Igra sudbine _ Sezona 02 _ Epizoda 382
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00:00This is a work of fiction. Any resemblance to actual persons, living or dead, is entirely coincidental.
00:04This is a work of fiction. Any resemblance to actual persons, living or dead, is entirely coincidental.
00:34I'm the first one down. It's just important that I'm...
00:37Wait, wait, so it's important that you're above the line, so...
00:40That's right!
00:41Well, it was important to me that I had a good time, that I saw that it can be easily overcome, and now I can go home.
00:48Are you kidding me?
00:49No, everything I'm telling you is the truth.
00:51Let's have champagne for starters, huh? Can we?
00:54Sure.
00:55Please, one bottle of champagne for the ladies and for me.
01:00Let's start by relaxing a bit, and then we'll have a good time.
01:10What a wonderful surprise.
01:14Really?
01:15Does your dad know that you're having an affair with my brother?
01:22I don't like your provocations.
01:25And the good thing is that no one believes your lies anymore.
01:29Sit down a bit.
01:31My words can always be a nuisance to you.
01:36Excuse me, what exactly is your problem with me?
01:40The fact that you exist.
01:42But we'll solve that, too.
01:44My boyfriend left a while ago.
01:47Mile Kupus. He's the first on the list.
01:50Mile Pisarov.
01:51He was worried.
01:52I believe him.
01:53Yes.
01:54It's just that he won't write to the faculty if the two of us help him.
01:58What do you mean?
01:59He won't, because he doesn't have the money for the studies.
02:04His parents do.
02:06That's why I wanted to do something for him.
02:08What?
02:09Well, I'll pay his tuition.
02:12But he's never allowed to leave the house.
02:15And now you'll help him by telling him that you provided him with a scholarship.
02:22I don't know if that's possible, but it would mean a lot to me.
02:25What do you want?
02:27It's time for you to do your part.
02:30I think this conversation has become pointless.
02:34Sit down.
02:37You can talk like that only with your students.
02:41You're getting on my nerves.
02:43And you, check this out.
02:44I want you to do what you agreed with Sofia about Mile.
02:49Aha.
02:51That's it.
02:53See?
02:56I told you.
02:57I'm warning you.
02:59Eat shit!
03:01I'm going to fuck your mother!
03:05I'm here by accident, but when I'm here, I know what I want.
03:08I'll call my people from the office and tell them to call you and take your statement.
03:12What statement?
03:14About the death of your lover.
03:19It was just announced that he died in a prison hospital.
03:24What?
03:25Why were you his accomplice?
03:28Wait, he was her husband.
03:31Excuse me?
03:34She was my accomplice.
03:38It's a shame it didn't last.
03:40You have to be honest.
03:45Dad.
03:46What are you doing here?
03:47What's the matter? Are you here to congratulate me?
03:50Congratulate you?
03:52Of course. I enrolled in the Faculty of Production.
03:57Well done.
03:59I congratulate you from the bottom of my heart.
04:01Give me a glass.
04:03Cheers.
04:06I'm going to go now.
04:09I have something else to finish.
04:14Who's your mother?
04:15Let me go.
04:16Who's that Nikša Korlat?
04:19Why do you care that you never touched me again?
04:23I'm going to kill him.
04:25So you didn't manage to get rid of him.
04:28We didn't. He's using a protected app.
04:34What do you think, how serious is his threat?
04:38The threat of every psychopath is serious.
04:41I love Ada.
04:42Then you have to understand that she's hurt.
04:46She's so hurt that she's messing with that imbecile
04:50who's messing with her wealth.
04:52What imbecile?
04:53Why did you two turn on me?
04:56Instead of preventing her from seeing that guy.
05:00What guy? Stop thinking.
05:03Nikša Korlat. That's his name.
05:05Next time I see him, I'll break all his bones.
05:09Why would you do that?
05:10Because.
05:13Because I know something that you two don't.
05:43Except for fate.
05:50Like love in a war, there are no rules.
