• yesterday
Al Fondo Hay Sitio Temporada 12 Capítulo 3 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 3 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 3 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 3 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 3 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 3 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 3 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 3 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 3 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 3 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 3 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 3 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 3 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 3 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 3 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 3 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 3 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 3 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 3 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 3 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 3 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 3 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 3 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 3 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 3 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 3 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 3 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 3 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 3 Completo HD
Al Fondo Hay Sitio Temporada 12 Capítulo 3 Completo HD
Transcript
00:00Come, I'm preparing the lunch.
00:06What?
00:07Tell Gaspar to stay in charge of the workshop, please.
00:10Aunt, please, I need you to do me a favor.
00:14Do you know anything about Alessia?
00:16Not yet.
00:17Oh my God, I really can't stand one more story today.
00:21I swear, I'm overwhelmed.
00:26Hello, family.
00:28What have you done? You stole the bride?
00:30Something like that, but then I said yes.
00:36They got married?
00:37And a bachelor!
00:40Lorena and Jesus are married!
00:44Do you want to dance?
00:47Sorry, I didn't want to bother you.
00:48No, no, no, don't bother me.
00:51Let's dance, why not?
00:58Alessia, where are you?
01:02Passengers of China Skyline flight number C, S4444, destination Shanghai.
01:08Starting to board at gate 35.
01:12First day of travel, but skinny.
01:15There are still 22 left, bro.
01:17But they're going to pass quickly, right?
01:21I don't know, bro.
01:23Alessia hasn't been to Tajan for a long time.
01:26Maybe she'll forget about me.
01:29Dance.
01:32Laugh.
01:35And be happy.
01:44As long as you can.
01:46Tomorrow we will present ourselves to the general
01:51and tell him everything that happened that afternoon.
01:59Welcome to our nest of love!
02:05Just a moment, just a moment.
02:07Wait, wait, wait.
02:08Teresa!
02:11Don't worry, Lore.
02:12We're going to leave the room ready.
02:14We didn't delay anything.
02:16It's going to be fantastic, you'll see.
02:23A kidnapping?
02:24I was desperate.
02:25Desperate?
02:26You were desperate and now you're a González.
02:28Why did you think of something like that?
02:30It came naturally to me.
02:32That's how our Gonzaliadas come out.
02:34I'm glad to have you at home.
02:35Oh, I also love to be around and share the room with an older sister.
02:39Oh, I always wanted to have a younger sister.
02:43And now you're going to tell me when you came back with your ex.
02:46Without Christmas, your cook came.
02:50I haven't come back with Cristóbal.
02:52And Salvador is not my cook.
02:56So what is it?
03:02I don't like that house.
03:04Anyone.
03:06Explain to me when someone could have buried a corpse there.
03:09No, it's crazy.
03:10And the González didn't move a hair with all this.
03:13Well, they've known Francesca for a long time.
03:18But dead is dead.
03:20Dead.
03:21Dead.
03:22No, no, no, don't say that.
03:23Terrible.
03:24Yes, well.
03:25They have their own problems anyway.
03:27They don't have time to think about these things.
03:30Hey, Maca.
03:31Do you think Jimmy and Joel's story is true?
03:36It has to be, right?
03:38Ale sent an audio. Did you hear it?
03:40No.
03:46Please, Cris, Maca.
03:49Don't give the González any more details.
03:52I want to start my life from scratch.
03:55Far from everything.
03:58Starting with Jimmy.
04:00It's very clear.
04:01Very clear.
04:02I think it's even going to change the number.
04:07Do you think we should tell him about Jimmy's trip?
04:11And spoil his trip?
04:13No, Maca.
04:15What are the chances that those two get to Chia?
04:18Oh, Manu.
04:19The death in Mrs. Francesca's garden.
04:22Who would have done such an evil thing to her?
04:25But, well.
04:26Mrs. Francesca has a lot of enemies, right?
04:28What do you think, Manu?
04:30What do you have?
04:33It moves a lot, right?
04:34What?
04:35The boat.
04:36This is moving a lot.
04:39No?
04:40Hey, what do you think about Lorena and Dito's marriage?
04:44That the two families are crazy.
04:46Well, I prefer the craziness of the González.
04:48Me too.
04:50What?
04:51Baby.
04:52With Julie.
04:53Very close.
04:55I think they'll be together in two weeks.
04:57You think?
04:58I swear.
05:00See you tomorrow.
05:01See you tomorrow.
05:16But when I wake up, I remember again.
05:22And I don't want to suffer anymore.
05:26I feel like it's not the time.
05:29I don't want to hide it either.
05:33You are different.
05:35Why didn't Joel call me to tell me that he was going to China?
05:39Why didn't Joel call me to tell me that he was going to China?
05:44Joel.
05:46Joel.
05:48Joel.
05:50Joel.
05:59I married the right one.
06:03And that I haven't done to you in my tiger jump with Alpha Kick.
