My Korean Jagiya tells the story of Gia (Heart Evangelista), a quirky, bubbly, hopelessly romantic and ultimate K-drama fangirl, armed with a determination to meet her long-time crush, Korean superstar Kim Jun Ho (Alexander Lee).
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00:00 [MUSIC PLAYING]
00:03 What?
00:21 We are stranded here because of you?
00:25 [GUNSHOT]
00:28 [NON-ENGLISH SPEECH] I'm going.
00:30 [GROANING]
00:32 [NON-ENGLISH SPEECH]
00:36 I will stay.
00:37 I just want to thank you for staying with me.
00:39 Let's just enjoy this moment.
00:41 We drink, so then we forget our hunger,
00:44 and I forget my heartache.
00:46 Everyone in the house is sick.
00:48 Someone has to take charge until you feel better.
00:50 Don't worry, I'll take care of all of you.
00:51 What about Kia?
00:52 I tried calling her earlier, and she's still out of coverage.
00:56 [NON-ENGLISH SPEECH]
00:59 Are you crazy?
01:01 Nobody, nobody, nobody has called me crazy, girl,
01:06 except my coconut.
01:10 My coconut's the only one that calls me crazy.
01:13 [NON-ENGLISH SPEECH]
01:15 [NON-ENGLISH SPEECH]
01:18 Hello?
01:22 Kia, can you hear me?
01:23 I've been calling you.
01:24 [NON-ENGLISH SPEECH]
01:26 For the longest time, I've been really wanting to tell you
01:28 that I love you so much, Kia.
01:32 [NON-ENGLISH SPEECH]
01:33 I love you.
01:35 [NON-ENGLISH SPEECH]
01:37 Kia, don't listen to him.
01:48 Hello?
01:49 Kia!
01:50 It seems like Kia's totally forgotten about me
01:53 and given into Gong Woo already.
01:54 I have never seen Kia love another man the way
01:57 she loves you.
01:58 [NON-ENGLISH SPEECH]
02:00 If you give up on her.
02:02 I will always love you forever, Junho, my forever, Chucky.
02:08 I'll keep fighting for our love because I know that we
02:10 are destined to be together.
02:11 The sooner you recover, the more chance
02:13 I get to be with her forever.
02:15 Mom used to have this special herbal medicine
02:17 that she used to cure us.
02:19 [NON-ENGLISH SPEECH]
02:21 [NON-ENGLISH SPEECH]
02:22 [NON-ENGLISH SPEECH]
02:24 [NON-ENGLISH SPEECH]
02:26 [NON-ENGLISH SPEECH]
02:28 [NON-ENGLISH SPEECH]
02:29 [NON-ENGLISH SPEECH]
02:31 [NON-ENGLISH SPEECH]
02:32 [NON-ENGLISH SPEECH]
03:01 I had a dream about Junho.
03:02 Maybe he needs to talk to me.
03:04 What do you think you're doing?
03:05 I'm looking for a signal.
03:06 [WHOOSH]
03:07 Oh.
03:08 [SCREAMS]
03:09 Oh.
03:10 [WHOOSH]
03:11 Bayan, are you OK?
03:12 [NON-ENGLISH SPEECH]
03:15 We need to get out of here soon.