06:00You have one life, only one chance
06:04To become someone, because the star is all around
06:12The game of fate is like a wheel of fortune
06:17Someone wants it, someone doesn't
06:22Like on a plane, the world is turning
06:26And we are there for you
06:31So you should be
07:02And what do you know that we don't?
07:07I know. I know about that pervert, Nikša Korlat.
07:13Pervert?
07:14Yes, yes, yes.
07:16I know that he's bankrupted.
07:18And now he wants to use Ada, to take everything from her.
07:21Nikša Korlat is bankrupted?
07:23Yes, yes, yes.
07:24And where did you get that?
07:26Verified information.
07:27Well, I want you to know two things.
07:29What two things?
07:30First of all, the whole country is going to go bankrupt,
07:33rather than Nikša Korlat.
07:35Besides, he's our biggest businessman,
07:37who has ever existed in this country.
07:39He has businesses all over the world.
07:41Who, who?
07:42There's no way.
07:43That, that...
07:45Lukičevi.
07:46Have you seen what he looks like?
07:49Have you seen him?
07:51Excuse me, what does he look like?
07:53Dirty,
07:55scruffy,
07:56and rotten.
07:58Second thing, who convinced you that he's bankrupted
08:01and that he wants to use Ada?
08:04And that?
08:05Don't make fun of him.
08:07What are you looking at?
08:08Did he ask you something?
08:20Have you seen that?
08:22What?
08:23What do you mean, what?
08:25What do you mean, what?
08:26Do you want to let that Nikogović
08:28take away the woman of your life,
08:30who still loves you?
08:31I know she still loves you.
08:33He...
08:34He's now...
08:35How can I explain this to you?
08:37He's just confusing her,
08:38and he actually wants to use her.
08:40Oh, my Ivane Ožegović.
08:43Can't you see how that Nikša Korlat
08:45is blind in the eyes of Ada Kanački?
08:47Look, she's blind in the eyes,
08:49but in her thoughts,
08:50she's blind in her wealth.
08:52What are you talking about?
08:54What do you mean, what?
08:55I'm talking about this hostapler,
08:56this drug, Nikša Korlat.
08:58I'm talking about him.
08:59When I remember...
09:04When I remember how he used to seduce me
09:07when we were young.
09:09That's not normal.
09:11He used to seduce me,
09:12and I didn't want to be with him.
09:13There's no way.
09:18I've always had that ability,
09:21that talent,
09:23to seduce any moron
09:25and not be with them.
09:27But Ada doesn't have that.
09:28Ada is just...
09:30She's beautiful for a moron.
09:32Please.
09:33I'm sorry.
09:36I didn't mean to offend you.
09:38I mean, I know you don't have a chance,
09:40but you're not a moron like Nikša Korlat.
09:43What a spoiled brat.
09:47He bankrupted her,
09:48and now he wants to take everything from her.
09:51Wait.
09:52That guy bankrupted her?
09:54Of course he did.
09:56What's wrong with him?
09:58He doesn't have a dime in his pocket.
10:00That's how he roams around the city.
10:02He roams around the city,
10:04looking for those attractive rich girls
10:07to see which one he can get the most out of.
10:09Wait.
10:10You think he wants to deceive Ada
10:13to take her wealth?
10:15Oh, Ivan, you're so naive.
10:21I don't think so.
10:22I know it.
10:25You told him to go.
10:30There's no other choice.
10:34There isn't.
10:35One more thing.
10:36Diana Erski knows everything.
10:41Let me put it this way.
10:44Ada is a kind of a scapegoat for him.
10:49You know?
10:50And he thinks he's the scapegoat.
10:54And what's going to happen?
10:55He's going to swim to the surface,
10:57and you're going to drown.
11:00So, Ivan,
11:01it's up to you.
11:02Are you going to use your hands
11:05to splash water over the surface,
11:08or are you going to jump into the water?
11:11It's up to you.
11:13Go.
11:14Goodbye.
11:19Bye.
11:33Wait, wait.
11:34Are you for real?
11:35Wait, wait.
11:36You believed Diana Erski?
11:39She's more likely to agree
11:40than to breathe air at all.
11:42Fuck, you're so unbelievable.
