna hold that.
00:56:35 (electronic beeping)
00:56:38 (engine revving)
00:56:42 - Whoa!
00:56:48 (laughing)
00:56:50 Whoa.
00:56:51 (engine revving)
00:56:54 (eerie music)
00:56:56 (thunder rumbling)
00:57:26 - Come in.
00:57:27 - Oh, Cassius, it's you.
00:57:34 Good.
00:57:36 - We received a communique from the Hawkshaws.
00:57:39 They're requesting to rendezvous with us.
00:57:41 Apparently, they've captured a creature
00:57:44 that has important information about the insurgents,
00:57:47 Deborah Bloodaxe and her brother.
00:57:51 - Bloodaxe?
00:57:52 Oh.
00:57:53 Well, that's excellent, Cassius.
00:57:57 Inform me when they arrive.
00:57:59 - Yes, sir.
00:58:00 - Hey.
00:58:01 (dramatic music)
00:58:03 - Well, if it isn't the bastard from Solaron.
00:58:24 (laughing)
00:58:27 What brings you all the way out here?
00:58:28 - I missed your smiling face.
00:58:30 (laughing)
00:58:32 You still got that man chained in the back?
00:58:34 - Tarek?
00:58:35 Yeah, he's working off his debt to me.
00:58:36 Another couple dozen seasons, we should be square.
00:58:40 What's it to you?
00:58:41 - You mind if we talk to him?
00:58:43 Could be a day lender for you.
00:58:46 - Well, if there's money to be made.
00:58:49 (metal clanging)
00:58:53 Hey!
00:58:53 (metal clanging)
00:58:56 Hey, Tarek!
00:58:57 These people wanna talk to you.
00:59:02 - What got that chain on your leg?
00:59:05 - I don't know any mistakes.
00:59:07 But if you're here to accuse me
00:59:09 of crimes against the Motherworld,
00:59:11 I'm good to be discharged.
00:59:12 Take it up with him.
00:59:13 - No, that's not why we're here.
00:59:15 We're here from a small village,
00:59:20 and we're looking to hire some fighters to train
00:59:22 and protect us against a force from the Motherworld.
00:59:24 I'm no friend of the realm.
00:59:27 That's well known.
00:59:29 And I'd gladly fight with you,
00:59:31 but I have a debt on my name,
00:59:34 and I owe my debts.
00:59:35 - What's he owe you?
00:59:38 - 300,000 dirhams oughta cover
00:59:43 any inconvenience I've suffered.
00:59:45 - Ah, you bollocks.
00:59:46 - We don't have that kind of money.
00:59:47 - No money.
00:59:51 Well, I do love to gamble.
00:59:54 - Here we go.
00:59:56 - What's the bet?
00:59:57 - If Tarek can break that creature out there,
01:00:00 his debts are squared with me.
01:00:02 But if you don't ride him,
01:00:05 you all get a chain and a shackle.
01:00:09 That's the deal.
01:00:10 (cattle mooing)
01:00:13 - Can you ride him?
01:00:21 (cattle mooing)
01:00:24 - Yeah, I can ride him.
01:00:30 (cattle mooing)
01:00:34 (Tarek gasps)
01:00:41 (cattle mooing)
01:00:47 (cattle mooing)
01:00:50 - Drop your leads.
01:00:55 - She'll tear you apart!
01:00:56 - Drop your leads and clear out.
01:00:59 Now.
01:00:59 - Suit yourself.
01:01:00 Drop them!
01:01:01 (cattle mooing)
01:01:04 (gun fires)
01:01:08 (cattle mooing)
01:01:14 (cattle mooing)
01:01:16 (cattle mooing)
01:01:21 (speaking in foreign language)
01:01:27 (speaking in foreign language)
01:01:31 (cattle mooing)
01:01:33 (speaking in foreign language)
01:01:37 (speaking in foreign language)
01:01:58 (speaking in foreign language)
01:02:02 - That's it.
01:02:07 (speaking in foreign language)
01:02:13 (cattle mooing)
01:02:21 (gun fires)
01:02:26 (cattle mooing)
01:02:29 (cattle mooing)
01:02:34 - Easy, easy, easy.
01:02:37 It's coming, it's coming.
01:02:40 (cattle mooing)
01:02:43 (dramatic music)
01:02:47 (cattle mooing)
01:02:56 (dramatic music)
01:02:59 (cattle mooing)
01:03:04 (dramatic music)
01:03:08 (cattle mooing)
01:03:13 (dramatic music)
01:03:18 (cattle mooing)
01:03:23 (dramatic music)
01:03:25 (cattle mooing)
01:03:35 (dramatic music)
01:03:52 (cattle mooing)
01:03:55 (dramatic music)
01:04:03 (cattle mooing)
01:04:07 (dramatic music)
01:04:12 (dramatic music)
01:04:22 (dramatic music)
01:04:24 (cattle mooing)
01:04:33 (laughing)
01:04:38 (dramatic music)
01:04:40 (cattle mooing)
01:04:43 - There?
