Al Fondo Hay Sitio Temporada 11 Capitulo 143 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 144 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 145 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 143 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 144 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 145 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 143 Completo HD
Category
š„
Short filmTranscript
00:00:00What is this idiot doing here?
00:00:07Welcome!
00:00:08Wow!
00:00:09Watch out!
00:00:10They're throwing a costume party.
00:00:11What?
00:00:12Party?
00:00:13Where?
00:00:14In the front house.
00:00:15So they're telling us our lives and now they're throwing a party?
00:00:16And they're aliens with their Halloween costumes.
00:00:17What?
00:00:18What?
00:00:19What?
00:00:20What?
00:00:21What?
00:00:22What?
00:00:23What?
00:00:24What?
00:00:25What?
00:00:26What?
00:00:27What?
00:00:28What?
00:00:29What?
00:00:30What?
00:00:31I know, I know.
00:00:32I'm sure it's the aliens with their Halloween costumes.
00:00:33What about us?
00:00:34Are we staying behind?
00:00:35I say we celebrate the day of the song.
00:00:36That's the attitude, niece!
00:00:37Pass the ball to the goalkeeper and to Gasparo!
00:00:43Hi, Chris.
00:00:46Hi.
00:00:48What a great costume, ma'am!
00:00:53What a great costume!
00:00:56Where are you taking her?
00:00:58To the cemetery.
00:01:00Well, if you say so, but stop crying.
00:01:04Please, just this, just this.
00:01:07I fell.
00:01:17Oh no, the ice is gone.
00:01:19Raya!
00:01:20A girl is buying ice.
00:01:22It can't be bad.
00:01:24With that noise they will never let us enjoy.
00:01:26Well, I already calmed down an hour ago, but they don't listen to me.
00:01:29Call again.
00:01:30This is a residential area.
00:01:32Of course, of course, it's true.
00:01:33Macanda, ask him to lower his volume so that it is not necessary.
00:01:35No, I already went, but for the sake of it.
00:01:38So what?
00:01:43Do I leave her in the same cemetery or do you prefer to leave her somewhere else?
00:01:49Ma'am, where do I leave her?
00:01:50Ma'am?
00:01:53Ma'am?
00:01:59No, no, no, let me cry.
00:02:20Let me cry.
00:02:44It seems that they are having a good time.
00:02:51How could we think that we had a future with them?
00:02:57We fell in love.
00:03:02The truth, cousin, is that we are not the same as them.
00:03:08And we will never be.
00:03:11Today, Alicia painted her whole body.
00:03:24I don't think I can forget Christ today.
00:03:30The one that hurts me a lot.
00:03:41I know, cousin.
00:03:46For now, I just have to hold on.
00:04:11Cousin.
00:04:12What's wrong?
00:04:13Cousin.
00:04:17What?
00:04:19Benjamin?
00:04:28Where is he?
00:04:31Are you sure you saw him?
00:04:32Yes.
00:04:33We both saw him.
00:04:35Is that him?
00:04:37Yes.
00:04:39It's him.
00:04:40It's him.
00:04:41Let's turn around.
00:04:57Wait, wait, wait.
00:04:58Why are you hitting me?
00:05:00Javi?
00:05:01Javi?
00:05:04What are you doing dressed as Harley Quinn?
00:05:06Dad, you invited me to the party.
00:05:08No, no, it was Javi.
00:05:09We were celebrating the day of the Creole song, not Halloween.
00:05:12Oh, I misunderstood.
00:05:13It had to be Javi.
00:05:15You can't dress like that, brother.
00:05:17It's just that the Connaught suit makes me cold.
00:05:19Yes, yes, yes.
00:05:20Unfortunately, it was a confusion.
00:05:21Let's go, let's go, let's go.
00:05:22It's just that, actually, I think I have a broken rib.
00:05:25I'd rather go to the emergency room.
00:05:26Me too.
00:05:27Let's go, let's go, let's go.
00:05:28Let's go, let's go, let's go.
00:05:29Let's go, let's go, let's go.
00:05:30Javi.
00:05:31Let's go, let's go, let's go.
00:05:33Our Father, who art in heaven,
00:05:35hallowed be thy name.
00:05:37Thy kingdom come,
00:05:38thy will be done,
00:05:39on earth as it is in heaven.
00:05:44Give us this day our daily bread,
00:05:46and forgive us our trespasses,
00:05:47as we forgive those who trespass against us.
00:05:49And lead us not into temptation,
00:05:50but deliver us from evil.
00:05:51Holy Mary, Mother of God,
00:05:52pray for us sinners,
00:05:54now and at the hour of our death.
00:05:56Amen.
00:06:02Amen.
00:06:33Ale?
00:06:36I've been looking for you everywhere.
00:06:40What are you doing here alone?
00:06:42Don't look at me like that.
00:06:46Like what?
00:06:47Like you don't know who I am
00:06:50and try to find out what I did with Chef Alesia Montalvo.
00:06:55Oh, ex-Chef Alesia Montalvo.
00:06:59Look, I know you're going through difficult times,
00:07:02but you're going to get through it.
00:07:08Why are you laughing?
00:07:09Because of your phrase that I said.
00:07:12How do you know? You barely know me.
00:07:15I know because you're 24 years old.
00:07:20Almost 25.
00:07:22You haven't studied cooking
00:07:24and you're the only one who knows how to cook.
00:07:28And you're the only chef in the country with a chivilin.
00:07:33Someone who has achieved that can do anything.
00:07:42I think I never told you, but...
00:07:47you're a very good friend.
00:07:51You...
00:07:53You're more than that to me.
00:08:00You started out as my boss.
00:08:04You became my student.
00:08:08Then you became my teacher.
00:08:12Then...
00:08:14Then you became my friend.
00:08:17Then you became my friend.
00:08:21And now, Ale...
00:08:26Ale, now I see you as...
00:08:31Ale?
00:08:34Ale!
00:08:39I think you've had too much, Ale.
00:08:43No, no, no. The last one. I promise.
00:08:46I'll take you to rest, okay?
00:08:48No, I'm bored.
00:08:51You're... You're on another level.
00:08:54Yes, I can do it.
00:08:57Are you okay?
00:08:58I'm fine. I can do it.
00:09:01I think you clearly can't.
00:09:03See?
00:09:04I can do it.
00:09:05Let's go.
00:09:10This way.
00:09:12That's it.
00:09:13That's it.
00:09:14That's it.
00:09:15That's it.
00:09:16That's it.
00:09:17That's it.
00:09:28That bastard isn't coming.
00:09:31What if I go again?
00:09:32And I ask you to take him down.
00:09:34What are we going to beg those people for?
00:09:36They're my people.
00:09:37But you're the noble side of that family, Maca.
00:09:40Let's go to the front desk.
00:09:42Judas.
00:09:43Take him in. The party's over.
00:09:47It's Timber!
00:09:51There he is.
00:09:52You're finally here.
00:09:53You've been making noise for a while.
00:09:55Well, once a year doesn't hurt, right?
00:09:57No, no, no. You don't respect the rules of coexistence.
00:09:59Are you celebrating too?
00:10:00Yes, but it's the day of the Criolla song, not alienated things.
00:10:03Of course, boss.
00:10:05Watch out for the creature.
00:10:07Join us at the police station.
00:10:10I'm going to see her face to face.
00:10:12Boss, I think you don't understand.
00:10:14We were the ones who called.
00:10:17We understand perfectly, miss.
00:10:19Thank goodness you understand.
00:10:21Let's go.
00:10:22No, no, no. Wait a minute.
00:10:23It can't be.
00:10:24It can't be.
00:10:25There's a problem.
00:10:27The cat's escaping.
00:10:28The cat's escaping.
00:10:29The cat's escaping.
00:10:30The cat's escaping.
00:10:31The cat's escaping.
