• 10 hours ago
Al Fondo Hay Sitio Temporada 11 Capitulo 156 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 157 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 156 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 156 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 156 Completo HD
Transcript
00:00Do you feel me?
00:05Do you feel me?
00:09Do you feel me?
00:30No, I'm sorry.
00:33There's nothing between us. I'm going to talk to my friend for a little while.
00:37OK.
00:38Cristobal Montalbán just kicked out his girlfriend.
00:40What? The model from Tokyo?
00:42Yes, he's gone...
00:43You have to tell her, tell her.
00:46I hate you! I hate you!
00:48You're never my smile again, you hear? Never again!
00:52I don't want to see you ever again! Forget about me forever!
00:56Oh, he's very angry. He looks like a douche.
00:59¡Que sean muy felices con el gran amor de su vida!
01:02¡Adiós!
01:26¿Ahora qué hacemos? ¿A dónde vamos?
01:28No sé. Pensé en llevarte a tu casa ya.
01:30Gonzalo, no seas aburrido, pues. ¿Qué te parece así mejor?
01:33¿Vas a tu casa? ¿No quieres ir a la mía?
01:35¿Casa?
01:36Sí. No, no, no.
01:37¿Para qué?
01:38Ahí vemos qué hacemos. Además, no quiero verle la cara a mi papá todavía.
01:41Ah, es entendible.
01:43Maripaz, vimos a la seguidora de Serkio salir llorando.
01:46Sí, sí, sí. Cristóbal la choteó horrible.
01:48¿Entonces es cierto?
01:50Dime la verdad. ¿Sabes si terminaron?
01:53Es imposible que después de esto vuelvan a amistarse. No hay forma.
01:56Ay, no sé qué hacer.
01:58Bueno, yo creo que siempre es un buen momento dar la iniciativa.
02:12¿Ya le contaste todo a Yuli?
02:14No. Solamente le conté que chotó en Lucía.
02:16No, pues. Ahora se va a alucinar.
02:18Oye, ¿qué creías que hiciera? Llamó a preguntarme.
02:20Ya, ya. No te preocupes. ¿Ya le dijiste que el sonzonazo este tiene nuevo apago?
02:23No, todavía.
02:24Ven para tomarle foto para que le mande rápido.
02:28Es que yo también lo vi.
02:32Ya, pues vamos a tomarle foto, ya.
02:35Uno, dos.
02:38Se movió. Vamos.
02:42¿Sabes qué, Valentino? A mí me da mucha pena Yuli.
02:45¿Por qué se mete con el tarado este hoy, cara de vampiro?
02:48Ay, no le hagas así. Es churro.
02:50¿Churro? ¿Por dónde va a ser churro ese elefante de color?
02:52Ay, ya. Bueno. Tengo una idea.
02:54¿Y si le digo a Tito que mejor la prepare
02:56y luego recién le cuento del nuevo amor de Cristóbal?
02:58Claro, mi amor. Como tu papá será el rey de la sutileza.
03:01Ay, sí. A Olinda. A Olinda mejor.
03:03Ya, sí. ¿Sabes qué? Hay que tomar la foto de una vez
03:05antes de que este galancito monce se nos vaya.
03:07Ya, mira. Así como si no...
03:09Ah, sí. Tú me entiendes. Ya sabes cómo es.
03:22¡Ay! ¡Déjame suerte! ¡Ay, suerte, suerte, suerte, suerte!
03:29¿Y eso? ¿Para dónde va?
03:30Ay, cosa de chicas.
03:32Para lo que me importa.
03:34¡Ay! ¡Ay!
03:36¡Ay! ¡Ay!
03:38¡Ay! ¡Ay!
03:40¡Ay! ¡Ay!
03:42¡Ay! ¡Ay!
03:44¡Ay! ¡Ay!
03:46¡Ay! ¡Ay!
03:48¡Ay! ¡Ay!
03:50Para lo que me importa.
03:52Más bien creo que ya debería volver mi hija. La voy a llamar.
