Al Fondo Hay Sitio 12 Capítulo 6 en HD Completo

Helen Vera

Al Fondo Hay Sitio 12 Capítulo 6 en HD Completo Al Fondo Hay Sitio 12 Capítulo 6 en HD Completo Al Fondo Hay Sitio 12 Capítulo 6 en HD Completo Al Fondo Hay Sitio 12 Capítulo 6 en HD Completo Al Fondo Hay Sitio 12 Capítulo 6 en HD Completo Al Fondo Hay Sitio 12 Capítulo 6 en HD Completo Al Fondo Hay Sitio 12 Capítulo 6 en HD Completo Al Fondo Hay Sitio 12 Capítulo 6 en HD Completo Al Fondo Hay Sitio 12 Capítulo 6 en HD Completo Al Fondo Hay Sitio 12 Capítulo 6 en HD Completo Al Fondo Hay Sitio 12 Capítulo 6 en HD Completo Al Fondo Hay Sitio 12 Capítulo 6 en HD Completo Al Fondo Hay Sitio 12 Capítulo 6 en HD Completo Al Fondo Hay Sitio 12 Capítulo 6 en HD Completo Al Fondo Hay Sitio 12 Capítulo 6 en HD Completo Al Fondo Hay Sitio 12 Capítulo 6 en HD Completo Al Fondo Hay Sitio 12 Capítulo 6 en HD Completo Al Fondo Hay Sitio 12 Capítulo 6 en HD Completo Al Fondo Hay Sitio 12 Capítulo 6 en HD Completo Al Fondo Hay Sitio 12 Capítulo 6 en HD Completo Al Fondo Hay Sitio 12 Capítulo 6 en HD Completo Al Fondo Hay Sitio 12 Capítulo 6 en HD Completo Al Fondo Hay Sitio 12 Capítulo 6 en HD Completo Al Fondo Hay Sitio 12 Capítulo 6 en HD Completo Al Fondo Hay Sitio 12 Capítulo 6 en HD Completo Al Fondo Hay Sitio 12 Capítulo 6 en HD Completo Al Fondo Hay Sitio 12 Capítulo 6 en HD Completo Al Fondo Hay Sitio 12 Capítulo 6 en HD Completo Al Fondo Hay Sitio 12 Capítulo 6 en HD Completo Al Fondo Hay Sitio 12 Capítulo 6 en HD Completo Al Fondo Hay Sitio 12 Capítulo 6 en HD Completo Al Fondo Hay Sitio 12 Capítulo 6 en HD Completo Al Fondo Hay Sitio 12 Capítulo 6 en HD Completo Al Fondo Hay Sitio 12 Capítulo 6 en HD Completo Al Fondo Hay Sitio 12 Capítulo 6 en HD Completo Al Fondo Hay Sitio 12 Capítulo 6 en HD Completo Al Fondo Hay Sitio 12 Capítulo 6 en HD Completo Al Fondo Hay Sitio 12 Capítulo 6 en HD Completo Al Fondo Hay Sitio 12 Capítulo 6 en HD Completo Al Fondo Hay Sitio 12 Capítulo 6 en HD Completo

Transcript

00:00I don't know what's going on with the planes that keep falling.

00:02Dad!

00:03No, it's the truth. There have been like 10.

00:05No, no, don't listen to him.

00:07May you go super in your trip and in your new job.

00:11Good luck.

00:12Yes, Maca, may you go super well.

00:16I want to thank you all for having listened to me.

00:19It's been a pleasure.

00:28I want to thank you all for having received me when I needed it most.

00:32Did you talk to Joel?

00:34Yes, I already told him.

00:35Well, we'll go with you to take your taxi.

00:37No, friend.

00:39I don't want to cry.

00:42Thank you all very much.

00:43Bye.

00:45Just in case, in the back seats you have more chances to survive.

00:49Dad!

00:50No, it's true.

00:59Where are you going?

01:01I got a job in Trinidad and Tobago.

01:05That's too much of a question.

01:08No, it's serious.

01:11They don't pay me much, but it's my thing and it's in dollars.

01:16Oh, Macaren.

01:18How nice of them to give it to you.

01:20Okay, but you're my daughter and you always will be.

01:24So, if you need anything, pick up the phone and call me.

01:28Okay?

01:31I told you to call me, okay?

01:35Because I don't want you to suffer from hunger or be sick.

01:42I don't want you to suffer from hunger or be sick.

01:47That's it.

02:00Good luck.

02:17Good luck.

02:47Good luck.

03:07On this third card, do you remember the first time we met?

03:17We played seven cards.

03:20Do you also think about me?

03:47I didn't want everything to end like this.

03:50This is the card 11, 12, 15 cards.

03:55I had never written so much in my life.

03:58How are you?

03:59Do you like your job so much that you don't want to come back with me?

04:0320 cards.

04:05Wow.

04:07I think I ran out of ink.

04:10Get me a new pen.

04:18You have me trapped in the night.

04:30What a disgusting Deja Vu.

04:34Hey, if you're going to park like this, don't pass.

04:37First greeting, right?

04:38Good morning, Mr. Miguel.

04:39Miguel Ignacio!

04:41What are you doing here?

04:48A YEAR LATER

04:56Family, family, family.

04:59It's an emergency. Come out quickly.

05:02Oh my God!

05:03What happened to my Junior?

05:04How is he?

05:05He's fine, take it easy.

05:06I don't know, I'm looking like a cockroach with Jimi.

05:08What's going on, Felix?

05:10Guess who has moved in the neighborhood?

05:14The unapproachable Laia.

05:15Felix, please! We're not here to guess!

05:17I was just in the bathroom and I saw a discharge!

05:19The new neighbor of the new Lomas is...

05:23Miguel Ignacio de las Casas.

05:26God!