03:16 [MUSIC PLAYING]
03:19 [NON-ENGLISH SPEECH]
03:30 [NON-ENGLISH SPEECH]
03:32 [NON-ENGLISH SPEECH]
03:35 [NON-ENGLISH SPEECH]
03:36 [NON-ENGLISH SPEECH]
03:38 [NON-ENGLISH SPEECH]
03:40 [NON-ENGLISH SPEECH]
03:42 [NON-ENGLISH SPEECH]
03:44 [NON-ENGLISH SPEECH]
03:46 [NON-ENGLISH SPEECH]
03:47 [NON-ENGLISH SPEECH]
03:49 [NON-ENGLISH SPEECH]
03:51 [NON-ENGLISH SPEECH]
03:53 [NON-ENGLISH SPEECH]
03:55 [NON-ENGLISH SPEECH]
03:57 [NON-ENGLISH SPEECH]
03:59 [NON-ENGLISH SPEECH]
04:01 [MUSIC PLAYING]
04:03 [NON-ENGLISH SPEECH]
04:05 [NON-ENGLISH SPEECH]
04:07 [NON-ENGLISH SPEECH]
04:08 [NON-ENGLISH SPEECH]
04:10 [NON-ENGLISH SPEECH]
04:12 [NON-ENGLISH SPEECH]
04:14 [NON-ENGLISH SPEECH]
04:16 [NON-ENGLISH SPEECH]
04:18 [NON-ENGLISH SPEECH]
04:20 [NON-ENGLISH SPEECH]
04:22 [NON-ENGLISH SPEECH]
04:24 [NON-ENGLISH SPEECH]
04:26 [NON-ENGLISH SPEECH]
04:28 [NON-ENGLISH SPEECH]
04:30 [NON-ENGLISH SPEECH]
04:32 [NON-ENGLISH SPEECH]
04:34 [NON-ENGLISH SPEECH]
04:36 [NON-ENGLISH SPEECH]
04:38 [NON-ENGLISH SPEECH]
04:40 [NON-ENGLISH SPEECH]
04:42 [NON-ENGLISH SPEECH]
04:44 [NON-ENGLISH SPEECH]
04:46 [NON-ENGLISH SPEECH]
04:48 [NON-ENGLISH SPEECH]
04:50 [NON-ENGLISH SPEECH]
04:52 [NON-ENGLISH SPEECH]
04:54 [NON-ENGLISH SPEECH]
04:56 [NON-ENGLISH SPEECH]
04:58 [NON-ENGLISH SPEECH]
05:00 [NON-ENGLISH SPEECH]
05:02 [NON-ENGLISH SPEECH]
05:04 He's kind, he's generous, he's sensitive, he's caring, and he loves everyone.
05:13 I think… I think you can marry him.
05:18 Is this what you want?
05:21 I kept my promise to him that when we're 50, I'll marry him.
05:25 No, no, no.
05:27 Brother, nothing bad will happen. And you said it's your second life, right?
05:34 This is the chance for the better future.
05:37 Because when you have a husband, you'll always have someone to take care of you when you're sick.
05:42 And you'll have a partner in all your problems.
05:46 Bitch, I'm okay now.
05:48 You're there, Guadalupe is there, Pepple is there, Clarissa is there, the whole Asuncion clan is there.
05:55 I'm okay now.
05:57 Brother, we can't say the time.
06:00 We're both sick, and we have to take care of each other.
06:04 And brother, when you have a husband, you'll always have someone to take care of you through sickness and health.
06:13 For better or for worse.
06:16 And most of all, you won't feel lonely.
06:20 Oh my God.
06:22 Let's just talk about this. Let's go.
06:25 The next earliest flight to Davao is this afternoon. I think I should book this one.
06:39 Thank you.
06:40 How about Ma'am Gay's family? They're still sick. You will leave them like that?
06:46 Sir, you have visitors.
06:51 Oh.
06:52 I'll just call them.
06:54 What's this?
06:56 Surprise!
07:04 Wow. How are you? Are you okay?
07:07 Yes!
07:08 And because of that, we would like to present to you our token of appreciation.
07:13 I studied at NYT. Anyway, here, two tickets.
07:19 What is this?
07:20 Well, we all chipped in to buy you a ticket to Davao.
07:24 So you can see here.
07:26 Now, na!
07:28 Dream come true!
07:33 Yeah, that's the first thing.
07:35 Wow, dream come true! Vacation goals!
07:38 I'm going to ride the airplane.
07:40 [Music]
07:47 [Music]
08:11 Can I do this?
08:13 [Music]
08:16 I can't do this.
08:17 I'll just do it.
08:21 Jose?
08:27 You're so handsome.
08:36 You look like you're doing well.
08:41 You're pregnant.
08:42 You have flowers.
08:45 Are you going to the cemetery?
08:49 Yes.
08:51 Not this one.
08:53 Actually, this is really for you.
09:02 Oh, for me?
09:04 I want it.
09:06 It smells so good.
09:09 I'm already nervous. Thank you.
09:11 I should be the one thanking you.
