A young woman turns to Sherlock Holmes for protection when she's menaced by an escaped killer seeking missing treasure.
Arthur Wontner ... Sherlock Holmes
Isla Bevan ... Mary Morstan
Ian Hunter ... Dr. Watson
Graham Soutten ... Jonathan Small
Miles Malleson ... Thaddeus Sholto
Herbert Lomas ... Major Sholto
Gilbert Davis ... Atherly Jones
Margaret Yarde ... Mrs. Smith
Roy Emerton ... The Tattooed Man
Mr. Burnhett ... Tattoo Artist
Charles Farrell ... Funfair Patron
Clare Greet ... Mrs. Hudson
Moore Marriott ... Mordecai Smith
Edgar Norfolk ... Capt. Morstan
Kynaston Reeves ... Bartholomew Sholto
Ernest Sefton ... Barrett
Togo ... Tonga
Director: Graham Cutts
Arthur Wontner ... Sherlock Holmes
Isla Bevan ... Mary Morstan
Ian Hunter ... Dr. Watson
Graham Soutten ... Jonathan Small
Miles Malleson ... Thaddeus Sholto
Herbert Lomas ... Major Sholto
Gilbert Davis ... Atherly Jones
Margaret Yarde ... Mrs. Smith
Roy Emerton ... The Tattooed Man
Mr. Burnhett ... Tattoo Artist
Charles Farrell ... Funfair Patron
Clare Greet ... Mrs. Hudson
Moore Marriott ... Mordecai Smith
Edgar Norfolk ... Capt. Morstan
Kynaston Reeves ... Bartholomew Sholto
Ernest Sefton ... Barrett
Togo ... Tonga
Director: Graham Cutts
Category
🎥
Short filmTranscript
00:03:00Come in.
00:03:03Come in.
00:03:07Come in.
00:03:12Come in.
00:03:14Come in.
00:03:21Come in.
00:03:22You say the precious stones are all in this one place and are worth a quarter of a million?
00:03:58Well, if I do...
00:03:59If you don't trust us, you'd better go back to your solitary confinement.
00:04:05Where is this place?
00:04:07The fortress of Agra.
00:04:09That is the ground plan.
00:04:10That is the ground plan.
00:04:12The 337 you see there means that from this cornerstone, you count three picks up and 37 along to that point.
00:04:19The sparklers are there.
00:04:21There is a man.
00:04:22And mind you don't forget the sign of fours.
00:04:28And mind you don't forget the sign of fours.
00:04:35And mind you don't forget the sign of fours.
00:04:42Three bricks up.
00:04:4631, 32, 33, 34, 35, 36, 37.
00:04:53.
00:05:12.
00:07:23Agba, fetch my two sons to me at once.
00:07:53What are you doing out of your chair?
00:08:15What's happened?
00:08:17Mother, come on.
00:08:20We'll get back to the fire.
00:08:26For God's sake, keep him away.
00:08:28Don't let him kill me.
00:08:30Don't let him kill me.
00:08:31Father, no one's going to harm you.
00:08:33We'll protect you.
00:08:35Not from Jonathan Small.
00:08:37He'll kill me.
00:08:38He said he would.
00:08:39He escaped a month ago from Andaman.
00:08:41Jonathan Small?
00:08:42Who is he?
00:08:43He's only one leg.
00:08:45The others would.
00:08:46I robbed him of his treasure
00:08:48and killed Morstan in a fight over it.
00:08:51Treasure?
00:08:52Yes.
00:08:53That's where our money comes from.
00:08:55Morstan had a daughter.
00:08:57Mary, I think her name is,
00:08:59runs a florist shop in the West End.
00:09:02Look.
00:09:04Open the top drawer of that desk.
00:09:07Don't you.
00:09:08Don't you?
00:09:09Yes.
00:09:10Yes.
00:09:11I'm trying to take that back.
00:09:12I'll take that back.
00:09:13There's a corner on the right side.
00:09:22Yes.
00:09:23I'll keep that.
00:09:24Be careful.
00:09:25Be careful.
00:09:26Oh, my sons, don't quarrel over them.
00:09:28What suffering they've caused already.
00:09:30Oh, my sons, don't quarrel over them.
00:09:33What suffering they've caused already.
00:09:36Those are the Rasputana pearls.
00:09:38I want them to go to Mauston's daughter.
00:09:40You must also give her one third of the rest.
00:09:44Yes, Father, I promise.
00:09:45Where is the rest?
00:09:47I've hidden it in Pondicherry Lodge.
00:09:49Where?
00:09:50Upstairs, in the...
00:09:55Essen, Essen, do you hear?
00:10:00Do you hear?
00:10:02That stomp.
00:10:04Stomp.
00:10:06That wooden leg.
00:10:08No, of course you don't.
00:10:11It's only in my head pounding there.
00:10:16I do hear it.
00:10:19I do.
00:10:30Father.
00:10:50Stop.
00:10:51Stop.
00:10:52Father.
00:10:53Akbar.
00:10:54Akbar, go outside.
00:10:55There's a man.
00:10:56Stop him.
00:10:56Stop him.
00:10:57He's dead.
00:11:00No one here, sir.
00:11:05Someone just gone in taxi.
00:11:16He never told us where the treasure is.
00:11:30A couple of more jabs in the pink, matey.
00:11:34And the beautiful spectacle of love, wearing the Rasputana pearls, will be finished.
00:11:41One more day of this and I'd run out on you.
00:11:45Well, it had to be done, didn't it?
00:11:47No one will recognize you now as convict number double four seven three oh.
00:11:51I'd rather be young, shot, grounded and electrocuted than go through this again.
00:11:58Perhaps we can arrange that too.
00:12:00Well, she looks a bit on the fat side to me.
00:12:01Oh, a bit of fat over your kidneys will keep you warm.
00:12:02Oh, I'm the professor what's done it.
00:12:04Think of the money people pay to look at you.
00:12:05Well, she looks a bit on the fat side to me.
00:12:06Oh, a bit of fat over your kidneys will keep you warm.
00:12:07I'll make you fat and I'll get my hands on those sparklers again.
00:12:08Sitting in a sofa full of food that that nice little bit of electron I did there will
00:12:12see you.
00:12:13I'm the professor.
00:12:14I'm the professor what's done it.
00:12:15Keep your hand away and leave it alone.
00:12:16Let it get dry.
00:12:17You'll have a look at yourself.
00:12:18You're a masterpiece.
00:12:19That's what you are.
00:12:20And I'm the professor what's done it.
00:12:21Think of the money people pay to look at you.
00:12:22Well, she looks a bit on the fat side to me.
00:12:23A bit of fat over your kidneys will keep you warm.
00:12:24I'll make you fat and I'll get my hands on those sparklers again.
00:12:27Sitting in a sofa full of food that that nice little bit of electron I did there
00:12:36was spread out in the spell.
00:12:38God bless our old.
00:12:40Yeah.
00:12:41I've been listening to you talk about them sparklers for ten years.
00:12:47And I believed you.
00:12:48Broke out of andaman with you.
00:12:51Me with only three more months of my sentence to do.
00:12:53Let you stick a million holes in me eyes and make me look like a blooming zoo.
00:12:57You've been lying.
00:12:58And if you ain't, let's see the color of them sparklers.
00:13:01Quick or I'll break you.
00:13:02You're what?
00:13:06Now then, Algiella.
00:13:07Be a good boy and do what Papa wants you to.
00:13:10And don't make Papa have to cave your blooming ribs in.
00:13:14Go on, matey.