11:45I think she didn't say that
11:47without a reason.
11:49Look, Matar,
11:50either you calm down,
11:51or I'll get you in the water.
11:52We don't have many choices.
11:54But Ada,
11:55don't worry about Ada.
11:58We'll take care of it.
12:10Come on, let's go to the school.
12:14Come on, don't cook.
12:16I don't want to cook anymore.
12:17Just a little bit more.
12:19What's wrong?
12:20I can't go on.
12:21Come on.
12:22What's wrong?
12:23You're unbelievable.
12:24Look at him.
12:26Oh, God.
12:30I really don't know
12:31how I got myself into this situation.
12:33I don't know either.
12:34I'm like the worst moron.
12:36Yeah, moron.
12:37Why are you mad at me?
12:38What are you cooking?
12:39Didn't you cook
12:40when Jelena found out
12:41they were going to buy Pelen
12:42a 50 percent discount
12:43at her birthplace?
12:44Didn't you cook
12:45when I was writing
12:46my daughter's diary?
12:47I wrote the whole thing.
12:48What's wrong with you?
12:49Veljko, I got a daughter,
12:50I didn't get an elephant.
12:51You filled the house with Pelens
12:53as if we were Pelen's factory.
12:55Okay, why are you mad at me?
12:57There must be a discount for a baby.
12:59Who do you think you are
13:00to buy so much?
13:01You didn't even take
13:02a van from the company
13:04and then transfer it to their address.
13:06I take a van from the company
13:08for private use?
13:09Yes.
13:10I'm not that kind of man.
13:11You're not,
13:12but you're like this.
13:13Come on now.
13:15Let's get out of here.
13:16Let's go, let's go.
13:17Where are you taking me?
13:18Let's steal.
13:19Ciro, since you have Pelens,
13:22Excuse me?
13:23Since you're selling them,
13:25I'd like to see
13:26if I can buy them
13:27for my grandson.
13:31Excuse me,
13:32do I look like
13:33a street vendor to you?
13:35Today, everyone sells something
13:37to survive.
13:38It's not a shame,
13:40especially if you didn't steal them.
13:42Oh my God,
13:43I'm going to kill myself.
13:44Grandma,
13:45I've become rich,
13:47so this is for my sister.
13:49Here,
13:50here you go.
13:51How much?
13:52As a gift, grandma.
13:55You're welcome.
13:56Can I have one more
13:57for my neighbor?
13:58You know,
13:59she has a third baby.
14:01They don't buy food anymore,
14:04just Pelens.
14:05That's right, grandma.
14:07Here's the second package.
14:09Good luck.
14:11Goodbye.
14:12Come on,
14:13let's go.
14:14Let's go further,
14:15it's easier for two people.
14:16No, I only brought this.
14:17Okay, come on,
14:18don't be sad.
14:19Give me the documents
14:20and don't try to escape.
14:22Excuse me?
14:23Municipal police.
14:25Yes?
14:26What do you think you're doing?
14:28Selling Pelens?
14:29Are you crazy or what?
14:31What do you mean,
14:32selling Pelens?
14:33That's nonsense.
14:34I didn't ask you anything.
14:36Give me the documents.
14:38I'm a street vendor,
14:40this is for my sister,
14:41you know.
14:42No way.
14:43For your sister?
14:44Yes.
14:45She has a lot of money.
14:46Give me the documents.
14:48Wait,
14:49please,
14:50we'll explain something to you.
14:51The documents,
14:52so they don't kidnap you.
14:53The documents.
14:54Here, here.
14:55Here.
14:56Oh, God.
15:01What is it?
15:02Call our guys
15:04to tie up this
15:06captured slave.
15:08Excuse me?
15:09I'm not a slave.
15:10Are you acting crazy again?
15:12Yes.
15:15Criminals are playing
15:17in front of you,
15:18and you're arresting
15:19the honest people.
15:20I'm ashamed of you.
15:23Ujac,
15:24you're going to be punished
15:25for insulting a police officer,
15:27you know.
15:28Really?
15:29Then write it.
15:30Write it.
15:31Write it.
