Al Fondo Hay Sitio 12 Capítulo 11 en HD Completo
Al Fondo Hay Sitio 12 Capítulo 11 en HD Completo
Al Fondo Hay Sitio 12 Capítulo 11 en HD Completo
Al Fondo Hay Sitio 12 Capítulo 11 en HD Completo
Al Fondo Hay Sitio 12 Capítulo 11 en HD Completo
Al Fondo Hay Sitio 12 Capítulo 11 en HD Completo
Al Fondo Hay Sitio 12 Capítulo 11 en HD Completo
Category
🎥
Short filmTranscript
00:00Una carrerita sel parque!
00:04te voy a ganar
00:05oh i just want to see that
00:07HEY
00:11Listen to me you!
00:12Be very careful when you get close to my gas stove again
00:14because I tear out your suspensions
00:16and I leave you bald!
00:19Don't worry
00:21I know what I'm doing
00:25I'll talk to you later
00:26¿Con quién hablabas?
00:28Con alguien, negocios.
00:31¿Por qué cortaste?
00:33Porque no era importante, quería preguntarle por Cris.
00:36Está en su cuarto, Lucio le está ayudando.
00:39En un rato subo a verlo.
00:43¿En serio no te molestaste ni un poquitito?
00:46Ni un poquito.
00:47¿En serio te cuesta tanto creer eso?
00:50Yo no soy ningún chivón y maduro.
00:53Eso ya lo sé.
00:55Eso ya lo sé.
01:02¿Tú eres mecánico, verdad?
01:04Por supuesto, ¿no has visto?
01:06Aquí en Fuyosí hay algo que te puede interesar.
01:09Por Dios, he trabajado en un barco, imagínate.
01:12Vamos.
01:13¿Tuviste algo que ver con el cadáver enterrado en mi jardín?
01:20Arranca, vamos a conversar.
01:25¡Aguabá!
01:26¡Hey, hey! ¡Me estás mojando, cuidado!
01:29Tranquilo, yo dije aguabá.
01:31¡Estas zapatillas valen más que en tu casa!
01:33Bueno, espero que sean acuáticas entonces.
01:35¡Te la está buscando, Teresa! ¡Te la está buscando!
01:37¡Por favor, mira cómo tiemblo! ¡Y avanza nomás!
01:39¡Avanza, avanza! ¡Ven, ven!
01:41Yo sé que es muy seguido, pero tenía que darte esto.
01:56Es de ella.
02:09¿Y por qué quieres que tenga la blusa de Isabela?
02:12Siento que tú debes tenerla.
02:15Yo la he guardado todo este tiempo, pero...
02:18ahora siento que debo dejarla ir.
02:21No quiero recordar a mi hija como el último día que la vi.
02:24Ese día era nuestro reencuentro.
02:27Estaba tan ilusionado por verla.
02:30Ella también estaba muy ilusionada.
02:33Fue todo tan violento.
02:36Mi mamá me utilizó para llevar a cabo su venganza.
02:42Me siento tan culpable.
02:45Yo amaba a Isabela.
02:47Y si te doy esto, es porque no te culpo a ti.
02:52Sino a tu familia.
02:57Claudia ya está muerta.
03:00Y mi mamá también pronto lo estará.
03:03Es hora de enterrar el pasado.
03:05Pienso lo mismo.
03:08Quiero recordar a mi hija viva.
03:14Isabela era una persona tan especial.
03:18Fui tan feliz con ella.
03:21Le doy mis mejores años.
03:24Si lo hubieras conocido de niña.
03:27Ah, ¿no? Espérate.
03:39Mira.
03:42¿De dónde sacaste esta foto?
03:46Ella me la dio.
03:50¿Ella me la dio?
03:52Fue un día de la madre en el nido.
03:55Se disfrazó de mí.
03:57Sí, sí. Me contó que le pusieron 20 por el disfraz de ejecutiva.
04:01Me hubiera encantado verla.
04:04¿No la viste?
04:05No, estaba en viaje de negocios.
04:08Ah, entiendo.
04:11¿Estás apurada? ¿Quieres ir a dar una vuelta al parque?
04:16Con mucho gusto.
04:22No, no tuve nada que ver.
04:25¿Y para eso me trajiste hasta aquí?
04:27Bueno, para que salgas un poco de la órbita de Francia.
04:30Ya, a ver, cuéntame.
04:33¿El cuerpo que encontraron en el jardín que era de Claudia?
04:37Cien por ciento.
04:39Mira, tal vez no tuviste nada que ver directamente,
04:42pero por ahí hablaste de más.
04:44Tal vez en los bajos fondos.
04:46Nunca hablo de eso.
04:49Y hace mal tu mujer en desconfiar de mí.
04:51Yo estoy tan embarrado como ustedes.
04:53No me conviene que esto salga a la luz.
04:55Así que quédate tranquilo que por mi lado no es.
04:59Sí, sí, tú puedes tener muchos defectos,
05:02pero tonto no eres.
05:05Ahora, hay otro asunto.
05:06No voy a volver.
05:08Supongo. Me enteré del altercado que tuviste con Francesca.
