• 13 hours ago
Al Fondo Hay Sitio Temporada 11 Capitulo 151 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 152 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 153 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 151 Completo HD
Transcript
00:00:00[♪ city folk music playing on radio in Spanish ♪
00:00:03
00:00:10¿Si le van a jugar pa' él?
00:00:12Estoy convenciendo a Alicia para que me acompañe.
00:00:16Bueno, en España es super popular.
00:00:18De hecho, a mí siempre me jaló el ojo.
00:00:20¿Puedo ir con ustedes?
00:00:21¿Con nosotros? ¿Una partida de tres?
00:00:25¿Le puedo decir a Ana Lucía?
00:00:26¡Sí!
00:00:27I think we've given a nice impression to Mr. Capone.
00:00:32Yes, the Chinese has had a laugh here and there.
00:00:36I think we're going to have a great deal, Frank.
00:00:40I don't even look.
00:00:52Hey, hey, you're González?
00:00:55Yes.
00:00:57Why did you paint this bullfighter?
00:00:59No, what bullfighter? He's my painting teacher.
00:01:01This guy is a fraud. This guy is no teacher.
00:01:03He said he was a sociologist, he was an anthropologist, everything that ends in olog, an astrologist.
00:01:07But Coqui found out that he had a lot of complaints from West Asia.
00:01:09No, he's my teacher, Javier Sánchez. He's a Peruvian recount.
00:01:12No, Marca, he's a jackass.
00:01:14González, I'm going to entrust the most precious thing in my life to my daughter.
00:01:20Oh, the most precious thing? Yes.
00:01:23Yes, no, don't worry, Professor. I'm going to handle it very carefully.
00:01:26Ah, and then bring it to me here, healthy and safe.
00:01:29Do you also want me to return it?
00:01:31Of course, González, full service.
00:01:34Mr. Capone has not been able to travel to Peru.
00:01:36Other businesses are preventing him.
00:01:38Visit your land another time.
00:01:40Apologizing.
00:01:43I understand perfectly.
00:01:45Saisha.
00:01:47But if Mr. Capone has not traveled to Peru,
00:01:49then who is the Chinese who is sleeping in Chris's room?
00:01:53Who are you, fraud?
00:01:55What company did they send you from?
00:01:57Speak, spy!
00:01:58He demands an explanation. Call the police.
00:02:00Here's a passport.
00:02:04A Korean passport.
00:02:05He's a spy. He must have thousands in his possession.
00:02:08I think I know what's going on.
00:02:10We have to communicate with the Korean embassy.
00:02:19González, from the corner to the left.
00:02:22No, face me.
00:02:24No, González, don't get close. Listen to me.
00:02:26Turn left.
00:02:27But I'm telling you to go ahead.
00:02:28Turn left, please. Listen to me.
00:02:30Okay, and?
00:02:32And you're going to fit in there.
00:02:34Go ahead, in the park.
00:02:35There?
00:02:36Yes.
00:02:37But what's going on?
00:02:38It's that, González, I'm not going to go to my classes.
00:02:42I'm not understanding you.
00:02:43I'm not going to go to my classes.
00:02:44What?
00:02:45Yes. Stop, stop, stop.
00:02:47Yes, I'm going to get off here and you're going to wait for me in the corner.
00:02:52No, no, no, no, no, no, no.
00:02:53Yes, yes, yes, yes, yes.
00:02:54Where are you going?
00:02:55Look, the best thing is that you don't know.
00:02:56What I'm going to ask you is that you wait for me with the engine on
00:02:59and look for possible escape routes. Bye.
00:03:01Escape route?
00:03:02What are you going to do?
00:03:07It can't be.
00:03:08I'm gone.
00:03:09I'm gone.
00:03:14Professor Xavier has reappeared?
00:03:16The Spaniard fool?
00:03:18Our former employee?
00:03:19Yes, yes, yes.
00:03:20He is the professor of painting in La Maca.
00:03:22Now the drawings make more sense to me.
00:03:24Well, their dimensions, their firmness, their muscles.
00:03:29Let's see, no, no, no, no, no, no.
00:03:30The body will be mine.
00:03:32What is not mine is the pot.
00:03:34Get serious, damn it.
00:03:36I'm serious.
00:03:37What thing? I'm serious.
00:03:38You don't recognize its architecture, do you?
00:03:39Its shape, do you?
00:03:40If not, check it out.
00:03:41There it is, in the pose, in the pose, in the pose.
00:03:42If you say so, son of a bitch.
00:03:44Wait, grandpa.
00:03:45You don't know what you have, do you?
00:03:47Let's not change the subject, please.
00:03:49What are we going to do?
00:03:50Well, we can't allow that big guy to be one of yours again.