03:57Aló, hijita. ¿No va siendo hora de que vuelvas?
04:00Tito, espera. Que te mande la foto.
04:02¿Qué foto? Ah, ya me llegó.
04:06Ay, esa chica. Me parece conocida.
04:08A mí también.
04:10Yo nunca la había visto en mi vida.
04:12Es la que está afanando a Cristóbal.
04:14Por ella choquean a Lucía.
04:15¿Qué me estás diciendo?
04:17¿Que no fue por Julie?
04:19No, claro que no.
04:21Cristóbal tiene nuevo interés amoroso.
04:23¡Ay! ¡No!
04:25¡Oh, por Dios! ¡Ya la reconocí!
04:27¡Es la princesa que choteó a Joel!
04:29¿Qué? ¡Sí!
04:31¿Que yo qué?
04:33¡Nada! ¡Nada!
04:35¡Nada! ¡Nada!
04:37¿Debería irme a comer?
04:39Sí, en la cocina. Puedes encontrar lo que quieras.
04:41Sí, lo que quieras.
04:43Sí, métele un rellenito.
04:45Joel no se puede enterar que el vampirín está saliendo con la princesa que lo choteó.
04:47Y tampoco puede ver esa foto.
04:49Ya, él no. Pero Julie sí.
04:51Todavía no se da ilusiones.
04:53¡Demasiado tarde! ¡¿Por qué?!
04:55¡Porque Julie se fue a reconciliar con el Cristóbalito!
04:57¡Oh, por Dios!
04:59¡Ay!
05:01¿Ahora cómo entro?
05:03¡Ay, qué tonto! No lo había pensado.
05:05Cristóbal debe estar llorando en su cuarto
05:07y Claudia no me va a querer abrir.
05:09Amiga, no te botes.
05:11¡Ah, no! ¡Ah, qué asco!
05:13¡Margarito!
05:15¡Margarito!
05:19Margarito, dóchate.
05:21Decirme con Pashmina, por favor.
05:23¿Qué?
05:25¡Déjate de tonterías y ábreme!
05:33Gracias. Ahora voy a consolar al Cristóbalito.
05:35¡Apúrate que viene Claudio! ¡Corre!
05:37¡Qué hace él! ¡Qué hace él!
05:41¡Julie, no vayas!
05:43¿Dónde se fue?
05:45Demasiado tarde, ya entró.
05:47¡Dejé mi celular en la mesa! ¡Su celular!
05:51¿De quién es este celular que atacaste?
05:53¡Deja mi celular!
05:55¡Suelta! ¡Suelta! ¡Suelta!
05:57¿Qué pasa?
05:59¡Juega! ¡Juega! ¡Juega! ¡Juega!
06:01¡Ya, ya, ya!
06:03¡Ya, ya, ya!
06:05¡Ya, ya, ya!
06:07Tranquilo. Tranquilo.
06:13Ay.
06:15Tengo que encontrar a Cristóbal
06:17antes de que me vean y me voten.
06:21Debe estar triste por ahí.
06:23No le voy a echar nada en cara.
06:25Lo veo.
06:27Lo perdono.
06:29Nos besamos y volvemos.
06:31Ay, todo va a salir perfecto.
06:43¡Te amo!
06:45¡Te amo!
06:47¡Te amo!
06:49¡Te amo!
06:51¡Te amo!
06:53¡Te amo!
06:55¡Te amo!
06:57¡Te amo!
06:59¡Te amo!
07:01¡Te amo!
07:03Te amo.
07:05Amiga, déjame que traigo unos drinks.
07:07Bueno, acepto. Gracias.
07:09¡Hey!
07:11Salvador, you came?
07:13I wouldn't miss your birthday for anything in the world.
07:16No, no, it's not necessary, really.
07:19For me, yes. Let's go.
07:21Well, thank you.
07:24Oh, oh, wow.
07:26Wow, Salvador, this is beautiful.
07:28Happy birthday, chef.
07:36You're welcome.
07:37Cute.
07:38Beautiful, right?
