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00:00Mr. Sakuma, Mr. Hazumi, I'm sorry for the complicated timing.
00:05No, I won't forgive you anymore.
00:08It's completely different from what I heard.
00:11That's right.
00:13That's right.
00:15It's like a trap.
00:16It's like a trap.
00:17It's at the level of a trap.
00:19In the middle of the day.
00:21I'm busy.
00:22Nagano and Iruma helped me a lot on my show.
00:29So I thought, if it's them, I'll do it.
00:31That's how I felt when I received the offer.
00:34About two days ago.
00:35Yes, that's right.
00:36I might be a substitute.
00:38Did you do that once?
00:39Did you do that once?
00:40Did you do that once?
00:41Invite me from here.
00:44That's right.
00:48This program is broadcast at Kanto Local from 1 o'clock at night on Wednesdays.
00:53It's called Hikkakari Nietzsche.
00:56I'll say it without choosing words.
00:58There's that guy.
01:00Yes.
01:01It's a special program in the 22nd generation.
01:03It's a special program in the 22nd generation.
01:04It's a special program in the 22nd generation.
01:05I've been working hard for about five months for a special program.
01:09I had a lot of time before the program started.
01:13That's right.
01:14Everyone worked hard.
01:15And then!
01:18I did it on a normal show.
01:21Yes, we do it once in a while.
01:23We do it once in a while.
01:24I'm going to write it.
01:26Yes.
01:27I'll write it in the comments.
01:29That's right.
01:30Is that possible?
01:31I'll write it in the comments.
01:32I'm writing that combination.
01:35I've been doing two shows for a long time.
01:38Is that so?
01:40I thought it was Luigi Talent.
01:44He was walking with an originality face.
01:47I thought it was Kai Ogan.
01:49It was Kei Jidousha.
01:51It was Kei Jidousha.
01:53This time, Mr. Nagano himself was caught by Mr. Sakuma.
01:56Everyone is drinking water.
01:58What is this?
02:00It's going to start.
02:02I thought it was going to start.
02:04This time, Mr. Nagano was caught by Mr. Sakuma.
02:09Do you get tired of having a variety of attitudes?
02:13I don't know what to say.
02:15I don't know what to say.
02:17It's not that I don't have a variety of attitudes.
02:19It's not that I don't have a variety of attitudes.
02:21I'm on Mr. Sakuma's side.
02:24I want Mr. Sakuma to be comfortable with this special.
02:29I want Mr. Sakuma to be comfortable with this special.
02:31Did you think it was hard?
02:33I saw it.
02:35Mr. Sakuma was also caught by you.
02:40Why did Mr. Sakuma appear on TV?
02:42He said he wanted to be a comedian.
02:48To be honest, I thought he was a comedian.
02:52I thought I was caught.
02:54Everyone said that, so I was a little relieved.
02:59Even on the radio, it was crazy.
03:02Yes, it was.
03:03There were a lot of events.
03:04Yes, there were a lot.
03:05While I was doing that, there was a moment when I fell in love.
03:09Suddenly?
03:11Yes.
03:12Sakuma-san, you said you were a TV producer, right?
03:17Yes.
03:18At times like this.
03:19The title.
03:20The title.
03:21That's enough.
03:23What?
03:24Seriously.
03:25No, no, no.
03:26Because you're a producer.
03:27That's right.
03:28TV producers like Terry Ito and Genkiya TV.
03:32Those who have made a lot of things.
03:35You're in it as Terry Ito.
03:38So maybe that's why the back is messed up.
03:42No one says.
03:43That's right.
03:44You don't know.
03:45Yes, yes.
03:46But you don't have to know.
03:47I know as an existence.
03:49I know.
03:50It's amazing.
03:52I'll come back later.
03:54But you're a TV producer.
03:57So I was like, why is he coming out?
04:00I just thought about it.
04:03And Saguma-san is doing his best,
04:06and he's making something amazing right now,
04:09so he doesn't have to be in a TV show
04:12where there are a lot of weirdos like this.
04:16That's just an extra factor.
04:19So if you just say, Saguma-san,
04:21and he comes out,
04:24it's not like he's doing a radio show or anything.
04:26As a producer, I think he's doing a better job
04:29because it's more delicious.
04:32I see.
04:33When he comes out, he just comes out as a talent,
04:36and what he's making is interesting.
04:39That's the effect.
04:41Well, I see.
04:43But in some of the stories I've heard,
04:46I want you to understand this well,
04:48but there are too many comedians in the world,
04:51and I want the TV world to be a place
04:54where there are comedians like you.
04:56I said the same thing, didn't I?
04:58See, that's why.
05:00You don't have to be proud of yourself.
05:03No, no, no.
05:04Let's talk about Saguma-san.
05:06I said it, not you.
05:08No, no, no.
05:09Shut up, shut up.
05:11I didn't say that about the car.
05:14Don't say that to a talent.
05:16Don't say that.
05:17I wish it was a car.
