Hoshyarian | Haroon Rafiq | Saleem Albela | Agha Majid | Goga Pasroori | Comedy Show | 3rd Jan 2024
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00:00Hoshiyariyan, Hoshiyariyan, Hoshiyariyan, Hoshiyariyan, Hoshiyariyan, Hoshiyariyan, Hoshiyariyan, Hoshiyariyan, Hoshiyariyan
00:18Assalam-o-Alaikum viewers, I am Haroon Rafiq and you are watching my Hoshiyariyan.
00:22Friends, the thing is that today I want to discuss something with those people
00:25who make syllabus and course outlines for schools, colleges, and universities.
00:32I want to say that a very strange time has come.
00:35The way, the speed with which technology and everything in the world is changing,
00:43with that speed, a person is not able to predict what will happen in the future.
00:49So, the child who is going to school today, who has to go abroad at the age of 16, 17, 18,
00:55and has to see the world and has to find out what to do in the world,
01:00you cannot predict the world of that time, or even the world after 5 years.
01:07So, I see that our educational institutions, especially the educational institutions of the government,
01:12the problem with them is that first of all, the teachers do not come.
01:15And even if the teachers come, they teach the same course that was made in the olden days,
01:22the course that we have made with reference to the present.
01:26There is no prediction in that and you cannot even do it.
01:28This is right, but what to do now?
01:32Now, we do not want those children, or we do not want such people,
01:36who just brainwash the students and reproduce them on paper.
01:41Now, you have to make the course outline such that that child becomes such a person
01:47who learns things very quickly, becomes a quick learner.
01:52When he goes abroad in the future and comes into the practical life of the world,
01:56then he should be capable of quickly learning the new thing that has come,
02:01and also adopt it and also adapt with it.
02:04That is why the courses that you are making, the ones that the teachers are teaching,
02:07I request all of you to make these children confident.
02:12Pay more attention to this.
02:13And secondly, create curiosity in them.
02:16Make the course outline such that our children,
02:21the students, whether they are in college, university or anywhere else,
02:24when they come into the practical life, they learn very quickly.
02:27And for that, make the children curious.
02:31When we ask them questions, we also give them answers.
02:33Do not give answers.
02:35Let them come up with an answer.
02:37Create such children who can learn quickly so that whenever they go abroad,
02:41whatever the world is, wherever there is technology, they can go with it.
02:45Let's start today's show with this message.
02:49Today, let's take you to the rooftops of Lahore and see what is happening.
02:55On the rooftops of Lahore, Mr. Haroon, so many interesting things are happening.
02:59But where we go, there is only
03:01Cows! Cows! Cows!
03:04You are a lady. I can't even say anything to you.
03:07What are you both doing here?
03:08Nothing, we are just sitting here.
03:10The people who sit like that should be those who are very successful,
03:15have a lot of money, have made progress in life, have developed the country.
03:19Then it is necessary that they sit like that.
03:21This is also work.
03:22What work is this?
03:23This is sitting.
03:24What is this sitting? Why didn't you both go to work?
03:27We don't know how to work.
03:29Look at the country, where we are going.
03:31There are no jobs, the kids are roaming around with certificates.
03:36Do you have a certificate?
03:37No.
03:39Listen to me, get up and go to work.
03:43What work is there? There is no work.
03:45The kids have gone to work.
03:47The kids have gone to work.
03:50Mr. Haroon, I don't have a job.
03:51I am not interested.
03:53Why are you not interested?
03:54No, I mean, I am not talking about jobs.
03:57I am not interested in your nonsense.
03:59Both of you do some work.
04:00My father has gone to work for me.
04:03Where will he take me?
04:05What is the use?
04:06When Mr. Sikandar left, he was empty-handed.
04:10But as long as he lived, he was empty-handed.
04:14I have given him money.
04:15I am happy, but there is a lot of trouble.
04:18What happened?
04:19He didn't go on his own.
04:21Yes.
04:21He went on his own.
04:22Yes.
04:23There is a problem.
04:24I don't know where he learned such bad things.
04:27What?
04:27Mr. Haroon, there is a lot of trouble.
04:30What?
04:30Rano, I send her good morning.
04:34She sends it like a dog.
04:37Oh!
04:37She is sending you a kiss.
04:40Kiss is a matter of happiness.
04:45She sends me a kiss with her face.
04:49Didn't you bring her on your DP?
04:52I feel bad for her.
04:56It's nothing like that.
04:57She loves me a lot.
05:00But why is she abusing you?
05:02I don't know why she is abusing me.
05:05She is educated.
05:06Sister-in-law, I am very angry.
05:10You have been like this since childhood.
05:11I have never heard such things.
05:14Oh!
05:15I have never heard such things.
05:16Really?
05:17You must have heard it.
05:18How can I hear it?
05:19He is mad.
05:20He can't believe what he hears.
05:24It's nothing.
05:26You are not saying anything.
05:27She is abusing the king.
05:30She is not abusing you.
05:31She is abusing me.
05:33I went to buy breakfast this morning.
05:35Okay.
05:36The market is nearby.
05:38I thought she would start talking in the market.
05:43But she started talking to me.
05:45Okay.
05:46She said, it's 11 o'clock.
05:48Why don't you say it louder?
05:51What?
05:52She said, it's 11 o'clock.
05:54Oh!
05:55I didn't say that.
05:56I said, it's 11 o'clock.
05:58Okay.
05:58She is saying, it's 11 o'clock.
06:00What?
06:01You are a lady.
06:03Ask her what I said to her.
06:06She is educated.
06:08She can't say it.
06:10Stop it.
06:12It's 11 o'clock.
06:13It's been five minutes.
06:18Greetings, sister-in-law.
06:19How are you?
06:20I am fine.
06:21How are you?
06:22I am fine.
06:23Sister-in-law.
06:24She is abusing me.
06:27Is she fine?
06:29Yes.
