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はじめての美術館 2025年3月9日 迎賓館赤坂離宮
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00:00This program is brought to you by JIN OJISAN and HIRARI-CHAN.
00:22JIN OJISAN's first time at an art museum.
00:26You're late, JIN OJISAN.
00:29Hi, HIRARI-CHAN.
00:31I was looking for four valleys, but I was late.
00:35What are you talking about?
00:36Where are we going today?
00:39Today, we're not going to an art museum or a museum.
00:43What was it again?
00:45Kouminkan? No.
00:47Suidokkan?
00:49Kapporyokan?
00:50What was it again?
00:51A library?
00:54Jidoukan?
00:57Soryojikan?
00:58Kokugikan?
01:00No.
01:03I can't do this.
01:05What did you say?
01:07I can't do this.
01:08Before that!
01:09I can't do this.
01:10Before that?
01:13Ge?
01:14Ge?
01:15That's it!
01:16An art museum!
01:18Let's go, young lady.
01:21Thank you, JIN-YA.
01:23JIN-YA?
01:25Some of us have grandchildren.
01:28Wow.
01:31So, JIN OJISAN and HIRARI-CHAN came to Akasaka Art Museum in Tokyo.
01:40Do you know what an art museum is?
01:46It's a place where important people like the king and president of the world are welcomed.
01:54It looks like a great place, but what kind of place is it?
02:00Hello.
02:01Hello.
02:02I'm Kirari Murayama.
02:03I'm Jin Katagiri.
02:04Nice to meet you.
02:06I'm Harada, the director of the art museum.
02:08Nice to meet you.
02:09Nice to meet you, too.
02:10First of all, the gate of the house is 9.4 meters high.
02:149.4 meters?
02:17Mr. Harada, are you a graduate student of the art museum?
02:20No, I'm not a graduate student.
02:22I'm a staff member of the Cabinet Office.
02:24A staff member of the Cabinet Office?
02:27It's a symbol that supports the Prime Minister.
02:32Mr. Harada is in charge of the art museum, right?
02:34That's right.
02:35The art museum is a place where you can stay and eat when foreign kings and presidents come.
02:45Can I stay here?
02:46Yes, you can.
02:47I have an image of having a luxurious meal.
02:50Yes, it's a place where you can have a welcome ceremony or a dinner party as a foreign guest.
02:55I see.
02:56Can I stay here?
02:57Yes, you can.
02:58It's a hotel.
02:59A hotel?
03:00Yes.
03:01It's very luxurious.
03:02Yes.
03:03Can the general public also stay here?
03:06Yes.
03:07Since 2016, when there are no foreign guests, the museum has been open to the general public for a year.
03:15That's great.
03:16Can the general public stay here?
03:18No, they can't.
03:19Can they eat?
03:20No, they can't.
03:21They can't eat.
03:22They can only watch.
03:23When the prime minister comes here, the hotel staff and the cook are invited, right?
03:29That's right.
03:30They are experts.
03:32I have no more questions.
03:33I want to go inside.
03:35Can I go inside?
03:36Yes.
03:38Now, let's go inside.
03:42It's like a different world.
03:43Yes, it is.
03:44It's over there, right?
03:45Yes.
03:47How do you feel?
03:48I feel like a princess.
03:51Princess Kirari.
03:52Princess Kirari.
03:53Princess Kirari.
03:54Oh.
03:55Oh.
03:56Oh.
03:57Oh.
04:00As they pass through the long courtyard through the front door,
04:07they can see the luxury building across the wide stone pavilion.
04:24We walked from the gate to the front of the building.
04:28How was it, Kirari-chan?
04:29It was long.
04:30It was long, wasn't it?
04:31You can see it, but you can't touch it.
04:33It's amazing.
04:34What do you think?
04:35It's curved.
04:37The corner is curved.
04:39It's big, too.
04:41It's amazing.
04:43What did you build this building for?
04:47The architect of the Meiji period, Tōkuma Katayama, built this building.
04:55In the Kōtashi period?
04:57Yes.
04:58It's the only Neo-Baroque style in Japan.
05:01Neo-Baroque style?