05:28Who is that?

05:29I don't know.

05:32Ah!

05:33And that's my facade!

05:35Hey, what are you doing here?

05:37Have you seen him before?

05:38No.

05:40Are you talking to me?

05:41Yes! Don't play dumb!

05:45Tito? Teresa?

05:48Who else?

05:49I didn't recognize you!

05:51Life has treated you with such little affection!

05:54What an ugly old man!

05:56Hey, your jokes are still as stupid as always!

05:59No one laughs anymore!

06:02What do you mean old man?

06:04What's wrong with you, Miguel Ignacio?

06:05And why are you alone?

06:07And where is your friend the drunk bus driver?

06:10What's going on?

06:11Won't the rest of the Gonzales come out to welcome me?

06:14Teresa!

06:15Where is your father's old bus driver?

06:17Look!

06:18When you talk about my father,

06:20refer to him with respect!

06:22What's going on? Did he die?

06:23What a shame!

06:24Don Gil is more alive than ever!

06:26And he's married!

06:27Already?

06:28And who are you?

06:29I am Teresa's husband, Gaspar Goyoneche.

06:31As far as I'm concerned,

06:32I continue with my affairs.

06:34Oh, I know who he is!

06:35It's my cousin's father-in-law, the gray one, right?

06:37I had heard rumors about him,

06:39but I didn't think he was so emphatic.

06:41Honey, is this the guy who knocked down another house?

06:43It's him!

06:44And what is he doing here?

06:45It's obvious!

06:46Diego Motalban called him to join forces

06:49and be our enemy in the neighborhood.

07:01Thank you for offering to clean the house, Cristobal.

07:04I didn't offer.

07:06Francesca, my father forced me when I returned home.

07:09You will understand that after what happened,

07:11we don't want to involve strange people.

07:14And we don't know anything about Claudio either.

07:17Although I really want to see him, I don't.

07:21Yes, well, we don't know anything about Coqui either.

07:25Francesca, I have a stain in the kitchen that doesn't come out.

07:29I'm going to mix water and vinegar to get it out.

07:31Yes? Excuse me.

07:32It's good that you learned cleaning tips from Julio.

07:42Okay, I'm going.

07:50Get back! Get back!

07:56What's going on?

07:57I told you you couldn't come in.

08:00Bring your husband!

08:01You don't give me orders!

08:02And nobody gives you the right to want to burst our liver!

08:06I'm not for stupidity, get out!

08:08Ma'am, ma'am, look.

08:09I try to be very respectful with everyone,

08:11but calling the person who breaks down Gonzales' house

08:15is very low, ma'am.

08:16Of course!

08:17Who broke down the house?

08:18Did Miguel Ignacio go look for them?

08:21No, Mrs. Francesca.

08:22Your ex-son-in-law has settled in the house

08:24that belonged to Professor Xavi.

08:27Now he's your neighbor.

08:28Oh, impossible!

08:29Oh, yes, pretend you don't know.

08:31Of course I don't know!

08:35Let's see.

08:37Let's see.

08:41It's for now.

08:44Being a housekeeper is not embarrassing at all.

08:47Let's see if you have a busy mind and leave me alone.

08:53I'd better go with Mrs. Francesca.

08:54I'm not going to let anything happen to her.

09:00Cristóbal, I don't need you to come with me.

09:02I'd rather you keep cleaning the house.

09:07In this country,

09:08housekeepers are not respected.

09:13The house looks good.

09:14I'll call my friend Bobo

09:16to make it smarter.

09:19Trini,

09:21tell me tomorrow's schedule.

09:23Of course, Miguel Ignacio.

09:25At 9 in the morning,

09:27you have breakfast with the orphans.

09:29It's for charity.

09:31Oh, how boring.

09:33Cancel that breakfast.

09:34Cancel that breakfast.

09:35Next.

09:37At 10.30 a.m.,

09:38meet with the congressman

09:39who likes fine gifts.

09:44He's going to help me with my problem.

09:48How much will I ask this time?

09:49Next.

09:51At 12 a.m.,

09:52spa.

09:55Stop.

09:57Miguel Ignacio!

09:58You filthy rat!

10:00Get out of there!

10:02It was taking too long.

10:09Francesquita,

10:10did you come to welcome me?

10:12Listen to me, bad-smelling German.

10:14German what?

10:15Bad-smelling.

10:16Well said.

10:17You already ripped off the management of my company.

10:19What do you want now?

10:20What?

10:21Miguel Ignacio is the manager of the corporation?

10:23He must have done something dirty under the table.

10:26It's typical of him.

10:27Francesquita,

10:28we already talked about the subject.

10:29You should thank your mother-in-law,

10:31who was the one who hired me.

10:32The titanic's grandmother hired him?

10:34Miguel Ignacio is a new sheriff, right?

10:36You don't blame Antonia's cockatoo, do you?

10:39Moving in front of my house

10:41is a dirty trick of yours

10:43to put pressure on me,

10:45to scare me,

10:46to make me feel miserable,

10:48to make me lose my sanity.

10:50I moved to the new slopes

10:52because I like the area.

10:54I think it has potential.

10:56And besides,

10:57I think interesting buildings could be built.

11:03Did you see his face?

11:04He's got a face of greed.

11:06He wants to take the house from us again.

11:09I will not allow it.

11:11You touch a single brick of my house

11:14and I bury you alive.

11:16You are not welcome here.

11:18I'm leaving.

11:19Yes, I'm leaving.

11:20I'm leaving.

11:21I'm leaving.

11:22I'm leaving.

11:23Enough, enough.

11:24I'm going to pass your scream through my nose.

11:28If any of you dare to touch my hair,

11:31I'll file a complaint and I'll leave you on the street.

11:33I know where you all come from.

11:35No, no, no, no.

11:36You don't know me.