07:39Yes, cute. I loved it. Oh, your accent. There it is. Cute.
07:42Do you want a drink?
07:43Yeah, let's go.
07:44Let's see.
07:45Where are the drinks?
07:46Oh, they just left.
07:47Oh, over here.
07:48Claudio, I think he's serving.
07:49Bring that sonzonazo to the workshop.
07:51What if he happens to do it?
07:53It's just that Macarena loves to rescue abandoned dogs, right?
07:57But you would have voted for her.
07:59How am I going to vote for her if she brought him?
08:01Oh, of course. And since you never say no to Macarena.
08:04No? Really?
08:05Oh, no.
08:07Well...
08:08Hi, family. How are you?
08:10I'm here with Lola.
08:11I don't understand why you complain, Juel.
08:13Didn't you say the workshop was full of customers?
08:15Customers? No, client.
08:16Oh, what else? Money is money.
08:18No, no, no, no, no.
08:19Because they only come to wash, not to fix their cars.
08:22That's why they take up my space.
08:24Jimmy, I don't think it's a good time right now.
08:26Yes, let's go upstairs because the air is a little warm.
08:30Juelito, I think you're making a mess.
08:34Or you can throw it away tomorrow.
08:36What? No?
08:37It's disgusting if you throw it away.
08:38No.
08:40Or you can stay here.
08:41No, no, no, no.
08:43That's not what I mean.
08:44You are cheating.
08:45Yes, yes.
08:46Show me.
08:50The truth is that this is the best place in the house.
08:53Wow, you have an incredible view and a huge space to dance, to jump.
09:00Yes.
09:01From here you can see the stars clearly at night when it is clear and there is no fog.
09:07Hey, what are you proposing to me?
09:11Me? Nothing.
09:14What?
09:16No, nothing.
09:18And, well, do you know all your neighbors?
09:21No, nobody wants to meet here.
09:23Well, at least they'll say hello, right?
09:25At least.
09:28I want to know more about you, González.
09:30You're very curious, aren't you?
09:32Well, that's what lovers do, right?
09:40I feel a total connection with you.
09:43Me too.
09:45I feel like I've known you before.
09:50Something like this had never happened to me, but I love it.
09:55Where have you been all this time, Anastasia Duperon?
09:58Look.
10:04Painted faces?
10:05Who asked for this nonsense of painted faces?
10:08Me.
10:09Any problem?
10:10I'm not going to let you put your stupid puppets.
10:13Antiquated.
10:15Antiquated?
10:16They are Star Wars puppets.
10:18Ah, it's the same nonsense.
10:20You told me that the nuclear man was not going to understand anyone.
10:23We agreed that I hired the children's show.
10:25We have nothing left.
10:26You took over the party and I will not allow it.
10:56I feel that our souls already knew each other before.
11:02And that all my past lives were to reach this moment.
11:07To meet you again.
11:09Oh, Chris.
11:10Anastasia.
11:25Anastasia.
11:30Julie.
11:31What are you doing here?
11:32Get that camera out of here.
11:33Excuse me.
11:34My sisters have been kidnapped.
11:36I already asked the taxi driver to take us to the house.
11:43Julie, but why did you come?
11:47It's all my fault.
11:48I shouldn't have told you anything.
11:55I love you.
11:56I love you.
11:57I love you.
11:58I love you.
11:59I love you.
12:00I love you.
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19:00I love you.
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19:07I love you.
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19:12I love you.
19:13I love you.
19:14I love you.
19:15I love you.
19:16I love you.
19:17Ali, we've been expecting you.
19:18What's wrong, Ali?
19:19Ale, we've been waiting for you!
19:29What's wrong, Ale?
19:45I only see Jimmy with a real stranger.
19:49He's not here.
19:52He was kissing me.
19:56Ale, calm down. It'll pass.
20:01I told myself I wouldn't hurt him.
20:06But I keep hurting.
20:20Poor thing. She got her hopes up ahead of time.
20:25We thought Cristobalito had broken up with the model to come back with Julie.