05:20He's different.
05:22I've actually discussed this with a car.
05:25What?
05:26When I was on a car podcast,
05:29I said,
05:31please give us All Night Nippon.
05:35When I said that the car would come out as a behind-the-scenes,
05:40I said the same thing.
05:42Wait a minute.
05:43All Night Nippon was originally
05:45done by Shouji Kogami and many other people.
05:51I had an unexpected meeting there.
05:54It was not a comedy show.
05:56I said,
05:57if it was a comedy show,
05:59I wouldn't like that kind of radio show.
06:03That's great.
06:04I said that to the car.
06:06It was a romantic story.
06:08And now,
06:09you said the same thing.
06:11You two really get along well.
06:15I didn't mean that.
06:17When I was a kid,
06:19I went to Ohashi-ku.
06:21I've been to many places.
06:23Someone asked me where I was from.
06:26I like TV shows with people like that.
06:28No one asked you why you didn't have a comedy show.
06:32No one.
06:33Well,
06:34comedy shows have become more interesting,
06:36so it can't be helped.
06:37But everything that's happening now
06:40is because comedians have sold too much.
06:44If it was a news show,
06:46it wouldn't be a scandal.
06:49That's right.
06:51If it was a commercial,
06:53it wouldn't be a scandal.
06:55That's what I thought.
06:57Well,
06:58TV...
06:59I see.
07:00Then,
07:01I'll accept it.
07:03I'm sorry.
07:06I've been thinking a lot,
07:08but I've been accepting it for about 5 minutes.
07:12I see.
07:13I see.
07:14Going back to this,
07:16I understand what you're saying.
07:18I was told that
07:19I'm a producer who has a sense of humor.
07:23I make a project based on people's opinions.
07:25I'm tired of that.
07:27In short,
07:28I have more time to think about what a sense of humor is.
07:31If I think about comedians,
07:34and prepare an environment that's easy to work in,
07:37I won't be able to create an environment where comedians complain.
07:41I see.
07:42Also,
07:43this is because I'm on my own show,
07:46but I say too much bad things about my staff.
07:50I see.
07:51So,
07:52I think I should be scolded for saying bad things about my staff.
07:56I think that kind of environment
07:58will create more stories.
08:00What I mean is,
08:01I'm the type of person who tries to make a show full of love for comedians.
08:05But,
08:06I think I'm a bit lazy.
08:08I don't think there are people who shine more when they're treated roughly.
08:11I see.
08:12In the past,
08:13there were celebrities and stars,
08:15but they were treated like garbage.
08:17I was in my 20s,
08:19so I thought,
08:20why do they treat comedians like garbage?
08:22That's why I made a show.
08:24But now,
08:25there's no show that treats comedians like garbage.
08:27No.
08:28It's full of love.
08:29I think it's too full of love.
08:31But you made love.
08:33I think you made love.
08:35It's full of love, isn't it?
08:36It's like,
08:37I had a lot of fun during the recording.
08:39That's right.
08:41You're right.
08:42You look like you're having a lot of fun.
08:44That's right.
08:45So,
08:46I want you to change that.
08:48Are you trying to change what you've changed?
08:51Yes.
08:52I mean,
08:53it's not the flow I made,
08:55but there are a lot of different flows.
08:58For example,
08:59I shouldn't hurt comedians.
09:00I see.
09:01I shouldn't make fun of comedians.
09:03That kind of thing is becoming more and more pure.
09:06Other female talents who have stepped on it are getting worse.
09:09I see.
09:10I see.
09:11You're making fun of comedians.
09:12I'm making fun of comedians.
09:13It's becoming like that,
09:15so it's too pure.
09:17It's not like you're cold to comedians.
09:20It's love,
09:21but it's like the love of a comedian in front of you.
09:24That's the image I have.
09:26It's in front of you,
09:27so you don't say it first.
09:28You created an environment where you have to talk about yourself as a TV producer, right?
09:33I'm killing myself.
09:37I felt like that.
09:39Maybe so.
09:40In short,
09:41I worked with comedians who I wanted to sell.
09:43It's not just my power,
09:44but I was happy to see them sell.
09:47Of course, they're selling with their own power,
09:49but I was happy to be with them.
09:52Then,
09:53every time they sell,
09:55I get a job to talk about their charm.
09:58Of course, it's a job to be happy and praised,
10:00so it's fun.
10:01While I was doing that,
10:03maybe I was the one who made comedians too great.
10:05That's right.
10:06Absolutely.
10:07You made TV full of comedians.
10:09I'm saying now that TV is full of comedians,
10:12but it's your fault.
10:14I've been alone.
10:16I've been alone all the time.
10:18I made it alone.
10:19I'm playing alone.
10:21I've done it too much.
10:23First of all, I think it's the show race.
10:25It's too cool.
10:26That's right.
10:27I think the influence of the show race is huge.
10:31Of course, that's true,
10:33but depending on your variety,
10:36viewers can see it.
10:38That's right.