06:29Dhanu.
06:30She is our friend.
06:31Meet her.
06:32Run.
06:34Dhanu.
06:36Yes.
06:37She is abusing me.
06:39You will be abused a lot.
06:41Why?
06:41I have a lot of space on my head.
06:48Dhanu.
06:50The things that you said to me.
06:53Why did you abuse me?
06:56What did I say to you?
06:57I didn't say anything to you.
06:58Dhanu, do you remember?
07:00You sent me a message saying good morning.
07:03A message?
07:04Yes.
07:05I thought it was a sweet message.
07:07You were making a dog's face.
07:09Dhanu, I think you are in love with dogs.
07:14It's just one message.
07:17You wrote a long message of 3-4 lines.
07:20Where did you learn that?
07:21What did I write?
07:22I didn't get angry.
07:23I didn't get angry.
07:25We are free.
07:26I didn't get angry.
07:27He doesn't get angry.
07:28He is my friend.
07:29He gets angry if I don't say anything.
07:31I don't believe you.
07:32Do it.
07:33You..
07:34Hello.
07:35He is feeling shy in front of me.
07:36He doesn't do it.
07:38You have been talking for a long time.
07:40How long has it been?
07:41I told you that I am not in a good mood.
07:44Uncle, I forgot to tell you.
07:46My phone has been with dad for a week.
07:49Your dad is talking for a long time.
07:52He is sending you a message.
07:53He is talking like a made in father.
07:57Where is your father?
07:58Go back.
08:00He is talking.
08:01Yadav, wait for a minute.
08:02Let's talk.
08:03You are my brother.
08:04Hit him with your shoes.
08:04Your father doesn't have the right to talk.
08:06Uncle..
08:08Leave it, sister-in-law.
08:09I am feeling shy.
08:09Yadav, wait for a minute.
08:10You go, sister-in-law.
08:11I want to cool down.
08:13He is talking like a mad man.
08:15He is sending us to be his dogs.
08:17Tell him that we are your family's dogs.
08:21No, no.
08:21He is talking like a mad man.
08:25Yadav, wait for a minute.
08:26I am feeling shy.
08:27Yadav, wait for a minute.
08:28Go, sister-in-law.
08:29I want to cool down.
08:33Are you mad?
08:34Go back.
08:35Yadav, wait for a minute.
08:36Are you mad?
08:37There will be a fight.
08:39Yadav, I will teach him a lesson.
08:43Greetings, uncle.
08:47I thought you are fighting again.
08:49We came to play a game.
08:52We were trying to figure out how to fight a fight.
08:57Wow!
08:57There is an academy there.
08:58Is it Bruce Lee's house?
09:03I don't understand, Mr. Varun.
09:05What?
09:05There is a strange message on our mobile phones.
09:08What message?
09:08Good morning.
09:10My wife never told me this.
09:11Oh!
09:12What do you do?
09:13I saved her number on my phone.
09:15Bandar Ka Bachcha.
09:16What?
09:21What did you do?
09:22I got angry and asked her to bring a dog.
09:28Uncle, I agree that you know a lot of languages.
09:30I wanted to ask you a question.
09:32Yes, son.
09:32What is the meaning of Ekdimbada?
09:34My father used to tell a man.
09:38Uncle, what is this?
09:40What is this?
09:44I will hit you with a stick.
09:46Get lost.
09:48I am going to be your son tomorrow.
09:50What happened?
09:51I won't listen to you today.
09:53I won't listen to you today.
09:54Abhi, convince your uncle.
09:57We will talk later.
09:59I am your friend.
10:00I will give you a yes commander.
10:02Uncle, I want to talk to you.
10:04Yes, son.
10:05The wise people say that you should not sit at home.
10:08What?
10:09You should not sit at home.
10:11Okay.
10:11Uncle.
10:12Yes.
10:13Why are you scolding someone?
10:15I have grown up now.
10:19Uncle, this is not a good proposal.
10:22You should get your daughter married.
10:24Give me your number.
10:28I will save it as Bandar Ka Dost.
10:31I don't have a job.
10:32Okay.
10:33I don't earn money.
10:34I don't earn money to buy a house.
10:35Uncle, Kanal's plot is in his father's DSA.
10:39Okay.
10:39He will give it to you on the third day.
10:41Security.
10:42Son, I don't want to take this decision immediately.
10:46Give me 10 seconds to think about the time.
10:49Uncle, take your time.
10:50Don't take good proposals again and again.
10:54Uncle, I have talked to my father.
10:57He is okay with it.
10:58I will give it to him.
10:59Thank you, uncle.
11:00Abhi, what is the name of the plot?
11:03I will give you a yes commander right away.
11:05The boy in the last lane has become a lawyer.
11:08Okay.
11:09He says that he has gone to Sikh Sukh.
11:12He goes to Daltan.
11:13Call him and tell him everything.
11:15I will tell him.
11:16Jay's and Kanal's plot is in his father's DSA.
11:19Okay, you don't worry.
11:20I will give you a yes commander right away.
11:25Father.
11:26You have manners to call your father.
11:28Go and call him.
11:29Call him with manners.
11:30Father.
11:36You have been sitting on the roof for the last 24 hours.
11:38You have been sitting on the top.
11:39It is a matter of your skin.
11:41You should be on the roof.
11:43Give him water, son.
11:44Father, I have good news for you.
11:47What is it?
11:47I have got a place to sell sweets.
11:50Give him a hug.
11:52Okay.
11:53He is my uncle, Kanal.
11:55Okay.
11:55He has given me a yes for Ran's proposal.
11:57He is very happy.
11:58Oh, very good.
11:59Okay.
12:00Don't worry.
12:01The DSA plot.
12:03Okay.
12:03I will give it to Ranu.
12:06What?
12:15Have you thought about it?
12:17I have taken a plot.
12:21Oh.
12:22Don't do this.