20:29But who would have thought he'd come back with another one?
20:32And another one. And another one. And another one.
20:35Oh, no. That guy's never going to stop.
20:37And we had fixed Julie so beautifully.
20:40Well, Linda, to be honest,
20:43I didn't even have a chance against Princess Anastasia.
20:47I'm going.
20:49Why are you dressed like that?
20:51I'm just a little tired. Bye.
20:54What's wrong, family? Why the long faces?
20:56Cristobal broke up with the model.
20:58Oh, well, Julie has a chance.
21:00Now she's dating this one.
21:02Oh, she's really tough.
21:04Wow, she's really pretty. Is she Peruvian?
21:07She's a doll. She used to date Joel.
21:10What? Is that her?
21:12I couldn't make her smile.
21:15So I put her to sleep with one of my socks.
21:17I made her an induced coma.
21:19Yes, yes.
21:22Is something wrong?
21:23No, no, no.
21:26I'm going to leave Anol at his house.
21:28Yes.
21:29Bye. Bye.
21:30Bye, Anol.
21:31Bye. Bye.
21:32We're sorry.
21:35Oh, when he finds out.
21:37Oh, Juana.
21:38Oh, Linda, come here.
21:40Joey, he can't find out that his princess is dating the vampire.
21:44Yeah, but the gossip kills me.
21:47I'm going to bite myself. I'm going to bite myself.
21:50Hey, what's up?
21:51Is something wrong?
21:52No, nothing.
21:53It's just that we're a little concerned about Julie.
21:58Yes, but it hasn't been a good day, has it?
22:00Nothing is going to get worse.
22:03Nothing. Nothing.
22:07Hello, Valentino.
22:08It's time for them to come back, right?
22:10What do you mean, no?
22:12Why not?
22:14Why not?
22:15Why not?
22:16Why not?
22:22Why are you going inside?
22:24Come and help me, please.
22:44We are the champions.
22:45We are the champions.
22:49Get up. We have a concert today.
22:51I have a headache.
22:52I feel like I'm going to emigrate.
22:54Have you taken Panadol Forte?
22:56Take it. I always have one on hand.
22:58Panadol Forte relieves pains as strong as the emigration.
23:01Come on.
23:08Come on, boss.
23:14No hay nada en el mundo como tu sonrisa, me cambias la vida cuando me miras, quiero
23:38estar contigo.
24:08Yo no soy country, soy Lara Contreras y ni siquiera soy puyante ni pintuca, soy la niña sicaria y no soy country.
24:22Los voy a demandar por darle alcohol a una menor de edad.
24:25¡No puedes!
24:26Ella entró disfrazada.
24:27Además nadie los invitó, ya váyanse.
24:29¡Sí!
24:30¡Lárguense marginales!
24:31¡Oh!
24:32¡Mi costilla!
24:33¡Ratero!
24:39Bueno, ya, ya, tranquilos, ya pasó todo, sigamos con la fiesta.
24:44¿Dónde está mi hijo?
24:48Escucha, voy afuera.
24:50¿Pasará algo?
24:52Acá siempre pasa algo.
24:53¿No te preocupa?
24:55No, ya me enteraré mañana.
24:57¿A qué salven tus labios?
25:00Me pregunto en la noche.
25:03Me basta con mirarte.
25:06Por ti no dejo de pensar.
25:10Si tú eres mi universo.
25:13A tu lado todo es perfecto.
25:17Te acercas y ya no puedo más.
25:20Me rindo y tengo que...
25:22Estuvimos viendo tus fotos de niño.
25:24Están lindas.
25:28¿Quién es la de brackets?
25:30Ella es mi hermanita.
25:32¿Qué tal cambio?
25:33Así, ¿no?
25:35Uy, mira, qué tierno eras.
25:38¿Era? ¿Cómo que era?
25:39No, eres.
26:04Princesita, yo te quiero tanto.
26:06Ni noche.
26:17Ya se quedó dormidita.
26:19Menos mal, gracias por venir, señor Tito.
