冨永愛の伝統to未来～ニッポンの伝統文化を未来へ紡ぐ～ 2025年3月19日 石川・加賀水引
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TVTranscript
00:01This is the Kagamizuhiki.
00:06Wow, it's so three-dimensional.
00:11It's gorgeous.
00:14So this is the Mizuhiki.
00:20The armor is all made of Mizuhiki.
00:23Hello, I'm Tominagai.
00:30Wow, it's so three-dimensional.
00:34It's gorgeous.
00:38I'm here at the Tsuda Mizuhiki,
00:41which is located in Kanazawa City, Ishikawa Prefecture.
00:45It has a history of more than 100 years.
00:48The first factory was established to produce
00:52a unique type of Mizuhiki called Kagamizuhiki.
00:56Nice to meet you.
00:58What are you making?
01:00I'm making a helicopter this year.
01:03A helicopter?
01:05I've never seen such a three-dimensional Mizuhiki.
01:08Really?
01:10Yes, it's very flat.
01:13It's difficult.
01:15Is it?
01:17This is the fourth generation of Tsuda Mizuhiki,
01:21Tsuda Hirohi.
01:23The Ryudan from last year is easier to make
01:26because it has more features.
01:27The Ryudan from last year seems to be more difficult.
01:30No, the Ryudan from last year is easier.
01:33I see.
01:35The simplest one is the most difficult.
01:38Speaking of Mizuhiki,
01:41Mizuhiki is a type of Mizuhiki that you tie like this.
01:47This is a type of Mizuhiki called Yorikaeshi.
01:50Is this it?
01:52Yes, it is.
01:53This is a type of Mizuhiki that is not used in the New Year.
01:59Why?
02:01It's a problem if you tie it many times.
02:04I see.
02:06Mizuhiki is a type of Mizuhiki that is not used in the New Year.
02:08Mizuhiki is a type of Mizuhiki that is not used in the New Year.
02:15In the 4th year of the Taisho era,
02:18Tsuda Sokichi, the first generation,
02:21created a three-dimensional Mizuhiki
02:24that does not fold while pursuing a Mizuhiki
02:27that is inconspicuous even if it crumbles or warps.
02:32But at the time,
02:34Sokichi said it was a mess.
02:38No, I think it's art.
02:45Even today,
02:47Mizuhiki drawings that have been made for a long time
02:50are still left,
02:52so I was able to see them this time.
02:56Wow, amazing.
02:58But this is a drawing, right?
03:01Yes, it is.
03:03You didn't write how to make it, did you?
03:05No, I didn't.
03:07It's a little written here,
03:09but it was quite difficult for me to make it.
03:11I don't know how to make it.
03:12No, you really didn't write how to make it.
03:15You only wrote the color.
03:17No, I didn't.
03:19If you do it, you'll get the hang of it.
03:23Is that so?
03:25Yes, if you look at it, you'll see what it looks like.
03:28I see.
03:30It's the simplest and my favorite material.
03:35I made it a little for the New Year,
03:38but I like it.
03:39I like it.
03:41There are a lot of things like this left.
03:43It seems that this has been lost for a long time.
03:46It seems that it was still there.
03:49There are quite a few pages.
03:52It's precious.
03:54I heard that it was lost.
03:57What did you learn from copying these things?
04:02I think it's the fun of Mizuhiki.
04:05I think Mizuhiki can do a lot of things,
04:11but originally, Mizuhiki means to connect things.
04:16In the original sense of Mizuhiki, it's Japanese culture.
04:21We protect it,
04:24and we add Mizuhiki materials.
04:29But I think the fun of Mizuhiki is there.
04:36This is amazing, too.
04:39Kujaku?
04:41Yes, it's Kujaku.
04:43Wow.
04:45Matsu is also Mizuhiki, right?
04:48That's right.
04:50Wow.
04:52It took a long time to make this.
04:55How long did it take?
04:57Six months.
04:59Where do you think when you make it?
05:01Do you think about the structure?
05:02We don't have a book.
05:05It's difficult.
05:07So it's all trial and error.
05:10Wow.
05:12Mizuhiki is basically about connecting things.
05:15If you can experience it,
05:18I think you can do a lot of things.
05:23Shall we try it?
05:25Yes, please.
05:27Let's do it.
05:29Kaga Mizuhiki
05:32Kaga Mizuhiki is a tradition of Kanazawa
05:35that has brought innovation to flat Mizuhiki
05:38and brought it to the pinnacle of art.
05:41We decided to try making Mizuhiki.
05:47I'm learning.
05:49What's going on?
05:51I'm going down.
05:53Down?
05:55Here?
05:56Yes, here.