12:25Uncle, come upstairs.
12:27Father has gone upstairs.
12:28He has gone upstairs?
12:29What is it?
12:31What happened?
12:32What happened?
12:33Brother, they are trying to kill me.
12:36Okay.
12:43You are so cheap.
12:44You have gone to Nanke's house.
12:46Hey, who has gone to Nanke's house?
12:50Cheap thinking.
12:51This is cheap thinking.
12:52He has gone to his father's house.
12:53If he had gone to his father's house,
12:55he wouldn't have done this.
12:56Yes, he wouldn't have done this.
12:57You had given your sister a plot.
12:59You didn't give it to her.
13:00We didn't have any plot.
13:02We had a plot.
13:03We gave it to her.
13:04Your father himself came and told us
13:06that you steal so many clothes.
13:08Yes.
13:08He gave us four clothes.
13:09Oh.
13:10He used to say this.
13:11You also listen to him.
13:12Why are you lying?
13:14He had taken six suits.
13:15He didn't give three.
13:18But brother, listen to me.
13:20Don't tell anyone about this plot.
13:22You will be in trouble.
13:23What happened?
13:24I have got a plan.
13:26I have opened a road.
13:27DSA.
13:28Yes.
13:28I have sold two shops.
13:29Yes.
13:30He is saying that he is going to marry a girl.
13:32Okay, I will go and ask him.
13:34Yes.
13:35What is this?
13:39You should be proud of yourself.
13:41You have children.
13:42You are the most beautiful woman in the world.
13:44The most beautiful woman in the world.
13:45I have never seen such a beautiful woman in my life.
13:51Give it to me.
13:52It's nothing.
13:53Uncle, explain to him.
13:55Brother, how much is this?
13:57All of this.
13:58No, no.
13:59It's not even worth a single penny.
14:01Give it to me.
14:02Your grandson is a bad man.
14:03What bad man?
14:04Don't talk like this.
14:05You are a bad man.
14:06Give it to your sister.
14:07Get out of here.
14:08Nasreen is here.
14:10Why?
14:10Not him.
14:12Not him.
14:13This is your responsibility.
14:14I will go to my sister.
14:15He is angry.
14:16Why should I be angry?
14:18I mean, without you?
14:20I am saying it.
14:21You are saying it.
14:22Hey, girl.
14:23Yes, brother.
14:23You called me.
14:24I will show you.
14:27Okay.
14:31This is our family custom.
14:33We don't listen to anyone else.
14:35This is your family custom.
14:37Why did you slap the girl?
14:38No, uncle.
14:40She won't come for me.
14:42I don't have a single penny for you.
14:45Let's go inside.
14:46Yes, let's go.
14:48What are you doing?
14:49I raised her up.
14:50She has a little responsibility.
14:51Why don't you do the same?
14:52Listen to me.
14:53Why did you slap her?
14:55Why did you slap her?
14:56I am her father.
14:58Where else will I go?
14:59I have a daughter.
15:00I will stay here for life.
15:01Give her a little.
15:02I will slap you.
15:04I will keep you in the court.
15:06Let's go.
15:07Let's go.
15:08I will slap you.
15:09I will slap you.
15:10I will slap you.
15:11I will slap you.
15:12I will slap you.
15:13I will slap you.
15:14I will slap you.
15:15I will slap you.
15:16Don't fight.
15:17Don't fight.
15:18My boy is a drug addict.
15:19I will give you a piece of cheese.
15:26All of them are sleeping with him.
15:29Someone else can also get into a fight.
15:33It's all because of you.
15:34It's all because of you that my family is fighting.
15:37Your mother has become a prostitute.
15:39All of us are going to be beheaded.
15:42It's all because of me.
15:44It's all because of me that my mother died.
15:47And your family is ruined.
15:49You fought with your uncle.
15:51I will accept defeat.
15:53Look at my hands.
15:55I won't die the day my father cries because of me.
15:59Really.
16:00Dad, give me a hug.
16:01My son.
16:03I am proud of you.
16:05That's enough, dad.
16:07Don't mention the DSC plot again.
16:10You...
16:15You...
16:16You...
16:17You...
16:18You...
16:19You...
16:20You...
16:21You...
16:22You...
16:23You...
16:24You...
16:25You...
16:26You...
16:27You...
16:28You...
16:29You...
16:30You...
16:31You...
16:32You...
16:33You...
16:34You...
16:35You...
16:36You...
16:37You...
16:38You...
16:39You...
16:40You...
16:41You...
16:42You...
16:43You...
16:44You...
16:45You...
16:46You...
16:47You...
16:48You...
16:49You...
16:50You...
16:52Don't even think of mentioning my plot.
16:55What happened there?
16:57Ashwini.
16:59Uncle.
17:02Go for breakfast.
17:04It's everything?
17:05Yes.
17:06That's great.
17:07Very good.
17:08Give me my fatso這裡
17:12There is another fatso.
17:14Who is he?
17:15The one who just slipped on my pant.
17:17It's ok.
17:18I guess you didn't hear it properly.
17:20Your son said that Wasiqa Nawees is coming.
17:23Who is Wasiqa Nawees?
17:25No one has to come in this house.
17:26Wasiqa Nawees will come here only.
17:28Hey, Nawees.
17:30You don't take the name of someone else's plot.
17:33I will start with the plot tomorrow.
17:37Naseerin is not like that.
17:38He is our sign.
17:39He is our ID card.
17:40Yes.
17:41He is our name.
17:42He is not our name.
17:43If we put your fingerprints then..
17:45We will sleep with someone else.
17:47Tomorrow we will sleep with Pappar Chand.
17:48Let's cut your fingerprints.
17:52Naseerin is not saying to cut the fingerprints.
17:54You have to fall in love at some point of time.
17:56You don't have to do it like this.
17:59Do you want to eat or not?
18:01Go away.
18:02She doesn't want to give the flatbread.
