Ｘ年後の関係者たち 2024年12月9日
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TVTranscript
00:00ESPBS
00:05In the 41st year since the rise of the NES, the Plamo boom was brought about by the hit of the Gunpla.
00:10As the series of big hit products were born one after another, the two-in-a-row series was born, and the fans were also excited.
00:16ZOID
00:18It is a plastic kit by Takara Tomy.
00:23A unique design that mixes dinosaurs and machines.
00:29Powerful movement by Zenmai Kudo.
00:33And...
00:35Above all, what grabbed the hearts of the fans was the meticulously designed SF-like world view.
00:42At the time, plastic models that made the anime three-dimensional were the mainstream.
00:46It was also characteristic that it was completely original.
00:50It is a toy that children of the Showa era longed for.
00:56It has been a long-selling product for 40 years.
01:02However, on that long road, the end of the two-in-a-row series and other unknown hardships...
01:09Tonight's event is a ZOID-related running event.
01:12Now, the door to space and time will open.
01:17ZOID
01:20The backstage of the movement that the people involved talk about.
01:28The first is Mr. Mitsutoshi Tokuyama, the father of ZOID, who built the world view of ZOID.
01:38The second is Mr. Terugo Nikaido, who has created many ZOIDs, in charge of the ZOID engineer.
01:47The third is Mr. Tajima, who has supported ZOID since Heisei.
01:53Mr. Katayama and Mr. Naito, who are currently developing ZOID.
01:57The actors have all come together.
02:01The ZOID series...
02:03There was a way to talk about ZOID, right?
02:06Yes.
02:07Certainly, it was very popular.
02:09After the popular toys were talked about, there was also ZOID.
02:13Everyone was like, ah, I had it.
02:16ZOID, I have it!
02:18I'll put a cap on it.
02:20It's exciting.
02:22I remember that it didn't come out at first.
02:25It's sad.
02:26Minions had an overwhelming sense of boom.
02:28Everyone had it, but ZOID was like, ah, I had it.
02:31It was like meeting at a friend's house.
02:34Today, I would like to ask you about ZOID.
02:40ZOID was born in 1983.
02:43ZOID is still loved today.
02:47What kind of toys were popular before ZOID was born?
02:52It was 1980.
02:56At that time, Gunpla was booming.
03:02Gunpla is very easy to assemble.
03:07If you work hard, you can make a Gundam that is active on TV.
03:15Compared to military products, Gunpla was much cheaper.
03:21And it was easy to buy.
03:23I see.
03:24What kind of product was Tommy at that time?
03:27Before I joined ZOID, there was an anime character called Ideon.
03:35I made a Gundam with this anime character.
03:39It's called Sound Flasher.
03:42It's a Gundam that emits light and sound.
03:45However, at that time, realistic anime was popular.
03:51So I couldn't make a Gundam that was popular.
03:54ZOID is a character that many people choose.
03:58At that time, Tommy didn't sell anime original products.
04:02He was good at moving toys using small micro-Zenmai.
04:09So he decided to develop a toy for men with an original IP.
04:18ZOID was born from that.
04:22It looks like a combination of a dinosaur and a machine.
04:26Why this combination?
04:29It was treated like a space exploration machine.
04:35Star Wars was popular.
04:37Was there an SF boom?
04:39Yes, there was a space boom in the background.
04:43At that time, the direction of SF and space boom was decided.
04:48Where did the dinosaur come from?
04:50It's kind of like my work.
04:53I grew up in Ueno.
04:58There was a science museum right next to it.
05:03The museum has been a playground since I was a child.
05:07At that time, SF was popular.
05:10I thought I could make a world where dinosaurs and SF were mixed.
05:18The finished product was released under the name of Mechabonica,
05:23a combination of bones, bones, and mechs.
05:28It's a canopy-like cockpit from that time.
05:32The name of the product is ZOID.
05:34Is this a conversion machine?
05:36It was decided to sell in the United States under the name Mechabonica.