10:39I think so, too.
10:40I think it's a way to make comedians stand out.
10:43I wanted everyone to look at me from the back.
10:46It's all because of Wachikochi Odori.
10:49There are more shows that talk about the back.
10:52I was a high school student at the time,
10:54but it was so much fun that I couldn't help it.
10:56That's right.
10:57I learned a lot from it.
10:59You learned a lot from it.
11:01I want to say one thing.
11:04Wachikochi Odori is a show that talks about work theory.
11:08As a result of talking about work theory,
11:10comedians are talking about what they think.
11:13The back side doesn't talk as much as the back side.
11:17But I think that's how it's taken.
11:21That's why I came here.
11:24The reason why Wachikochi Odori became a show like this
11:28is because of Koji Higashino.
11:34Is that so?
11:35At first, it was a show about work theory,
11:37but Mr. Higashino misunderstood that it was a show that no one watched.
11:40He thought I was on TV as a floor director.
11:44He thought I was a staff member,
11:46so he could hear anything that was hard to hear.
11:49It was so funny that I edited it a lot.
11:54It's all your fault.
11:56It's all your fault.
11:58It was so funny.
11:59I think all my stress in the past 10 years
12:02came from him.
12:04It's all coming from him.
12:06It's all coming from him.
12:08That's why I want to kill him with love.
12:11I want to kill Mr. Sakuma.
12:12I see.
12:13Mr. Sakuma didn't mean to do this, did he?
12:15The show I'm making isn't a major show.
12:18I'm making it as a counterculture.
12:20It's TV Tokyo.
12:22I'm making it as a counterculture.
12:25The comedy itself has become so mainstream
12:29that it's no longer a counterculture.
12:32This is unexpected.
12:35So when the TV producer Sakuma was on the show,
12:39he was more of a counterculture.
12:41He was more of a counterculture.
12:43Maybe he was a little too popular.
12:47He was too popular.
12:49Let's go back to the topic.
12:51There are people who say things like
12:54what comedians say or
12:56what they say in a talk show
12:58are not for comedians but for other jobs.
13:03Yes, yes, yes.
13:05It's all their fault.
13:07There are people who say
13:09these things are really useful in business.
13:12They don't really like comedians.
13:16There are people like that.
13:19Yes, yes, yes.
13:20They just use comedians as a genre.
13:23They just use comedians as a genre.
13:26They just use comedians as a genre.
13:31It's all logic.
13:33Yes, yes, yes.
13:34Nagano-san's something is not useful to society.
13:38They have to say it again.
13:40I saw it on something.
13:41I saw it on something.
13:43What?
13:45Really?
13:46I forgot what it was.
13:48It's all logic.
13:49It's all logic.
13:51What I want to say is
13:53you'll be like that too.
13:55You'll be like that too.
13:57It's already started.
13:59I thought it was a counterculture.
14:02I won't go into the main topic,
14:04but it's already countered.
14:05It's already countered.
14:06It's already countered.
14:07But you'll be like that too.
14:09I'll change the topic.
14:11I know a little bit about it.
14:14When I say something,
14:16I say it in a very pure way.
14:18But you make up a story on your own.
14:20Also, Hasebin...
14:22You said a car.
14:24I almost cried.
14:26I almost said a car.
14:28Please forget it for now.
14:31I feel sorry for you.
14:33I thought it wasn't a car.
14:35I thought it wasn't a car.
14:36You...
14:38I feel sorry for you.
14:40I feel sorry for you.
14:42I feel sorry for you.
14:43You're too cute.
14:44You're too cute.
14:45You're too cute.
14:46You're too cute.
14:47There's always a car on my left.
14:50I'm like, no, it's beautiful.
14:53I'm like, no, it's beautiful.
14:54You're too cute.
14:56What were we talking about?
14:57When you're talking, you're pure.
14:59I don't think about that.
15:01I don't think about that.
15:02But as Hasebin said,
15:04you're damaged.
15:06You don't fit in.
15:08You're just doing it with a lot of energy.
15:10It's a big mistake to think that everything will work for your business and the general public.
15:17The reason why Mr. Nakano recovered his V-sign is because he recovered his V-sign.
15:20That's right.
15:21That's all.
15:22That's all.
15:23If someone does what Mr. Nakano says, it will definitely work.
15:26That's right.
15:27But Mr. Sakuma's variety love is a little bit of that.
15:33I think the root of it is the weakening of TV.
15:38TV has a lower budget and value.
15:41People who fight like me are in the middle.
15:46In other words, you don't have to spend a lot of money.
15:48You have to fight at an angle.
15:50You have to talk naked.
15:53That's because there was a flamboyant talk variety show.
15:57That's why it was a counterattack.
15:59The whole TV has been weakened to some extent.
16:02I can't put it in.
16:04As a result,
16:05there are more and more talk variety shows like Audrey.
16:08This is a weakening of the main culture.
16:11Yes.