01:05:00 (cattle mooing)
01:05:02 (dramatic music)
01:05:06 (cattle mooing)
01:05:09 (cattle mooing)
01:05:19 (dramatic music)
01:05:28 (cattle mooing)
01:05:35 (dramatic music)
01:05:37 (cattle mooing)
01:05:49 - Hankman, don't you ask?
01:06:02 You're dead as square with me.
01:06:05 (laughing)
01:06:08 - Be good to her.
01:06:10 (laughing)
01:06:12 (laughing)
01:06:19 (cattle mooing)
01:06:23 (laughing)
01:06:26 (cattle mooing)
01:06:30 (dramatic music)
01:06:33 (cattle mooing)
01:06:39 (laughing)
01:06:41 (dramatic music)
01:06:44 (cattle mooing)
01:06:50 - No, no.
01:06:53 (cattle mooing)
01:06:57 (dramatic music)
01:07:00 - Attagirl.
01:07:01 - Derek, let's go.
01:07:03 - This was good.
01:07:06 Anyone else you know I have along the way?
01:07:08 - I might have a couple ideas.
01:07:12 (dramatic music)
01:07:15 (tires screeching)
01:07:22 (dramatic music)
01:07:27 (dramatic music)
01:07:30 (dramatic music)
01:07:33 (dramatic music)
01:07:47 (dramatic music)
01:07:50 (dramatic music)
01:08:05 (dramatic music)
01:08:08 - So, what's the job?
01:08:20 - We represent a village on a small moon called Veldt.
01:08:25 This village faces the threat of annihilation
01:08:29 by the armies of the Motherworld.
01:08:30 We are looking for warriors.
01:08:35 We want to join the fight to protect them.
01:08:37 With your reputation,
01:08:40 we thought it might be something you'd be interested in.
01:08:43 - Nemzes, please, please.
01:08:45 - Hold her.
01:08:46 - Please, please.
01:08:47 - Hold her.
01:08:48 (dramatic music)
01:08:51 (dramatic music)
01:08:53 (dramatic music)
01:08:56 (dramatic music)
01:09:01 (dramatic music)
01:09:08 (dramatic music)
01:09:15 (dramatic music)
01:09:23 (dramatic music)
01:09:25 - Stay back.
01:09:42 I just want to talk, that's all.
01:09:45 - I'm clearly distressed, that's true.
01:09:49 (fire crackling)
01:09:52 But I'm not stupid.
01:09:54 I know why you're here, you want the child.
01:09:58 - Yes, I do.
01:10:00 - You can't have this one.
01:10:02 This one is mine.
01:10:04 - She has a mother who's waiting for her,
01:10:06 who's missing now.
01:10:09 - Then why should I care about that mother's pain
01:10:11 when no one is here for my pain?
01:10:13 This was my home before they came.
01:10:18 - Taste the air.
01:10:19 It's poisoned my body.
01:10:23 It weakens my eggs and now my children cannot emerge.
01:10:27 I deserve justice.
01:10:31 - I understand, but this is not the way.
01:10:34 There is a difference between justice and revenge.
01:10:38 - Is there?
01:10:41 - I'm not so sure.
01:10:44 I know a mother's pain.
01:10:47 I know the loneliness of that pain.
01:10:49 But you can't have that child.
01:10:52 I won't let you.
01:10:55 - I believe you, but understand,
01:10:58 I will kill this child.
01:11:01 And I will keep killing until every mother weeps tears
01:11:06 of regret forever having come to the minds of Dagis.
01:11:09 (dragon screeching)
01:11:12 (dramatic music)
01:11:16 (dragon screeching)
01:11:19 (dramatic music)
01:11:22 (dragon screeching)
01:11:32 (dragon screeching)
01:11:38 (dramatic music)
01:11:42 (dragon screeching)
01:11:45 (dragon screeching)
01:11:49 (dragon screeching)
01:11:54 (dragon screeching)
01:11:59 - Shit!
01:12:06 (dramatic music)
01:12:10 (glass shattering)
01:12:12 Come on.
01:12:12 (dragon screeching)
01:12:19 Let's go.
01:12:21 (dragon screeching)
01:12:27 (dramatic music)
01:12:30 (glass shattering)
01:12:33 - Go.
01:12:44 Back up, back up.
01:12:45 (dragon screeching)
01:12:48 - Come here.
01:12:50 (dragon screeching)
01:12:53 (dragon screeching)
01:12:56 (dramatic music)
01:13:00 (dragon screeching)
01:13:03 (dragon screeching)
01:13:10 (dragon screeching)
01:13:16 (dragon screeching)
01:13:20 (dragon screeching)
01:13:28 (dragon screeching)
01:13:31 (dragon screeching)
01:13:42 (dragon screeching)
01:13:47 (dragon screeching)
01:13:56 (dramatic music)
01:13:59 (baby crying)
01:14:02 - Wow.