05:44However, the seller in the United States sold it under the name ZOID.
05:52What does that mean?
05:54I don't know.
05:56You can do whatever you want.
05:58I was wondering what was going on.
06:03I was wondering what ZOID was.
06:06I asked the person in charge overseas.
06:11He told me that ZOID was like an animal.
06:18And it's an android.
06:20It's like a robot made artificially.
06:24He told me it was a ZOID.
06:27When I thought about selling it domestically,
06:33I thought about the brand name.
06:36However, it was a little more popular in the United States.
06:41That's a shame.
06:43Was Mechabonica more popular in Japan than in the United States?
06:48It was at the same time as Mechabonica in Japan.
06:51I was wondering where I could sell it.
06:57And there were only three parts.
07:01It was difficult to promote the ZOID series.
07:09It didn't sell in Japan.
07:11Tommy changed the product name to ZOID in Japan.
07:17However, there was a fundamental problem with the original product.
07:21He couldn't figure out how to develop it.
07:25So he held a ZOID idea contest in the company.
07:30Mr. Tokuyama was the only one who raised his hand.
07:36I applied for the contest.
07:39I was a newbie, so I had to sell the ZOID.
07:43It was like the Republic of China.
07:47It didn't have a name yet.
07:49So you set it up there.
07:51There was nothing to compete with.
07:54As you can see, ZOID has a cockpit,
07:57a rubber cap, and a mechabox.
08:01If you think about dinosaur-like things,
08:06you can develop them.
08:08This is a great point.
08:11You've already succeeded in 2nd and 4th gear.
08:14You can move it.
08:16Simply put, if you put a rubber cap and a cockpit,
08:21it becomes a ZOID.
08:23I thought it was great.
08:27So I drew a lot of sketches.
08:29You had a lot of ideas.
08:31I drew a lot of sketches of fighting machines,
08:34armed with weapons, and the Republic of China.
08:39I drew a lot of them.
08:42Then it became a target.
08:44You attacked with a lot of objects.
08:46I drew a lot of them.
08:49At that time, my image was that I liked dinosaurs.
08:54So I drew one by one like a dinosaur picture book.
08:59I set it up there.
09:02At that time, it became a ZOID that we know.
09:06The stage is the planet Z, which is similar to Earth.
09:11Here, a metal life form called a human and a ZOID is created.
09:18And a war breaks out between the Democratic Republic of Helix and the Military Republic of Zenebeth.
09:26Both use ZOID as a war weapon.
09:30In addition, ZOID is strengthened by remodeling.
09:35It depicts the constant conflict between the two countries.
09:38This world view brought a depth that was not found in toys at that time.
09:44When I was buying it, I didn't know that much.
09:48I was 5 or 6 years old.
09:50I didn't know if I could go to elementary school or not.
09:53I just knew that this was the good one and this was the enemy.
09:58Now that I think about it, the story is quite military-like.
10:03There are elements that make me think that children will be left behind.
10:07I needed this deep story.
10:11When I was making the setting, I got a letter from a fan saying,
10:16Don't kill ZOID. I feel sorry for ZOID.
10:20At that time, I wanted ZOID not to die.
10:23For that purpose, I made a ZOID core in ZOID.
10:26Even if ZOID's body is broken, ZOID can be reborn someday.
10:31I made ZOID's setting while thinking about a different environment from Earth.
10:36I made it so that ZOID won't destroy children's dreams.
10:42In this way, the ZOID team was formed around Mr. Tokuyama and Mr. Nikaido.
10:48The world view of the Republic of Japan vs. the Imperial Army was also solidified.
10:54We started a full-fledged product development.
10:59The first job we did was to make a mechabonica created by Tokuyama
11:04into a cool product in a new world.
11:11The first job was to make a mechabonica into a mammoth.
11:17The structure is the same from the side, right?
11:20The neck is the nose.
11:22The legs are spread out and the front is raised a little.
11:25The head is put on and it becomes an elephant.
