La Promesa 2023 Capitulo 150
La Promesa 2023 Capitulo 150
Category
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TVTranscription
00:00:00 [MUSIC PLAYING]
00:00:03 [MUSIC PLAYING]
00:00:05 [SPEAKING SPANISH]
00:00:09 [SPEAKING SPANISH]
00:00:12 [SPEAKING SPANISH]
00:00:14 [SPEAKING SPANISH]
00:00:16 [SPEAKING SPANISH]
00:00:18 [SPEAKING SPANISH]
00:00:21 That Jana takes good care of me.
00:00:23 I don't want you to think that I'm a coward.
00:00:25 But now, and most importantly now, I can't lose my position.
00:00:28 We have to keep this secret.
00:00:30 What do you mean?
00:00:31 That I'm in love with Martina.
00:00:33 Mother of beautiful love.
00:00:35 But perfect.
00:00:36 It's beautiful, Maria.
00:00:38 Thank you very much to all.
00:00:40 Finally each one has what the man arranged.
00:00:43 It seems that this damned bureaucratic hell is over.
00:00:46 Yes, finally we can hit the mat
00:00:49 to such a boring task.
00:00:51 Those letters meant a lot to the people down here.
00:00:54 We always met to read them.
00:00:56 And so we found out what was going on in the world.
00:00:58 I wrote them with my best intentions.
00:01:01 And you have to keep doing it.
00:01:03 You are the only one with a minimum of decency in this house.
00:01:05 Be very careful.
00:01:07 Because the day you least expect it,
00:01:09 either of these two will end up betraying you.
00:01:17 Let's get to work.
00:01:19 You have to write.
00:01:20 Very well. Where do we start?
00:01:21 Your arms, Candela.
00:01:23 They had some marks like blows.
00:01:25 And what do you think could have caused it?
00:01:27 I don't have the slightest idea.
00:01:29 Are you completely sure?
00:01:31 Yes, of course.
00:01:34 Why wouldn't I be?
00:01:36 I don't want to offend you, but ...
00:01:38 Change, yes, of life.
00:01:40 Leave the comforts of the palace,
00:01:42 get away from your companions,
00:01:44 go to live with a husband who ...
00:01:46 Sorry to tell you, but ...
00:01:48 I've just met you.
00:01:50 What is this?
00:01:52 The girls made it for me.
00:01:54 For when the baby is born.
00:01:55 What I told you about the basket.
00:01:57 Ah.
00:01:58 Yes.
00:01:59 Yes, yes.
00:02:00 Very nice.
00:02:01 The money he lent us is invested.
00:02:03 We don't have enough cash to give it back.
00:02:05 Oh my God.
00:02:06 So ...
00:02:08 I'm afraid you'll have to pay me in spices.
00:02:15 Your father promised to give me part of the promise
00:02:17 if you couldn't face the debt.
00:02:19 I don't care what they did to you in that war.
00:02:21 I'm going to love you anyway.
00:02:23 Salvador, you're hurting me!
00:02:28 Don't touch me again.
00:02:29 Don't touch me again.
00:02:31 Salvador, you're hurting me.
00:02:33 Salvador, let me go!
00:02:36 You're hurting me, Salvador!
00:02:38 Salvador, let me go!
00:02:40 Let me go!
00:02:41 I'm sorry.
00:02:50 I'm sorry, love.
00:02:52 I don't know what I've done.
00:02:54 Me neither.
00:02:56 I didn't want to hurt you.
00:03:03 I never wanted to hurt you.
00:03:08 Well, you have.
00:03:09 This isn't me.
00:03:15 Don't be afraid of me, Maria.
00:03:18 Who was it?
00:03:22 Who was it?
00:03:28 I don't know.
00:03:31 Maria, please.
00:03:37 Please.
00:03:38 Please.
00:03:40 [♪♪♪]
00:03:43 [♪♪♪]
00:04:03 [♪♪♪]
00:04:07 [♪♪♪]
00:04:10 [♪♪♪]
00:04:35 [♪♪♪]
00:04:38 [♪♪♪]
00:05:04 [♪♪♪]
00:05:07 I doubt this is legal.
00:05:33 You can do whatever you want.
00:05:34 But you should believe me.
00:05:36 Are you asking me to believe you?
00:05:38 When you just proved you're not trustworthy?
00:05:40 Look, Catalina.
00:05:41 I've always preferred to bet, to argue.
00:05:44 Do you know why?
00:05:45 It's much faster and much less tiring.
00:05:47 Whatever you prefer, you're not being careful.
00:05:49 Why don't you read the loan contract your father signed?
00:05:52 Leave me alone, Lorenzo.
00:05:56 If you did, you wouldn't take long to understand everything.
00:06:01 My father...
00:06:02 My father would never have signed such conditions.
00:06:04 It would be like giving a patent to someone he didn't even trust.
00:06:09 And yet he signed it.
00:06:10 And what's the point?
00:06:12 I don't know.
00:06:13 Maybe he didn't examine the details carefully enough.
00:06:16 Maybe he didn't think it through enough and signed it.
00:06:18 I don't know.
00:06:19 The point is that he signed it.
00:06:20 Do you have anything else to tell me?
00:06:23 Read that contract.
00:06:25 It's all I need from you.
00:06:28 And now, if you'll excuse me.
00:06:29 Have a good night.
00:06:38 Have a good night.
00:06:40 [♪♪♪]
00:06:42 [♪♪♪]
00:07:10 You're a cutie.
00:07:11 Don't tell me you can't imagine the man with this on.
00:07:17 Well, you know my strong point isn't imagination.
00:07:21 It's more like...
00:07:23 It's action.
00:07:24 Well, yes.
00:07:25 Yes, you're a man of action.