09:14 Because if not for your care, if not for your TLC,
09:20 maybe I would still be lying in my bed.
09:23 Don't worry. I want that.
09:26 I want what I'm giving you.
09:29 You know,
09:36 aside from my family,
09:37 no one else does that for me.
09:40 I've never experienced that kind of extraordinary care
09:47 that I don't want to give you.
09:51 That's why I want to ask you to come home if it's okay with you.
09:56 I want to ask you to come with me.
10:03 I want to get to know you better.
10:06 If it's okay with you, we can...
10:09 Date?
10:10 Yes, I want to go on a date.
10:13 Let's go on a date.
10:15 Now? Do you want to go now?
10:18 Yes.
10:21 We're so happy here, Junho.
10:31 Let's take a picture so we can be happy forever.
10:34 Jia, I'm so cold.
10:41 I'm nervous and I feel weird.
10:44 What's wrong with you?
10:52 I'm so cold.
10:55 Maybe I should take you to the hospital.
11:00 Where can we find a hospital here?
11:02 But I can't find the signal. I can't contact the staff.
11:05 What do I do? What am I going to do?
11:08 Can you hug me?
11:10 What?
11:12 You're so mean.
11:14 Please.
11:16 (I'm sorry, I can't help you.)
11:18 (I'm sorry, I can't help you.)
11:20 (I'm sorry, I can't help you.)
11:22 (I'm sorry, I can't help you.)
11:24 (I'm sorry, I can't help you.)
11:26 (I'm sorry, I can't help you.)
11:28 (I'm sorry, I can't help you.)
11:30 (I'm sorry, I can't help you.)
11:32 (I'm sorry, I can't help you.)
11:34 (I'm sorry, I can't help you.)
11:36 (I'm sorry, I can't help you.)
11:38 (I'm sorry, I can't help you.)
11:40 (I'm sorry, I can't help you.)
11:44 There you go.
11:46 This is heavy.
11:49 You know, you have a lot of things.
11:53 If you have a lot of things, you should have chosen me.
11:56 There you go.
11:57 You're still so weak.
12:00 Your body still hurts. You'll see me tomorrow.
12:03 She?
12:07 She's pretty.
12:11 (I'm sorry, I can't help you.)
12:13 (I'm sorry, I can't help you.)
12:15 (I'm sorry, I can't help you.)
12:17 (I'm sorry, I can't help you.)
12:19 (I'm sorry, I can't help you.)
12:21 (I'm sorry, I can't help you.)
12:23 I will always be here for you, no matter what.
12:31 (I'm sorry, I can't help you.)
12:33 Jia hasn't returned to the hotel.
12:49 And I don't know where she and Kong Wu went,
12:51 except for the production staff.
12:53 But luckily, I was able to convince the hotel staff
12:55 to tell me where...
12:56 tell me where I could find Kong Wu's manager.
13:00 The good thing is, I know that guy.
13:02 Good job, sir.
13:03 But...
13:06 where is the manager
13:09 who promoted
13:11 the establishment of Ma'am Jia and Kong Wu?
13:14 There he is.
13:16 Good afternoon.
13:23 Oh, Chuo.
13:25 What are you doing here?
13:27 I'm here for Jia.
13:29 So I demand you to tell me where Kong Wu took her.
13:32 I have an idea where they went.
13:39 You are his manager.
13:41 How would you not know where your talent is?
13:43 He's your responsibility.
13:45 If I knew where Kong Wu and Jia went,
13:47 don't you think that it's also part of my responsibility
13:50 to keep that information to myself
13:53 in order to protect Kong Wu's interests?
13:56 Look, I don't trust Kong Wu.
13:59 So you better tell me where Jia is.
14:01 Where did she go?
14:02 I don't know.
14:03 What do you mean by you don't know?
14:05 What do you mean you don't know? Where is she?
14:07 I said I don't know.
14:08 What do you mean you don't know?
14:09 I really don't know.
14:10 You are a bully.
14:11 A bully?
14:12 Sir, no point in talking to that man.
14:16 Let's think of another way how to find Ma'am Jia.
14:20 (Find Ma'am Jia)
14:22 Jia.
14:29 Jia?
14:31 Hello?
