Al Fondo Hay Sitio 12 Capítulo 3 en HD Completo

Helen Vera

Al Fondo Hay Sitio 12 Capítulo 3 en HD Completo Al Fondo Hay Sitio 12 Capítulo 3 en HD Completo Al Fondo Hay Sitio 12 Capítulo 3 en HD Completo Al Fondo Hay Sitio 12 Capítulo 3 en HD Completo Al Fondo Hay Sitio 12 Capítulo 3 en HD Completo Al Fondo Hay Sitio 12 Capítulo 3 en HD Completo Al Fondo Hay Sitio 12 Capítulo 3 en HD Completo Al Fondo Hay Sitio 12 Capítulo 3 en HD Completo Al Fondo Hay Sitio 12 Capítulo 3 en HD Completo Al Fondo Hay Sitio 12 Capítulo 3 en HD Completo Al Fondo Hay Sitio 12 Capítulo 3 en HD Completo Al Fondo Hay Sitio 12 Capítulo 3 en HD Completo Al Fondo Hay Sitio 12 Capítulo 3 en HD Completo Al Fondo Hay Sitio 12 Capítulo 3 en HD Completo Al Fondo Hay Sitio 12 Capítulo 3 en HD Completo Al Fondo Hay Sitio 12 Capítulo 3 en HD Completo Al Fondo Hay Sitio 12 Capítulo 3 en HD Completo Al Fondo Hay Sitio 12 Capítulo 3 en HD Completo Al Fondo Hay Sitio 12 Capítulo 3 en HD Completo Al Fondo Hay Sitio 12 Capítulo 3 en HD Completo Al Fondo Hay Sitio 12 Capítulo 3 en HD Completo Al Fondo Hay Sitio 12 Capítulo 3 en HD Completo Al Fondo Hay Sitio 12 Capítulo 3 en HD Completo Al Fondo Hay Sitio 12 Capítulo 3 en HD Completo Al Fondo Hay Sitio 12 Capítulo 3 en HD Completo Al Fondo Hay Sitio 12 Capítulo 3 en HD Completo Al Fondo Hay Sitio 12 Capítulo 3 en HD Completo Al Fondo Hay Sitio 12 Capítulo 3 en HD Completo Al Fondo Hay Sitio 12 Capítulo 3 en HD Completo Al Fondo Hay Sitio 12 Capítulo 3 en HD Completo Al Fondo Hay Sitio 12 Capítulo 3 en HD Completo Al Fondo Hay Sitio 12 Capítulo 3 en HD Completo Al Fondo Hay Sitio 12 Capítulo 3 en HD Completo Al Fondo Hay Sitio 12 Capítulo 3 en HD Completo Al Fondo Hay Sitio 12 Capítulo 3 en HD Completo Al Fondo Hay Sitio 12 Capítulo 3 en HD Completo

Transcript

00:00Come, I'm preparing the lunch.

00:06What?

00:07Tell Gaspar to stay in charge of the workshop, please.

00:10Aunt, please, I need you to do me a favor.

00:14Do you know anything about Alessia?

00:16Not yet.

00:17Oh my God, I really can't stand one more story today.

00:21I swear, I'm overwhelmed.

00:26Hello, family.

00:28What have you done? You stole the bride?

00:30Something like that, but then I said yes.

00:36They got married?

00:37And a bachelor!

00:40Lorena and Jesus are married!

00:44Do you want to dance?

00:47Sorry, I didn't want to bother you.

00:48No, no, no, don't bother me.

00:51Let's dance, why not?

00:58Alessia, where are you?

01:02Passengers of China Skyline flight number C, S4444, destination Shanghai.

01:08Starting to board at gate 35.

01:12First day of travel, but skinny.

01:15There are still 22 left, bro.

01:17But they're going to pass quickly, right?

01:21I don't know, bro.

01:23Alessia hasn't been to Tajan for a long time.

01:26Maybe she'll forget about me.

01:29Dance.

01:32Laugh.

01:35And be happy.

01:44As long as you can.

01:46Tomorrow we will present ourselves to the general

01:51and tell him everything that happened that afternoon.

01:59Welcome to our nest of love!

02:05Just a moment, just a moment.

02:07Wait, wait, wait.

02:08Teresa!

02:11Don't worry, Lore.

02:12We're going to leave the room ready.

02:14We didn't delay anything.

02:16It's going to be fantastic, you'll see.

02:23A kidnapping?

02:24I was desperate.

02:25Desperate?

02:26You were desperate and now you're a González.

02:28Why did you think of something like that?

02:30It came naturally to me.

02:32That's how our Gonzaliadas come out.

02:34I'm glad to have you at home.

02:35Oh, I also love to be around and share the room with an older sister.

02:39Oh, I always wanted to have a younger sister.

02:43And now you're going to tell me when you came back with your ex.

02:46Without Christmas, your cook came.

02:50I haven't come back with Cristóbal.

02:52And Salvador is not my cook.

02:56So what is it?

03:02I don't like that house.

03:04Anyone.

03:06Explain to me when someone could have buried a corpse there.

03:09No, it's crazy.

03:10And the González didn't move a hair with all this.

03:13Well, they've known Francesca for a long time.

03:18But dead is dead.

03:20Dead.

03:21Dead.