05:58The fifth generation of Mizuhiki
06:02has created a new work.
06:06If you fall asleep now, you'll lose.
06:09I'm going to sleep.
06:25This time, I'm going to try awaji-musubi.
06:31Once you tie it, it's hard to untie.
06:33It's a way of tying that is used at weddings and funerals
06:37that you want to meet at least once in your life.
06:44First, the gold is on the right.
06:47It's a bundle, right?
06:49Mizuhiki is made by twisting the washi
06:53and tying it with a colored string.
06:56You can do it either way.
06:59I'm going to put it down here.
07:03I'm going to put it down here.
07:07I'm going to put it in the middle.
07:12I'm going to fold it little by little.
07:17Are you folding it?
07:19I'm going to fold it.
07:21I'm going to fold it at the corner.
07:23I'm scared.
07:25I'm going to fold it.
07:27I'm going to hold it like this so that it doesn't fall apart.
07:35I'm going to fold this silver one, too.
07:39I'm going to hold it like this.
07:42I'm going to squeeze the part where I want to make a curve.
07:48Squeeze?
07:50I'm going to hold it like this.
07:53I see.
07:55But it's pretty hard, isn't it?
07:57That's right.
07:59It's like a fingertip.
08:01I think it's getting softer.
08:06It's done.
08:08I'm going to squeeze it with my fingers.
08:11If you squeeze it too much, it won't be a circle.
08:14First of all, if you squeeze it too much, it won't be a beautiful circle.
08:19And if you bend it once, the shape will be decided, so it won't work again.
08:26It's pretty hard to figure out how to squeeze it.
08:31What's going on?
08:34Will my watercolor be able to draw a beautiful curve?
08:38The result will be revealed later.
08:41Mr. Hiroshi, you're the fourth generation.
08:44That's right.
08:46It's been over 100 years.
08:48It's been 105 or 106 years.
08:50Did you think you'd be the next generation?
08:54I'm the one who came here.
08:58I'm a regular salaryman.
09:01I came here when I was 25.
09:05I've been a salaryman for a few years.
09:11At first, I felt like I had to do it.
09:16To be honest, I don't know when I should do it.
09:20My wife happened to want to do it independently.
09:25So I've been doing it since then.
09:30Normally, when you think of watercolor,
09:34you think of a string ornament.
09:37But that's not all.
09:40The process of wrapping an ornament with a Japanese paper.
09:47The process of tying the wrapped paper with watercolor.
09:52The process of writing the name of the person who gave it to the paper,
09:55the process of writing the reason for sending it, and the feeling.
09:59These three processes are called watercolor.
10:05The process of writing in the Tsuda watercolor folding method
10:08is handled by his wife, Sayumi.
10:16It was hard to get used to it.
10:20You got used to handling it.
10:22Yes, I got used to it.
10:25It took me four or five years to get used to it.
10:32How long did it take you to make something three-dimensional?
10:39I was making it at first.
10:42I thought I could do it.
10:45But it didn't work at all.
10:48I broke it.
10:50The balance was bad.
10:53The shape was bad.
10:56At first, I wanted to do it without feeling.
10:59But I couldn't do it.
11:02How is it now?
11:05Sometimes I can do it in 30 years.
11:08Sometimes I can't do it yet.
11:11I think it's time for craftsmen to be completed.
11:16You've been chasing it all the time.
11:18I think so, too.
11:22People in Kanazawa value the culture of giving gifts.
11:28I feel like I was raised by people in Kanazawa and Ishikawa.
11:37Did you feel pressure?
11:40Did you feel like you had to go to ID?
11:43Yes, I did.
11:45I've been to a lot of places.
11:49I'm the only one in Japan who keeps the Mizuhiki culture.
11:56I felt like I shouldn't lose it.
12:01But if you think about it, you can't do anything good.
12:05If you do it without thinking about it, I think it will be a good shape.
12:11But if you do it with one arm, you'll get tired.
12:16It's really tiring.
12:23It looks like this.
12:27Next, I'm going to sharpen the silver with my right hand.
12:32Only the curved part.
12:36I think I'm going to get a nail.
12:39I'm going to cut the nail.
12:43Hold the tip of the silver.
12:47Above the gold.
12:50Below.
12:52Above.
12:54Below.
12:56Above.
12:58Above, below, above, below.
13:01Above.
13:03Above.
13:05And then.
13:07Below.
13:11Above.
13:16Below.
13:20Go.
13:24What's going on?
13:27I went down.
13:30Here.
13:32Here?
13:34Below the silver.
13:37Like this?
13:39Above it.
13:41Above this?
13:43I see.
13:45I'm going to pull it.
13:48I'm sweating.
13:50I see.