11:28That was the first job.
11:30The color has calmed down a lot. It's like a military.
11:35Unexpected motifs come out, right?
11:38I think everyone's favorite dinosaurs are quite limited.
11:42There are some that aren't.
11:44I think, oh, the gorilla will come out here.
11:48How do you decide on that kind of choice?
11:50One is...
11:52I was given a three-year plan.
11:59That's right.
12:00The four of us decided on this at first.
12:06When I thought about this, the first point was Godzilla.
12:11I put it here in 1984.
12:16At that time, I put out a red horn.
12:21It's the Imperial Army, right?
12:22That's right. The red horn was the first electric motor of the Imperial Army.
12:29You were able to battle here.
12:31That's right.
12:32I had a three-year plan.
12:35Next year, Iron Kong will come out.
12:38I'm going to put this out to compete with Godzilla.
12:43So you're going to put power balancers on each side, right?
12:46That's right.
12:47Now you're prioritizing this side, and this time you're prioritizing this side.
12:49That's right.
12:50In the first part of this story, in 1983,
12:53you said that the Empire didn't have much explanation.
12:57There's a reason for this.
13:01The red horn is a little smaller than the Mechabox of Bigasauro.
13:08This is a new machine for our team.
13:11It took a lot of time.
13:15So you didn't put it out much to make it complete?
13:19It took a lot of time.
13:21This is a strange story.
13:22When a strong one comes out, you put out a popular product on the other side.
13:27It's like controlling it so that the war doesn't end.
13:30I was doing it in the original,
13:33so all the products that come out can be the main character when they're released.
13:38I set it up properly.
13:40As I said earlier,
13:42even animals that are not very major characters
13:46can be strong and popular.
13:50I tried to balance the enemies and allies.
13:53So when Death Daura came out, you thought about how to defeat it.
13:56Then Matsutanda came out, and you thought,
13:58we're going to win next.
13:59You thought about all of that.
14:01The story development in the third year
14:04that you've been thinking about so far,
14:06is it still being inherited?
14:08That's right.
14:09It's still being inherited.
14:11I'm still thinking about it in the third year.
14:14I always set up a mobile suit that has a rivalry.
14:19I'm always thinking about how to beat it.
14:25And there are certain things about the animals that make up the motif.
14:30Basically, dinosaurs are animals, right?
14:33I think dinosaurs are also animals,
14:38but there are some things that change the motif.
14:40Asalamander, Pegasus, Ordeos.
14:43Gilbator, too.
14:44There are some things that don't exist.
14:46Is it okay to say that?
14:48Did you spread it out?
14:49That's right.
14:50At first, between Mr. Nikaido and I,
14:53we decided not to release anything that was strictly fictional.
15:02But it was released in the middle.
15:04When we released Ordeos, we had a lot of trouble.
15:10We decided to use the title, Temma,
15:12and the hero color in Ordeos.
15:16The coloring and the form are pretty heroic.
15:19We also decided to use the plating.
15:22So we tried to use a fictional theme.
15:27It's the same with Gilbator,
15:29but as a Zoid at the time, the number of fictional themes fell.
15:36The setting is also very heroic.
15:38It's like making Gilbator, who you don't think you can defeat,
15:40so that you can get revenge on him.
15:42That's the setting, right?
15:44It's very fitting.
15:47But that's no good.
15:49It's too fictional.
15:51That idea is still passed down.
15:54Zoids don't include serious or fictional creatures.
15:59I see.
16:01Gilbator doesn't come out anymore.
16:05Also, the passion of the developers.
16:07Sometimes they want to make a motif like this.
16:12For me, there was a time when I had a fever for Daioh.
16:19I wanted to make Daioh into a Zoid.
16:23So I made it into a product.
16:25But I had to persuade my predecessors and my boss.
16:30So I had to make a convincing setting.
16:33It's popular, so Daioh is no good?
16:35Yes, that's right.
16:37While taking great care of the details,
16:39he also took great care of the complexity of the assembly.