05:11No sé con detalles, pero dejémoslo ahí mejor.
05:16¿Tú sabes quién es Leonardo Rizopatrón?
05:20No, no, no me suena.
05:22Más bien, Leonardo Llanos.
05:26El hermano de Claudia.
05:28Ah, ya.
05:29Él estuvo casado con Isabel.
05:31Es el mismo.
05:33Cumplió su condena.
05:34Lo vimos en el cementerio.
05:37Ya, ya.
05:38Dame unos días y te averigo todo
05:40Mientras tanto, manténgase alejado de él.
05:43No tienes que decirme nada.
05:50Culpe a los González, llevo tarde en mi oficina.
05:54¿Hasta cuándo me seguirán estorbando?
05:57¿Por qué no se extinguen de una vez?
06:00Tengo que hacer algo para que desaparezcan de la faz de la tierra.
06:04¿Pero qué?
06:06Son como cucarachas, no mueren nunca.
06:09Y encima tienen esta bodega también ubicada en medio de las nuevas lomas.
06:14Si al menos tuviera una competencia, que las desaparezca.
06:32Y queríamos hacer Blanqueanieve y los Siete Enanos,
06:34pero conseguimos a cuatro nomás.
06:36Así que dijimos, no, cambiemos, cambiemos.
06:38Cleopatra.
06:39Y ella se convirtió en esta reina egipcia.
06:42Yo, Marco Antonio, ¿te acuerdas?
06:43Sí, me acuerdo.
06:45Les encantaba disfrazarse.
06:47No, no, no, disfrazarnos no.
06:49Eran caracterizaciones.
06:50Hacíamos toda una puesta en escena.
06:52¿No sabes el montaje que nos metimos?
06:54No tienes que darme detalles.
06:56Es que nos divertíamos tanto a puerta cerrada.
06:58Sí, lo sé.
06:59Mi cuarto quedaba cerca.
07:01Ups.
07:03Culpable.
07:04No, no, la juventud es para disfrutar.
07:06Y lo hicimos, sí lo hicimos.
07:09¿Y tus musicales?
07:11Uy, cómo olvidarlos.
07:13Nadie puede olvidar tus musicales, no, no.
07:16Un tonito de burla ahí, Franchi, ¿ah?
07:18Disculpa.
07:20Ya no encuentro las ganas para hacerlos.
07:23Tenía una motivación ahora.
07:26Hasta me cuesta levantarme de la cama.
07:29Conozco esa sensación.
07:32¿Aunque ha pasado algo, Franchi?
07:34¿Qué?
07:36No.
07:37No, creo que no es el momento para contarte.
07:39No, no, no puedes dejarme así, ¿no?
07:41No, si puedo.
07:42Así me aseguro una siguiente visita.
07:44Ah, bueno.
07:46Nos pasamos bonito recordando a Isabela.
07:48Ah, con unas sonrisas, como debe ser.
07:51Como debe ser, sí.
07:54Franchi, ¿tú la sueñas?
07:56La sueño.
07:58Y la he visto.
08:00Y la he visto, como te estoy viendo a ti ahora.
08:04Pero hace tiempo que...
08:06Desapareció.
08:09Se fue, simplemente.
08:13Debe ser mi parte racional que me dice que ella ya no está.
08:18Que verla y escucharla solo es producto de mi imaginación.
08:24No, Franchi, ella sigue viva.
08:27Dentro de nosotros sigue viva.
08:30Es lindo escucharlo, aunque no sea...
08:33Sí lo es.
08:35Sí lo es, Franchi.
08:36Cada vez que necesites a Isabela, búscala.
08:39Yo lo hago.
08:42¿Arroz con huevo frito? ¿Qué le pasa, Salvadora?
08:45Bueno, la Yuli está buscando trabajo porque la suspendieron.
08:48Bueno, está bien que la Yuli sea trabajador y responsable,
08:52pero su cocinerito podría hacer méritos, ¿no?
08:55Apoyolamos, John.
08:57Yuli.
08:59Yuli.
09:01Yuli.
09:03Yuli.
09:05Yuli.
09:07Yuli.
09:09Apoyolamos, John.
09:11Ustedes también podrían cocinar de vez en cuando, ¿no?
09:14Lo voy a hacer.
09:15Y los voy a sorprender, ya van a ver.
09:17Yo quiero verlo.
09:19Yo traigo la gaseosa.
09:21¿Qué gaseosa? Me la traigo de la bodega.
09:22Por eso digo, la traigo nomás.
09:25¿Y tú qué haces acá? No me digas que también quieres almorzar.
09:27Ay, ya pues, papá.
09:28Valentín me ayuda desinteresadamente en la bodega.
09:31Desinteresadamente no creo.
09:32Ya anda, fríete tu huevo, ¿eh?
09:37Tu manchu.
09:39Fríete.
09:42Voy, voy.
09:43Llegó el pollo.
09:44¿Cuál pollo?
09:46Este.
09:47¡Sí!
09:49Tengo justo el tiempo para salvarlos.
09:51Muévete, muévete, trae una silla.
09:53Ay, ya por favor, tampoco es para tanto, pero pollo es pollo.