18:02I am telling you.
18:03I won't give the flatbread.
18:04Don't be so cruel.
18:05The thing is..
18:07..all this will remain here.
18:09But you work hard, do business and make your own plot.
18:13Then you can give it to anyone.
18:14But till the time your father is alive..
18:17..how can he give you the inheritance?
18:19What do you mean?
18:20Please explain this to me.
18:21It means that when he will leave this world..
18:24..then everything will be yours.
18:25And what about me?
18:26Nothing.
18:27Everything will be yours.
18:29Okay.
18:29As soon as he will leave this world..
18:31..then everything will be yours.
18:33Will I not get my property?
18:35Yes.
18:35Hey, don't come here. I will eat.
18:39Don't come here.
18:40Father, I have come to know that you can't see my happiness.
18:45What?
18:45And I will throw you out of this wall.
18:49I will throw you out and break your legs.
18:52I will throw you on the floor.
18:53No one will give me the property.
18:55I will die and you will be happy.
18:57Hey, Nasreen.
19:00Yes.
19:01This boy is going to throw you out of the roof.
19:03Why? Why?
19:05He says that my legs will break.
19:07My child, I am not coming.
19:10But I can't see this scene.
19:12What are you doing down there?
19:13I am watching a drama.
19:14Which one?
19:16Sometimes me and sometimes your last kiss.
19:18Hey, wait.
19:19It will be over in 35 minutes. Come down.
19:22Mother, come up.
19:23Son's last kiss.
19:25Hey, Rano.
19:29What happened, father?
19:30What are you doing here?
19:31Father, what are you doing?
19:33Rano, I am doing this.
19:35Don't let me meet you for four days.
19:37We will meet later.
19:38Hey, uncle.
19:39Give me love and go.
19:42Uncle, please. Please.
19:43I swear on me.
19:44Wait for a second. I am coming.
19:47Don't move.
19:49Mr. Dhoom, this is called true love.
19:51Love more than a mother, Rirang.
19:54One minute. One minute.
19:56Yes. Now jump.
20:01Your video will go viral.
20:03People will like it.
20:03Come on, son.
20:04A lot of likes. It will go viral.
20:06Who likes an old man?
20:07Come on.
20:10Get up. I am going to hit you.
20:12Did someone hit my uncle?
20:14I am going to hit you.
20:17It was my last kiss.
20:19I will see what happens next.
20:25Ladies and gentlemen, you take a short break.
20:27We will meet after the break.
20:28Listen. Why didn't you ring the bell?
20:30It's a new era. Why did you knock?
20:32I will ring the bell and come back.
20:36He is a funny man. We should call him.
20:38Open the door.
20:40Oh, no.
20:41What happened?
20:42The door hit me in the face.
20:43You hit me in the face with the door.
20:46I am going crazy.
20:47I was trying to stop you from doing it.
20:59Welcome back, viewers.
21:01Yes, Irza.
21:01Mr. Arun, I think the strange and poor people
21:04used to come to our show.
21:05Maybe that's why you put this door here.
21:08Yes. Actually, the problem is that people see
21:10and suddenly someone comes.
21:12Yes.
21:12So, we have put an electronic barrier here.
21:16Oh.
21:16Sometimes it breaks.
21:18Then it doesn't close.
21:19So, the day we thought that the barrier will be open
21:22we will put a door here so that no one can come here.
21:24That's fine. But what was the use of putting a red curtain?
21:27Someone can come at night as well.
21:30Okay. The red curtain is also put.
21:32Why are these two things hanging here?
21:34Why are these clothes hanging here?
21:36Tapestries.
21:37Tapestries.
21:38What is this?
21:38There is a curtain on the window.
21:40Where are these women going with the pot?
21:43We have shown the culture of Punjab in this temple.
21:49We have also shown Sindhi in the middle.
21:52The tapestries and the red curtain.
21:54I think this is for the light.
21:56What is this?
21:59Actually, this project has been going on for a month.
22:02So, they didn't have time to complete all the things.
22:08The guests have come.
22:09Again?
22:10This is..
22:10Hello.
22:11Someone is here.
22:12Excuse me.
22:14Wait. Who is this?
22:16Open the door.
22:18The door is still open.
22:19People will come from now on.
22:20Hello.
22:21Wait.
22:22Open the door. He is scared.
22:24There is a show going on inside.
22:26What show is going on?
22:27There is a show going on inside.
22:30There is gambling going on inside.
22:33There is a recording going on inside.
22:34Please go inside.
22:35Where is the sister-in-law of ARY news?
22:38Sister-in-law? Do I look like a sister-in-law to you?
22:40Women are very beautiful.
22:45Why are you talking about ARY news?
22:46Why are you asking about our ARY news?
22:49Who is he talking about?
22:53Listen. Why didn't you ring the bell?
22:55Why did you knock on the door?
22:57I will bring the container and ring the bell again.
23:01He is a funny man. We should call him.
23:03Open the door.
23:06Oh, no.
23:06What happened?
23:07The door is open.
23:09You have given the door as well.
23:12Are you mad?
23:12I was looking at your mischievous behaviour.
23:17The dumper is dirty.
23:19Unload it outside.
23:20Why are you asking me about the dumper?
23:21Wait a minute.
23:22Is your car parked outside?
23:24The dumper is dirty.
23:27Unload it.
23:28If you remove the car, the dumper will be unloaded.
23:31What happened?
23:32Did someone start the construction?
23:33Where is he?
23:34He is with you.
23:36He is on duty at the door. Where is he?
23:43Brother..
23:44I came to open the door.
23:47He is here and there.
23:49He is the owner of the house.
23:52Is he the owner?
23:53Yes.
23:53Then he is the owner of your house.
23:56He is lying.
23:58He is not lying.
23:59Where is the dumper? Show me.
24:01Come here. Where is the dumper?
24:03Hello.
24:04Hello.