05:03It's cool.
05:04What is Neo-Baroque style?
05:06Curves and gorgeous decorations.
05:10Symmetry.
05:11Symmetry.
05:12Symmetry.
05:13Symmetry.
05:15The decorations are amazing.
05:17The decoration is amazing.
05:19The decoration is amazing.
05:20The wall is rugged.
05:21The wall is rugged.
05:22The roof is rugged.
05:23What is that?
05:25It's a temple.
05:28It's a temple.
05:33According to a theory, it represents Japan, which was separated from the Western countries at that time.
05:41It's true that it's from that era.
05:42It was separated from the Meiji period.
05:44Is it Japanese-style?
05:46Yes.
05:47Especially the top part has armor.
05:50It has armor.
05:51It's on the right and left.
05:52It's on the right and left.
05:53Yes.
05:54It's an awu.
05:55Does it have a mouth?
05:56Yes.
05:57The mouth is open here and closed there.
06:03If you look closely, it's similar to a statue of a dog in a shrine.
06:09The mouth is open and the mouth is closed.
06:12It's an Western-style building, but it's interesting because it's without a car.
06:16Yes.
06:17We incorporated elements of Japanese culture in the Western-style building.
06:21Yes.
06:22This is a Western-style building, but if you look closely, there are many things that are unique to Japan.
06:32This time, let's see a collaboration between Western architecture and Japanese traditional culture by entering the gallery.
06:39This is the front entrance.
06:41When a guest enters the gallery, they enter by car from the west gate over there.
06:47Then, they go up the slope and park their car in front of the entrance.
06:54Do cars come all the way here?
06:55Yes, they do.
06:58Guests are, in simple terms, important guests.
07:04They are welcomed in a large stone floor space.
07:09There are so many doors here.
07:11Yes, there are.
07:12This is the entrance where the guests enter.
07:15We're just going to take a look around this time.
07:17I see.
07:18But this time, we're going to take a special look from the left door.
07:22From the left door?
07:23Yes.
07:25Let's take a look.
07:28Oh, gloves.
07:29Yes.
07:30You're wearing gloves.
07:33You can't touch the door handle with bare hands.
07:37I see.
07:38Let's go, let's go, let's go.
07:42It's sparkling.
07:44It's amazing.
07:45Please come in.
07:47Thank you for coming.
07:50By the way, you can't go up to the marble floor.
07:54You can only go up to the red carpet on the left.
07:57That's right.
07:58The President.
07:59This is where the national treasure is.
08:01That's right.
08:02It's a path.
08:04The red carpet in the middle is a special path for the guests to walk.
08:09It looks so fluffy.
08:13What kind of people have come here before?
08:17Well, the famous people are President Biden.
08:22President Macron.
08:23President Macron.
08:25He may be the chosen one.
08:26Yes.
08:27People like that come here.
08:31Queen Elizabeth.
08:32Queen Elizabeth.
08:33That's right.
08:34Queen Elizabeth has been here before.
08:36It's amazing.
08:37We're breathing the same air.
08:39That's how it feels.
08:41What?
08:42When the dinner party hosted by the Japanese side is held,
08:46we welcome foreign guests.
08:48I see.
08:49The guests who came by car.
08:50That's right.
08:51When the guests who came from here pass through the entrance hall,
08:54there are stairs.
08:56There is an open-air room upstairs, so go up the middle staircase and go upstairs.
09:00Ordinary people can't go up there, right?
09:02That's right.
09:04It's like a shrine.
09:05That's right.
09:06That's right.
09:07The walls are unified in white.
09:11The designer, Togo Murano, made the original white,
09:16and unified it with the white called Murano White.
09:19He unified it with a warm white.
09:23It's a mixture of white and black.
09:26It's the original white.
09:28That's nice.
09:30The colors are unified in one building.
09:33This is the only one used.
09:36A room for foreign guests
09:44Now, let's take a look at the rooms for foreign guests.
09:49What kind of collaboration is hidden between the West and Japan?
09:55This is the first room.
10:02It's like a foreign country.
10:05It's a king's house.
10:10What is this?
10:12What kind of room is this?