00:03:53Sure, and keep dragging the men of the family.
00:03:55Let's see, let's see, let's see.
00:03:56Let's use logic.
00:03:57Do you really think that with the fame that the new Lomas have,
00:03:59he would choose Macarena just to fall in love with her?
00:04:01Yes.
00:04:02No, because he has everything against it.
00:04:03Ah, Yuri is right.
00:04:04Look, he can be everything, but he's not a son, son.
00:04:06Besides, there are so many who look alike.
00:04:08And I don't think he knows about painting.
00:04:10No, no, but what if he is?
00:04:13He is not.
00:04:15Let's see, I've taken a picture of him.
00:04:16Look, look, look.
00:04:17Let's see.
00:04:18There it is, there it is, there it is.
00:04:19He is not.
00:04:21But what if he is?
00:04:23Oh, come on, young man, you're obsessed with the subject, okay?
00:04:25No, no, no.
00:04:27Why don't you believe me?
00:04:28Come on, come on, come on.
00:04:29Grandpa, come on.
00:04:31Grandpa.
00:04:32Oh, poor thing.
00:04:41Wait.
00:04:43Wait, wait, wait, wait.
00:04:44Please.
00:04:45Please don't do this.
00:04:46Yes?
00:04:47Your father is?
00:04:48Crazy, crazy, he's missing a screw.
00:04:50Well, yes, I didn't mean to say it, but well.
00:04:52He's capable of pulling me if something happens to you.
00:04:54Oh, nothing's going to happen to me.
00:04:56I'm just going to puncture the tires of my ex's car.
00:04:58No, no, why?
00:04:59Because he turned me around.
00:05:01Well, those are things that happen.
00:05:02With my best friend.
00:05:04That's not so common, but it still happens.
00:05:05Oh, you're sure you're another jackass.
00:05:07No, no, it has nothing to do with it.
00:05:08I don't do those things.
00:05:09Sure?
00:05:11Yes.
00:05:13Why are you looking at me like that?
00:05:14Wow.
00:05:16You're a weird specimen.
00:05:19Let's see.
00:05:20I'm about to graduate.
00:05:22Please don't do this.
00:05:23No.
00:05:25My dad won't find out.
00:05:26Don't worry.
00:05:27But what if, instead of puncturing his car,
00:05:29you send him an email?
00:05:32An email?
00:05:33Hey, you're pretty healthy, huh?
00:05:36Tell me, what are you going to gain by doing that?
00:05:39Nothing's going to change.
00:05:41It's better if you go on with your life.
00:05:44Even if it hurts.
00:05:49Hey, he's stealing your motorcycle.
00:05:53I'm healthy, but not stupid.
00:05:54He's really stealing your motorcycle.
00:05:55No, I'm not going to fall for your game.
00:05:56Well, they're going to take it.
00:05:57That old hag.
00:05:59Well, I don't know, but I think so.
00:06:01They're about to take it.
00:06:02No.
00:06:03No!
00:06:04Hey!
00:06:05What are you doing?
00:06:06We're naked!
00:06:07I told him.
00:06:15Good afternoon, Mr. Capone.
00:06:17No, no, daughter.
00:06:18It's not Mr. Capone.
00:06:20The gentleman's name is...
00:06:21What's his name?
00:06:22So Jung Park.
00:06:23And he's not Chinese.
00:06:24He's from South Korea.
00:06:26Yes, he came to Lima for a technology convention.
00:06:29What are you saying?
00:06:30And what does he do at home?
00:06:31We called the embassy
00:06:32and they contacted us with a translator.
00:06:34Mr. So Jung is the first time he came to Peru
00:06:38and he thought that all Peruvians
00:06:40treat foreigners like that
00:06:42and we welcome them to our homes.
00:06:43Anyway.
00:06:44And what happened to the real Mr. Capone?
00:06:47He couldn't come.
00:06:48So how did he talk to Mrs. Ali?
00:06:50No, no, he never talked to her.
00:06:51He moved his head.
00:06:52He just didn't understand anything.
00:06:53We all made a big mistake.
00:06:55Yes, because we saw him Chinese.
00:06:57Dad, that's racist.
00:06:58Come on, don't say it out loud.
00:07:10Although seeing them well,
00:07:12I can be me.
00:07:15There it is.
00:07:16It's my nose.
00:07:17It's my nose.
00:07:18There it is.
00:07:20There's the beard too.
00:07:22Marked.
00:07:24Yes, there's his mustache, his beard.
00:07:26Ah, half a smile.
00:07:28Ah, there it is.
00:07:30What I don't know is why I hallucinate
00:07:32like this, half blond, right?
00:07:34It's half brown, half light.
00:07:37But I can be me.