00:10:33We're all going.
00:10:34We're all going.
00:10:40Get out of the way.
00:10:42Get out of the way.
00:10:44Get in the car.
00:10:45Get in the car.
00:10:46Get in the car.
00:10:47Get in the car.
00:10:51I'm not going in.
00:10:52I'm being taken away.
00:10:56No, no, no, I don't want to sleep.
00:10:58You have many options.
00:10:59Let me tell you.
00:11:01What?
00:11:03Right now...
00:11:39Oh
00:11:47Dulce sueƱos Jeff
00:12:07No
00:12:09Oh, como tu sonrisa, me cambias la vida, cuando me miras, quiero estar contigo hasta el infinito.
00:12:39Perfecto, maƱana hablamos.
00:12:41No, no, pero al menos dƩjenos los celulares, peden libros para entretenernos, para distraernos.
00:12:46No te van a dar tiempo.
00:13:00Lo de la llorona me ha dejado medio muƱequeado, pero tampoco voy a regresar a la jato corriendo muerto de miedo, Āæno?
00:13:05Claro, no, Juanita confĆa en mĆ.
00:13:08Claro, esta noche estoy ganando mucho mĆ”s plata que otros dĆas.
00:13:11La gente sale zampada de las fiestas y asĆ nos puede manejar.
00:13:14Mejor para mĆ me conviene...
00:13:16Salud.
00:13:18Gracias, gracias, compaƱero.
00:13:21Creo que me voy a resfriar.
00:13:23O serĆ” la alergia al polvo de la momia.
00:13:29Por si acaso, momia no vale desaparecer a la mitad del viaje, Āæah?
00:13:33Ā”Se me, se me vino el huayco!
00:13:35Ā”No, no, paloma, no! Ā”No, no me voy a dejar arroz en la espalda!
00:13:41SaliĆ³ linda la reo.
00:13:43Gracias a ti.
00:13:45Oye, agradecele al DJ, a los chicos que pusieron el trago, las luces, a los enanos traga fuego, la chica del pole dance.
00:13:53Oye, quĆ© producciĆ³n y al toque, Āæno?
00:13:56ĀæDe dĆ³nde conoces a tanta gente?
00:13:58No los conozco.
00:13:59ĀæCĆ³mo?
00:14:00No los conozco.
00:14:01En estas fechas y en aƱo nuevo hay un montĆ³n de huĆ©rfanos de fiestas que estĆ”n buscando un lugar.
00:14:07AsĆ que publiquĆ© en redes y vinieron.
00:14:09ĀæO sea que nunca los habĆa visto en persona?
00:14:12No, y no los reconocerĆa en la calle.
00:14:14A menos de que estƩn disfrazados de jirafa o de pasto.
00:14:18Ā”QuĆ© buen disfraz!
00:14:19Ā”QuĆ© buen disfraz!
00:14:20Creo que se ha quedado dormido por ahĆ en el jardĆn.
00:14:25Yo sĆ ya estoy bien cansado.
00:14:27ĀæVas a estar bien?
00:14:29AcuĆ©rdate que maƱana, o sea hoy, tenemos una sesiĆ³n de fotos.
00:14:34SĆ, sĆ, me meto un duchazo y estoy cĆ³modo.
00:14:37Bueno, te dejo para que descanses, Āæya?
00:14:40Beso.
00:14:41Beso.
00:14:51Bueno, yo ya estoy. Dejo a estos fantasmitas amorosos y me voy antes que me hagan el sueƱo.
00:14:56Oye, ya te pasaste.
00:14:58Ah, perdĆ³n, es que aquĆ no veo el nĆŗmero.
00:15:00Mejor, asĆ no me escuchan mis papĆ”s.
00:15:03No hay problema, doy la vuelta, apago el motor y suelto el freno. DiscreciĆ³n total.
00:15:07Te las hay todas, compaƱero. Gracias, deseame suerte.
00:15:10Suerte, suerte.
00:15:12Ah, y ese sabor entre sƔbanas.
00:15:14Bueno, los dejo y me quito a jatear.
00:15:25Dale, dale.
00:15:27ĀæEstĆ”s bien?
00:15:28SĆ, sĆ. Falsa alarma, falsa alarma.
00:15:32QuƩ bueno.
00:15:33Falsa alarma.
00:15:34Bueno, yo ya me tengo que ir.
00:15:36No, no, no, no, no te vayas, por favor. Me siento horrible.
00:15:40Ya es muy tarde, Ani.
00:15:42Un ratito, un ratito nomƔs, hasta que haganme dormida, por favor.
00:15:47EstĆ” bien, estĆ” bien, estĆ” bien.
00:15:49Gracias.
00:15:50Te ayudo.
00:15:51SĆ.
00:15:53Oye, gracias por ser tan bueno conmigo.
00:15:57Siempre.
00:16:22Hasta el infinito y que seas la dueƱa de mi corazĆ³n.
00:16:34Bonita, te quiero para mĆ.
00:16:41Bonita, quiero hacerte feliz.
00:16:48Que todo el mundo sepa que me muero por tu amor.
00:16:56QuƩdate conmigo.
00:16:59Estamos viendo al fondo del sitio, nueva temporada dos mil veinticuatro, gracias a
00:17:06Nuevo Ariel, limpieza que se nota y se siente.
00:17:11CĆ”mbiate a la red mĆ³vil mĆ”s rĆ”pida del PerĆŗ.
00:17:15Aprovecha el Special Prize de Jam A-11.
00:17:20Universidad Norbert Wiener, potenciada por Arizona State University.
00:17:25Plaza Dea, precios bajos todos los dĆas.
00:17:29Nuevo Shampoo Amaras, raĆces y puntas felices.
00:17:33Pruebalo.
00:17:35Medio millĆ³n de soles en premios solo con leche Gloria.
00:17:39Tu allĆ no mende siempre, tambiĆ©n en vaso.
00:17:44Descarga Progresor Plus y haz crecer tu ferreterĆa.
00:18:14Compadre, los materiales para nuestro buque llegaron al toque.
00:18:24Claro, pues.
00:18:25Yo programo mis entregas con la app Progresor Plus.
00:18:28AdemƔs, tengo variedad de productos.
00:18:30Y tĆŗ, hermano ferretero, si quieres que tu ferreterĆa salga en la tele con Pepe y Tito,
00:18:34descarga y compra en Progresor Plus.
00:18:36A mƔs compras, mƔs opciones de ganar.
00:18:41Este aniversario, Plaza Dea nos celebra.
00:18:43Ā”Que levante la mano!
00:18:44Ā”Y no habla con los precios bajos todos los dĆas!
00:18:48Celular Samsung Galaxy A06 a 369 soles.
00:18:52Lavadora Oster de 15 kilos a 1,199 soles.
00:18:55Y con tarjeta O a 1,099 soles.
00:18:57Ā”Check!
00:18:58Encuentra esto y mƔs en plazadea.com.p
00:19:07Activa el modo Betano con nuestro bono de bienvenida de hasta 500 soles.
00:19:12Ā”Betano!
00:19:43Suiza es irresistible.
00:19:45Jale el parcial.
00:19:46Asu.
00:19:47Ya fue.
00:19:49ĀæSopita?
00:19:55Sopita.
00:20:02Ala.
00:20:03Ala.
00:20:04Ala.
00:20:06Distintas alitas.
00:20:07Distintos alas.
00:20:10Cinco nuevos sabores de alitas crujientes por fuera y jugosas por dentro.
00:20:17Ā”PruĆ©balas!
00:20:18Desde 19 soles 90.
00:20:20Love that chicken from Popeyes.
00:20:23En Falabella los envĆos son tan rĆ”pidos que no podrĆ”s esperar para pedirlo todo.
00:20:27Empaquetamos, despachamos, arrancamos.