10:16This is the chief's room.
10:18Originally, it was called a meeting room.
10:21Now, it's used for official dinner parties and official press conferences.
10:27It's a real thing.
10:30It's a 16th-century French style called the Henri II style.
10:37This is the chief's room.
10:42At first glance, it looks like a Western building,
10:45but if you look closely, you can see the traditional Japanese culture.
10:49On the wall, there is a picture of a shippo-yaki.
10:52It's a picture of shippo-yaki with flowers and birds.
10:56So the shippo-yaki was made by a Japanese person?
10:59Yes, a Japanese painter named Watanabe Seitei drew the picture,
11:04and a Japanese painter named Namikawa Sosuke made the shippo-yaki.
11:07Shippo-yaki is big, isn't it?
11:09Yes, it is.
11:11Shippo-yaki is made by painting glass with metal to create a beautiful surface.
11:18The traditional Japanese craftsmanship matches well with the Western style room.
11:25Let's look at the ceiling.
11:29There are 24 oil paintings on the ceiling,
11:34and animals are drawn on the ceiling.
11:37Do you know why these animals are drawn on the ceiling?
11:42Here is the question.
11:45Why are deer and boars drawn on the ceiling?
12:08Why are deer and boars drawn on the ceiling?
12:14What is that?
12:16That is a deer.
12:18And here is a boar.
12:20A boar?
12:21A butterfly?
12:23It's a picture of a boar and a deer.
12:26It's a picture of a flower.
12:29The answer is that this is a dining room,
12:33so it represents a Jibie, a wild animal that appears in a dining room.
12:36Oh, it's a food!
12:38Yes, it represents a food.
12:40I thought it was a boar.
12:42I thought it was a Japanese boar.
12:44It's upside down, and it looks like it was bitten.
12:47Oh, I see.
12:49Jibie is a traditional European dish,
12:55and it represents that.
12:58I see. It's a high-class dish.
13:04The ceiling is also decorated with Jibie.
13:08What is the next room?
13:10Here is the next room.
13:14It's a different room.
13:16It's white.
13:17It's white.
13:19White and gold.
13:21It's like a foreign country.
13:24What kind of room is this?
13:26This room is called Lan,
13:28and it has the motif of a fictional bird,
13:31so it's called the Lan of Disaster.
13:33Is that bird called Lan?
13:35Yes, it's a Chinese mythological bird.
13:38It comes when the country flourishes and peace prevails.
13:41I see.
13:44White and gold.
13:46It's a very luxurious Lan of Disaster room.
13:49Besides the fictional bird, Lan,
13:51there are many other things.
13:54It's like a relief of gold.
13:58Gold?
14:00Oh!
14:02It's a headdress.
14:04It's a headdress.
14:06The painting in front of Lan looks Japanese.
14:10It's a Japanese sword.
14:13It's a sword.
14:16It's crossed.
14:19It's a mixture of Japanese and Western.
14:25There are also storage stairs.
14:28It's not good if it's too wide.
14:31There's a big desk in the middle of the TV,
14:34and it looks like the lord is on both sides.
14:36That's right.
14:38So he's always standing where he's on TV.
14:41That's right.
14:43They also do a common pose on the storage stairs.
14:47I'll do the Buddha pose.
14:49I'll do the Japanese pose.
14:56After this, they sneak into the main room of the theater.
15:001200 people in 10,000 hours?
15:03That's a lot of time.
15:15Next is the main hall.
15:18It's a place where you go up the stairs from the entrance
15:21and go to Asahi's room.
15:24The stairs we saw earlier.
15:26That's right.
15:28There are eight seats next to it.
15:33It's huge.
15:35There are a lot of seats.
15:37This is an Italian seat called Brescio Violetto.
15:42They made it into a pillar and brought it from Italy.
15:45That's right.
15:47It's amazing.
15:49Customers who pass through the entrance hall
15:51go up the central staircase with a red carpet.
15:56You can see the beautiful arched ceiling in gold and white.
16:02There's another painting on the arch.
16:04That's right.
16:06On both sides of the arch,
16:09this is the morning glow.