26:20En verdad ha sido un alivio para poder...
26:22¿Dónde te metiste?
26:24Se supone que tú tenías que cuidarla.
26:25Seguro se estaba afanando chica pudiente, ¿no?
26:29Ella todavía es una niña, ¿me oíste?
26:31Yo estaba con mi chofer, no me dejaron entrar a la casa.
26:33Aparte, los chicos pudientes le estaban dando trago
26:36y ella se entusiasmó.
26:37Ella no sabe tomar.
26:39Y si se engancha el trago va a ser por tu culpa, ¿me oíste?
26:41Sus genes.
26:42¿Qué has dicho?
26:43Que si me puedo quedar a dormir acá, señor Tito.
26:46Sí, sí, puedes ir a la sala y échate en el sofá.
26:48Ah, no, no, no.
26:49Yo me refería acá en estas frías y duras bancas
26:53para poder cuidar del sueño de mi enamorada toda la noche.
26:57Sí, está bien, te lo agradecería.
26:58No, un placer.
26:59Gracias.
27:00Afuera nomás.
27:01Pobre, te quedo en este mato.
27:02No, no, tranquilo.
27:03Afuera nomás, directos.
27:04Como perro guardián.
27:06Eso.
27:07Porque eso es lo que eres.
27:08Te voy a traer una manta.
27:09Ah, sí, sí.
27:10Gracias.
27:30Por alarga, estas bancas están bien duras.
27:34Habibis.
27:36Habibis por todos lados, Habibis.
27:51Soy una tonta.
27:55Soy una tonta.
28:00Soy una tonta.
28:10No, Chavi, no.
28:11Lárgate de acá.
28:12No, vete de mi taller, Chavi.
28:14Lola, Lola.
28:15Lolita, Lola Locateli.
28:17¿Qué cosa?
28:18Lola.
28:19¿Lola?
28:20¿Qué haces acá?
28:21¿Cómo está Lola?
28:22Chavi, Chavi.
28:23Fuera de acá.
28:24¿Qué haces en el taller de mi hermano?
28:25Fuera, fuera.
28:26Lola.
28:27Lola.
28:28Chavita.
28:29Pepito.
28:30Pepito, mi rey.
28:31¿Cuánto oro me traes, ah?
28:32¿Oro?
28:33Ay, mucho oro.
28:34Oro, oro, oro, oro.
28:35Money, money, money, money.
28:36Pa' mi, pa' mi.
28:37Ay, sin pepito, oro, platita.
28:38Maldita princesa.
28:39¿Qué haces en el taller de mi hermano?
28:40Chavi.
28:41Chavi.
28:42Chavi.
28:43Chavi.
28:44Chavi.
28:45Chavi.
28:46Chavi.
28:47Chavi.
28:48Chavi.
28:49Chavi.
28:50Chavi.
28:51Chavi.
28:52Chavi.
28:53Chavi.
28:54Chavi.
28:55Chavi.
28:56Chavi.
28:57Chavi.
28:58Princess.
29:02Lola, Lola. Lola Locatelli.
29:04What are you doing?
29:06Lola?
29:07Lola, Lola.
29:09How delicious.
29:10No, Chavi, go away.
29:12Damn Chavi.
29:13Get out of my workshop. Get out.
29:15I'm sick of you.
29:19Dance.
29:21All night long.
29:25It seems to be a long night.
29:29Chavi, damn Chavi, what are you doing here?
29:32No, get out of my brother's workshop.
29:34Stop, stop.
29:35Oh my God, Lola.
29:36Chavi.
29:49Let the party go on.
29:51And no gacher.
29:59Where am I?
30:01My love, good morning.
30:03How did you sleep?
30:07I already woke up.
30:10Oh, I remember that we were at the party and then what happened to Yuli.
30:16Poor Yuli.
30:18I feel so bad.
30:21Well, you drank the whole bar.
30:24We brought you here.
30:26We brought you here.
30:28And I stayed all night watching your dream, my love.