01:14:03 That was, that was amazing.
01:14:07 - Do not celebrate this.
01:14:10 There is no honor in this.
01:14:13 This could easily be any of you lying here
01:14:17 in the gutter of some forgotten world.
01:14:20 The name of revenge.
01:14:23 You would do well to remember that.
01:14:26 (dramatic music)
01:14:30 (sighs)
01:14:32 (dramatic music)
01:14:35 (dragon screeching)
01:14:38 (dramatic music)
01:14:41 (footsteps tapping)
01:14:52 (dramatic music)
01:14:55 - I was good of you earlier with the child.
01:14:58 - I was just trying to help.
01:15:02 - Yes, but it's not natural for some.
01:15:04 - It is for you.
01:15:05 Back home, you saved Sam without hesitation.
01:15:09 - Kindness is a virtue worth dying for.
01:15:15 I believe that.
01:15:17 I didn't always.
01:15:21 I told you how I fought on countless worlds.
01:15:23 While word of my victories reached my adopted father
01:15:28 and the king.
01:15:31 (dramatic music)
01:15:35 (singing in foreign language)
01:15:39 For my loyalty and service,
01:15:42 I was promoted to the elite guard of the royal family.
01:15:47 (dramatic music)
01:15:50 The appointment was engineered by my father.
01:15:52 I couldn't have known it was something new.
01:15:56 (dramatic music)
01:15:59 I was given the honor of being the bodyguard
01:16:03 to Princess Isa.
01:16:04 (dramatic music)
01:16:08 (footsteps tapping)
01:16:14 (dramatic music)
01:16:17 The princess was named after an ancient queen, Isa,
01:16:21 the life giver.
01:16:24 In the old stories of the queen,
01:16:28 it was said that she had the power to give life.
01:16:32 It seemed a myth or a metaphor
01:16:36 created in response to the generations of war and conquest.
01:16:43 (dramatic music)
01:16:44 Yet the story still captured the imagination of the people.
01:16:47 And it was believed that the princess, my princess,
01:16:52 might have that same power.
01:16:54 (dramatic music)
01:16:58 I saw on more than one occasion things that I couldn't explain.
01:17:03 (birds chirping)
01:17:07 Things that made me think that she was different.
01:17:13 (birds chirping)
01:17:15 Special.
01:17:16 (dramatic music)
01:17:20 (birds chirping)
01:17:23 (dramatic music)
01:17:26 (birds chirping)
01:17:29 (dramatic music)
01:17:32 (birds chirping)
01:17:35 (dramatic music)
01:17:38 (wind blowing)
01:17:41 (dramatic music)
01:17:44 (wind blowing)
01:17:47 (dramatic music)
01:17:50 (wind blowing)
01:17:52 The king once said to me.
01:17:54 When she becomes queen,
01:17:57 I believe she'll bring a compassion that I've lost
01:18:02 after all these hard years of war.
01:18:06 'Twill be the dawn of something better.
01:18:10 (dramatic music)
01:18:11 That our friendship made her safer.
01:18:14 I believed in her.
01:18:17 In her kindness.
01:18:20 I believed in her ability to save us.
01:18:27 (dramatic music)
01:18:32 (dramatic music)
01:18:35 (dramatic music)
01:18:38 (soft dramatic music)
01:18:41 (soft dramatic music)
01:18:44 (soft dramatic music)
01:18:48 (soft dramatic music)
01:18:51 (soft dramatic music)
01:19:02 (soft dramatic music)
01:19:17 - The great General Titus.
01:19:19 - Thank you.
01:19:24 Okay.
01:19:27 You sure this is a good idea?
01:19:34 - Let's clean him up and get him sober.
01:19:37 - Yeah, I'll do it.
01:19:39 - You got him, lads.
01:19:42 (men grunting)
01:19:45 (water running)
01:19:48 - What do you think you're doing?
01:20:04 - That's enough.
01:20:05 Thank you.
01:20:06 (soft dramatic music)
01:20:11 (door opening)
01:20:14 - Did you command the Eastern ranks for the old king?
01:20:19 Are you not General Titus, a legend?
01:20:24 - I don't know what you're running your mouth about.
01:20:27 Why can't you just leave me alone?
01:20:30 (thunder crashing)
01:20:33 - Because my best hope is that long ago
01:20:37 General is still in front of me.
01:20:39 (soft dramatic music)
01:20:42 - What do you want from me?
01:20:46 My men are dead because of my surrender.
01:20:48 I'm tired of reliving that nightmare every day.
01:20:53 Now please leave me and let me die in peace.