00:07:26 There's nothing more to see.
00:07:27 You like to make fun of me.
00:07:30 But only from time to time and a little bit, nothing more.
00:07:33 Have you already talked to Mr. Baeza about the house in Las Lindes?
00:07:38 Yes.
00:07:40 It's been a while.
00:07:42 Don't make that face.
00:07:44 I should have done it sooner, but I haven't found a better time.
00:07:48 And what did he say?
00:07:50 That he'll talk to him, yes.
00:07:52 We don't know when.
00:07:54 No.
00:07:56 He told me that when Mrs. Marquesa has just moved in
00:07:58 and when the waters return to their source.
00:08:07 You seem to be against Ariado.
00:08:09 Well, yes.
00:08:10 But not because of the delay.
00:08:12 The truth is that I'm glad that Mr. Baeza hasn't talked to Mr. Marquesa yet.
00:08:24 It's better this way.
00:08:26 What do you mean, better?
00:08:28 Yes.
00:08:30 I've been giving him a lot of thought.
00:08:35 I have more and more doubts, Pia.
00:08:37 But more doubts about what, Gregorio?
00:08:41 Mainly about how you are going to manage with a newborn baby living outside the palace.
00:08:48 You were right.
00:08:54 Ultimately, in the promise, you will feel more equipped.
00:09:03 I'm sorry.
00:09:04 You're confused by my change of mind.
00:09:08 No, no.
00:09:09 Is that what you think?
00:09:10 No.
00:09:11 I was thinking about a conversation I had with Mr. Baeza.
00:09:15 In which he told me how we were going to manage with the baby.
00:09:21 I'm not surprised.
00:09:22 Look, Gregorio, I've been thinking about it.
00:09:30 It's just that I still don't have a good answer.
00:09:33 Now is when we need it the most, don't you think?
00:09:37 Well, we'll think of something.
00:09:39 Look, maybe for now we could find a woman to help us with the baby.
00:09:45 We'd start badly.
00:09:48 No, that way I could have the house ready and I could work here in the promise.
00:09:52 I don't want to discourage you, Pia.
00:09:56 But the truth is that it sounds more like a chimera than something feasible.
00:10:01 You'd look overwhelmed.
00:10:03 Isn't it better to change our lives completely?
00:10:13 Completely?
00:10:17 I don't know what you mean.
00:10:20 I mean to leave here.
00:10:22 Another city.
00:10:25 I don't know.
00:10:26 Another job.
00:10:27 A new life.
00:10:32 A new hope.
00:10:41 [Music]
00:10:44 Excuse me.
00:11:02 Come in, Romulo.
00:11:04 I've been informed that your uncle has been looking for you. He said he wanted to talk to you.
00:11:09 That's exactly what he did.
00:11:11 Have you already spoken to him?
00:11:12 Yes, unfortunately.
00:11:15 I don't know if I can help you, but if you want you can tell me what happened.
00:11:24 Well, I'm a complete idiot, Romulo. That happens.
00:11:28 That no matter how hard I work, no matter how hard I try, it doesn't matter.
00:11:31 If I've done everything to lose it because of my stupidity and my naivety.
00:11:34 Have you made any mistake?
00:11:37 A very serious mistake, yes.
00:11:39 Well, but everyone makes mistakes in life. No one is saved.
00:11:42 But there are ways and ways to make mistakes.
00:11:45 There are also ways and ways to assume mistakes.
00:11:49 There are those who resign themselves to accept failures.
00:11:52 And there are those who decide to undermine them and I don't know why you are one of the last.
00:11:57 I appreciate your words.
00:12:00 My advice is not to be humiliated.
00:12:04 Everyone has strength and talent to undo the mess, whatever it is.
00:12:08 No.
00:12:10 Not this time.
00:12:12 Unfortunately, there are mistakes that cannot be undone.
00:12:15 Well, not all of them.
00:12:17 There are some that involve someone's death.
00:12:20 These have no solution, but most of them do.
00:12:25 They do have a solution, although you have to look for it.
00:12:28 It's not always easy, but they have it.
00:12:30 You're right.
00:12:34 The devil knows better than the devil.
00:12:36 I've been behind them for years.
00:12:38 They have taught me that you always have to have a little confidence in yourself.
00:12:43 You will get it.
00:12:45 And yes, I beg you, please, let me know when you do.
00:12:48 I will.
00:12:50 And I promise you that I will find a solution.
00:12:53 Thank you.
00:12:54 Thank you.
00:12:55 Excuse me.
00:13:18 Come in.
00:13:19 I was told you wanted to see me.
00:13:21 Come in, I said.
00:13:23 Yes.
00:13:24 How can I help you, ma'am?
00:13:27 I have a personal maid to help me.
00:13:30 I called you because I wanted to ask you something.
00:13:33 I need information.
00:13:34 Is it in my hands?
00:13:36 It's in your hands, yes.
00:13:38 What the hell is wrong with my daughter-in-law?
00:13:42 I don't know what you mean.
00:13:44 Why does she need your care?
00:13:47 As you can imagine, I asked her, but she insists
00:13:52 that everything is normal and that everything is fine.
00:13:53 But I have not been calm at all.
00:13:55 And can I ask you why?
00:13:57 If everything is normal and everything is fine, why does she need your care?
00:14:02 What I can tell you is that there is no reason to worry about her daughter-in-law's condition.
00:14:08 That is very reassuring, of course.
00:14:11 The symptoms she has are the most common in the first months of pregnancy.
00:14:15 Sleep, fatigue, nausea, nothing else.
00:14:18 And you tell me.
00:14:20 That I have gone through two pregnancies, which one worse?
00:14:22 Because I don't know if you know,
00:14:24 Miss Leonor was already capricious before she was born.