00:13:16You don't think I've spent it in that stinking prison for twenty years without getting educated,
00:13:19do you?
00:13:21You don't think I spitted in that stinking prison for 20 years without getting educated, do you?
00:13:34They said they sent me to Quad to learn me a lesson and I learned it.
00:13:38I've been through Oxford. In the first place, most of the treasure is safe.
00:13:45How do I know? Because old Sholto hadn't got the nerve to use much of it.
00:13:50And how do I know he hadn't got the nerve? Because I looked at him once and he kicked the bucket.
00:13:57Why aren't those pretty Sholto boys sent the cops on me?
00:14:00They don't want me to make no noise about the sparklers.
00:14:03For fear the real owners will turn up and claim them.
00:14:06And for fear of losing them, they'll only turn them into cash one at a time.
00:14:11But there are so many of their beauties. So very many.
00:14:16There'll be plenty for us when we get round to collecting.
00:14:23No, matey. There's one thing you'll never know.
00:14:28And that is, what a beautiful thing it is to be educated.
00:14:33Oh, I know enough.
00:14:34Enough to keep your mouth shut, I hope.
00:14:37I never did fancy myself and me government haircut.
00:14:41But I can't wear these sook and trishes for long.
00:14:44They make me itch.
00:14:46I'll just put on me best Sunday go to meeting prop and give the ladies an eyeful.
00:14:53Now you stay right here in the fun fair and keep your own fires burning.
00:15:10And mind you keep an eye on Tonga too.
00:15:13You don't go on exhibition until next week.
00:15:16If I was to say to you,
00:15:25Now for the treasure of Monte Cristo and the world is mine,
00:15:29You wouldn't know what I meant, would you?
00:15:31No.
00:15:33Cause you're not educated.
00:15:36Trench.
00:15:38Ten years of a pen and never learned nothing.
00:16:06There it is, Miss Norston.
00:16:14Good morning.
00:16:46I quite Johnson.
00:16:56Back door!
00:17:22Back door!
00:17:24There's somebody here. I'll put on the light.
00:17:54Once we get out of your shelter, you'll be having breakfast with your father in the morning.
00:18:01I'm simply charmed to meet you, Mr. Shelter. My name's Small. Jonathan Small.
00:18:13You've heard my name before, huh? Perhaps from your dear father. Nice man, your father. Wasn't that?
00:18:25Yes.
00:18:27You're a liar. He was a dirty, rotten sneak thief. A worse crook than him ever lived.
00:18:33Did he tell you he was a murderer too? Did he? What?
00:18:38He confessed. All those things. Just before he died.
00:18:44Did he tell you all about the treasure? Did he?
00:18:48Yes.
00:18:52Mayday, we've been wasting our energy upsetting the gentleman's house.
00:18:56All we got to do was to ask him in my pretty sparklers where, and he'd tell us.
00:19:02Where are they?
00:19:06I don't know. Huh?
00:19:08The father died before he could tell us.
00:19:12I'm disappointed in you, Shelter.
00:19:15I thought you too much sense in the play with me.
00:19:18The treasure's hidden somewhere. We've not been able to find out where.
00:19:22Where? All of it.
00:19:24Yes.
00:19:25Yes, yes, yes, yes. All of it.
00:19:28Hesitating a little.
00:19:30That means you're lying.
00:19:36Listen to me, you little rat.
00:19:38We're going to get this stuff anyway.
00:19:40Whether you're tennis or not, or whether you die or not.
00:19:42Just spit it out.
00:19:48Stop! Stop!
00:19:50I'll tell. I'll tell.
00:19:56Well?
00:19:58I told you the truth.
00:20:00The bark of the treasure, we, we can't find it.
00:20:04Only the pearls.
00:20:06The Rajputana pearls.
00:20:08Why are they?
00:20:10Promise that my brother and myself won't be harmed.
00:20:12Unless you get funny and tell the cops.
00:20:14Oh, I promise, I promise we won't.
00:20:16Captain Morstan's daughter.
00:20:18Captain Morstan's daughter has them.
00:20:20Well, where is she, huh?
00:20:22She keeps a flourished shop.
00:20:28There you are, sir.
00:20:48You're changed, sir.
00:20:50Two and six, five and five makes sense.
00:20:53Thank you, sir.
00:20:54Call again.
00:20:55I will.
00:20:56I will.
00:21:26Bye.
00:21:38You haven't seen it.
00:23:10How on earth could you know?
00:23:13You're a very remarkable man, Watson.
00:23:15Me?
00:23:16The finest audience in the world.
00:23:18I never cease explaining my methods to you.
00:23:21And apparently your amazement grows deeper every day.
00:23:25But how could you possibly know what I've been thinking?
00:23:27You were looking at those tiger pictures in the paper until your eyes were nearly popping out of your head.
00:23:34Your expression then was unmistakable.
00:23:37Yes, I suppose it was.
00:23:38Yes, you came down to earth and realized that tiger shooting is no longer for you.
00:23:44It's very simple, really.
00:23:45Yes, like all great things, Watson.
00:23:47You know, I owe you an apology.
00:23:53You come here for adventure and I've none to offer you.
00:23:56Very soon out of London's teeming millions, some distressed person will step up to the door and knock.
00:24:02Ring, Watson.
00:24:02The knocker doesn't function.
00:24:03You should have noticed that.
00:24:04Oh, very well, Ring, then.
00:24:08Ah, she's made up her mind.
00:24:11What?
00:24:12Who?
00:24:13Look.
00:24:18Evidently you find the young lady's case interesting already.
00:24:27Miss Morstan to see you, sir.
00:24:28Miss Morstan?
00:24:29Did she tell you her business?
00:24:31No, sir.
00:24:32But she seems terribly upset.
00:24:34Oh, well, show her up.
00:24:38This is one of your teeming millions, Watson.
00:24:41Miss Morstan?
00:24:46Mr. Holmes?
00:24:47Mr. Sherlock Holmes?
00:24:48Yes, that is my name.
00:24:49I'm terribly sorry.
00:24:51I think...
00:24:52I'm afraid I'm going to fit.
00:25:03Well, I'll get some brandy.
00:25:04I've had a frightful shock of some kind.
00:25:07Thank heaven you were here, Watson.
00:25:09In such embarrassing matters as fainting women, I must defer to you.
00:25:14Thanks.
00:25:14That's better.
00:25:25Now, you'll feel all right again in a minute.
00:25:30I feel terribly ashamed.
00:25:33I apologize.
00:25:34Perhaps I'd better go.
00:25:34And deprive it of the pleasure of offering the assistance you came to seek.
00:25:40Miss Morstan, tell me, why were you so afraid of being followed here?
00:25:46How did you know?
00:25:47Well, there's hardly a mystery.
00:25:47I simply observed you from the window.
00:25:48Oh.
00:25:49Now, Miss Morstan.
00:25:50It's rather a long story.
00:25:51Shall I begin at the beginning?
00:25:52Yes, please do.
00:25:53An amateur investigator like myself can't have too many facts of a case to work on.
00:25:57A number of years ago, my father, Captain Morstan, mysteriously disappeared whilst on his way home on leave from the Orient.
00:26:03Oh, Miss Morstan, uh, Captain Morstan, uh, Captain Morstan, uh, something to do with a convict settlement at, um, uh, Andaman Island, was it?
00:26:23Yes, I remember.
00:26:24You remember?
00:26:25Yes.
00:26:26You learn to expect such amazing things from Mr. Holmes.
00:26:27And I'm afraid that completes my knowledge of the first chapter.