01:20:57 - I don't think you're meant to die here.
01:21:05 General.
01:21:07 - Stop calling me that.
01:21:08 I have no rank, no privilege.
01:21:10 - I'm here to make you an offer,
01:21:12 to give you a chance at redemption.
01:21:13 - I am beyond redemption.
01:21:15 - I have no time for pity.
01:21:17 What about all the dead men you once commanded?
01:21:21 What about them?
01:21:22 If not redemption, what about revenge?
01:21:28 (soft dramatic music)
01:21:34 (dramatic music)
01:21:36 (dramatic music)
01:21:39 (dramatic music)
01:21:42 (dramatic music)
01:22:06 (dramatic music)
01:22:08 (dramatic music)
01:22:14 (dramatic music)
01:22:26 (dramatic music)
01:22:29 - So this is the man who knows where the insurgents are?
01:22:41 - It is, sir.
01:22:42 - Well, I'm listening.
01:22:45 - You'll let me go if I tell you what I know.
01:22:49 - Since you're free, you have my word.
01:22:53 - I haven't seen ever blood out for a full season.
01:22:56 But at the time they were on Sarand,
01:22:58 under the protection of a king called...
01:23:00 Leviticus.
01:23:04 - Go on.
01:23:07 - This was some time ago, but they were definitely there.
01:23:11 Talk to him.
01:23:14 To Leviticus.
01:23:15 - I certainly will.
01:23:17 Thank you.
01:23:20 (guns clacking)
01:23:22 - Thought we had a deal?
01:23:32 - Yes, we did.
01:23:33 You're free.
01:23:48 - Dissect his brain and see if we can find out
01:23:50 any more information.
01:23:51 And we'll go pay our respects to King Leviticus.
01:23:55 - Yes, Admiral.
01:23:57 I'll set a course for Charon.
01:23:59 Let's go.
01:24:02 (dramatic music)
01:24:07 (helicopter whirring)
01:24:11 (explosion booms)
01:24:14 (helicopter whirring)
01:24:17 (explosion booms)
01:24:25 (speaking in foreign language)
01:24:34 (speaking in foreign language)
01:24:38 (speaking in foreign language)
01:24:51 (dramatic music)
01:25:02 (dramatic music)
01:25:05 - Look.
01:25:09 (dramatic music)
01:25:13 (dramatic music)
01:25:16 ♪♪
01:25:26 ♪♪
01:25:36 ♪♪
01:25:46 ♪♪
01:25:56 ♪♪
01:26:06 ♪♪
01:26:10 Farmer, why would you contact us
01:26:13 from this unknown and flagless vessel?
01:26:16 I was assuming we had a level of trust
01:26:18 after our last meeting.
01:26:20 We bought your grain to feed our fighters.
01:26:23 Do not confuse your business of commerce
01:26:25 with our business of revolution.
01:26:27 I understand.
01:26:29 Your coming here is a great risk to us all
01:26:32 and to our benefactor.
01:26:33 But we are no longer in need of your grain.
01:26:36 King Leviticus' kindness has been more than enough
01:26:38 to sustain us, so I suggest you leave immediately.
01:26:41 We're not here to sell grain.
01:26:44 Gruner's village was visited by a dreadnought
01:26:46 that threatens its very existence.
01:26:48 I have recruited these warriors and given my word
01:26:50 to bring them back and defend the farmers.
01:26:52 But we're running out of time.
01:26:54 What? This handful?
01:26:57 Against a dreadnought?
01:26:58 That's why we have come.
01:26:59 You have men and ships.
01:27:01 With you, we can mount a real defense.
01:27:04 And, of course, we can pay you
01:27:07 with the surplus from our harvest.
01:27:10 That's all we've got.
01:27:11 My forces against the king's gaze.
01:27:14 That's suicide.
01:27:15 That ship cannot be destroyed by a few dozen fighters.
01:27:18 That ship and the men aboard it are world destroyers.
01:27:23 I'm sorry. It's impossible.
01:27:25 This man is not a revolutionary.
01:27:27 He's a simple farmer.
01:27:30 But commerce or not, his people toil with their bare hands
01:27:33 to grow the grain that fed you, all of you!
01:27:36 And because of that transaction,
01:27:38 their village is now threatened by Admiral Noble
01:27:41 in pursuit of your revolution.
01:27:45 ♪♪
01:27:55 ♪♪
01:28:05 I see.
01:28:07 ♪♪
01:28:11 I will go.
01:28:13 ♪♪
01:28:15 Thank you.
01:28:16 Brother, a word.
01:28:19 ♪♪
01:28:26 Our victories, what few there have been,
01:28:29 have been tactical ones.
01:28:31 We cannot fight in the open against the king's gaze.
01:28:34 If the farmer found us,
01:28:35 it won't be long before Noble does.