00:20:28Pa' tu casa lo llevamos y a tus manos lo entregamos.
00:20:31En Lima y Callao lo recibes el dĆa siguiente y en provincia en dos dĆas.
00:20:34Ā”QuĆ© fantasĆa!
00:20:35Falabella.
00:20:36Ā”Siempre mĆ”s rĆ”pido!
00:20:37Ā”QuĆ© fantasĆa!
00:20:38Falabella.
00:20:39Ā”Siempre mĆ”s rĆ”pido!
00:20:41Millones de personas son atacadas por bacterias bucales invisibles.
00:20:44Taninas.
00:20:45La causa raĆz del mal aliento.
00:20:47Bacterias en encĆas, caries, placa y sarro.
00:20:50Por eso Colgate combinĆ³ la mejor ciencia y tecnologĆa en Colgate Total.
00:20:55A diferencia de otras, su fĆ³rmula superior remueve las bacterias
00:20:59y crea una poderosa barrera de protecciĆ³n por hasta 24 horas que previene que vuelvan.
00:21:04Tome el control de tu salud oral previniendo los problemas antes que aparezcan.
00:21:08Con Colgate Total.
00:21:13Si el cansancio puede mƔs que tus ganas,
00:21:17no es para ti.
00:21:19Si no lo sientes en el estĆ³mago, en cada nervio y en cada cĆ©lula de tu cuerpo,
00:21:24no es para ti.
00:21:26Si postulas aquĆ buscando el camino fĆ”cil, no es para ti.
00:21:30Porque esto no es para todos.
00:21:33ĀæTe atreves?
00:21:34UPN.
00:21:36En Plaza Bea es nuestro aniversario y te queremos celebrar con precios bajos todos los dĆas.
00:21:41Por eso...
00:21:49Obvio, si en plazabea.com.p hay precios bajos todos los dĆas.
00:21:55Ven a celebrar nuestro aniversario comprobando tu ahorro en tu ticket.
00:21:58Ā”Plazabea! Ā”Precios bajos todos los dĆas!
00:22:02Desde este domingo, Chocate trae deliciosa comida junto a la Chinita Lee.
00:22:07Ā”SeƱora, venga usted por acĆ”!
00:22:10ĀæPara ti, Chinita? No, no es igual.
00:22:12Y desde primera ediciĆ³n, llegan tres invitados a disfrutar de una buena mesa.
00:22:17Ya llega la comida, chicos, ya llega la comida.
00:22:19Ā”Ay, quĆ© rico!
00:22:20Ahora los almuerzos del domingo serƔn mƔs divertidos.
00:22:24Ā”Soy una seƱora!
00:22:26Ā”Soy una seƱora!
00:22:27Ā”Tienes un jale de la patada!
00:22:28Mi mamĆ”, yo te he contado que mi mamĆ” se morĆa por ti.
00:22:30ĀæCĆ³mo no me la presentaste?
00:22:31Ā”Vive en la mesa!
00:22:33Ā”La fiesta de la gastronomĆa!
00:22:36Desde este domingo a las dos de la tarde en AmƩrica.
00:22:41Gracias a Pepto Bismol.
00:22:44Epavionta.
00:22:46Leche Gloria.
00:22:49Recomendamos ver este programa en compaƱĆa de un adulto.
00:22:56Un paisillo.
00:23:01Ā”AjĆ”!
00:23:04ĀæCamila GonzĆ”lez?
00:23:05ĀæCamila GonzĆ”lez?
00:23:06Ya se puede retirar.
00:23:07Ā”Ay, che! Ā”VĆ”monos de aquĆ!
00:23:09Ā”Un momento!
00:23:11ĀæA dĆ³nde crees que vas?
00:23:12No nos vamos.
00:23:13ĀæA quĆ©?
00:23:14Ah, no, no, no. Yo sĆ me voy. Yo...
00:23:16Tenemos que estar juntos en esto. De aquĆ nadie sale, Āæya?
00:23:19ĀæMe pueden explicar quĆ© les pasa a ustedes?
00:23:21Anoche se morĆan por salir y hoy no se quieren ir.
00:23:24Nos han detenido injustamente.
00:23:26La abuela venĆa de la casa Maldini, Āæya?
00:23:28No me digas.
00:23:29Y quƩ raro que los detenemos a ustedes y ya nadie se queja.
00:23:32QuĆ© casualidad, Āæno?
00:23:33Porque nosotros fuimos los que llamamos.
00:23:36Ā”AsĆ es!
00:23:37Ā”No nos vamos a mover de acĆ” hasta que sea justicia!
00:23:43Ā”Un momento!
00:23:44ĀæQuĆ© es esto?
00:23:45A ver, seƱores. Les voy a explicar.
00:23:47No podemos ingresar a la casa Maldini sin una orden.
00:23:50SegĆŗn la nueva ley, tenemos que avisarles un dĆa antes.
00:23:53ĀæCĆ³mo?
00:23:54Invitarles lunch a sus abogados.
00:23:56Y luego esperar que amigablemente nos inviten a ingresar.
00:23:59Ā”Ah! Ā”QuĆ© tal, Rosa!
00:24:00ĀæY en nuestra casa sĆ se metieron asĆ nomĆ”s?
00:24:02Ā”Claro!
00:24:03No, no, no. Eso es diferente.
00:24:04ĀæQuĆ© es diferente? Ā”Eso es discriminaciĆ³n!
00:24:07Oiga. ĀæUsted no es Macarenas MontalbĆ”n?
00:24:10No, no. No le parece. No le parece.
00:24:12Ā”GonzĆ”lez Dignidad! Ā”GonzĆ”lez Dignidad! Ā”GonzĆ”lez Dignidad! Ā”GonzĆ”lez Dignidad!
00:24:17Ā”Escuchen, seƱor comisario!
00:24:18Ā”AquĆ no se va nadie hasta que atrapen a los verdaderos culpables!
00:24:21Ā”Eso! Ā”Eso!
00:24:22Bueno. Si ustedes gustan eso, no hay ningĆŗn problema.
00:24:24Pero eso sĆ. Yo no voy a ingresar a la mansiĆ³n Maldini sin una orden.
00:24:28Bueno. Si usted cree que estĆ” en lo correcto,
00:24:30no tendrĆ” ningĆŗn problema en que publiquemos esta historia.
00:24:33Sobrina, grabaste todo, Āæno?
00:24:35Ā”Todo!
00:24:36Desde que llamamos al serenato,
00:24:38cuando nos metieron injustamente a la celda,
00:24:40y las palabras de nuestro querido comisario.
00:24:43Por lo menos trae a uno de los culpables.
00:24:45Hoy mismo, esta historia se vuelve tendencia.
00:24:48Ā”Eso! Ā”Bien, Jimmy! Ā”Bien, Julie!
00:24:50Ā”Para eso sirven los millenials!
00:24:52Bueno, bueno, bueno. Voy a ver quƩ es lo que puedo hacer.
00:24:55Ā”Bien!
00:24:57Pero eso sĆ. Que quede bien claro.
00:24:59Esto lo hago porque yo quiero, no porque nadie me obliga a nada.
00:25:02Ā”CĆ”llate! Ā”CĆ”llate!
00:25:04Ā”CĆ”llate! Ā”CĆ”llate!
00:25:05Ā”CĆ”llate! Ā”CĆ”llate!
00:25:06Ā”Gonzalez Dignidad! Ā”Gonzalez Dignidad! Ā”Gonzalez Dignidad!
00:25:09La siguiente nota une amor y negocios.
00:25:12Francesca Maldini y Diego MontalbĆ”n regresan al PerĆŗ
00:25:15despuƩs de una sorpresiva gira por China.
00:25:18AsĆ es. La exitosa empresaria y el aĆŗn recordado chef
00:25:22retomaron su relaciĆ³n.