00:26:30This was found in my father's belongings.
00:26:33Hmm.
00:26:34Hmm.
00:26:35Hmm.
00:26:36Hmm.
00:26:37Hmm.
00:26:38Hmm.
00:26:39Hmm.
00:26:40Hmm.
00:26:41Hmm.
00:26:42Hmm.
00:26:43Hmm.
00:26:44Hmm.
00:26:45Hmm.
00:26:46Hmm.
00:26:47Hmm.
00:26:48Hmm.
00:26:49Hmm.
00:26:50Hmm.
00:26:51Hmm.
00:26:52Hmm.
00:26:53Hmm.
00:26:54It appears to be the diagram of a large building.
00:26:56A fort, perhaps.
00:26:57Yeah, what's this?
00:26:58Four names.
00:26:59Look, here are four crosses.
00:27:00Yes, four crosses.
00:27:02When I first saw that paper as a child, I wondered what those crosses meant.
00:27:06And today, when I saw it again on another paper...
00:27:08Again?
00:27:09Yes.
00:27:10That's the modern side of the story.
00:27:12It's all very simple to me.
00:27:18First, we does both the scholter boys in,
00:27:21with a nice little bit of candy,
00:27:22Nice little bit of cuttin' round the jugular vein.
00:27:28And, for the matter of that,
00:27:31sticks a knife into the Marston girl, if she won't tell.
00:27:35Then, off we go to South America with the sparklers.
00:27:41It's all very simple to me.
00:27:43When you're done with the three of them,
00:27:44I suppose you'll start an old blooming police force.
00:27:47Now, there'll be no murdering unless absolutely necessary.
00:27:53Can't do much of it without leaving some clue.
00:27:56Eh?
00:27:57Clue.
00:27:58You know what clue is, don't you?
00:28:00Yes, something you sticks paper together with.
00:28:04Really?
00:28:06When we get to South America,
00:28:08I'm sending you to night school.
00:28:14Do you want the feel of my boot in your face?
00:28:16It ain't my fault.
00:28:18It's these year's safety razors.
00:28:20Yeah.
00:28:21What about me having a go with a straight one?
00:28:24Not on my neck.
00:28:27With so many things happening in such quick succession,
00:28:30first one note, then another, then the safe broken open.
00:28:33I didn't know which way to turn.
00:28:35I suppose I should have had more courage,
00:28:37in spite of the warning of death and gone to the police.
00:28:40I'm afraid I'm not as brave as I should be.
00:28:42But, Miss Morstan, there's one thing you haven't told us.
00:28:46Actually, where are the pearls?
00:28:49Miss Morstan was afraid to trust even her own safe with such valuables.
00:28:52So she's been carrying them about on her person.
00:28:55That's true.
00:28:56I have them here in my dress.
00:28:57Although this handwriting is obviously disguised,
00:29:01the person who sent you the pearls
00:29:03and the one who invites you to this questionable rendezvous in Acacia Road this evening
00:29:07is one and the same.
00:29:09I should describe him as small, extremely nervous and timid.
00:29:15A perfect example of the homo lupusculus or rabbit man.
00:29:19But the one who threatens your life, he's quite the opposite.
00:29:22A homo tour as powerful as a bull and with great cunning.
00:29:26A killer.
00:29:30An opponent to be reckoned with.
00:29:33And he's only one leg.
00:29:35Mr. Holmes takes such a delight in provoking my curiosity
00:29:39that I swear I'll never ask him again how he makes deductions such as...
00:29:44Well, that by looking at a man's handwriting, he can tell he has but one leg.
00:29:49Perhaps you can tell us, Mr. Holmes, if the color of his eyes,
00:29:52if he likes white mice or...
00:29:55or if he suffers abominably from arthritis.
00:30:01I not only resent your making me appear ridiculous before Miss Morstan,
00:30:04but it grieves me to think, Watson,
00:30:07that you've never read my treatise
00:30:09on the physical and mental reactions of the disabled.
00:30:12For therein I described, with my feeble prose,
00:30:15that the whole physical being of a man who has undergone amputation
00:30:20goes through a complicated process of reorganization,
00:30:23as a result of which his functional characteristics are decidedly marked.
00:30:28His subjective mind, fully conscious of the loss of physical balance,
00:30:33tries to make good that loss by some such expressions as,
00:30:38well, increasing the pressure on the down stroke of a pen,
00:30:43making it firm and straight so that the letters stand up,
00:30:45as it were, on their own legs.
00:30:53Do I make that quite clear?
00:30:55Perfectly.
00:31:02Miss Morstan,
00:31:03I don't want to alarm you unduly,
00:31:06but your homo taurus friend is unreservedly dangerous.
00:31:10For that reason, may I suggest that you accept my meager hospitality
00:31:14until the time of your departure for Acacia Road.
00:31:16Thank you so much.
00:31:18Oh, but I don't want to go there alone.
00:31:20It states in your invitation that you will be allowed two friends.
00:31:26May I have the privilege of appearing as one of them?
00:31:29Thank you very much.
00:31:35Will, will you be my other friend?
00:31:37May I?
00:31:39You're not a bit like a doctor.
00:31:42Now, Miss Morstan,
00:31:44I'm going to turn you over to my trusted housekeeper,
00:31:47Mrs. Hudson, who will see that you're made comfortable.
00:31:50Miss Morstan will dine with me here tonight.
00:31:54If I may be permitted to...
00:31:57Oh, yes, certainly.
00:31:59Yes, yes.
00:32:00We'll give Dr. Watson a chop as well.
00:32:01I don't want to interrupt the violent flatterings of your heart, Doctor.
00:32:11But perhaps you'd be interested to know
00:32:13that never in my career have I encountered a more intricate case.
00:32:17Serious as that?
00:32:18Uh-huh.
00:32:19She'll need all our help and perhaps more before we're through.
00:32:22Uh-huh.
00:32:23And under no circumstances must we allow her to go back to her shop.
00:32:26Shop?
00:32:27She said nothing about a shop?
00:32:29No.
00:32:30No, but I think you'll find that she runs a small florist shop
00:32:33in the West End of London.
00:32:34How can you possibly deduce that?
00:32:36Neatly, but not smartly dressed.
00:32:39Yet she wears an expensive orchid.
00:32:41Orchids are not a suburban trade.
00:32:43Perhaps given her by some ardent admirer.
00:32:46Oh, well, if she had one, she'd have appealed to him and not to us.
00:32:49Besides, fingers used for wiring up flowers become scored, you know, in an unusual way.
00:32:53Yes, I... I think a florist shop.
00:32:57Amazing.
00:32:58No, elementary, my dear Watson.
00:33:01Elementary.
00:33:03Good friends, Watson.
00:33:06In case of need.
00:33:08Now, you'll take Miss Morstan to her home.
00:33:12To watch.
00:33:15Have her change quickly into clothes that are both warmer and a little less conspicuous.
00:33:20Give me.
00:33:22My preparations here will take me about ten minutes, then I'll pick you up.
00:33:25Don't you think we could keep the appointment and leave her out of it?
00:33:28My dear Watson, if we're to catch our fishes, we must use the bait they'll bite on.
00:33:32But, uh, there's no...
00:33:33No, no, no, no.
00:33:34He's getting late, Watson.
00:33:35Getting late.
00:33:37Oh, you'll probably enjoy hearing she does run a florist shop.
00:33:41Oh, really?
00:33:41I'm surprised.
00:33:42Tweezers.
00:33:43Hold.
