岩井 狩野 えびちゅうの推しかるちゃー 2025年4月1日 アニメ・ゲーム・マンガなどあらゆる推しコンテンツのスタッフロールに注目！作り手の知られざるお仕事を掘り下げ、作品の推しポイントを紹介！
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
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TVTranscript
00:00Let's get started, Oshikaru-chan!
00:06This show is brought to you by anime, games, and manga.
00:10We focus on the roles of the cast and crew,
00:13as well as the work of the creators.
00:16We also introduce the points they get for their work.
00:20Today's theme is...
00:23the movie Hypnosis Mike Division Rap Battle!
00:27What is this?
00:29Do you know about it?
00:31I've been a fan of Hypnosis Mike since the very beginning.
00:36I've seen the anime and listened to the music.
00:40By the way, which division do you like?
00:43I like the Shinjuku division.
00:46Which one?
00:48I like the Hifumi division.
00:51Oh, Hifumi!
00:53Don't get too excited just the two of you.
00:56I'm just happy to see your faces.
00:59I'm so happy that my face is getting hot.
01:06Hypnosis Mike Division Rap Battle started in 2017.
01:11It's a rap battle between male voice actors and characters.
01:15It's a music-based character rap project.
01:18It's a music-based character rap project.
01:21You're good at this, Shibuya-san.
01:24Pay attention to their rap skills.
01:27They're like brothers.
01:30They're like brothers.
01:33They're like brothers.
01:36They're like brothers.
01:39They're like brothers.
01:42They're like brothers.
01:49Two days ago?
01:52Hypnosis Mike got a lot of fans.
01:55Hypnosis Mike got a lot of fans.
01:58The song was always in the music ranking.
02:01They also collaborated with a cafe.
02:04They also collaborated with a cafe.
02:07The story takes place in a world where women wield the sword, and the world is plagued by conflict due to the use of force.
02:20Now, let's begin the battle to obtain our ideals.
02:28Cool.
02:29Cool, right?
02:30Cool.
02:31I see.
02:32The special mic that interferes with the human mind, the Hypnosis Mic, has the power in place of physical force.
02:44The lyrics interfere with the opponent's mind, so it's not a weapon, but a power of words that can cut the line.
02:52City to city, city to city.
02:55Rap battle.
02:56Grab it.
02:58Shake it.
02:59City to city, city to city.
03:02The men expand the territory of each division and start a rap battle with the Hypnosis Mic.
03:09The mic is like a weapon, so you can attack when you sing.
03:14And the movie, Hypnosis Mic Division Rap Battle, which will be released in February 2025.
03:22The MC groups representing each division will gather.
03:26A rap battle where they compete for each other's power will be held.
03:33In addition, a new video experience.
03:38I see.
03:39This movie is Japan's first interactive movie in which the audience participates.
03:47This was so much fun.
03:50That's after the rap battle.
03:55Wow.
03:57You can vote.
04:01The audience uses a smartphone to vote for the team in real time.
04:09Oh, it's here.
04:12The results of the vote will be collected on the spot, and the winner of the rap battle will be decided.
04:18It's an anime, right?
04:20It's an anime.
04:21Oh, it's Shintarō.
04:23I'm so excited.
04:25Wow.
04:28The applause is the same as this time.
04:32The audience voted, and all the voting patterns passed 48.
04:37There are 7 endings.
04:39The story and ending change depending on the audience.
04:46Fans from Yokohama and Osaka travel to each division to see their favorite winning route.
04:59Music, anime, stage, and a new video experience.
05:04Smile continues to evolve in 2025.
05:10I didn't know that the ending would change depending on the audience.
05:16I actually went to see it.
05:19For example, if it's Shinjuku, it's more likely to win if you see it in a movie theater in Shinjuku.
05:25I see.
05:26That's why I went to see it in Roppongi.
05:30It's fair.
05:32That's why I wanted to show the strength of Shinjuku, but I lost.
05:37Oh, I see.
05:38I didn't know that.
05:39That's right.
05:41Here comes the special guest.
05:46Director of the movie Hypnosis Mic, Takanori Tsujimoto.
05:52Nice to meet you.
05:53Nice to meet you.
05:55Director Tsujimoto works on TV dramas and Ultraman series.
05:59He works on the live-action HAT REIBA and ULTRAMAN ARC.
06:05I didn't know much about Hypnosis Mic.
06:10Oh, I see.
06:12I'm a live-action director.
06:15I happened to work on an anime about 8 years ago.
06:22It was a CG movie.
06:24I worked on that one.
06:26I heard about Hypnosis Mic when I heard that it could be an anime.
06:31I studied it in a hurry.
06:34I see.
06:35It's a great work.
06:37It's been a while since I worked on an anime.
06:39It's a special anime.
06:40That's right.
06:41You usually work as a special effects director.
06:46Did you use any special effects techniques?
06:49There is a scene where a giant hero is getting bigger.
06:55I wanted to make the character's face look bigger in the opening scene.