24:05He is here.
24:06Listen to me.
24:08I am on duty here and there.
24:11Who will do that?
24:13Let it be.
24:14You are a reasonable man. Unload the car.
24:16We are not doing it.
24:18Get out of the car.
24:18Send him inside.
24:19Unload the car.
24:20The car is dirty.
24:21It is mine. What is the problem?
24:23Remove it.
24:23Why should I remove it?
24:24It is dirty.
24:26What is dirty?
24:27There are two dumpers.
24:28Who will unload it?
24:30I won't remove my car.
24:31Why did you lock me up?
24:36This is your work.
24:39What have you done?
24:40Where have you come from?
24:41I have come from upstairs.
24:43The dumper is there.
24:46There is no need for a dumper.
24:47What do we have to do with the dirt?
24:49This is the work of ARY News.
24:51The dumper is there.
24:52This is the office.
24:54They have asked for the dirt.
24:55Why is it dirty?
24:56They are saying that we don't have an artist
24:57who can do it.
25:01You have brought 20 dumpers full of dirt.
25:03We have to make a village.
25:04What do we have to do?
25:05The dumper is our work.
25:07We have to take the money.
25:09We don't know where they will get the money.
25:11You know what?
25:12I don't care about anything.
25:1526 dumpers.
25:1611 dogs and 6 dogs.
25:18We have to do it ourselves.
25:1924 dumpers.
25:2011 dogs and 6 dogs.
25:22Do you have a son or dogs?
25:24Who gives the duty to the remaining 7-8 dumpers?
25:317-8 dumpers.
25:3211 sons and 6 dogs.
25:35They have laboured hard.
25:37Which dumper have you come from?
25:39You don't have any dirt on your hands, face or clothes.
25:42You have lost your mind.
25:45People say that I am the owner.
25:48I have come from my own car.
25:49If they see me from the car, they will change their minds.
25:53Yes, he is the owner.
25:55He has a car.
25:56But he doesn't match the colour of his shalwar.
26:00I was sleeping when I got a call.
26:04I don't want to be a common man.
26:0626 sons.
26:0711 dumpers and 6 dogs.
26:09Yes.
26:10My grandma.
26:11You had 11 sons and 24 dumpers.
26:13Life is like this.
26:15Sometimes you have dogs and sometimes you have sons.
26:19That's why I have asked for the soil.
26:24You have such delicate hands.
26:25Do you think you work for Multani Mitti?
26:27God has given me this.
26:29I have come from my own car.
26:31I have given my own car.
26:336 sons, 11 dogs and 26 dumpers.
26:35What?
26:37What? You have lost your children.
26:39You have lost many dogs.
26:40He is ups and downs.
26:42He doesn't like anything.
26:45But he is a sensible man.
26:48Okay.
26:48He thinks of his sons as his own.
26:50Wow.
26:51Some of his sons are like dogs.
26:57Why are you talking about dogs and sons?
26:59What is the reason?
27:00Stand here.
27:02Why?
27:02The soil has come from there.
27:03Hey.
27:04Oh.
27:05Come on.
27:06What happened?
27:07The soil has come from there.
27:08Mr. Chaudhary Shujaat is coming.
27:10What is the need?
27:12Mr. Shujaat is coming.
27:13He is asking for the soil.
27:15I have brought it.
27:17Wait. Wait.
27:18Move the car. Move the car.
27:22Do you want to eat something?
27:23Wait a minute.
27:24Yes.
27:25Come on.
27:29Move the car.
27:31Move the car.
27:31It's better to hit him with this.
27:34Do you know why he has kept the tissue?
27:36Why?
27:36Because his skin is sensitive.
27:39Let me record it.
27:41Wait a minute.
27:42Move the car.
27:44Come on.
27:44Move the car.
27:46Very good.
27:47I don't have a car.
27:48I have brought my motorcycle.
27:49Do you have a motorcycle?
27:50Yes.
27:51Then why are you wearing such dirty clothes?
27:53What?
27:53I am from Charlie.
27:56Come on. Move the car.
27:57Come on.
27:58I am telling you to move the car.
28:00Come on.
28:01Hello.
28:01Oh.
28:04I will abuse him.
28:06He has said it.
28:09Sister, this is my trolley.
28:11You can use it in the city.
28:13Mr. Haroon, I did not sign up for this.
28:15I am doing a serious show.
28:16I don't like such things here.
28:19I will go away from here.
28:20I don't want him to go away from here.
28:21I don't want him to irritate me.
28:23Come on, my sister.
28:24You don't know me yet.
28:25Come on.
28:27I will hit you with this.
28:28The thing that I am afraid of..
28:30..is this.
28:32What is that?
28:33Shoes.
28:35If anything happens to my brother-in-law, I won't spare him.
28:38Is he your brother-in-law?
28:39Yes.
28:44What are you doing?
28:45How dare you come to this flank..
28:47..and you are telling the ladies to get up from here?
28:50Come on, sister. It's my turn. Hurry up.
28:51I don't want to go anywhere.
28:53Keep the brown one.
28:54It's mine.
28:55Then remove it.
28:56It's still there.
28:57I don't want to remove it.
28:58She is a dumper.
29:00Hello.
29:01Hello.
29:02I am not going.
29:02I am not going.
29:03He is my magician.
29:06Come on. Tell me.
29:08Where do you want to go?
29:09I won't tell you anything.
29:11Why? Why didn't you tell him?
29:12There is no car here.
29:13Then where does he come?
29:14He comes on his bicycle.
29:19Whose red car is that?
29:20That's mine.
29:21Remove it, my sister.
29:22Why should I remove it?
29:23Hello.
29:23It's still there.
29:25Hello. Hurry up.
29:27Don't touch the blue car.
29:28What's wrong with the blue car?
29:30It's the vehicle of Burhan.
29:31What's wrong with that car?
29:32That's my car.
29:33Then I'll take it.