09:56Ah, sí, repartí la ropa.
09:59Pechito, pechito, pechito, pechito.
10:01¿Y dónde están los demás?
10:04No me digas que don Félix...
10:06¡No!
10:07¡Sí, sí, sí!
10:10¿Y Jimmy?
10:12Ah, se fue a la cocina.
10:14¿Qué?
10:16¡Claro, pues, Coqui, para qué te das tanto tiempo también, pues!
10:19Es verdad, Coqui.
10:20Han pasado muchas cosas, pero bueno.
10:22Bueno, sírvete, sírvete.
10:28¿Se le ofrece algo, señorita Zapallón?
10:31No, digo, sí.
10:33Decídase.
10:35El señor Bruno me dio un encargo y no sé cómo hacerlo.
10:39¿De qué se trata?
10:41Me pidió que le instale Candy Crush en su celular.
10:48¿Y usted cree que el gerente general de una corporación como esta
10:52es la persona más desocupada como para que usted le pida un favor de ese viejo chocho?
10:57Lo siento, yo pensé que tal vez...
11:00No, pensó mal, señorita Zapallón.
11:04¿Usted piensa que a Elon Musk o a Bill Gates le pedía ayuda para amarrarse los zapatos?
11:11¿Quiénes son ellos?
11:13¿Trabajan aquí?
11:17A ver, démese de gestorio.
11:25Martita es la clave, Martita.
11:27No, no, no sé por qué usaría ese nombre.
11:29Martita.
11:35Ay, Bruno.
11:38Aquí está.
11:48Ya está.
11:50Déselo a su jefe.
11:52¿Ya está? ¿Tan rápido?
11:55Ay, gracias.
11:57¿Es usted un amor?
11:59No, no lo soy.
12:01Gracias.
12:08Mañana le voy a traer un Juan en agradecimiento.
12:10No, gracias.
12:16Otro día quisiera pedirle ayuda con una...
12:18No.
12:22Está bien.
12:24Me voy.
12:28Pues váyase, señorita Zapallón.
12:51¿Pero qué me estás diciendo?
12:53Fui a ver a Leonardo.
12:55Por segunda vez.
12:57¿Por qué te pones así?
12:58Porque ese tipo es un ex convicto.
13:00Te recuerdo que también es mi ex-yerno.
13:03Eso fue parte de un plan, fue todo un engaño.
13:06Leonardo amó a mi hija y es un legítimo viudo.
13:09Se metió a tu casa, se metió en tu familia,
13:12con engaños, con falsa identidad.
13:14Claro que lo sé.
13:16Pero él nunca nos hizo nada.
13:18En cierta forma fue una protección
13:20contra su madre y su hermana.
13:22Entonces, ¿para qué me gasto hablando
13:24si tú ya le perdonaste todo?
13:26No hay nada que perdonarle.
13:28Te repito, él nunca nos hizo nada.
13:30Y faltó poco.
13:32No confío en ese tipo.
13:34Mi amor, Claudia está muerta.
13:38Carmen está enferma en prisión.
13:40¿Qué puede hacer Leonardo?
13:42Además, él nunca fue como ellas.
13:45Espero que tengas razón.
13:48Esa familia está extinta.
13:53¿Y se puede saber de qué hablaron?
13:59Pasamos un largo rato recordando a Isabel.
14:03Claro.
14:05Te agarro por el sentimiento, hazme el favor.
14:08Me ofende que me trates como una mujer boba.
14:11Perdóname, Fran.
14:13No lo eres.
14:15Es solamente que...
14:18Temo por ti.
14:20Gracias, pero no tienes por qué.
14:23Y aunque no lo creas,
14:25Leonardo sufrió mucho la muerte de Isabela.
14:28Hablar con él me reconforta.
14:33Bueno.
14:35Si tú lo dices, hasta mañana.
14:51Hija, aquí estoy.
14:55Por favor.
14:58Ven a hablar conmigo, Isabela.
15:06¿Qué pasa con esta señora?
15:09Ojalá que esta noche no venga tan bien,
15:12disfrazada como su viejita, la difunta.
15:16Señora Goyoneche, ¿está ahí?
15:18Por Dios, Gaspar, qué intenso.
15:20Amor, me dejaste solo, esperándote.
15:22Mejor me voy a dormir, ¿ya?
15:24Ya voy, amor, lo estoy arreglando.
15:26¿Arreglando para qué? ¿Vamos a salir?
15:28No.
15:29Entonces.
15:32Ay, Dios.
15:35¿Esto te dice algo?
15:39Dios mío.
15:41¿Te dice algo?
15:43Dios mío.
15:45Vario es la pena la espera, mi amor.
15:47Solo te puedo decir que en la intimidad
15:50puedo dejar de ser doña Tere.
15:53¿Todavía tienes sueño?
15:56Bien despierto estoy.
15:58Ay, me encanta.
15:59Entonces te cantaré una de mis repertorios.
16:01¿Ah, sí?
16:02Dame tu chocolatita.
16:05Ñami, Ñami, Ñami.
16:07Ñami, Ñami.
16:08Dame tu chocolatita.