00:14:28 And she didn't miss the opportunity to make me suffer.
00:14:31 But it's just that her little brother, Manuel de Luján, the future owner of the title,
00:14:35 not only equated Leonor with annoyance,
00:14:37 but he gave me a birth that I don't even wish on my worst enemy.
00:14:41 Well, I do wish that on her.
00:14:45 Twenty-three hours of agony to bring him into the world.
00:14:48 The worst 23 hours of my life.
00:14:50 I'm sorry.
00:14:52 You feel it?
00:14:54 As if that would help anything now.
00:14:57 Anyway, the point is that ...
00:15:01 How can you judge whether my daughter-in-law's pregnancy is normal or not,
00:15:05 when as far as I know, you have never been pregnant?
00:15:08 I served at a doctor's house.
00:15:11 Dr. Palacios del Val.
00:15:13 I thought the lady already knew.
00:15:16 Yes, I want to hear that song.
00:15:18 Just like the other one that says that wherever there are problems, or very close,
00:15:23 there is always Hanna Expósito.
00:15:25 I see you remember my last name.
00:15:28 Then tell me, Hanna Expósito,
00:15:32 why do you attend to my daughter-in-law when everyone, including her,
00:15:36 we agree that she doesn't need it?
00:15:38 Why do you insist on appearing where no one requires you?
00:15:41 Look, I don't insist on attending to his daughter-in-law.
00:15:44 And in fact, I don't have time to do it.
00:15:46 Mrs. Jimena doesn't need me either.
00:15:48 And then?
00:15:50 I do it because her son, Don Manuel de Luján, asked me to.
00:15:55 He asked you?
00:15:57 You mean he ordered you to?
00:16:02 You're a maid.
00:16:03 No, no, no, he didn't order me.
00:16:05 He didn't force me.
00:16:07 He just asked me.
00:16:09 He asked you and you didn't have time to accept it.
00:16:14 Look, I didn't think it necessary to do that job and I tried to decline it,
00:16:18 but he insisted and I accepted.
00:16:20 No, if now it's going to be my son's fault.
00:16:24 I didn't say that.
00:16:25 But if what the lady wants is that I stop attending to Mrs. Jimena, it will be.
00:16:29 I will never attend to her again.
00:16:31 She just has to ask me and then I will be the one to tell Mrs. Jimena.
00:16:35 You can withdraw, Hanna.
00:16:37 Do you want me to do that then?
00:16:40 I want you to withdraw.
00:16:41 With your permission.
00:16:43 With your permission.
00:16:44 With your permission.
00:16:45 [music]
00:16:48 [music]
00:16:50 [music]
00:16:51 [music]
00:16:53 [music]
00:16:55 [music]
00:16:56 Maria.
00:17:22 [scratching]
00:17:23 I'm sorry.
00:17:27 I'm really sorry.
00:17:30 I haven't slept all night after what he did to you.
00:17:35 I'm going to take a look.
00:17:37 No.
00:17:41 I don't know why I grabbed you like that.
00:17:50 I just know that I'm sorry.
00:17:51 I'm sorry from the bottom of my heart.
00:17:54 And you don't know how much I regret it.
00:17:57 But you didn't want to do it, did you?
00:18:00 No. No, of course not. It was an impulse.
00:18:05 I don't know.
00:18:07 My hand still hurts from the grip you gave me.
00:18:12 I know.
00:18:13 I know.
00:18:14 Look, I don't know what happened.
00:18:24 I don't know what I did or why I did it.
00:18:29 Really.
00:18:30 But I need you to forgive me.
00:18:33 Because...
00:18:35 Otherwise, I don't know what's going to happen to me.
00:18:39 I'm sorry.
00:18:40 I can't forget the way you looked at me.
00:18:55 Your eyes.
00:18:59 I'll never be able to forget them.
00:19:03 I won't be able to forget the way you looked at me either.
00:19:08 I won't.
00:19:09 Your eyes were full of fear.
00:19:14 Fear of me.
00:19:18 And I have them stuck in my soul.
00:19:22 I hope you never look at me like that again.
00:19:27 I can't stand the idea that you're afraid of me.
00:19:34 I'm afraid of you.
00:19:35 Because I love you.
00:19:41 You're what I love most in this world, Maria.
00:19:45 I love you.
00:19:48 Well.
00:19:53 Don't turn it around.
00:19:57 Never mind. Well, I've forgiven you.
00:20:01 I love you.
00:20:02 Really?
00:20:07 Yes.
00:20:08 Really.
00:20:10 But...
00:20:12 Good morning.
00:20:16 Well, what I was telling you.
00:20:19 Infanta can wear whatever she wants.
00:20:23 You know?
00:20:24 That's it.
00:20:26 What I was saying.
00:20:27 Good morning, Teresa. Good morning.
00:20:30 Good morning.
00:20:31 The truth is that...
00:20:48 Since Doña Cruz has returned, everything has been like before in La Promesa, right?
00:20:54 And what do you notice?
00:20:57 In everything.
00:20:58 In the new sheet of cloth and in all the clothes that need to be washed.
00:21:25 Good morning, Hanna.
00:21:26 How are you?
00:21:28 Well, I can't anymore.
00:21:30 That's how I am.
00:21:31 Okay, can I do something about it?
00:21:34 That's why I came to see Leo. Yes.
00:21:37 Well, you tell me.
00:21:39 I would like him to do something so that his mother, Mrs. Marquesa,
00:21:43 stops having me all day between the sword and the wall.
00:21:46 I see.
00:21:48 I'm sorry.
00:21:50 I'm sorry.
00:21:53 I see.
00:21:54 Hanna, could you be a little more specific?
