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First broadcast 16th December 2013.

Reid faces scandal due to Best's deviousness, Drake readjusts to life back home, Rose faces the prospect of a new future, while a grim discovery in a Whitechapel slum may lead to the downfall of many.


Matthew Macfadyen ... Det. Insp. Edmund Reid
Jerome Flynn ... Det. Sgt. Bennet Drake
Adam Rothenberg ... Cpt. Homer Jackson
MyAnna Buring ... Long Susan
Charlene McKenna ... Rose Erskine
Clive Russell ... Ch. Insp. Fred Abberline
David Wilmot ... Sgt. Donald Artherton
David Dawson ... Fred Best
Leanne Best ... Jane Cobden
Frank Harper ... Silas Duggan
Damien Molony ... Det. Const. Albert Flight
Joseph Mawle ... Det. Insp. Jedediah Shine
David Costabile ... Daniel Judge
Justin Salinger ... Nathaniel Hinchcliffe
Michael Grennell ... Blewett
Robert Goodman ... Werner
Joel Gillman ... Finkel
Craige Els ... Botha Brother
Joe Macaulay ... Botha Brother
Michael Sheehan ... Det. Const. Wainwright
Gary Egan ... Sgt. Barton
Keith Skinner ... Skinner
Alicia Gerrard ... Charity
Cathal Pendred ... Duggan's Henchman
Desmond Bird ... Police Officer
Cian Boylan ... Piano Player
Fintan Phelan ... Cornerman
David Walsh ... Singing Boy

Category

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TV
Transcript
00:00To be continued...
00:30Sergeant Arford, Mr. Drake, he has fought Inspector Scheid.
00:45He has.
00:48Did he win, sir?
00:53Councillor Copden, a word with you, if I might.
00:58A comment, if you will.
01:00On my purpose here, you are welcome to it, Mr. Best.
01:03I am set on the renovation of St. Paul's Wharfside.
01:05Oh, no, good lady, I have a surfeit of those already, no.
01:08Sir, it's comment on other matters, I see.
01:11Yourself and Detective Inspector Reed, you have been friends long?
01:16We have interests that conjoin, politicians and police.
01:20It will ever be the case.
01:22I know, I know, it's a sweet story.
01:25Yourself and Edmund Reed, lined forevermore,
01:28on his night-time visits to your offices,
01:32conjoined good and proper, I imagine.
01:36Ma'am!
01:36Oh, good God, no!
01:49Shine, shine, shine, shine, shine, shine, shine, shine!
03:24He's not without skill, Arterton tells me.
03:29He's not skill he needs.
03:33Bennett, Mr. Hinchcliffe.
03:37Now, the man who defrauded him, the man who murdered him, perhaps,
03:41he sits in our cells not ten yards from where we stand.
03:44Body, body.
03:45Jeff, Jeff.
03:47May I show him to you?
03:50Cross.
03:56Nathaniel Hinchcliffe, the man you cheated, Mr. Werner.
04:00The man you say I cheated?
04:02His murdered body lies in my dead room, ready to give up the secrets of its death.
04:07Well, then that is where you must find them.
04:09Because you will get none from me.
04:12Have it from me, Reed.
04:14Reed, the look of disgust on your face when you struck me.
04:19You lack the stomach for another man's torment.
04:22Perhaps.
04:23But might I introduce you to my friend here?
04:28His name's Drake.
04:30Perhaps you've heard it spoken.
04:31I heard it. He was gone.
04:32As you can see, he is not.
04:37Now, Nathaniel Hinchcliffe.
04:39You defrauded him, and then you had him murdered, did you not?
04:45What inspector?
04:47Has your dog gone lame?
04:57Sergeant Drake.
04:58You have my warrant, Carter.
05:01I have not taken it back.
05:04And so, I am not your sergeant to be bid no more.
05:09You retrieved Hinchcliffe's broken body.
05:12That man in there, he will not talk to me, and I cannot...
05:14You cannot find it in yourself to force him.
05:18No.
05:20And so, once more, require me to do so for you.
05:27Inspector.
05:29I will not be that man no more.
05:31I cannot.
05:34Do you not see what it has brought me, sir?
05:38Each lip I've fattened.
05:42Each head I've beaten against steel bars at your bidding.
05:45And you stood there in silence,
05:47waiting for their secrets to pour forth.
05:50Inspector, look at the ruins of our lives.
05:59Anyone we might care for, or bring close to us.
06:04Anyone.
06:06They suffer, and we lose them.
06:08Do you think these facts are not related?
06:12No, that is not the way the universe functions.
06:14There is no...
06:15There is no God stood in judgment.
06:18Who means in God, sir?
06:20No, I talk of life.