16:11Otro día sin poder dormir.
16:13¿Por qué dices eso?
16:15Bueno, porque Tere y Gaspar otra vez están haciendo sus...
16:18cosas.
16:19Ah, bueno, Mappy, pero está bien, son esposos.
16:22Sí, o sea, bien por ellos, pero no me dejan dormir.
16:25Tienes tanto que aprender.
16:27Ay, Yuri, no quiero aprender de oído.
16:30Ay, no, no te hablo sobre eso.
16:33¿Qué haces? ¿Me vas a inyectar algo?
16:35No.
16:37Mira, es para que te lo pongas en el oído.
16:41Ay, qué buena idea.
16:43A ver.
16:44Ven con mami, mi conejito de Berea.
16:47Suelta tu mojita.
16:49Uy, es muy jota.
16:52Póntelos, apúrate.
16:53Sí, sí, sí.
16:57Listo.
16:58¿Qué tal?
16:59¿Escuchas algo?
17:00Perfecto.
17:05Ahora sí, a dormir tranquilas.
17:07Sí, ya hice pila.
17:09¡Un abrazo!
17:25Ay, no, pila no.
17:27No, pila no.
17:32Ya se me va a pasar, ya se me va a pasar.
17:36Ay, no me aplastes.
17:39Sí, te amo.
17:45Aprieta, aprieta, aprieta.
17:47Ay, no, no.
17:49No me aguanto.
17:51No quiero bajar.
17:53Y si me voy al cielo, me voy a morir a pixia.
18:00No me aguanto, no me aguanto.
18:05¿Qué está pasando acá?
18:07Felizmente las chicas ya están durmiendo.
18:15Ay, ya.
18:16Aguanta, aguanta, aguanta.
18:17Aguanta, aguanta, aguanta.
18:20Ay, con las gustas.
18:30¿Un papel?
18:41¿Y ahora?
18:43Ay, no.
18:45No, comisario.
18:47Voy a llamar a Mami.
18:50Ella me va a salvar.
18:54Ay.
18:56Come on, Mappy. She's going to save me.
19:20Come on, Mappy!
19:23What's wrong with this girl? Has she gone deaf?
19:27Mappy, answer! Answer!
19:53Oh, no.
19:56I used to have a room with a bathroom.
20:00Oh, no!
20:08Did you hear her whining?
20:10Don't listen to Rosamito and knock on the drawer.
20:14That's it! There!
20:17Right there!
20:19Let's go!
20:20Oh, no!
20:22Oh, no!
20:47Hey, Manu.
20:48Look, that's a taxi.
20:51It's big, it's difficult.
20:53It looks like a taxi.
20:54It looks like a taxi!
21:02Hey, man.
21:04There are no bridges here in Peru.
21:06Yes.
21:07Right?
21:19I want to laugh.
21:21What did he say?
21:32We have to create a song.
21:34You have to live it.
21:36Oh, well.
21:38That's it.
21:39This is the border.
21:42Look how cool it is here.
21:44Hey, look at that shopping center.
21:45It's beautiful.
21:46They sell pizza, man.
21:47That pizza is very good.
21:48We have a lot of bridges.
21:50Have you met Peruvian people or not?
21:52Yes.
21:53Oh, like who?
21:55But we are the best Peruvians.
21:57I've never seen that name.
21:58Yes.
22:07I'm going to take a picture.
22:09What are you wearing?
22:11What are you wearing?
22:12What are you wearing?
22:13What are you wearing?
22:14What are you wearing?
22:15What are you wearing?
22:16What are you wearing?
22:17What are you wearing?
22:18What are you wearing?
22:20Look at Amaka, look at Amaka.
22:22Look at Amaka, look at Amaka.
22:23You have to remember that we are in Peru today.
22:25Look at Maleku.
22:44There's a bad smell in the air.
22:59No, no, no, no, it can't be.
23:01It can't be that you didn't find Alechia's address.
23:05If you love her, Cristobal.
23:07This is crazy, it's crazy, crazy.
23:11Ah, I think the cousin was upset,
23:13Man, don't push her. Leave her alone, don't push her.
23:18You just have to trust Joe.
23:20Okay, we trust Joe. Joe is an angel.
23:22Grandma sent her, didn't she?
23:24What will the witness say about how to make a car from scratch?
23:29A car from scratch?
23:33Hold on, hold on.
23:35We can't just do this visit.
23:44Hey!
23:46Hey!
23:49Fiesta Latina!
23:52Fernandez!
24:04Ya llegó, ya me llevo prendido el corazón de mi baila
24:08Si eres latino como yo, moviendo la cadera como un ta-cha-cha
24:12Y si te gusta, mueve tu cuervo con sabor
24:15Suena y no paro de bailar
24:17Los Fernandez ya se ponen a gozar
24:20Muévete bien, muévete bien
24:22Con el saxo del beat y la fiesta va a empezar
24:28Hey!
24:31Hey!
24:33Hey!
24:35Hey, Camilo!
24:38¿Quién llama?
24:43¡Ejoel!
24:46No vas a contestar, ¿no?
24:48Amor, ¡Ejoel!