06:06I'm talking about that.
06:09Well, Pepe's bed is very small.
06:11But I'm going to buy a matrimonial hammock tomorrow.
06:14Dito, that doesn't exist.
06:15Finally, I buy a second one.
06:17Do you realize that you are spoiling the moment?
06:19No, no.
06:20Forgive me, forgive me.
06:22I don't want to spoil the best day of my life.
06:24This is much better.
06:27Although I would like to add that ...
06:45Miguel Ignacio de las Casas.
06:49Limeño.
06:53He is 56 years old.
06:57Important businessman in the world of construction.
07:05Miguel Ignacio de las Casas.
07:09Limeño.
07:12He is 56 years old.
07:15Interesting.
07:41For something, he told me to stay in this house.
07:45And yesterday's dance ...
07:49It is obvious that he wants to come back to me.
07:53But this time I'm going to do things right.
07:56Right now I'm going to buy him the flowers he likes.
08:01I'm going to tell him that it is in gratitude for allowing me to stay in this house.
08:05And tomorrow ...
08:07Tomorrow I'm going to take her to the movies.
08:10No, even better.
08:12To a place I've never been to.
08:15And from there, her ice cream.
08:18Because she loves ice cream.
08:22Yes.
08:45Frank?
08:48Frank?
08:52Do you want me to order breakfast in the room?
08:56Frank, there's a buffet downstairs.
08:59Frank?
09:03Frank?
09:15Frank?
09:19Frank?
09:22Frank?
09:25Frank?
09:28Frank?
09:31Frank?
09:34Frank?
09:37Frank?
09:40Frank?
09:42Frank?
10:12Very, very good.
10:14They have their own schedules.
10:16They handle their own clients.
10:18They have their own routes.
10:20Could you shut up and focus on the track?
10:22Calm down, calm down, we're almost there.
10:24In fact, I'm like Spider-Man.
10:26Spider-Man, Spider-Man.
10:28One eye on the track and the other eye ...
10:30Be careful, savage!
10:34You?
10:36What are you doing here so early?
10:38I came to see Julie. Any problem?
10:40What are you doing here?
10:42Me? I live here.
10:44Oh, you live here.
10:46I think you're confused, Cristobal.
10:48Your house is up front.
10:50No, Salvador, you're the one who's confused.
10:52You have nothing to do with Julie.
10:54I think that's his decision, don't you?
10:56I think my patience is running out.
10:58Bye, Salvador.
11:00Papyrus, please, don't bother him.
11:02Let him pass.
11:04Why, uncle?
11:06Because he brings breakfast.
11:10Yes.
11:18Look at what you've done, buddy!
11:20Look at what you've done to my car!
11:22Look!
11:24Look!
11:26Look!
11:50Fran! Fran!
11:52Fran! Fran!
11:54Fran!
12:24Fran!
12:26Fran!
12:28Fran!
12:30Fran!
12:32Fran!
12:34Fran!
12:36Fran!
12:38Fran!
12:40Fran!
12:42Fran!
12:44Fran!
12:46Fran!
12:48Fran!
12:50Fran!
12:52Fran!
12:54Fran!
12:56Fran!
12:58Nothing.
13:00Nothing.
13:02Nothing.
13:04Nothing.
13:06Nothing.
13:08a note about my rise to power, not even a TikTok.
13:17But what is this, Trini? What's wrong with you? What is this garbage?
13:21Aromatic Arabic coffee from a good body grown in the valleys of Pincazar
13:25and by the sustainable community of the Oaxacans.
13:29Scoring in a rate of 85 points SSA.
13:32Prepared as every day, according to your indications.
13:35Don't flatter me so much.
13:38Better tell me where I can find news about my appointment in the Maldini Corporation.
13:44Here are the latest publications in economic and corporate magazines.
13:50Let's see, it must be here.
13:53I hope you enjoy your coffee now.
13:57Nothing, nothing, nothing.
14:01Ah, here's the interview they gave me.
14:03The Maldini Corporation announced a total renovation.
14:08It comes in little things.
14:11The spokesperson said? What?
14:13My name doesn't even come out, so now I'm just a spokesperson?
14:17Ah, I'm tired.
14:20I'll get dressed and I'm going to say goodbye to more people.
14:24Miguel Ignacio.
14:27What?
14:29Congratulations to the Maldini Corporation,
14:31who managed to get rid of half of their useless employees.
14:35Putting in the head the successful businessman,
14:37man of the future, Miguel Ignacio de las Casas.
14:41Under his command, I declare visionary,
14:43the increase in productivity is expected to be 1,000%.
14:48The channel of the right is rough and rough.
14:52You can always count on them.
14:54You can always count on them.
14:57New airs await you before the fall of the corporation.
15:00The executives were excited to welcome their new leader,
15:04Korean, blessed be you, Nachito.
15:08Amen.
15:11Since that body appeared,
15:14I've been thinking a lot about things.