15:32Write me a punishment
15:33for insulting a police officer.
15:34I'll think of you
15:35when I hit you.
15:36It's the worst.
15:37Hey, stop it.
15:38Shut up.
15:50So,
15:51that's what I was planning.
15:52That tomorrow
15:53we all gather here
15:54to celebrate
15:55Luki's admission to college.
15:56Nice.
15:57Did you think
15:58it would be a party?
15:59Yes,
16:00but nothing classic.
16:02A Swedish table,
16:03something relaxed.
16:05Mladalačka.
16:07Now she's a student's mother,
16:08so she's younger.
16:10She eats with her feet.
16:13Then she's a student's grandmother,
16:15so she's younger.
16:16Duša,
16:17I'm always younger.
16:25Are you expecting someone?
16:30Hello.
16:31Hello, Duša.
16:32Oh,
16:33look who's here.
16:34Oh,
16:35right?
16:36Are you still hiding
16:37where and what you're cooking?
16:40Of course, Duša.
16:41Please don't pay attention
16:42to Lili's provocations.
16:44I'm not provoking.
16:45I'm dead serious.
16:46I'm going to the kitchen
16:47to make a menu,
16:48and then I'll bring it to you
16:50so you can review it
16:51and approve it.
16:52Okay.
16:53Oh, God.
16:54It's like we're living in the yard,
16:56so the queen needs to approve
16:57whether we're going to eat
16:58salmon or caviar.
17:00Really?
17:02Of course.
17:03I'm going to bake them
17:04three burek pans.
17:07And if they're good,
17:08they might even get yoghurt.
17:10That's a student thing.
17:15Get ready,
17:16I haven't even started
17:17following you yet.
17:23You know,
17:24I don't give up
17:25until I get to the bare truth.
17:30Let's go.
17:37Let's go to the study.
17:48Lukašin, come here!
18:00What the hell is wrong with you?
18:04I don't get it.
18:05You're counting me in.
18:06Someone has to.
18:07It's for your own good.
18:08You know what the doctor said.
18:09Okay, let me go.
18:10I'm so nervous today.
18:11Why are you nervous?
18:12Well...
18:14Because I got mad.
18:18I got mad because of Ada Ivana.
18:20I love her,
18:21and I love him.
18:22I really think
18:23they're perfect for each other.
18:25They were,
18:26and it would be nice
18:27if they put me in that pointless lie.
18:31Alex,
18:32have you ever tried
18:33to put yourself in his shoes?
18:35Yes, I have,
18:36and I don't see any excuse.
18:39Maybe he's hiding something.
18:41What do you mean?
18:42Well,
18:43maybe there's a secret
18:45behind his actions,
18:47and there must be a reason.
18:51Why don't I say anything?
18:52Because it's not easy.
18:53It's not just words.
18:55Wait, wait,
18:56are you trying to hide something from me?
18:58No!
19:01I just want to say
19:03that I can understand
19:05that a man has a secret motive.
19:07A secret motive?
19:10Yes.
19:11Yes.
19:12A secret motive,
19:13because people
19:14easily understand other people,
19:16and no one understands anyone,
19:17and everyone just tries
19:18to judge someone else.
19:20You've become a real psychologist.
19:22No.
19:26I just got mad.
19:28Why did you get mad?
19:30Because of Ivan.
19:32So,
19:33those hormones are in trouble.
19:38Forgive me, Alex.
19:41Do something.
19:44What should I do?
19:48Make up with him.
19:53No, no, no.
19:56Here, take some more coffee.
19:58Come on.
20:00No.
20:03Come on.
20:04Give me a kiss.
20:09Listen, my dear,
20:10did you find out anything?
20:12There is something.
20:13Tell me, what is it?
20:15Different people come to Rita.
20:17Some of them seem really gloomy.
20:19Why am I not surprised?
20:23Could you take a picture of them?
20:25There are cameras everywhere.
20:28Mr. Dodam said
20:29that I shouldn't take anything into my own hands
20:31until he does something
20:32to be completely safe.
20:34A philosopher.
20:35Why doesn't he do anything already?