06:22And life, Mr. Reid,
06:24is offended by you and me.
06:26Mr. Blewett?
06:41Mr. Blewett?
06:46Mr. Blewett, is that my name atop of tonight's bill?
06:48It is, Rose.
06:50And I hope to not receive another visit from your friends,
06:53and then now appreciate the efforts I make for you.
07:02All my days, all of them, whatever happens,
07:06I will always be grateful to you.
07:09Rose, please, hush.
07:10This is not to be late at my door.
07:12But if it is not you, I think, then?
07:17No thanks required.
07:25Nonetheless, sir,
07:27you have them.
07:33Miss Rose.
07:36Susan.
07:37Might have waited in bed all morning for my kippers.
07:42Come and go, chicken breast, not a dog.
07:53That one's there.
07:54Thank you, too.
07:56Thank you, sir.
08:01Good day to you.
08:05Lunchtime repast for you boys.
08:10Mr. Judge,
08:12you may feel protected
08:13by your familial relationship
08:16with the station house,
08:18but we are both patient
08:20and watchful men.
08:21Should you try to sell our diamonds, sir,
08:23we will have it from you.
08:25And that item recovered,
08:27we shall then take your head.
08:42This will rile you.
08:54Then don't say it.
08:58Our father would have been proud of your skill.
09:15Pleased that you put it to use.
09:17Our diamond.
09:28Still in there, then.
09:30Those shits and suits still watch you?
09:32I think they're in love.
09:34And it stays put.
09:36And I must hit you for more spending.
09:39You want more money from me?
09:43Go to that cabinet,
09:44bottom right drawer,
09:46get yourself an apron
09:46and make yourself useful.
09:49I reach for something here.
09:52Supporting opinion may be conducive.
09:54Mr. Reid gave it to me
10:11to help me hunt for you, Bennett.
10:13He said I would return it to you.
10:19See how it has.
10:24You want coffee, girl?
10:36No, Roz, you won't.
10:38You stay out of here.
10:49I'm told there will be scouts attending
10:51from the West End Playhouses.
10:54I worry, Bennett.
10:56I fear the song I'm to perform is not...
10:59I don't sing it very well.
11:02But it's fashionable.
11:04And comic.
11:12You must do what you think best, Roz.
11:14If I was to do what you thought best.
11:17I know no songs.
11:22But if you ask me...
11:24You must use a song
11:27that speaks to your heart.
11:31Sing it from there, girl.
11:33Will you come to Bluett?
11:35Watch me.
11:37It would mean the world.
11:38Then I shall come.
11:57Constable.
11:58Is it true what the streets say?
12:02The Bennett Drake has emerged from the Porpoise Pit
12:06with the body of Nathaniel Hinchcliffe in his arms.
12:10It is, Mr. Stein.
12:10And that body
12:15now lay beneath the keen eye of Edmund Reign's American?
12:20In all likelihood.
12:21And I imagine
12:29yours an opinion
12:34or Lehman Street
12:36would actually hear.
12:37What?
12:52You kill me?
12:55I made you, son.
13:01What were you?
13:04Before Jedidai's shine.
13:07Lay his eyes on you.
13:09I was a bad man when you found me.
13:13But you have since made evil of me, sir.
13:37You see?
13:41I cannot be ended.
13:51Hmm.
13:53Your brother's qualified to assist using?
13:55Our father.
13:56A doctor himself enrolled us in the University of Virginia.
13:59Study medicine.
14:00Tweak here.
14:00Last of the course.
14:02I did not.
14:03So I can, uh, approximate
14:05a number of factors.
14:07Gender, age,
14:09time of death,
14:10and manner of that passing.
14:12From these?
14:13I said approximate.
14:14Number one,
14:15a lady from the wearing on her teeth
14:17that says she's past 50.
14:19Got two and three, both men.
14:21Mr. Two here, likewise, past 50.
14:23Mr. Three, the somewhat younger man,
14:25perhaps only recently advanced into adulthood.
14:27Two, however,
14:29well, he has a peculiarity.
14:33Bowling in the tibia.
14:35The maxilla's enlarged.
14:38The man had Padgett's disease.
14:40Padgett's?
14:41That's the, um,
14:42misshapen enlargement of the bones,
14:43is it not?
14:44You're a medical man yourself, sir.
14:45He reads.
14:47So you said you might hazard a time of death,
14:48what, a month?
14:49Season and a year.
14:50There's two factors to consider.
14:53Cartilage
14:54and the wasps.
14:56Wasps.
14:57So we ought to be led to the truth
14:58by dead insects.
15:00Hey, without them, we're nowhere.
15:03That nest in the ribcage,
15:05now the queen could only have built it
15:07in the summer of last year.