16:12As a result, I, as a person on the counter,
16:15think that Mr. Asakuma's way of fighting may be more efficient.
16:18Maybe he's getting results without spending a lot of money.
16:20I don't think it's a good thing to be in the middle.
16:26That's why it's used for business.
16:28That's why it's used for business.
16:29That's because it's the same all over Japan.
16:31That's why it's weakened.
16:33There was a time when I was on Talk Survivor.
16:37At that time, the story of Aima was amazing.
16:42There was a story.
16:43The story was like a movie.
16:45The people who were shooting were also serious.
16:47I was looking at how to spend time.
16:50I really wanted to shoot a movie.
16:54The part we talked about on Talk Survivor.
16:58I don't think I really need it.
17:02The part of the title.
17:04I want to release it.
17:06I'm going to be in the movie world.
17:09Actually, I'm going straight to the movie world.
17:14I want to say that it's okay.
17:17Is that a gradation?
17:18Yes.
17:19It's a gradation called variety love.
17:21On the way.
17:22On the way.
17:23It's a way to become a drama producer.
17:25There are both ways.
17:27I want you to say that.
17:29I want to see it.
17:30Mr. Sakuma's normal movie.
17:33So I think I'm pulling my legs.
17:36TV producer.
17:38Variety love.
17:40I have a lot of feelings for TV.
17:43If you're a TV producer, you can make something like this.
17:46I want to be thought of.
17:47That's why you're challenging it.
17:48YouTube and various media.
17:50TV producers and TV directors.
17:53I think it's interesting.
17:55Recently, TV has been ridiculed.
17:57That's right.
17:58There's a move.
17:59The director who works with TV.
18:01Take it outside.
18:03The director who was brought in by the TV producer.
18:05People who work together.
18:06I want you to think it's interesting.
18:10That's what it is.
18:11It's a misunderstanding.
18:13All of it.
18:14The three of you may be the same.
18:16I was only on the radio at first.
18:19There's no misunderstanding on the radio.
18:22You know who I am.
18:24I only cut off the radio.
18:26There's a word on the internet.
18:28So you'll know what I'm like.
18:31But when I started on TV.
18:33There are a lot of people who don't know what I've been doing since I was an AD.
18:37Then you'll get misunderstood.
18:39I know how hard it is to be a talent.
18:43So you don't get misunderstood without knowing the context.
18:45That's right.
18:46I'm being misunderstood a lot.
18:48But when I was listening to the story, I thought it might be because of Mr. Sakuma.
18:51You still think so?
18:53I'm not a talker.
18:56I'm a talker.
18:57You're a talker.
18:59Mr. Sakuma, I have a question.
19:02There's a talk about entertainers.
19:04There's a scene where they say, there's a swing.
19:06Some people think that's a joke.
19:09But the story of Mr. Sakuma and the cultural people I used to watch.
19:14I don't think it's a joke.
19:17I'm just looking at it normally.
19:20I've been watching a lot of comedy shows lately.
19:25It's not because of me.
19:28It's because of Mr. Matsumoto.
19:31It's a story that doesn't slip.
19:34It's a great word.
19:35It's a story that doesn't slip.
19:37It's a great word.
19:41It's a great word.
19:44You can see that on TV.
19:46Mr. Takeshi and Mr. Sakamoto are smoking together.
19:48You can see that on TV.
19:50There's a respect for each other.
19:53There's a respect for each other.
19:56You can see that on TV.
19:59You can see that on TV.
20:01It smells like culture.
20:03Many people do it on the front page.
20:06I'd like to make an Instagram account with actors.
20:10It's more like a culture that's been around for a long time.
20:12It's amazing how you can say that in such a short amount of time.
20:16It's like, if you say,
20:18you've crossed the line,
20:20you just have to be nice to people.
20:22There are some comedians
20:24who just make a song,
20:26but if you say it in Sakamoto dialect,
20:28it's too much of a pillow talk.
20:30It's too much of a pillow talk.
20:32It's easy to say it when it's all red.
20:34It's all red.
20:36It's not a culture.
20:38It's not a culture.
20:40Isn't it the most embarrassing thing?
20:42You're still good at culture, aren't you?
20:44I'm good at culture.
20:46You still have culture.
20:48I hid my forehead to carry the culture of Tokyo.
20:50Comedians are told to show their foreheads.
20:52If I show my forehead,
20:54I can't carry the culture anymore.
20:56I want to regain the culture of that time.
20:58On TV.
21:00I think it's okay to meet.
21:02I said it's your fault,
21:04but now I'm really looking forward to Mr. Sakuma.
21:06I want him to carry the culture.
21:10Are you afraid?
21:12Other than comedians.
21:14If I say too much,
21:16people will notice that I'm a bad person.
21:18I'll do my best.
21:20Isn't it too late?
21:22I'm a scary woman played by Miki Nakatani.
21:26That's not true.
21:28I'm most happy with Miki Nakatani.
21:30I haven't heard the rest.
21:32I'm Miki Nakatani.