14:42 Kong Wu, listen carefully. Jun Ho is here.
14:45 What did you mean?
14:46 Jun Ho came to Dabao?
14:49 Jun Ho is here?
14:50 Who are you talking to?
15:03 I've been looking for you all day.
15:06 You have a contact to the outside world?
15:08 I talked to the production team.
15:11 They said we're here.
15:13 They want to bring us here as soon as possible.
15:16 But the weather is not good there.
15:18 I also heard you say that Jun Ho is here.
15:21 Is my leading man here to save us?
15:23 No.
15:25 The production team asked me how you are.
15:27 They said you are lonely.
15:30 They only think of Jun Ho and ask about him.
15:34 So I think Jun Ho is here.
15:37 Maybe they heard it wrong.
15:40 I thought Jun Ho was here.
15:43 I'm so stupid.
15:47 Jia, you said you wanted to forget.
15:50 You said you wanted to start over.
15:51 But why are you doing this?
15:52 I'm doing my best to help you.
15:55 But my effort seems to be nothing.
15:57 And I appreciate that you're here.
16:01 You're a really good friend.
16:03 Good friend?
16:07 Are you trying to make a move?
16:09 What?
16:11 Nothing.
16:13 Continue.
16:16 You know...
16:17 You know...
16:20 The one of Jun Ho.
16:23 I keep saying his name.
16:25 It's been a while. Jun Ho, Jun Ho, Jun Ho.
16:27 But...
16:28 You know, Jun Ho...
16:29 Gong Woo.
16:31 You know, Gong Woo.
16:32 I'm sorry.
16:35 But it's just, you know, the one of Jun Ho is like...
16:37 unfinished story.
16:39 I just need to see if there's still hope.
16:45 If that's so important to you,
16:48 do it.
16:51 Call Jun Ho.
17:12 Yes, my friend.
17:14 Government warning.
17:17 Being a waitress all the time is dangerous to your health.
17:21 You know my mother, she has a saying.
17:25 If you wait for the food to be served,
17:28 the more it will be half-cooked.
17:31 Do you want to half-cook Ma'am Gia?
17:35 You want her not to arrive?
17:38 [music]
17:40 I don't understand my boss.
17:46 He's either dumb or speechless.
17:49 [phone ringing]
17:55 Hello, Gia?
18:00 Hello, Jun Ho?
18:02 This is Auntie Aida.
18:03 Oh, sorry, Auntie.
18:05 I thought it was Gia calling.
18:07 Gia?
18:08 You're not with Gia yet?
18:09 You haven't seen Gia yet at the resort?
18:12 When we came here, Gia and Kou had already left.
18:14 The production crew said that Kou took Gia to the island.
18:18 Why is it ringing?
18:21 What's the timing?
18:22 I'm sorry.
18:26 Please try your call again later.
18:27 Relax, Gia.
18:32 I've told you before,
18:35 Gia and Jun Ho might have signed that it's not fate.
18:39 This is too much.
18:41 You're going to shoot him?
18:42 It's not meant to be.
18:44 Think about it, Gia.
18:46 Whenever you try to make up with Jun Ho,
18:49 things always go wrong.
18:50 At first, it was because Cindy was sick.
18:53 Then, the divorce papers.
18:55 Now, even your phone is off.
18:57 Do you think all of this is just a meaningless coincidence?
19:04 What is the message?
19:06 It means that you shouldn't cling to Jun Ho anymore.
19:10 Jun Ho is not your real partner.
19:12 I don't know what Kou's intentions are.
19:18 That's why I'm worried.
19:20 Nobody here wants to tell me where they went.
19:23 Maybe Kou has already been taken by the Korean.
19:25 Maybe Gia's lireo is already there.
19:27 Jun Ho, you have to find Gia.
19:30 You have to protect Gia's brilliance.
19:33 Don't worry, Tita.
19:36 I won't stop finding her.
19:38 I will find her.
19:40 And I'll definitely win her back.
19:42 Oh, thank you, Jun Ho. Thank you.
19:44 I will pray that you and Gia will be fixed already.
19:48 Okay?
19:49 Okay? Fighting!
19:50 Sang Ria told me to be strong.