24:51Escúchame, hoy es un día muy especial para nosotros.
24:55Así que piensa bien el siguiente paso que vas a dar.
25:05Espérate.
25:07Es que como no le contesté, ahora me están mandando un mensaje.
25:13¡No!
25:15Amor, Ejoel está en la fábrica de Yetur.
25:19Ahí arman carrazos desde cero, con robots y tecnología de punta.
25:23¡Mira!
25:25No puede ser.
25:26Ejoel está allá, y yo estoy acá.
25:29Así que piensa bien qué vas a elegir.
25:33Amor, pero...
25:34Escúchame una cosa.
25:35En una serie gringa yo vi, esposa feliz, matrimonio feliz.
25:39Tú eliges.
25:42¡Eso es!
25:50¡Gaspar! ¡Mira!
25:55¡Gaspar, acá todo se hace solo!
25:59¡Ya no te necesito, ya! ¡Ya no te necesito, Gaspar!
26:03¡Sí!
26:07¡Vamos de acá!
26:08¡Se enllantan solo, mano!
26:10¡Llantero de la vida!
26:12¡Ahí va, ahí va, ahí va!
26:14¡Hala!
26:16¡Hala!
26:19¡Mira cómo se mueve el piso, Gaspar!
26:33Redondo, redondo, redondo.
26:35Báilate con ganas, baila sabroso.
26:38Yo te conozco, no seas misterioso.
26:40No tienes excusa, baila mi cumbia.
26:43Mi cumbia, mi cumbia, mi cumbia.
26:46Todos queremos olvidar las penas.
26:48Saca la botella para brindar por ella.
26:51Que nadie se vaya, la música está.
26:53¡Ahí está!
26:54¡El papá del pibuicho!
26:56Todos queremos olvidar las penas.
26:59Saca la botella para brindar por ella.
27:01Que nadie se vaya, la música está.
27:04Tenía que ser mi cumbia, mi cumbia.
27:07Tenía que ser mi cumbia, mi cumbia.
27:14Mi cumbia, mi cumbia, mi cumbia.
27:22Muevete con ganas, baila sabroso.
27:25Yo te conozco, no seas misterioso.
27:27No tienes excusa, baila mi cumbia.
27:30Mi cumbia, mi cumbia, mi cumbia.
28:00Yo me seco, entro en citosis y me seco, me seco como Bruce Lee.
28:03¡Ah!
28:04Pero hermoso.
28:05¿Qué dice?
28:06¿Traduce?
28:07¿Traduce?
28:08¿Traduce?
28:09¿Traduce?
28:10¿Traduce?
28:11¿Traduce?
28:12¿Traduce?
28:13¿Traduce?
28:14¿Traduce?
28:15¿Traduce?
28:16¿Traduce?
28:17¿Traduce?
28:18¿Traduce?
28:19¿Traduce?
28:20¿Traduce?
28:21¿Traduce?
28:22¿Traduce?
28:23¿Traduce?
28:24¿Traduce?
28:25¿Traduce?
28:26¿Traduce?
28:27¿Traduce?
28:28¿Traduce?
28:29Muy gracioso.
28:30Digo que eres maravilloso.
28:31El idioma de las risas.
28:41Ay, ay, ay.
28:45Manito, yo creo que es hora ya de implementar las roboticas de nuestro tallera.
28:49¿Sí o no?
28:50Tú mismo.
28:51Ya llevamos unos cuantos robot旗itos.
28:52Y no vas a traer más clientes esas años.
28:55Sí, mano, me parece que está bien lo que dice.
28:56Alicia is in Dongguan.
28:59Alicia is with a Don Juan?
29:01No, no.
29:02Let's see, let's see, let's see.
29:03I'm not surprised because...
29:04Let me explain.
29:05She's always been a little slippery.
29:06Brother, don't say that.
29:07You're going to defend her.
29:08She's with a Don Juan and you're going to defend her?
29:10You've been in a hurry on this trip.
29:11I'm very sorry, Jimmy.
29:12Enough, enough, enough.
29:13Hey, hey, hey, hey.
29:14Do you know where that Don Juan lives?
29:15Hold on, hold on, hold on.
29:16Do you think the two of us can go with him or not?
29:17I'm going to help you.
29:18Well, I don't know.
29:19Maybe he's paid, but no.
29:20I don't know.
29:21But he needs martial arts.
29:22Well, well.
29:24Damn Don Juan!
29:25Let's go, let's go, let's go.
29:26I mean, I don't know.
29:27If you don't, I'll go alone.
29:28I don't know.
29:49San Juan blessed.
29:50What is that?
29:53I don't know.
30:19After you, beautiful lady.
30:21Thank you, my prince of heaven.
30:23Good morning!
30:24Good morning!
30:25I slept so well today.
30:26I also slept very well.
30:28Although Jimmy woke me up in the morning with his questions.
30:31Oh, I answered him with a lot of poop.
30:33What's my fault that Alessia cut off contact with me?
30:39Good morning!
30:40Good morning, little girl.
30:41Good morning to everyone.
30:43And mom?
30:44Just that, aunt, to ask.
30:45Didn't she come down?