21:34What kind of person is he?
21:36I don't know yet.
21:38As an announcer,
21:40it's easier to speak
21:42when people like Mr. Sakuma come out.
21:44I'm looking forward to it
21:46because people who watch TV
21:48won't look at me coldly.
21:50The way you look at an announcer
21:52is shaped by the way
21:54you act on TV
21:56when you quit being an announcer.
21:58It's not me.
22:00If people like Kasumi Mori
22:02or Sumi
22:04become more talented,
22:06people will think
22:08that an announcer
22:10wants to be a talent.
22:12It depends on
22:14how the line-up goes.
22:16That's right.
22:18You have to make yourself
22:20bloom in a song.
22:22Do you feel that way in education?
22:24After the acceptance exam,
22:26I was trained for about a year.
22:28At that time,
22:30I was like,
22:32change everything
22:34from the basics.
22:36Do you have to show your personality?
22:38Do you have to erase it once?
22:40I had to erase it once.
22:42It depends on the era.
22:44The current era is
22:46the era of personality.
22:48I was told to show my personality.
22:50If I express it like this,
22:52the viewers don't know it.
22:54They say,
22:56I see.
22:58Everyone, notice it.
23:00The flow of the story.
23:02It's like Japanese society's homework.
23:04That's right.
23:06It's like, can I say this?
23:08I don't have to say it here.
23:10Mr. Nagano,
23:12do you agree with this?
23:14I'll go to various people.
23:16I'll go to people who misunderstand.
23:18Mr. Sakumura.
23:20It's okay now.
23:22I'll explain to people
23:24who misunderstand.
23:26I'm surprised.
23:28I didn't know that
23:30you talked so much until the end.
23:32Did you notice that?
23:34This program is amazing.
23:36It doesn't end when I'm tired.
23:38It doesn't end when I'm tired.
23:40I squeeze out as much as I squeeze out.
23:42I squeeze out as much as I squeeze out.
23:44I'm sorry.
23:46Mr. Nagano,
23:48you sometimes speed up when you're about to die.
23:50It's emotional.
23:52I'll do my best.
23:54I'll do my best.
23:56It's like an outro.
23:58It's like an outro.
24:00I'll use the outro.
24:02No, Mr. Sakuma.
24:04This program is new.
24:06I'll use the outro.
24:08This program is new.
24:10I'll use the outro.
24:12Mr. Sakuma,
24:14you should get along with Mr. Akiyama.
24:16I'll use the outro.
24:18It's not your era.
24:22It's not your era.
24:24Next, we heard that
24:26Mr. Sakuma is attached to Mr. Nagano.
24:28Next, we heard that
24:30Mr. Sakuma is attached to Mr. Nagano.
24:32He's already hurt in many ways.
24:34He's already hurt in many ways.
24:36He's already hurt in many ways.
24:38It's not about Mr. Nagano's character.
24:40It's not about Mr. Nagano's character.
24:42It's about his worries as a creator.
24:44He doesn't know
24:46which TV program is on
24:48which time zone.
24:50He can only watch it by following the news.
24:52He can only watch it by following the news.
24:54He can't watch it by following the news.
24:56The result of this is
24:58the number of viewers
25:00of this program is increasing.
25:02The result is
25:04the number of talk programs
25:06that are close to the tongue twister.
25:08This is not
25:10about specific programs.
25:12I want to make a talk program
25:14which is about funny topics
25:16and content
25:18In the past few years, there have been a lot of projects that have changed the way people talk.
25:26Yes, yes, yes.
25:27For example, the Minamikawa Project, which is a project where Minamikawa calls her partner to fight.
25:33Also, the Iwai Project, which is a project where Kusarigeirin calls her partner to fight.
25:38It's a little different from other projects.
25:40What?
25:41It's that different?
25:42It's that different?
25:43The number of projects that require you to learn the rules and the number of projects that require you to watch the story in the play has decreased.
25:51So, you can see how things are going.
25:53It's a variety show with a strong impulse and firepower.
25:56And the Barabara Project is the same, right?
25:58There's Iguchi's and Kumota's, and Hikakari Nii-chan's, and Mitorizu's project is also...
26:04The main project is...
26:06It's a small voice.
26:07As a result of saying it in a small voice, Hasumi-kun gets angry.
26:12Hasumi-kun, right.
26:13You can't say that in the Jujutsu Kaisen era.
26:15I was pretty depressed.
26:17No, it's not a small voice.
26:20First of all, that's how it used to be.
26:22In the past, it was done only in the box office.
26:26Now it's like a box-office battle on TV.
26:29I see.
26:30Everyone thinks it's a waste of money.
26:34I don't want to ride it completely.
26:36But I have to gradually change it while facing this rule.
26:39I'm wondering what to do.
26:41I see.
26:42I feel like I'm already addicted to this.
26:46I used to love bad words.
26:51And it's persuasive to say it at that age.
26:55I feel like I'm saved because I can take it.