03:22No, no, no, don't say that.

03:23Terrible.

03:24Yes, well.

03:25They have their own problems anyway.

03:27They don't have time to think about these things.

03:30Hey, Maca.

03:31Do you think Jimmy and Joel's story is true?

03:36It has to be, right?

03:38Ale sent an audio. Did you hear it?

03:40No.

03:46Please, Cris, Maca.

03:49Don't give the González any more details.

03:52I want to start my life from scratch.

03:55Far from everything.

03:58Starting with Jimmy.

04:00It's very clear.

04:01Very clear.

04:02I think it's even going to change the number.

04:07Do you think we should tell him about Jimmy's trip?

04:11And spoil his trip?

04:13No, Maca.

04:15What are the chances that those two get to Chia?

04:18Oh, Manu.

04:19The death in Mrs. Francesca's garden.

04:22Who would have done such an evil thing to her?

04:25But, well.

04:26Mrs. Francesca has a lot of enemies, right?

04:28What do you think, Manu?

04:30What do you have?

04:33It moves a lot, right?

04:34What?

04:35The boat.

04:36This is moving a lot.

04:39No?

04:40Hey, what do you think about Lorena and Dito's marriage?

04:44That the two families are crazy.

04:46Well, I prefer the craziness of the González.

04:48Me too.

04:50What?

04:51Baby.

04:52With Julie.

04:53Very close.

04:55I think they'll be together in two weeks.

04:57You think?

04:58I swear.

05:00See you tomorrow.

05:01See you tomorrow.

05:16But when I wake up, I remember again.

05:22And I don't want to suffer anymore.

05:26I feel like it's not the time.

05:29I don't want to hide it either.

05:33You are different.

05:35Why didn't Joel call me to tell me that he was going to China?

05:39Why didn't Joel call me to tell me that he was going to China?

05:44Joel.

05:46Joel.

05:48Joel.

05:50Joel.

05:59I married the right one.

06:03And that I haven't done to you in my tiger jump with Alpha Kick.

06:06I'm talking about that.

06:09Well, Pepe's bed is very small.

06:11But I'm going to buy a matrimonial hammock tomorrow.

06:14Dito, that doesn't exist.

06:15Finally, I buy a second one.

06:17Do you realize that you are spoiling the moment?

06:19No, no.

06:20Forgive me, forgive me.

06:22I don't want to spoil the best day of my life.

06:24This is much better.

06:27Although I would like to add that ...

06:45Miguel Ignacio de las Casas.

06:49Limeño.

06:53He is 56 years old.

06:57Important businessman in the world of construction.

07:05Miguel Ignacio de las Casas.

07:09Limeño.

07:12He is 56 years old.

07:15Interesting.

07:41For something, he told me to stay in this house.

07:45And yesterday's dance ...

07:49It is obvious that he wants to come back to me.

07:53But this time I'm going to do things right.

07:56Right now I'm going to buy him the flowers he likes.

08:01I'm going to tell him that it is in gratitude for allowing me to stay in this house.

08:05And tomorrow ...

08:07Tomorrow I'm going to take her to the movies.

08:10No, even better.

08:12To a place I've never been to.

08:15And from there, her ice cream.

08:18Because she loves ice cream.

08:22Yes.

08:45Frank?

08:48Frank?

08:52Do you want me to order breakfast in the room?

08:56Frank, there's a buffet downstairs.

08:59Frank?

09:03Frank?

09:15Frank?

09:19Frank?

09:22Frank?

09:25Frank?

09:28Frank?

09:31Frank?

09:34Frank?

09:37Frank?

09:40Frank?

09:42Frank?

10:12Very, very good.

10:14They have their own schedules.

10:16They handle their own clients.

10:18They have their own routes.

10:20Could you shut up and focus on the track?

10:22Calm down, calm down, we're almost there.

10:24In fact, I'm like Spider-Man.

10:26Spider-Man, Spider-Man.

10:28One eye on the track and the other eye ...

10:30Be careful, savage!

10:34You?

10:36What are you doing here so early?

10:38I came to see Julie. Any problem?

10:40What are you doing here?

10:42Me? I live here.

10:44Oh, you live here.

10:46I think you're confused, Cristobal.

10:48Your house is up front.

10:50No, Salvador, you're the one who's confused.

10:52You have nothing to do with Julie.

10:54I think that's his decision, don't you?

10:56I think my patience is running out.

10:58Bye, Salvador.

11:00Papyrus, please, don't bother him.

11:02Let him pass.

11:04Why, uncle?

11:06Because he brings breakfast.

11:10Yes.

11:18Look at what you've done, buddy!

11:20Look at what you've done to my car!

11:22Look!

11:24Look!

11:26Look!

11:50Fran! Fran!

11:52Fran! Fran!

11:54Fran!

12:24Fran!

12:26Fran!

12:28Fran!

12:30Fran!

12:32Fran!

12:34Fran!

12:36Fran!

12:38Fran!

12:40Fran!

12:42Fran!

12:44Fran!

12:46Fran!

12:48Fran!

12:50Fran!

12:52Fran!

12:54Fran!

12:58Nothing.

13:00Nothing.

13:02Nothing.

13:04Nothing!

13:06How's that possible.

