ＢＳ世界のドキュメンタリー 2025年4月1日「私はマドンナ 前編 世界を征服したい」
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00:00I have to say hi this is Madonna hi I'm Madonna hi I'm Madonna on countdown and
00:26this is my new single in video holiday. I've always felt like such an outsider
00:32like such a misfit like such a weirdo but what do I say and I felt a freak and
00:39I felt like I could never fit in with the prom queens and the cheerleaders and
00:44the perfect girls. I was really down on myself it does the name which you've
00:57grown up with mean anything to you? It means a great deal to me it's my
01:00mother's name and I love my mother so there's a link. Has she died of course?
01:05Not yet. Come here brother. This is my brother Christopher. He dances with me.
01:35Madonna sells more than 75,000 records a day. Not bad for a 25-year-old girl from Michigan.
01:57Madonna the sultry singer who has parlayed a trampy trashy style and is about to be
02:01exposed literally. I kept seeing myself through macho heterosexual
02:11eyes. I suddenly thought that's not the only way that I have to be.
02:19I don't want to have any sense of shame about it and I don't want to have any sense of regret.
02:46Why should I? Part of the reason I sort of shot out like
03:10a cannon out of Michigan and like left home at such an early age was because I had to
03:16feel independent. But I was going to be somebody and I was going to make something out of my
03:24life and I was not going to spend the rest of my life in the boring midwestern suburbs.
03:34When I came to New York it was the first time I'd ever taken a plane. It was the first time
03:38I'd ever gotten in a taxi cab. I'd never been to a big city like that before. New York's
03:52really overwhelming when you're 17. I came here not knowing anyone with $35 in my pocket.
04:01It was the bravest thing I've ever done. And my goal was to conquer this city.
04:06Okay. Okay, here we go.
04:21Originally I'd come to New York as a dancer. You know, I danced in a lot of companies while
04:32I was living in New York, but it wasn't fulfilling enough for me. Most of the kids
04:39in my ballet classes, they were these really like spoiled little bratty girls. They didn't
04:44know anything about music or art. They were really boring to me. And I found myself rebelling.
04:53And I cut my hair really short, greased it so it'd be sticking all up. And I'd rip up
04:58all my tights and make a big cut down the middle of my leotard and put safety pins all
05:02the way up it. Just anything to like stand out from them and say, I'm not like you, okay?
05:16And that's when I started exploring other territories and really quitting like going
05:20to my dance classes every day.
05:21You want to come in, walk in the door and say, oh, it was a rough day at work.
05:26And I started hanging out with people in the art world and that sort of the downtown Lower
05:30East Side scene and musicians, but it wasn't, it wasn't that planned out.
06:00It was more like, you know, it was more like, you know, it was more like, you know, it was
06:07more like, you know, it was more like, you know, it was more like, you know, it was more
06:14like, you know, it was more like, you know, it was more like, you know, it was more like,
06:19you know, it was more like, you know, it was more like, you know, it was more like, you
06:23know, it was more like, you know, it was more like, you know, it was more like, you know,
06:26it was more like, you know, it was more like, you know, it was more like, you know, it
06:29was more like, you know, it was more like, you know, it was more like, you know, it was
06:30more like, you know, it was more like, you know, it was more like, you know, it was more
06:31like, you know, it was more like, you know, it was more like, you know, it was more like,
06:32you know, it was more like, you know, it was more like, you know, it was more like, you
06:33know, it was more like, you know, it was more like, you know, it was more like, you know,
06:34it was more like, you know, it was more like, you know, it was more like, you know, it was
06:35more like, you know, it was more like, you know, it was more like, you know, it was more
06:36like, you know, it was more like, you know, it was more like, you know, it was more like,
06:37you know, it was more like, you know, it was more like, you know, it was more like, you
06:48know, it was more like, you know, it was more like, you know, it was more like, you know,
07:00it was more like, you know, it was more like, you know, it was more like, you know, it
07:07was more like, you know, it was more like, you know, it was more like, you know, it was
07:15more like, you know, it was more like, you know, it was more like, you know, it was more
07:22like, you know, it was more like, you know, it was more like, you know, it was more like,
07:29you know, it was more like, you know, it was more like, you know, it was more like, you
07:36know, it was more like, you know, it was more like, you know, it was more like, you know,
07:42it was more like, you know, it was more like, you know, it was more like, you know, it was
07:48more like, you know, it was more like, you know, it was more like, you know, it was more
07:53like, you know, it was more like, you know, it was more like, you know, it was more like,
07:58you know, it was more like, you know, it was more like, you know, it was more like, you
08:03know, it was more like, you know, it was more like, you know, it was more like, you know,
08:08it was more like, you know, it was more like, you know, it was more like, you know, it
08:13was more like, you know, it was more like, you know, it was more like, you know, it was
08:18more like, you know, it was more like, you know, it was more like, you know, it was more
08:23like, you know, it was more like, you know, it was more like, you know, it was more like,
08:28you know, it was more like, you know, it was more like, you know, it was more like, you
08:33know, it was more like, you know, it was more like, you know, it was more like, you know,
08:38you know, it was a foreseeable future.