15:17We've talked for long hours, Diego and I.
15:21We...
15:22No, not we.
15:24Let your wife explain, please.
15:26She says we as if there was a we,
15:28but it's really her and me, not us.
15:31I have a little heat,
15:32isn't there some water that has dried up my throat?
15:34Diego, please.
15:35It's just that my wife has problems with pronouns.
15:38When she says we, she's actually saying me.
15:40I mean, not me, I mean her.
15:42I mean, you.
15:44That's why.
15:45We.
15:47Me, my husband and my daughter.
15:50Your daughter?
15:51Yes, my daughter Isabela.
15:53She's here.
15:54It has a lot to do with our presence right now.
16:05Very well.
16:06What is that so important that your husband,
16:11you and your daughter had to tell me?
16:13We know.
16:15One moment, one moment.
16:17My phone.
16:18But it hasn't rung.
16:19It's on vibrate.
16:21Hello?
16:24No.
16:26How terrible.
16:28I'll be right there.
16:32I can't answer it right now.
16:34I have an issue that involves an unprecedented threat.
16:38Excuse me.
16:41Excuse me, miss.
16:42Good morning.
16:44What happened?
16:46We'll find the time to tell what we know.
16:50Let's go.
17:04Breathe, Miguel Ignacio.
17:07The years go by in vain.
17:12But I'm the general manager of the corporation of that wretch.
17:21Manito, one question.
17:23Do you think Mr. Joey can lend us his satellite phone again?
17:27I don't know.
17:28He said it was only for emergencies.
17:30No, but he said something we didn't understand.
17:32Stop, stop, stop.
17:33We're not bothering Renato.
17:34Please, brother.
17:35Please, ask to call the ambulance.
17:37You must already know something about Alicia.
17:39No, I can't wait.
17:40I'm waiting to eat.
17:41Let's see if they left us something for breakfast.
17:46Good morning, good morning everyone.
17:49And this delicious breakfast?
17:51Your skinny brought it.
17:52Your skinny?
17:53What do you mean your skinny?
17:54Well, his next skinny.
17:55What else do you have?
17:56Yes.
17:57Hello.
17:58Salvador, what a surprise.
18:00Surprise the one I took.
18:02Yes, sorry Yuli, I didn't know.
18:03No, no, no.
18:04Cristobal passed away.
18:05Boom.
18:06Well, what do you mean boom?
18:07He's my nephew.
18:08Oh, how delicious.
18:09And honey from bees, right?
18:11Yes, it is honey from happy bees.
18:13beekeepers give priority to the well-being of bees
18:15and that's why honey is the most delicious.
18:17I want it too.
18:18Oh, I love it.
18:19Vegan honey.
18:20We can eat it without guilt.
18:21But Salvador is already getting used to it.
18:23What are we going to do when you are not?
18:24But why?
18:25I'm not going to be there.
18:26You're right.
18:27Let the young vampire go.
18:28Dad.
18:29Of course.
18:30That's what Yuli said.
18:31She is the one who has the last word.
18:32Yes, but think of us.
18:33Look at the table.
18:34Yes, Yuli, at once.
18:35Me, me, why?
18:36Well, because I'm sure the two of them are coming for you.
18:38No, no, no, no.
18:39Nobody is competing here.
18:40We are all friends.
18:41It's true.
18:42Yuli is right because look.
18:43Cristobal's ex and I are friends.
18:45And well, he's still not there, but they're friends too.
18:47In the meantime, right?
18:48Yes.
18:49Maca, you're not helping me.
18:50Yes.
18:51I propose that we do something healthy, Mónico.
18:52From now on, neither lovers nor loving friends
18:55enter this house.
18:56They are husbands.
18:57That's it.
18:58That's it.
18:59But what about Valentino?
19:00I don't need him either.
19:01Let's see.
19:02The problem here is not Salvador.
19:04No.
19:05Nor Cristobal.
19:06No.
19:07And less Yuli.
19:08No.
19:09The problem here is drumming.
19:12Lola Locatellis.
19:13Calm down, Frank.
19:14Calm down.
19:15I don't blame you for all this.
19:16I know who is to blame for everything that happens to us.
19:17Are you talking about the crazy woman
19:18who threw the paint bucket at Jimmy?
19:19And didn't her dad let her graduate?
19:20After we opened the doors of the house
19:21as if it were one of us.
19:22How ugly.
19:23We should talk to that girl.
19:24Talk?
19:25Yes.
19:26Talk.
19:27Talk.
19:28Talk.
19:29Talk.
19:30Talk.
19:31Talk.
19:32Talk.
19:33Talk.
19:34Talk.
19:35Talk.
19:36Talk.
19:37Talk.
19:38Talk.
19:39Talk.
19:40Talk?
19:42No.
19:43Revenge!
19:45Are you with me?
19:46Gonzalez!
19:48Out of here cockroaches!
19:49Gonzalez!
19:51Such an unusual moment!