00:33:54Here's your adventure, all right, Watson.
00:33:58Miss Morstan.
00:33:59Go and knock at the door.
00:34:02We'll be here.
00:34:03Watching.
00:34:13Miss Morstan.
00:34:17Miss Morstan.
00:34:19Yes?
00:34:21Alone.
00:34:24I have two friends.
00:34:28Will you give me your word they are not policemen?
00:34:31Certainly.
00:34:32Come with me, please.
00:34:42Miss Morstan.
00:34:43Mr. Holmes and Dr. Watson.
00:34:49You've kept your taxi, I see.
00:34:50Good, good.
00:34:51Your journey's not over yet.
00:34:53You've news for Miss Morstan?
00:34:55First, we must visit Brother Bartholome, waiting at his house.
00:35:00Taxi.
00:35:01If we go along now, I can tell you the whole thing as we go.
00:35:05No.
00:35:12And last night, my brother found the remains of the real treasure under the attic flooring in Pondicherry Lodge.
00:35:18Such magnificent jewels I've never seen.
00:35:20I had once demanded that they should be divided according to my dying father's wish.
00:35:26I told my brother that I should add my share to yours.
00:35:31It was the only way I could repay you for my cowardly in divulging to Jonathan Small your name,
00:35:37and that I had sent you the pearls.
00:35:39Oh, Bartholome was white with fury.
00:35:41We quarreled violently, and then I went home and wrote the note that you got this morning.
00:35:45You see, I thought that if you were to come and demand your share in person, he damned refuse,
00:35:52in case we should hand the whole matter over to the police.
00:35:55You acted wisely, Mr. Sholto.
00:35:57I'm glad you think I've done one right thing.
00:36:00It took more courage than I thought I had to face the daughter of the man that my father murdered.
00:36:16Wait.
00:36:24McMurdo.
00:36:25Mr. Thaddeus.
00:36:27All right, Mr. Thaddeus.
00:36:41That's all right, McMurdo.
00:36:43Good night.
00:36:46You're not frightened?
00:36:48Terribly.
00:36:49But rather thrilled too.
00:36:53Mr. Holmes.
00:37:03Mr. Thaddeus.
00:37:04Something's the matter.
00:37:06I can't get any answer from the master's room.
00:37:08And he's there.
00:37:10He's there.
00:37:15Oh, there's something devilish in there, Watson.
00:37:29Look.
00:37:32Mrs. Burnstone.
00:37:34A lamp.
00:37:45You've been dead some hours, don't you think?
00:37:57Watson, that's your affair.
00:38:00He's been murdered.
00:38:01Please don't move about.
00:38:02Well, Watson.
00:38:07Not a natural death.
00:38:09Tetanus of some kind.
00:38:11Extreme contraction, far exceeding the usual riga mortis.
00:38:14Precisely.
00:38:15Some powerful alkaloid poison, like stricthine.
00:38:17Mr. Holmes.
00:38:18Look.
00:38:19The treasure's gone.
00:38:20It was there on the table.
00:38:21That's the hole we lowered it through.
00:38:22We've been robbed.
00:38:23And he's been murdered.
00:38:24The police.
00:38:25They'll be called in.
00:38:27They'll find out about the treasure.
00:38:30And say I did it to get the money.
00:38:32You...
00:38:34You don't think I had a hand in it, do you?
00:38:36Gentlemen, I...
00:38:37I didn't.
00:38:51I swear I didn't.
00:38:53I didn't.
00:38:54I swear I didn't.
00:38:55I swear I didn't!
00:38:58Steady, steady, steady.
00:39:00Mr. Shelter, go straight down to the police station and report the matter yourself.
00:39:03Yes.
00:39:05Offer to assist them in every way.
00:39:06Now, it's your wisest course.
00:39:08Now then, Watson.
00:39:09We have a few minutes before the representatives of the law arrive.
00:39:16Ah, I expected this look here, do you see?
00:39:19Just behind the ear.
00:39:25Looks like a thorn.
00:39:28Don't touch it, Watson. It's a deadly poison.
00:39:31This is a dart that's been shot with such force from a blowpipe
00:39:35that before the victim can recover from the shock of the impact,
00:39:38the poison takes effect, causing almost instantaneous death.
00:39:43Such weapons are used by the natives of the...
00:39:46the Ley Peninsula.
00:39:50And the Andaman Island.
00:39:52Andaman?
00:39:54Yes.
00:39:55Yes, it's pretty conclusive, isn't it?
00:39:59Look here.
00:40:00Look here, the same four crosses.
00:40:03Sign of four.
00:40:05Jonathan Smalls!
00:40:06No, possibly not, Watson.
00:40:07Remember, Smalls is only one of four.
00:40:09But more significant still,
00:40:12these crosses have been made with a tattooing needle.
00:40:15The tattooed man!
00:40:18That's quite simple, isn't it?
00:40:21Is it?
00:40:22Well, now we know who did it.
00:40:23All we have to do is to catch him.
00:40:24Yes, that's all.
00:40:26Will you go out and catch him?
00:40:27And I'll wait here till you come back.
00:40:29Yes!
00:40:33But where do I go?
00:40:35Exactly.
00:40:37Let's leave jumping the conclusions to the professional detectives.
00:40:40I prefer to employ my usual method.
00:40:43Carefully reconstructing the crime.
00:40:44In the hope of finding some clue that will lead us to the whereabouts of the criminal.
00:40:50Let us stand on one side, will you, Watson, so that your footmarks don't complicate matters.
00:40:57Now, how did he come?
00:41:00And how did he go?
00:41:01The window fastened on the inside.
00:41:05All the framework's solid.
00:41:07No drain pipe, nothing.
00:41:09Then he couldn't have come in that way.
00:41:11Yes, but he did.
00:41:13Here's a print of a foot in mould on the sill.
00:41:16And, a curious circular muddy mark.
00:41:34Right, there it is again, upon the floor.
00:41:38And, here again, by the table.
00:41:42Here again, by the table.
00:41:46You see that, Watson?
00:41:48A perfect demonstration.
00:41:50But that's not a footmark.
00:41:52No, it's something much more valuable to us.
00:41:54It's the impress of a wooden stub, my dear Watson.
00:41:56A wooden-legged man?
00:41:58Yes, precisely.
00:42:02Yes, but no one could scale that wall,
00:42:04much less a man with only one leg.
00:42:06No, but suppose he had a friend here,
00:42:08who lowers a good stout rope.
00:42:12How have you got in? Not the window.
00:42:16Not the chimney.
00:42:18That's too small.
00:42:20Lend me a hand, Watson.
00:42:22Now we'll have a look at the secret room
00:42:24where the treasure was found.
00:42:26We can surmise that Homo Taurus was here,
00:42:28but the number one man,
00:42:30the one who's skilled in the use of a blowpipe.
00:42:32Who is he?
00:42:34The tattooed man.
00:42:36No, I think not, Watson.
00:42:38No one but a native could have such deadly aim
00:42:40The tattooed man is described by both
00:42:46Sholto and Miss Morstan as a giant.
00:42:48So we must look for someone small
00:42:50who could scale the side of a house
00:42:52without making a sound.
00:42:54There you are, Watson.
00:42:56A disused trap door leading onto the roof.
00:43:00As I can push it back with ease.
00:43:02Now that's how number one entered.
00:43:12There you are.
00:43:14What did I tell you?
00:43:16Impossible. Those are the feet of a child.
00:43:18Not exactly.
00:43:20There's something devilishly like it.
00:43:22Now let's see where that curious foot went to.