30:30Because that makes a lover, right?
30:33Don't believe so much, Valentino, that I'm with you for a while.
30:37Good night.
30:52Gambaricio.
30:55Zero.
30:57Pulled by bar.
31:03Extremaduiro.
31:05Here, professor.
31:07You got ten.
31:10Well done.
31:11I hope they throw you out of the institute so I never see you again.
31:17Ah, this one yes.
31:19Miss Nunez.
31:21I have the pleasure to tell you that your effort was worth it.
31:25But it didn't reach you.
31:27Still, you are pulled and I will have the pleasure of reproaching you.
31:33Damn.
31:37Gonzalez Jaime.
31:40This is surprising.
31:45You.
31:47You got twenty.
31:49What?
31:50Twenty.
31:52This is to celebrate it.
31:55In your house, Gonzalez.
32:17Oh, it can't be.
32:18It can't be.
32:19Very powerful the party.
32:20Very powerful.
32:21Look at this filth.
32:22Of course, for the filth there are no social classes.
32:24Well.
32:25Come on, Claudio.
32:26You can.
32:37Hey, what are you doing crushing the chicken, huh?
32:39It's bad for you too.
32:40You're just there that you catch the chicken.
32:42Oh, I'm going to get fat.
32:44Hey, family.
32:47I want to thank you for all your support.
32:50And I want to ask you not to mention Cristobal Montalban's name in front of me from now on.
32:56I read a little question.
32:58Can we mention the princess?
33:00No, Tito, neither.
33:02No, neither Cristobal nor the princess.
33:04I mean, we can't mention them together, but separately, normal, right?
33:07Neither together nor separately.
33:09Don't you see that it bothers him?
33:11It is obvious that it will bother him if we mention them as a couple,
33:14but if we mention Princess Anastasia,
33:16as she did this, Princess Anastasia did the other,
33:19so too.
33:21Please stop talking about Princess.
33:23Don't you see that it is a sensitive issue?
33:26By the way, Yulietita, you were much prettier than that of Sabrina.
33:29Oh no, don't lie to him either.
33:31Tito!
33:32Me what?
33:33Sorry, it's the custom.
33:35Look, Yuli, I support you.
33:37The best thing you can do is throw dirt at her,
33:39but in front of the princess you can't do much.
33:41Enough, enough!
33:42I don't want to hear anything else from those two.
33:44I congratulate you.
33:45Good luck to Cristobal and his princess.
33:48Yes, princess.
33:50A little while.
33:51What princess are you talking about?
33:59Help!
34:00It hurts!
34:04Claudio, Claudio!
34:05Are you okay?
34:06Yes!
34:07Oh no!
34:08My whole beautiful body hurts!
34:10But how did you fall?
34:11I slipped the stairs because I stepped on Mrs. Francesca's footsteps
34:15and I stopped on the first floor.
34:17Can you move?
34:18Let me help you.
34:19Let's see, let's see.
34:23I can't move anything.
34:24I think I broke my leg.
34:26You're right, you can't move.
34:27Wait a minute.
34:28I'm going to call ...
34:30Hello?
34:31Yes, yes, emergency.
34:32Yes, we have an accident person.
34:34Yes, yes.
34:35He rolled down the stairs and has a broken leg.
34:37Wanderful 110.
34:39Yes, perfect.
34:41The ambulance is on its way.
34:43Come quickly!
34:44I'm going to faint!
34:46No, no, no.
34:47Resist, resist.
34:48I'm going to use some bandages and a board to immobilize your leg.
34:50It's okay.
34:51Are you okay?
34:52I run a little.
34:53It's okay.
34:54Resist.
34:55I'm coming.
34:56Oh!
34:57Oh!
34:58My little foot swelled like a tamale.
35:00Oh, I didn't feel good.
35:02Oh!
35:05Hurry up!
35:08Talk to me.
35:09I want you to be quiet.
35:10Talk to me.
35:11Talk to me, Julie.
35:12Tell me.
35:13It's Anastasia.
35:14The girl who moved aside and asked you for your hand.