29:36Look at him.
29:37He is like Neemi Parsi Pondey.
29:40Stop it.
29:41He is making fun of my car.
29:42Remove the car.
29:43Come here.
29:44Remove the car.
29:45Hey, fatso.
29:46Why should I remove the car?
29:48Come on. Remove the car.
29:48What's wrong with you?
29:51Okay. I'll remove it.
29:52Come here.
29:53Come here.
29:54Come to me.
29:55Where?
29:55Your son is playing with me.
29:57What did you do?
29:58Really?
29:59Yes.
29:59I told him to play with me.
30:01What else?
30:02I told him to explain to me.
30:04Did you push his car under the mud?
30:06I told him to explain to me.
30:07I don't want to do this.
30:08Why?
30:09My six sons beat me up.
30:11They beat me up.
30:12Yes.
30:14Wow.
30:15You saved the kids as soon as the fight started.
30:17You beat up the dogs.
30:19I'm telling you.
30:20There was no compromise.
30:22Yes.
30:22All the dogs beat me up.
30:28Viewers, take a short break.
30:30We'll meet Jai after the break.
30:31Did someone write a poem and ask you to take a short break?
30:35He is a nuisance.
30:37Who is he?
30:40You don't even have a brain.
30:42You are a nuisance.
30:44He is a nice guy.
30:45Okay.
30:46I think I'll call my crazy grandma.
30:50I think we have only two brains in our show.
31:02Welcome back, viewers.
31:03I'm Dr. Tahir Shaheer.
31:06How can you not talk about poetry?
31:09I remembered a poem.
31:11Tell me.
31:12Love has learnt to divide time.
31:16Wow.
31:16Love has learnt to divide time.
31:20I remember it but it's useless.
31:24Wow.
31:25Very nice.
31:27The poem is very nice.
31:29I'm sure it's useless.
31:31I'm sure it's useless.
31:37The world has made you a stranger.
31:39Wow.
31:40I'm sadder than you.
31:42Faisal.
31:43Faiz has given me a smile.
31:46But don't ask me why.
31:48My heart doesn't work.
31:49Wow.
31:50I'm madly in love with you.
31:53I'm madly in love with you.
31:56I'm madly in love with you.
31:59I'm madly in love with you.
32:02We're talking about sadness of unemployment.
32:04Get a poem related to it.
32:06I think in a few days we'll say..
32:09..both the worlds have lost in your love.
32:12One is going away after a night of sadness.
32:14Wow.
32:15I'll give my heart a break.
32:17I won't take your name today.
32:21Wow.
32:22I'll give my heart a break.
32:24I won't take your name today.
32:26Okay.
32:27I'll give my heart a break when I miss you.
32:31Wow.
32:33The one who recited the poem..
32:36..I'll do such a thing that everyone will take a bomb on their way back.
32:40And we'll take revenge.
32:42We'll take revenge.
32:43Sir, shall I recite a poem?
32:45Yes.
32:45This world gives sadness.
32:48Yes.
32:48But the partners don't give sadness.
32:49This world gives sadness.
32:51Don't stop the time.
32:52But the partners don't give sadness.
32:54Love doesn't diminish when you go away from someone.
32:57I think both Malaika and these two..
32:59..will either go to Wagon or Raksha.
33:06Did someone steal your bangles after reciting a poem?
33:10He is a nuisance.
33:12Who is he?
33:15You don't even have a brain.
33:17He is a nuisance.
33:19He likes it.
33:21Okay.
33:21I think I'll call my crazy grandma.
33:25And I think our program is only good..
33:27..because we have two brains.
33:30He is a nuisance.
33:31He likes it.
33:33That's why I thought I'll call my crazy grandma.
33:35This is not called a crazy grandma.
33:38What is this?
33:39Crazy grandma.
33:40I'll call my crazy grandma.
33:42Okay. I think..
33:44..we should put the mud that came in the last segment..
33:46Yes.
33:46..on him.
33:48When a Punjabi tries to speak..
33:51..she breaks his leg like this.
33:52A lot.
33:53A leg like this.
33:54I don't know where..
33:55She doesn't stop.
33:57No.
33:57She says whatever comes to her mind.
33:59And she confidently says..
34:00..I'll get a horoscope done.
34:02You think you'll be famous.
34:04You think you'll be infamous.
34:05You'll get a tattoo on your knee.
34:07A tattoo on the knee.
34:09A tattoo on the knee.
34:10Okay. A horoscope is there.
34:12And your tattoo..
34:13I have a tattoo of a man with a rope.
34:18I don't understand. I'm having fun.
34:21You don't have to get angry.
34:23She's the mother of Chand and Charkha.
34:25She's here to get her sister on the ground.
34:27Can we listen to a poem now?
34:30Of course.
34:31Of course.
34:31After losing 200 dirhams in your love..
34:35Wow.
34:36Wow.
34:36After losing 200 dirhams in your love..
34:40..she has made a video.
34:43Full HD. 4K.
34:44Wow.
34:474K.
34:48And you're a bachelor.
34:50And you're a bachelor.
34:52You're a bachelor and a bachelor.
34:56You don't know how to use a pickle.
34:58Wow.
35:00But Mr. Tahir Shahid..
35:02..this video recording in 4K..
35:04..isn't that a good thing?
35:06You've lost 200 dirhams.
35:08It's not a big deal.
35:11Okay. Here's a poem for you.
35:12Why do wives keep saying..
35:16..I'm a bachelor.
35:18Wow.
35:21And for the youth..
35:22..boys, shall I reveal the secret of your date?
35:27Mr. Danish, don't worry.
35:28They're not boys. They're men.
35:29Men.
35:30No, you reveal it, doctor. I'm not scared.
35:33Boys, shall I reveal the secret of your date?
35:36A bachelor's coat.
35:38With money in his pocket.
35:39Wow.
35:42Malaika was saying that..