00:43:26Get the impression down there.
00:43:28You know that our toes are generally all cramped together.
00:43:30You see, each one of those is divided separately.
00:43:43I've had you better rejoin Miss Morstan downstairs, Watson.
00:43:46She might be frightened when the police arrive.
00:43:48You observe the angle at which the thorn struck.
00:43:58Yes, it must have been shot from the attic.
00:44:00Oh, bravo, Watson.
00:44:02Bravo.
00:44:04What's your theory about these footprints?
00:44:08Well, apply my methods, Watson.
00:44:10And you'll probably find that they'll lead you in directly the opposite direction to that of my old friend, Detective Inspector Athelney Jones, whom I can hear blowing his way upstairs.
00:44:20Yes, sounds like him.
00:44:22Yes, unmistakably.
00:44:23He'll begin by telling me that an ounce of practice is worth a ton of theory and then proceed to arrest everybody on the spot.
00:44:28The arse seems as full as a rabbit, Warren. You stay here. Sergeant, have a look at the other rooms.
00:44:36Yes, sir.
00:44:38Hello, who are you?
00:44:42Why, if it isn't Mr. Sherlock Holmes, the amateur.
00:44:46How are you, sir?
00:44:47I'm all right, Joan, thank you. How are you?
00:44:49You know Dr. Watson.
00:44:50How are you, doctor?
00:44:51How are you?
00:44:52Well, I'll be all.
00:44:56And what brings you gentlemen here?
00:44:58Oh, just a little private investigation?
00:45:01I thought you'd given up our line of business long ago.
00:45:04No.
00:45:05You know, I only take cases too difficult for the official police.
00:45:09Ah, what do you make of this one?
00:45:15Bad business, eh?
00:45:17Yes.
00:45:18You'd hardly thank me for theorising over it.
00:45:21But let's see, eh?
00:45:23What I always says is, Mr. Holmes, an ounce of practice is worth a ton of theory.
00:45:29Yes, yes. I've heard you say it.
00:45:31Sherlock Holmes will never rest until this mystery is solved.
00:45:37What do you think of this theory, Mr. Holmes?
00:45:41Yes.
00:45:42The fellow Thaddeus was with his brother last.
00:45:44The brother dies of a fit, on which Thaddeus makes off with the money.
00:45:48Yes, and on which the dead man very considerably gets up and locks the door on the inside.
00:45:53Oh, well, there may be a flaw, but we can get over that.
00:45:58Yes, but before you actually hang the man, I should like to point out this splinter of wood.
00:46:06Ah, nasty looking thorn.
00:46:12Yes.
00:46:13Be careful, Jones, it's poison.
00:46:15It was found in the dead man's head.
00:46:20Does that fit in with your theories?
00:46:22Perfectly.
00:46:24The only question is...
00:46:26How did he depart?
00:46:28Ah, of course.
00:46:30The hole in the ceiling.
00:46:32He knows the house.
00:46:34I suppose you noticed the hole in the ceiling.
00:46:37Ah, yes.
00:46:38Yes, I did notice it, in passing.
00:46:40There's a trap door leads to the roof.
00:46:43There.
00:46:44You've proved my case.
00:46:45Pretty quick, eh?
00:46:47I can safely say, Jones, that I've never seen anything quite like it.
00:46:51Oh, an ounce of practice.
00:46:53Well, well.
00:46:54Constable.
00:46:55Sir.
00:46:56Ask Mr. Thaddeus Sholto to step up here.
00:46:58Oh, no, my dear Jones.
00:46:59Now, Mr. Holmes.
00:47:01I know you like poking your nose in these things, but you'd better leave this to me.
00:47:07Mr. Thaddeus Sholto, I must ask you to accompany me to the station.
00:47:10It is my duty to inform you.
00:47:12Anything you say may be used in evidence against you.
00:47:14Don't be alarmed.
00:47:15I think I can engage to clear you of the charge.
00:47:18Oh, you do, do you?
00:47:19Well, you'd better not promise too much.
00:47:21All right, Sergeant.
00:47:22Take him away.
00:47:23I shall want to question the others.
00:47:25They may all be in this.
00:47:30Hi, Watson.
00:47:31Is the girl all right?
00:47:32Yes.
00:47:33Good.
00:47:34You found out anything further?
00:47:35Yes.
00:47:36That I have to pay a visit to Mordecai Smiths.
00:47:39Is that the name of the murderer?
00:47:41No.
00:47:42No, it's the name of the man who's been engaged to help our little band of super criminals to escape.
00:47:47Well, how did you find that out?
00:47:48Well, quite simply, Watson.
00:47:49This rope told me all about it.
00:47:51Huh.
00:47:52I've heard of walls having ears, but never of a rope that could talk.
00:47:54No, well, this one can.
00:47:56I found it on the roof.
00:47:58It was brought here by Small and used by Number One to get him up the outside of the house.
00:48:03You see, Jonathan Small, like most master criminals, never commits a crime until he's perfected the method of his escape.
00:48:12Of course, with only one leg, this isn't easy.
00:48:15He can't leave by one of the channel ports because the authorities would immediately search all one-legged men.
00:48:21He can't stay in this country because sooner or later he'd be hunted down.
00:48:24So he arranges to be taken to sea in a fast, small boat and then transferred to some tram steamer, bound for Africa or South America.
00:48:33Perhaps he's already escaped.
00:48:34Not Small.
00:48:35He's waited 20 years in prison planning his revenge and he won't leave till he's completed it.
00:48:40He won't leave without the Rajputana Pearl, the most valuable part of the treasure.
00:48:45And pearls are easier to dispose of than diamonds and other jewelry.
00:48:48Well, where did the rope come in?
00:48:51Mordecai Smith.
00:48:53Is his name on it?
00:48:54No, but it might as well be.
00:48:58In the first place, it's been bleached and soaked by long immersion in salt water.
00:49:02If you'd like to taste it, Watson.
00:49:04No, thanks.
00:49:05You see, at this end there's a spliced loop, which bears the imprint of constant chafing caused by a small ship's brass capstan.
00:49:13The rope is made of cotton.
00:49:15It's not strong enough to hold a large boat.
00:49:17And it's of so soft a texture that it has evidently been used to protect a highly varnished surface, which suggests a speedboat or a launch.
00:49:26On the end of the rope used for tying the boat to a wharf, I found embedded a quantity of powdered malt,
00:49:32which led my thoughts to a warehouse where malt is unloading.
00:49:36Near such a warehouse lives a man that I've known for years,
00:49:40who runs a small pub as a sideline, but whose real underworld business is smuggling.
00:49:45He smuggles contraband to and from boats at sea.
00:49:48Sometimes his contraband are criminals that the authorities are after.
00:49:53So, you see, I really must go to Mordecai Smith's.
00:49:56Positively amazing.
00:49:58Shall I come with you?
00:49:59No, Watson, no.
00:50:01You asked for the job of looking after Miss Morstan, so see that you'll do it.
00:50:06Oh.
00:50:07Request Inspector Jones, very courteously,
00:50:11to assign several of his men to guard Miss Morstan day and night.
00:50:16Don't forget, small still at large, and so are his diabolical helpmates.
00:50:22Yes, protecting Miss Morstan is no small task.
00:50:26Yes.
00:50:36Yes, yes.
00:50:41Good evening, gentlemen.
00:51:11Well, we'll get along soon.
00:51:12Good night, Mrs. Smith.
00:51:13Mammy and the children.
00:51:15Good night, Mrs. Smith.
00:51:16Good night.