08:56They had a band already, and it was called the Brexit Club.
08:59He went off to work every
09:01day with his brother and I kind of stayed there and used their studio all day long
09:06until they came back to practice.
09:09See, I kept wanting to play in their band.
09:11I kept saying, no, you know, there's no opening.
09:13Sorry.
09:16So for a year, just locked myself away
09:18and taught myself to play drums and guitar and piano.
09:24So I had enough knowledge to write music.
09:26And then the songs just started coming, you know, like crazy.
09:32And then the drummer quit.
09:34Then they finally let me be in their band.
09:41She had a real good sense of rhythm.
09:43I guess that was because of the dance round.
09:45Three, four.
10:46Daddy, I'm afraid to come home.
10:54I said, Daddy, I'm afraid to come home.
11:01It was my fault that I didn't want to be in their band.
11:03I was smart, but I was just a little kid with nothing.
11:08Oh, man.
11:09From age to age, you gather a people to yourself.
11:18My father was a Catholic priest.
11:22Come, the body and blood of your son, our Lord Jesus Christ.
11:28My father was faithful to the teachings of the church.
11:33My father is an Italian-American.
11:39His parents came over on the boat from Italy,
11:41and a real disciplinarian, very strict.
11:46Very old-fashioned, traditional, macho Italian world.
11:51The girls got all the lectures, and we were told about modesty.
11:54And we had curfews, and we had to dress a certain way,
11:56and we had to behave a certain way.
11:58And my brothers could do whatever they want.
12:02When we got home from school, we changed our clothes.
12:05We did our chores.
12:06We did our homework.
12:07We ate dinner.
12:08We weren't allowed to watch television,
12:09and it was a very kind of regimented life.
12:13He didn't like us to have idle time.
12:16He thought that we should always be productive.
12:19You know, me saying, well, you know,
12:21I don't want to go to college.
12:22I want to go to New York, you know,
12:24just didn't make any sense to him,
12:26because it seems like a hobby, you know what I mean?
12:28Not something serious, something that you could make a living at.
12:38The band was doing well,
12:41until Madonna said she wanted to sing, too.
12:46Which, you know, I was the one who wanted to sing,
12:48and I didn't want to be the vocalist.
12:53But she wanted to be the lead vocalist.
12:57I begged them and begged them for months to let me sing one song.
13:01And then they did, and then I got a taste of that,
13:03and then I didn't want to play the drums anymore,
13:05and then I wanted to play more songs,
13:07and eventually they booted me out,
13:09because I was hogging all the space, you know?
13:13That's how it all came to an end.
13:18That's how our love story came to an end.
13:22MUSIC BUILDING
13:30The club scene at the time
13:32was located by the side of the building
13:34where Cassie's studio was located.
13:41It's a really dirty building.
13:44There are officers in the corridors
13:46and there are security guards.
13:49Madonna lived in this building.
13:56This guy that I knew from Detroit, Stephen Bray,
13:59he had a lot of musical training
14:01and he could play every instrument.
14:03He had been playing with a lot of different groups
14:05and he had the keys to a lot of rehearsal studios.
14:10The music building was a really magical place.
14:13You could hear vocals and guitar riffs from time to time.
14:18The snare drum sounds...
14:22It's like the ocean of sound.
14:26Madonna and I, we came to live there.
14:35Madonna had a lot of grit and she's got a lot of willpower.
14:40Mid-westerners are hard-working people.
14:48And if you want to survive,
14:50you have to put in the time and the effort.
15:02One day, I forgot my keys and I knocked on the door
15:05and I'm not going to open the door
15:07but Madonna opened the door for me.
15:09She opened the door for me and I said,
15:11thanks for opening the door for me this time.
15:17Well, we were Camille's closest music producers.
15:24So Madonna was aware of that, I'm sure.