11:37Me neither.

11:38I'm going to do it in a short time.

11:40And instead of nagging me, you should thank me.

11:42Because in my presence, the square meter in the area goes up.

11:54I'm leaving.

11:55I'm leaving.

11:56I'm leaving.

11:57I'm leaving.

11:58I'm leaving.

11:59I'm leaving.

12:00I'm leaving.

12:01I'm leaving.

12:02I'm leaving.

12:03I'm leaving.

12:04I'm leaving.

12:05I'm leaving.

12:06I'm leaving.

12:07I'm leaving.

12:08I'm leaving.

12:09I'm leaving.

12:10I'm leaving.

12:11I'm leaving.

12:12I'm leaving.

12:13I'm leaving.

12:14I'm leaving.

12:15I'm leaving.

12:16I'm leaving.

12:17I'm leaving.

12:18I'm leaving.

12:19I'm leaving.

12:20I'm leaving.

12:21I'm leaving.

12:22I'm leaving.

12:23I'm leaving.

12:24I'm leaving.

12:25I'm leaving.

12:26I'm leaving.

12:27I'm leaving.

12:28I'm leaving.

12:29I'm leaving.

12:30I'm leaving.

12:31I'm leaving.

12:32I'm leaving.

12:33I'm leaving.

12:34I'm leaving.

12:35I'm leaving.

12:36I'm leaving.

12:37I'm leaving.

12:38I'm leaving.

12:39I'm leaving.

12:40I'm leaving.

12:41I'm leaving.

12:42I'm leaving.

12:43I'm leaving.

12:44I'm leaving.

12:45I'm leaving.

12:46I'm leaving.

12:47I'm leaving.

12:48I'm leaving.

12:49I'm leaving.

12:50I'm leaving.

12:51I'm leaving.

12:52Hello?

12:53Amiga?

12:54Hello?

12:56Hi, Mrs. Lee.

12:58Amiga, how is my country treating you?

13:02Everyone has treated me very well.

13:04Yes, we are good hosts.

13:08And your country is very beautiful.

13:10Have you been to Shanghai?

13:12Oh, a lot.

13:14Don't you see that my grandmother is from there?

13:18Could you recommend me some places to eat?

13:21What?

13:22They haven't told you yet?

13:23They haven't taken you yet?

13:26They have taken me to great restaurants, but...

13:30I would like to go to more popular places to get to know that culinary environment.

13:36Oh, how nice that you tell me.

13:38Because I know a lot of people there.

13:43Mrs. Lee, I wanted to ask you something.

13:47I heard something very crazy and strange that is impossible to be true.

13:52It's about Jimmy who took a boat and...

13:55What are you talking about?

13:57Nothing.

13:58Nothing.

13:59It's nonsense.

14:00Tell me about your friends.

14:02Look, I'll tell you.

14:03I know one there in a little street that is entering Shanghai.

14:08That guy is the worst.

14:10He dedicated his existence to making our lives impossible.

14:13It would seem that you were talking about Diego Montalban.

14:16Please tell me.

14:17He is a 20-year-old guy next to him.

14:19Do you know what he did to us once?

14:21Tito, you've been talking about that guy for 20 minutes.

14:24Forget it.

14:26You don't know how much I hate that idiot.

14:28But why do you have so much resentment?

14:32I can't continue with this farce, Tito.

14:34I don't love you.

14:38What do you mean you don't love me?

14:40You're good and noble.

14:43And you're going to find a girl who loves you just like you are.

14:47I already found that girl.

14:49And that girl is you.

14:52We're not made for each other, Tito.

14:56Goodbye.

15:04Liliana, wait!

15:05It's best if you go with him.

15:07Liliana!

15:08Liliana!

15:11Why did Pepe do this to me?

15:13Why?

15:16You know what?

15:17You're right.

15:18I'm going to stop talking about that idiot.

15:20Hey, baby.

15:21Why are you packing your bag so early?

15:24We'll do it tomorrow.

15:25Because I love to do things in advance.

15:27I hate to leave everything last second.

15:30My wife is very organized, isn't she?

15:33You should do the same.

15:36I'll listen to you.

15:39I can't believe we're finally going on our honeymoon.

15:43Yes.

15:44I really don't know how that hotel in Paracas is so cheap.

15:48I wouldn't have been able to do it if I hadn't worked in an agency.

15:52You're going to learn all my skills.

15:55Let's see.

15:57Show me your skills.

16:05I haven't told my family yet that we're in love.

16:08What if we tell them now?

16:10Tell them?

16:11Don't you think it's a good idea?

16:13You know how they are.

16:14Tito is going to tell you one of his jokes.

16:16You're going to feel uncomfortable.

16:18I prefer to prepare them before I tell you.

16:22We can prepare them with our stomachs.

16:24Of course.

16:25I can make them a lunch that leaves them with their mouths open.

16:27And you know what?

16:28We'll tell them the news.

16:31Well, you liked the idea.

16:33Why do you say interesting things?

16:35Because you inspire me.

16:37Good answer.

16:39Well, let's go to the market.

16:41We have to buy the ingredients.

16:42What are you going to prepare?

16:43You'll see.

16:45Tell me.

16:47That information is worth another kiss.

16:55The entrance is going to fascinate you.

16:58It's going to be amazing.

16:59Do you want me to chop the vegetables?

17:00Please.

17:01Wait a minute.

17:04It's the head nurse of the clinic.

17:06I would really love to work there.

17:08I hope it's good news.

17:09Of course.

17:11Hello, Nurse Diaz.

17:13You continue with your call.

17:14I'm going to go.

17:16Get your dirty hands off little Yuli.

17:19You thought there was no one at home and you could do your dirty work, right?

17:22No, it's not what you think.

17:24It's a television, Nurse Diaz.