15:09Not this past.
15:11She had flew out and stung me on your nose.
15:14So does the frost of the intervening winter
15:15which has killed them?
15:17Summer of 89,
15:17when she makes this body her home,
15:19it's already got to be empty of flesh.
15:20So these are dead
15:21the spring of 1889?
15:23Give or take.
15:24That's cartilage.
15:30In all three, you can find the same.
15:32This cartilage not rotted?
15:33Breaks down slower than muscle and tissue.
15:35It is then preserved by the same winter chill
15:37that has killed the wasps.
15:38Quite so.
15:39Yeah?
15:39Although,
15:41in Mr. Three there,
15:42it's somewhat better preserved.
15:43Suggesting what,
15:44that he died a month or so later?
15:45That he was murdered a month or so later.
15:50He has this correct?
15:51I wouldn't have picked it,
15:52but my brother here
15:54is somewhat conspiratorial by leaning.
15:56I'm a man for patterns, inspector.
15:59This here is the thyroid cartilage.
16:01Lives right above the trachea.
16:02See?
16:03These striations,
16:04they're minute,
16:05less than a millimeter in diameter,
16:07but something very thin
16:08has cut all the way through
16:10with very great intent.
16:12And these three share the same markings
16:15as these preserved thyroids?
16:16They do.
16:18The force
16:18and conviction
16:20with which Mr. Hinchcliffe was garrotted,
16:23it is an unusual feat,
16:24is it not,
16:25for the incision to penetrate so deep?
16:26It suggests an extreme relish
16:29for the task, yes.
16:30And one might imagine
16:31a similar relish
16:33being brought to bear
16:34on the thyroid cartilages
16:36of these cadavers.
16:37The same means of execution
16:39by the same hand.
16:41One may.
16:58Please, sir,
16:59you are to arrest me.
17:02What charge?
17:05Flight.
17:07What charge?
17:12Accessory to murder.
17:17Whose?
17:20Whose?
17:21It's three.
17:21No man curses me stronger than my soul.
17:23You tell me now.
17:31Nathaniel Hinchcliffe.
17:35Joseph Merrick.
17:37Joseph Merrick.
17:42But he fell asleep.
17:43He, uh...
17:44He was asphyxiated
17:45by the weight of his own body.
17:46He was.
17:48Asphyxiated.
17:50Sir, and by the weight of himself also,
17:51but it was not he
17:52who removed the supports.
17:53But you were there.
17:55You were outside.
17:56I was.
17:58Sir.
18:03Move!
18:03Move!
18:03Move!
18:04Jack!
18:09Inspector Shine.
18:13How do you know this?
18:15He sent me here.
18:17Knew you, Mr. Reid,
18:18had your eyes on his activities.
18:20And knowing that you could find
18:21no man to join you here
18:22had me volunteer.
18:25I'm sent here
18:26to spy on you, sir.
18:26Sergeant Arthur,
18:40throw that man in my office
18:42there into a cell.
18:44Yes, sir.
18:45On what charge, Mr. Reid?
18:50Arbitral.
18:50Reid!
18:57Are you in command of yourself?
18:58Do you know what it is you do?
18:59I know precisely.
19:01We wonder, do we not,
19:02if those skeletal remains
19:03were taken by the same
19:04and has killed Mr. Hinchcliffe.
19:05Now,
19:06flight's testimony
19:07gives me
19:07Jedediah Shine
19:08for that last murder,
19:09but
19:09if I might name
19:11those corpses,
19:12discover their histories,
19:13and so join him
19:14with their deaths,
19:15then I can nail his coffin shot
19:16and put him in the earth
19:16for all time.
19:17And so,
19:19can you name him?
19:20I can't name him.
19:47Your timing is,
20:01as ever,
20:02entirely apt.
20:03What might have been
20:03scandalous gossip
20:05is now made fact.
20:08This journalist,
20:10best.
20:11In due course,
20:11I shall see him drowned
20:13in the northern outfall,
20:14but for now,
20:14I ask your patience.
20:15The three corpses
20:17that you discovered
20:18in that basin slum tenement,
20:21they begin to give up
20:22their secrets,
20:23secrets that may have
20:24great bearing
20:25on the research
20:25I undertook for you.
20:27With the ownership
20:27structure of the slum?
20:29The family,
20:30which until only last year
20:31owned the land.
20:33Vivier,
20:34lions.
20:36It was theirs
20:37from their 17th century.
20:39The last descendants.
20:41The old man.
20:41Augustus.
20:42He was disabled,
20:43was he not?
20:43His bones grown large
20:44and deformed.
20:45It was indeed.
20:48I believe his one
20:49of the corpses.