00:25:24Y como no podĆa ser de otra manera,
00:25:26aprovecharon su segunda luna de miel
00:25:29para establecer alianzas estratƩgicas con el gigante amarillo.
00:25:34El amor en tiempos de negocios.
00:25:36Esta pareja no va juntada sin hilo.
00:25:38Estamos en vivo con ellos desde la improvisada conferencia de prensa
00:25:41que estĆ”n brindando en la CorporaciĆ³n Maldini.
00:25:43Como ya todos saben,
00:25:45la CorporaciĆ³n Maldini ha diversificado sus inversiones,
00:25:48dejando el juicio a la ConstituciĆ³n de las Casas
00:25:51y el accidente de Miguel Ignacio a manos de las autoridades competentes.
00:25:55En los Ćŗltimos aƱos, nos hemos dedicado al rostro culinario,
00:25:59en el que mi marido es uno de los principales exponentes.
00:26:03Gracias. Gracias, Frank. Gracias.
00:26:05PerdĆ³n, seƱora Maldini,
00:26:07pero el seƱor MontalbƔn ha fracasado en todos sus emprendimientos.
00:26:11Por eso estamos mis asesores y yo, para guiarlo en el emprendimiento.
00:26:15Olvida que tambiĆ©n en su matrimonio fracasĆ³.
00:26:18Ā”Siguiente pregunta! Ā”Siguiente pregunta!
00:26:21ĀæExactamente a quĆ© se refiere al decir alianzas estratĆ©gicas?
00:26:27Vamos a poner al PerĆŗ en primera lĆnea como socio comercial de China.
00:26:30AsĆ es. Ya no falta nada para que el megapuerto de Shanghai empiece a operar
00:26:35y tenemos a 1.400 millones de chinos del otro lado del PacĆfico
00:26:39ansiosos de probar nuestra galardonada gastronomĆa.
00:26:43Por eso hemos firmado un acuerdo con el empresario Shen Shang,
00:26:46que tambiƩn es fundador de la red social Tok Tok.
00:26:49Ā”Es un gran dato ese!
00:26:51En forma conjunta, ya hemos planeado construir restaurantes en PekĆn, Shangai, Nanking...
00:26:57Ā”Champagne! Ā”Piang piang! Ā”Chan lan lan! Ā”Ya! Ā”Se me traba la lengua!
00:27:01Para que todos nos entiendan, se vienen cositas.
00:27:06Ā”Ay! Ā”Ay, Dios mĆo! Ā”Ay! Ā”QuĆ© nochecita! Ā”QuĆ© nochecita!
00:27:12Ā”Pero mi traje de abeja reina! Ā”Mi traje de abeja reina fue sensaciĆ³n en toda la noche!
00:27:17Ā”Todo el mundo gritaba! Ā”Que viva la abeja reina! Ā”Que viva la abeja reina!
00:27:21Ā”Hasta ronco me he quedado de tanto gritar!
00:27:24Ā”Ay, pero quĆ© es esto! Ā”Ay, no!
00:27:27Ā”Al parecer no fue el Ćŗnico que la pasĆ³ bomba!
00:27:29Ā”Ay, no! Ā”Los chicos aprovecharon la casa sola y hicieron lo que les dio la gana!
00:27:34Bueno, yo tambiĆ©n la pasĆ© muy bien. Ā”Ay, siendo la abeja reina y volando!
00:27:39Ā”Ay, quĆ© gracioso! Ā”Ay, mira quĆ© creativos!
00:27:44Ā”Hasta han hecho una tumbita! Ā”Ay, quĆ© bonito!
00:27:48Ā”Aaah! Ā”Aaah! Ā”Aaah! Ā”Aaah! Ā”Aaah! Ā”Aaah!
00:27:52Ā”Cuidado donde pisas, reina!
00:27:55ĀæY este quĆ©? ĀæSe disfrazĆ³ de pasto? Ā”Ay, por Dios!
00:28:04ĀæAlĆ³?
00:28:06Cris, al fin contestas. ĀæDĆ³nde estĆ”s?
00:28:09En mi cama. ĀæPor?
00:28:11ĀæEn tu cama? ĀæTe olvidaste que hoy es la sesiĆ³n? Te estamos esperando. Vente al toque, por favor.
00:28:16ĀæLa sesiĆ³n? SĆ. MĆ”ndame la ubicaciĆ³n y voy enseguida.
00:28:22ApĆŗrate. Si quieres hacer las fotos, ven ya.
00:28:24No, no, no. Que no llamen a otro fotĆ³grafo.
00:28:26No, no, no, no, no, no, no.
00:28:28MĆ”ndame la ubicaciĆ³n y voy enseguida.
00:28:30ApĆŗrate. Si quieres hacer las fotos, ven ya.
00:28:32No, no, no. Que no llamen a otro fotĆ³grafo.
00:28:34ĀæCuĆ”l fotĆ³grafo? La clienta quiere tomar fotos con su celular.
00:28:37ĀæQuĆ©? No. Eso es un pecado. Voy enseguida. AhĆ voy, Āæya? EspĆ©rame. Estoy yendo. AhĆ voy.
00:28:46Ā”Ay! Ā”Ay, pero quĆ© es esto! Ā”Es un hecatombe! ĀæQuiĆ©n hizo esto?
00:28:52Ā”Ay! Ā”Ay, joven Cris! Ā”Oiga, espera! Ā”Espere! Ā”Es una aplicaciĆ³n! Ā”MuĆ©vete, pues! Ā”Ay, pues! Ā”Me arrancĆ³ mis alitas! Ā”Mis alitas!
00:29:03Ā”Yo no voy a limpiar esta porquerĆa! Voy a esperar a que Coqui venga. SĆ, sĆ, sĆ, sĆ.
00:29:07Ā”Ay, a ver quĆ© es esto! Ā”Ay! Un sobrellito. A ver.
00:29:13Ā”Ay, no, no! No me queda.
00:29:16Ā”Ay, este antifaz! Ā”Ay!
00:29:18I don't know. This one looks really nice.
00:29:22Claudio is going to be a nice old lady.
00:29:27I'm going. Fly, fly.
00:29:41Wow, Pitri Mitri, what a good cat I got myself into.
00:29:45Let's get to work. Hurry up.
00:29:51Pitri Mitri, where's Tito?
00:29:54It's so late?
00:29:57He's not at the bar either.
00:30:01I bet he's at the bar getting his drink.
00:30:05I'll go get him.
00:30:11Juanita!
00:30:12How's it going, family?
00:30:16There's no one here. I won.
00:30:24One day I had to be the first, right?
00:30:29Who could be inside?
00:30:31It's early.
00:30:36Niece, are you going to be late?
00:30:43Huh? There's no one here.
00:30:46There's no one here either.
00:30:49I'm starting to get scared.
00:30:52What do I do?
00:30:55Should I take a shower?
00:30:57No, no, no competition. That's not how it works.
00:31:00But maybe I'll take a shower.
00:31:03Why not?
00:31:05Ugh.
00:31:14I'm not going to tell you how to cook.
00:31:17And you're going to listen to me on how to start a business.
00:31:24Trust me.
00:31:26Francesca has great potential.
00:31:29Especially now that we've met those Chinese investors.
00:31:32When they come, we're going to have to treat them like kings.
00:31:36Oh, I'm so sleepy.
00:31:40Wait, you'll sleep in our own bed.
00:31:43The trip was spectacular.
00:31:46But there's nothing like sleeping in your own bed.
00:31:49Yes.
00:31:53Family!
00:31:56Family!
00:31:58Where did everyone go?
00:32:00Family, that's enough with the jokes.
00:32:03Stop it. It's not my birthday, just in case.
00:32:06I'm with Filo, you know?
00:32:08Pepe.