26:59I see.
27:00That's why it's a waste of money in this era.
27:03Because it's natural.
27:05I feel like it's a waste of money in an era where people don't hurt each other.
27:12And when I think about this era,
27:15I don't think America is good.
27:19Recently, Kendrick Lamar's song, Not Like Us, won the Grammy.
27:25But he was dissing Drake.
27:30He was dissing him at the Super Bowl Halftime.
27:37But that's not good in Japan.
27:40He was dissing one person by singing together.
27:45In other words, there are more amazing things than in our country.
27:51I don't think we can go back to the past.
27:56I don't think so.
27:58But what I want from Mr. Nagano is to be Kendrick Lamar.
28:02Kendrick Lamar?
28:03I want him to be so bad that it's not funny.
28:08I see.
28:10I see.
28:12I see.
28:14It's the same in every program.
28:16I want Mr. Nagano to be in an era where bad words are reasonable and cool.
28:23I want him to be in an era where bad words are reasonable and cool.
28:27I see.
28:28So I want you to be like Kendrick Lamar or die with bad words.
28:33I know.
28:35I know.
28:36Not like us.
28:37Not like us.
28:38Not like us.
28:40As soon as you said that, I understood.
28:43Hey, you!
28:44How dare you say like that!
28:49You are just a bad person.
28:51You are just hurting people.
28:54Isn't that too much?
28:56Mr. Nagano says he was hurt at that time.
28:58No, no.
28:59Mr. Nagano says that a lot.
29:01After the recording, I went home crying.
29:04It's not fun at all.
29:07It's not fun at all.
29:08It's not fun at all.
29:09It's not fun at all.
29:10It's not fun at all.
29:11It's not fun at all.
29:12It's not fun at all.
29:13It's not fun at all.
29:14It's not fun at all.
29:15It's not fun at all.
29:16It's not fun at all.
29:17It's not fun at all.
29:18It's not fun at all.
29:19It's not fun at all.
29:20It's not fun at all.
29:21It's not fun at all.
29:22It's not fun at all.
29:23It's not fun at all.
29:24It's not fun at all.
29:25It's not fun at all.
29:26It's not fun at all.
29:27It's not fun at all.
29:28It's not fun at all.
29:29It's not fun at all.
29:30It's not fun at all.
29:32It's not fun at all.
29:33It's not fun at all.
29:34It's not fun at all.
29:35It's not fun at all.
29:36It's not fun at all.
29:37It's not fun at all.
29:38It's not fun at all.
29:39It's not fun at all.
29:40It's not fun at all.
29:41It's not fun at all.
29:42It's not fun at all.
29:43It's not fun at all.
29:44It's not fun at all.
29:45It's not fun at all.
29:46It's not fun at all.
29:47It's not fun at all.
29:48It's not fun at all.
29:49It's not fun at all.
29:50It's not fun at all.
29:51It's not fun at all.
29:52It's not fun at all.
29:53It's not fun at all.
29:54It's not fun at all.
29:55It's not fun at all.
29:57It's not fun at all.
29:58It's not fun at all.
29:59It's not fun at all.
30:00It's not fun at all.
30:01It's not fun at all.
30:02It's not fun at all.
30:03It's not fun at all.
30:04It's not fun at all.
30:05It's not fun at all.
30:06It's not fun at all.
30:07It's not fun at all.
30:08It's not fun at all.
30:09It's not fun at all.
30:10It's not fun at all.
30:11It's not fun at all.
30:12It's not fun at all.
30:13It's not fun at all.
30:14It's not fun at all.
30:15It's not fun at all.
30:16It's not fun at all.
30:17It's not fun at all.
30:18It's not fun at all.
30:19It's not fun at all.
30:20It's not fun at all.
30:21It's not fun at all.
30:22It's not fun at all.
30:23It's not fun at all.
30:24It's not fun at all.
30:25It's not fun at all.
30:26It's not fun at all.
30:27It's not fun at all.
30:28It's not fun at all.
30:29It's not fun at all.
30:30It's not fun at all.
30:31It's not fun at all.
30:32It's not fun at all.
30:33It's not fun at all.
30:34It's not fun at all.
30:35It's not fun at all.
30:36It's not fun at all.
30:37It's not fun at all.
30:38It's not fun at all.
30:39It's not fun at all.
30:40It's not fun at all.
30:41It's not fun at all.
30:42It's not fun at all.
30:43It's not fun at all.
30:44It's not fun at all.
30:45Please let me know in the comments if you're interested.
30:49Watching people talk.
30:50Or you're not interested.
30:54Which would you choose?
30:57I started appearing on television only when I was arson.
31:04So when we are on TV, this is how to appear on TV.
31:09But if I don't say something sharp, it won't work, right?
31:15No, that's...
31:16This show is looking down on you.
31:19This is different.
31:20This is not a joke.
31:21This is different.
31:22Listen, listen.
31:23He's angry, he's angry.
31:25Nakano-san.