15:30She understood that I had an impact in the music business
15:33and she really wanted to see me into the business.
15:36So I said, when's your next gig? I'll be there.
15:39And that was it.
15:52Madonna was influenced by the rock band Blondie.
15:56She was inspired by them.
16:06It wasn't dance music, it was nightclub music.
16:11She had a unique ability to express herself,
16:14which is something you don't find in other artists.
16:17She was drawn to it.
16:30And that's how Camille's music came to be.
16:40But I decided to fire the band.
16:52But I had to fire them.
16:54I fired them because they were pushing Madonna's business.
17:01I found out that Madonna was going to leave the band
17:04and work for Camille.
17:10I was disappointed, but people have to move forward.
17:17I was honestly happy that she was so close to her dream.
17:26Madonna and I had only thought about success.
17:30She had a strong ambition and she's overcome a lot of pain.
17:36It was never an easy life.
17:41Does the name which you've grown up with mean anything to you?
17:45It means a great deal to me. It's my mother's name.
17:48And she died, of course. Yeah.
17:50You lost her very early in life. Yeah.
17:57What happened, you know, when I was six years old,
18:01it just was the greatest event of my life.
18:04It was like a part of my heart was ripped out.
18:07What do you remember about her?
18:09That she was beautiful.
18:11And sweet.
18:13And...
18:15a hard worker.
18:17I wonder how much of her is in you.
18:20Yeah, well, I'll never know.
18:26I was forced to grow up fast and understand my mother's death,
18:29to understand the psychological, like, all the things that were going on
18:33is too much for a child, I think.
18:40I think my mother's death
18:42had a great impact on my whole family.
18:46I know my father was a great role model for my mother,
18:49a professor on her,
18:51and our guide.
18:56She was my mother's role model.
19:00She was my mother's role model.
19:03Her name was Amelie.
19:05Amelie was the one who pushes my sister
19:08or elevates her to a special place.
19:16In a big family situation,
19:18you're, like, fighting to, like, be noticed and stand out and everything.
19:24I wanted to get my father's attention.
19:27So I've sort of had this emptiness
19:29that I've had to sort of go out into the world to fill up.
19:48In 1982,
19:50Madonna was working in Camille's studio.
19:55I always felt that Camille
19:57was sort of like Pat Benatar,
19:59who sang Madonna as an independent woman.
20:02It was good.
20:04It was not bad.
20:09We couldn't decide on the direction that I wanted to go,
20:12and she wanted to promote me more like new wave or rock
20:15or whatever you want to call it.
20:17And I was writing really funky stuff,
20:19and she said, you can't do that.
20:21And I said, look, this is the way I'm developing as an artist,
20:24and you can't stop that.
20:34I was working with R&B,
20:36and more sort of like pop, club, club.
20:41And Madonna was sitting there,
20:43and she actually had a notepad,
20:45and we were sitting there,
20:47and we said, can we do this?
20:50And we sat down, and we were recording down vocals.
20:56Late at night, we'd go back to these studios
20:58where they had four-track and eight-track recording things,
21:01and we'd made our own demo tape.
21:03On our own, like at 3 o'clock in the morning,
21:05we'd go there every night.
21:08I love you still
21:10Call out my name
21:12I'll be here
21:14So this is a song that I wrote
21:16and my love is real
21:18And my person who wrote it
21:20was my mother,
21:22who was elated by my voice
21:24So we are blessed
21:26To live through the good life
21:28Sad time is gone
21:30I got no tears to cry
21:32So don't say goodbye
21:34We played between the two of us,
21:36all the instruments on it,
21:38and I did all the singing.
21:40We wrote the songs together
21:42Madonna's heart-felt singing
21:44really got to her.
21:52I didn't know she was going around
21:54the dance club with that song.
21:57I wasn't going to go to record labels
21:59because I know they never listen to all the tapes.
22:01So I went to clubs because I know that A&R men
22:03from record labels go there,
22:05and they bring their new records for the DJ to play.
22:08In a big dance club,
22:10there was a girl who asked the DJ
22:12to play a demo tape for her.
22:16I mean, it was good music,
22:18but there was a spark in her aura
22:20when she was looking for a contract.
22:25I always thought,
22:27what do you want?
22:29And the answer was,
22:31I want to conquer the world.
22:33Seymour Stein, my boss,
22:35was in the hospital,
22:37but I said, look,
22:39I'm going to go find him tonight
22:41and make him play a demo tape
22:43so we can meet him tomorrow.