16:43Originally, it was developed with the concept of a pop kit.
16:48It's easy to assemble.
16:50It's similar to a plastic model.
16:52You don't have to use glue.
16:54You can stop it with a rubber cap.
16:56And it moves.
16:58I think it's easier than a plastic model.
17:01I think Zoid is a very detailed and difficult thing.
17:07But when I thought about it,
17:10I thought it would be difficult to make it move.
17:15Other plastic models needed glue.
17:18There were a few that couldn't be made.
17:20In the case of Zoid, the biggest difference from a plastic model
17:24is that it is made with the concept of assembling movement.
17:27Each part is meaningful to convey movement.
17:32You can make it move, so it's convincing in shape.
17:37That's right.
17:38However, because he took great care of the details,
17:42his weakness as a toy is...
17:45The price is high because it has a Mecha Box.
17:49The first Mecha Bolinka I explained was 580 yen.
17:55At that time, Gunpla was about 300 yen.
17:58So I made it a little more expensive.
18:02The last King Godzilla was the most expensive in Showa Zoid.
18:06That's right.
18:07The size is overwhelmingly large.
18:09Yes.
18:10I made a big one.
18:12I made a big one like this.
18:14The manager gave me a bitter look.
18:17At that time, each robot work had a big one at the end.
18:24I think there was a toy bubble.
18:26Both Transformers and Chogokin.
18:28There was a time when it was very big.
18:30Godzilla's box was also big.
18:34I think Zoid is a big nose.
18:37I admired it.
18:38I liked big ones.
18:39Godzilla's box is big even if you line it up at the store.
18:43That's right.
18:44I think the toy industry has evolved dramatically.
18:47I think it's because it's big and doesn't stand out.
18:49I think it's because it's big and doesn't stand out.
18:52Zoid was born as an innovative plastic model with a worldview that did not exist at the time.
18:58However, since there was no anime to be the base, PR had to put effort into it.
19:05I made a diorama with money and put in a picture of my activities.
19:11A powerful rival appeared, such as Minionk.
19:16Let's cheer up!
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20:48The son who lives alone is always in a hurry.
20:51He suddenly came back again.
20:53I suddenly want to breathe.
20:55What is that?
20:56Why does the air in the family room feel strangely relieved?
21:00Isn't it because you've been eating all the time?
21:02Our air.
21:03Eat?
21:05Your body is made of the air in the house.
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21:19Friday night at 9 o'clock.
21:21How to sell ZOID.
21:23Behind the scenes of PR.
21:25First of all, I have to PR that it moves.
21:31But it's not an anime character.
21:34First of all, the package.
21:36Each one is particular.
21:39It's still traditional to put it in the back of the box.
21:44It's not an anime.
21:46It's like an imagination.
21:49I kept the package.
21:51At that time, I made a diorama with money.
21:54I always put in something like an active imagination.
21:57ZOID has the image of a diorama.
21:59It's amazing.
22:01It's hard to make something like this.
22:06It's really hard.
22:09We're kids, so we make it, move it, and play with it.
22:14There's another way to enjoy decorating it.
22:18Dioramas and models go that way.
22:21At that time, the special commercial was a hot topic.
22:25It was a powerful image that no one expected.
22:43It's coming from behind.
22:55Godzilla X Mark II was also mass-produced, and it was finally added to the front line.
23:02It's nostalgic.
23:04Godzilla X Mark II was the first mass-produced.
23:09In our generation, it's either Death Zaura or Mad Thunder.
23:14It's symbolic.
23:16It's a very special production.
23:19Did you spend a lot of money on it?
23:22It took a lot of money.
23:25The company that made it also made a lot of special images.
23:31That's a lot of money.
23:34It cost a lot of money.
23:38It took about three days to make the latest one.
23:47When I remade Death Zaura, I made a commercial for it.
23:55There aren't many studios that can produce flames.
24:00The environment is different, and the method is different.
24:03I made CG for the flames.