19:55It's the first time
19:57there's not one Gonzalez on the table.
19:59I'm Flores.
20:01I'm Lara.
20:02Me too, Contreras.
20:04Goyo Neche.
20:05Mandaran.
20:06Ocampo.
20:07And I'm Collazos.
20:09PANDURO, PANDURO!
20:11But that's Mr. Francesca.
20:13Eh, let her scream.
20:18Frank, don't get close to these marginals.
20:20They are to blame for all our misfortunes.
20:23This horrible house shouldn't be here.
20:25Barbie Ken should live here.
20:27And Dinsusu should run by.
20:29Mrs. Francesca, why does that old hag scream so early?
20:32Get out of your hut!
20:34Remoras! Parasites!
20:36Eaters!
20:39Hey, girls, are you okay?
20:41Wow, I'm not surprised that after swindling us you join these people.
20:45Son, and you also insist on getting together with people from a bad life.
20:49Dad, where did you want me to go if they took me out of the house?
20:54Do you think it was a good idea to send the emissaries?
20:56They are Montalban, let them understand each other.
20:59Yes, don't get us into their problems.
21:01We have enough with ours.
21:04Well, now that your ex is gone,
21:07is there anything you want to tell me?
21:12We are just friends.
21:26Well, the impasse with the police has already been solved.
21:29Who was the dead man?
21:30Dead.
21:31Do you know who he is?
21:32We do know.
21:33Frank, Frank, please.
21:34It's true.
21:35Isabela, I haven't introduced you.
21:37Macarena, Diego's swindler sister.
21:39His son Cristobal, the unproductive one.
21:41Isabela?
21:42Francesca is not doing very well.
21:43Unproductive?
21:44Yes, unproductive, that's what you are.
21:46You should learn from your sister.
21:47You always aim at the heart, right, dad?
21:49Don't aim at the heart!
21:50It's easy, it's easy.
21:51You grab the gun.
21:53You have to eradicate them as soon as possible.
21:55But without a gun, okay?
21:56Is there anything I can do to help you?
21:58No!
22:00Young Chris, Miss Macarena.
22:02Please let me know who is going to stay where
22:04to be able to make my census.
22:05Nobody gives me information.
22:20This is GPS.
22:21That's the phone, right?
22:22That's the phone.
22:23The phone anyway.
22:24This is radar.
22:25Ah, this is long range, long range.
22:27This is the remote control.
22:29Ah!
22:30This is the radio.
22:32It's a tremendous screen.
22:33Yes.
22:34Yes, tremendous.
22:35Hey, hey, hey, Captain.
22:37Wait a moment, please.
22:39One question.
22:40One question.
22:41One question.
22:42Okay, okay, okay.
22:43There is a question, there is a question.
22:44Wait a minute.
22:45Wait a minute.
22:47Captain, before the port of Shanghai existed,
22:51how long did it take for a ship to go from China to Peru?
22:58Before the port of Shanghai existed,
23:01how long did it take for a ship to go from China to Peru?
23:04It took 36 days.
23:06One month.
23:08That's a long time.
23:09Do you understand?
23:13It took 36 days.
23:15More than a month.
23:17Do you understand?
23:19Ah, more than 36 days.
23:21At least.
23:22No, no.
23:23Other question.
23:24Yeah.
23:25Wait, wait, wait.
23:26Wait, wait.
23:27Wait, wait.
23:28Wait.
23:29Wait.
23:31Captain, now that the port of Shanghai exists,
23:35how long does it take for a ship from China to Peru?
23:40Now that the port of Shanghai exists,
23:42how long does it take for a ship to go from China to Peru?
23:45It takes 22 days.
23:47That's a long time.
23:51It takes 22 days.
23:54Wow, that's a long time.
23:57Good, good, good.
23:59Captain, can you let me drive the ship?
24:03Yes, yes, yes.
24:04Usually, there is no problem when you go to China.
24:07How long does it take for a ship from China to Peru?
24:10You can't.
24:11You can't.
24:12You have to go through training.
24:15I have a street.
24:16I have a street.
24:17I have a street.
24:18I'm sorry.
24:20I can't.
24:21I can't.
24:23You have to go through training.
24:25Ah, okay, okay.
24:26You have to go through training.
24:27I'll show you.
24:28I'll show you.
24:29I'll show you.
24:39This is not my room.
24:41I'm afraid it is our room.
24:43No, no, I don't recognize it.
24:45The door.
24:46The bed.
24:48My bed.
24:49My closet.
24:50Well, they've messed it all up.
24:53Well, Peter and Montserrat will take care of it.
24:56Yeah, sure.
24:59Now I have two missions in life.
25:02Eradicate those marginals.
25:05And then free my soul.
25:08Confessing our crimes to the police.
25:11No, Fran.
25:13What crimes are you talking about?
25:15What you did, you did in self-defense.
25:19Claudia was going to kill all of us.
25:21And you killed her.
