• 16 hours ago
マツコの知らない世界 2024年12月3日 後編!「銀座ショーウインドウの世界」
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TV
Transcript
00:00The world of Ginza Showindow
00:07The world of Ginza Showindow is a sparkling world of Ginza
00:13Now before Christmas, the top designers have put in a lot of effort and money to build this show window
00:21The best season in which the city of Ginza shines the most in a year
00:27In addition, Ginza is a city with a small number of people who value the culture of show windows
00:35Advertisement of digital signage is prohibited
00:39Every year, there is a show window tour with designers
00:46So tonight, we will show you the latest Christmas show windows that are gorgeous and romantic
00:57In addition
00:59This year, we will take a closer look at the Japanese-style show windows
01:05What will tell us about their charm?
01:09As a space designer, Chikako Mochiki has been working on show windows in Ginza for more than 25 years
01:19Hello
01:22I wish Mochiki-san was in the show window
01:28Look, it's the same age
01:30My name is Chikako Mochiki
01:32Nice to meet you
01:33I'm 53 years old
01:35I'm a display designer
01:37I'm also the chairman of the Japanese Space Design Association
01:42The chairman of the Red God
01:47I have a husband, a son, and a daughter
01:49Ideal
01:51I also have two Dobermans
01:53Dobermans?
01:54That's a little off the mark
01:56Two Dobermans?
01:58It's like a watchmaker in the neighborhood
02:03It's always the same
02:05Shepard and Doberman
02:08It's almost the same age
02:10It's like a watchmaker
02:12I'm being praised
02:14You're out of line
02:18Oh, tangles
02:20Tangles are out of date
02:22It's out of date
02:24I was reading a book about the world of show windows
02:29I wanted to enter this world
02:32That's how I started
02:34But I couldn't enter the company
02:40I don't think young people know what a poo is
02:44I don't say it
02:46Poo
02:50After that, Mochiki-san was in charge of the 26-year-old show window
02:58It's like a pine tree
03:02It's like a Christmas bonsai
03:04There's something underneath
03:06Christmas is not just for young people
03:09I want people who are older to enjoy it
03:13It's not like you're expressing that world
03:17It was white
03:21The show window in Ginza
03:23Each one is the face of the store
03:25When you look at it, it's the expression of the city
03:28It's like Ginza
03:32The city itself is a brand
03:36Shibuya is no longer a place for young people
03:39It's just a city with a scramble intersection
03:42It's the personality of the city
03:46The personality of the city is disappearing
03:49The people of Ginza are doing their best to protect the personality of the city
03:54The show window continues to exist as the face of the city
04:01It's in the way
04:03I don't want to say that
04:08I don't want to
04:10I haven't been scolded in a long time
04:14It's nice to be scolded
04:18It's a window like this
04:21No matter how much you look at it, it's free
04:24If you take the money, you'll be angry
04:26If you say, you saw it
04:31You can see the world's most advanced design for free
04:35The famous store map of the Ginza show window
04:39This parlor is a building built with a show window
04:44It's a nice building
04:46There aren't many vertical windows
04:49It's only 0.2 meters
04:52You can see the inside of the store
04:54It's hard to create a sense of the world
04:57Among the show windows, Shiseido is the best
05:01There aren't many Japanese companies that do that
05:04This is a Christmas window from last year
05:08This is a work called Albi, which is targeted at Japanese space design
05:15It's made with gold thread
05:18It's made with gold thread
05:21It's made with Kyoto craftsmen
05:24It's a Japanese umbrella, but it's like a Christmas tree
05:27It's beautiful
05:29It's embarrassing
05:31I didn't even know about the existence of a show window
05:35In addition, there is a window called Ikiru Chisou, which was released in 2022
05:41It uses a special technique called snow plowing
05:44It removes the real ground and displays it
05:49It's a big topic
05:54Have you ever been to the basement of Ginza 6?
05:58There is no show window in Ginza 6
06:00Oh, there is
06:02There is?
06:04When you go down to the second basement with an escalator
06:08There are two windows
06:11This is made by Mr. Sato from Franks
06:14He is like the ace of the show window world
06:18It's a window with a theme of food
06:22The more you look into it, the more fun and humorous it is
06:27This is called Gumi-Nuke-Shon
06:30Recently, young people have started talking from the Gumi-Taberu
06:35Is that so?
06:37Gumi-Nuke-Shon
06:38Is that so?
06:40Is there anything else you're curious about?