00:21:58 What do you mean exactly?
00:22:00 Well, I mean that he attacks me.
00:22:03 That he distrusts me.
00:22:04 That he thinks I'm something I'm not.
00:22:06 Please, I need you to explain it to me a little better,
00:22:10 because otherwise I don't know how I'm going to be able to help you.
00:22:11 Let's see, I'm defeated.
00:22:12 I work many, many hours.
00:22:15 And I always try to make my work as good as possible.
00:22:18 Hanna, I don't think anyone will doubt that.
00:22:22 Besides, I have to take care of his wife, Mrs. Jimena.
00:22:25 And if that's not enough, when he comes,
00:22:26 I also have to take care of his mother, the Duchess of Infantes.
00:22:29 Yeah, you're overdoing it.
00:22:33 That's not the worst part.
00:22:36 The worst part is that his mother, the Marquesa,
00:22:39 distrusts my intentions.
00:22:42 And she also thinks I'm a useless woman.
00:22:45 But let's see what I can take advantage of
00:22:47 if this job is nothing more than a burden.
00:22:49 Hanna, I didn't know about any of this.
00:22:54 What news are you going to have?
00:22:55 But I will also tell you that I am convinced
00:22:59 that my mother did not want to offend you.
00:23:00 Are you sure?
00:23:02 Yes, I'm sure.
00:23:04 It doesn't have to be sure, but it's sure.
00:23:06 I know my mother.
00:23:08 His mother did want to offend me.
00:23:12 I always want to offend myself.
00:23:14 Hanna, don't exaggerate.
00:23:16 I'm not exaggerating.
00:23:19 What's wrong?
00:23:20 Haven't you realized that your mother has been angry with me
00:23:22 since the first day you came to this house?
00:23:23 Maybe you didn't agree at first, but ...
00:23:29 over time ...
00:23:31 Well, no, we didn't agree.
00:23:33 And be careful, everyone is free to decide
00:23:35 who they appreciate and who they despise.
00:23:37 But there's a limit to this.
00:23:39 And from what I see, you set the limit, don't you?
00:23:47 I didn't say that.
00:23:48 But I'm not going to let anyone humiliate me
00:23:51 for a job that doesn't belong to me.
00:23:53 Okay, Hanna.
00:23:55 And what do you want me to do?
00:23:57 That's for you to decide.
00:23:59 Okay.
00:24:02 I'll talk to my mother.
00:24:04 And I'll try to get her to agree.
00:24:08 [Music]
00:24:26 It's so clear and sad.
00:24:27 The captain of the Mata set us up
00:24:30 and we fell for it like gazapos.
00:24:32 Do you mean that your father
00:24:34 shouldn't have signed that contract?
00:24:36 Never.
00:24:37 But for something in particular,
00:24:39 so that I understand.
00:24:40 In the contract,
00:24:44 there is a clause
00:24:46 that allows the captain to keep part of the promise
00:24:49 if he is not returned the money when he requires it.
00:24:51 Oh, mother.
00:24:53 Come on,
00:24:55 you can take advantage of all this.
00:24:57 Do you want a few more almonds?
00:25:00 I don't know how I could be so clumsy, Simona.
00:25:02 Because you have sinned as an innocent,
00:25:06 which is what usually happens to good people.
00:25:08 Not even your good words work on me.
00:25:11 Because it's very recent.
00:25:12 But even the ugliest wound can heal
00:25:16 if you put it in the means.
00:25:17 That's what you say, Romulo,
00:25:19 but not this time, Simona.
00:25:20 This time, the only way to save yourself
00:25:23 was not to have been injured.
00:25:24 I should have planted myself.
00:25:27 But you had signed those papers, didn't you?
00:25:30 No.
00:25:31 But I should have insisted on my father
00:25:33 so that he wouldn't sign them.
00:25:34 And he did.
00:25:35 I should have insisted more.
00:25:36 And I shouldn't have surrendered.
00:25:38 I should have read those papers
00:25:39 and look at the small letter.
00:25:41 And what were you going to see?
00:25:42 No, Simona, we shouldn't have trusted him.
00:25:45 If you and Hanna warned me about him
00:25:48 when I started to lower my guard.
00:25:49 And now look.
00:25:51 Now you can lose everything.
00:25:52 No, not everything.
00:25:55 But for the first time in centuries,
00:25:58 the family's fortune is going to be diminished
00:26:00 by a mistake that I could have avoided.
00:26:04 I've already told you that this has happened to you
00:26:06 for a good person.
00:26:07 For a fool, rather.
00:26:08 No.
00:26:09 The thing is that you are very generous
00:26:11 and you give second chances to everyone,
00:26:13 even to those who don't deserve it.
00:26:15 Well, Simona, I'm a fool.
00:26:16 The thing is that it's hard for you to tell me
00:26:19 because you have affection for me.
00:26:20 If there's one thing I'm sure of in this life,
00:26:22 it's that Catalina de Luján, the fool,
00:26:24 doesn't have a hair.
00:26:25 Besides, didn't you tell me
00:26:27 that she couldn't read the papers
00:26:29 before they were signed?
00:26:30 No.
00:26:32 I didn't have the opportunity.
00:26:33 My father wanted to reissue them before.
00:26:35 So what responsibility do you have?
00:26:38 He didn't sign the papers.
00:26:40 He didn't read them.
00:26:41 Look, I'm not saying that the marquis is stupid.
00:26:44 But if there's someone responsible here, it's him,
00:26:47 not you, miss.
00:26:48 The thing is that I don't know who will sign those papers, Simona.
00:26:52 The reality is what it is and I don't know what to do.
00:26:54 And why don't you talk to your father?
00:26:57 This is too ...
00:27:01 too big for you to take care of yourself, miss.