20:37Okay, Vukasin,
20:38I don't want that.
20:39The people I met
20:41were Sofia
20:43and that journalist
20:44who works with the Ministry.
20:47Claudia?
20:48Yes, her.
20:50Did you manage to hear
20:52what they talked about?
20:53No,
20:54but when Rita talks to someone,
20:56she seems angry,
20:58rebellious.
21:02She eats a lot.
21:05But she has a strange relationship with the secretary.
21:09What kind?
21:10I think she's in love with him
21:12and would do anything for him.
21:14And he...
21:15What?
21:16He's a pervert,
21:17a bully.
21:20And she will put up with that?
21:23She will.
21:25I see.
21:32I didn't want to tell Vukasin.
21:34I don't know if we should tell him.
21:37What is it? Tell me.
21:39And Vitya is coming to Rita's place.
21:42Vitya?
21:44It's good that you didn't tell him.
21:47Please don't tell Vukasin.
21:49I'll look into it.
21:54Good day, Ada.
21:56I wish you good luck,
21:58son of a student.
21:59Jesus!
22:01Claudia?
22:02Here.
22:03This is
22:0510 liters of brandy.
22:09So that there are all 10s.
22:12So that I can act.
22:14Excuse me?
22:17It's okay.
22:18Look,
22:20this is homemade brandy.
22:22You can open it,
22:24for example, when Luka is graduating.
22:26Now,
22:28that's a bit risky,
22:30because that study can tighten,
22:32you know, so that you forget.
22:34I don't know.
22:35You'll see what you'll do with the brandy.
22:40You shouldn't have.
22:41Of course I shouldn't have.
22:45Well,
22:47I heard
22:49that our Luka is going to produce
22:52movies, series, right?
22:55And they always need a new star,
22:58right?
23:00A new star?
23:01Yes.
23:02And that's me.
23:06That?
23:07That!
23:09Tata!
23:11Yours is just
23:13to educate him
23:15so that he doesn't forget
23:17his closest ones
23:18when he finishes
23:20high school.
23:22You know, there are cases...
23:24Oh, I've heard of them.
23:26For example, they enroll him in stomatology,
23:29so when they graduate,
23:30he won't bother his birth mother
23:32to take a stone out of his belly.
23:35People are so...
23:36I can't even imagine.
23:43And how was our Luka
23:46a school nurse?
23:50Well, I baptized him
23:52with my hands and my feet
23:54when he finished high school.
23:57I thought that was a PhD for him.
24:01When he...
24:03this...
24:05Crack!
24:31Come on, what are you waiting for?
24:33You said
24:34that we're alive and well,
24:35fuck the punishment.
24:36I know, but this is really not fair.
24:38Oh, son,
24:39if I died because of every injustice,
24:41I wouldn't have to live on a different basis.
24:43Okay, but this is a sumanut, you know?
24:45The country goes around
24:47in one direction.
24:52Okay, you're right,
24:55but I think it's time
24:56to say hello to one
24:58Ivan.
25:00Me?
25:01Why?
25:02Your son enrolled you in college.
25:04Oh, that.
25:05Yes, yes, come on.
25:06Come on, come on.
25:07It didn't stop you
25:08from making a big fucking mess
25:10in the company.
25:12What fucking mess?
25:14You made a shit like Kolbenko.
25:17Well, it doesn't matter.
25:18What doesn't matter?
25:19He killed Ada.
25:24What did you do, Pacjenic?
25:27Hey,
25:29get the fuck out of here,
25:32all of you,
25:33and leave me alone for once.
25:41Hey,
25:42now you'll see
25:43how Musa beats up Jarko.
25:45Govedo, one of the frustrators.
25:47Don't, man.
25:48Don't.
25:50Let them go.
25:52Let them go,
25:53they'll just talk a little.
25:55I thought they were going to fight.
25:58Yeah,
25:59they're going to fight,
26:00so who are they going to fight later?
26:03Right?
26:04I'm going upstairs
26:05to see if Nada is asleep.
26:06I want to see
26:07little Ruza
26:08sleeping in Iki's gold.