24:06I remade all the art.
24:11Mr. Tokuyama and his team thought about the world of ZOID.
24:16In order to convey the details, they published the ZOID battle story from the elementary school.
24:22The original story of the Republic and the Imperial Army, which is only written there, fascinated children at the time.
24:31At first, it was like this.
24:34I've never seen it before.
24:35This is amazing.
24:38At first, I didn't know anyone who was on ZOID.
24:42When I saw this, I thought there were cool people on it.
24:47I was very surprised.
24:50I can only see people who are in good shape.
24:52I was wondering who this was.
24:54There were very cool people.
24:56The name is cool.
24:58There is also a proper class.
25:01Looking at it now, this is not a child's work.
25:07What is the target?
25:09Can't you imitate it?
25:11Death Zaur is the final form.
25:13Death Fighter is amazing.
25:15It's ridiculous.
25:17This is impossible.
25:19What material should we use to make Excalibur?
25:24It's a full scratch.
25:26It's like a semi-scratch.
25:28Most of the products we sell are prototypes.
25:38In order to put it on at the timing of the magazine, there was something that didn't make it in time.
25:45I forced Mr. Nikaido to use it as a substitute.
25:51However, as Mr. Hazurei said, we are remodeling it.
25:56It was very expensive and precious.
26:00My limbs were torn apart.
26:02At the end, it was a gunpowder.
26:07The power of the gunpowder was amazing.
26:13The PR strategy was perfect.
26:16It sold more than 19 million copies at the time.
26:20It became a hit plastic model.
26:24However, the series suddenly ended in 1991.
26:30What happened?
26:34I've done everything I can do.
26:40There was a period of boom among elementary school students.
26:45A powerful rival appeared, such as Minion.
26:51Was Minion popular?
26:53Yes, Minion was very popular.
26:55At that time, Minion was a child who appeared in a Minion tournament.
26:59It was clear that if children remodeled it themselves, it would be faster.
27:04It was a figure that remodeling was equal to improving performance.
27:09I tried to make ZOID fight, but it wasn't interesting even if I pushed it.
27:16That's frustrating.
27:18At that time, the excitement of children who could win in the Minion race exceeded.
27:27At that time, I was helping ZOID with ZOID under the leadership of Nikaido.
27:35ZOID started several projects under the keyword of humanoid ZOID.
27:43ZOID evolved from an animal to a human.
27:48ZOID evolved from a humanoid ZOID.
27:55ZOID Core evolved into a humanoid ZOID.
28:01As a company, I worked hard on ZOID.
28:06However, ZOID didn't sell well for a few years.
28:11ZOID continued for a long time.
28:14I made ZOID and GILGAR.
28:21However, ZOID was very difficult to make.
28:25It was very difficult.
28:27I felt like I couldn't make either of them move.
28:31The concept of a robot was that for children at that time,
28:37it was a robot that could fly around the universe at high speed and shoot beams.
28:45It wasn't a robot that could walk.
28:50I really like the form of ZOID.
28:54Gundam is eight-headed, but ZOID is five-headed.
28:58The body is also a little thick.
29:01I thought it was amazing that a human could move.
29:06I took a picture of him walking.
29:09I wondered how he carried his legs.
29:11I wondered what was going on with the way people walked.
29:15I changed the system I instructed to walk.
29:22It's like the moment you surpass me.
29:26It's like the moment a little kid stands up.
29:29Mr. Tajima followed the will of the predecessors and revived ZOID in 1999.
29:37How did this series, also known as Heisei ZOID, stand up?
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31:49It's been about 8 years since the new series was released. How did it come back?
31:55Well, it's been a few years.
31:58Zoid's revival project was launched several times in the company,
32:02and I was involved in it or not.
32:06But there was no confirmation that Zoid could go to the present era.
32:12I think the project was launched, disappeared, and repeated.
32:16Eventually, I participated in the project for the year 1999.
32:21At that time, the big difference was the comics of the elementary school students,
32:27and Zoid, which was based on animation.