00:27:05 I mean ...
00:27:08 The one who has to solve this is Don Alonso.
00:27:14 For that, he is the marquis and the responsible one.
00:27:17 Indeed, I can't leave him out.
00:27:20 But I don't want to leave him alone either.
00:27:23 And you won't, miss.
00:27:25 You will be on his side.
00:27:26 You are the kindest person in this house.
00:27:30 You are the kindest person in this house.
00:27:31 Maria.
00:27:52 What happened to Salvador?
00:27:58 Why are you telling me this?
00:28:00 I'm not that stupid.
00:28:02 And before, you two were very weird.
00:28:05 Nothing happened.
00:28:08 It doesn't matter.
00:28:10 I'm getting to know you and you don't give me the cheese.
00:28:14 I know something was wrong with you because I heard Salvador apologize.
00:28:20 And I thought it was nothing serious, but when I entered the laundry room and saw ...
00:28:24 your faces,
00:28:25 I knew it was.
00:28:27 I knew it was.
00:28:28 Why don't you tell me and vent with me?
00:28:37 Because there is nothing to tell.
00:28:47 But you are making the same face as when you lie.
00:28:51 Well, if there is,
00:28:53 and I don't want to tell, what's going on?
00:28:56 That's another thing.
00:28:57 Because I have nothing to tell you.
00:28:59 No, of course not.
00:29:00 I'm going to tell you.
00:29:04 But I have nothing to tell you.
00:29:06 Last night he got really mad.
00:29:11 Salvador?
00:29:13 Him.
00:29:16 We were so quiet in the yard and I don't know what bad time,
00:29:19 I wanted to see his bad eye.
00:29:22 I put my hand on the bandage and ...
00:29:25 And what?
00:29:26 That he went crazy, Teresa.
00:29:28 And he grabbed my hand with force and ...
00:29:31 and a rage.
00:29:33 He looked like someone else.
00:29:36 And I was very scared.
00:29:40 How strange.
00:29:43 I had never seen him like that, Teresa.
00:29:47 So far, his mood swings had only been bad gestures or ...
00:29:51 or unpleasant forms and this was very different.
00:29:55 I was telling him that he was hurting me and that he was going to let me go.
00:29:57 And it seemed like he didn't hear me.
00:29:59 Although it was the first time I saw him, I guess ...
00:30:06 you weren't surprised, right?
00:30:08 I don't know, somehow ...
00:30:11 I think we all knew this could happen at any time.
00:30:15 All but me.
00:30:17 Maybe you didn't want to lose him.
00:30:19 I don't know.
00:30:22 Maybe you didn't want to lose him.
00:30:23 But what is clear is that ...
00:30:29 since Salvador went to Africa,
00:30:32 he became a completely different person.
00:30:36 Thank goodness I have you back.
00:30:44 Of course.
00:30:46 You always have our support.
00:30:49 Although ...
00:30:51 sometimes you don't like what we tell you.
00:30:53 What?
00:30:55 We have tried to warn you a million times,
00:30:58 but you didn't ...
00:31:00 you didn't know or you didn't want to hear it.
00:31:03 It's not easy, Teresa.
00:31:06 I know, Maria, I know it's not easy.
00:31:08 But now it's you
00:31:11 who has to clarify your doubts
00:31:14 and not take a step
00:31:16 if you are not clear.
00:31:19 No.
00:31:20 A new life?
00:31:32 That's it.
00:31:34 As if the old woman didn't like it?
00:31:36 I guess, I don't know.
00:31:38 A new life and far from here.
00:31:40 What did you answer?
00:31:42 I survived so unexpectedly that I didn't know what to say.
00:31:45 You are also good.
00:31:47 What do you want me to do, Candela?
00:31:48 I didn't expect it and I stayed there, like a fool.
00:31:51 That's what I did.
00:31:53 I don't know, I just ...
00:31:55 I can't understand Gregorio's mind well.
00:31:57 Really.
00:31:59 It's like it's disconcerting to me.
00:32:01 Why?
00:32:03 Because I don't understand that someone can change their mind like that,
00:32:05 overnight.
00:32:07 And I'm also telling you this, Candela,
00:32:09 in case you can help me better understand my husband.
00:32:11 I don't know, because I didn't understand mine either,
00:32:15 and I hate him a lot, and I know that the poor man was simpler than a no-nose cube.
00:32:18 But well, I don't know, just because I didn't try.
00:32:20 How is that about changing your mind? What do you say?
00:32:23 Let's see, he seemed happy with the fact of going to one of the little houses on the farm.
00:32:27 He already knows which ones they are.
00:32:29 They are humble, but they have their own "that", I think.
00:32:31 Yes, I saw myself living there.
00:32:33 I don't know, they are small, but enough for us to raise a child in peace and ...
00:32:37 well, with a little intimacy, you know what I mean?
00:32:40 Well, yes.
00:32:42 But it still seems like a good plan to me.
00:32:44 Well, he has stopped thinking like that.
00:32:45 This man ...
00:32:47 I don't know, Candela, and besides, he doesn't just want to leave the farm.
00:32:50 He really wants to go far away, to Lujan.
00:32:53 And where does he want to go?
00:32:55 I don't know, he hasn't said.
00:32:56 But with how particular he is, I think he wants to go ...
00:32:58 he wants to go far away. The further, the better.
00:33:00 My God, where did you get the idea from?
00:33:02 I have no idea.
00:33:04 So you don't understand either?
00:33:07 Not so much, come on.
00:33:09 I just hope he changes his mind again.
00:33:12 Because, come on, I think that leaving the farm, you see?
00:33:14 Or not seeing the creature he is waiting for every day,
00:33:16 I think I can't stand that.