07:03I had that idea.
07:05I thought it would be nice to make it look bigger with a strange light.
07:11Ikebukuro, Yokohama, and Shibuya are the representative cities of each division.
07:16I wanted to make the city of Ikebukuro look bigger.
07:21The bigger the city, the bigger the face.
07:25I thought I was mistaken for an Ultraman.
07:32I noticed that the camera was in the angle I was used to.
07:36I see.
07:37It was interesting.
07:39He is a well-known person who supports the movie Hypnosis Mic.
07:44Let's start the staff roll search.
07:53Leading Supervisor, Yui Watanabe.
07:58She came to Polygon Pictures.
08:04It was founded in 1983.
08:07It is a digital animation studio with a world-class history and achievements.
08:14What kind of work is Leading Supervisor?
08:20She sneaked into the studio.
08:23Good morning. I'm Oshiculture.
08:26I'm Ottana Living.
08:27Nice to meet you.
08:28Nice to meet you, too.
08:30This is Leading Supervisor, Yui Watanabe.
08:34Mr. Watanabe.
08:37There is a character created by a modeler.
08:40It is a job to add bones to the character.
08:46Add bones to the character?
08:48What does that mean?
08:51First, this character.
08:54This bone.
08:57Like this.
08:59To pose the character,
09:02I will add bones like human joints.
09:06Is it made of wood?
09:07Yes.
09:08What happens if I put it in?
09:11It becomes a joint to move the character.
09:15The elbow, too.
09:17Like this.
09:18It becomes the axis.
09:19It moves along this.
09:21It becomes the axis.
09:22Amazing.
09:25The modeler creates a model,
09:27and the doll becomes a character.
09:31Does it mean to make it move?
09:33Yes, to make it move.
09:34It's a great job.
09:36Leading is a job to add joints to the 3D model created by the modeler,
09:41and make the character move.
09:46It is a job to connect to the animator.
09:51The bones are made from the fingers of the hand.
09:59Does it move?
10:00Yes.
10:05This is a long-haired character.
10:09This character has long hair,
10:11so the controller is large enough to move the hair.
10:16It can move the hair one by one to expand the range of expression.
10:24This is a character that Alice loves.
10:27The round part of the face can be moved.
10:37The clothes can be moved, too.
10:39These are all the parts that can be moved.
10:47I think more than 500 parts can be moved.
10:55Not only the joints, but also the parts of the face, hair, and wrinkles of the clothes are all movable.
11:01The 3D animator makes it possible to make fine adjustments to each detail.
11:08This is the character of the rigging supervisor.
11:13This is Ichiro.
11:14This is the first Ichiro in the intro song.
11:20First, let's take a look at the pushing scene.
11:26This is cool.
11:29Thank you for the drawing.
11:33Ichiro is moving now.
11:35The pushing point is this hand.
11:45This time, the hip mic was a work that was very particular about the face and hands.
11:52I talked with the model and the rig for months to make the hand look cool with trial and error.
11:59I decided what kind of model was good.
12:03But what exactly is a cool hand?
12:09The cool hand is the joint.
12:13I understand.
12:15This is sexy.
12:17It's a little manly.
12:20It's better to stick out.
12:21This is the joint of the finger.
12:26Usually, in 3D animation, the joints are rounded, so it doesn't look cool.
12:34But this is cool.
12:35You can do this with CG.
12:38I spent months on this expression to make the corners stand out.
12:47I was looking at the character design.
12:50All the characters have cool fingers.
12:57Express the sharp hands of the character design in 3D.
13:02In rap battles, it is important to express cool hands.
13:12In addition, the stickiness of the hand is here.
13:17There is a line on the back of the hand.
13:20You can move this line one by one.
13:25You can change the length.
13:27It's a cool line that you often see in manga.
13:30I made it so that you can move it.
13:33The animator cuts it one by one.
13:37I made it so that you can move it to make your hands look cool.
13:44Kipnosis Mike is particular about the movement of the character.
13:50Pay attention to the expression of the hand when you see it in the theater.
13:55I watched it a lot.
13:57We sing with music, so we can understand it better.
14:02When you sing, you do not only sing, but also act with your hands.
14:07Especially for rappers, the movement of the hand is important.
14:12I'm glad that the production team showed me that it was a rap work that expressed it better.
14:19I feel like I understand.
14:22When I joined, he was already making a model.
14:26When Kipnosis Mike started, Kazui was the illustrator.
14:34I joined because I heard that he was doing it with the intention of reproducing the sexiness of the hand in the illustration.
14:43I'm a little perverted.
14:45Is it something that the director can understand immediately?
14:48I understand, but I thought that he was making the original hand.
15:02I thought it was a little strange.
15:05I'm sorry, but I didn't know that you could adjust the direction of the hand.
15:10I'm sorry, but I didn't know that.
15:12It's because I'm particular about it.
15:16Kipnosis Mike is a well-known worker.