35:43..bachelors go shopping..
35:45..so they often get dollars from their clothes.
35:48Oh, so the shopkeeper keeps it there on purpose.
35:50Yes.
35:51Like a target.
35:52He keeps a dollar in his pocket..
35:55..so that he can get it later.
35:57So he goes shopping for 5,000 rupees..
35:59..for a dollar.
36:02And the education you've come to..
36:05The education you've come to..
36:08The education you've come to..
36:10..has been taken away from you long ago.
36:13Wow.
36:17There are 8-10 true love stories buried here.
36:20Should I tell you the stories of the heart of a bachelor?
36:22Wow.
36:24And the one who shouts at the lizard..
36:28Wow.
36:29The one who shouts at the lizard..
36:31..is teaching on the internet..
36:33..the ways of hunting.
36:34Wow.
36:36Cruel man, I'm fed up of fake money in bribes.
36:40No one is trustworthy anymore.
36:42Wow.
36:44Amazing.
36:45I'll be disappointed..
36:47..if I have to sleep for four days..
36:51..because of my emotions.
36:52Wow.
36:56What a use of this word.
36:58Wow.
36:59Very good, Doctor.
37:00I love you.
37:01Very good.
37:03Sir, I remembered a small couplet of this bear.
37:05For whom?
37:06For Charlie.
37:07Oh, okay.
37:07I'll read it for you.
37:09Raksha Wagon Jeep and Chinchi.
37:12Wow.
37:13Raksha Wagon Jeep and Chinchi.
37:15Raksha Wagon Jeep and Chinchi.
37:18I've heard that your car has many friends.
37:21Wow.
37:23Wow.
37:24Charlie, I've a couplet for you.
37:26A smart man doesn't put on so much make-up.
37:28Wow.
37:29A smart man doesn't put on so much make-up.
37:33It seems that you're working outside.
37:37And Vicky, I've a couplet for you.
37:39I've lost my eyesight, son.
37:41A nice shalwar kameez and a red basket.
37:44Wow.
37:45A nice shalwar kameez and a red basket.
37:49But you look like a gold diamond.
37:54Doctor, I've clicked my photo today.
37:58And it's very beautiful.
38:00Tell me what's in your heart.
38:03Okay, I'll tell you what's in my heart.
38:04Yes.
38:04Show me the photo.
38:05Look at this.
38:06Now tell me what's in your heart.
38:08Bring my crocodile.
38:10Okay.
38:16Ladies and gentlemen, a short break.
38:17You'll get it again after this break.
38:19And I'm here on your show because I want to tell
38:23Mr. Majid to eat khat.
38:24I said, he has to eat khat in English.
38:26He said to eat ghat.
38:27No.
38:29And told him in English that this is the Langar Khat.
38:34So, what would you like to say, Musa, today?
38:36Today, me and my cousins would like to sing a song.
38:39Oh! Wow!
38:40Oh!
38:42Sure, please do.
38:51Welcome back, viewers.
38:52Yes, Irza.
38:53Mr. Haroon, how are you?
38:54I am absolutely fine. How are you?
38:56Thank God. What's going on these days?
38:57These days, I don't understand
39:00whether I should take one leg out of the blanket
39:04or take another blanket over it.
39:06Sometimes it's cold, sometimes it's hot.
39:08This is called a hypocritical weather.
39:11Yes, dear.
39:12Greetings.
39:13Greetings.
39:14The way he is speaking..
39:16Where are you from?
39:17I am from Australia.
39:18Australia!
39:19Wow!
39:21Australia.
39:23How old are you?
39:24I am 14.
39:25And what city?
39:26I am from Adelaide.
39:27You like Adelaide?
39:28Yes.
39:29What is the best thing about Adelaide?
39:31It's like..
39:32All my friends..
39:33It's a nice environment over there.
39:35Nice city.
39:36And how is Pakistan?
39:38It's even better.
39:39Oh, wow!
39:41Wow!
39:42Mr. Agha, the kid has said that he is from Adelaide.
39:45He likes the environment of that place a lot.
39:47And let me tell you something.
39:50I have been there six times.
39:55There is no need to tell him about the environment.
39:57Wow!
39:58The funny thing is that Mr. Agha
40:00he didn't tell you everything.
40:01The language barrier should be completely removed.
40:03Absolutely.
40:03The kid has said that he is from Adelaide.
40:05Adelaide is very beautiful.
40:06It's my home.
40:07My friends are there.
40:08Pakistan is even better than that.
40:09Wow!
40:10And I have come to your show today
40:12because I want to tell Mr. Agha Majid
40:14that he should eat cutlets.
40:15I told him that he should eat cutlets in English.
40:17He said that he should eat cutlets.
40:18No, no.
40:20He said that he should eat cutlets in English.
40:25So, what would you like to say, Musa, today?
40:27Today, me and my cousins would like to sing a song.
40:30Oh!
40:31Oh, wow!
40:32Oh!
40:33Sure, please do.
40:35The floor is yours.
40:36Dil, Dil, Pakistan
40:38Ja, Ja, Pakistan
40:41Dil, Dil, Pakistan
40:43Ja, Ja, Pakistan
40:46Wow!
40:46Wow!
40:47Very good!
40:48Yes!
40:49Very good!
40:50Excellent!
40:50Excellent!
40:51Can I ask a trick question?
40:53Yes.
40:53Steve Smith or Babar Azam?
40:55Babar Azam.
40:56Wow!
40:56Yes!
40:57That's it.
40:58Very good!
41:00Very good!
41:01Thank you very much and good luck to you.
41:03Who's next?
41:05He's calling himself.
41:06Him?
41:07He's saying, say hello to my son, Ricky Ponting.
41:11Yes, son.
41:12Greetings, sir.
41:13Greetings.
41:14How are you?
41:15Alhamdulillah, I'm fine.
41:16Alhamdulillah.
41:17What's your name?