17:25It's a police program.

17:26What's going on?

17:27I found the boss taking advantage of Yuli without her consent.

17:30What?

17:31No, no.

17:32Let's go upstairs.

17:33That's not what happened.

17:34Why?

17:35We're going to put him upside down.

17:36No, no.

17:37Not me.

17:38Shut up!

17:39Do you think that because you prepare delicious food for us,

17:41you can take advantage of her without her consent?

17:44What?

17:45No!

17:46Shut up!

17:47Nurse Diaz, I think so.

17:49I hear her, I hear her.

17:52We opened the door to the house.

17:55We gave you our trust.

17:57We allowed you to prepare Christmas dinner and a few breakfasts,

18:01and that's how you pay us?

18:02Now you're going to know what we do to losers.

18:04No!

18:05No, I'm not a loser.

18:06What happens is that Yuli and I ...

18:08Shut up!

18:11Are you colliding with the Gonzalez family?

18:14That.

18:15Hit him hard.

18:17Help me with the countdown.

18:19Five.

18:20Four.

18:21Ready, Nurse Diaz.

18:22I'll be there.

18:23Thanks for letting me know.

18:24Let him go.

18:25He's my boyfriend.

18:26Don't lie, Yuli.

18:28I swear on the Virgin of Guadalupe that he is my boyfriend.

18:31We've been together for a few days.

18:32But...

18:33But why didn't you say it before?

18:35We were looking for the right time to tell you.

18:38Really?

18:39Sorry, Salvador, but we thought he wanted to get over you for Yuli.

18:42No!

18:43What do you mean?

18:44If Salvador is a gentleman.

18:45It doesn't matter.

18:46It doesn't matter.

18:47It was all a misunderstanding.

18:48In fact, what better time than now to tell you that you can stay calm.

18:53If I'm always going to respect Yuli.

18:56Well, if that's the case, and since Pepe is not here,

18:59I think it's up to me to welcome you to the family.

19:02Welcome, boy.

19:03Thank you, Pepe.

19:04But this little confusion serves as an experience for you.

19:10Because if you make Yuli suffer like Vampirin did,

19:13in front of Silo.

19:15I promise you it will be different.

19:21Well, now we have to celebrate this, right?

19:23Of course.

19:24Well, I had planned to prepare lunch for you.

19:27Ah, perfect.

19:29And no bachelor.

19:41It's the tastiest thing I've ever tasted in my life.

19:43Can you repeat?

19:45Of course.

19:46It's good that you liked it.

19:48We loved it.

19:49What's more, now that Linda is not here,

19:50I propose that you be the official cook of this family.

19:53Yes, uncle.

19:54Salvador works.

19:56But on my days off, I can come and cook for you.

20:03Tere, didn't you like it?

20:05No.

20:07I don't have an appetite.

20:11Well, Teresa, don't bring your couple problems to the table.

20:15Are you upset with me, love?

20:16No, love, no.

20:18He speaks because he has a mouth.

20:20He's an animal.

20:21Don't call him an animal either, Tere.

20:23Thank you for defending me, dear wife.

20:25No, I'm sure it's spicy because Salvador's food is delicious,

20:28but hers is horrible.

20:29It's disgusting.

20:30Tito, Tito, Tito, Tito.

20:32Tito.

20:35Well, I remind you that tomorrow Tito and I

20:37are finally leaving on Monday.

20:39That's right.

20:41Beach, drinks, sun.

20:45And well, that you already know too.

20:47There are things that children prefer not to know.

20:49When we were on Monday and Sunday, we left the room, right love?

20:52I imagine.

20:56Is something wrong with you?

21:01No.

21:02Nothing happens.

21:18As Vito Corleone used to say,

21:22keep your friends close

21:25and your enemies even closer.

21:31Ay, ay, ay.

21:36Bad quality bradillo, scratchy cement.

21:41Incredible.

21:43Trini,

21:46being able to lift something better,

21:48they lifted the same crap.

21:53They even preserved the chulpas of their deceased.

22:01And their horrible business could not be missing.

22:07Trini,

22:08give me two ideas to spoil the week to the González.

22:14Stop.

22:18And that?

22:25Hello, can I help you?

22:28Do you have it here?

22:29Yes.

22:31And why?

22:33Because I like it.

22:34Ah, and do you know where the air conditioning is?

22:36Oh, hello, how are you?

22:38Can I help you with something?

22:41Excuse me for the intrusion, right?

22:44Do you work for the González?

22:47No, I'm Tito's wife.

22:50What?

22:51Did you marry that guy?

22:53Sorry?

22:55But, let's see, it can't be that you look so presentable.

23:00I mean, you don't have the same ethnic or sociocultural type as them.

23:04Look, sir,

23:05I don't know what kind of prejudices you have installed in your mind,

23:09but neither my daughter nor I have any interest in discovering it.

23:12So please leave.

23:15Miguel Ignacio de las Casas to serve you.

23:18Love, how many underwears do you think I should wear?

23:21Remember that I use them backwards and to the right.

23:24What are you doing here?

23:28Ah, I came to buy.

23:31Remember that here you are a non-grateful person, so get out, okay?

23:35Good afternoon.

23:41Is he the new neighbor?

23:43You're absolutely right, he's unbearable.

23:47Daughter, the next time you see him, pour boiling water on him, okay?

23:51Copichi.

23:54Yes.

24:04Yes.

24:35Son.

24:36Dad.

24:39How are you? Have you talked to your sister?

24:41Yes, yes, I talked to her.

24:43She told me that everything is fine, but that she misses Peru.

24:47Of course.

24:49And you, why are you so sad?

24:52Do you really care?

24:54Of course I do, son.

24:57You are part of my life.

24:59Your pain is my pain.

25:03Tell me everything.

25:06I miss her, dad.