30:46I haven't seen her.
30:47Well, maybe she went out to run.
30:48Oh yes.
30:49I'm sure she'll be back.
30:50Yes.
30:51Hey, Dani.
30:52Who's in the bathroom?
30:53Yes, huh?
30:54What?
30:55Of course.
30:57And why is the door closed?
30:59Because I slept in the bathroom!
31:02Mom?
31:03Why don't you answer me?
31:05Bring the toilet paper, I can't feel my legs anymore.
31:08My God.
31:10But what happened?
31:12I don't know, but it's probably my fault.
31:15Just breast, daddy.
31:16The law of the married.
31:17Breast.
31:19Of course.
31:20Well said.
31:21Well said.
31:25Mom, why didn't you call me?
31:27Of course I called you.
31:28You must have like 20 missed calls on your cell phone.
31:31I swear I didn't hear anything.
31:34Do you know what I dreamed last night?
31:36That a gold bath was coming in.
31:38And everything was gold.
31:40Even the water was gold.
31:41And do you know what else was gold?
31:43Oh, but we need details, please.
31:45No, don't be so discreet, you can hear everything.
31:48Really?
31:49Well, not so much to you.
31:50Uh-huh.
31:51Good.
31:52González family.
31:53González family.
31:54Hello, González.
31:55We are Goyeneche.
31:56What's up, what's up?
31:57Oh, it's true.
31:58Goyeneche.
31:59Contreras.
32:00Familia Flores.
32:01Collazos.
32:02Lara.
32:03And Panduro Panturo, which is me.
32:05Well, what's going on?
32:06Oh, yes.
32:07It's just that I can't say it.
32:09Totally?
32:10No, I can't say it because it's something that is indescribable.
32:14It's inaudible.
32:15It's unusual.
32:16It's as if the aliens had brought it.
32:18Better come and see it.
32:20Let's see, let's see.
32:32Oh, what is that?
32:37That is modernity.
32:42Sir of the houses, is this machine yours?
32:45Yes.
32:46This super modern machine is the Neutronics 1000 with artificial intelligence.
32:52I need artificial intelligence because natural does not have it.
32:59Laugh as long as you can, ignorant González.
33:02Because soon they will cry.
33:05My machine will make them bite the dust of defeat.
33:09Uh-huh.
33:12Wait a minute.
33:13Here is my daddy's winery.
33:15Oh yeah?
33:16What a shame.
33:18Why don't you blame the free market system and let the best win?
33:22But then I can keep his smart refrigerator because everyone prefers personal treatment.
33:28Well said, daughter.
33:29Yes.
33:30Listen to me, millennial insolent.
33:32Yes, yes.
33:34Look, we're in the New Lomas.
33:36Nobody wants a neighborhood winery here.
33:38So now, if you'll excuse me, I'm thirsty.
33:44Water.
33:45No gas.
33:54Excuse me.
33:56Primitives.
33:59But why do you treat him like that?
34:03Let's see, I want water.
34:04I want a banana, banana, banana.
34:06Leave it to me, leave it to me.
34:07Let's see.
34:08I want a tamal, tamal.
34:09Let's see, let's see.
34:11Nothing.
34:12Tamal.
34:13I think you have to pay first.
34:15Oh yes.
34:16I saw that you put your card there.
34:17Well.
34:18Let's see.
34:19Water, water.
34:21Water, water.
34:24And?
34:25Did you dream of your daughter?
34:26Don't make fun of me, Diego.
34:28No, I'm not making fun of you.
34:29I just want to know if the meditation worked.
34:32What's going on?
34:34I was remembering my late daughter, that's all.
34:37Leonardo Rizopatrón,
34:39or Llanos, or whatever his widow's name is,
34:42made him believe that he can talk to Isabella.
34:45He didn't say that.
34:46He said to listen to his voice in dreams.
34:49It doesn't seem so crazy to me.
34:51Don Gilberto says that every now and then he talks to his late wife.
34:55Because that old man is beyond here.
34:57Well, Teresa has practically become Mrs. Leni.
35:02I can't even talk about Lucho González who resurrected three times.
35:06Those González don't respect the differences.
35:08Not even those of life and death.
35:12Is it possible that they have the key?
35:18We are not going to allow that devil's machine to beat us.
35:21No!
35:22The winery, Mi Palomita, is the best.
35:24Yes!
35:25We are going to sink Miguel Ignacio.
35:27Yes!
35:28That cold machine is not going to beat us.
35:30No!
35:31Much less now that my beautiful daughter is the face of the winery.
35:34That, Maripaz.
35:35You have to defend the family.
35:37Trust my family.
35:38That little machine is not going to beat us.
35:40No!
35:42Did you see the machine that is outside?
35:44They sell great ice creams.
35:46Love, how did you pay?
35:48They gave me this card.
35:49It came with 100 soles as a gift.
35:53Now we are going to see if those marginals survive my promotions and offers.
36:00Do we distribute in the neighborhood, Mikey?
36:02Of course, my love.
36:04Everyone has to have their Nacho Card.
36:31What are you doing, Valentino?
36:34Surprise offer.