20:51The others,
20:52therefore perhaps
20:52his wife and son.
20:54I believe them all murdered.
20:57And that in this documentation
20:58lie the trace marks
21:01of those who would gain
21:02from that act.
21:03The concern,
21:04who now takes ownership
21:06of the deceased family's
21:07holdings?
21:08Obsidian estates.
21:10Indeed, yes.
21:11Here, April 89.
21:16The lands at St. Paul's
21:18wharfside transferred
21:19to their holdings.
21:19And who is it hides
21:20behind their shield
21:21of bailiffs and lawyers?
21:22They hide themselves
21:23with some degree of skill,
21:25but...
21:26Here, Edmund.
21:29It is not solely
21:30the Limehouse dockside
21:32into which Obsidian develops.
21:35It owns much
21:36of Whitechapel as well.
21:37New streets,
21:38the preserve of opium dens
21:39and gaming houses
21:40and...
21:41and brothels.
21:47Brothels.
21:49Edmund, wait!
21:52You seem as if
21:53all else has forgot.
21:54Jane, this...
21:55length of twine
21:57that I follow,
21:59it pulls me towards
22:01evil men
22:01whose fell influence
22:02is spread wide
22:04and deep
22:04across the parishes
22:05of East London.
22:06and I feel there
22:08the opportunity
22:09not solely to correct
22:10the darkness of the world
22:11in which I serve,
22:12but also
22:12that which abides
22:14in my own heart.
22:16That baleful force
22:17then eradicated,
22:19I might also find
22:19the strength to
22:20leave my own life,
22:24but seek my own happiness.
22:26And that strength
22:27being found,
22:28I would seek it
22:29with you.
22:30God damn it, my resident.
22:41Cheers.
22:44Daniel, this isn't
22:45your own private residence.
22:46You can't be wandering
22:47about the place
22:47like you own it.
22:48My brother can be
22:49an old woman
22:50when he chooses.
22:52I told you,
22:53Reed has him
22:53awaiting retribution.
22:54He's not of any use to us.
22:56What is inside
22:58his evil shiny dome,
22:59however,
23:00that is of interest.
23:07Not here.
23:11Friend Verner
23:12tells of a man
23:13he knows,
23:14a man of both
23:15sufficient ready income
23:16and disregard
23:17for commercial authority
23:18that may be persuaded
23:19to buy such a rock.
23:21Oh.
23:22Captain,
23:22I believe I have
23:24these poor soul's stories
23:26and you,
23:27perhaps,
23:27able to provide
23:28their final chapter.
23:30These, I believe,
23:31are the last of the line.
23:32The mortal remains
23:33of one of this country's
23:34oldest landowning families.
23:35Their portfolio,
23:37vast estates
23:38in rural Gloucestershire,
23:39a Regency mansion
23:40on Portland Place
23:41and East London slumland
23:43from which rents
23:44are raised.
23:46Augustus
23:47and Clara
23:49via Lyon
23:50and their only son,
23:53Stefan.
23:54Stefan,
23:54who in March
23:55of last year
23:56reports that his parents,
23:57due to the sake
23:58of his father's health,
23:58are gone abroad.
24:00The old couple
24:00thus departed.
24:01One month later,
24:02Stefan transfers
24:03his family's entire
24:04holdings
24:05at St Paul's Wharfside
24:06into the ownership
24:07of one
24:08Obsidian Estates.
24:10Then Stefan himself,
24:12promptly disappearing
24:13from the face of the earth.
24:14And you think
24:14that this is all
24:15Cheyenne's doing?
24:16To begin with,
24:16perhaps,
24:17yes.
24:17I thought so,
24:18but, uh,
24:18he is a man
24:21far too happy
24:22inside his own
24:23evil skin
24:23to overreach himself,
24:24sir.
24:25However,
24:25he is a limehouse man.
24:27And this slum
24:28that Obsidian
24:29now owns,
24:30falling within
24:31his influence,
24:31he would make
24:32an exemplary associate
24:33for whichever
24:34vicious acts
24:36of disguise
24:36and persuasion
24:38and enforcement
24:39may be required.
24:40And who is it
24:41that makes him
24:41this associate?
24:42I had hoped
24:43you would provide
24:43that information
24:44for me,
24:45Captain.
24:45Obsidian
24:47owns Tenter Street.
24:49You want to know
24:50who it is
24:50leases this season?
24:53Yeah,
24:53it's a, uh,
24:54it's a man
24:55named Duggan.
24:56He has a
24:57barbershop
24:58over on Finch Street.
24:59He,
24:59he resides there.
25:04He does not,
25:07sir.
25:07Not any longer.
25:09Then when?