00:51:17Come in.
00:51:18Come in.
00:51:19Come in.
00:51:20Come in.
00:51:21Come in.
00:51:22Hello, Mrs. Smith.
00:51:23How are you, Will?
00:51:24How are you?
00:51:25What do you have?
00:51:26It's yours.
00:51:27See, if I do have it with me.
00:51:28Come on.
00:51:29Me, Dad.
00:51:30It's you, old Santa Claus.
00:51:32And what do you bring?
00:51:33It's right, wasn't it?
00:51:34What do you think of that, Al?
00:51:35I'm not sure.
00:51:36No, you're my proud beauty.
00:51:38Are you proud beauty?
00:51:39That's not what the husband calls me.
00:51:41Oh, he don't either appreciate it.
00:51:42Two buttons, right?
00:51:43Right, you are.
00:51:44By the way, where's his old Morty car?
00:51:46Ain't she here?
00:51:47Well, he ain't here.
00:51:48You can see for yourself.
00:51:49That is, if you can see.
00:51:50He's down the river with that putt-putting tub of his.
00:51:53I know.
00:51:54I bet he is.
00:51:55The black one.
00:51:56With the green light.
00:51:58Just where he is.
00:52:00But she ain't a tub.
00:52:02Let me tell you this.
00:52:03She's the part of North Dan River.
00:52:05And she ain't black neither.
00:52:07She's all a lovely cream.
00:52:09With two little black trucks around here.
00:52:10Oh, I know named Hibber.
00:52:12Nothing like.
00:52:14Named after me.
00:52:16Aurora.
00:52:17Aurora is a lovely name.
00:52:20Oh, I love you.
00:52:22Oh, I love you.
00:52:23You like it?
00:52:24You like it?
00:52:25Oh, go on, you old gump.
00:52:26Oh, you look, I don't care.
00:52:28Back at the place.
00:52:29I bet you take the old gump down the river to see that new ruler when I want to go on.
00:52:34Oh, no, he won't.
00:52:35He won't have no time for you.
00:52:37I'll pay the price, eh?
00:52:38Yes.
00:52:39All this trouble customer.
00:52:40Who is he?
00:52:41Oh, isn't you a nosey old Parker, eh?
00:52:44Besides, you wouldn't know him anyhow, because he's a stranger.
00:52:47He's only got one leg.
00:52:49Well, if a stranger was one leg would pay the price, so would an old friend with two.
00:52:52Oh, no, he won't.
00:52:54Because if the old one leg, he just pays him to stand by to use when he wants him.
00:52:59Why, he's paid him a week's money already, and he ain't done the trip yet.
00:53:02We've actually made it tonight, so he'll be ready for me tomorrow.
00:53:05No, he wouldn't do that neither.
00:53:07Because he was here a minute or two ago.
00:53:09He told me he wouldn't want more care not till tomorrow, and perhaps not till the day after.
00:53:12That's your ginsmine.
00:53:13Oh, well, never mind mine.
00:53:14If mine I'll have another boat.
00:53:16See, I'll have another one in a bitter one.
00:53:18Oh, will you?
00:53:19You find a better one, me lad.
00:53:21There ain't a better one.
00:53:22Not unless you mean the Florence Bee and he can't get her.
00:53:25The Florence Bee?
00:53:26That's right.
00:53:27Well, come on, mate.
00:53:28Don't waste it.
00:53:29Give him this.
00:53:30Dance with you.
00:53:31You've got to have no dance with you.
00:53:32Come on.
00:53:33You old old wrecker.
00:53:35Come away with you, wasting my time.
00:53:38Now, what are you going to have to drink?
00:53:39Nothing.
00:53:40Nothing.
00:53:41No dance.
00:53:42No books.
00:53:43No beers.
00:53:44Did you see that, Harold?
00:53:49He don't fancy himself, don't he?
00:53:52One foot in the grave and still flirting.
00:53:55Matching again.
00:53:57This is a trap, Harold.
00:53:58Don't put it back on me.
00:54:04Tonga.
00:54:05Tonga.
00:54:06Tonga, right, sir?
00:54:08Nice bloody diamonds in here, Tonga.
00:54:10Is Tonga a good boy?
00:54:12You get some.
00:54:13Tonga a good boy.
00:54:14Put that in the snake box.
00:54:15N'one'll look for it, there.
00:54:18I'm going to go.
00:54:25Well, grab a couple of your friends around yourself and keep you warm.
00:54:30Got to sleep again.
00:54:48What do you think you're doing with them fireworks?
00:54:53I ain't taking no chances.
00:54:55No.
00:54:56What's the matter with you?
00:54:57You've never seen a ghost.
00:54:59It's worse than that.
00:55:00The cops is after us.
00:55:04How do you know?
00:55:05Went round by the ghost flat over the florist shop.
00:55:07Cops and plainclothes went all over the place.
00:55:09No mistaking what they're after.
00:55:11Put them up on her, eh?
00:55:12Come on, squeal.
00:55:13Come on.
00:55:14Let Morrison keep her pose.
00:55:15Let's take what we've got to knock it.
00:55:16Shut up!
00:55:17Ah.
00:55:18I'm going to have them all.
00:55:19Sides.
00:55:20Pearls are harder to trace.
00:55:21And therefore easier to sell than the diamonds and the other stuff.
00:55:23Well, give me mine now, now, Lucas.
00:55:24You haven't got a chance to get away with your brains.
00:55:26Well, let's get out of here anyway, isn't it?
00:55:28How many times have I got to knock into your block?
00:55:30That when you do something the Lord says you shouldn't,
00:55:32don't start changing to new places.
00:55:35It's then the check gets spotted.
00:55:37Stick to your business as usual,
00:55:39and look as innocent as an angel.
00:55:41We stay right here in the funfair,
00:55:43and show tomorrow night the same way as we've always done.
00:55:46Me, you, and Tonga.
00:55:48Understand?
00:55:49And tomorrow night...
00:55:51Who, who is it?
00:55:54It's I, Dr. Watson.
00:55:56Oh, come in.
00:55:59Just been inspecting your guard.
00:56:01I've got one officer outside the door here,
00:56:04two downstairs,
00:56:06and one in the courtyard outside.
00:56:08Does that give you a feeling of protection?
00:56:10I suppose so.
00:56:12It seems an eternity since this morning.
00:56:15You must try and get some rest.
00:56:17Wipe today clean out of your memory.
00:56:19I'll be all right.
00:56:21I think I'll have a good cry.
00:56:23That'll make me relax.
00:56:25Now I should sleep.
00:56:26You absolutely insist on weeping.
00:56:28Can I offer you my shoulder?
00:56:30I fainted once today in front of you.
00:56:32I think I'd better have my cry in privacy.
00:56:35Please go.
00:56:38I feel terribly weeping.
00:56:40I feel terribly weeping.
00:56:42you may have a good cry.
00:56:43You don't got anything, I tell you...
00:56:48You're crazy?
00:56:50Well, I'll...
00:56:52I'll wait.
00:56:53What's your business?
00:56:54Well it's none of your anyway.
00:56:55All right, my fine cockalore,
00:56:56and we'll see about that.
00:56:57Mr. Holmes, pass it over time.
00:56:59Mr. Holmes, I tell you.
00:57:00What's up...
00:57:01I'll wait.
00:57:03What's your business?
00:57:04Well, it's none of your anyway.
00:57:07All right, my fine cockalore,
00:57:08and we'll see about that.
00:57:10Mr. Holmes,
00:57:11Mr. Holmes told me to come here.