01:28:38 And I will not allow another world
01:28:42 to fall in our name.
01:28:44 ♪♪
01:28:46 And what of those you command?
01:28:48 ♪♪
01:28:51 Their lives are theirs.
01:28:53 ♪♪
01:29:03 ♪♪
01:29:10 These people, they come to us with nowhere else to turn.
01:29:17 They come seeking our help,
01:29:21 to stand against the dreadnought of the Mother World.
01:29:26 Is that not what we stand for?
01:29:31 Are they not who we once were?
01:29:35 ♪♪
01:29:38 If we will not stand with these defiant farmers
01:29:41 to protect their home,
01:29:42 then the revolution is meaningless.
01:29:47 Under free will,
01:29:49 who among you is willing to die for what we believe
01:29:53 rather than hide behind it?
01:29:56 ♪♪
01:30:06 ♪♪
01:30:11 Emilius.
01:30:14 Why am I not surprised?
01:30:16 He was going to make sure you'd return in one piece,
01:30:19 if not me.
01:30:20 [Chuckles]
01:30:22 ♪♪
01:30:32 ♪♪
01:30:40 Thank Levitica and leave this planet.
01:30:44 ♪♪
01:30:48 Sister, until we meet again.
01:30:51 ♪♪
01:30:59 Maybe this isn't suicide after all.
01:31:03 [Engine starts]
01:31:05 ♪♪
01:31:11 ♪♪
01:31:19 ♪♪
01:31:26 Why would he agree to help you?
01:31:29 Blood acts?
01:31:31 You think they shouldn't?
01:31:33 [Sighs]
01:31:35 Just seems short-sighted.
01:31:38 I mean, he weakens what little of whatever word
01:31:41 you want to use for it there is.
01:31:43 "Persistence," "insurgency."
01:31:46 For what, Kor?
01:31:49 Chance to get obliterated by a dreadnought.
01:31:52 Guilt.
01:31:53 It's a powerful thing.
01:31:55 High guilt.
01:31:57 You're in the Valley of Honor.
01:31:59 I think I even had a heart attack once.
01:32:02 Honor.
01:32:04 Do you believe that?
01:32:06 It's true.
01:32:09 I mean, what do you figure?
01:32:12 I got 10, 15 more seasons than most
01:32:16 for a steal from the wrong man.
01:32:19 Stabbed to death by some dog-headed son of a bitch
01:32:22 in a bar fight.
01:32:24 [Scoffs]
01:32:26 It's really your fault, anyway.
01:32:29 Making me want to be an honorable man.
01:32:32 If you had more resisting power to speak of,
01:32:35 you wouldn't need me to join you so badly.
01:32:38 You're willing to fight with us?
01:32:41 Since you're begging.
01:32:43 Kai, we're not.
01:32:46 Well, since you're asking, then,
01:32:48 if you'll allow me.
01:32:50 Wow.
01:32:52 Wow.
01:32:54 There is one complication.
01:32:58 Shite in the cargo hold.
01:33:00 A good buyer's swaying in God, though.
01:33:03 And the kind's known for their patience.
01:33:05 Might be wise to sever my ties to life as a thief
01:33:08 before we go picking a fight with the dreadnought.
01:33:11 Besides, you said yourself you need me.
01:33:15 I did not say that.
01:33:17 I think you did.
01:33:19 I set the course and let him know we're on our way.
01:33:21 Oh, shit. Does that make me one of the good guys?
01:33:24 [Grunts]
01:33:28 Oh, darling.
01:33:32 Please.
01:33:36 I've told you the truth.
01:33:39 I have nothing more.
01:33:42 Right.
01:33:45 The truth.
01:33:47 But she took the men, known enemies of the Motherworld,
01:33:51 mended their wounds, repaired their broken ships,
01:33:54 all out of your moral code of honor and charity.
01:33:57 Our civilization has lived and thrived for 10,000 years
01:34:03 with honor and charity as its most valued tenets.
01:34:08 Yes. Yes, honor and charity.
01:34:11 Do you see that?
01:34:16 That ship is named the King's Gaze.
01:34:19 It was named to honor our slain father.
01:34:22 So...
01:34:26 Honor, I understand.
01:34:29 Charity, I do not.
01:34:34 Our king showed charity to an off-worlder like yourself
01:34:38 and was slaughtered for his charity.
01:34:40 So we named the ship to remind us of the power
01:34:43 in that benevolent gaze that was lost to charity
01:34:48 and to remember that if by God's will
01:34:51 that gaze should fall upon us and be held
01:34:54 for even the briefest of moments,
01:34:57 it could change your life forever.
01:35:01 Today it falls upon you.
01:35:04 [whirring]
01:35:07 We are cleared to engage.
01:35:23 Confirmed.
01:35:24 Fire at will.
01:35:30 Sir, we received a message from one of her hogshaws.