19:52 Act!
19:53 Act!
19:54 Come on, boss. It's time to swim.
20:04 What are you doing?
20:06 We have to find Gia. We're not here on a vacation.
20:08 Sir, it is compulsory that I put my body in the cold water of the sea.
20:14 Why?
20:15 I need cold water because I am too hot, sir.
20:19 Oh, you're crazy.
20:21 Oh!
20:22 Well, if Jun Ho is not the leading man of my life,
20:33 I'm a dog, so we meet.
20:36 That's your problem.
20:39 You only put all your heart into Jun Ho.
20:43 So the person who has your heart is rising.
20:50 [Music]
20:52 Are you stalking us?
21:12 I'm not talking to you.
21:14 Oh, talk to the hand.
21:18 I think he means stalking, not talking.
21:20 Stalking, stalking. It's the same thing.
21:23 Stalking, singular. Stalking, plural.
21:27 Believe me, Manager Park. We have no interest to stalk you.
21:34 The only person I'm interested to follow is Gia.
21:37 But not until you tell me where they are,
21:40 we're going to stick around here.
21:42 So you better get used to our faces.
21:44 And get used to my voice.
21:47 If you don't tell me where Ma'am Gia is,
21:49 I'll break your happy-happy.
21:52 [Singing]
22:02 Is that all we've got?
22:15 Is that all we've got?
22:16 This is a good one.
22:20 I guess you'll take more of this to school to chew out of this month.
22:27 This drink is quite long.
22:32 Not gonna let them win.
22:34 Well, if that's the case, let's order one case.
22:39 Waiter, one box.
22:43 [Laughter]
22:45 There.
22:54 [Laughter]
23:11 Uncle Joe,
23:12 are you calling us because you're going to take our debts?
23:16 No, I don't have any money yet.
23:19 Maybe you'll just tell us some bad news.
23:22 Did you get diagnosed with a serious illness?
23:24 Hey, your imagination is the problem.
23:29 You know, that's why I'm smiling at you.
23:32 Because I need you.
23:36 How much, Uncle Joe?
23:40 You, you, I haven't told you yet what I need from you.
23:45 How much do you want? How much?
23:47 You look like you have money.
23:50 Your face looks like a sad 20.
23:53 I know Uncle Joe, you have a fight with Uncle Joe.
23:55 You need to go to the next box.
23:57 Where is that? Where is that?
23:59 Damn, Jane, Jane, Jane.
24:01 I have a date.
24:06 Well,
24:09 I'm going to a girl.
24:10 Why?
24:12 No, no, no.
24:13 Girl?
24:14 No, no, no.
24:15 Girl?
24:16 Yes, yes, I want you to teach me how to move like a man in a date.
24:22 What do you mean, Uncle Joe?
24:24 Are you going to continue courting Aunt Chicler?
24:28 Are you going to be a man?
24:30 You just teach me how to be Jose.
24:37 You didn't make a mistake in approaching, Uncle Joe.
24:39 You know, when it comes to the form,
24:41 courting chicks,
24:43 I'm an expert in that.
24:45 This is how it is, Uncle Joe.
24:47 For example, I'm the girl.
24:49 This is how it is, Uncle Joe. I'll give you a sample.
24:51 This is how you should do it.
24:53 In your first date, you need to be a gentleman.
24:57 You will pull the skirt for the date of the girl.
25:01 And of course, gentleman, this is how it is.
25:04 For example, I'm the girl.
25:06 This is how it is, Uncle Joe.
25:07 So when you sit there,
25:09 you sit in front of me.
25:11 Uncle Joe, for example, I'm the girl.
25:13 This is how it is.
25:15 When you sit,
25:17 look into her eyes.
25:19 You need to focus on her.
25:22 It's like there's no other person in the restaurant but her.
25:25 No cheating.
25:27 What?
25:30 No cheating?
25:32 It's like it's so hard.
25:35 I'm so bad at this.
25:36 You need to be tough.
25:38 You need to have a good first impression.
25:41 And then, compliment her.
25:44 Praise her.
25:46 Let's try it.
25:48 Okay.
25:50 Your lips are so beautiful.
25:52 That's it.