00:32:10Felix, do you know where everyone went?
00:32:13What do you mean?
00:32:15There's no one here. I've been alone since early morning.
00:32:18You remind me of a village in the mountains where the houses were empty.
00:32:22And the monkeys went in and it looked like the planet of the apes.
00:32:25Don't scare me.
00:32:27Hey, how did it go last night?
00:32:28Last night? What night?
00:32:30Don't act like you don't know.
00:32:32I saw you all chubby. I bet you were going to check on a skinny girl.
00:32:35No, no, nothing. No luck.
00:32:37Are you going to tell me or what?
00:32:39Yeah, but with breakfast.
00:32:41Yeah, come in.
00:32:43In the meantime, help me prepare it.
00:32:45Family!
00:32:47Oh my God, how good was the...
00:32:49Oh, how good was the party, my God.
00:32:52I'm all dirty with a grown beard.
00:32:54It can't be. No, no, no, no.
00:32:56I know what I'm going to do.
00:32:58Before I take a shower and shave,
00:33:00I'm going to clean the second floor, which looks better.
00:33:02And I'll leave the first floor to Koki, because he's a chumuladar.
00:33:05And I'm not going to lose my youth by cleaning that mess.
00:33:09Well, young Cristobal ran out,
00:33:12and Miss Lesia is always so responsible.
00:33:15She probably went to work.
00:33:21It can't be.
00:33:23Miss Lesia is in bed with the handsome young man.
00:33:25And he's having a bad time.
00:33:28Horror!
00:33:30What you see in my eyes can't be true.
00:33:35It can't be.
00:33:37What have these clowns done?
00:33:39Not only have they made a mess with the house,
00:33:41but with their lives.
00:33:43Oh my God, what a horror.
00:33:45I'm going, I'm going, I'm going.
00:33:55Oh my God.
00:34:10Next.
00:34:13Action.
00:34:15El panetĆ³n, charitĆ³n, tom tom para todo el familĆ³n.
00:34:19El panetĆ³n, charitĆ³n te robara el corazĆ³n.
00:34:25Rikichichichimo!
00:34:30We called so they could come fix it, but they left us hanging.
00:34:34Grandma, you still haven't changed Claro?
00:34:36Don't you know that Claro has the best customer service?
00:34:43On this return to class, hire Fibra Optica and get a thousand megabits of speed.
00:34:48With Claro TV, plus 97 soles 50 per month.
00:34:51ĀæQuĆ© esperas? CĆ”mbiate al 0800-00200 o en claro.pe
00:34:58Que levante la mano, quien ahorrĆ³ y lo comprobĆ³.
00:35:01Este aniversario queremos celebrarte con precios bajos todos los dĆas.
00:35:05Leche Gloria Life, niƱos o cero lacto.
00:35:07Pack por 6 latas a 23 soles 90 y con tarjeta O a 22 soles 90 cada pack.
00:35:11Filete de atĆŗn Florida, lata por 140 gramos a 5 soles 70 cada una.
00:35:15Ā”Check!
00:35:16Encuentra esto y mƔs en plazavera.com.pe
00:35:22Si el cansancio puede mƔs que tus ganas, no es para ti.
00:35:28Si no lo sientes en el estĆ³mago, en cada nervio y en cada cĆ©lula de tu cuerpo, no es para ti.
00:35:35Si postulas aquĆ buscando el camino fĆ”cil, no es para ti.
00:35:39Porque esto no es para todos.
00:35:42ĀæTe atreves?
00:35:43UPN
00:35:52En Lime y Callao lo reciben el dĆa siguiente y en Provencia en dos dĆas.
00:35:56Ā”QuĆ© fantasĆa!
00:35:57Ā”Con la mela, siempre mĆ”s rĆ”pido!
00:36:00Con sello de oro y su toquecito ideal de sal, tus comidas dejarƔn a todos sin palabras.
00:36:06El pescarito estĆ”...
00:36:09Y el arrocito estĆ”...
00:36:11Prueba sello de oro y ponle ese mmm a todas tus comidas.
00:36:15Sello de oro.
00:36:17Para esa mamĆ” que tuvo un mal dĆa en el trabajo
00:36:20y no lo cuenta para no preocupar a su familia.
00:36:25Un plato de Don Vittorio.
00:36:30Hay personas que dan lo mejor.
00:36:32Para ellas, Don Vittorio.
00:36:34Hechos de los mejores trigos.
00:36:36Ā”RiquĆsimos!
00:36:38Disfruta con Don Vittorio el placer de dar lo mejor.
00:36:42Ahora Don Vittorio de 450 gramos a solo 3 soles 50.
00:36:47Introduce el pie.
00:36:48Eso es todo lo que necesito hacer con mis nuevos Sketchers Sleep Eames manos libres.
00:36:52Como si tuvieran un calzador invisible incorporado
00:36:54para que mi pie se deslice sin agacharme ni tocar mis zapatos.
00:36:57Siempre me han gustado los Sketchers Go Walk
00:36:59y ahora vienen con la tecnologĆa Sketchers Sleep Eames.
00:37:01Tienes que probarlos.
00:37:02Ah, su reporte mensual y todo para hoy.
00:37:05Tranqui.
00:37:08ĀæSopita?
00:37:12So-pi-ta.
00:37:17Special price Jump A11 en Falabella.
00:37:20Aprovecha.
00:37:21Arma tu set Jump a 49 soles 90.
00:37:24Y tu set A11 a 59 soles 90.
00:37:27Descarga tu app Falabella.
00:37:29En el mundo de beneficios del Club El Comercio puedes repetir.
00:37:32TendrƔs descuentos en todos lados.
00:37:34El grifo, el cine y supermercado.
00:37:36SerĆ” lo mejor que te ha pasado.
00:37:38Club El Comercio.
00:37:41Te sale a cuentas.
00:37:42Ceviches, pastas o un pollito.
00:37:44Si pagas menos siempre es mƔs rico.
00:37:46Los descuentos son infinitos.
00:37:48Club El Comercio.
00:37:51Te sale a cuentas.
00:37:52Con Club El Comercio los beneficios son ilimitados.
00:37:55Para usar las veces que quieras, cuando quieras y con quien quieras.
00:37:58Club El Comercio.
00:38:01Te sale a cuentas.
00:38:04Esta Navidad decora cada rincĆ³n de tu hogar con precios bajos todos los dĆas.
00:38:09Arbol nevado de cojĆ³n de 180 centĆmetros por 600 ramas a 149 soles 90.
00:38:13Con tarjeta O a 139 soles 90.
00:38:16Check.
00:38:17Encuentra esto y mƔs en Plaza Bea y tambiƩn en plazabea.com.p
00:38:22Esta noche.
00:38:23Me han llamado porque quieren que seas el protagonista de una telenovela.
00:38:27Te quieren en todas partes.
00:38:33TambiƩn me encontrƩ, mira.
00:38:35Este contrato de local donde tocaban los chicos estaba entre las cosas de Quique.
00:38:41Se lo voy a dar a de ellos.
00:38:43Tu nombre y el mĆo.
00:38:49Recomendamos ver este programa en compaƱĆa de un adulto.
00:38:59Hi mom, Āæte llegaron los videos que te enviĆ©?
00:39:01SĆ mi amor, al toque.
00:39:03La red mĆ³vil de Claro es rapidĆsima.
00:39:05CĆ”mbiate la red mĆ³vil mĆ”s rĆ”pida del PerĆŗ al 0800 00200.
00:39:26Oiga jefe, Āæno se supone que debemos entrar de sorpresa?
00:39:30No, no, no.
00:39:31De acuerdo a la nueva ley, tenemos que tocar el timbre y esperar que nos abran con una sonrisa.
00:39:40Comisario, Āæpero estĆ” abierto?
00:39:41SĆ, lo voy a tomar como una invitaciĆ³n para entrar.