13:08There's not even a single note

13:10about my rise to power,

13:12not even a tick tock.

13:16But what's this?

13:18Trini, what's wrong with you?

13:20Ah!

13:21Aromatic Arabic coffee from a good body grown in the valleys of Pincazari

13:25by the sustainable community of the Oaxaca Sonene.

13:28Scoring 85 points SSA.

13:31Prepared as every day according to your indications.

13:35Don't flatter me so much.

13:37Better tell me where I can find news about my appointment in the Maldini Corporation.

13:43Here are the latest publications in economic and corporate magazines.

13:49Hmm.

13:50Let's see. It must be here.

13:53I hope you enjoy your coffee now.

13:57Nothing.

13:58Nothing.

13:59Nothing.

14:01Ah!

14:02Here is the interview they gave me.

14:04The Maldini Corporation announced a total renovation.

14:08It's coming in little things.

14:11Said the spokesman.

14:12What?

14:13My name doesn't even come out.

14:15So now I'm just a spokesman?

14:17Ah!

14:18I'm tired.

14:20I get dressed and I'm going to say goodbye to more people.

14:24Miguel Ignacio.

14:27What?

14:32Congratulations to the Maldini Corporation,

14:34who managed to get rid of half of their useless employees.

14:38Putting in the head the successful businessman,

14:41man of the future,

14:42Miguel Ignacio de las Casas.

14:44Under his pre-claro visionary command,

14:46the increase in productivity is expected to be 1,000%.

14:51The channel of the right is crude and crude.

14:54You can always count on them.

14:58New airs await you before the fall of the corporation.

15:01The executives were excited to welcome their new leader,

15:05Korean blessed be Nachito.

15:09Amen.

15:11Since that body appeared,

15:13I've been thinking a lot about things.

15:17We've talked for hours,

15:19Diego and I.

15:21We...

15:22No, no, we don't.

15:24Let your wife explain, please.

15:26It's just that she says we as if there were a we,

15:28but it's really her and me.

15:30There's no we.

15:31I have a little heat.

15:32Isn't there some water that has dried up my throat?

15:34Diego, please.

15:35It's just that my wife has problems with pronouns.

15:38When she says we, she's actually saying I.

15:41I mean, not I, she.

15:42I mean, you.

15:44That's why.

15:45We.

15:47Me, my husband and my daughter.

15:50Your daughter?

15:51Yes, my daughter Isabella.

15:53She's here.

15:54It has a lot to do with our presence at this time.

16:05Very well.

16:06What was so important that your husband,

16:09you and your daughter had to tell me?

16:13We know.

16:15One moment, one moment.

16:17My phone.

16:18But it didn't ring.

16:19It's on vibrate.

16:21Hello?

16:24No!

16:26How terrible!

16:28I'll be right there.

16:32I can't answer it right now.

16:34I have an issue that involves an unprecedented threat.

16:38Excuse me.

16:41Excuse me, miss.

16:43Good morning.

16:44What happened?

16:46We'll find the time to tell what we know.

16:50Let's go.

16:51Let's go.

17:04Breathe, Miguel Ignacio.

17:08The years go by in vain.

17:13But I'm the general manager of the corporation.

17:16Of that bitch.

17:22Manito, a question.

17:23Do you think Mr. Joey can lend us his satellite phone again?

17:27I don't know.

17:28He said it was just for emergencies.

17:30No, but he said something we didn't understand.

17:32But we're not bothering Renato.

17:34Please, brother.

17:35Ask to call the police.

17:37You must already know something about Alicia.

17:38No, with more anxiety.

17:40I'm waiting to eat.

17:41Let's see if they have left us something for breakfast.

17:46Good morning, good morning to everyone.

17:48And this delicious breakfast?

17:50Your flaco brought it.

17:51Your flaco?

17:52What do you mean your flaco?

17:53Well, your next flaco.

17:54What else do you give?

17:55Yes.

17:56Hello.

17:57Salvador, what a surprise.

17:59Surprise the one I took.

18:01Yes, sorry Yuli.

18:02I didn't know.

18:03No, no, no.

18:04Cristobal passed away.

18:05Boom.

18:06Well, what do you mean boom?

18:07He's my nephew.

18:08Oh, how delicious.

18:09And honey from bees, right?

18:10Yes, it is honey from happy bees.

18:12Beekeepers give priority to the well-being of bees.

18:14And that's why honey is the most delicious.

18:16Oh, how wonderful.

18:17I want it too.

18:18Oh, I love it.

18:19We can eat it without guilt.

18:20But Salvador is already getting used to it.

18:22What are we going to do when you are not there?

18:24But why am I not going to be there?

18:25You're right.

18:26Let the young vampire go.

18:27Dad.

18:28Of course.

18:29That's what Yuli said.

18:30She is the one who has the last word.

18:31Yes, but think of us.

18:32Look at the table.

18:33Of course.

18:34Yuli, come on.

18:35Me?

18:36Why me?

18:37Well, because I'm sure the two of them are coming for you.

18:38No, no, no, no.

18:39Nobody is competing here.

18:40We are all friends.

18:41It's true.

18:42Yuli is right because look.

18:43Cristobal's ex and Oliver are friends.

18:45And well, he's still not there, but they are also friends.

18:47In the meantime, right?

18:48Yes.