00:57:15What for?
00:57:17Because I know who's done the murder.
00:57:23See?
00:57:24Oh, do you?
00:57:25Yes.
00:57:26And I've come here for the reward, see?
00:57:32Of course, if we ain't here, well, then I'll go.
00:57:36No, you won't.
00:57:37You stay here.
00:57:38Oh, who are you?
00:57:42Detective Inspector Athelney Jones, Scotland Yard.
00:57:45Well, why ain't you wearing your hat in the house?
00:57:52Onions.
00:57:53Getting fresh, are you?
00:57:54If you know anything, you'll stay here until I get it out of you.
00:57:57That's a nice way to treat a person, I don't think.
00:58:08Try the other way, my dear Jones.
00:58:11The lock is reversed.
00:58:13Ah!
00:58:14Gross.
00:58:15Oh, Mr. Holmes.
00:58:16What a turn you give me.
00:58:18Whiskey and soda, Mrs. Hudson.
00:58:20Yes.
00:58:22Whatever have you been doing in that get-up?
00:58:25Attending a fancy-dressed ball.
00:58:27Pleasure before business, eh?
00:58:28I thought you took your detective work seriously.
00:58:31Well, this case is so simple, Jones.
00:58:33It hasn't required much thought.
00:58:34That's right.
00:58:35I've got the murderer in custody now.
00:58:37Ah, no doubt.
00:58:38Jones, by the way,
00:58:40I'm expecting some further developments tomorrow.
00:58:43I may need a lot of help.
00:58:45Will Scotland Yard stand by?
00:58:46At your service, Mr. Holmes.
00:58:48Always believe in encouraging you amateurs.
00:58:50Someday you really might find something.
00:58:52Who knows?
00:58:53Flatterer.
00:58:54Will you be at the examination of the prisoners tomorrow?
00:58:57No.
00:58:57The case couldn't be in better hands.
00:59:00That's what I like about you, Mr. Holmes.
00:59:02You appreciate me.
00:59:03Good night.
00:59:04Good night, Jones.
00:59:05Oh, I do hope Mr. Holmes' search will be successful.
00:59:14It's been awful cooped up here all day.
00:59:16Under guard like a prisoner.
00:59:19Waiting for something.
00:59:21Heaven knows what to happen.
00:59:23I've been doing a little detective work on my own.
00:59:26Unbeknown to Holmes, of course.
00:59:30Would you recognize that tattooed man again if you saw him?
00:59:33Yes, I'm sure of it.
00:59:34You know, the whole idea of a tattooed man, tattooing needles, native feet and so forth, sounds to me like a circus.
00:59:43Yes, to me too.
00:59:44Yes, to me too.
00:59:46Well, there's one just behind King's Cross.
00:59:48A fun fair, they call it.
00:59:50My cook was telling me about it.
00:59:53Would you risk going there with me?
00:59:54I'd go anywhere with you.
00:59:56I'd go anywhere with you.
00:59:57Besides, I don't think I'm in danger anymore.
00:59:59Well, we can leave the guard here in case they give us a visit.
01:00:02There's just a chance we might find something.
01:00:04And, oh, how I'd like to put it over on Holmes.
01:00:09Shall we go?
01:00:10Will you?
01:00:11I'll get my coat.
01:00:12I'll get my coat.
01:00:36Chester, it took ten long, painful years to make me the world's greatest human creature gathering.
01:00:43There are scenes on my body too terrible and shocking to its drive.
01:00:47Well, friends, any of these marvelous pictures you see on me?
01:00:50Professor Insight can duplicate on you in a few minutes.
01:00:52So you wouldn't rather have a lovely view of Mount Vestuvius in full eruption?
01:00:56Or lay like a diver on a white horse?
01:00:58No fear, it's only a sentimental bitter work I want.
01:01:03A broken heart, splitting two and bleeding a little.
01:01:09And with the initial B on one side for birth, that's my name.
01:01:16And on the other side, a S for Dolly.
01:01:20S for Dolly? You mean D for Dolly?
01:01:23No, S. Her name's Dolly, but I always called her Sugar.
01:01:32That is a sweet name, to be sure.
01:01:34Ladies and gentlemen, look how the deadly python that's a little tongue there!
01:01:39Fondles and caresses him!
01:01:41But it ain't love, it's fear! Why?
01:01:44Cause he bites over their heads!
01:01:47They've seen it done hundreds of times!
01:01:49And so could you!
01:01:51A tuppence! Look at him!
01:01:53I believe we've come to the right place.
01:01:54And that, if you mean?
01:01:55He looks like a murderer!
01:01:57Ahhhh!
01:01:59Look! There's a tattooed man!
01:02:02Mr. Lowdy is supposed to be a detective!
01:02:04All that puts his friends, you simply must see him!
01:02:06There's everything from trotus animals, Daniel and the lion's den,
01:02:10beautiful ladies, artist models, which seem to be breathing and moving about
01:02:14with the artistic appreciation of the men!
01:02:17That's the man who bought the flowers!
01:02:19I'm sure of it!
01:02:20That's a short description, too!
01:02:22Move up, those men! Move up, those men!
01:02:24Have a look at this!
01:02:25Have a basin full of this here, men!
01:02:27The tuppence more!
01:02:29You need to see the old figure and the old marvellous shows!
01:02:33Well, who's coming inside, ladies?
01:02:35Who's coming inside?
01:02:37Come on, let's telephone home!
01:02:39Just a minute, Prince!
01:02:41I'll get everything prepared for you!
01:02:48Professor!
01:02:49What's that?
01:02:50Off the boat, Doctor!
01:02:55That girl from the florist shop!
01:02:57I've just seen her!
01:02:58With a friend!
01:02:59Are you sure?
01:03:00Yes, and she noticed if she knew me!
01:03:02Give her a drink a bit!
01:03:03Give her!
01:03:06Sorry, Bert!
01:03:07Can't finish your art today!
01:03:08Call again tomorrow!
01:03:09I'll do a nice wreath for you!
01:03:10For nothing!
01:03:11Thank you, Professor!
01:03:12You did it anyway!
01:03:16Hurry me, Liz!
01:03:25Look out!
01:03:26Slate's got loose!
01:03:38I'll get rid of him somehow!
01:03:39Come on!
01:03:40Give me that man!
01:03:41Quick!
01:03:44You too, Tonga!
01:03:45Come along!
01:03:46Ah, forget your snake!
01:03:47Come along!
01:03:48I'll buy you some more and start the medical!
01:03:49Come on!
01:03:57But, Mrs. Hudson, we simply must find him at once!
01:04:00Yes!
01:04:01Yes!
01:04:02Yes!
01:04:03We've got his man!
01:04:11Let's look right now!
01:04:12Housey, Housey!
01:04:13Mrs. Boston!
01:04:14Housey, Housey!
01:04:15Mrs. Boston!
01:04:16Mary!
01:04:18Mary!
01:04:19Mary!
01:04:23You can't do that!
01:04:24I can't!
01:04:25You don't call those coppers round here!
01:04:26Look here!
01:04:27Let's go before I...
01:04:28Don't worry, Watson!
01:04:30I don't want the police here yet!
01:04:31Thank heavens you've come!
01:04:32Mary!
01:04:33She's disappeared!
01:04:34She's gone!
01:04:35What?
01:04:36What?
01:04:37You don't say you've been fool enough to bring her here!
01:04:38Yes!
01:04:39Then Small's got her!
01:04:40What?
01:04:41They're on their way to Mordecai Smith!
01:04:42We need help!