00:33:18 Well, all of that ends up being like Candela.
00:33:21 All of it, right? And less without any need.
00:33:24 Well, you lose the care that, whatever happens,
00:33:26 me and the baby, we are not going to lose, Candela.
00:33:29 It's just that ...
00:33:32 everything has been so rushed that ...
00:33:34 that what I am is confused.
00:33:36 It's like ... like I don't know what to do, I don't know what to think.
00:33:41 I don't even know how I feel.
00:33:43 Well, the latter is the worst.
00:33:45 Why do you say that?
00:33:47 Because you don't know how you feel.
00:33:50 That's like having lost the North, right?
00:33:53 As if you didn't recognize yourself.
00:33:55 Well, something like that, yes.
00:33:57 What do I do, Candela?
00:34:00 I just dare to tell you that you have to decide for yourself.
00:34:05 For yourself.
00:34:07 And only after you have thought it over very well.
00:34:10 Very well.
00:34:11 This decision has no turning back, Mrs. Pia.
00:34:21 So don't rush it.
00:34:24 It's just that, Hanna, everything sounds very confusing.
00:34:34 I need to know at least ...
00:34:36 Lope, you agreed to help me and you accepted the only condition I gave you.
00:34:39 Yes, no questions.
00:34:40 Don't ask me.
00:34:42 But it's absurd.
00:34:44 Well, you still have time to back out and leave me in the lurch.
00:34:47 No, no, no one is going to back out here.
00:34:49 Thank goodness.
00:34:51 You should at least know what it's about, right?
00:34:57 Yes.
00:34:59 And?
00:35:01 A picnic.
00:35:04 A picnic?
00:35:05 Or a picnic, as Mrs. Candela says?
00:35:07 Lope, what else is there?
00:35:09 A picnic, for example.
00:35:11 Yes, I don't know much about picnics, but a picnic.
00:35:14 Can I ask you what time it would be?
00:35:17 Yes.
00:35:19 Hanna?
00:35:21 At ...
00:35:23 At lunchtime, in the afternoon, a simple thing, made with mimo.
00:35:27 I do everything with mimo, Hanna.
00:35:29 And what about you?
00:35:32 I do everything with mimo, Hanna.
00:35:34 Yes, I know, sorry.
00:35:36 And for how many people would it be?
00:35:38 Uh ...
00:35:40 Hanna, that's impossible.
00:35:43 For two people. For two.
00:35:47 For two.
00:35:49 Aha.
00:35:51 Aha what?
00:35:53 Nothing, nothing, nothing.
00:35:55 Lope, I'm not going to tell you what people they are.
00:35:57 Okay, but you go.
00:35:59 Me, what?
00:36:01 If you don't tell me what you want me to prepare, Nick,
00:36:03 for whom I cook, you'll tell me.
00:36:05 Okay, can I tell you some things?
00:36:07 You tell me.
00:36:09 It's a snack.
00:36:11 Hanna, you've already told me that before.
00:36:14 And what is it going to be done in a rural environment?
00:36:17 Hanna, it's a picnic.
00:36:19 Lope, look, I, if you want me to tell you what ...
00:36:22 I can't tell you what's in the basket because I leave that to you, you are the cook.
00:36:26 Ah, thank you.
00:36:29 One thing I can tell you.
00:36:30 In the dessert snacks there must be a chocolate cake.
00:36:34 So I'm going to prepare a chocolate cake, Chapo Messier.
00:36:40 That, that's perfect.
00:36:42 Or should I say, Chapo Madmoisel.
00:36:45 You don't know how excited I am to cook for Miss Martina.
00:36:49 And I'm not telling you who she's going to eat it with, but I can imagine it.
00:36:53 Look, Lope, I was excited to be enigmatic.
00:36:58 But that doesn't work for you, Hanna.
00:37:00 You are more of a bread, bread and wine, wine.
00:37:03 And speaking of wine, do you want to burn the cheese and the fever with some wine?
00:37:08 Well, yes, that would be fine, yes.
00:37:10 But with a good one.
00:37:12 What an illusion it makes me cook for romantic dates, Hanna.
00:37:16 And rest assured that your secret is safe with me.
00:37:20 I'm not.
00:37:22 Don't offend me, huh?
00:37:25 Rita ends up preparing the piqui-niqui for you.
00:37:28 Lope, no, no, I trust you a lot.
00:37:31 Really, I trust you.
00:37:33 That's how I like it.
00:37:35 Well, come on.
00:37:37 Well, you had a wonderful idea.
00:37:51 Yes?
00:37:54 For the gardens together.
00:37:56 Alone.
00:37:58 I like the plan.
00:38:00 I'm glad.
00:38:02 I was very happy when you accepted.
00:38:05 How was I going to refuse?
00:38:08 I don't know.
00:38:10 To me, the countryside, honestly, is not that it makes me very excited.
00:38:13 No?
00:38:15 No.
00:38:16 And what is it that you dislike about the countryside?
00:38:18 No, let's see, it's not that there's anything that I dislike.
00:38:23 I don't like anything either.
00:38:25 So you're indifferent, right?
00:38:28 Yes, you could say that.
00:38:31 Although, if going to the countryside becomes a walk with you, I start to like it more.
00:38:38 No?
00:38:40 Look, half of those flowers look at you with envy.
00:38:45 Only half?
00:38:49 Yes, because, for example, the insects, it's true that they all look at you with envy.
00:38:55 The insects look at me with envy?
00:38:58 Yes.
00:38:59 You are very flattering.
00:39:00 Well, maybe there is some other hat that does look at you with envy.
00:39:04 I think I can do it a little better, Mr. Curro.
00:39:09 I promise I'm doing my best.
00:39:11 Well, if that's all you have to offer me.