32:32I thought it would be a big business if Zoid was revived.
32:38At first, Zoid was an original IP without animation,
32:41but many people already knew Zoid, so they put animation on it.
32:45Yes, I think that was big.
32:47When Zoid was re-released, we all went to the store to see how it was selling.
32:55There were a lot of young people in the same generation as Kazurie,
32:59and many of them said,
33:01they had this, they had this, and they had this.
33:05It's still very strong in your memory.
33:07I'm sure it was a little exciting to see it in the video.
33:11Zoid, which was born as an original plastic model without the original work,
33:15was revived in an anime based on the original work.
33:19The main character, Zoid, was defeated by the popular Zoid, Shield Liger.
33:25There was a reason why it was the original work.
33:31I had to make it a heroic main character.
33:35When I was drawing the main character,
33:38I had to draw the growth of the boy.
33:42There was an editorial department that said,
33:45why don't you draw the strongest one all of a sudden?
33:48At first, the main character, Ban, was drawing Commandolphe.
33:51Really?
33:52Yes, in the comic.
33:54So we started with the idea of drawing Commandolphe as the main character.
34:01When we were making our business plan at the time,
34:05Commandolphe was sold for 800 yen at the time,
34:08and the main character was sold for 800 yen,
34:11so the business plan didn't work out.
34:14So we thought we needed to make a product that could sell for 2,000 to 3,000 yen.
34:18That's why I thought Shield Liger was a good idea.
34:22And what became a hot topic at the time was...
34:26You bastard!
34:31Let's make more 3D CG in TV anime.
34:37By doing this, ZOID's battle scenes became more dynamic.
34:43We went to meet a person who knew ZOID well.
34:48I'm Takao Kato, the director of ZOID.
34:51Nice to meet you.
34:54The story of the hard work at the time.
34:59There was a scene where we used a computer to make ZOID.
35:06Before that, we saw a hand-drawn CG of ZOID,
35:12and a commercial video.
35:14I asked him if he could do it,
35:18and he said, no, it's too difficult.
35:21I was the type of person who used a computer a lot,
35:27so I thought he might be able to do it.
35:31That's why I asked him to do it.
35:34But at that time,
35:36hand-drawn CG and computers were still in the middle.
35:43We didn't have a hard disk recorder,
35:46so the president bought us a hard disk recorder
35:50that was about the price of two luxury cars.
35:54That's how we started to be able to record.
36:00And when he actually started making ZOID,
36:03he faced a problem.
36:06I was scolded by him later.
36:08When we were making the first episode,
36:12we were told that the studio was limited to 80 cuts.
36:17In ZOID, the total number of cuts is about 300 to 320.
36:28We were told that we could use 80 cuts of 3D.
36:32We were told that we could use about 50 cuts of 3D.
36:37But even though we said 80 cuts,
36:40the final number was 230 or 240 cuts of 3D.
36:45We couldn't stop them at all.
36:49All the people who wanted to make ZOID did their best.
36:53I feel that they did their best with a lot of determination.
36:59It seems that the director sometimes thinks
37:02that he should have done this more.
37:06I wanted to make ZOID that wasn't based on characters.
37:12I made ZOID 25 years ago.
37:16I think everyone has a big impression that it's based on characters.
37:21I wanted to make ZOID that was more mechanical than ZOID.
37:30I think Mr. Tajima had a lot of questions.
37:36But in the second half, he understood and did a good job.
37:44I see.
37:46Mr. Kato mentioned this earlier.
37:49What kind of conversation did you have?
37:52When I think back to that time,
37:55I remember Mr. Nikaido and Mr. Koyama
37:58who made ZOID with a lot of military colors.
38:01We were the next generation.
38:04Tommy had to face the anime team as a representative.
38:07ZOID was in trouble with such a light story.
38:11I wanted the drama to show the harshness of war.
38:15Tommy was the leader of the ZOID team at that time.
38:19I was the representative of the anime team.