25:09Keep in mind that the separation is recent.

25:11And painful.

25:13I understand you.

25:15You know, I try not to think about her, but there are so many moments together.

25:22I miss her.

25:24I miss her.

25:26I miss her.

25:27The moments together.

25:30At this moment, time is our best ally.

25:35I can only think like that.

25:39She knows how much you love her.

25:42I don't think so, dad.

25:44And I don't think I can forget her.

25:47Julie is the love of my life.

25:53Julie?

25:54Dad.

25:55Are you talking about Julia?

25:57Dad, calm down.

25:58I thought you were talking about your sister.

26:00No, dad.

26:02Damn it, you're going to waste my time.

26:06Dad.

26:16And did you tell Jimmy that you are with Salvador?

26:18Not yet.

26:19No, but I guess you already know.

26:22Here the walls not only have ears, but they are very noisy.

26:26In case I was going to the bathroom.

26:31But well, and do you think that when you tell him, he will get angry?

26:36No.

26:38Anyway, after all, Salvador was the one who encouraged him to go to China to look for Alicia.

26:42Yes, it's true.

26:44I hope he finds her.

26:45He will find her.

26:46They are destined to be together.

26:50Yes, but you still don't talk to her.

26:52I think she doesn't want to know anything about him.

26:59Julie, can I ask you a question?

27:01Yes.

27:03Do you still feel something for Cristobal?

27:09Oh, no, no, no.

27:11Sorry, sorry.

27:12What happens is that, I don't know, I remembered when you were in love and all that.

27:16But if you want, we can talk about something else.

27:18Don't worry, it's okay.

27:22Look, I think all relationships are different.

27:28Because people are different.

27:31I went through a lot of beautiful things with Cristobal.

27:37But it didn't work.

27:39And sometimes you have to leave some people behind and give the opportunity to others.

27:45Yes, but still.

27:46Salvador is a very nice guy.

27:48Yes.

27:50I would still like Valentín to be a little bit more like Salvador, more polite.

27:54That's for going up and down with the guy.

27:56Yes, well.

27:58Oh, and if the four of us go out at some point?

28:00So that he gets a little bit of what Salvador is to Valentín.

28:04Yes, I'm going to tell Salvador.

28:07Oh, what a cute little brother.

28:10It's going to be a lot of fun.

28:11It's going to be a lot of fun.

28:13Yes.

28:14Eat.

28:15Yes, or go to the movies.

28:18Yes, yes.

28:19Yes.

28:39Daughter, please.

28:40Anything.

28:41Call us.

28:42Yes.

28:43Yes, mom.

28:44Send photos.

28:45And don't forget to bring us some gifts.

28:46Important.

28:47Yes, my love.

28:48They are staying at a hotel.

28:49Ah.

28:51Well, I really don't remember, but he's a really good boyfriend.

28:53Let's see, let's see.

28:57Let's see.

28:58The photo looked nice.

28:59Yes, of course.

29:03Tito, I'm going to kill you.

29:06Have you taken out the reservation at the hotel for next year?

29:10What?

29:12Love, what a good joke.

29:13I almost fell.

29:14No, but you're talking to an expert in the field.

29:16It's getting late.

29:17Let's go.

29:18Look at him.

29:19Look at him.

29:33Notiendo Provincias.

29:35It's me.

29:36Ah, finally someone comes to welcome me with affection.

29:40Your whiskey, do you want it simple or double?

29:43What are you doing here?

29:46Are you also going to join the cry-babies club?

29:49First the corporation.

29:51Then you move to the neighborhood.

29:54What's next?

29:56I did it as if my presence would bother you.

29:59No, Nacho, you are my brother.

30:01For me it is always a pleasure to have you close.

30:04But?

30:06But?

30:07But you are causing a discomfort to Fran.

30:10And I would like to free her from that martyrdom.

30:15For God's sake, Diego, are you listening to yourself?

30:18No, no, no.

30:19Listen to me.

30:20Listen to me.

30:21I'm telling you that I'm going through a bad time.

30:24First the corporation and its changes.

30:26Then the police.

30:28Give us a break.

30:30Lower your tone.

30:32Move out of the neighborhood.

30:34What?

30:35No one tells me what to do.

30:37I'm serious.

30:38Me too.

30:40Are you going to put years of friendship at risk for a nursery?

30:43Here the crybaby is you.

30:45You are going too far.

30:47The girl is manipulating you like her dog Faldero.

30:49Or you go to the New Lomas.

30:51Or our friendship ends here.

31:00Now, Terry.

31:02Pack me without compassion.

31:04Lore.

31:06With all confidence.

31:07Well, Tito.

31:08You are a loser.

31:09A good for nothing.

31:10An animal.

31:11A beast.

31:12Almost an illiterate.

31:13How are you not going to read what it says there?

31:142026.

31:15But it is that nobody has ever had Fentito.

31:16Not even his mother.

31:17And now the poor Lorena has ended up flirting with Tito.

31:20But that's how things are.

31:21If I were Lorena.

31:22Love.

31:23Love.

31:24Lorena.

31:25Can I stop her?

31:26Yes, yes.

31:27It's good.

31:28Love.

31:29But it is that.

31:30How did you not realize?

31:31No wonder they were so cheap.

31:32Well, I should have suspected.

31:33Yes.

31:34No, really.

31:35I'm very sorry.

31:36I.

31:37I saw the photos.

31:38They were pretty.

31:39I got excited.

31:40And well.

31:41And I bought the touch.

31:42And there that travel agency also gets crazy.

31:44How are they going to put 2026 in that little box?

31:46Exactly.

31:47They are tiny.

31:48And now what are they going to do?

31:49You know what?

31:50Let's go to the agency to ask them to give us back the money.

31:52Yes.

31:53Yes?

31:54Let's go.