00:39:13 Well, well, I can't show you all my virtues.
00:39:17 I have to dose them, otherwise they will get stuck.
00:39:19 They get stuck?
00:39:20 Yes.
00:39:21 I see.
00:39:22 And don't you think we've gotten very far from the palace already?
00:39:28 Well, now that you say it, yes.
00:39:31 I've never been here in my life.
00:39:33 And we shouldn't go back?
00:39:36 Yes, right away, but I think you haven't seen anything.
00:39:41 What haven't I seen?
00:39:44 Turn around.
00:39:46 [Music]
00:39:51 How beautiful.
00:39:53 Do you like it then?
00:39:54 So you've never been to this part of the gardens, have you?
00:39:57 Well, no, just to remind me of this place.
00:39:59 I just didn't want you to see the surprise.
00:40:02 And look at all the food we have.
00:40:05 And is there something special?
00:40:07 Well, of course.
00:40:09 This?
00:40:11 Yes.
00:40:13 It's my favorite cake.
00:40:15 Exactly.
00:40:16 How do you know this?
00:40:17 You say it all the time.
00:40:18 No, it's not true.
00:40:19 Look, Martina, I think there are shepherds in the village who know that this is your favorite cake.
00:40:22 How silly.
00:40:24 Do you like it then?
00:40:27 Why wouldn't I?
00:40:30 It's perfect.
00:40:32 That's what it is.
00:40:33 Well, that was the idea.
00:40:36 In fact, all for you.
00:40:39 Thank you.
00:40:42 Thank you.
00:40:43 What if we stop talking and get to the action?
00:40:46 I mean, eat.
00:40:50 Yeah, yeah.
00:40:51 I know what you mean.
00:40:53 Let's see.
00:40:57 I'll put it here.
00:40:59 Thank you.
00:41:01 My God.
00:41:02 It looks good.
00:41:04 It's delicious.
00:41:09 It's delicious.
00:41:10 It's delicious.
00:41:15 What are you laughing at?
00:41:19 What's wrong?
00:41:23 That.
00:41:25 This week has been a week more or less like the others.
00:41:37 Candela, Lope and I have prepared fish sancocho.
00:41:47 Various purés, select pastries.
00:41:52 In general, the dishes have come out well.
00:41:59 Candela, please.
00:42:06 Proceed, Simone.
00:42:07 No, there's no more.
00:42:09 But hey, it would be a lot to ask for a little concentration.
00:42:17 A lot, yes.
00:42:18 Please.
00:42:21 Candela, continue with your editing.
00:42:29 I liked it, Mr. Carlos.
00:42:31 No.
00:42:32 This week has been a week out of the ordinary.
00:42:52 Like Pamea and Noixado.
00:42:55 With forgiveness.
00:42:57 Simone, please, a little respect.
00:43:01 I respect everything that is needed.
00:43:03 But Candela has written it in mufa and she has to laugh.
00:43:07 Well, go ahead.
00:43:10 But it all started when Simone found a wallet made of fox skin.
00:43:30 On a street in Lujan.
00:43:33 And I told her that it was her own thing to take the wallet to the closet.
00:43:44 Well, it's okay.
00:43:46 Well, what are you doing today, Mr. Carlos?
00:43:51 It seems that you have risen with your left foot.
00:43:53 I can't think of anything.
00:43:56 I have a lot of work at school and life doesn't give me.
00:43:58 I'm very tired.
00:44:00 Well, we'll leave it now and rest.
00:44:02 Nothing will happen and the next day will be sooner.
00:44:05 Well, no, we will continue with the class.
00:44:07 You are not to blame for what has happened elsewhere.
00:44:10 So please, let's continue.
00:44:12 But how did you do that?
00:44:16 That what?
00:44:18 Your arm.
00:44:20 No, this is nothing.
00:44:22 Don't worry.
00:44:24 It doesn't look good.
00:44:25 Well, it has been very clumsy.
00:44:26 As much as the marathons you have seen.
00:44:28 The other day I was fixing a shelf full of books and it fell on me.
00:44:36 I slipped, I leaned on a bucket and all the books fell on me from my arms and body.
00:44:43 All the universal literature fell on me, about to die, buried by culture.
00:44:49 What a bad leg.
00:44:51 Yes.
00:44:53 Well, let's continue.
00:44:54 Well, this is something else.
00:45:09 With the last compostures we have it.
00:45:12 Let's see, I think if we do a couple of tweezers, one on this side and the other on this side,
00:45:21 we are able to carve it all without touching the seam.
00:45:24 Do you think?
00:45:26 And you are looking very bad.
00:45:29 Well, one of Rubens' thanks has never been the girl.
00:45:32 Nor the one that is missing.
00:45:34 Yes, basically because I don't know who she is.
00:45:36 Well, are you ready?
00:45:41 Let's go.
00:45:43 One.
00:45:45 Two.
00:45:50 What do you think?
00:45:51 Three?
00:45:53 Yes, three.
00:45:54 But Maria.
00:46:02 Well, don't worry, Teresa, it's because of the emotion of the moment, right?
00:46:06 The anticipation of the wedding.
00:46:08 That you are beautiful, that you are beautiful.
00:46:10 Better impossible.
00:46:12 Are you okay?
00:46:16 Yes, yes, it is what Doña Pia says, that it is because of the nerves of the wedding and the emotion of the moment.
00:46:22 Can I take it off now?
00:46:27 It is that Miss Martina told me that she had to ... that she needed me.
00:46:31 We'll take it off for you, you have pins, okay?
00:46:34 Okay.
00:46:35 Do I have a fever, Hanna?
00:46:51 No, ma'am.
00:46:53 Are you sure?
00:46:55 I just took the temperature.