15:21Let's start the staff role search.
15:27Animation Supervisor, Manki Miho and Kamiya Miyuki.
15:34What kind of work is it?
15:38I'm Oshiculture. Nice to meet you.
15:43These are the animation supervisors, Manki and Kamiya.
15:49The animator submitted a cut.
15:54Before submitting it to the director, the animation supervisor checked it.
16:02The animator gave feedback to the animator, saying,
16:09The animator gave feedback to the animator, saying,
16:14In other words, it's a job to check the animator's cut, check with the director, and give feedback on corrections.
16:22It's in the middle.
16:26Kipnosis Mike is a singing theater, so I think it's important to record the sound first.
16:33Kipnosis Mike is a movie that records the voice of the voice actor first and then makes a video.
16:43Let's take a look at the work of the animation supervisor.
16:48This is the cut.
16:54First, let's take a look at Take 1.
16:58If you're an ex-entertainer, get out of here.
17:03This is Take 1.
17:08Let's watch it again.
17:11If you're an ex-entertainer, get out of here.
17:17The director corrected this cut.
17:22Is it sunglasses?
17:27The voice actor, Mr. Kuroda, said,
17:30If you're an ex-entertainer, get out of here.
17:33According to this voice, give me a little more feedback.
17:39So I corrected it.
17:45Here's the corrected cut.
17:47Sunglasses.
17:49If you're an ex-entertainer, get out of here.
17:54Did you get it?
17:58Let's watch it again.
18:01If you're an ex-entertainer, get out of here.
18:07Let's watch it again.
18:11If you're an ex-entertainer, get out of here.
18:16I don't like it.
18:20Please make the play bigger.
18:24Change the action to a stronger one in a strong part.
18:30When this kind of feedback comes back in various places,
18:34I think the director cares about this kind of thing.
18:39The director's intention is conveyed, and the animator is given a correction point.
18:44In some cases, the director will correct it first before showing it to the director.
18:52The animation supervisor is proud of himself.
18:57Make a handsome man.
19:02I see.
19:05I think that's a big premise.
19:08Based on this big premise, CG has a high level of difficulty.
19:17After this, we will show you how to make a hip-my character.
19:23Wow!
19:30The employee is proud of himself.
19:35Make a handsome man.
19:39I see.
19:41Thank you for the meal.
19:43This is a character drawn by an illustrator as a guide.
19:48In this case, we will show you how to reproduce it at the base stage without facial expressions.
19:57It's a lot of work to make a cool face like a corpse from scratch with a 3D model.
20:05This is a camera driver function.
20:14This is the first look.
20:17The face changes automatically depending on the angle of the camera.
20:21If you turn on the camera driver function,
20:25this is the first default face.
20:29If you use this,
20:31Wow!
20:33This is the coolest angle taken from the camera.
20:39You can adjust it automatically once.
20:44No matter what camera angle it is,
20:46it automatically corrects the coolest face.
20:49The function is called a camera driver.
20:53The big purpose is to measure the unification of quality.
20:57The camera driver is to adjust the base.
21:02The time to use the base is used to improve the quality.
21:11The cool face of the base is automatically corrected.
21:14The animator can concentrate on the creation of fine expressions.
21:21No matter what camera angle it is,
21:23it's a cool movie.
21:26Pay attention to the expression.
21:30The voice of the voice actor is taken first.
21:34The acting of the voice actor has a lot of emotions.
21:37Kimura Subaru said,
21:39Let's go!
21:41If the tension of the voice and the picture do not follow,
21:47the voice is not good.
21:49He said that in a bad way.
21:51If it's this tension,
21:53I have to change my expression more.
21:55I always asked him to change his expression.
22:00After this, the director will talk about his particularity.
22:09If there is a character in the actual live venue,
22:15I want you to see what it looks like.
22:18That's why I made this movie.
22:22What does it mean to be real?
22:25It means that the character is moving properly.
22:27The expression changes properly.
22:29In animation,
22:31the person who is talking is moving,
22:33but the person who is listening is not moving.
22:36In the meantime,
22:38you can draw here for a moment.
22:41I see.
22:43I don't know what you're talking about,
22:45but you can make a pose like this.
22:47You can put your hand here.
22:49You can change your legs.
22:51You can put something here.
22:53I see.
22:55I don't like it,
22:57but I have no choice but to say it.
22:59It's helpful.
23:01It's really helpful.
23:03It's really helpful.
23:05I'm only looking at the butt.
23:07Let's pay attention to the shadow in the back.
23:13I'm looking at the shadow of the butt.
23:15I'm looking at the shadow of the butt.
23:17Next time on OSHICULTURE,
23:19we'll look at the popular anime, Witch Watch.
23:21Rina Kawaguchi plays the role of Niko,
23:23and she's playing the role of Atereko.
23:25I'm so excited!
23:27Ebichu is also playing the role of Atereko.
23:29I'm so excited!
23:31OSHICULTURE is available on TVer and MBS.