00:39:44Vamos.
00:39:49Nadie puede enterarse que la seƱorita Alicia pasĆ³ la noche.
00:39:52ĀæCĆ³mo voy a ser yo si soy de chismosito?
00:39:57ĀæQuiĆ©n toque esta hora?
00:40:01Ā”Ay, agente, agente, agente, agente!
00:40:04ĀæA quĆ© debo honrar su visita?
00:40:06Hemos recibido quejas por la bulla.
00:40:08Bueno, como puede ver, aquĆ no hay ninguna bulla. La fiesta ya terminĆ³.
00:40:12Lo siento, pero la denuncia ya fue puesta. Venimos por los Martini.
00:40:15Bueno, ellos no estƔn y yo estoy a cargo.
00:40:17Ah bueno, entonces usted tendrĆ” que acompaƱarme a la comisarĆa.
00:40:20ĀæYo? ĀæPero cĆ³mo voy a ir yo? Ā”Si yo soy inocente!
00:40:31SerƔ mejor que nos acompaƱe, chico malo.
00:40:33No, no, no, no, no, dejenme, dejenme.
00:40:47ĀæAdĆ³nde me llegan?
00:40:51ĀæQuĆ© pasĆ³? ĀæQuĆ© desorden es Ć©ste?
00:40:54Mira cĆ³mo estĆ” la casa.
00:40:55Seguro se metieron los GonzƔlez.
00:40:57No debimos dejar la casa sola tanto tiempo
00:40:59We've been waiting for you for a long time.
00:41:02Mrs. Francesca.
00:41:04Mrs. Francesca Don Diego!
00:41:06Manantou.
00:41:08Don't worry, ma'am, we're going to take him.
00:41:10Don't you recognize me?
00:41:11I'm Claudio, the queen's servant.
00:41:13Pssst!
00:41:14Claudio, is that you?
00:41:15Of course it is.
00:41:16What happened to the house?
00:41:18It's obvious.
00:41:19This criminal took advantage of the fact
00:41:20that the house was alone to destroy it.
00:41:22Take him away.
00:41:23No, no.
00:41:23I'm innocent.
00:41:24We have to take him.
00:41:25Get out of the way, Claudio.
00:41:29My kids?
00:41:30Are they okay?
00:41:31No.
00:41:40What's going on?
00:41:43What's that noise?
00:41:49What?
00:41:50What happened?
00:41:51What are you doing in my bed?
00:41:53Me? What?
00:41:56No, I'm not...
00:41:58I wasn't in your bed.
00:42:01Just a little bit.
00:42:04Between you and me, did something happen?
00:42:07No, nothing happened.
00:42:10Just a little something.
00:42:14Just a little something?
00:42:15No, you were sick and you asked me to help you go to bed.
00:42:21Then you told me not to go, so...
00:42:23Yes.
00:42:24Now I remember everything.
00:42:28Yes, thank you and...
00:42:30And sorry for thinking badly of you.
00:42:33No, don't worry.
00:42:34I have to go now.
00:42:36Yes, yes, of course.
00:42:38Really, thank you.
00:42:40What a shame.
00:42:41It happens to anyone.
00:42:42Don't worry.
00:42:43Let's go, I'll go with you.
00:42:45Yes, yes, let's go.
00:42:50That's crazy.
00:42:54Ale, Chris, guys, how are you?
00:42:56Oh, no!
00:42:57Oh, I heard screams.
00:42:58They're going to kill us.
00:42:59Yes, yes, my dad didn't go to see you here.
00:43:01Where did he go?
00:43:02No, no, no, it's too late.
00:43:03Are you okay?
00:43:04Yes, dad, we're fine.
00:43:05Ale, Ale, Chris, I'm glad you're okay.
00:43:08I'm glad my son is out of the body.
00:43:10He's making a lot of noise.
00:43:12Let me see you.
00:43:14He's super, super sick.
00:43:16But are you okay?
00:43:17Are you alone?
00:43:18Nothing happened?
00:43:19There's no one else here?
00:43:20No, no, no, they all left.
00:43:22All? Were there many robbers?
00:43:24Well, a lot of people came, but like robbers.
00:43:26What a scare, they must have hit each other.
00:43:28My God, we already saw how the house was downstairs.
00:43:30Yes, I know, Francesca.
00:43:31Excuse me, I'll take care of it right now.
00:43:32I'll go down and order everything.
00:43:33Oh, daughter, what fault do you have?
00:43:34What are you going to do with all those thugs?
00:43:37Thugs?
00:43:38We saw the police when they took the head.
00:43:41Yes, Claudio, what a disappointment.
00:43:43Claudio, what happened to Claudio?
00:43:45Son, you don't say anything.
00:43:47Oh, I think it's worse.
00:43:49Chris, you better rest.
00:43:51Yes.
00:43:52Yes, it's better not to go to rest.
00:43:53Let's all rest, we can't anymore.
00:43:54Yes.
00:43:55I need to go back to rest.
00:43:56Yes, yes, yes.
00:44:03Oh, I thought they would never leave.
00:44:04Yes, I'm going to go out.
00:44:05Close the back door.
00:44:06See you later.
00:44:07Bye.
00:44:11Now what are they going to say when they find out that one day Francesca ...
00:44:21They won't do it.
00:44:23Yes, bro.
00:44:24Of course.
00:44:25Now people are afraid of the media pressure.
00:44:27Even more so when they have straw.
00:44:29Of course.
00:44:30You don't have to be naive either.
00:44:31Do you really think they're going to put the Maldini's in jail?
00:44:33Yes, let's be honest.
00:44:34It's very difficult.
00:44:35Difficult?
00:44:36It's very difficult.
00:44:37The police don't mess with the money people.
00:44:40Honey, I don't know what I'm doing here.
00:44:41If the police find out about my background, I'm gone.
00:44:44I told them.
00:44:45We saw them leave when they opened a gate.
00:44:47There was no Maldini in the house.
00:44:48Only my nephews.
00:44:49Oh, pituco, pituco.
00:44:51What if we ask them to open the gates again?
00:44:54Oh, well, no, blondie.
00:44:56Let them open the gates again.
00:44:57Hey, be careful how you talk to him.
00:45:01Oh, what's going on?
00:45:02What's that noise?
00:45:04Ready.
00:45:05They will be happy, right?
00:45:06No.
00:45:07Mr. Maldini was not involved.
00:45:09So I brought the only one responsible for the runaway last night.
00:45:12Inside.
00:45:13No, no, no.
00:45:14It's dangerous.
00:45:15No, no, no.
00:45:16Get out of the house.
00:45:17Get out of the house.
00:45:18What's going on?
00:45:19What is that?
00:45:20Come on.
00:45:21No.
00:45:22What kind of amazing dad?
00:45:23It's me.
00:45:24Claudio.
00:45:31Chris, you're finally here.
00:45:33What are you doing dressed like that?
00:45:34I just woke up.
00:45:36You just left last night and I died on the bed.
00:45:38And are you going to be able to work like this with a hangover?
00:45:40Right now it happens to me.
00:45:42Come on, let's go and I'll wash you, okay?
00:45:47So you are the famous photographer.
00:45:49Mr. Escajadillo, let me introduce you to Cristobal Montalva.
00:45:52Mr. Escajadillo, nice to meet you.
00:45:54One more minute and I would take the photo with my cell phone.
00:45:56A thousand apologies for the delay, really.
00:45:58But you will see that it was worth the wait.
00:46:00I like your arrogance.
00:46:01And also your outfit.
00:46:03It is very appropriate for the occasion.
00:46:05Since we are all here, shall we pass?
00:46:08We are all here?
00:46:09There are no more models?
00:46:10They are inside.
00:46:11Follow me.
00:46:13Hey, you haven't told me anything.