06:42Itoya is famous for its basement
06:45Mr. Itoya's window is also very unique
06:50The thickness is about 50 cm, but the width is about 5 m
06:55I'm just using the theme of utopia
06:58The flowers are not forced in the same environment
07:03Expressing the entrance to the utopia
07:07The door and the window move
07:11If you go further, you will be on the back street
07:15You can go through the back street
07:18It's a luxurious building, so it doesn't feel like a place to sell
07:24You can put it in all day
07:26Isn't there a corner for chopsticks?
07:28I'm sorry, it wasn't a corner for chopsticks
07:31I'm sorry, I'm sorry
07:33I'm a little different
07:35I'm sorry
07:36After this, the Christmas show window continues until you go to Ginza
07:45There are other show windows in Ginza
07:48The unique Barney's New York has a depth of about 2 m
07:54The attack window with a sense of depth is attractive
08:00And the biggest size in Ginza is Mikimoto
08:05The impact of the super large window with three pieces of glass is overwhelming
08:12This year, various ways of spending Christmas from all over the world
08:17Expressed in a present box and a shadow
08:22And what is indispensable to talk about the Ginza show window?
08:27A box that continues to entertain people visiting the Ginza 4-chome intersection
08:32It's not just a show window, it's a symbol of Ginza
08:35That's right
08:36It's in the center of that city
08:40The attitude of entertaining all the people coming to Ginza
08:44You have to be responsible for that corner
08:46Ordinary designers can't do it in such a place
08:50It's not just about selling products
08:53It's a show window that doesn't intend to sell products
08:59Since 1952 after the war
09:02A corner of the Ginza 4-chome intersection
09:05Decorated with a sophisticated design window
09:12The window we were looking at was Mr. Hattori's window
09:15I think so
09:18It was wonderful
09:20There were a lot of people like the back dancer of Yoruhito
09:23The pose is unique
09:26You may be surprised
09:28It has been designed by the same person for 24 years since 2000
09:34Mr. Musashi came
09:36No, wait a minute
09:38It's no good
09:41A good person should stay in a good place
09:46Are you okay?
09:48He is a very good person
09:49Mr. Musashi
09:50I can't call you because you are a good person
09:54Hello
10:01Mr. Jun Musashi, who has been working on Japanese-style show windows since 2000
10:07The number of windows he has worked on so far is more than 200, including the main window
10:13Introducing the representative work designed by Mr. Musashi
10:20I'm good at making people stand
10:24Maybe that's why I went there
10:27I think it's amazing
10:29There aren't many show windows that say, please stand here
10:35Actually, I made this window for Mother's Day
10:39If you stand in front of the window, all the butterflies inside will applaud
10:43It sounds like a good story
10:45It's disgusting, butterflies
10:48No, it's not
10:50Disgust is important
10:52If you don't have a little disgust
10:55Because everything is disgusting
10:58Look, it's disgusting
11:01There are a lot of butterflies
11:03But it's beautiful because it's disgusting
11:06The show windows of the old days when Japan used a lot of money
11:11I felt a little bad
11:13There was a feeling of suspicion
11:15I still have it
11:17Speaking of which, the face is pretty
11:21It's pretty bad
11:24I think it's a pervert if I do a psychological test
11:28I used a lot of natural wood
11:30I asked the staff to make the face of the reindeer
11:33But I'm not number one
11:36I'm doing a dangerous ranking
11:38Which one is number one?
11:40Do you read it as Kyo?