18:49Maca, you're not helping me.

18:50Yes.

18:51I propose that we do something harmonious.

18:53From now on, neither lovers nor loving friends enter this house.

18:57They are husbands.

18:58That's it.

18:59That's it.

19:00Very good.

19:01But what about Valentino?

19:02Let's see.

19:03Salvador is not the problem here.

19:04No.

19:05Nor is Cristobal.

19:06And less Yuli.

19:08No.

19:09The problem here is drumming.

19:14Lola Locatelli.

19:15Calm down, Frank.

19:16Calm down.

19:17I don't want all this to affect you.

19:18I know who is to blame for everything that happens to us.

19:19Are you talking about the crazy woman who threw Jimmy the paint bucket?

19:20And didn't his dad let him graduate?

19:21After we opened the doors of the house to her as if she were one of us.

19:22How ugly.

19:23We should talk to that girl.

19:24Talk?

19:25No.

19:26Revenge.

19:27Revenge.

19:28Revenge.

19:29Revenge.

19:30Revenge.

19:31Revenge.

19:32Revenge.

19:33Revenge.

19:34Revenge.

19:35Revenge.

19:36Revenge.

19:37Revenge.

19:38Revenge.

19:39Revenge.

19:40Revenge.

19:41Revenge.

19:42Revenge.

19:43Revenge.

19:44Revenge.

19:45Are you with me?

19:46Gonzalez!

19:47All of you cockroaches, get out!

19:50Gonzalez!

19:51What an unusual moment.

19:54It's the first time there's not a single Gonzalez on the table.

19:59I'm Flores.

20:01I'm Lara.

20:02Me too.

20:03Contreras.

20:04Goyoneche.

20:05Montalban.

20:06Ocampo.

20:07And I'm Collazos.

20:09Panduro, Panduro!

20:11But she's Mrs. Francesca.

20:13Let her scream.

20:15Please.

20:18Frank, don't get close to these marginals.

20:20It's their fault for all our misfortunes.

20:23This horrible house shouldn't be here.

20:25Barbie and Ken should live here.

20:27And Susu should run away.

20:29Mrs. Francesca, why does that old hag scream so early?

20:32Get out of your hut!

20:34Remoras!

20:35Parasites!

20:36Comechados!

20:39Are you okay?

20:41I'm not surprised that after swindling us, you join these people.

20:45Son, and you also insist on getting together with people with a bad life.

20:49Dad, where did you want me to go if they took me out of the house?

20:54Do you think it was a good idea to send the emissaries?

20:56They are Montalban, let them understand each other.

20:59Yes, don't get us into their problems.

21:01We have enough with ours.

21:04Well, now that your ex is gone,

21:08is there anything you want to tell me?

21:13We're just friends.

21:27Well, the impasse with the police has already been solved.

21:30Who was the dead man?

21:31Dead.

21:32Do you know who he is?

21:33We do know.

21:34Frank, Frank, please.

21:35It's true.

21:36Macarena, Diego's swindling sister,

21:38his son Cristobal, the unproductive one.

21:40Isabela?

21:41Francesca is not doing very well.

21:43Unproductive?

21:44Yes, unproductive, that's what you are.

21:45You should learn from your sister.

21:47You always aim at the heart, right, dad?

21:48I don't aim at the heart!

21:49It's easy, it's easy.

21:50You grab the gun,

21:52you have to eradicate them as soon as possible.

21:54But without a gun, yes?

21:55Is there anything I can do to help you?

21:57No!

22:01Young Chris, Miss Macarena, please let me know who is going to stay where

22:04so I can do my census.

22:05Nobody gives me information.

22:21This is GPS.

22:22That's the phone, right?

22:23That's the phone?

22:24The phone, anyway.

22:25This is radar.

22:26Ah, and this is long range, long range.

22:27This is an operating device.

22:29Ah!

22:30This is an electromagnetic radiation detector.

22:32It's a tremendous screen, isn't it?

22:33It's a tremendous screen, isn't it?

22:34Yes, it's tremendous.

22:36Captain, wait a moment, please.

22:39One question.

22:40One question.

22:42There is a question, there is a question.

22:44Wait a minute.

22:47Captain, before the port of Chiang Kai-shek existed,

22:51how long did it take for a ship to go from China to Peru?

22:57How long?

22:59Before the port of Chiang Kai-shek existed,

23:01how long did it take for a ship to go from China to Peru?

23:05It took 36 days, more than a month.

23:08That's a long time.

23:10Do you understand?

23:13It took 36 days.

23:16More than a month.

23:18Do you understand?

23:19Ah, more than 36 days.

23:21At least.

23:22No, no.

23:23Another question.

23:25Wait, wait, wait.

23:27Wait, wait.

23:28Wait.

23:31Captain, now that the port of Chiang Kai-shek exists,

23:35how long does it take for a ship from China to Peru?

23:40Before the port of Chiang Kai-shek existed,

23:42how long did it take for a ship to go from China to Peru?

23:45It took 22 days, more than a month.

23:51It took 22 days.

23:53Wow, that's a long time.

23:56Good, good, good.

23:59Captain, can I drive the ship?

24:03Yes, you can.

24:04Before the port of Chiang Kai-shek existed,

24:06how long did it take for a ship from China to Peru?