25:11I was gonna tell you,
25:12Twink.
25:12If only you realized
25:18the depth
25:18of our deception.
25:22Blimey.
25:32Mr. Duggan,
25:33does your new bitch
25:34not know to knock
25:35when gentlemen
25:36are at business?
25:37Everybody out.
25:43Now.
25:52All I have done
25:53for you
25:54and you would
25:54treat me
25:55with such little respect
25:56in front of my associates,
25:58do you know what I do
25:59to those that insult me?
25:59Then do it to me,
26:00Duggan,
26:00because I may live
26:01like this no longer.
26:02I have given
26:03to what you demanded
26:04and so am obligated
26:05to you no more.
26:09Yeah, I cannot.
26:11I know what covenant
26:12we had, madam.
26:14But I know
26:14what grows within me,
26:16within my heart.
26:17I cannot be without you,
26:18dear Susan.
26:21Do you say that what?
26:24That you love me, sir?
26:25I believe I do, madam.
26:30If you say
26:31that you are mine,
26:33you may have
26:33every freedom
26:34your heart desires.
26:36I swear.
26:40So he sleeps there.
26:42Plenty of men
26:43have laid their heads
26:43beneath that roof
26:44without doing so
26:45on your wife's bosom.
26:46Daniel,
26:47not once in your life
26:49have you cared
26:50for any soul
26:50other than your own,
26:51but try to understand
26:52I love her.
26:53I need to kill him.
26:56Those are the rules.
26:58You kill him.
26:58You remove from this earth
26:59the one person
27:00who has it in their power
27:01to make us rich.
27:03It's him.
27:05Duggan.
27:06The man Furner
27:07believes we might
27:08sell our stone to.
27:11Patterns, Twink.
27:12Can you not see
27:13how our stars align?
27:15The very man
27:16we must exploit
27:17is both the quarry
27:18of your inspector
27:18and the enemy
27:19of your wife.
27:20Your wife, brother,
27:21who, whilst her lodger
27:24suffers Reed's questions,
27:25can be visited
27:26and persuaded
27:26of an entirely
27:27delicate project
27:28that if Duggan
27:29can be made
27:30to acquire this diamond,
27:31you and she
27:32may then repay him
27:33with his own
27:34goddamn money.
27:41It is a fine story, Edmund,
27:43but your proof...
27:46Follow me, Fred.
27:48There is a bugbear
27:50of mine
27:51I would return
27:51you to.
27:55Your testimony
27:56as described to me
27:58by Edmund Reed,
27:59it is true.
28:01It is, sir.
28:03I brought you here.
28:05God damn you.
28:08You volunteered to me
28:10and I brought you here.
28:12And it is true
28:19who you were
28:21in fact serving
28:23at that time.
28:25Say it.
28:28I came to Lehman Street
28:29to spy for Jedediah Schein.
28:32I saw Jedediah Schein
28:34murder Nathaniel Hinchcliffe.
28:37I waited
28:37beyond Joseph Merrick's rooms.
28:39Enough!
28:39It is sufficient,
28:41is it not, Fred,
28:42to have Inspector Schein
28:43brought a book.
28:45Come tomorrow.
28:47You bring this man
28:48Duggan in
28:49and I shall fetch
28:53the other.
28:53Peter Drake,
29:04you let me in
29:05or I'll set a fire
29:05and smoke you out.
29:09Wayne Wright
29:10has promise.
29:12And when time
29:13correctly,
29:14his uppercut
29:14might punch holes
29:16in steel.
29:16But he is young
29:24and lacks
29:26in confidence.
29:29Would not hurt you
29:30to come
29:31to the semi-final.
29:34Puff him up a bit.
29:36You like this boy?
29:37I do.
29:39And why is it
29:40you wish him to win?
29:42You know,
29:42his Jedediah Schein
29:43awaits him.
29:44Should he do so?
29:45this life, Ben.
29:52All we may do
29:53is put one boot
29:54in front of the other.
29:56May we not.
30:09That's good, son.
30:11Again, again.
30:12Again.
30:12We'll be there.
30:35Good lad! Get down!
30:51Good boy! And again!
30:57Come on, refs, dark hand!
31:058th Division!
31:10Welcome, Constable!
31:14I'm a man of greedy anticipation.
31:17Agreed for you, son.
31:20Let us hope you make a better fist of it than the last finalist to arrive from the Lehman Street ranks.
31:26Chief Inspector, it's a while since you partook of such sport.
31:36They have changed the rule book, Jedediah.
31:40Mind I, anything went.
31:43Had I fought you, I would have carried a knife in my britches, and in my current mood, used it to cut your neck as all.
31:56After you, Chief Inspector.