00:46:14What is all this about?
00:46:15What do you mean nothing?
00:46:16Yesterday I explained everything to you with luxury of details.
00:46:18Yesterday?
00:46:19Oh, I don't remember.
00:46:20It was in the fourth or fifth floor.
00:46:21Oh my God.
00:46:22You'll see.
00:46:23Come on.
00:46:25Come on, Petri Mitri.
00:46:26Don't answer, my friend.
00:46:28You should be here to work.
00:46:31Hey, Pepe, haven't you heard?
00:46:33Today is Sunday.
00:46:34Nobody works.
00:46:35Oh, Franco.
00:46:36That's why there's no one in the streets, right?
00:46:38Of course, Pepe.
00:46:39The only one who works is me.
00:46:41Hey, hey, hey.
00:46:42Stop complaining.
00:46:43Tell me where my family can be.
00:46:44Maybe they all disappeared.
00:46:47What family?
00:46:49What do you mean, what?
00:46:50Apart from my friend, Joel, Jimmy, La Tere, Julie.
00:46:55Of course, Juanita, right?
00:46:57Suddenly they all disappeared at the same time.
00:46:59What are you talking about, Pepe?
00:47:00Those people don't exist.
00:47:01It's all been a dream, nothing more.
00:47:03Come on, Petri.
00:47:04How can you say such nonsense with Joel as a judge?
00:47:07I can't stand being alone, Pepe.
00:47:09I don't have anyone to talk to.
00:47:10Hey, hey, hey.
00:47:11Leave me alone.
00:47:12I'll find them, my friend.
00:47:13If they don't show up, it's your fault for falling asleep.
00:47:15No, Pepe, no.
00:47:16I swear no one has taken them.
00:47:17No, no, no.
00:47:18Unless men have come, Pepe.
00:47:22Oh, Petri, look.
00:47:23If you're not going to help me, get out of here, please.
00:47:26Come on, Pepe.
00:47:27Don't get like that, Pepe.
00:47:29It's all nonsense.
00:47:30Men, men.
00:47:35Although since last night, strange things are happening.
00:47:41Claudio, what are you doing here?
00:47:42They brought me by mistake.
00:47:44Call your brother Diego.
00:47:45Have they returned from Beijing?
00:47:46Yes, they're back.
00:47:47Besides, the young lady is busy in bed with the beautiful cook.
00:47:50What?
00:47:51What?
00:47:52I didn't say anything.
00:47:54What do you want, brother?
00:47:55No, no, no.
00:47:56Hold on, hold on, hold on.
00:47:57You already got your foot in there.
00:47:58So, no, no.
00:47:59Let go, let go.
00:48:00Claudio, talk.
00:48:01Talk, please.
00:48:02Cousin, cousin.
00:48:03Better forget about it.
00:48:04It's better if we don't find out.
00:48:05Yes, yes.
00:48:06Joel is right.
00:48:07Eyes that don't see poops that don't feel.
00:48:09There it is, then.
00:48:10A lot of whining.
00:48:11The girl was very powerful.
00:48:12In the end, it's the same as all of them.
00:48:13Hey, hey, hey.
00:48:14Don't talk to my niece anymore.
00:48:15Claudio, talk at once.
00:48:16I'm not going to say anything.
00:48:17I don't want to be called a gossip.
00:48:18My lips are sealed.
00:48:19Okay, fine.
00:48:20Don't say anything.
00:48:21But I don't know.
00:48:22Give us signs.
00:48:23Tell us something, somehow.
00:48:24Do it at once, then.
00:48:25Do something.
00:48:26You talked.
00:48:27Give us a clue.
00:48:28Some clues.
00:48:29What is that?
00:48:30What is that?
00:48:31Oh my God.
00:48:32They are spooning.
00:48:33No.
00:48:34Oh, it's gone.
00:48:35Brother.
00:48:36It's gone.
00:48:37Brother.
00:48:38At times like this.
00:48:39I don't know.
00:48:40I don't know.
00:48:41I don't know.
00:48:42At times like this.
00:48:43You need a hug.
00:48:45No, no.
00:48:46I'm not going to give it to you.
00:48:47Go with the guys.
00:48:48Yes.
00:48:49Please.
00:48:50Come on, GonzƔlez.
00:48:51Let's support our fallen soldier.
00:48:52We hug you from a distance.
00:48:53All of us.
00:48:54Let's hug in one hug.
00:48:55Let me see.
00:48:56Oh my God.
00:48:57Do you want a spoon, then?
00:48:58Yes.
00:48:59Oh my God.
00:49:00How miserable I feel.
00:49:01Welcome.
00:49:02Welcome.
00:49:11Welcome.
00:49:12Here are your models.
00:49:15Masks?
00:49:16That's right.
00:49:17For my next book, Masks of the Andean World,
00:49:20I need you to take photos of my entire collection.
00:49:23Of masks?
00:49:24No.
00:49:25Of shoes.
00:49:26Obvious, little girl.
00:49:27Throughout all my travels,
00:49:30I have been collecting these pieces of artistic expression.
00:49:34And now you want to publish a book?
00:49:36You have a wonderful collection, Mrs. Escajadillo.
00:49:40I was thinking, maybe we could include a text with each photo.
00:49:45It could be something about the culture of where each mask comes from,
00:49:50or an anecdote of his travels, or maybe even a poem of his own inspiration.
00:49:54This boy does understand me. How did you guess that I write poetry?
00:49:59Well, talent is recognized and has the sensitivity of a flower.
00:50:03I have definitely not been wrong to hire you.
00:50:06From now on, I want you for my next book, Garrapatas Urbanas.
00:50:11Will it be sold like hot bread?
00:50:13No, I don't sell my works, I only edit for my friends.
00:50:17Now that I see that you are an artist with the camera,
00:50:21I leave you to give free rein to your inspiration.
00:50:25Thank you very much.
00:50:28Sobong, you are a sobong.
00:50:31Was she delighted or not?
00:50:33Well, yes.
00:50:34She's not going to meddle in our work?
00:50:36Well, also. But that doesn't take away the sobong.
00:50:39Delightful, Ana Lucia.
00:50:42Shall we start?
00:50:43Yes, but I don't understand what we are going to do with all these masks.
00:50:47We can start...
00:50:50playing.
00:50:51Yeah, I love to play.
00:50:54Valor, Pepe, valor, fuerza, fuerza.
00:50:57Why did I lose all my family at the same time?
00:51:00This is very sad.
00:51:02My soul brother.
00:51:04My younger sister.
00:51:05My nephew, Yuli.
00:51:07My Juana.
00:51:09Here.
00:51:12Here you are, my king.
00:51:14Juana is alive.
00:51:15You don't know the horrible night we've had.
00:51:17Compadre.
00:51:18Compadre, what happened? Why didn't you call me?
00:51:20Because they confiscated our phones.
00:51:22And I ran out of battery.
00:51:24I hope my divine creature never finds out about this terrible incident in the dungeon.
00:51:29But what happened? Tell me, you have to tell me, right?
00:51:31Well, we're going to tell you, but first I need to eat a bread.
00:51:34I'm starving.
00:51:45We can't deny that it was a different night.
00:51:48Shall I walk you home?
00:51:49No, no, better not.
00:51:51I feel guilty.
00:51:52But you are more GonzƔlez than Maldini.
00:51:54Oh, don't doubt that.
00:51:56Well, we'll talk later.
00:51:57Rather, help your brother who is dying.
00:52:02Joel, Joel.
00:52:04Give me a hand.
00:52:05I'm fine, I'm fine.
00:52:24There they are.
00:52:26When these bullies don't even respect the holiday.
00:52:32Wait a minute.
00:52:34Is that Jimmy GonzƔlez?
00:52:37But he should be studying in Guanajuato.