16:12On the other side,
16:14there's a painting of the sunset.
16:16It's a pillar.
16:18Do you know why it's a morning glow and a sunset pillar?
16:24The direction?
16:26East and west?
16:28Actually, it's east and west.
16:31What?
16:33So when you go up the stairs,
16:38it's like an entrance and an exit.
16:40I guess so.
16:42When the guests go up to the second floor,
16:45we welcome them in the morning.
16:47When they go back to the first floor,
16:49we welcome them in the evening.
16:52I see.
16:53It's a show of hospitality.
16:57I hope foreigners will be happy
17:01when they see so many shows of hospitality.
17:08I hope they notice it.
17:11I'm sure they'll explain it to the guests.
17:14I hope so.
17:17When you pass through such a large hall,
17:20you'll enter the most mysterious room.
17:24This is the next room.
17:27Wow.
17:28It's bright.
17:29Yes, it is.
17:33What is this room?
17:35This is the Asahi room.
17:37It's called the first guest room in Sokenji.
17:41It's a room that represents the European Ekken room.
17:46It's where you meet the king.
17:48Yes.
17:49This ceiling is the origin of Asahi.
17:54Wow.
17:55The sun is shining.
17:57Yes.
17:58It's a painting of the goddess of dawn.
18:03The goddess is in the process of becoming a Japanese goddess.
18:07Yes.
18:08This Asahi room was renovated about two years later in 2019.
18:16Wow.
18:18It's amazing.
18:19The ceiling was also renovated at that time.
18:23You can't take it down.
18:25I see.
18:26You have to put it together.
18:28Wow.
18:29It took 28 experts 25 months to renovate it.
18:3328 people took 25 months to renovate it?
18:35It took a little over two years.
18:36Yes.
18:37Wow.
18:38There are lions and armor.
18:41Is that a painting?
18:43It is.
18:44This painting of the east and west is a painting of an armor and a lion.
18:50It's a symbol of the land army.
18:53This painting of the south and north is a painting of a ship.
18:57This painting is a picture of a trick.
18:59It's a picture of the tip of a ship.
19:01It's a picture of the eyes of a lion.
19:03It's a picture of the eyes of a lion.
19:06I see.
19:07It's easy to understand the lion on the corner.
19:10I see.
19:12Wow.
19:14It's scary.
19:16How did you draw it?
19:18How did you draw it?
19:19I drew it to make it look three-dimensional.
19:25I see.
19:26This is a private living room.
19:29When foreign visitors come,
19:31this is the most secretive room,
19:34which is used as a storage staircase and a display room.
19:38This is the first guest room.
19:40I see.
19:41There are pillars, walls, and paintings.
19:47It feels like a gathering place in a private room.
19:50If you look at the ceiling painting,
19:53there is a small picture of a flower on the edge.
19:58Do you know what kind of flower it is?
20:01Cherry blossoms?
20:02Yes, that's right.
20:04The petals of the cherry blossoms on the ceiling
20:07fall to the ground below and become the pattern of this carpet.
20:10I see.
20:11I see.
20:12I see.
20:13Wow.
20:14It's very familiar.
20:16I don't think it's Japanese.
20:18I don't think so.
20:19In the Showa era,
20:211,200 craftsmen spent 10,000 hours to make this.
20:25What is that number?
20:281,200 craftsmen spent 10,000 hours?
20:31This carpet is very large.
20:35Wow.
20:36This carpet is made of 47 colors of purple thread,
20:40which is used to weave.
20:44That's why we can't stand on it.
20:46That's right.
20:47It's wrapped up.
20:49Wow.
20:55Today, we visited a luxury house,
20:57not a museum or a museum.
20:59It was amazing.
21:00It was my first time.
21:02It's a place where you can meet foreigners.
21:07The atmosphere was very Western,
21:11but there was a lot of hospitality
21:17that you could feel in Japan.
21:19That's right.
21:20It was hidden.
21:22I think it was a good harmony.
21:25I didn't know that you could visit a museum
21:29even though you were a government official.
21:32Of course, if you like museums,
21:35you will feel like a foreigner.
21:39That's right.
21:55You're welcome.

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