24:10No, you can't.

24:11No, you can't.

24:12You have to go through training.

24:15I have a street.

24:16I have a street, sir.

24:17I have a street.

24:22I can't, I can't.

24:24After training.

24:26Ah, okay, okay.

24:27You have to train.

24:28Then I'll show you, I'll show you, I'll show you.

24:40This is not my room.

24:42I'm afraid it is our room.

24:44No, no, I don't recognize it.

24:46The door, the bed, my closet.

24:50Well, they've messed it all up.

24:53Well, Peter and Montserrat will take care of it.

24:56Yeah, sure.

24:59Now I have two missions in life.

25:02Eradicate those marginals.

25:05And then free my soul,

25:08confessing our crimes to the police.

25:11No, Fran.

25:13What crimes are you talking about?

25:15What you did,

25:16you did it in self-defense.

25:19Claudia was going to kill all of us

25:21and you killed her.

25:24So why keep it a secret

25:27if we only defended ourselves?

25:29Because the police are always looking for culprits.

25:32Besides, we were the last to see Claudia.

25:35Please don't do it, Fran.

25:37You would sink us all.

25:39I don't know how much longer I can live

25:45with this guilt.

25:47What guilt, Fran?

25:49I already told you.

25:50It was her or us.

25:55No, Dio.

25:57I didn't defend myself.

25:59I took revenge.

26:05Please rest.

26:10We'll figure out what to do, okay?

26:21I'll do it, honey, I'll do it.

26:23I promise.

26:49Of course, of course.

26:51If it were Laolinda, they would listen to her.

26:53If it were Joel, too.

26:55Since Jaimito is on a trip,

26:57they forget what the Locatellis did to him.

26:59But we, the Gonzales,

27:01don't sit idly by.

27:03Oh, how nice! Yes!

27:05Yes, I love it!

27:07Oh, of course!

27:08Let's go, let's go, let's go!

27:10Hurry up!

27:12Wait, stay like this, stay like this.

27:14Don't move, don't move. I'm coming, I'm coming.

27:16Oh, how nice!

27:18I love it!

27:20What's wrong, Teresa?

27:22We have to avenge Jimmy.

27:24We have to do justice to the Locatellis.

27:26Yes, of course, I totally agree.

27:29What's wrong?

27:30We have to crush the Locatellis like cockroaches.

27:33Oh, I totally agree.

27:34Yes, yes, we're going to do it, Teresa, but...

27:37after our honeymoon.

27:40Now you'll see!

27:43How nice!

27:45Oh, no!

27:48If you're just friends, why did you bring him breakfast?

27:51Because he's nice?

27:52No, Macarena, Salvador has other intentions.

27:55Well, the only thing that matters here is what Julie wants.

27:58And she already told you that you're just friends.

28:00You're right.

28:01I still don't like her.

28:03I'm not going to take my eyes off her.

28:05Cris, the great love and the only love of Julie will always be you.

28:10I hope you're right.

28:13I know you don't have to give me any explanation,

28:16but your ex living here with you?

28:20I guess it's just a rumor.

28:22They found a body in his little garden

28:25and then they put him in a bag thinking it was another body.

28:29Oh, okay.

28:31Does that explain everything?

28:33Yes, there are still investigations.

28:35Wow.

28:36Don't you think it's weird that they found...

28:38The Montalvans have always had problems.

28:41I really don't care what happens in their lives.

28:46Are you upset?

28:47No, not with you.

28:49Well, with him, a little.

28:51Yes.

28:52I promise you nothing will happen.

28:53I'm not going to fall again.

28:55It's enough for me.

28:58Why are you so interested?

29:00I don't know, why do you think?

29:05How can I help you, young Cristóbal?

29:07Félix, could you tell me something about Salvador?

29:09Does he come often?

29:11Let's see, Salvador...

29:13There are three breakfasts and Christmas dinner.

29:16It's true that Christmas is coming, right?

29:18The Christmas dinner was delicious.

29:20Yes, your auntie won the family there.

29:23You just think about that, right?

29:24How easy it is to buy them all.

29:26Let's see, young Cristóbal,

29:27when have you brought me a breakfast?

29:29You haven't even brought me a banana.

29:31It's okay, I'll bring you.

29:32No, I don't want it anymore.

29:33That's not how it is.

29:34You don't have to force it, it has to be born.

29:36Aren't you going to tell me something about Salvador?

29:38It's okay.

29:39I'm going to tell him that...

29:40If he wants to get Yulis back, he has to get his act together.

29:44Do you think I still have a chance?

29:46A man in love doesn't ask that, he just goes for it.

29:49You're right.

29:51Félix, I'm going to ask you something else.

29:53Do you think you can get information about what happened in the mansion?

29:57My dad didn't want to tell me anything.

29:59You can try, you can try.

30:01But discreet, Félix.

30:03As if it were...

30:05My thing?

30:06Your thing.

30:07Don't worry.

30:09The young Cristóbal wants to know what happened to the corpse.

30:12But what a neighborhood of gossip!

30:14There is no privacy in the new slums?

30:16Don Diego, but if some corpses are buried in the garden, where can they be sent?

30:19Hey, hey, hey, wait a minute.

30:20I haven't buried anyone in the garden.