11:42That's already
11:44If you make a beautiful face, it's the year of the cow
11:48There is a giraffe with a neck on top
11:52I can explain
11:54If you have these two giraffes, you can't take them
11:58That's why I feel bad
12:02That's why it's beautiful
12:04I'm glad you noticed the weirdness of this
12:08I'm only good at weird sensors
12:12You can do it in that place in Ginza
12:14I can do it in Ginza
12:16I'm in trouble if I do this in Togoshi Ginza
12:20I can't buy sundaes from now on
12:25There are buttons of various sizes
12:29Buttons that depict Venus
12:32Shows that make a giant dragon by sewing canvas fabric
12:39Musashi's windows are often dynamic and meticulous
12:47But there are also those that were created with the idea of reversal
12:51It's taboo to say that there is nothing in the window
12:55It's a window right after 3.11
12:59Musashi can't make a window with an empty face
13:05I think it's great that he's so sincere
13:09It might have been like that
13:11But now he can't make a window
13:14He can save a local department store
13:17He's a kind person so he won't get mad even if I hit him
13:25Wako's Christmas window
13:28It's a window that can be used at night
13:33Free T-bar
13:35On U-NEXT
13:38Next week
13:40It's Tamago-san, it's noisy
13:42Tamago-san's world
13:44The balance is perfect
13:46Tamago-san is so sweet
13:48It's infinite
13:50I don't feel uncomfortable
13:55If you go to Shoin-do
13:58You can see the magic hour of Shoin-do
14:02And the city reflected in the glass
14:07Nichi-botsu Magiwa is very dark
14:12The city lights up and it's a beautiful time
14:17It's not in the dark but it's a beautiful time
14:21It's in the dark
14:24I can't stand it
14:28You can see the city but you can also see yourself
14:33And the lyrics
14:36Old lyrics
14:38It was good
14:40You can see yourself in Shoin-do
14:44It's old
14:47It's the same
14:52Shoin-do is the brightest in December
14:59Wako plays the piano with a giant polar bear
15:05The tree and the constellations are swaying like a cradle
15:11They designed a variety of Christmas Shoin-do
15:16And this year, it will be the biggest Shoin-do ever
15:22This year's Christmas is amazing
15:25This year's Christmas is not amazing
15:29Wako's Christmas Shoin-do
15:36The first thing they brought is
15:41The entrance of the window is narrow
15:44It's hard to decide how to divide it
15:48It's hard to open
15:52The theme this time is
15:54Two monsters playing with the symbol of Wako, the clock tower
16:00The sculptor who made the parts
16:03Build it inside the window
16:11Next, they brought
16:14Inside the window
16:17It's like a metal frame
16:21These two are the veterans
16:26I designed and made the machine
16:30And he made the program to move the machine
16:34Yes, the eyes of this monster are the mechanism to move
16:39These two are my classmates from elementary school
16:43I was surprised
16:44They are your classmates from elementary school?
16:47Yes
16:48The two who worked at the machine
16:52They established a mechanical company using windows and museums
16:58Next, they brought
17:02The clock tower
17:04This time, they put the monitor inside the clock tower
17:08And express it with CG
17:10Ah, OK
17:12It's good
17:14There's a lot of volume
17:18Now, all the parts are in
17:22It's a success that the display continues
17:27It's amazing
17:29After that, the sculptor
17:33Various staffs such as the seal staff
17:36Perform their own roles
17:39And finally, the last process
17:42Yes, sorry to keep you waiting
17:44What's next?
17:47This sculptor is called a decorator
17:50A professional in product display
17:54Detailed positions and angles are adjusted in millimeters
17:58Anyone can do it
18:01It's like the product is waiting
18:03It has a sense of rhythm
18:05By placing it at an angle that is not possible in reality
18:10The display attracts the eye
18:13I want to see this kind of balance from the outside
18:18Finally, Mr. Musashi
18:20Adjusts the inside and outside
18:24He continues to modify the millimeters
18:28Actually, it takes 3 hours
18:33It's as planned
18:35It finishes at 7
18:38The total work time is 12 hours
18:41Here is the completed show window
18:50Wow, amazing
18:53The theme is Amazing Christmas
18:57To hug the clock tower
18:59There are two monsters on both sides
19:02This monster is really big
19:04I want the monster to be mischievous
19:06And make the clock tower a little earlier
19:10So that Christmas will come soon
19:12On the contrary, to enjoy this time
19:16Forget about time and spend it slowly
19:19I recommend that
19:22Because it's such a fun time
19:25I want to convey the message
19:28To cherish this time
19:31Children should be excited
19:33In that sense, it's different from Hattori's era
19:37For children
19:40It's a wonderful show window
19:42There is no such a show window now
19:45Even if you search all over Japan
19:47In that sense, everyone should have the same eyes
19:50Even if you say the same
19:52You don't have to make a strange monster
19:56That's why you appear in such a place
19:59At 7 in the morning
20:02I was tired and confused
20:05I remembered Henry
20:08I won't miss it
20:10I will appear in such a place
20:13This is a word that is transmitted in Ginza
20:16The show window is a street theater
20:19It's a street theater, it's a street theater in the city
20:22If you think about it, it's a great culture
20:25I dare to make that useless space
20:28If it's a certain level of otaku
20:31Everyone has a show window
20:33As much as you can
20:35You can hang a bamboo scroll or put a flower
20:38That's a great culture
20:41In the sense of a Japanese show window
20:44It's both a show window and a show window
20:48It's a display that fits the sensibility of the Japanese
20:55I want to increase it more and more
20:58That's why
21:00There is only Ginza
21:03It's Tokonoma
21:05I thought the shirt inside was blue
21:13Christmas color
21:15What is this?
21:16Are you two in a relationship?
21:19That's not it
21:21I'm green, you're red

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