25:54 Those kind of attacks are okay.
25:56 One more.
25:58 But your lipstick is too dark.
26:02 If you want, let's make it lighter.
26:04 Pink or red.
26:06 What else?
26:08 Uncle Joe, no.
26:10 Why?
26:12 You can't bring lipstick and makeup to your date.
26:16 Yes.
26:18 We men don't put makeup on our date.
26:21 We men put on a capote.
26:24 So we're always ready for action.
26:26 Like that.
26:28 Capote? What's that?
26:30 That's it.
26:31 You're so bad.
26:36 I'm teaching you.
26:38 You're teaching me.
26:40 I'm so mad.
26:42 He's so good at this.
26:44 Teach me how to be a gentleman.
26:47 A gentleman.
26:48 Rowen, wake up.
27:06 We already went back to their room.
27:09 Let's go also.
27:11 Back to the room.
27:13 Happy birthday to me.
27:16 Happy birthday to me.
27:20 I miss you so badly, crazy girl.
27:38 I know you're somewhere out there.
27:41 But I don't know where.
27:43 How can I tell you that I love you?
27:45 If I'm here and you're in the middle of nowhere.
27:50 If I'm here and you're in the middle of nowhere.
27:54 I'm here.
27:55 I'm here.
27:56 I'm here.
27:58 I'm here.
27:59 I'm here.
28:01 I'm here.
28:03 I'm here.
28:05 I'm here.
28:07 I'm here.
28:09 I'm here.
28:11 I'm here.
28:13 I'm here.
28:15 I'm here.
28:17 I'm here.
28:19 I'm here.
28:21 I'm here.
28:23 I'm here.
28:26 I'm here.
28:27 I don't think there's a way out of here.
28:38 What do you mean?
28:40 You keep saying that the driver is gonna come back.
28:42 He's not coming back.
28:43 I really want to leave already.
28:44 We have to get out of this place.
28:46 So you're saying we're stuck here?
28:47 You said Bobby would come to pick you up.
28:49 I'll keep my promise.
28:50 But you keep saying that the driver is not coming back.
28:53 What is that?
28:54 I have to go back to my...
28:55 I have to go back home.
28:56 I'm getting this weird feeling that you don't want to go back to the hotel.
29:00 What is that?
29:01 There's a man over there.
29:06 Hey, you.
29:09 You, over there.
29:11 There's another one.
29:12 Are you gonna build a house?
29:14 Stop being a nuisance.
29:16 Let's get out of here.
29:17 What is this?
29:19 Hey.
29:21 You're wearing this?
29:24 You look handsome.
29:25 This really suits you.
29:27 It really suits you.
29:28 Oh, I don't like that.
29:31 I don't like it.
29:32 It's too tight.
29:35 It's too heavy.
29:36 Don't you have something like powder pink or baby pink?
29:40 Something fresh and good.
29:41 Oh, Aunt Jo.
29:43 We can't give you those colors.
29:45 Your pinks in the apparator.
29:47 We'll confiscate them.
29:49 And your makeup.
29:50 We'll just clean it first.
29:52 You can't wear those.
29:54 Take that off.
29:55 Why?
29:57 Before you take a bath,
29:58 lift yourself up a little bit.
30:00 So that your muscles will pop.
30:02 Like that.
30:04 So that your arms will lift up when you do the gas.
30:06 Those are really sexy.
30:08 What you're doing is so difficult.
30:12 It's so complicated to date a girl.
30:15 I don't want to do it anymore.
30:17 I'm going to back out.
30:18 I'm going to call Chiclet so that I can back out.
30:21 Don't do it, Aunt Jo.
30:22 Don't do it.
30:23 Don't do it.
30:24 You're so annoying.
30:27 You're reacting.
30:28 I'm going to refuse to go on a date.
30:32 It's like the end of the world.
30:33 What's wrong with you?
30:34 Aunt Jo,
30:35 have you forgotten where and how the curse of the women of Asuncion started?
30:41 Our grandmother's grandmother's grandmother
30:46 had a lover whom she trusted.
30:49 She didn't hide it from their meeting.