22:47I was hooked up to all kinds of equipment.
22:49I was wearing the braids,
22:51and I was in my pajamas.
22:53But I lit up my back,
22:55and I looked at her,
22:57and she walked in.
22:59And she walked in,
23:01and she walked in.
23:03If I had the permission of care
23:05to sign a contract,
23:07I would have walked in.
23:09In a call,
23:11that person's mind would be attracted.
23:13That's how it began.
23:19All this was going on
23:21from my mind,
23:23I'm not aware of that music
23:25and the songs
23:27that had gone to labels.
23:31I get called to the office
23:33of a lawyer,
23:35and she's there.
23:37Madonna was lying on the sofa
23:39chewing gum.
23:41It was a ten-minute meeting.
23:43Madonna was like,
23:45I don't need you anymore.
23:47I'm getting a divorce.
23:51Well, as soon as I get
23:53legal representation,
23:55I have to get out.
23:57I have to get out.
23:59I have to get out.
24:11I've been, you know,
24:13dropping off musicians and changing personnel
24:15because I know they weren't the right people.
24:17You gotta know
24:19intuitively you're with the right people
24:21or it's pointless.
24:23Go away.
24:37For a while,
24:39everything was okay,
24:41but then I got a manager
24:43who wanted to fit me
24:45into an image,
24:47an idea in her mind
24:49that she thought I should be
24:51more like Debbie Harry
24:53or Pat Benatar or something like that.
24:55That's tired, right?
25:21I decided to go with this route.
25:33Madonna brought a variety of elements
25:35to the song.
25:37Disco, New Wave,
25:39Punk Rock.
25:45It was a great fusion.
25:47I also started live performances.
25:57On Saturday,
25:59I did about four stages.
26:07I carried around
26:09light equipment
26:11and sang live.
26:17Once I got a gig,
26:19I moved to the next venue
26:21and sang.
26:47This is my brother Christopher.
26:49He's also part of my big family.
26:51He dances with me.
26:53He was inspired and came to New York
26:55after I was here.
26:57I got a call from Madonna
26:59who was in the club
27:01and asked her to be a back dancer.
27:09It wasn't fun,
27:11but it was a request from my sister.
27:17I was really into it.
27:21There were times when I accepted it.
27:33There were times when I didn't.
27:43It was crazy in Long Island.
27:47I'll do what I wanna do, alright?
27:49I know you're gonna like it.
27:51Okay? Don't do anything with that hand.
27:57Thank you very much. Good night.
28:01I had miserable low points.
28:03I had terrible feelings of loneliness.
28:05I just kept thinking,
28:07this is a rite of passage.
28:09I have to pass this test.
28:11And I refused
28:13to accept
28:15that anything but success
28:17was going to happen eventually.
28:21You know, I just didn't think
28:23that failing was an option.
28:41When I saw Madonna's show,
28:45Martin Burgoyne was
28:47the back dancer.
28:53Martin was
28:55Madonna's best friend.
29:01Martin was the bartender
29:03at a club in East Village.
29:05We lived in the same apartment
29:07and he was just inseparable.
29:09When I started
29:11to make records and stuff,
29:13he was my art director.
29:15He helped me design my album covers
29:17and he'd go on tour with me
29:19and help me with my shows
29:21and things like that.
29:23He was really my best friend.
29:37Barney, put me on the list.
29:39I'll be glad to.
29:41Listen, we're looking down at the pop tarts tonight.
29:43This is great.
29:45See you in there.
29:47I'm afraid some of you came here
29:49expecting a classy drag act.
30:17We're going to shake Keith's hand, alright?
30:47The artists
30:49get together and talk.
30:51While they're doing something
30:53together,
30:55a community is formed.
31:17Not just music,
31:19not just art,
31:21a new genre of culture
31:23was born.
31:25It was a liberation movement.
31:29Martin and Madonna
31:31were an ideal combination.
31:33I loved Martin,
31:37but I wouldn't say
31:39Madonna was easy to get along with.
31:41She was a pretty tough person.
31:43But after meeting Martin,
31:45she was a lot softer.
31:49She could relate to him.
31:51If he was a gay,
31:53they could really relate to him.
31:55I don't think he was a straight guy.
32:01I feel that
32:03most gay men
32:05are so much more in touch
32:07with a certain kind of sensitivity
32:09that heterosexual men
32:11aren't allowed to be in touch with.