01:35:35 They're closing in on the blood axes.
01:35:38 Huh.
01:35:40 Finally some good news.
01:35:43 Well, prepare the hyperlaunch.
01:35:45 I'll go ahead and personally retrieve the treasonous dogs myself.
01:35:49 And what orders for the King's Gaze, sir?
01:35:58 Well, once you've raised the planet,
01:36:00 we'll rendezvous, extract the exact location
01:36:02 of the rest of the insurgents,
01:36:04 and destroy them once and for all.
01:36:06 Yes, sir.
01:36:09 [whirring]
01:36:37 [whirring]
01:36:40 Pretty sure Kai sent these boxes.
01:37:02 Well, we've got one here.
01:37:04 Okay.
01:37:05 I'll take the gray ones. They're all marked.
01:37:07 All right.
01:37:08 For God's sake, don't look inside.
01:37:10 I hate you to think less of me.
01:37:12 Ho!
01:37:17 Where do you want them?
01:37:21 There is space behind the bridge.
01:37:23 Go on.
01:37:25 All right, put them the other side of the bridge.
01:37:28 All right, let's unload and get off this godforsaken rock.
01:37:33 I'll be happy to leave this life behind.
01:37:36 Good.
01:37:59 Hey, you guys, why don't you tie off those ships?
01:38:02 See if you can get some fuel.
01:38:04 And you two, keep eyes from above!
01:38:11 [whirring]
01:38:14 Are we locking?
01:38:34 Everything's done.
01:38:36 All right, let's move.
01:38:39 Yes.
01:38:41 On your mark.
01:38:43 This isn't right.
01:38:47 [whirring]
01:38:51 [whirring]
01:38:54 [whirring]
01:38:57 [whirring]
01:39:24 [grunting]
01:39:26 On your knees.
01:39:41 Now is not the time to be a hero.
01:39:48 [whirring]
01:39:50 [whirring]
01:39:52 When?
01:40:00 On Veldt, in Providence.
01:40:03 First time I heard your story.
01:40:05 Thought with your ideals of resistance,
01:40:07 I could wind up a couple of heads.
01:40:09 Tariq, for instance, has world enslaved.
01:40:14 Then there was Nemesis.
01:40:17 Her whole family slaughtered.
01:40:20 But General Tidus...
01:40:22 Have you any idea how much he alone is worth?
01:40:26 They would have all jumped at the chance
01:40:29 to exact any small vengeance against the realm.
01:40:32 Even if the payment was only a sack of grain.
01:40:36 Then there was you.
01:40:40 Korra.
01:40:42 Or should I call you Arthelaus.
01:40:47 The biggest prize of them all.
01:40:49 Do you know what the Mother World did to my planet?
01:40:54 They didn't just destroy it.
01:40:57 They tortured every man, woman and child.
01:41:02 Left them clinging to life
01:41:05 as they turned them to ash from low orbit.
01:41:08 You know what that taught me?
01:41:11 Never set foot on the wrong side of history.
01:41:16 Is that what you think we're doing?
01:41:19 No.
01:41:20 You've chosen a side that doesn't even make it to the history books.
01:41:24 What happened to honor?
01:41:27 What did happen, Tariq?
01:41:29 Piece of shit.
01:41:32 Well, who ought if we got here?
01:41:44 Who indeed?
01:41:46 Commander Bloodaxe.
01:41:49 Leader of the very insurgency the King's gaze was sent to this backwater of the galaxy to capture.
01:41:54 He alone will secure my seat in the Senate.
01:41:57 I would be remiss if I failed to mention we're in the presence of royalty.
01:42:03 Taraq Decimus.
01:42:05 Or should I say Prince Taraq.
01:42:08 General Titus.
01:42:11 Needs no introduction, does he?
01:42:13 His actions at the Battle of Sarawu precede him.
01:42:16 The farmer.
01:42:20 The ambitious farmer.
01:42:23 I pride myself on never being surprised.
01:42:27 And yet here I am.
01:42:29 I understand why all of them are here.
01:42:32 But you?
01:42:34 What could you possibly hope to gain by mounting such a feeble stand?
01:42:40 Tell me.
01:42:42 Yes.
01:42:43 The legendary swordswoman known only by the name of Nemesis.
01:42:55 Assassinated 16 high-ranking Imperial officers and their security detail.
01:43:01 All in a hunt to avenge her slaughtered children.
01:43:07 Slaughtered children.
01:43:09 Of course.
01:43:34 Now I thought I'd recognize something in you.
01:43:37 Down in that filthy village.
01:43:39 Out there amongst all those simple people.
01:43:42 The most wanted fugitive in the known universe.
01:43:46 Scar giver.
01:43:49 Artileus.
01:43:51 Do you know what you've done for me, Artileus?
01:43:54 Truly.