13:52It's done.
13:54Next, I'm going to fix the slanted part little by little.
14:04I see.
14:08Like this?
14:10No, not like this.
14:12I want you to do it properly.
14:17I want you to do it properly.
14:20I want you to make it straight.
14:22Yes.
14:24Yes.
14:26It's done.
14:28Next, I'm going to pull the gold and silver.
14:33Here?
14:35Yes.
14:37I'm going to lay it down.
14:40I'm going to lay it down.
14:42Wait a minute.
14:44If you touch it too much, you'll lose your waist.
14:48Don't touch it.
14:50Don't touch it as much as possible.
14:52Yes, don't touch it.
14:54More than this?
14:56Yes.
14:57Good and bad are different.
15:00It's done.
15:02It's difficult.
15:04Look at this.
15:06Yes.
15:08It's a little distorted.
15:10That's why I have to practice.
15:14I have to get used to it.
15:17This is the awaji-musubi I made.
15:21It's a little distorted.
15:24It looks easy at first glance, but it was really difficult.
15:31It was difficult to adjust the amount of force.
15:37I think you did a good job for the first time.
15:40I think you'll be able to do it if you practice.
15:47It's difficult.
15:49You can make it bigger or smaller.
15:52This is still five pieces.
15:55How many pieces are there?
15:57There are 20 pieces.
15:5920 pieces?
16:01If you want to make a big one, you have to make 20 pieces.
16:04It's difficult.
16:06This is difficult.
16:08If you don't get used to the technique, you won't be able to make the shape.
16:19It's important for all craftsmen to get used to it.
16:26If you get used to it, your work will be born.
16:30If you don't get used to it, you won't be able to do anything.
16:34It's about the feeling of this fingertip.
16:38It's a good curve.
16:40It's a good curve.
16:43In Japan, people don't like it.
16:45So I quit.
16:48I'll do it.
16:50There are a few people who don't know how to do it.
16:56But if you can do this, it's useless.
17:04Craftsmen who try to make traditional culture into the future.
17:09Let's take a look at such a new future.
17:12Mirai Action
17:15The son of Mr. Hiroshi, the fifth generation of Mr. Rokusuke, is the one who will change the way of making tsuda-mizuhiki.
17:26How many years has it been?
17:29It's been about 10 years.
17:31How is it after 10 years?
17:33I'm still thinking about mizuhiki.
17:38I'm also thinking about other traditional crafts around me.
17:45I'm thinking about starting a new brand.
17:49It's called Mirai Action.
17:51Yes.
17:53It's right here.
17:55It's black.
17:57It's called Sharp 000 Black Kougei.
17:59To put it simply, it's a collection of black traditional crafts and a single product.
18:04I like to make packages, so I made all the packages with the same material.
18:09If I develop a single product as a brand, I think it will be very attractive.
18:17That's why I started this brand.
18:20In order to let people know the true beauty of Ishikawa's traditional crafts,
18:25Mr. Rokusuke launched his lifestyle brand, Sharp 000 Black Kougei,
18:31which is a collaboration with other craftsmen and artists.
18:38For example, in the case of Shishigashira,
18:41the fun of coloring is included in the traditional crafts.
18:46I personally think that the core technology is to create a cool form.
18:53In order to make it stand out,
18:56I think that by removing all the color information and making it black,
19:01something new and cool will be born.
19:04I thought it would be nice to launch as a brand that reaches people who were looking at traditional crafts from a distance.
19:12That's how I saw it for the first time.
19:15Is there a way to make Mizuhiki by yourself?
19:21Mr. Ume Tsuda, who is a second-generation craftsman,
19:24used to make Mizuhiki in his classroom in the elementary school.
19:27He used to make Mizuhiki all over Japan.
19:30In Noto Peninsula, many traditional crafts were also damaged.
19:35In November of last year,
19:38I also participated in the festival held in Kanazawa.
19:43The workshop, Kanazawa Haku,
19:46held a wonderful accessory making in Noto Peninsula.
19:49Visitors experienced the Christmas ornament of Kanazawa Haku
19:54and the making of Noto Peninsula's walnut button hair band.
19:59Wow, it's so cute!
20:02I want to put it on my school.
20:05I'm so happy.
20:08The video of this wonderful festival is shown on the official YouTube channel of the program.
20:13Please take a look.
20:16In the program, we will continue to introduce
20:19the current situation of traditional crafts in the North and the movement towards reconstruction.
20:24The program is available on TVer and Hulu.
20:29Please subscribe to our channel.
20:32Next time, we will introduce the thoughts of craftsmen
20:36who aim for reconstruction from the disaster of the Noto Reconstruction Support Special.
20:42We will restore the old pot.