25:24So why keep it a secret?
25:27If we only defend ourselves.
25:29Because the police are always looking for culprits.
25:32Besides, we were the last to see Claudia.
25:35Please don't do it, Fran.
25:37You would sink us all.
25:39I don't know how much longer I can live.
25:45With this guilt.
25:47What guilt, Fran?
25:49I already told you.
25:50It was her or us.
25:55No, Dio.
25:57I didn't defend myself.
25:59I took revenge.
26:05Rest, please.
26:10We'll figure out what to do, okay?
26:21I'll do it, I'll do it.
26:23I promise.
26:41Let's go.
26:48Of course, of course.
26:51If it were Aulinda, they would listen to her.
26:53If it were Joel, too.
26:55As Jaimito is traveling,
26:57they forget what the Locatelli did to him.
26:59But the Gonzalez, we can have everything.
27:02Oh, how nice.
27:04Yes, I love it.
27:06Oh, of course.
27:08Wait, stay like that, stay like that, don't move, don't move, I'm coming, I'm coming, I'm coming
27:16Oh, how delicious, I love it, let's see, what's going on Teresa?
27:22We have to avenge Jimmy, we have to do justice with the Locatelli
27:25Yes, yes, of course, I totally agree
27:29What's going on?
27:30That we have to crush the Locatelli like cockroaches
27:33Ah, totally agree
27:34Yes, yes, we're going to do it Teresa, but after our honeymoon
27:40Now you're going to see
27:43How nice, oh no
27:47If you're just friends, why did you bring him breakfast?
27:50Because he's nice?
27:51No Macarena, Salvador has other intentions
27:55Well, the only thing that matters here is what Julie wants, and she already told you that you're friends, nothing else
28:00You're right, I still have a bad feeling about this, I'm not going to take my eyes off you
28:04Cris, the great love and the only love of Julie will always be you
28:09I hope you're right
28:12I know you don't have to give me any explanation, but your ex living here with you?
28:20I guess it was only because of some appointments, the ones that found a body in his little garden
28:25And then they put him in a bag thinking it was another corpse
28:29Oh, that explains everything
28:33Yes, I'm still investigating
28:35Wow
28:36Don't you think it's weird that they found...
28:38The Montalvans have always had problems, I really don't care what happens in their lives
28:45Are you upset?
28:46No, not with you, well, with him, a little, yes
28:51I promise you nothing will happen, I'm not going to fall again
28:54Enough for me
28:57Why are you so interested?
28:59I don't know, why do you think?
29:04How can I help you, young Cristóbal?
29:06Félix, could you tell me something about Salvador? Does he come often?
29:10Let's see, Salvador, he goes to three breakfasts and the Christmas dinner
29:15It's true that he comes at Christmas, right?
29:17The Christmas dinner, which was delicious, yes, your auntie won the family there
29:22You just think about that, right? How easy it is to buy them all
29:25Let's see, young Cristóbal, when have you brought me a breakfast? Not even a banana
29:30Okay, I'll bring you
29:31No, I don't want it anymore, that's not how it is, you don't have to force it, it has to be born
29:35Aren't you going to tell me something about Salvador?
29:37Okay, I'm going to tell him that if he wants to get Julie back, he has to get the batteries
29:43Do you think I still have a chance?
29:45A man in love doesn't ask that, he just orders
29:49You're right
29:51Félix, I'm going to ask you something else
29:53Do you think you can get information about what happened in the mansion?
29:57My dad didn't want to tell me anything
29:58Yes, you can try, you can try
30:01But discreet, Félix, right, Caleta? As if it were ...
30:04My thing?
30:05Your thing
30:07Don't worry
30:09Young Cristóbal wants to know what happened to the corpse, Agüelta
30:12But what a neighborhood of gossip, there is no privacy in the new Lomas
30:16Don Diego, but if they bury the corpses in the garden, where can they send them?
30:19Hey, hey, hey, hey, wait a minute, I haven't buried anyone in the garden
30:21That thing appeared there as if by magic, they planted it for us, literally, they planted it for us
30:27Now retire, satisfied? Bye
30:29I'm just doing my job of information
30:31But you go to your training, please, pure gossip is what you are
30:34But when one needs you, there yes, blind, deaf, mute, right?
30:37If you want me to go, I'm going, you don't want to tell me anything
30:40No, no, no, no, wait a minute, wait a minute, wait a minute
30:44You installed the security cameras, right?
30:48Yes? Azimismito, good
30:53Anything else? Are you going to take?
30:54I would love to be able to carry more things, but ...
30:58I can't reach it
30:59I would love to help her, but ...
31:01It's not my warehouse
31:02Don't worry
31:03What can I invite you to?
31:05There
31:06Some candies
31:07Oh, you're such a nice angel. What's your name, baby?
31:11Macarena Montalban.
31:13Ma... Macarena Montal... Macarena Montalban! The swindler!
31:18No, no, no, no. I swear I didn't...