32:13To me, they're more
32:15whole human beings
32:17in a way, you know,
32:19than most of the straight men that I know.
32:21So I'm
32:23naturally attracted to them.
32:31Okay, here we go.
32:33Ready?
32:39Go ahead, go ahead.
32:41People start getting really weird.
32:45What do I do?
33:05They just said,
33:07who's the manager of the biggest act
33:09in America today?
33:11I want his manager.
33:39I want his manager.
34:09...around.
34:11And he's actually
34:13going to be on MTV
34:15in about a week.
34:17So he pressed Michael Jackson
34:19and Madonna
34:21for the long Michael Jackson music video.
34:25They told him,
34:27don't you ever come around here
34:29Don't want to see your face,
34:31you better disappear
34:33Madonna and I
34:35just beat it
34:37Just beat it
35:07The record industry
35:09has found a marriage
35:11with television.
35:13The results are videos,
35:15top musical hits put to pictures.
35:17Another result is MTV,
35:19music television,
35:21a nationwide cable channel.
35:23We both thought
35:25that if we could
35:27do something striking
35:29together,
35:31we could make a difference
35:33in the world
35:35I said, I'm as talented
35:37as Michael Jackson.
35:39If he could exploit his image,
35:41I just said,
35:43okay, I'm going to get into this.
36:05I made a music video
36:07for TomTom Club.
36:13Then Warner Brothers
36:15contacted me.
36:21He said, there's a girl
36:23who's a big star.
36:25Why don't you make
36:27a music video for her?
36:31The song is Borderline.
36:35I said, I think it would be
36:37really interesting to dance
36:39with Madonna.
36:41I was really impressed
36:43with the way she was able
36:45to pull together
36:47the choreography
36:49and turn it on the music
36:51and get it out.
36:55She just had this amazing
36:57power that,
36:59like a magnet,
37:01she's like a camera
37:03that captures your face.
37:15Is the image of you
37:17really you?
37:19I would say so.
37:21Is it a look, an attitude?
37:23How would you describe it?
37:25I think it's an attitude
37:27more than anything.
37:29My goal was not to
37:31take advantage of her.
37:33I didn't have to do that.
37:35What I was looking for
37:37was to capture
37:39herself.
37:41You know this is a business
37:43that exactly wants to slot you,
37:45wants to describe you.
37:47Where do you fit?
37:49In the new category that I've defined.
37:55What's new about it?
37:57Me.
37:59We're rolling.
38:01Let's do a rehearsal, kid.
38:03Come on, up and out.
38:25So tonight here at Radio City Music Hall
38:27all the music spaces have come out to celebrate.
38:29The occasion is the first
38:31annual MTV Video Music Awards.
38:57The performance at the MTV Awards.
38:59You came down those stairs
39:01dressed as a bride
39:03and then caught all over the stage.
39:05You actually did shock
39:07not only just the press and that
39:09but the audience as well.
39:11I mean,
39:13I mean,
39:15I mean,
39:17I mean,
39:19I mean,
39:21I mean,
39:23I mean,
39:25I mean,
39:27I mean,
39:29I mean,
39:31I mean,
39:33I mean,
39:35I mean,
39:37I mean,
39:39I mean,
39:41I mean,
39:43I mean,
39:45I mean,
39:47I mean,
39:49I mean,
39:51I mean,
39:53I
39:55I
39:57I
39:59I
40:01I
40:03I
40:05I
40:07I
40:09I
40:11I
40:13I
40:15I
40:17I
40:19I
40:21when I felt most comfortable.
40:27And I guess at the end of the record company,
40:30the manager and the people at the record company
40:34thought it was a catastrophic disaster.
40:39But it was just as good to be in the Beatles' Edo Sullivan Show.
40:46All right!
40:47OK, let's hear it for the Beatles!
40:51Let's hear it for Madonna!
40:53CHEERING
41:03And finally this evening, Madonna.
41:05If you think we are referring to the sweet expressions
41:08by the painter Raphael, you clearly do not have a teenage daughter.
41:15Did you enjoy the Madonna concert?
41:17She was excellent. I think she's awesome, man. She's great.
41:20She can really dance to her music.
41:24Here we have the girl toy belt buckle,
41:27the ringlets, lots of those.
41:30Basically, we're looking for the Madonna look and you turn out to have it.
41:34Yes, I love Madonna more than life.
41:38Madonna sells more than 75,000 records a day.
41:41Not bad for a 25-year-old girl from Michigan.
41:45Any predictions for the future year?