38:22I couldn't make it into an anime.
38:24I couldn't broadcast it.
38:26At first, we really hit each other.
38:29I remember Mr. Kato.
38:32Mr. Tajima wanted to do something harder.
38:36I see.
38:38As a fan, I'm glad to hear that.
38:41When I saw ZOID with a lot of military colors,
38:45I thought it was a character.
38:50Of course, I think that kind of story is important.
38:53But I think I saw ZOID without people.
38:58At that time, the budget and technology were all CG.
39:03I think it would have been difficult if ZOID was the main character.
39:07At first, it was 230 cuts and 3D CG.
39:10I think the enthusiasm was transmitted and the desire to see it increased.
39:14As a result, including the character and story background,
39:21I think ZOID has become a great work that not only our team can do.
39:31How effective was the animation?
39:34It was almost as effective as the peak of Showa ZOID.
39:45I think it's amazing that the finished content is at the peak of Showa ZOID.
39:52If it's just opening and closing, you can't go to the same place.
39:56I think it's because it's a new game.
39:59However, Heisei ZOID, which was in a good shape,
40:03ended the series in 2006.
40:06What kind of reason is it this time?
40:09As I said earlier, the effect of animation was huge.
40:12I was afraid of it all of a sudden, but the expiration date was short.
40:20I think the first ZOID animation lasted about two years.
40:25On the contrary, it lasted only about two years.
40:28Once the sales were down,
40:31I re-released the new animation twice in 2004 and 2005.
40:37However, the business didn't grow as much as it did in 1999 and 2000.
40:43I thought that the business of animation and video would not be able to make a lot of money.
40:52You use a lot of CG, right?
40:54Does it cost a lot?
40:55It costs a lot.
40:57ZOID costs a lot of products, videos, and everything.
41:03You're a tough kid.
41:07The second series ended with excitement.
41:12I thought it would be forgotten over time,
41:17but the series was revived as ZOID WILD after 12 years in 2018.
41:24What was the big change?
41:29First of all, the scale was different.
41:34Until now, the scale was 1 in 72.
41:39In one frame, you can see the face of ZOID and the face of a human.
41:44It's a modern style.
41:47It's a modern style.
41:49It's a military style.
41:52One of the features of ZOID WILD is the eyes.
41:56It's more like a dinosaur.
42:00It's as big as an animal.
42:04If you think about it like that, the old ZOID is huge.
42:10Until now, there was a runner that could be cut with nippers,
42:14but ZOID WILD actually has a runner.
42:17So, like a puzzle,
42:19there are more kids who find it difficult to use nippers.
42:24We've evolved it as a new hardware.
42:30In addition, Wild Blast, the first special move element in the series, was added.
42:36It led to an unprecedented excitement.
42:40And this year's new challenge is...
42:44Launching a new label, Peace Park!
42:50What's the difference between the old ZOID?
42:55The air in the room.
42:57Do you know that there are a lot of harmful substances?
43:01For example, bed makeup.
43:04Dust such as dandruff scatters like this.
43:09There are more than 100,000 dandruff in one futon.
43:16As time goes by, these substances will eventually fall to the floor,
43:21but every time they walk, they get stuck in the middle again.
43:25Dandruff allergens are found about 1 to 1.5 meters above the floor.
43:32I think the height of a small child's mouth is about 30 to 50 centimeters above the floor.
43:38There are a lot of allergens there, so you should be careful of the air environment.
43:44So, AirDog.
43:47AirDog sucks in the air from the bottom and emits clean air to the top.
43:52So, before it falls to the floor, it is sucked in.
43:56Air in the room can be cleaned more efficiently.
44:03As a result of the test, more than 99% of dandruff, mold, pollen, and pet allergens can be removed.
44:15In addition, 99.9% of pollen, bacteria, and viruses smaller than PM2.5 can be removed.
44:26That's why more than 12,000 medical facilities around the country have introduced AirDog.