31:55And take everything out of the package, please.

31:56Yes, yes, yes.

31:57We're coming.

31:58Thank you, Tito.

31:59We will not miss you.

32:00Enough, Teresa.

32:01I'm going to get the money back.

32:02That's okay, but what's going on, Lorena?

32:03Es que mira.

32:04Pobrecita, cargando con el animal del Tito.

32:05Hey, do you want me to call my mom so she can host you in Cañete for a bit?

32:09Well, it could be, but first, they must get the money back.

32:11Ay, this Tito.

32:12Clara.

32:13Ay, no, no.

32:14I will not let them fail.

32:15As well.

32:18And my family will help me.

32:25Diego.

32:26Stop, stop.

32:27Let's talk.

32:28Come on.

32:29Give me a drink.

32:30I'm going to be a teletubbie, nothing more.

32:33Save your singing, you're not going to convince me.

32:35Diego!

32:36One of the reasons I came to Las Lomas

32:39is to give you what you deserve, the Gonzales.

32:42Without having to study,

32:44or having to work.

32:49I want to be the fifth teletubbie.

32:54I want to be winning in the field.

32:58I want to be the fifth teletubbie.

33:03I want to be the fifth teletubbie.

33:11La, la, la, la, la.

33:15La, la, la, la, la.

33:17La, la, la, la, la.

33:20La, la, la, la, la.

33:23La, la, la, la, la.

33:25La, la, la, la, la.

33:27Where were you?

33:28We have to go to the corporation.

33:30I went to talk to Miguel Ignacio.

33:32To?

33:33To put him in his place.

33:34I gave him an ultimatum to move out of the neighborhood.

33:37Do you think he'll do it?

33:38I don't know.

33:39Is he a fool?

33:40But I can assure you that he is warned

33:43that he should not mess with us.

33:46Thank you for trying.

33:48You have nothing to thank for.

33:51You know you can always count on me.

34:01They're coming, they're coming.

34:02Get ready, get ready.

34:09Look, love.

34:10You have to see the bright side.

34:12We have vacation guaranteed in Paracas next year.

34:16Welcome to Love Paradise Resort.

34:21What is this?

34:23As your trip was canceled,

34:24I convinced the family to give you a honeymoon.

34:27That's right.

34:28So relax and enjoy love.

34:32Fun is guaranteed.

34:35Fun is guaranteed.

34:37You have free meals and drinks.

34:40That includes soda.

34:42It's going to be unforgettable, Yaguel.

34:45Oh, family, you didn't have to bother.

34:48No.

34:49You deserve everything.

34:50Long live love.

34:57As VIP customers,

34:58we have assigned you the Sweet Zafiro in front of the sea.

35:06Decoration for newlyweds.

35:11Equipped fridge.

35:16High definition television.

35:19Have you bought us a TV?

35:21It's borrowed from Linda.

35:23And you can hear the sea?

35:24Yes.

35:25Of course.

35:27It's part of the experience of sleeping in front of the sea.

35:33And I suggest that you start analyzing

35:36because your activities will start in 15 minutes.

35:39Activities?

35:42I hope the resort is comfortable.

35:45Please, sit down.

35:47What do I serve to the grooms?

35:49I want to bring the ball.

35:51Please, that question offends me.

35:55Get ready because your Zumba instructor is about to come

35:58for her first activity.

36:00I'm here.

36:01Let's go upstairs.

36:02Let the party begin.

36:04Let the party begin.

36:05Let the party begin.

36:07Let the party begin.

36:09Let the party begin.

36:11And how is this couple?

36:14Is it active?

36:15Yes.

36:16Let's dance.

36:17Come on.

36:18Let's start.

36:19Yes.

36:20Right.

36:21Left.

36:23Right.

36:25Left.

36:28Come on, come on, come on.

36:29Come on, come on, come on.

36:34No, no, no.

36:35Don't shoot.

36:36Don't shoot.

36:38Don't shoot.

36:43Shoot.

36:46Together.

36:59I'm sorry to interrupt, serve a little more for the boyfriend and for the girlfriend.

37:20Let me know if you need anything else.

37:30Why didn't you invite us? I didn't want to see you.

37:34Get out of here, fat man. We're going to call Panduro Panduro. Where is his number? Here I have it, Guachimán Intrometido 1.

37:42I'm still the lawyer of the Maldini Corporation.

37:45I don't have any kind of authority here anymore.

37:48I invited you to show you personally the results of the analysis carried out by the police on the body they found buried in your garden.

37:57In addition to what we already knew, which is a female sex corpse, and with six shots of a revolver, the identity of the hostess could be established.

38:09Be direct, Ronald.

38:12The body is of Claudia Llanos.

38:15Are you sure it's her?

38:18Completely.

38:20Someone buried the corpse of your greatest enemy in your garden.

38:25So I'm warning you that the investigations will continue.

38:30It's curious.

38:32The murder of Claudia Llanos occurred about four or eight months ago.

38:37However, and thanks to the images of the security cameras, it was possible to establish that the burial in your garden is of a more recent date.

38:46I can't believe it.

38:47I know it's a difficult idea to digest, but what interest would this person have in burying him in your garden?

38:56And what theories does the police handle?

38:58I haven't had access to them, but most likely the murderer wanted to incriminate them, knowing the mutual hatred they had.

39:08We have to find the culprit of all this and soon.

39:12It is possible that you receive extortion messages or calls from the person behind all this.

39:18If that happens, let the police know.

39:21Is Claudia Llanos's family already informed of the incident?

39:25It must be.

39:27The burial will be held tomorrow.

39:43Ah.

39:45I really feel like I'm at a resort.

39:48Our daughter is wonderful.

39:51Where's the guy with the drinks?

39:54Ah, Valentino went to the bathroom. He'll be right back.