31:26Nakano-san, Nakano-san, Nakano-san.
31:28Nakano-san, listen.
31:33I don't know what I'm doing.
31:36He's a bit cheeky, he's young, and he's not super ugly.
31:41He's a subtle guy.
31:43I don't think you should mess with him.
31:45I know.
31:46I totally understand.
31:47It's okay.
31:48Nakano-san, from the first time we met,
31:50he said, I really love a group like you guys.
31:53You said a group.
31:57I'm a group of victims of Maruti.
32:01Really.
32:02Look at the down key man.
32:04He has a straight face.
32:05That's true.
32:06Like Uehara-kun.
32:08He looks like a victim of Maruti.
32:10He looks like a victim of Maruti.
32:11So, Nakano-san and Masaguma-san,
32:14it's good to be in front of people who understand you,
32:16but if you're not,
32:18you have to be angry,
32:20and you have to have the power to make a big fire.
32:23If you don't have that, you won't be useful.
32:25You have to think about it.
32:27But he said,
32:28I know this person.
32:30If there are more people in the theater,
32:33it's okay.
32:34I see.
32:35Don't you do this on TV?
32:37We don't do this on TV.
32:41I thought it wasn't suitable,
32:42so I made a group of 8 people.
32:44No way.
32:45At that time, I was looking down on TV.
32:47Even if I didn't appear on TV,
32:48I thought I could be popular in the theater,
32:50but the more I appeared on TV,
32:52the more people came to the theater.
32:54You appeared on TV?
32:56You appeared on TV and got caught?
32:59Please help me.
33:01But the heat is important.
33:04I was pulled by you to appear on TV.
33:07There was a part where you pulled me to appear on TV.
33:10You didn't raise your hand.
33:12You said, come on.
33:14I see.
33:15That's why I don't like to be looked down on.
33:18Of course.
33:19But you appeared on TV and got your position.
33:22Yes.
33:23If I had a career,
33:25and I was very famous,
33:27and I appeared on TV and got my position,
33:29would I be okay if I got my position?
33:32I should have appeared on TV
33:34if I was a person who could laugh.
33:36I think it's okay, Akiyama-kun.
33:38The next story is close to the current story.
33:43So, let's talk about the next story
33:45with Hasumi-kun.
33:48Yes, please.
33:49This is the story that Sakuma-san is caught by Hasumi-san.
33:53Hasumi-san, you've been irritated all this time, haven't you?
33:57He's kind.
33:59It's all about love.
34:01I've been worried about it.
34:03First of all, Hasumi-kun loves to laugh.
34:05But I didn't think he could be a comedian.
34:08So, he formed a troupe.
34:10It was fun to act.
34:11He was evaluated by both.
34:13He was so absorbed in acting that he was pulled to appear on TV.
34:16I think he misunderstood me this half year.
34:21He underestimated me.
34:23Also, it was difficult for him to meet an adult who understood my funny side.
34:29Also, I don't know about this,
34:31but he was conscious of 8 people, comedy, and variety.
34:34All of them had faces that came to him at the same time.
34:39It was that face.
34:42I don't have anything to say back.
34:44I was called a member.
34:46I'm so disappointed.
34:48Speaking of the three,
34:50I gave up being a member.
34:54I love comedy.
34:56All seven of us are actors.
34:59So, I finally realized that there are people in this world who don't want to make others laugh.
35:06I wasn't me.
35:08I was wondering why I was slacking off.
35:10But I wasn't slacking off.
35:12I was just living a normal life.
35:14Actors are normal, aren't they?
35:16Yes, they are.
35:18I can't believe I'm in this costume.
35:23But I'm talking about buying a new jacket in front of them.
35:29Recently, there's a braids boom among girls.
35:32Don't start it in front of me.
35:34Actors are full of braids.
35:37Speaking of the second difference,
35:39there's Mr. Sakuma.
35:41He's the one who found Da-Woo.
35:44That's the second difference.
35:46I'm Mr. Sakuma.
35:48There are more and more differences.
35:50Yes, there are more and more differences.
35:52But Mr. Sakuma is the one who caught me.
35:54That's the reason.
35:56That's not true.
35:58He got tired of us quickly.
36:01He got lost.
36:03That's not true.
36:05He's like a screen.
36:07The first theme is
36:09he likes comedy,
36:11but he definitely likes acting.
36:13He didn't want to debut as a movie maker.
36:18That's why he made a film.
36:20But he got tired of it.
36:22You made it.
36:24He was pulled by the audience.
36:27But Mr. Sakuma was gone.
36:29He was alone.
36:31He was like, what should I do?
36:33Don't do it alone.
36:35Can I say something?
36:37Mr. Sakuma,
36:39I don't want you to misunderstand.
36:41That's rude.
36:43That was normal.
36:45I don't want you to misunderstand.
36:47I think Mr. Sakuma
36:49is a sensitive person
36:51because he thinks he's the only one.
36:53I see.
36:55He doesn't want to say that he raised him.