36:35What do you think?
36:42Ready, Mr. Estrepo.
36:43Your car is tuned and purrs like a kitten.
36:47Thank you very much.
36:48Well, do I cancel you?
36:49Well, if you cancel me, I have a discount.
36:51And I also have a stick here for the winery.
36:56Great.
36:58Here you go.
37:00Very kind.
37:01Ready.
37:02And how is my pressure, miss?
37:04Oh, they will give you their results in the winery, my little dove.
37:07Finishing the parking lot on the right, two blocks in front and ready.
37:10But you told me it was free.
37:12Yes, yes, it's free.
37:14Look.
37:15Reclamation.
37:16Reclamation.
37:17Reclamation.
37:18Reclamation.
37:19Reclamation.
37:20Reclamation.
37:21Reclamation.
37:22Reclamation.
37:23Reclamation.
37:24Reclame your results with this code.
37:27And it has a 2% discount on antifungals.
37:33Make a logo.
37:40Very good, passengers.
37:42Last stop.
37:45Please get off everyone in order, please.
37:48Wait a moment, I'll give you your ticket.
37:51Very good.
37:53Let's see.
37:54I'll take care of it, I'll take care of it.
37:55I'll open it.
37:56Let's see.
37:57Get off in order.
37:58And now I welcome you to the modern and flamboyant winery, my little dove.
38:03Please come in.
38:04Here you will find everything.
38:05You have a 10% discount on coffee products.
38:08And remember that with your ticket you can exchange a nice gift made of badges.
38:14Come in, come in.
38:15Without compromise.
38:16Come in, come in, come in.
38:18No, but ...
38:23No, but ...
38:25And the little gift?
38:26It's bad today.
38:53It can't be.
38:55That machine of the devil is taking all my clients.
38:59Nobody is entering my daddy's winery.
39:01Yes, Teres.
39:02I don't know where the personal treatment, human values, and so on have stayed.
39:12And that banana?
39:14Oh, it's cheaper, Teres.
39:16It comes out fast.
39:17You serve me like this, in one go.
39:18Traitor!
39:23Sufran González.
39:25It's delicious to see how those marginals are extinguished.
39:28Soon I will take away their livelihood.
39:37Excuse me, Aunt Teres.
39:38It's time to put an aggressive strategy into practice.
39:43A winning roulette.
39:45What a good idea.
39:48Ha!
39:49How sad your promotion.
39:51Give up already.
39:55Oh, I'm half a whore.
39:56I'm going to put on some glitter.
39:57I'll be right back.
39:58No, my love.
39:59I sacrifice myself.
40:01Attention.
40:07Come on, play and win.
40:09The millionaire roulette of the winery, my little dove.
40:12Where?
40:13Everyone wins.
40:15Everyone wins.
40:16Of course, mom.
40:17Of course.
40:18How beautiful.
40:19What a queen.
40:20What a baby.
40:21My girl.
40:22My girlfriend.
40:23Maripaz.
40:24Maripaz.
40:25Look at the roulette.
40:28Damn degenerate.
40:30Dad.
40:31Dad, I need something.
40:37Let that winery die.
40:39Ha!
40:40Nobody is going to buy them.
40:42If I had known it was so easy, I would have done it a long time ago.
40:45Ha!
40:46I want to be the fifth teletubbie.
40:50I want to walk around the field.
40:53I want to see the colorful world and go out to play.
41:06The promotion was useless.
41:09I did a thousand, thousand laps in the roulette and no one came.
41:12And this chormet and polo had me all hot.
41:14Enough, love.
41:15If you want, go change and I'll wait for you in the winery.
41:19Until I burn the last card.
41:22Ouch!
41:23But...
41:24Go, go, go.
41:25I'm all hot.
41:26Go, go, go.
41:28Oh, baby.
41:29Don't feel bad.
41:30You did what you could.
41:32But you can't beat us with a machine, Teres.
41:34It's not a machine that beat us.
41:36It's Miguel Ignacio.
41:38I don't know what I'm going to do when my dad comes.
41:40How am I going to tell him?
41:42Well, I'll think of something.
41:43You can keep serving.
41:44But who?
41:45If no one is coming.
41:52Pass the door.
41:53Pass.
41:57For God's sake.
42:00Yes.
42:01It's me.
42:02The new matriarch.
42:04Now I'm carrying the family on my shoulder.
42:06Mrs. Tere.
42:07I don't look like you, Teresa.
42:10Mrs. Tere.
42:12Mrs. Tere.
42:15A consultation.
42:18Do you talk to Meli?
42:24Luisa!
42:25Where are you?
42:27I was looking for you today.
42:32I saw you, Miss Zapata.
42:34I'm Mrs. Zapata.
42:36Whatever.
42:39What are you eating?
42:44Guarguero, sir.
42:49Enjoy it.
42:53I don't want a bite.
42:58Why not?
43:04Why not?
43:27Very good.
43:29Go back to work.
43:31Yes, Mr. Manager.
43:34Yes.
43:53Yes.
43:54I talk to her.
43:56I pray to her.
43:58I bring her to my memory
43:59to remember her as she was.
44:02But...