30:21That thing appeared there as if by magic.

30:24They planted it for us.

30:25Literally.

30:26They planted it for us.

30:27Now, retire.

30:28Satisfied? Bye.

30:29I'm just doing my job of information.

30:31Please, Don Diego.

30:32Information, please.

30:33Pure gossip is what you are.

30:34But when one needs you, there is blind, deaf, mute, right?

30:37And weak.

30:40No, no, no, no, no.

30:41Wait a minute, wait a minute, wait a minute.

30:45You installed the security cameras, right?

30:48Yes?

30:49That's right, good.

30:53Something else? Are you going to take it?

30:54I would love to.

30:55I could take more things, but...

30:58I can't reach it.

30:59I would love to help you, but...

31:01It's not my warehouse.

31:02Don't worry.

31:03What can I invite you to?

31:05There.

31:06Some candies.

31:07Oh, you are an angel of kindness.

31:09What's your name, creature?

31:11Macarena.

31:12Montalban.

31:13Macarena Montal...

31:16Macarena Montalban!

31:17The swindler!

31:18No, no, no, no.

31:19I swear I didn't...

31:20You are a wretch, liar!

31:22I gave a juicy donation for your gambling!

31:25Give me back my money, liar, wretch!

31:27Burn in hell!

31:28They swindled me, I swear.

31:29No, come here.

31:30Give me back my money!

31:31Give me back my money!

31:32I want you to give me back my money right now!

31:34I want my money right now!

31:38This button, Mr. Diego.

31:39Leave it.

31:40Yes, I know, I know.

31:42There it is.

31:44There it is.

31:45At least two weeks ago.

31:47Someone is making a huge hole in our garden.

31:49Oh, my God.

31:50Isn't that the gardener?

31:51Which gardener?

31:52The one who works for you in your house.

31:54I don't know.

31:55I don't know.

31:56I don't look at servitude.

31:57The important thing is that here are the proofs of our innocence.

32:00Oh, I love you.

32:01Pacotilla's watchman.

32:02Mr. Diego, please.

32:03Neither, neither.

32:04Frank, Frank.

32:05The security cameras caught someone burying a corpse in our garden.

32:09We are innocent.

32:10No, Diego.

32:11We are not.

32:12Here is the proof, Mrs. Francesca.

32:14Go to the police to close the investigation at once.

32:17Those images only explain the burial.

32:20But they don't erase the guilt.

32:21Felix, I think it's time to go.

32:23Yes, thank you for everything.

32:24What guilt are you talking about?

32:25Guilt.

32:26No, he didn't say guilt.

32:27Here is the proof.

32:28No, he didn't say guilt.

32:29He said guilt.

32:30Guilt because it's time for his mango juice.

32:32Get out of here, you bastard.

32:33Enough, thank you.

32:35Frank, Frank.

32:36Don't you realize that with these proofs we are free of dust and straw?

32:39It doesn't matter who buried her.

32:41We killed her.

32:43I have to turn myself in.

32:44Frank, Frank.

32:45Forget about that.

32:46You don't move from here until I take those proofs to the general.

32:53Very strange, Mr. Diego.

32:54Why would he have dressed like that?

32:56He should have thanked me with a dessert, rather.

33:00Good morning.

33:01Ms. Macarena Montalban?

33:03No, she doesn't live here anymore.

33:05I have this address as her tax home.

33:08Do you know where I can locate her?

33:10There.

33:11Give it to me.

33:12I am her legal representative.

33:14Where did we go?

33:15Sign here, please.

33:16Okay.

33:17Done.

33:18Don't worry.

33:21Go in peace.

33:24Holy Mother of God.

33:25Oh, friend.

33:27She treated me so well.

33:29She was so kind.

33:31I can't imagine if she would have been a wretch like she left you.

33:34No, no, no.

33:35She started talking very nicely to me.

33:36Until she found out it was Macarena Montalban.

33:39Friend, everyone hates me.

33:41No, girl.

33:42Not everyone hates you.

33:43But let's say that scammers have their reasons.

33:45But I didn't scam them.

33:46It was Xavi.

33:47Let's see.

33:48Explain it to them.

33:50Ms. Macarena.

33:51Hello.

33:52How are you?

33:53This envelope has arrived at your ex-house.

33:57What could it be?

33:59Your friends from school have sued you for the bribery of the Jubaros.

34:02Felix.

34:03It is very rude to read other people's correspondence.

34:05Teresita, I am your lawyer.

34:07Yes, yes.

34:08Felix is helping me.

34:09Thank you very much.

34:10Don't worry.

34:11I'm going to prepare the evidence.

34:12I can claim that you have been the victim of a spell of seduction.

34:16Oh, look.

34:17If you show Xavi's photo, they may believe you.

34:18Yes, but I called them.

34:19I called them.

34:20The Amazonian branch invites them.

34:22I asked them for money.

34:23Well, girl.

34:24And if you talk to her,

34:25remember that they are your friends from school.

34:28What a good idea.

34:30Let's see.

34:31Let's look for chat.

34:35Here.

34:38Girls.

34:39Girls, please.

34:40Give me time to clarify this matter.

34:43I was also swindled.

34:56What happened?

34:57What did they tell you?

34:58The promotion hates me.

35:09But if he is the crazy gardener.