41:18Shahmeer Hassan.
41:19Shahmeer Hassan, that's a lovely name.
41:20What do you do?
41:21I'm a beautician professional.
41:23This is a very good field because
41:25if you globalise your thinking outside Pakistan,
41:29do you know why it's good?
41:30The Chinese app, TikTok.
41:32Yes.
41:33And Snapchat.
41:34Yes.
41:34The biggest success of these two
41:37and the biggest success of Chinese cell phones
41:40is due to a desire.
41:43I often tell the audience what that desire is.
41:46That desire is that there was a photographer
41:48who ran a shop for 50 years
41:50where he used to click pictures of people.
41:53Passport size.
41:54So he had written outside
41:56that if you want to get the same picture taken
42:00and look the same,
42:02then click a picture worth Rs. 100.
42:03And if you want to get the world to see you
42:07and get the same picture taken,
42:09then you have to pay Rs. 200.
42:10So he says that in 50 years,
42:12not a single person or woman
42:13has come with a picture worth Rs. 100.
42:15Hmm.
42:15So, that's why the job of a beautician
42:18is to make people look good.
42:20To make them look good.
42:22So, this is a very good field.
42:23Vicky asked that guy to click a picture worth Rs. 200.
42:26Then?
42:27He clicked it and said,
42:28I don't have it.
42:29I don't have it.
42:31He also went to Chawal and said,
42:32you have it.
42:34He asked him to click a picture worth Rs. 200.
42:36He was in a bad mood.
42:36He said, I'll click a picture worth Rs. 100 again.
42:43By the way, where should this kid be
42:44ideally after 10 years?
42:46Ideally, after 10 years,
42:47I think this kid should launch a product
42:49that goes out of Pakistan.
42:51Because if we keep earning money inside,
42:52then we should take it out of one pocket
42:53and put it in another.
42:54So, Pakistan needs such kids
42:56who make such things
42:57that go out of the country
42:59so that they can earn dollars.
43:00And this should become a means to earn dollars.
43:02So, after 10 years,
43:03think that you want to launch a product.
43:05The condition of our country in front of me.
43:07Yes.
43:08I am seeing my wife fighting after 10 years.
43:12Why is your wife..
43:13Sorry.
43:19Yes, Shahmeer. What do you want to say?
43:21I want to sing a song.
43:22Wow! Sing it.
43:24I tried a lot, but I didn't like it.
43:29Wow!
43:30Wow!
43:31I tried a lot, but I didn't like it.
43:36I didn't find anyone like you.
43:48Wow!
43:50I didn't find anyone like you.
43:55I tried a lot, but I didn't like it.
44:02Wow!
44:03Very nice!
44:04Very nice!
44:06Whether he is a beautician or not,
44:08he will become a great singer after 10 years.
44:10Wow!
44:11Amazing!
44:12And you..
44:13Change your field.
44:14Shahmeer is a kid.
44:17May God give him a long life.
44:18Amen.
44:1830 years ago, Sajjad Ali started with this voice.
44:23Oh!
44:23Wow!
44:25I am getting a lot of compliments.
44:26Wow!
44:27Thank you, Shahmeer.
44:28Next.
44:29Hello, sir.
44:30Hello.
44:31How are you, sir?
44:32I have a voice, but I don't want to say anything else.
44:38Sir, I am a big fan of your show.
44:42I wanted to come on the show.
44:44Okay.
44:45And I will sing a song for you.
44:47Wow!
44:48First of all, you wanted me to come on your show.
44:51As I said earlier, this is not my show, it is yours.
44:54You watch this show.
44:55The existence of this show is because of you.
44:57Sir, we are connected to you.
44:59And you are connected to us.
45:00Wow!
45:00Absolutely, sir. Thank you.
45:02You sing, sir.
45:09Wow!
45:10Wow!
45:10Amazing!
45:19When will you come, my love?
45:28When will you come, my love?
45:35Wow!
45:35Wow!
45:36Very nice!
45:38Very nice!
45:40Who is next?
45:41Hello, sir.
45:42Hello.
45:43My name is Muhammad Ahmed.
45:44Okay.
45:45I work in a job.
45:46Okay, in which field?
45:47I work in a gas company.
45:49Where is the gas?
45:50If there is no gas, then in which company are you working?
45:52Yes, yes.
45:53No, not in the company.
45:55Okay, okay.
45:56Look behind, the next person is not sitting.
46:01Yes, what will you say?
46:02I would like to recite a poem on friendship.
46:04Wow!
46:05Who is your best friend?
46:06Give him a name.
46:07My best friend is Basit and Waheed.
46:10I like them both.
46:10Basit and Waheed are two.
46:11Yes, two.
46:12Still, if you have to choose between Basit and Waheed, who will it be?
46:15Sir, both are very close to my heart.
46:16No, no, take one's name today.
46:18Otherwise, I will cut this in the show.
46:19I will not talk.
46:20They will cut me out.
46:26Very nice.
46:27Very nice.
46:27Tell me a poem.
46:29Empty sheet, clothes.
46:31Empty sheet, clothes.
46:33Yes.
46:34Chit-chat, clothes.
46:36Yes, yes.
46:36Sitting next to me, is a lover.
46:39Let's go, is a dream.
46:40Wow, wow, wow, wow, wow, wow, wow, wow.
46:44Very nice.
46:45Arzu, tell me the truth.
46:48Who is your friend, me or the deceased?
46:49You will have to choose one.
46:51Irza, that is very difficult.
46:53You have to choose one, me or the deceased.
46:56Okay, I can answer this question.
46:57First, you tell me the answer to the question.
47:00Of course, you.
47:01Oh!
47:03Now, I will have to say.
47:05Not even a question.
47:06The deceased.
47:07The deceased.
47:11Viewers, this was today's show.
47:12We will meet you in the next show.
47:14Take good care of yourself.
47:15Allah Hafiz.