01:43:55 Assembling yourself as such.
01:43:58 When I lay your bodies at the foot of the mountain.
01:44:02 When I lay your bodies at the foot of the region.
01:44:04 I'll be a hero of the realm.
01:44:07 The right songs at my feet of courage.
01:44:09 It's not like I didn't do all the work.
01:44:13 Let's move this along, shall we?
01:44:15 Let's transport the paralyzed in case anyone's feeling frisky.
01:44:19 On your feet.
01:44:21 I've got a job for you.
01:44:23 Okay, okay.
01:44:29 Okay.
01:44:30 You play your cards right.
01:44:43 You at least might make it out of this alive.
01:44:45 You're sick.
01:44:46 And you're a coward.
01:44:48 All you have to do is pull the trigger.
01:44:55 I won't do it.
01:44:56 Yes, you will.
01:44:58 You can do it.
01:45:02 Just pull the trigger.
01:45:04 I know you're in love with her.
01:45:15 Korra.
01:45:18 Korra.
01:45:19 So sorry.
01:45:27 You can do it.
01:45:30 [GUNSHOTS]
01:45:33 [GUNSHOT]
01:46:01 [SCREAMS]
01:46:03 [GUNSHOT]
01:46:05 [SCREAMS]
01:46:07 [SCREAMS]
01:46:08 [GRUNTS]
01:46:14 [GRUNTS]
01:46:17 [GRUNTS]
01:46:20 [GRUNTS]
01:46:22 [GRUNTS]
01:46:29 [GRUNTS]
01:46:35 [SCREAMS]
01:46:36 Pilots, to your ships!
01:46:39 [GUNSHOTS]
01:46:41 [GUNSHOTS]
01:46:43 [SCREAMS]
01:46:44 [GUNSHOTS]
01:46:46 [GUNSHOTS]
01:46:53 [SCREAMS]
01:46:58 [GUNSHOTS]
01:47:03 [GUNSHOTS]
01:47:07 [GUNSHOTS]
01:47:08 We gotta go! We gotta go!
01:47:17 [GUNSHOTS]
01:47:21 [SCREAMS]
01:47:22 [GUNSHOTS]
01:47:23 [SCREAMS]
01:47:27 [SCREAMS]
01:47:32 [SCREAMS]
01:47:33 [GRUNTS]
01:47:43 [GRUNTS]
01:47:47 [GRUNTS]
01:47:50 [GRUNTS]
01:48:00 [GUNSHOTS]
01:48:01 [SCREAMS]
01:48:06 [GRUNTS]
01:48:09 [GRUNTS]
01:48:11 [PANTING]
01:48:13 [GUNSHOTS]
01:48:17 [GUNSHOTS]
01:48:19 [SCREAMS]
01:48:22 [SCREAMS]
01:48:28 [SCREAMS]
01:48:29 [SCREAMS]
01:48:39 [GUNSHOTS]
01:48:43 [GUNSHOTS]
01:48:48 [GUNSHOTS]
01:48:54 [GUNSHOT]
01:48:55 [GRUNTS]
01:49:01 [SCREAMS]
01:49:13 [SCREAMS]
01:49:18 [GUNSHOTS]
01:49:21 [GUNSHOTS]
01:49:22 [GUNSHOTS]
01:49:35 [GUNSHOTS]
01:49:41 [SCREAMS]
01:49:47 [SCREAMS]
01:49:48 [SCREAMS]
01:49:53 [GUNSHOTS]
01:49:58 [GUNSHOTS]
01:50:03 [SCREAMS]
01:50:11 [SCREAMS]
01:50:12 [SCREAMS]
01:50:21 [GUNSHOTS]
01:50:25 [GUNSHOTS]
01:50:31 [GUNSHOTS]
01:50:38 [GUNSHOTS]
01:50:39 [GUNSHOTS]
01:50:45 [GUNSHOTS]
01:50:54 [GUNSHOTS]
01:50:55 [GUNSHOT]
01:51:22 [GRUNTING]
01:51:23 [GRUNTING]
01:51:34 [GRUNTING]
01:51:43 [GRUNTING]
01:51:50 [GASPS]
01:51:51 [GRUNTS]
01:51:57 [SCREAMS]
01:51:59 [GRUNTS]
01:52:04 [GUNSHOT]
01:52:07 [GROANS]
01:52:08 [SCREAMS]
01:52:15 [GRUNTS]
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01:52:35 [SCREAMS]
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01:53:12 [GRUNTS]
01:53:14 [SCREAMS]
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01:53:19 [SCREAMS]
01:53:21 [GRUNTS]
01:53:32 [GRUNTS]
01:53:35 [CHUCKLES]
01:53:44 [CHUCKLES]
01:53:45 This is perfect.