44:34The world's strongest air purifier, AirDog, can be purchased from the free trial or official website.
44:43First, search for AirDog.
44:55What kind of ZOID is the new label T-Spark developing?
45:01It is a label that we launched to entertain adults with the technology that Takara Tomy has developed.
45:10Takara Tomy also made a lot of masterpieces.
45:13He also remade a lot of old robots.
45:16He also made a lot of masterpieces for Transformers.
45:19He made them individually.
45:22He put them all on a single label.
45:26He added Transformers, ZOID, and Diachron to the original three.
45:30He made a new series.
45:33It's a high-end product for adults.
45:35It's a high-end product.
45:37One of them is the AZ series, which has updated the existing ZOID with the latest technology.
45:44For example, the SHIELD LIGER is designed to walk with its claws raised close to the animal's original form.
45:52It's a high-end product, so it's possible to stick to the details.
45:57In addition, we developed a 1 in 100 scale Realize model that focuses on ease of assembly and posing.
46:05We also made it possible to enjoy the new ZOID.
46:10And the large ZOID released in November of this year, the Death Zaurer AZ series, has made a lot of progress.
46:19The Death Zaurer is also AZ.
46:22This was released this year.
46:26It was also exhibited at the Hobby Show the other day.
46:28This is the original Death Zaurer.
46:31The shape of the tail has changed a lot.
46:35That's amazing.
46:37The tail was attached to the ground.
46:42It's a little closer to the shape of a two-legged dinosaur.
46:48That's amazing.
46:50The movement of the legs is fine.
46:52That's right.
46:54That's amazing.
46:56The jaw is open and closed.
46:59It's mechanical and life-like.
47:05Is the intake fan spinning?
47:07It's spinning.
47:10The design and movement of the ZOID are similar to those of the past.
47:17It's a product that old fans can enjoy.
47:19You have to line them up.
47:21That's right.
47:24ZOID has been loved for more than 40 years.
47:30Mr. Tokuyama and Mr. Nikaido, who should be called the parents of the sea, are looking forward to what kind of development will happen in the future.
47:38When we started, our main target was ZOID for elementary school students.
47:47Nowadays, there is a ZOID called KIDART.
47:53I helped make the instruction manual for this new ZOID.
47:59The fun of assembling the ZOID is greater than the ZOID I made.
48:06It's been almost 40 years.
48:09I thought this was the ZOID I really wanted to make.
48:15ZOID is the ultimate way to build movement.
48:20I would like ZOID to pursue this line further in the future.
48:27It's not that the ZOID has changed after 40 years.
48:31It's an extension of what I thought it would be.
48:34What I couldn't do at that time and what I wanted to do are summarized here.
48:40ZOID had a grand story at the beginning.
48:47There is a dinosaur live show at the National Museum in my neighborhood.
48:55That's a moving dinosaur.
48:59I thought I could aim for another entry.
49:05If you do that, the reproduction of Tyrannosaurus will be vague.
49:11That's right.
49:12It's a little troublesome.
49:14It's an accessory.
49:17The interesting thing about dinosaurs is that they don't know everything.
49:24There are also discoveries in evolution.
49:29In the future, I would like to develop a rubber cap, a ZOID core, and a mechanical box.
49:34I think that if we evolve the plan, we can respond to environmental change.
49:43We haven't talked about it yet, but it's about time.
49:48Thank you for your valuable story today.
49:50Thank you very much.
49:53Mr. Tokugawa, if you have time, would you like to make it?
49:58Yes.
49:59Finally, the seeds of the future marked by KAZURAZER.
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53:04What would you like to make if you were in charge?
53:08T-Spark.
53:10Which one?
53:11T-Spark.
53:12It's a collaboration.
53:14I'd like to put a machine in T-Spark.
53:17What do you mean?
53:18The one that moves 1 out of 100.
53:20I see.
53:21I'd like to make a series that costs about 4,800 yen.
53:26As a job.
53:28I'd like to put in something like a micro motor.
53:30I love you more.