36:57When he's about to be like that,
36:59he pulls Mr. Sakuma
37:01and goes to look for something else.
37:03That's...
37:05really rude.
37:07If he was an entertainer,
37:09he could stay with him a little longer.
37:11Because it's the same genre as comedy.
37:13But Mr. Hasumi,
37:15I don't know how to say it,
37:17but he might go like Mr. Mitani or Mr. Kudo.
37:19Then,
37:21he should meet
37:23a better drama producer than me.
37:25He doesn't know where he wants to go,
37:27so he can't go.
37:29Then,
37:31he suddenly starts doing something with an entertainer.
37:33If you want to do this,
37:35I can do it, too.
37:37He doesn't have a will.
37:39He doesn't have a will.
37:41It's a misunderstanding.
37:43Don't you want to go to a drama?
37:45I see.
37:47I see.
37:49How about Mr. Kunda?
37:51He's like Mr. Nakodo.
37:53Isn't he your relative?
37:55You guys are getting along well.
37:57You two are young people, but you're not.
37:59You two are young people, but you're not.
38:01I heard this story when it started.
38:03I heard this story when it started.
38:05Can I say it again?
38:07The trigger was here.
38:09The trigger was here,
38:11but this is not a joke.
38:15He's a MC and he's a super MC.
38:17I think he's a real MC.
38:19I think he's a real MC.
38:21You can call him.
38:23The two of them have finally become lovers.
38:26Isn't that cute?
38:28It's cute.
38:29It's beautiful.
38:30It's beautiful.
38:31It's beautiful.
38:32You're good at this.
38:36Now, it's getting pretty exciting.
38:38I'd like you to sum up today's meeting in one word, like the great philosopher Nietzsche.
38:44This is really...
38:46It's Sakuma-san, right?
38:47That's right.
38:49I'd like to sum up everything.
38:50Nagano-san, you've already decided to become a Kendrick Lamar, right?
38:53Yes.
38:54But today, what I thought was...
38:56Nagano-san, as a result of pushing your way as Nagano-san,
39:00I want you to make a cool world where you can say whatever you want.
39:04And Hasumi-kun, of course you have a position to play a role in each program,
39:09but I want you to be more like Hasumi.
39:11That's right.
39:12I'm a TV producer, but not as a TV producer,
39:17I want you to be more like Sakuma.
39:21That's why...
39:22Nagano is Nagano.
39:23Nagano is Nagano.
39:24Hasumi is Hasumi.
39:25Sakuma is Sakuma.
39:27I was able to recognize that.
39:31Then, let's do that.
39:32Mitani-san, too, right?
39:33You have to show your personality.
39:34Mitani-san, you don't have to show your personality,
39:37but you can show your ugly parts that you don't want to show.
39:44Mitani is Mitani.
39:46Mitani is Mitani.
39:47Mitani is Mitani.
39:48Nagano is Nagano.
39:49Hasumi is Hasumi.
39:50Sakuma is Sakuma.
39:51Let's go with this.
39:54It's quite philosophical.
39:55It's philosophical.
39:56It's like a group of people who really like themselves.
40:02It's embarrassing.
40:03It's embarrassing.
40:04It's embarrassing.
40:05It's embarrassing.
40:06This really doesn't matter.
40:07Is it okay?
40:08Just one minute.
40:09Sakuma-san, can I ask you for advice on your life?
40:11Sorry.
40:12You want to be a Kendrick Lamar,
40:14but at the same time, you want people to see your face in a balanced and soft direction.
40:22Sakuma-san, you want to be a Kendrick Lamar, right?
40:25I want Nagano-san to be a Kendrick Lamar,
40:28and I think everyone will say kindness on their own.
40:33That's true.
40:34Kindness.
40:35So, Nagano-san doesn't have to go there.
40:37That's true.
40:39It's like,
40:40a person says,
40:41wow, this is it!
40:42It's not like that.
40:43He's kind.
40:44Raise your chin a little bit.
40:45That's what people are saying.
40:47I'm sorry.
40:48It's my personal opinion.
40:49No, it's fine.
40:50I'm embarrassed to hear it while I'm taking off my pinback.
41:00It's warm in here.
41:01It's time to balance out with the main story.
41:05It's so warm.
41:06Wow, it doesn't hurt at all.
41:10It's so big.
41:12It's a corn snake.
41:14I can understand why so many people like it.
41:17It's so cool.
41:21I'm scared.
41:24I'm scared.
41:25What? Now?
41:27Oh, it's over.
41:29It's over, it's over.
41:30Oh, it's over because it ate me.
41:32What?
41:33Wait a minute.
41:36I will get out of here.
41:38Oh, no.
41:39I'm scared, I'm scared, I'm scared.
41:41I'm scared, I'm scared, I'm scared.
41:45Wait a minute, please.
41:47Wait a minute, please.
41:51Ah, that kind of way of thinking is…
41:55Watch it, please.
41:57Watch it, please.