32:09No, Mr. Reid. It is your shop.
32:19Sergeant Arlington.
32:21Have this man booked.
32:25Murder.
32:27Multiple counts.
32:29Mr. Duggan, we're very grateful to have you today.
32:32If you'll follow me, I'll get you some tea.
32:38Nine.
32:43Nine.
32:51There you are.
32:52Obsidian Estates.
32:57A concern of mine.
32:59It's a large concern for a barber.
33:03Some days, I'm a barber.
33:04Some days, I pursue other interests.
33:08Are you a policeman alone, Inspector?
33:13How is it Obsidian came by its holdings at St. Paul's Wharf site?
33:16The Basin Slot.
33:18It was yielded to me by a young man.
33:20Stephen Viet Lyon.
33:21A vast acreage of rented tenements yielded for a peppercorn.
33:25No, sir, no peppercorn.
33:26No, sir, no peppercorn.
33:27Repayment for a debt.
33:29Heavy debt.
33:30He was a misguent libertine, that young man.
33:33You were happy to fund his pursuits.
33:35I did beg your poll, Inspector.
33:37Is this a moral debate?
33:38You may say what you like about the ethics of my business practices.
33:43I've broke no law of yours.
33:44I should, in all conscience, congratulate you.
33:49No.
33:50You have concealed yourself with great skill from my view.
33:54But I see you now, sir.
34:00Your lands extending from Whitechapel to the Limehouse docks.
34:06Whatever you choose to buy there, to sell, to distribute.
34:09All and everything aided by your alliance with another man I currently hold in this station house.
34:15Inspector Schein.
34:17I believe he murders for you.
34:19A family whose estate he would absorb.
34:22A craftsman who tenaciously pursues a long-firm deception you sponsor.
34:27How do you expect to prove that, sir?
34:29I can incriminate Schein, and he, in turn, could do the same to you.
34:33You seem a fine fellow, Mr. Reid.
34:35But I feel for you.
34:36I do.
34:37This, um, force of yours is, what, a notch over 60 years of age?
34:44In this great city?
34:46Almost 2,000 years.
34:48So, there.
34:49Do you follow?
34:50Well, this here, between you and I, it's an uneven contest.
34:58Your roots are shallow, Reid.
35:00Your law has improvised a fit of modern world still in its birth pains.
35:04You say that I did fix for one man to cause another's death.
35:06Maybe I have.
35:11But you can't demonstrate that as a fact.
35:13All you can do is bring witness, one man's word against another, and words are unreliable signifiers of the truth.
35:22Your world will advance.
35:26I'm certain that men like yourself will make sure of it.
35:30I will have returned to London, Clay, before that day dawns.
35:36Till then, you are a child.
35:39And I, I am a man of old stuff.
35:50You will stay here, as you please.
35:52Do you know, you are to be released from your purgatory.
36:03Gentlemen, I've been kept waiting.
36:05Other cattle to herd, Inspector.
36:06And now, my time has come, so let us cut to it.
36:12I do not believe I need to go through performances of astonished outrage for you both.
36:16I am incarcerated here due to your suspecting failed deeds of me.
36:21So, you'll operate, inspectors.
36:25And I shall offer...
36:28rebuttal.
36:36This man, he is known to you.
36:40He is indeed familiar to me.
36:46Yes.
36:48I remember all.
36:51Albert Flynt.
36:53Irish.
36:56Soul Gin.
36:58Mixed with sulphur and turpentine.
37:02Did you not?
37:04Men and women went blind.
37:06Inspectors.
37:08And here he is now.
37:11Reinvented as...
37:13a C-I-D man.
37:21Can you imagine the scandal, sir?
37:24If you bring this case against me?
37:29All accusations based on the word of a poisoner
37:32who has successfully lied his way into the Whitechapel Police.
37:37What does this man say?
37:42There is truth to it.
37:44Please, Jesus, back down.
37:46It's no use to us, Dad.
37:47No use to you alive, neither.
37:49Never mind your inevitable failure,
37:52but the glaring light will throw on our work.
37:55Hmm?
37:56Our livelihood.
37:58Our uniform.
38:02Our fragile position.
38:04We hold in this city.
38:06We hold in this city.
38:06You were a Bloomsbury man.
38:17You had a record.
38:18Those records were true, sir.
38:20And before then, this...
38:21the man I was
38:22is...
38:24abhorrent to me, sir.
38:27Forgotten.
38:28By you, perhaps.
38:30But your past has guided your present.
38:32No, sir.
38:33The work I have done for you
38:34here,
38:37it was good work.
38:39And that work was meant
38:40mystery had felt in my heart
38:43as proper work.
38:44I thought to outrun my shame, sir.