00:46:57 And I have nothing.
00:46:59 Not even a few decimals.
00:47:02 Yes, I feel feverish.
00:47:03 Well, I'm sure this will cool you down.
00:47:07 Let's see.
00:47:10 How are you?
00:47:17 Good, thanks.
00:47:18 Wow.
00:47:25 It seems that you are unwilling again.
00:47:27 Yes.
00:47:30 Even a little feverish, from what I see.
00:47:32 What a pity, because Manuel is waiting for you to go for a walk.
00:47:37 I'll go tell him to tell him you can't go with him.
00:47:40 If you allow me, ma'am, I think it would be appropriate for you to go for a walk with your husband.
00:47:50 It could be good for him.
00:47:52 Do you think so, Hanna?
00:47:54 Yes, I should take the air.
00:47:57 Let's see if it's true, yes.
00:48:00 Will you help me?
00:48:03 Sure.
00:48:04 Come.
00:48:06 Like this.
00:48:10 Get better.
00:48:15 Thank you.
00:48:16 Are you waiting for my daughter-in-law again?
00:48:27 I've already told her that I don't do this out of my own free will, but because her son asked me to.
00:48:32 Yeah, you told me, yes.
00:48:34 And I see that you are discouraged in your performance.
00:48:38 Like everything I do, ma'am.
00:48:40 But in this, maybe a little more.
00:48:42 Am I wrong?
00:48:43 You are wrong.
00:48:44 How did you say?
00:48:45 Look, I don't care much about Mrs. Jiménez's intimacy.
00:48:50 And if I do this, it's because it's in favor of her son.
00:48:53 I try to do my best.
00:48:56 Did I hear you wrong or did you just tell me that I was wrong?
00:48:59 You asked and I answered.
00:49:02 And I answered that I was wrong.
00:49:04 Exactly.
00:49:05 You were wrong and I simply answered with total sincerity.
00:49:09 Did I do something wrong?
00:49:11 Why is everything so difficult with you, Hanna?
00:49:13 What makes you believe you have the right to insult me like this?
00:49:16 It wasn't my intention.
00:49:18 Your intention couldn't care less about me.
00:49:20 And I don't understand why you're still determined to be close to my daughter-in-law's skirts.
00:49:23 Well, if you care so much, talk to your son because I'm already crazy.
00:49:27 Excuse me.
00:49:52 Oh, what a pity, Mr. Arcos.
00:49:54 We have already finished the dress test of María Fernández.
00:49:57 No, I didn't come to any test.
00:49:59 Except to know why some people spend their hours gossiping instead of attending to their tasks.
00:50:05 Excuse me, what do you mean exactly?
00:50:08 That kiss was quite impertinent.
00:50:12 The boy from Grazalema gave it to Mr. Marqués so that, at best,
00:50:16 there is someone down here who enjoys telling it.
00:50:19 And the kiss?
00:50:21 The stolen kiss.
00:50:22 And who are you talking about right now?
00:50:25 Talk about me, Mrs. Darre.
00:50:27 There you have your answer.
00:50:29 But what Mrs. Arcos says is not true.
00:50:31 I have done nothing wrong.
00:50:33 I just told what I saw.
00:50:35 I wasn't the one who kissed the man.
00:50:37 That was all that was missing.
00:50:38 And it is not true that I spent hours talking about the matter.
00:50:41 You, girl, are the personified indiscretion.
00:50:45 You don't fool me.
00:50:47 And listen to me carefully.
00:50:48 That is the worst defect that a maiden can have.
00:50:51 I am not indiscreet.
00:50:53 And you know it, Mrs. Darre.
00:50:55 Don't listen to her.
00:50:56 If she rebuts, I'll kick her out.
00:51:01 As much as she disguises it.
00:51:03 Nothing.
00:51:05 [footsteps]
00:51:07 [sigh]
00:51:33 [music]
00:51:35 You woke me up.
00:51:52 You're a liar.
00:51:53 Why?
00:51:54 You had to smile.
00:51:55 That's because I was having a wonderful dream.
00:52:00 Ah, a wonderful dream.
00:52:02 Yes.
00:52:03 I hope that dream has something to do with me.
00:52:09 Yes.
00:52:11 Yes?
00:52:12 With you.
00:52:13 And with extending this moment for eternity.
00:52:17 So we can stay here, both of us.
00:52:20 Alone.
00:52:21 And hugged forever.
00:52:23 Oh.
00:52:24 But unfortunately, it was just a dream.
00:52:31 It's getting late.
00:52:33 We should go back to the promise.
00:52:35 No.
00:52:36 No?
00:52:39 No.
00:52:40 No?
00:52:41 No.
00:52:42 You know what?
00:52:44 You've been sleeping for a long time.
00:52:48 I didn't have time to take a walk.
00:52:51 I came back because I missed you.
00:53:00 That's what happened.
00:53:02 When I came back, I saw how little you missed me.
00:53:07 Because you were still sleeping.
00:53:09 I told you I was dreaming about you.
00:53:11 Ah, and that has to be a consolation.
00:53:13 You're silly.
00:53:15 A workaholic.
00:53:17 Martina, you should say my full name.
00:53:21 It's less offensive.
00:53:23 It's offensive.
00:53:24 I'm offended.
00:53:28 Yes.
00:53:29 You're offended.
00:53:31 And that's how you forgive me?
00:53:35 No.
00:53:43 No?
00:53:44 Like this?
00:53:47 I'm sorry.
00:53:55 I'm sorry.
00:53:56 I'm sorry.
00:53:57 I'm sorry.
00:54:26 Come on.
00:54:27 Come on.
00:54:29 Come on.
00:54:30 Come on.
00:54:31 [Music]
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