31:21You're a bastard! A liar!
31:23I donated a juice for your kids!
31:25Give me back my money, liar! Bastard! Burn in hell!
31:28They swindled me! I swear!
31:29No! Come here! Give me back my money!
31:31Give me back my money! I want you to give me back my money right now!
31:34I want my money right now!
31:38This button, Don Diego.
31:39Leave it.
31:40Don Diego.
31:41Yes, I know, I know.
31:42There it is.
31:44There it is.
31:45At least two weeks ago.
31:47Someone is making a huge hole in our garden.
31:49Oh, my God. Isn't that the gardener?
31:51Which gardener?
31:52The one who works for you, in your house.
31:54Don Diego, which one is he going to be?
31:55I don't know, I have no idea. I don't look at servitude.
31:57The important thing is that here are the proofs of our innocence.
32:00Oh, I love you, Pacotilla's watchman.
32:02Don Diego, please.
32:03Neither, neither.
32:04Frank, Frank.
32:05The security cameras caught someone burying a corpse in our garden.
32:09We are innocent.
32:10No, Diego. We are not.
32:12Here is the proof, Mrs. Francesca.
32:14Go to the police to close the investigation at once.
32:17Those images only explain the burial.
32:20But they don't erase the guilt.
32:21Felix, I think it's time to go.
32:23Yes, thank you for everything.
32:24What guilt are you talking about?
32:25Guilt. He didn't say guilt.
32:26Here is the proof.
32:27No, he didn't say guilt. He said guilt.
32:28Guilt because it's time for his mango juice.
32:30I have to prepare it.
32:32Get out of here, you bastard.
32:35Frank, Frank.
32:36Don't you realize that with these proofs we are free of dust and straw?
32:39It doesn't matter who buried her.
32:41We killed her.
32:43I have to turn myself in.
32:44Frank, Frank.
32:45Forget about that.
32:46You don't move from here until I take those proofs to the general.
32:53Very strange, Don Diego.
32:54Why did he dress like that?
32:56He should have thanked me with a little dessert, rather.
33:00Good morning.
33:01Miss Macarena Montalban?
33:03No, she doesn't live here anymore.
33:05I have this address as her tax home.
33:08Do you know where I can locate her?
33:10There.
33:11Give it to me.
33:12I am her legal representative.
33:14Where did we go?
33:15Sign here, please.
33:16Okay.
33:17Done.
33:18Don't worry.
33:20Thank you. Go in peace.
33:24Holy Mary.
33:25Oh, friend.
33:27She treated me so well.
33:29She was so kind.
33:31I can't imagine if she would have been a wretch like she left you.
33:34No, no, no.
33:35She started talking to me very nicely.
33:36Until she found out it was Macarena Montalban.
33:39Friend, everyone hates me.
33:41No, girl.
33:42Not everyone hates you.
33:43But let's say that scammers have their reasons.
33:45But I didn't scam them.
33:46It was Xavi.
33:47Let's see.
33:48Explain it to them.
33:50Miss Macarena.
33:52Hello.
33:53How are you?
33:55What could it be?
33:56Your friends from school have sued you for the bribery of the Jubaros.
34:00Felix.
34:01It is very rude to read other people's correspondence.
34:03Teresita, I am your lawyer.
34:05Yes, yes.
34:06Felix is helping me.
34:07Thank you very much.
34:08Don't worry.
34:09I'm going to prepare the evidence.
34:10I can claim that you have been the victim of a spell of seduction.
34:13Oh, look.
34:14If you show Xavi's photo, they might believe you.
34:16Yes, but I called them.
34:17I called them.
34:18I invited them to the Amazonian branch.
34:20I asked them for money.
34:21Well, girl.
34:22And if you talk to her,
34:23remember that they are your friends from school.
34:25What a good idea.
34:27Let's see.
34:28Let's look for a chat.
34:32Here.
34:35Girls.
34:36Girls, please.
34:37Give me time to clarify this matter.
34:40I was also scammed.
34:52What happened?
34:53What did they tell you?
34:54The promotion hates me.
35:06But if he is the crazy gardener.
35:08Who?
35:09A former cemetery worker.
35:11Who, for fun,
35:12exchanged the place for the corpses.
35:15But what if he couldn't buy a playstation for a while?
35:18But what if he couldn't buy a playstation for a while?
35:22Well.
35:23Very well, Mr. Montalban.
35:26This could end the investigation.
35:29I'm sorry to have bothered you and your wife.
35:33Well, I'm more sorry.
35:35But it's over.
35:37Mrs. Maldini seemed very interested
35:40in collaborating with the police.
35:43Is there anything else you would like to share with us?
35:47Well.
35:48You already saw my wife presenting her deceased daughter.
35:53Thank you for everything.
36:01What remains is to know
36:03who that body belongs to.
36:08And now how do I get Fran to shut up?
36:12I'm coming!
36:14Wait a minute, honey.