00:52:41With what it cost me that course in Mexico and this return so camping.
00:52:47The poor do not respect anything.
00:52:51Give me a hand.
00:52:52I'm done with my emotions.
00:52:54Calm down, calm down.
00:52:56There we go, there we go.
00:53:02Let's go.
00:53:05Daughter, when did Jimmy GonzƔlez return?
00:53:08Wasn't he in a course in Mexico?
00:53:10Well, it's not that I care, but just to know.
00:53:12No, he didn't finish the course.
00:53:13But why?
00:53:14Why did he miss an opportunity like that?
00:53:16Because he's a stupid, an immature idiot.
00:53:19You know what, Dad?
00:53:20I don't want to talk about Jimmy GonzƔlez.
00:53:21Yes, yes, yes.
00:53:22I understand, daughter.
00:53:23Excuse me, I have things to do.
00:53:26That means that my daughter and that scoundrel are over.
00:53:31They are no longer, they are no longer, they are no longer.
00:53:34Dad, you're not celebrating, are you?
00:53:36No, daughter, how do you think I'm going to be celebrating?
00:53:56That's it.
00:53:58There it is, perfect.
00:54:03There it is.
00:54:06But, stay still, Ana Lucia.
00:54:09Like this, like this, but still, look.
00:54:13There it is.
00:54:14That's it.
00:54:18Yes, now take it out a little bit.
00:54:20That's it.
00:54:26Oh, I opened another one.
00:54:29You're crazy.
00:54:34This one makes me sad, I feel like I'm melting.
00:54:37I need a hug.
00:54:39Don't melt, I'll give you a hug right now.
00:54:49Hug.
00:54:50Which one do we continue with?
00:54:51And that one?
00:54:52And that one?
00:54:54That one is from the dance of the negritos.
00:54:56Of the negritos?
00:54:58And how do you dance?
00:55:01Like this?
00:55:04That's it, don't make fun of me.
00:55:08But why do you mind?
00:55:09I don't mind, I just don't like you making fun of something you don't know.
00:55:12But it was a joke.
00:55:13Let's take a break.
00:55:14I'm going to get a coffee.
00:55:17But I was just kidding, I thought that's how you danced.
00:55:23It seems that the party last night was good.
00:55:26Yes, one went out of control, they passed the voice to another,
00:55:29and in the end all the party orphans ended up here.
00:55:32Yes, that's how I see it, they almost destroyed the house.
00:55:34Where is Claudio, who doesn't collaborate?
00:55:36I don't know, I haven't seen him since yesterday.
00:55:38Francesca and my dad mentioned something, but the truth is that I didn't understand much.
00:55:42I saw him at the police station, he'll be back in a while.
00:55:46At the police station?
00:55:48Your party must have been good.
00:55:52Yes.
00:56:04My compadre is very tired.
00:56:06He snores and snores and I can't get him up at all.
00:56:09Why are you looking at me like that?
00:56:11What is he looking at you?
00:56:12It's just that you still don't understand that all that sacrifice is for a beautiful plan for the future.
00:56:17Sacrifice?
00:56:18Sacrifice? Try to drink this wine.
00:56:23I only know how to prepare two dishes, Pepito would like it.
00:56:27They called me for a model casting.
00:56:30No!
00:56:31Yes, but I didn't accept.
00:56:33Why didn't you go first? Why didn't you ask the family?
00:56:35Sorry.
00:56:36No, no, the next time they call me, remember that I am your manager.
00:56:39Yes, but that being a model ...
00:56:41Besides, the vampire is no longer there to cut your wings.
00:56:45Family!
00:56:48Thank you!
00:56:53Grandpa!
00:56:54How are you?
00:56:55Well, you must have had breakfast, right? Because there is only to eat this indigestible bassofia.
00:56:58Yes, it's horrible.
00:56:59Oh, Teresita, cousin, how nice to see you.
00:57:01Oh, Juanacho, family.
00:57:03You don't know how well we had fun in Chalhuaca.
00:57:05Yes? And Jilguerito shone at my party.
00:57:07He danced like a trunk.
00:57:10Despite all the doubts, I danced with great vigor.
00:57:15And what is this? A gift?
00:57:18I don't know, a distributor just gave it to us.
00:57:22She's my wife!
00:57:23No, Manu!
00:57:26Family, you don't know how much I miss you.
00:57:29But my Grace and my grandchildren need me.
00:57:33We screwed up.
00:57:35Charo is not coming.
00:57:37We ran out of Christmas dinner.
00:57:39Don't be so impertinent.
00:57:42Go on, Jilguerito.
00:57:44Yes, yes.
00:57:45But there I send you a little of my love and the recipe so that you can make it at home.
00:57:50I love you very much, Charo.
00:57:54Family, it's my wife's panettone!
00:58:00It's not just any panettone, it's the chariton-ton-ton.
00:58:07I wish everyone had the luck to try it.
00:58:12The real panettone.
00:58:14Soft, soft and hot.
00:58:17The chariton-ton-ton.
00:58:19For me, for you, for the whole family.
00:58:24The chariton, the panettone, that steals your heart.
00:58:28The chariton, the panettone, that steals your heart.
00:58:34No kidding, it tastes like chiffon.
00:58:37Dad and Francesca are back from a trip.
00:58:39Yes, I know. I still don't see them.
00:58:41No, you have seen them.
00:58:43And when they arrived, they greeted you too.
00:58:47I don't understand.
00:58:49Little brother, I'm telling you so you don't get in the way, okay?
00:58:52I pretended to be Salvador, as if it were you, to get him out of the house without anyone noticing.
00:58:58Wait, wait, wait.
00:59:00My dad and Francesca arrived and you made them believe that Salvador was me?
00:59:05Exactly.
00:59:07And can I ask why Salvador was in this house?
00:59:10Because he stayed to take care of me because I got drunk.
00:59:15I know very well what I saw.
00:59:17Nothing, nothing. Don't think badly.
00:59:19He slept on the floor because I was drunk.
00:59:22That wasn't what I saw.
00:59:23Or was it?
00:59:24Oh, I'm where my little eyes are for you.
00:59:27Thank goodness no one saw them.
00:59:28Thank goodness.
00:59:29If someone had seen him leave my room, he would have thought the worst.
00:59:32And what I least want is that that came from Jimmy's ears.
00:59:35And it was also for you, Claudio.
00:59:37It would be a terrible misunderstanding.
00:59:38I know.
00:59:39That's why I'm telling you, to avoid problems.
00:59:42Problems? Why? If no one saw them?
00:59:44Oh, but it's a miracle.
00:59:45You know how gossip runs in this neighborhood.
00:59:47Nothing's going to happen, sister.
00:59:49Yes, I'm going to be calm.
00:59:52Let's go.
00:59:54I'm going to go to hell.
01:00:01Now everything is over, cousin.
01:00:04I will never think of Alicia again.
01:00:07Did you hear him yourself?
01:00:08When he told me how much he hated me.
01:00:11And now Claudio himself saw them in bed, together.
01:00:15Spooning each other.
01:00:17How can we be fooled by that couple?
01:00:20We are idiots.
01:00:21No.
01:00:23They are.
01:00:25They lost us and forever.
01:00:29If he wants to stay with that good-for-nothing,
01:00:31there's her, then.
01:00:33And there's him.
01:00:36Cousin.
01:00:39Can you tell Joel to come, please?
01:00:43Do you want him to come comfort you?
01:00:45No.
01:00:46I want him to take Gaspar.
01:00:48I'm your little sponge.
01:00:51Thank you very much, Gaspar.
01:00:52But my abdomen is already hurting.
01:00:55As in life, right, daddy?
01:00:57Just when you were fine with Alicia,
01:00:59they earn you the scholarship to go to Guanajuato
01:01:01and everything goes wrong.
01:01:03It's as if fate was against love.