01:53:48 [GRUNTS]
01:53:49 [♪♪♪]
01:54:03 [♪♪♪]
01:54:06 [♪♪♪]
01:54:08 [♪♪♪]
01:54:10 [♪♪♪]
01:54:21 [♪♪♪]
01:54:23 They gave their lives for us.
01:54:48 [♪♪♪]
01:54:50 They believed in their cause.
01:54:54 What better thing to die for...
01:54:58 than I should have died with them?
01:55:03 I know a thing or two about the guilt
01:55:10 of carrying on when those you swore to fight with are gone.
01:55:14 Honor them.
01:55:17 With everything that you can from now.
01:55:20 Carry them.
01:55:23 [♪♪♪]
01:55:32 [GRUNTS]
01:55:33 [GRUNTS]
01:55:35 [THUNDER RUMBLING]
01:55:41 [GRUNTS]
01:55:46 [♪♪♪]
01:55:48 This was a blow to the Mother World,
01:55:52 what we did this day.
01:55:54 Criminals!
01:55:56 Nobody's standing against a machine of war.
01:56:00 This small act of defiance gives voice to the voiceless.
01:56:05 This is more than just a fallen prick officer
01:56:09 and some of his men.
01:56:10 It's the beginning of something.
01:56:15 What will they do now?
01:56:16 The crews of the Imperium are not known for their bravery.
01:56:20 After the death of a nine-year-old,
01:56:22 protocol will demand the ship's return.
01:56:24 That's good.
01:56:25 We still get paid, I presume?
01:56:28 A deal is a deal.
01:56:30 Payment awaits us on Veldt.
01:56:33 I owe you thanks, Kuna.
01:56:38 You know, I never did trust that pilot.
01:56:40 We all owe him thanks.
01:56:42 He saved us.
01:56:43 [♪♪♪]
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01:57:26 [♪♪♪]
01:57:29 [HORSE NEIGHING]
01:57:32 I've been wondering.
01:57:43 Is what that dead bounty hunter said true?
01:57:46 That you're Athelius?
01:57:50 That guy was a liar and a thief
01:57:51 who nearly sold you off for a profit.
01:57:53 Anything more you want, General?
01:57:56 Don't call me General.
01:57:59 Hey! You see it?
01:58:02 There!
01:58:04 That's our village.
01:58:09 Home.
01:58:12 Home.
01:58:13 I never had a place to put you the word.
01:58:19 It's almost a shame you killed that son of a bitch noble
01:58:21 and we don't have to fight.
01:58:23 This would have been a beautiful place to die.
01:58:27 Yes, it would.
01:58:37 Let's go.
01:58:44 [♪♪♪]
01:58:47 [♪♪♪]
01:59:14 [♪♪♪]
01:59:17 [♪♪♪]
01:59:20 [♪♪♪]
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01:59:46 [♪♪♪]
01:59:48 Ready him for transmission.
01:59:56 Belisarius is standing by.
01:59:58 Sir, should we stabilize him first?
02:00:02 No.
02:00:04 It will not keep the region waiting.
02:00:14 Neuralink.
02:00:15 Link is established.
02:00:21 Connection complete.
02:00:39 Signal is strong.
02:00:42 [♪♪♪]
02:00:44 Send him.
02:01:08 [♪♪♪]
02:01:10 [♪♪♪]
02:01:37 [♪♪♪]
02:01:39 Master.
02:01:40 Belisarius.
02:01:43 I have found her.
02:01:45 I have found Arthur Lace.
02:01:48 The Scargiver.
02:01:50 You're certain it's her?
02:01:53 I am, my lord.
02:01:54 She was in the company of the disgraced general Titus and Darien Bloodaxe.
02:01:58 We are close to capturing them.
02:02:00 Tell me, Commander.
02:02:03 Did you think that this would be good news?
02:02:06 That my daughter, Arthur Lace,
02:02:08 one of the most dangerous and decorated warriors in the history of armed conflict,
02:02:13 is now part of a blossoming insurgency?
02:02:17 I'm supposed to be happy that she's joined forces with the genius
02:02:22 battlefield commander, General Titus.
02:02:25 So she is within our grasp.
02:02:32 Let me bring you her head.
02:02:33 In truth, I fear the head most endangered here is yours.
02:02:43 You will crush this insurgency to the last man. Do you hear me?
02:02:49 And then you will capture my daughter alive
02:02:53 and bring back my precious child to me.
02:03:00 So that I may crucify her in the shadow of the senate.
02:03:03 If you cannot bring her to me,
02:03:05 then the one whose public execution will send shivers down the spines of the senators
02:03:11 and whose screams will echo down its marbled halls
02:03:16 will be yours.
02:03:19 Yours is...
02:03:20 Did he make it back?
02:03:44 I don't know. I have no heartbeats or brain function.
02:03:48 It's him with everything.
02:03:49 It's him with everything.
02:03:51 [Battle cry]
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