36:15I'm coming, I'm coming.
36:17Hi, daughter.
36:18How are you?
36:19And this?
36:20This came to you.
36:21From Temo.
36:22Ah, from Temo!
36:23How nice!
36:24Finally!
36:25Look, come in, girl.
36:30Daughter, we were playing the gods of Olympus.
36:34Yes, yes, yes.
36:35Yes, yes.
36:36Really.
36:37I, instead of being Apollo,
36:38I was doing Apollo.
36:40How nice, how nice.
36:41And what do you think?
36:44What is that?
36:46What? How?
36:47Don't you realize?
36:48It's a matrimonial hammock.
36:50I asked for Temo.
36:51Yes.
36:52Of course.
36:53It wasn't right that I was a single hammock.
36:55So now we have this super comfortable hammock.
36:59For both of us.
37:00What do you think?
37:04Well, I better leave you
37:05because I see you have a lot of work to do.
37:07I better leave you because I see you have a lot of work to do.
37:18Tiramisu to celebrate that the nightmare is over.
37:23I'm not in the mood for celebrations.
37:25You know very well that nothing is over.
37:28They are not going to investigate us anymore.
37:30It depends on us that this chapter is closed here.
37:34For me it doesn't close
37:35until I free my soul from the weight of my guilt.
37:39Mother, you know what you have to do.
37:48This is delicious.
37:52Isabella liked it.
37:59How good.
38:03How good.
38:25Well, I don't know.
38:26It's a tradition to have a single hammock.
38:29Oh, sorry, we're late.
38:32Yuli, you don't waste time.
38:34Yuli, one more sun of consideration.
38:36What kind of example are you giving to young people?
38:46Thank goodness it was a dream.
38:49I can't get my head out of my head.
38:52I'll have to anesthetize myself.
39:01I don't know.
39:18Fran, what are you doing up?
39:21It's not even seven in the morning.
39:24I can't be one more day
39:27without getting rid of this guilt that I carry inside.
39:32Let's go to the police station.
39:36Are you serious?
39:39Very serious.
39:45Family!
39:47Family!
39:49Come here, family!
39:52Come have breakfast!
39:55Wow, Teresa!
39:56It's obvious that you're taking your role as a matriarch of the family seriously.
40:01And it's obvious that you're taking your role as a newlywed.
40:04Because now you bathe in the morning.
40:06Hey, what's wrong with you?
40:07I've always bathed dry.
40:08But it still counts, right?
40:09Good morning!
40:10Good morning!
40:11Good morning!
40:12Welcome, princesses.
40:14Sit down, please.
40:15Serve yourself your tea, because it will get cold later.
40:17Come, child.
40:18Sit down and eat your egg.
40:19Aren't you going to give me raw egg?
40:20It's not raw egg.
40:21It's hard-boiled egg.
40:22I just didn't peel it because I don't want to damage my manicure.
40:25Oh, well.
40:26I'll change and come down.
40:27But I'm going to take an egg for the road.
40:29Tell my mom that I'm going to have breakfast.
40:31Of course, little girl.
40:33Let's see, let's see.
40:34Hey, stop!
40:35He still doesn't get out of bed, mom.
40:37That's weird.
40:38At this time?
40:51Honey!
40:52We have to go down and have breakfast before all the food is gone, okay?
40:58I'll be right there.
40:59But first, you and I have to talk.
41:03What did I do wrong?
41:04The first thing you've done wrong is throwing the eggshell out the window.
41:06Why do you always do that, Tito?
41:08But that's good for the plants.
41:10There are no plants.
41:11If there are no plants there.
41:12Well, one day they can grow, right?
41:13Oh, Tito.
41:15Look.
41:17I'm making a very big effort to adapt to this space.
41:23To your habits.
41:25But I can't anymore.
41:27What?
41:28Tito, please.
41:29I also need to feel good.
41:31Feel comfortable.
41:32Feel that this is also my home.
41:36That's why I've made a decision.
41:41I'm going to remodel the second floor.
41:46How did my prince of Gua...
41:49What's wrong, love?
41:50Are you sick?
41:52No, my love, I'm not sick, but I feel bad.
41:56I miss my sponge.
41:57That's enough, Gaspar.
41:59I can't help it, love.
42:00I can't help it.
42:02You smell my eyes behind my back.
42:05You have the other half of my heart.
42:07I have the other half of your heart.
42:09Yes, I know.
42:10I know.
42:11I know.
42:12I know.
42:13I know.
42:14I have the other half of your heart.
42:16Yes, my love, but Joel is like my brother.
42:18Besides, he's my partner.
42:19We've spent so much time in the workshop
42:21that now that he's not here,
42:23what have we been through here?
42:25Look, Gaspar.
42:26Look, Gaspar.
42:27Look me in the eyes.
42:28Joel placed his trust in you.
42:31You are a professional mechanic
42:33and you are going to take the workshop forward.
42:35I don't know if we can.