41:47Every little girl between the age of 10 and 18
41:50is going to want to look like me.
41:59I like the way she acts.
42:01I think all women should be able to act like they want
42:04without being run down by men at all.
42:08The industry was selling Madonna's sexiness,
42:12and her voice was appealing to women's hearts.
42:18Madonna wants to know how many people are going to see the virgin tour.
42:24Teenage girls sympathized with Madonna.
42:27They said, I feel the same way.
42:31Is this yourself or an imitation of Madonna?
42:34It's an imitation of Madonna, but inside it's me, too.
42:38Women were confident.
42:43Madonna made them do it.
42:46And the world was afraid of it.
42:50Not the sort of girls you'd take home to mum for tea.
42:58A lot of people think that she projects a bad image for young women.
43:01I don't think so.
43:04Definitely not.
43:06I'm glad I don't have a daughter her age.
43:08Why is that?
43:10Because of the image. I mean, I just can't believe it.
43:15The world was filled with images of Madonna.
43:21People who don't like her don't go to her concerts.
43:26But if they see a concert on the news,
43:30they may not like it.
43:33I don't agree with a lot of what she does on stage.
43:37Maybe there needs to be a little older crowd, perhaps?
43:39Perhaps so.
43:41Her audience was like...
43:42Fans were spreading to the kids.
43:47A nine-year-old girl was singing Like A Virgin.
43:51When you dress up like this, how do you feel?
43:54I feel wonderful.
43:56What are these kids really saying?
43:59I want to be a virgin, but I want to be a virgin who looks like I'm a slut.
44:03When Madonna started to become a star, it was terrible.
44:07The media hit her hard.
44:12Most people who look at me,
44:14there's this tiny little bit of...
44:16They call me trash and a harlot.
44:18Whatever they can, because I'm an overtly sexual person in my image.
44:24You start thinking sexuality is a bad thing.
44:27That's when you start having problems.
44:29Today, some rock songs are downright X-rated.
44:32And that's got people from Main Street to Pennsylvania Avenue
44:35saying enough is enough.
44:37One recent survey by a Washington-based research council
44:40concluded that Americans were far more religious
44:43than the people of other nations,
44:45that an overwhelming majority of Americans
44:47disapprove of adultery, teenage sex, pornography, abortion and hard drugs.
44:53And this same study showed a deep reverence
44:56for the importance of family ties and religious belief.
44:59America is in the midst of a spiritual awakening
45:02and a moral renewal.
45:08I don't want to answer all those questions again.
45:11No, no, no, this was OK.
45:13Don't get all grumpy on me now.
45:15Please.
45:17For a young woman who jumped into the music industry,
45:22what a horrible situation it was.
45:28If you are a powerful female
45:30and you don't play the traditional role that you're supposed to play,
45:34then you are going to be intimidating to people.
45:40As a woman in the 80s,
45:42if you're an artist who doesn't have a lot of sex,
45:45you get a lot of people to pay for it.
45:49I ended up hearing a lot of people in the industry
45:52talking about how I was a lot of.
45:55Just the way that I felt,
45:57that I didn't really sing,
45:59that I didn't have talent,
46:01that I had to go to the top.
46:03Now she's launched a major tour
46:05as the country's hottest female performer
46:07with a triple platinum album.
46:09She's done it by rocking the boat with uninhibited sensuality
46:13and a reputation for doing whatever it takes to get to the top.
46:18But her rise to stardom is cluttered with resentful rumors
46:21about using and dropping beneficial men on her way up.
46:49I'm throwing away the top brand
46:51Making mission statements
46:55I'm telling you I know what I'm listening
46:57They caught that on battle
46:58So yeah, so yeah
47:00I got a revolution
47:01Got me feeling all right
47:03I got a revolution
47:04Revolution's all mine
47:06I said a revolution
47:07Get your pretty hair dyed
47:09I got a revolution on you
47:11It's a revolution
47:13A revolution
47:14It's a revolution
47:16On you
47:17This is my start
47:19And I'm getting on
47:21Are you ready to party?
47:31The documentary of the BS world is a sequel to Madonna.
47:35I felt like such an outsider.
47:37The girl who had no confidence in herself
47:39evolves into an artist who challenges taboo head-on.
47:42She surprises the world.
47:45She was ruthless.
47:46In a good way.
47:48I mean, look what it got her.
47:50The Queen of Pop's way of life emits intense light.
47:53BS, Tuesday at 11.25pm