38:48No man may do that, Flight.
38:55I might have been detained here any longer.
38:57There was a championship final
38:58for which I must train myself,
39:00and it is your man I face.
39:01Is it not his back to what's his name?
39:04We all right.
39:06I do hope he's resilient.
39:09Men have died in that right ring
39:12before now.
39:14Miss Dagen.
39:21Mr. Schilling.
39:31Susan, Susan, hear me out.
39:40I came because I still hope
39:42to save you from him.
39:44And so,
39:49tell.
39:50How am I to be rescued
39:52by you?
39:54The diamond.
39:55The diamond?
39:57The worthless rock
39:59you've shown to me already.
40:00You might call it worthless,
40:01but it's not.
40:03There are men that intend
40:04to kill for its recapture.
40:07Kill who?
40:07My brother.
40:10Myself.
40:11Perhaps I should lead them to you.
40:13No.
40:14No, no, God damn it.
40:15You love me still.
40:16I know it.
40:17I assure you I do not.
40:18This stone.
40:21It may be all and everything
40:22we need to get clear
40:23of that sack of shit.
40:24Please.
40:25I have it on authority
40:28that Duggan can be led
40:30to the purchase of this stone.
40:33Led by me, you imagine?
40:35The debt is then repaid
40:36with his own money.
40:37Must I draw you
40:41an anatomical sketch,
40:43husband?
40:45The debt
40:46is paid.
40:49Try it.
40:51I have no more pain
40:53to be felt.
40:59There may yet be joy,
41:01however,
41:04but whatever it takes,
41:06darling, to my blood be spilled.
41:08I will find what it takes
41:09to make you smile again.
41:10Only allow it.
41:11Allow me the opportunity.
41:13This opportunity.
41:16Joy is passing.
41:23Vengeance, however,
41:28that is a pursuit
41:29for which I would see blood spilled.
41:36You say there are men
41:37of vicious and murderous intent
41:38who wish to reclaim this gem.
41:42I do.
41:46Fly.
41:47He must feel the whip,
41:49Edmund.
41:50Why, Fred?
41:51To what end?
41:53We may not strike
41:54at Jedediah's shine
41:55or Silas Duggan through him.
41:57We may not strike
41:58at those men at all.
41:59What then?
42:02Say,
42:03imagine
42:03we might,
42:04you and I,
42:06walk into a chop house
42:06on a commercial road
42:07and in that chop house
42:08we lay our hands
42:10upon the shoulder
42:11of the man the world
42:12made the Ripper.
42:15Know him
42:15unequivocally
42:17for that killer.
42:18What would we do?
42:21There is what
42:22I would like to do.
42:23And there is
42:26what I am permitted
42:27to do.
42:29And so instead
42:30of pinioning his head
42:31to the wall
42:32through his eyeball,
42:33we,
42:34we would show him
42:36our eyes
42:36and begin the process
42:37of proof.
42:38We would.
42:41I would.
42:43Evil men do
42:44as they please.
42:46Men who would be good.
42:49They must do
42:49as they are allowed.
42:53I did not
43:00wish to speak
43:04of it.
43:07But you must know
43:09this matter
43:11with the councillor,
43:14there are ructions
43:16at the yard,
43:17you a married man.
43:19I am to tell you
43:21to break it off.
43:23If I did not.
43:27Take your pension,
43:28find other work.
43:29money.