35:11Who?

35:12An ex-worker of the cemetery.

35:14Who, for fun, exchanged places with the corpses.

35:18But what about a hobby?

35:20Couldn't you buy a Playstation?

35:23Well.

35:24Very well, Mr. Montalban.

35:26With this, the investigation could end.

35:30I'm sorry to have bothered you and your wife.

35:34Well, I'm more sorry.

35:35But it's over.

35:37Mrs. Maldini seemed very interested in collaborating with the police.

35:43Is there anything else you would like to share with us?

35:48Well, you already saw my wife introducing her late daughter.

35:53Thank you for everything.

36:01What remains is to know who that body belongs to.

36:08And now how do I get Fran to shut up?

36:16I'm coming.

36:18Wait a minute, love.

36:19I'm coming, I'm coming.

36:21Hi, daughter.

36:22How are you?

36:23And this?

36:24This came to you.

36:25From Temo.

36:26Ah, from Temo.

36:27How good, finally.

36:28Look, come on in, girl.

36:33And, daughter, we were playing the gods of Olympus.

36:37Yes, yes, yes.

36:38Yes, yes, really.

36:39Instead of being Apollo, I was doing Apollo.

36:43How good, how good.

36:44And, what do you think?

36:47What is that?

36:48What?

36:49How do you not realize?

36:50It's a wedding hammock.

36:52I asked for Temo.

36:53Yes.

36:54Of course.

36:55It was not good that I was a single hammock.

36:57So now we have this super comfortable hammock.

37:01For both of us.

37:02What do you think?

37:06Well, I better leave you because I see you have a lot of work to do.

37:18Camisú to celebrate that the nightmare is over.

37:23I'm not for celebrations.

37:25You know very well that nothing is over.

37:28They are not going to investigate us anymore.

37:30It depends on us that this chapter is closed here.

37:34For me it does not close until I free my soul from the weight of my guilt.

37:39Mother, you know what you have to do.

37:48How delicious is this.

37:51Isabella liked it.

37:59How good.

38:18How good.

38:25Well, I don't know.

38:26It's a tradition to have a beautiful sun.

38:29Oh, sorry.

38:30We missed the time.

38:32Yuli, you do not waste time.

38:34Yuli, a more considerate sun.

38:36What kind of example are you giving to young people?

38:40What?

38:46Thank goodness it was a dream.

38:48I can't get my head out of those two.

38:52I'll have to anesthetize myself.

39:09What are you doing up, Fran?

39:12It's not even seven in the morning.

39:15I can't be one more day

39:18without getting rid of this guilt that carried me inside.

39:25Let's go to the police station.

39:28Are you serious?

39:31Yes.

39:33Let's go.

39:34Let's go to the police station.

39:37Are you serious?

39:40Very serious.

39:46Family!

39:48Family!

39:50Come here, family!

39:52Come to breakfast!

39:55Damn, Teresa.

39:57How does it show that you are taking

39:59your matriarchy role in the family seriously?

40:02How does it show that you are taking

40:03your matriarchy role in the family seriously?

40:04Because now you bathe in the morning.

40:06Hey, what's wrong with you?

40:07I've always bathed dry.

40:08But it still counts, right?

40:10Good morning!

40:11Good morning!

40:12Good morning!

40:13Come, princesses.

40:14Sit down, please.

40:15Serve yourself your tea,

40:16because then it gets cold.

40:17Come, child.

40:18Come, sit down and eat your egg.

40:19Aren't you going to give me raw egg?

40:21It's not raw egg, it's hard egg.

40:22Just that I didn't peel it

40:23because I don't want to damage my manicure.

40:25Ah, well, I'm going to change and come down.

40:27But I'm taking an egg for the road.

40:29Tell my mom I'm going to stay for breakfast.

40:31Of course.

40:33Let's see, let's see.

40:34Hey, and Gaspar?

40:35He still doesn't get out of bed, mom.

40:37That's weird.

40:38At this time?

40:51Honey!

40:52We have to go down for breakfast

40:53before all the food runs out, okay?

40:58I'll go right now,

40:59but first you and I have to talk.

41:03And now what did I do wrong?

41:04The first thing you've done wrong

41:05is throw the eggshell out the window.

41:07Why do you always do that, Tito?

41:08But that's good for the plants!

41:10There are no plants!

41:11If there are no plants there!

41:12Well, one day they can grow, right?

41:13Oh, Tito.

41:15Look,

41:18I'm making a very big effort

41:20to adapt to this space,

41:23to your habits,

41:26but I can't anymore.

41:27What?

41:28Tito, please.

41:29I also need to feel good,

41:32feel comfortable,

41:33feel that this is also my home.

41:37That's why I've made a decision.

41:41I'm going to remodel the second floor.

41:52How did my prince of Gua...

41:55What's wrong, love?

41:56Are you sick?

41:58No, my love, I'm not sick,

41:59but I feel bad.

42:02I miss my sponge.

42:04That's enough, Gaspar.

42:05I can't help it, love.

42:06I can't help it.

42:08Joel is my eyes behind my back.

42:12He has the other half of my heart.

42:13I have the other half of your heart.

42:16Yes, my love, but Joel is like my brother.

42:18Besides, he's my partner.