30:51 So the angry man cursed the family of Asuncion
30:55 that in every generation,
30:57 there's a woman who's old and pregnant and can't get married.
31:01 If you didn't hide it from Aunt Chiclet,
31:05 maybe she cursed the men in our family.
31:09 Maybe there will be an old woman in every generation of Asuncion.
31:14 Aunt Jo,
31:17 you need to go on a date.
31:20 Okay.
31:31 I'll go on a date.
31:33 I'll sacrifice myself
31:36 for the love life of the future generations of Asuncion.
31:42 I'll go on a date.
31:44 But
31:47 I won't be Jose.
31:49 I'll be Jose.
31:54 That's it!
31:56 That's the spirit!
31:58 I won!
31:59 Jose!
32:00 Jose!
32:02 Jose!
32:03 Jose!
32:04 Wait.
32:05 I'll measure this first.
32:07 I'll see if it fits.
32:09 And I'll be okay.
32:11 Okay.
32:12 Where is this?
32:16 Jose!
32:17 Jose!
32:18 Jose!
32:19 Jose!
32:20 Jose!
32:21 Jose!
32:22 Jose!
32:23 Sir!
32:26 What are you doing?
32:28 Sir, we cannot be seen zoned.
32:33 We will spy on them
32:37 and wait for them
32:39 to slip.
32:40 Slip?
32:42 You want them to slip on the floor?
32:44 No, no, no.
32:45 Just their dila.
32:46 You know,
32:48 when we're present,
32:50 they're so quiet.
32:51 Very quiet.
32:52 They don't want to recite in class.
32:55 But if we're absent,
32:58 they're best at recitation.
33:01 They'll be able to move around.
33:02 We will get a lot of information.
33:04 That's how we do intel work.
33:06 Alright.
33:08 Sounds like a good plan.
33:11 [door opens]
33:12 Ken, ready?
33:18 Your car is leaving in an hour.
33:20 I want you to return to the halfway house
33:23 to pick up Bong and Jia.
33:25 Jun is still here at the hotel.
33:26 If we go back,
33:27 it will be a big mess.
33:28 If the three of them see each other,
33:29 it's going to be a disaster.
33:30 That's why you're going to take them
33:33 to a different hotel.
33:35 And we'll just follow you there.
33:39 Bob, get the car.
33:40 You, get the thing.
33:42 I'll go with you.
33:44 They're trying to sneak out on us.
33:53 I'm not going to let them get away with this.
33:56 So, what are we going to do?
34:01 I have a plan.
34:04 [music]
34:06 We'll have our class reunion later.
34:21 Alright.
34:22 I'll go now.
34:23 Okay.
34:25 Be careful with your work.
34:26 Go inside.
34:27 Alright.
34:33 [music]
34:34 Manager Park is asking us to come with you.
34:47 Manager Park didn't mention anything to me.
34:49 And the staff I talked to earlier.
34:51 If we delay any longer,
34:53 Manager Park will get very upset.
34:55 Do you really want to see him very angry?
34:57 Bessie, what happened to you?
34:59 You're stranded.
35:00 Are you okay?
35:02 I'm still alive.
35:03 We're back here in the hotel.
35:05 Bessie, tell me.
35:06 Who's the one with the gun in your room?
35:08 Why are you bringing your family here?
35:12 What do you mean?
35:13 Don't you know?
35:15 Your aunts and cousins are all sick.
35:18 Wait, what did you say?
35:19 I need to go back to Manila.
35:21 Why are you carrying your bags?
35:23 I have a family emergency.
35:25 So, I need to go back to Manila and be with them.
35:28 Why?
35:30 I'm resigning as your translator.
35:32 What's up, Bessie?
35:38 Waiting here?
35:39 Jia!
35:41 Hello, Junho.
35:42 Go?
35:43 Jia won't come back to you.
35:46 No one wants you.
35:47 Even Jia.
35:48 Really?
35:51 Then who does she want?
35:53 You?
35:54 Yes.
35:58 So, don't worry about her. She's my woman.
36:00 If you don't want to see her again, don't go near her.
36:04 Okay?
36:06 Except this is not okay.
36:10 You have to fight with me before I let you have my Jia.
36:16 [Thanks for watching]