01:04:43Bring up Scotland Yard!
01:04:44I'll take a quick look around!
01:04:47Now, see what's happening!
01:04:48We've been a little closer around!
01:04:49Somebody's found out in that office!
01:04:50Keep her hands off her!
01:04:51I was looking for the pearls!
01:04:52She's got them on her somewhere, all right!
01:04:54We'll search her for them when we get to the boat!
01:04:56If she hasn't,
01:04:58I shall never see them again!
01:05:00That's up!
01:05:01Go on, Fred!
01:05:02Faster!
01:05:06Ah!
01:05:07Keep up!
01:05:09We're going into the river!
01:05:10Goodbye!
01:05:11I won't be gone!
01:05:12Let's get to Texas!
01:05:14There's thousands of places in London!
01:05:15How do you know they've chosen Mordecai Smith?
01:05:17I'm certain of it!
01:05:18What if they get away in a fast boat before we can catch them?
01:05:20Well, I've engaged the pastor one this morning, the florist bee!
01:05:22How do you know it, Tar?
01:05:23Well, I know it!
01:05:24Don't ask me how I know it, Watson!
01:05:25Gee, what a colossal mistake you've made!
01:05:27I had those fellas, all of them!
01:05:28Right in my hand!
01:05:29I only had to discover where the jewels were!
01:05:31And then I could have made my captain!
01:05:33I'd throw my brains out of a fella doing any good!
01:05:35Well, there haven't been much use to you, old fella!
01:05:37I'd keep your head, you'll need it!
01:05:38And your fists, too, before we're through with this!
01:05:40Take what a call!
01:05:41Walk it down river!
01:05:42Come on, quick!
01:05:43You keep your mouth up!
01:05:44Come on, baby!
01:05:45You're always this down here!
01:05:46Come on!
01:05:47Come on!
01:05:48You keep your mouth up!
01:05:49Come on, baby!
01:05:50You're always this down here!
01:05:51Come on!
01:05:52Come on!
01:05:53Come on!
01:05:54You keep your mouth up!
01:05:55Come on, baby!
01:05:56You're always this down here!
01:05:57Come on!
01:05:58Come on!
01:05:59Come on!
01:06:00Come on!
01:06:09Come on!
01:06:10Come on!
01:06:11Come on!
01:06:12Commercial Street in two minutes more.
01:06:42Barrett! Barrett!
01:07:12Bidolens!
01:07:16Bidolens! Bidolens!
01:07:27Bidolens! Bidolens, please!
01:07:31That beautiful engine, Barrett!
01:07:34Police, pound the head!
01:07:38Police, come to head!
01:07:40The signal has to stop!
01:07:42I can't help with her! Go round her!
01:07:44They'll never catch this boat!
01:07:46No, but they'll kill us full of holes!
01:07:50I ain't gonna take a chance like that!
01:07:52You do it, I tell you!
01:07:54It's Crayley's warehouse.
01:07:56We'll dodge in there.
01:07:58It's all right. They're out of sight.
01:08:00Get on with it!
01:08:08Look! Look, they give us a slip!
01:08:12Mordecai knows this river like a book!
01:08:14So do I, Mr. Holmes.
01:08:16We'll follow in there.
01:08:18Now, there are two trap doors...
01:08:20...underneath the warehouse floor.
01:08:26So do I, Mr. Holmes.
01:08:28We'll follow in there.
01:08:30Now, there are two trap doors...
01:08:32...underneath the warehouse floor.
01:08:38Up there, Tonka!
01:09:06Come on. Where are those pearls?
01:09:08Come on. Where are they?
01:09:15There they are, my beauties.
01:09:16I've got Tonka place where you can do the most good.
01:09:18We're gonna fight for you if they find us.
01:09:20It's hanging if they catch us anyway.
01:09:22We've nothing to lose.
01:09:23No, but I have.
01:09:24We don't need you.
01:09:38Do I have...
01:09:53I know.
01:09:54I know.
01:11:04I've got tattoos.
01:11:06Small salute.
01:11:08Don't shoot.
01:11:09Don't shoot!
01:11:21Don't shoot!
01:11:22I'll give up.
01:11:23Wise man, Small.
01:11:39Orson, where are you?
01:11:41Ah.
01:11:42Where is Mary?
01:11:44We'll find her.
01:11:47Mary, Holmes, in here!
01:11:50Where?
01:11:51Where?
01:11:52Where is Mary?
01:11:53We'll find her.
01:12:01Mary, Holmes, in here!
01:12:04Where?
01:12:05Where?
01:12:06Where?
01:12:07Holmes, in here!
01:12:09Oh, Miss Morstan.
01:12:11Believe me, I'm never so thankful to see anyone in my life.
01:12:17You'll be all right.
01:12:18Perhaps you think I'm not glad to see you.
01:12:20Oh, Mr. Holmes.
01:12:21Yes?
01:12:22Small-headed satchel underneath that sack.
01:12:28Are you hurt?
01:12:29No, I'm all right.
01:12:31The treasure of Agra.
01:12:37Who's in there?
01:12:40Oh, Holmes.
01:12:41Ah, welcome, Jones, welcome.
01:12:43Listen, there's a one-legged man mixed up in this and a tattooed man, too.
01:12:46Oh, really? Really?
01:12:47Well, we've left them for you to have a look at.
01:12:49By the way, they left this satchel behind.
01:12:51It's probably of no value.
01:12:55No value?
01:12:56Why, it's full of sparklers.
01:12:58You amateurs always overlook the important things.
01:13:01Here's Mordecai Smith.
01:13:02Do you want him?
01:13:03What's he got to do with it?
01:13:05I want to know where the pearls are.
01:13:07Yes, where are they?
01:13:08Small's taken them.
01:13:10Then they're at the bottom of the river, where we can find them.
01:13:12Because now you'll be so terribly wretched.
01:13:14I can't even claim you as a friend.
01:13:16Much less ask you.
01:13:17What?
01:13:18Sorry the jewels are distasteful to you, Miss Morstan,
01:13:20because I have the pearls.
01:13:22I took them from Jonathan Small when we first came to grips.
01:13:25I didn't want them to get wet.
01:13:27So I'm afraid you'll have to have them back.
01:13:29Amazing.
01:13:30Elementary, my dear Watson.
01:13:32Elementary.
01:13:33Elementary.
01:13:34Please, ask me.
01:13:36Will...
01:13:38You, um...
01:13:39Yes.
01:13:48Amazing.
01:13:52Elementary, my dear Holmes.
01:13:53Elementary.
01:13:54Elementary.
01:13:55Elementary.
01:13:56Elementary, my dear Holmes.
01:13:57Elementary, my dear Holmes.
01:13:58Elementary, my dear Holmes.
01:13:59Elementary, my dear Holmes.
01:14:00Elementary, my dear Holmes.
01:14:01Elementary, my dear Holmes.
01:14:02Elementary, my dear Holmes.
01:14:03Elementary, my dear Holmes.
01:14:04Elementary, my dear Holmes.
01:14:05Elementary, my dear Holmes.
01:14:06Elementary, my dear Holmes.
01:14:07Elementary, my dear Holmes.
01:14:08Elementary, my dear Holmes.
01:14:09Elementary, my dear Holmes.
01:14:10Elementary, my dear Holmes.
01:14:11Elementary, my dear Holmes.
01:14:12Elementary, my dear Holmes.
01:14:13Elementary, my dear Holmes.
01:14:14Elementary, my dear Holmes.
01:14:15Elementary, my dear Holmes.