42:19We've spent so much time in the workshop

42:21that now that he's gone,

42:23what have we been through here?

42:25Look, Gaspar.

42:26Look, Gaspar!

42:27Open your eyes.

42:29Joel has placed his trust in you.

42:31You are a professional mechanic

42:33and you are going to take the workshop forward.

42:35I don't know if I can, love.

42:36Of course you can.

42:37This is not the first time

42:38something like this has happened to you

42:39and you got ahead.

42:40This time it won't be the exception.

42:43You're right, love.

42:45You're right.

42:46Joel has placed his trust in me

42:48and I can't let him down.

42:50Neither can you.

42:52Love,

42:53you are the most beautiful wife in the world.

42:57Oh, my love.

42:58What can I tell you?

42:59You won the lottery with me.

43:00The biggest prize of the year.

43:02Breakfast is ready.

43:03Get ready.

43:04Yes, my love.

43:07You can do it.

43:12But...

43:13But...

43:14But...

43:15What's wrong with room 8?

43:16I thought you were comfortable here.

43:17Oh, Tito.

43:18How can I be comfortable

43:19sleeping in a bed in a square

43:20that's not even mine?

43:21But...

43:22But if we sleep hugged.

43:25I love sleeping like this.

43:27But I'm not used to

43:28being squashed all night.

43:31Of course.

43:32That's why I bought the matrimonial hammock.

43:35Tito, understand me.

43:37Yes.

43:38Yes.

43:39No.

43:40The truth is, I understand you.

43:41You...

43:42You're used to having certain comforts and...

43:45And I understand that.

43:46But that's why I promised you

43:48that we're going to have our own little room

43:51In fact, I'm already saving up

43:52to have a comfortable two-bedroom bed.

43:55Tito, I don't want to live in a little room.

43:59I need to have my own space

44:01to start a room.

44:02We could move to an apartment

44:04and later a little house.

44:06But Lorena, I'm not a millionaire either.

44:08But you're not going to do this alone.

44:10We're going to do it together as a family.

44:12Really?

44:13Yes.

44:14And while we achieve our dream,

44:15this has to improve.

44:19Okay.

44:20Fine.

44:21I agree.

44:22What change do you want to make to your place?

44:24The first thing is to get that horrible painting out there.

44:27Tony Montana?

44:28Why?

44:29No, no.

44:30Tony Montana, no.

44:31Caracortada is our favorite movie with my buddy.

44:34It's also our inspiration in everyday life.

44:36Who do I trust?

44:37I trust myself.

44:39You trust me.

44:42I'm going to transform this place

44:44into our home.

44:48Provisional.

44:56I emptied his gun.

44:58I shot him six times.

45:00I saw him throw blood out of his mouth.

45:02This time I had to make sure to leave her dead.

45:05Calm down, Fran. Calm down.

45:07I didn't feel any remorse.

45:09On the contrary,

45:10a feeling of relief invaded me

45:12while I saw Claudia Llanos on the floor.

45:15I think that's enough, Fran.

45:16That's enough, isn't it, Inspector?

45:18That's right.

45:19He already told us in great detail

45:21how his participation in Claudia Llanos' death was.

45:24Now it is up to the prosecution to attend to your case.

45:28Am I under arrest, Mr. Inspector?

45:30Of course not.

45:31You can thank the Congress

45:33for eliminating the preventive prison.

45:36Long live the fathers of the country,

45:38always supporting the citizen.

45:40What's going to happen to me?

45:42Do I have to wait for my trial in freedom?

45:44Not so fast.

45:45I can't imprison you before you're processed.

45:48What we'll do is put this pin on you.

45:51This one rings if you try to leave your house.

45:55Look, how modern.

45:57Will I have a lot of time, Mr. Inspector?

46:00Only the time your trial lasts.

46:03Let's trust the speed

46:05that characterizes the Public Prosecutor's Office.

46:07Amen.

46:15Let's go.

46:26Alesia.

46:28Hi.

46:31I thought I'd write a letter

46:33for each day of the trip.

46:38A trip that only you could motivate.

46:45I'm not very good with letters,

46:48but everything is coming out of my heart.

46:56I love you.

47:02And I don't care where you are.

47:07Very soon,

47:11I'll be standing in front of you.

47:15You have me trapped.

47:17I can't avoid it.

47:19I can't escape.

47:22The most beautiful

47:23since I saw you,

47:25I can't stop...

47:27We can't let Lola and her dad ruin Jimmy's life

47:29without suffering the consequences.

47:31That's the way to talk.

47:33You are a true Gonzalez.

47:36I'm proud of you.

47:38We're going to come up with an infallible plan

47:40so that the Locatelli

47:41remember all of our lives.

47:43Yes.

47:45Koki was trustworthy.

47:46He knew too much.

47:48What went through your head?

47:49Why did you do that?

47:51Fear, insecurity.

47:53You put a criminal in place of Peter.

47:56It's hard for me to say,

47:58but he was my friend.

48:03I came here to invite you to the movies.

48:08Yes.

48:09Yes, let's go.

48:10Excellent.

48:11Just don't make Cristobal disappear, please.

48:13You can do it.

48:15It's ready.

48:17You can stand up.

48:19I'll walk you out.

48:20Let's go.

48:27So you're going to the movies.

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