26:10I was thinking
26:12to buy her...
26:13Stop for a moment.
26:15You're not going to buy her anything,
26:17period.
26:18I was thinking
26:19some gold earrings.
26:20No, no,
26:21gold earrings.
26:22Gold earrings.
26:23One idiot
26:24because of Pelen
26:25almost got arrested.
26:26Because of gold earrings
26:27Minda has to
26:28vote us out
26:29as members of Pink Panther.
26:30That drawing board.
26:32Those mafia idiots.
26:36Let's go, let's go, let's go.
26:37Let's go.
26:38Time to sleep,
26:39huh?
26:40Time to sleep.
26:51Hey,
26:52are you feeling better now?
26:53Well, yes.
26:54But
26:55I think
26:56this illness is killing us.
26:59Should we go to the doctor?
27:01No, no,
27:02we don't need to.
27:03But probably
27:04everything has come together
27:05and this stress
27:06and everything.
27:07What stress?
27:09Well, this
27:10about Ada and Ivan.
27:12I mean,
27:13it frustrates me.
27:14And I think
27:15it's a mistake.
27:16It's not just a mistake.
27:17It's a cardinal mistake.
27:20He made us all
27:21into monkeys
27:22and destroyed his body.
27:24I know, Lucas.
27:25I just think that...
27:26What do you think?
27:27What does it matter?
27:28Are you on his side now?
27:30I'm on the side of love.
27:32And the two of them love each other.
27:34And you know they love each other
27:35because you held a candle.
27:37Now you're ridiculous.
27:39I'm not ridiculous,
27:40I'm just stating the facts.
27:42You know what?
27:43What?
27:44Maybe you haven't
27:45gotten over me
27:46since you got depressed.
27:47Oh, it's nothing.
27:48Is it?
27:49It's nothing.
27:50You know how I'll feel
27:51when I graduate?
27:52It's going to be awful.
27:53Yeah,
27:54you see,
27:55Panchetta really cares
27:56about you
27:57like he cares about the producer.
27:59He can't care.
28:00He can,
28:01if I work in a circus.
28:03How can he?
28:04What am I talking about?
28:05You think the same.
28:06No, I don't.
28:07Don't lie to yourself.
28:08I see you think so.
28:09I see you think so.
28:10I'm going to the bathroom,
28:11and you're not.
28:12Listen, I'm in a hurry.
28:13I'm not.
28:14I'm not.
28:15Wait.
28:16Wake up.
28:18Just make sure you don't fall.
28:20I'm so sorry.
28:21It's all my fault.
28:23I'm so sorry.
28:24It's all my fault.
28:31Hey, Mila.
28:32Can you talk?
28:34Hey,
28:35did you talk to Aleks?
28:37He's not letting me go.
28:38He's not letting me go either.
28:39He's not letting me go either.
28:42How did you cry?
28:45Oh,
28:46that's natural.
28:47It's natural.
28:48No, no, no.
28:49I didn't cry.
28:50I didn't.
28:53But you know what?
28:54Maybe I can try to cry,
28:55and maybe he'll let me go.
28:57Yeah.
28:59Hey,
29:00what do you think?
29:01Should we make it look like
29:03they met by chance?
29:04Yeah.
29:07Okay,
29:08let's think about it.
29:09Yeah.
29:11I just want you to sleep.
29:13Hey,
29:14I have to hang up.
29:15Bye.
29:16I'm not sleeping.
29:17I'm waiting for you.
29:29Why don't you come to me more often?
29:32I'm not in the mood these days.
29:34That's how it should be.
29:35When you're not in the mood,
29:36you come to me.
29:37I mean,
29:38what mood are you in?
29:39Let me cut you another one.
29:40No, no, no.
29:41Please don't.
29:42I don't feel well.
29:44I see your sadness in your eyes again.
29:46Come on, admit it.
29:47Am I right?
29:49If I were to look into your eyes,
29:51I wouldn't even see them.
29:53Come on,
29:54tell me,
29:55who's hurting you?
29:56Huh?
30:07Good evening.
30:08Good evening.