39:57You don't have to give me a tip.

39:59Oh, honey, have you realized that despite all the adversities, here we are sucking and sucking like kings?

40:08And you know something?

40:13I've realized that I don't need a resort, or a five-star hotel, or luxury, or any of that.

40:24I, to be happy, I just love to be by your side, love.

40:30I love you.

40:33My love?

40:37Franchi!

40:40Franchi, come out!

40:42We're going to solve our problem, Franchi!

40:44Oh my God!

40:50You thought it was nothing, didn't you?

40:53Now look at me. Look at me. I'm fully happy.

40:57I have a wonderful daughter, a husband who loves me.

41:01What do you have?

41:03You have nothing.

41:05Money doesn't buy happiness, Franchi.

41:08Franchi!

41:12Hey, Vampirina!

41:14What are you doing here?

41:15Lorena, excuse me, Francesca is not here.

41:17Oh, so you're going to listen to me.

41:19What did you think? Open, open, open.

41:22Open, open, open.

41:24Go, go, go. Have a drink, have a drink.

41:27Excuse me, Vampirina, have a little. It's our honeymoon.

41:31But where are you taking me?

41:33Let's go, let's go.

41:35Excuse me.

41:39Now I understand everything.

41:41That woman may look like San Isidro,

41:44but inside she's the opposite of Caja de Agua.

41:47They are such for which.

42:04I thank you so much

42:06that you have put together that pantomime in the false police station.

42:10Can you imagine if I had confessed everything?

42:12You were very stressed, Fran.

42:15Fortunately, you have already recovered the trial.

42:18The students, those actors you hired, will they speak?

42:23No, for them this was another casting.

42:27The investigations are getting closer and closer to us.

42:32The police have no idea what happened in that house.

42:35The police don't.

42:37But whoever did the burial, yes.

42:42If that person had evidence,

42:44we would have been behind bars for a long time.

42:47Maybe that's not his intention, to imprison us.

42:51Please, I can't take this uncertainty anymore.

42:54We have to find that person.

42:59The burial will be tomorrow.

43:01How are you so sure?

43:03Something tells me that whoever is doing this to us will go.

43:10If so, we will also go.

43:13No, Fran.

43:15It's a terrible idea. Anything could happen.

43:18Analyze the situation.

43:20It's the only way to find an answer.

43:31I love you, Alessia.

43:33And that's why I've traveled from Shanghai to Shanghai.

43:43The end of the letter 22.

43:48Jimmy!

43:49Just in time, right?

43:50That must be the guy!

43:52Jimmy!

43:53Jimmy!

43:54Jimmy!

43:55Jimmy!

43:56Jimmy!

43:57Jimmy!

43:58Jimmy!

43:59Jimmy!

44:00Jimmy!

44:01Jimmy!

44:02Jimmy!

44:03Jimmy!

44:04Jimmy!

44:05Jimmy!

44:06Jimmy!

44:07Jimmy!

44:08Jimmy!

44:09Jimmy!

44:10Jimmy!

44:11Jimmy!

44:12Jimmy!

44:13Jimmy!

44:14Jimmy!

44:15Jimmy!

44:16Jimmy!

44:17Jimmy!

44:18Jimmy!

44:19Jimmy!

44:20Jimmy!

44:21Jimmy!

44:22Jimmy!

44:23Jimmy!

44:24Jimmy!

44:25Jimmy!

44:26Jimmy!

44:27Jimmy!

44:28Jimmy!

44:29Jimmy!

44:30Jimmy!

44:31Jimmy!

44:32Jimmy!

44:33Jimmy!

44:34Jimmy!

44:35Jimmy!

44:36Jimmy!

44:37Jimmy!

44:38Jimmy!

44:39Jimmy!

44:40Jimmy!

44:41Jimmy!

44:42Jimmy!

44:43Jimmy!

44:44Jimmy!

44:45Jimmy!

44:46Jimmy!

44:47Jimmy!

44:48Jimmy!

44:49Jimmy!

44:50Jimmy!

44:51Jimmy!

44:52Jimmy!

44:53Jimmy!

44:54Jimmy!

44:55Jimmy!

44:56Jimmy!

44:57Jimmy!

44:58Jimmy!

44:59Jimmy!

45:00Jimmy!

45:01Jimmy!

45:02Jimmy!

45:03Jimmy!

45:04Jimmy!

45:05Jimmy!

45:06Jimmy!

45:07Jimmy!

45:08Jimmy!

45:09Jimmy!

45:10Jimmy!

45:11Jimmy!

45:12Jimmy!

45:13Jimmy!

45:14Jimmy!

45:15Jimmy!

45:16Jimmy!

45:17Jimmy!

45:18Jimmy!

45:19Jimmy!

45:20Jimmy!

45:21Jimmy!

45:22Jimmy!

45:23Jimmy!

45:24Jimmy!

45:25What?

45:26What do you mean you don't know anything, Alessia?

45:28Didn't he answer you?

45:30And his aunt, Cristobal?

45:32Nothing?

45:34Oh, well...

45:35At least he knows I came here to pick her up, right?

45:39Ah!

45:40It can't be, it can't be!

45:42Juli, Juli, Juli, what is it?

45:44Oh, don't be silly, Pepe!

45:45Here Perrofranco found Trumpo!

45:47What? What did you say?

45:48No, no, no, don't worry, don't cry either.

45:50No, calm down, calm down.

45:51Listen to me.

45:52Inform the family that we have finished the first part of the mission.

45:55Successfully.

45:56Now, we need the second part, which is to find Alessia.

45:59Okay?

46:00Okay, bye, bye, bye, bye.

46:08Yoé Xiangxian!

46:10Your nianhua!

46:13And nahuachel.

46:16Ay, ay, ay!

46:18The improvement of improvisation, right?