35:16Well, now you're lucky.
35:17You're dating Cristobal.
35:21Talk to me.
35:23No, no, no.
35:24That can't be.
35:25Are you serious?
35:26Is that true?
35:30Hold on, hold on, hold on.
35:31Anastasia wouldn't look at a guy like that.
35:34Anastasia would only have eyes for a man like that.
35:38A manly,
35:39rude man.
35:40Like this pessimist you see in front of you.
35:43It seems to me that Cristobal has his grace.
35:45Shut up, Tito!
35:47What grace are you going to have with that vampire?
35:48It has nothing to do with it.
35:49He doesn't have my sex appeal.
35:50He doesn't have this defined beard that drives women crazy.
35:53Besides, Anastasia can't mess with anyone.
35:55She has no eyes for anyone.
35:57No one.
35:58Because there is still a problem between us that we have to solve.
36:01Didn't you say Anastasia ran away?
36:03I'm saying she can't look at anyone.
36:06After what we've been through together.
36:07Well,
36:08it seems to me that Anastasia has already solved it on her own, right?
36:11Because they have been very ...
36:12You shut up, Tito.
36:13Don't be rude.
36:14Yuli saw him.
36:15Yes or no, Yuli?
36:16Talk.
36:17Talk to me.
36:20Yuli, tell me.
36:21Yes, they were very close.
36:23When I went to look for Cristobal on his birthday,
36:26because I thought he had broken up with Dona Lucia to be with me,
36:30I discovered that he has a new love interest.
36:32And that interest is called Anastasia.
36:37I can't believe it.
36:39I can't believe it.
36:42Anastasia should only have eyes for me.
36:44What's more, I'm sure she still loves me.
36:48No one can blame her for changing you for someone better, right?
36:52Tito!
36:53What?
36:54Juana, you shut up, okay?
36:56Don't you see that you're being rude?
36:58Let's see, let's see, let's see.
36:59Maybe you're confused, right?
37:01Because she's so annoying.
37:02No, Joel.
37:03It was you, princess.
37:05I never had her face to face,
37:06but I saw a lot of photos that you uploaded.
37:09And besides, that fool chose Anastasia.
37:12He clicked with him.
37:13Well, with your permission, I have to inspect that Valentino, right?
37:16I'll be right back.
37:18No, no, no, no, no.
37:19It can't be, huh?
37:21This is hard for me to believe.
37:24I demand an explanation and I will find out.
37:27No need to do anything.
37:28No, Joelito, do what you have to do
37:30and then you come here and tell us all the details.
37:33That would be very nice.
37:34That will be.
37:35Bye.
37:36Goodbye.
37:37No, wait.
37:38Don't you stay for breakfast?
37:39No, thank you.
37:40Although my stomach rumbles,
37:41my heart just wants to keep running.
37:44Who cares about that?
37:45What did he say?
37:47Patrimonio Cerrucho!
38:10Hey, what the hell is wrong with you today?
38:13I don't feel well.
38:14Ah?
38:15Feli.
38:20What?
38:24What?
38:33Excuse me, teacher.
38:34No, well, Gonzales.
38:36After class, I'm not your teacher.
38:40I'm your father-in-law.
38:43Let's see, tell me about your father-in-law.
38:45Father-in-law?
38:51My Pashmina was the cause of the accident.
38:55Now he can sue us in front of the Ministry of Labor.
38:59Could he do that?
39:00Of course, he could file a complaint
39:02for working in a place lacking security.
39:07Well, then we'll have to meet all his requirements.
39:09We don't want to get into trouble.
39:11Of course not.
39:13What about Pashmina?
39:15Did we bury her?
39:17I'm not going to laugh about that.
39:18He met her yesterday.
39:20She's a very pretty girl, from a good family.
39:22And apparently, she's very interested in Chris.
39:26And you, let's see, why do you ask?
39:28Do you know her?
39:29I know her well.
39:31And how do you know her so well?
39:33She was going to be my wife.
39:34What?

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