30:09I noticed that you come here often,
30:11this business club.
30:12You know,
30:13I'm the manager of this business club.
30:15Rabija.
30:16Rabija Dzolagic,
30:17Kara Mahmutovic,
30:18Baker,
30:19Morales,
30:20Papa Nicolaus,
30:21Orokin,
30:22Mancini,
30:23in short,
30:24Žižka.
30:25I'm sorry.
30:26I just introduced myself.
30:27I'm sorry,
30:28Nikša Korlac.
30:29Are you waiting for someone?
30:31Yes,
30:32I'm waiting for a friend,
30:33but he's always late.
30:34Ah,
30:35great.
30:36Then you can join us
30:37for a drink.
30:38I wouldn't mind.
30:39No, no, no,
30:40everything's fine.
30:41This is my friend Olga.
30:42You know,
30:43she's from Australia.
30:44Ah,
30:45Nikša Korlac.
30:46Olga.
30:51She's from Australia.
30:54I worked a lot in Australia.
31:07What's so urgent?
31:08I need a safe sniper.
31:11What?
31:12You know,
31:13about Rita.
31:15Are you crazy?
31:17I can't just
31:18have doubts.
31:19Come on,
31:20think.
31:22Hands up!
31:23Hands up!
31:24Come on!
31:25You're under arrest,
31:26colonel.
31:27You can keep quiet.
31:28Everything you say
31:29can be used against you.
31:30Got it?
31:36What did you do in Australia?
31:38I have some projects,
31:40construction projects.
31:42Ah,
31:43so you know me.
31:45Maybe we ran into
31:46someone from the cruiser.
31:48You know,
31:49I worked on those cruisers
31:50for years.
31:51There's no one
31:52I haven't met there.
31:53Well,
31:54I mean,
31:55we didn't meet there.
31:56I'm not interested
31:57in your projects.
31:58I'm mostly interested
31:59in other things.
32:00What exactly
32:01are you interested in?
32:02Mrs. Ministerka
32:03has a reservation.
32:04Of course.
32:07Good evening.
32:08Good evening.
32:09I have a meeting
32:10with a gentleman,
32:11so I assume
32:12you've seen it.
32:14Excuse me?
32:16Milava Tankusic,
32:17Mrs. Ministerka
32:18for Foreign Affairs.
32:20Look at these guys,
32:21they're all dressed up.
32:22Mikša Korlat.
32:24Mikša Korlat.
32:25Klaudija Čarapina.
32:26Yes.
32:27PR, Mrs. Ministerka.
32:28Well,
32:29what do you do?
32:31I make ingredients.
32:33Ah,
32:34so,
32:35you need a permit.
32:38What permit?
32:39What permit?
32:40For construction.
32:42Ah, no, no, no,
32:43I don't need it.
32:45So,
32:46you're doing something illegal,
32:47right?
32:48No, no,
32:49my job is related
32:50to foreign affairs.
32:51Oh,
32:52that's a direct blow
32:53to the head.
32:54Yes,
32:55well, yes.
32:56Okay,
32:57I have to go now.
32:58If you want,
32:59you can join me.
33:01I'm waiting
33:02for someone
33:03to come.
33:04Thank you,
33:05but I don't want
33:06to disturb you.
33:07Yes,
33:08nice to meet you.
33:09Nice to meet you.
33:10Nice to meet you.
33:11Mr. Korlat.
33:12Yes.
33:13Let's not forget
33:14to say hello.
33:15Yes.
33:17Good evening.
33:18Nikša,
33:19I'm here.
33:20Sit, sit.
33:22Cheers.
33:23Cheers.
33:25Cheers.
33:26It was a pleasure.
33:30For God's sake,
33:31it's time.
33:39Do you know who I am?
33:40Of course I know,
33:41that's why I'm arresting you.
33:44This is a misunderstanding.
33:45Everyone says that, boss.
33:46Do you remember
33:47how many times
33:48you've heard that story
33:49before you became a colonel?
33:51I want to talk
33:52to the director of the police.
33:53Don't do this.
33:54I didn't give you a jukebox
33:55to fulfill your musical desires.