44:05Do you talk to her?
44:07I mean, do you feel that she talks to you?
44:11I mean, if she were here,
44:12talking to me face to face, no.
44:15But I feel her presence.
44:17In fact, I'm more and more influenced by her.
44:21You can see that.
44:23Yes.
44:25And your father,
44:27Mr. Gilberto,
44:28talks to Meli, right?
44:30No.
44:31I've seen him.
44:34Yes, my dad always talks to my mom.
44:36Although,
44:37sometimes he exaggerates a little.
44:40Here among us,
44:41Olinda became jealous
44:43of my mom's ashes.
44:45Don't tell me.
44:48Well, clearly,
44:49I had a different idea
44:51of your relationship with your deceased.
44:58Mrs. Francesca,
45:00what do you want to tell me?
45:02How can I help you?
45:06I don't know if I should tell you.
45:09You're going to think I'm crazy.
45:11No, we listen, we don't judge.
45:15You know that my daughter Isabela
45:16suffered a violent death.
45:19Horrible.
45:21And since then,
45:25I can't remember her
45:27if it's not with a lot of sadness,
45:29with a lot of pain.
45:32When I come to my memory,
45:35I feel
45:36a great disappointment.
45:41I would like to be able
45:42to enjoy your memory with joy,
45:46if only I had a hope.
45:50I think what you need
45:51is to talk to Father Manuel.
45:54No, no, no.
45:55I know what you're going to tell me.
45:56And it's not a lack of faith.
45:59I just need to talk to her,
46:04see her smiling,
46:07know that that bullet
46:08didn't kill both of them.
46:12I understand, I understand.
46:17I think I already know
46:18who can help you.
46:20Some specialist?
46:21Totally.
46:22A professional on the subject.
46:24Someone who helps heal the wounds
46:26when a loved one is born.
46:30I'm going to thank you very much
46:31for giving me the contact.
46:35Let me get it, excuse me.
46:44That's what I need.
46:47To heal this deep wound.
46:50I hope that...
46:52psychiatrist,
46:54coach,
46:56holistic healer,
46:57whatever his name is,
47:00helps me
47:02remember my daughter
47:03with the joy that characterized her.
47:12Isn't that Diego's nuclear man?
47:14What is he doing here?
47:21¿QUIÉN ES EL NÚMERO 2?
47:42¡Sí!
47:44It's mine.
47:46I thought I had lost it.
47:48He was at the Gonzales' house.
47:51What? What was he doing there?
47:54In a neighborhood where corpses change places, a doll is nothing.
47:59But I had it in my drawer.
48:01Even for them it would be too bold to take it from there.
48:06And what were you doing in that house?
48:08I stayed thinking about what we talked about.
48:10The relationship that the Gonzales have with their dead.
48:14Are you going to continue with that?
48:16If you had suffered what I suffered, you would also cling to anything.
48:24You're right, forgive me.
48:31And above all, the way they remember Nelly and Lucho when he was alive,
48:39is healthier than my eternal mourning for Isabela.
48:43Don't tell me you're going to start following in the footsteps of that old motorist
48:46and you're going to walk with your pyramid everywhere.
48:48Oh, please, no.
48:51Teresa has recommended me to a professional
48:54who is dedicated to helping people to overcome this type of loss.
49:00Teresa? I was surprised by her.
49:04Yes, she is well changed.
49:06She is more focused, more alert.
49:13NEUTRONICS
49:21Two thousand soles in one day. I love you, Neutronics.
49:26I love you too, Nachito.
49:29Neutronics, don't call me Nachito.
49:34NEUTRONICS
49:40We have to admit that a machine beat us.
49:44We still don't give up.
49:46But if no one comes, Valentino.
49:49It was for the good, now it's our turn.
49:53NEUTRONICS
49:56A holistic healer.
49:58Yes, he is a professional of the soul,
50:01dedicated to healing people who have suffered violent losses.
50:05Like us?
50:06Yes, I'm sure he will help us to overcome the death of my daughter
50:10and the woman you loved so much.
50:13I can't wait to put myself under the tutelage
50:16of this rejected healer, Franchi.
50:19NEUTRONICS
50:21I'll tell you.
50:31NEUTRONICS
50:35Bienvenido, maestro.
50:39NEUTRONICS
50:55Hello, daddy?
50:58Yes, everything is fine, the winery.
51:01The winery is wonderful, dad.
51:03Everything is working amazing.
51:05In a few words, your winery is breaking sales records.
51:10A total success.
51:12I see that you are empowered.
51:15But fortunately, now I'm here
51:18to de-empower you, watchdog.
51:23Listen to me carefully.
51:25If you make a mistake, a minimal mistake,
51:28I'll make it impossible for you to get fired.
51:31Do you understand?
51:33The smallest mistake?
51:37I know how to eliminate it, but it won't be easy.
51:40Felix is watching her all the time, but don't worry.
51:42We'll take care of him.
51:44We'll take care of him?
51:46Honey, I told you...
51:47Princess, princess, calm down, okay?
51:49I just need to call my team.
51:53I need to see you again, honey.
51:57It doesn't matter how much you have to pay.