43:30I am to tell you
43:49it's worth a lack
43:57it is in the rough and it is stolen that is an impediment such fripperies caused me disquiet
44:10well i'm sorry susan but that is my sense of it and i am sorry that you consider 30 000 pounds
44:15of frippery or is it myself you consider to be nothing but your tinsel trapping madam please
44:21you know that not to be true yet that is how i'm made to feel and transaction is to take place in
44:27a music hall enough is this all my life now holds forever having to listen to your cowardice and
44:33evasion will you furnish me with this gem or no
44:36man duggan he knows you he hates you he lays eyes on you we may consider the jig up which is why he
44:50must not until the deed is done so you are to meet he and my wife at blue it's where you exchange the
44:56rock for the stipulated spending they're now synchronized nine o'clock is the time you must
45:05be holding the bag of bills and dug in the diamond you have me i don't know twink you ask me it's
45:11complicated the jeweler finco betrayed you to those to growl bastards we can count on them doing the
45:17same favor to me that betrayal enacted i will lead them to duggan as you can see it's today's date
45:27whatever its provenance it is a jewel and i'm a jeweler
45:33i must see it however you bring it to me here here indeed not here mr finco someplace i might feel safe
45:45it is prepared the full amount madam it is
46:03he cannot win mr reed
46:29then are you happy to watch let the dire shine put him in the morgue for the pleasure of a hundred
46:38baying policemen i am not then what are you prepared to do sergeant
46:43we wish to combat him it is all that is left to us
46:50the phone cut provisions no man may be replaced unless in the event of incapacitation through injury
47:03you think it's best sergeant i do
47:10do it then drink this
47:14i shall do it
47:19oh fast son
47:22well bill do you wish to sing or do you not there's someone that i'll wait for mr blue oh you are waiting are you
47:52and yet the hours cannot wait for you
47:54and yet the hours cannot wait for you
47:59here at last then are we
48:04so the men of ace division are right
48:11must these assembled men go unentertained therefore
48:20they must not
48:22many drink
48:39such words
48:41such boat
48:42we are
48:49finished
48:50boxers
49:05touch gloves
49:09sergeant
49:12I have not had the opportunity
49:14to offer my sympathies
49:15for the loss of your wife
49:17though he is said
49:29at the point of her death
49:30she would turn to the servicing
49:32of other men
49:33who's to blame you there for
49:36now that you see comfort
49:38with yet another little battle
49:40ladies and gentlemen
49:51I would ask you now to give your full attention
49:54to the voice of
49:56gaiety
49:56Miss Rose Erskine
50:00I'm a young girl
50:15and I've just come over
50:18over from a country
50:21where they do things be
50:24and amongst the boys
50:27I've got myself a lover
50:30since I've got a lover
50:34why I don't care a thing
50:37why does he not fight?
50:56he waits
50:57he rides the blows
50:59until the man's arms tire
51:00Ben
51:09Ben
51:11you either lift your guard up
51:14or there will be nothing left of your face
51:16for men to know you by
51:17get out of your face
51:33get out of your face
51:47his pockets
51:48I have a brother
51:49what's this
51:52where's our diamond?
51:55wait please
51:55I know where he is
51:56where?
51:56I'll take you
51:57I'll take you
51:58if I were a duchess
52:01and had a lot of money
52:03I'd give it to the boy
52:07that's going to marry me
52:10but I haven't got a penny
52:14so we live on love and kisses
52:17and be just as happy
52:20as the birds on a tree
52:23the boy I love
52:26the boy I love
52:26is up in the gallery
52:30the boy I love
52:32is looking now at me
52:36there he is
52:39can't you see
52:40waving his handkerchief
52:43as buried as a rabbit
52:46that sinks on a tree
52:49as agreed
52:50as agreed
52:51if I were a duchess
52:53not near enough
52:54for two
52:55I'd give it to the boy
53:00that's going to marry me
53:00I've seen you again Twinkle
53:02but I haven't got a penny
53:06so we live on love and kisses
53:09and be just as happy
53:12as the birds on a tree
53:15I know what it is you do
53:19you believe yourself
53:20owed this punishment
53:22you are not
53:23you have taken enough
53:24it is time now
53:25to fight
53:26you hear me?
53:27fight
53:27fight him
53:29why would he not got down?
53:32you are not
53:34you are not
53:35you are not
53:36you are not
53:37the boy I love
53:39is up in the gallery
53:42the boy I love
53:45is looking now at me
53:49there he is
53:51can't you see
53:53waving his handkerchief
53:56as merry as a rabbit
53:59that sinks on a tree
54:04the fat man in the monkey suit
54:17be at them you hold
54:22we will have it from you sir
54:24you will not sir
54:27it is a quiet
54:29it is stolen
54:30from the house of the cross
54:33you have what you came for
54:46you can leave us now
54:47we do not have the thief
54:49he stole from me also
54:51he was ever a liar
54:53and ever a cheat
54:55now you men clear out
55:02before you two die in this place
55:03know this Duggan
55:08every moment I felt
55:10your foul breath on my face
55:12your murderous fingers on my body
55:15I thought of this
55:17dreamt of it
55:18your lawyers
55:19your estates and holdings
55:22your estates and holdings
55:22all will now be made to work for me
55:24everything that you have built
55:27I will make it mine
55:28do not be confused husband
55:41everything I've said remains the case
55:43I want none of you
55:45I want none of any man
55:48you
55:53expect to shine you think this world can exist without men such as you and I feel retribution
55:59Inspector Schein, you think this world could exist without men such as you and I, for your retribution?
56:13There is balance, sir, in all things.
56:26Another one!
56:30I can't!
56:43Where's Morby?
56:50No, no, no! You let them finish!
56:59No, Sergeant! You kill him!
57:13No, Sergeant! You kill him!
57:23Kill him!
57:24Kill him!
57:28Kill him!
57:30Kill him!
57:33Oh, my God.
58:03Oh, my God.
58:33Oh, my God.
59:03Oh, my God.

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