42:36Of course you can.
42:37This is not the first time that something like this happens to you.
42:39And you got ahead.
42:40This time it won't be the exception.
42:43You're right, love.
42:45You're right.
42:46Joel has placed his trust in me and I can't let him down.
42:49Neither can you.
42:51Love.
42:53You are the most beautiful wife in the world.
42:57Oh, my love.
42:58What can I tell you?
42:59You won the lottery with me.
43:00The biggest prize of the year.
43:02Breakfast is ready.
43:03Get ready.
43:04Yes, my love.
43:08Bargoyoneche.
43:10You can.
43:12But...
43:13But...
43:14But...
43:15What's wrong with the little room?
43:16I thought you were comfortable here.
43:18Oh, Tito.
43:19How can I be comfortable sleeping in a bed in a square that's not even mine?
43:22But...
43:23But if we sleep hugged.
43:26I love sleeping like this.
43:28But I'm not used to being squashed all night either.
43:32Of course, of course.
43:33That's why I bought the matrimonial hammock.
43:36Tito, understand me.
43:38Yes.
43:39Yes.
43:40No.
43:41I understand.
43:42You are used to having certain comforts and...
43:46And I understand that.
43:47But that's why I promised you that we're going to have our own little room.
43:51In fact, I'm already saving up to have a comfortable two-bedroom bed.
43:55Tito, I don't want to live in a little room.
43:59I need to have my own space to start a room.
44:03We could move to an apartment and later a little house.
44:06But Lorena, I'm not a millionaire either.
44:09You're not going to do this alone.
44:10We're going to do it together as a family.
44:12Really?
44:13Yes.
44:14And while we achieve our dream, this has to improve.
44:19Okay.
44:20Okay.
44:21I agree.
44:22What changes do you want to make in your place?
44:24The first thing is to take out that horrible painting that is there.
44:27Ah?
44:28To Tony Montana?
44:29Why?
44:30No, no.
44:31Tony Montana, no.
44:32Short face is our favorite movie with my buddy.
44:34It is also our inspiration in everyday life.
44:36Who do I trust?
44:38You trust me.
44:41I'm going to transform this place into our home.
44:47Provisional.
44:56I emptied his gun.
44:57I shot him six times.
44:59I saw him throw blood in his mouth.
45:02This time I had to make sure to leave her dead.
45:04Calm down, Fran.
45:05Calm down.
45:06I didn't feel any remorse.
45:08On the contrary.
45:09He invaded me with a feeling of relief.
45:12While I watched Claudia Llanos expire on the floor.
45:15I think it's enough, Fran.
45:16It's enough, isn't it?
45:17Inspector.
45:18That's right.
45:19He already told us in detail how his participation in the death of Claudia Llanos was.
45:24Now it is up to the prosecution to attend to your case.
45:27Am I under arrest, Mr. Inspector?
45:29Of course not.
45:31You can thank Congress for eliminating the preventive prison.
45:35Long live the fathers of the country, always supporting the citizen.
45:39And what's going to happen to me?
45:41Do I have to wait for my trial and freedom?
45:43Not so fast.
45:44I can't imprison you before you're processed.
45:47What we'll do is put this pin on you.
45:50This rings if you try to leave your house.
45:54Look, how modern.
45:56Will I have a lot of time, Mr. Inspector?
45:59Only the time your trial lasts.
46:02Let's trust in the speed that characterizes the Public Prosecutor's Office.
46:07Amen.
46:26Alessia.
46:27Hi.
46:28Hi.
46:31It occurred to me that I'm going to write a letter for each day of travel.
46:38A trip that only you could motivate.
46:45I'm not very good with all this letters, but everything is coming out of my heart.
46:56I love you.
46:59And I don't care where you are.
47:06Very soon, I'll be standing in front of you.
47:12We can't let Lola and her dad ruin Jimmy's life without suffering the consequences.
47:16That's the way to talk.
47:18You are a heart of Gonzalez.
47:21I'm proud of you.
47:23We're going to come up with an infallible plan.
47:26So that the Locatellis will be able to get away with it.
47:29We're going to get rid of Lola.
47:31We're going to get rid of Lola.
47:33We're going to get rid of Lola.
47:35We're going to get rid of Lola.
47:37I love you.
47:38We're going to come up with an infallible plan.
47:40So that the Locatellis will remember all of our lives.
47:43Yes.
47:45She was so trustworthy.
47:46She knew too much.
47:48What was going through your mind?
47:49Why did you do that?
47:51Fear, insecurity.
47:52You put a criminal in place of Peter.
47:56It's hard for me to say, but he was my friend.
48:03I came here to invite you to the movies.
48:07Yes? Yes, yes, let's go.
48:10Just make sure Cristobal doesn't disappear, please.
48:13You can do it.
48:15He's ready. He can stop now.
48:19I'll walk you to the door.
48:20Let's go, let's go.
48:27So you're going to the movies.