33:57I'm serious.
34:00Come on,
34:01take him to the car
34:02and to the station.
34:03Come on, come on.
34:04Come on,
34:05she won't help you.
34:06Let her go.
34:07I'm keeping her
34:08for the next round.
34:10If she still refuses,
34:11follow the procedure.
34:13Let's go.
34:17And you, beautiful,
34:18you'll stay on the street
34:19where you belong.
34:21I'll come soon
34:23to
34:24fuck you up.
34:28Hello,
34:29director,
34:30the target has been picked up.
34:32We're taking him to the station.
34:37Let's go.
34:55This is serious shit.
35:07I'm a journalist.
35:08I'm not an actor.
35:09I'm a journalist.
35:10I'm a journalist.
35:11I'm a journalist.
35:12I'm a journalist.
35:13I'm a journalist.
35:14I'm a journalist.
35:15I'm a journalist.
35:16I'm a journalist.
35:19If you promise me something.
35:20What?
35:23That you'll talk to Ivan
35:24and see what torments him.
35:26And then talk to Ado.
35:29Can I ask you something?
35:31What?
35:32Do you think I'm naive?
35:35No.
35:36Because Una asked the exact same question to Luka.
35:40She called me a little while ago.
35:42You're ridiculous.
35:44I know you well.
35:47I have no idea what you're talking about.
35:49You're dangerous. The two of you are dangerous.
35:51The two of us are dangerous, and the two of you are not dangerous.
35:53The two of us are just defending each other.
35:55What are you defending each other for?
35:56The two of you.
35:57Now you're starting to get on my nerves.
35:59Wait, wait. Do you want me to tell you something?
36:01What?
36:02I found a house help agency, and I want you to meet them.
36:06Why?
36:07Because they have people of trust who do housework for you.
36:11So?
36:12So what? I don't want a hard-working woman doing hard work for me.
36:15Really?
36:16Really.
36:17Well, okay, then.
36:19While I'm hard-working, you're going to do the hard work.
36:22Oh, me?
36:24Yes.
36:25You too.
36:26Shh.
36:30We're going to be late for work.
36:32Why do you care?
36:41I'm not in any kind of contact with Bruner.
36:44But that's why I was with his son.
36:46He invited me to come over.
36:48Although it was more of a threat than a call.
36:51And?
36:52He'll tell you all about it, but I think...
36:55that the most important thing right now is what Mili wants to say.
36:59Mili?
37:08Why are you bringing me into a situation where I could lose my mind?
37:12They arrested you for raping a cop.
37:14Well, fuck him.
37:15Are you crazy?
37:16A sniper is not a toy.
37:18And if I go to jail right now, and I'm the one who asked for a sniper...
37:22What does that have to do with anything?
37:24You said you were the one who asked for him.
37:43How can you be so suspicious all of a sudden?
37:46Zoleta, Kovka...
37:49What does Kovka have to say to you?
37:52What if Nora sees his kids?
37:55That's why she's avoiding you.
37:57I don't understand.
37:59I thought I'd secretly do a DNA test on them, so they wouldn't know.
38:03What?
38:04Nothing.
38:13Ada is really excited.
38:16She says she can't wait to meet her.
38:21For her to come?
38:23No, for the wind to blow on her wings.
38:26When?
38:27When we're all sure you're not going to be like she is.
38:47I was thinking about changing my name.
38:49Yes, yes.
38:50And this, and this.
38:52So that when they come to visit,
38:54they get a personalized love song in every meal,
38:57which you're going to sing.
38:59And I'm going to write a song for them?
39:03Yes.
39:05You're going to give me a heart attack, huh?
39:07What are you doing?
39:08I'm getting dressed.
39:10We're leaving.
39:11For peace of mind.
39:13And probably, we've missed the wedding,
39:15but we're saving this moment.
39:16What a business.
39:38I'm sorry.
39:47My name is Komarac.
39:48It's not too late.
39:50Where's my daughter?
39:52Please tell me where my child is.
39:54Never.
39:56You'll never be a child.
40:07You'll never be a child.