46:20And uncle Yoé?

46:21Something learned?

46:22Hand, hand, hand.

46:23What are we going to do?

46:24Where do we start?

46:25The first.

46:26Get off the boat.

46:29Family!

46:30Family!

46:32What happened?

46:33Why is there so much commotion?

46:34I just spoke to my cousins, yes?

46:36They are already in Shanghai!

46:38Oh no!

46:39I need to know, Mr. Jesus!

46:40How are you?

46:41Joel and Jimmy are already in China.

46:45The only thing is that my cousin is a little desperate

46:48because we couldn't find Alessia's whereabouts.

46:50Well, we did what we could.

46:51He can't blame us.

46:52But at least they have Joel there so he can help him.

46:54Or so he can alter him.

46:56Let's see, the most important thing is that the boys have arrived well

46:59after being on the high seas for so many days.

47:02You have to send him good vibes so that he comes home safe and sound, please!

47:06At least one of them.

47:08Yes, because it is enough to ask that ...

47:10No, no, no, no, no, no, no!

47:12What are you going to do?

47:13No!

47:14Don't go to school!

47:15Traveling is dangerous.

47:16Don't go to school!

47:17And if he falls into the sea?

47:18He doesn't know how to swim!

47:19He doesn't know how to swim!

47:20I don't want you to fall!

47:28Little brother, what was it?

47:29Change of face, huh?

47:31What we propose we achieve, that's it.

47:33Yes, brother.

47:34Sorry for the mess.

47:35No, no, don't worry.

47:36Maria says it's getting cold.

47:38But since we are a kind of ambassadors of the Peru brand,

47:41as the name suggests, we have to leave our mark.

47:48Hello, hello, hello!

47:49Hello, hello!

47:55See you, see you!

47:56Thank you!

47:57Thank you for everything!

47:58Thank you for everything!

47:59Don't forget!

48:00Mr. Xiangwei!

48:02I'm going to send you your dry soup!

48:04My friend Gaspar, Gaspar!

48:06Remember I told you!

48:07I'm going to send it to you!

48:09The beans too.

48:10Yes, yes, from Shanghai to Shanghai!

48:12It arrives quickly, right?

48:14From Shanghai to Shanghai.

48:15It's going to ferment!

48:16See you!

48:17Bye, Mr. Xiangwei!

48:18I saw a descent a little less complicated.

48:20No, brother, keep going!

48:21Oh, yes!

48:22Step by step!

48:23Step by step!

48:24If you go to Lima, listen,

48:26you go to Lima,

48:28we have a reception in my house.

48:31Okay?

48:32My house is great, it's big!

48:34Yes, yes, we're going to invite you to a soda,

48:36and I'm going to introduce you to some friends there!

48:38Yes, of course!

48:40Thank you!

48:41Thank you!

48:42Thank you!

48:43Thank you!

48:44Thank you!

48:45Thank you!

48:46Thank you!

48:48Thank you!

48:49Thank you!

48:50Thank you!

48:51Xiangwei!

48:52Xiangwei!

49:04Limay!

49:05Limay!

49:06Thank you for everything, Limaya!

49:08We had an incredible time!

49:09Thank you, Mr. May!

49:10Thank you for your concerts, for your hugs!

49:13We had a great time on the boat!

49:15Thank you!

49:16Thank you, thank you!

49:17Smoke the boat, smoke the boat!

49:19Take care!

49:20Did you understand anything?

49:21No, I didn't understand.

49:22Did you understand?

49:23No, I didn't understand anything.

49:24Oh, well, but...

49:25Limay?

49:26Limay, then.

49:27I didn't understand Limay.

49:28Me neither, Limay.

49:29Limay, ten words.

49:30Limay, ten words.

49:44Hey!

49:45Hey!

49:46Hey!

50:10We are ready!

50:14Hey, hey, thanks!

50:18He's going to show us, brother, he's going to show us!

50:36Hey!

50:37It's yours now, son.

50:39Guys, guys.

50:41Guys.

50:42I'm moved, I'm moved, I'm moved.

50:45Get out of the car, man.

50:49That's it, bro.

50:51Leave your mark.

50:52CJ, CJ, CJ.

50:53CJ, CJ.

50:54CJ!

50:57Bye!

51:01Did you see that, bro?

51:02There he is, there he is.

51:03Good people.

51:04Yes, of course, bro.

51:05Anyway.

51:06Ay, ay, ay, little brother.

51:07Now yes, from Shanghai to Shanghai.

51:12Tan, tan, tan, tan, tan, tan, tan, tan, tan, tan.

51:15To a port, very far away.

51:19My skinny dog arrived.

51:22He arrived with the legend.

51:26His brother, the king, who ché, ché.

51:30CJ, CJ, CJ, CJ, CJ, CJ, CJ, CJ, CJ, CJ.

51:35And the chorus says.

51:36Where are you going?

51:37Where are you going?

51:38Don't leave me.

51:40I'm going to find you.

51:42This is a happy place.

51:57Hey, what are you doing tomorrow?

51:59You have the day off, right?

52:00Yes, why?

52:02I was talking to Mappi and we were thinking that we could make a double date.

52:07Mappi?

52:09Paripa, it was.

52:10Ah, the little girl.

52:14Hold on, do you want us to go out with her and her boyfriend, Chibolo, to make ice cream?

52:21Liliana wanted to suffer Tito.

52:23What? Who is Liliana?

52:25The snake that took Tito to the altar.

52:27Tito was married?

52:29Well, almost, because she left him at the altar planted to Tito.

52:32Poor him, he really suffered a lot, didn't you know?

52:38Who do you want to find in this unpredictable burial?

52:42We are exposing ourselves too much.

52:48We're going, Frank.

52:50Francesca.

52:56I never imagined seeing you here.

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