00:07:39Yes, because when I see them,
00:07:40I expose myself to the light at 45 degrees.
00:07:42I light up, I get half blond.
00:07:44Yes, I am.
00:07:46Yes, I am.
00:07:47Yes, I am.
00:07:48Yes, I am.
00:07:49I'm not!
00:07:50I'm not!
00:07:51Who do I want to fool?
00:07:52It's that damn Xavi.
00:07:54Joel.
00:07:55Yes, you still doubt.
00:07:56Why don't you go to class
00:07:58and see it with your own eyes?
00:08:00Because Macarena will think
00:08:01that I'm still obsessed with her.
00:08:03I don't get it out of my head.
00:08:05Then I'll go.
00:08:07Now, really?
00:08:08Of course.
00:08:09Of course.
00:08:10What do I have left?
00:08:11But he's going to recognize you.
00:08:12I'll dress up
00:08:13and you get me the costume.
00:08:15Thank you, Grandma.
00:08:18The things you make me do.
00:08:20Let me, Grandma.
00:08:26I drive.
00:08:27No way, sister.
00:08:28Why?
00:08:29Because you drive badly.
00:08:30You drive so badly?
00:08:31Better drive a blind man.
00:08:32No, no, no, no, no.
00:08:33Get out of the way
00:08:34because I broke so many people.
00:08:35Shotgun.
00:08:36Oh, I beat you.
00:08:38The truth
00:08:39It's impossible to forget you
00:08:43How to explain to the heart
00:08:45That I can't live without you
00:08:48Beautiful memories
00:08:51When you sang next to me
00:08:54And suddenly
00:08:56You're not here anymore
00:08:59And I learned
00:09:01That falling in love
00:09:02Is not so easy
00:09:05And I learned
00:09:06That I can't be without you anymore
00:09:11I love you
00:09:12And I can't forget you
00:09:16I feel alone
00:09:18Thinking of you
00:09:21And I learned
00:09:23That falling in love
00:09:24Is not so easy
00:09:27I learned
00:09:28That I can't be without you anymore
00:09:36I learned
00:09:37That I can't be without you anymore
00:09:42New TV, right?
00:09:45Amazing, yes.
00:09:46I'm Maka.
00:09:47I'm Michelle.
00:09:48Oh, Michelle.
00:09:49Nice to meet you.
00:09:50Nice to meet you.
00:09:53I don't know why,
00:09:54but I think I know you.
00:09:55I've seen you before.
00:09:56Don't you live in the New Lomas?
00:09:58Obviously not.
00:10:00I live in Miraflores.
00:10:03And you live in the New Lomas?
00:10:04Yes, in the New Lomas.
00:10:05Oh, how touristic.
00:10:07It's far, right?
00:10:08Yes, a little.
00:10:09Well, welcome.
00:10:10If you need anything,
00:10:11just let me know.
00:10:22Good morning, girls.
00:10:23Good morning, Professor Javier.
00:10:27Oh, he was right.
00:10:28It's him.
00:10:30Well, today we have a new student.
00:10:35Do you want to introduce yourself?
00:10:38Oh, no?
00:10:39His name is Michelle.
00:10:40Oh, wow.
00:10:42Michelle.
00:10:43Well, Michelle, you're at home.
00:10:45Oh, yes.
00:10:48Now that I'm out of class,
00:10:49I'm going to tell my family.
00:10:52Well, girls.
00:10:53I don't want us in this class
00:10:55to think of movement
00:10:57as something static.
00:10:59This time, I want you to think
00:11:02and feel the movement
00:11:05in the story I want to tell you.
00:11:22Lola!
00:11:26Lola!
00:11:32Lola!
00:11:43I'm gone.
00:11:46No, no, no.
00:11:47I'm not going to record myself.
00:11:49What am I going to do?
00:11:50Lola!
00:11:57What was going through my head?
00:11:59I shouldn't have accepted it.
00:12:03Hello?
00:12:05Professor Locatelli.
00:12:07What do I do?
00:12:12Hello, teacher?
00:12:13González?
00:12:15Did you leave my little angel
00:12:16in your dance class?
00:12:18Uh-huh.
00:12:19Don't move from there.
00:12:20You know.
00:12:22She's...
00:12:23She's a little...
00:12:25How do I say it?
00:12:26A little impulsive, the baby.
00:12:28Oh, look.
00:12:29I didn't realize.
00:12:33Hey.
00:12:34Are you equipped?
00:12:35No way.
00:12:36Why not?
00:12:37Because you're hot and you get unbearable.
00:12:38It has nothing to do with it.
00:12:39An example, right now.
00:12:40Hey, if you want, you can be with me.
00:12:41Oh, look.
00:12:42Well.
00:12:43I'm with you, Chris.
00:12:44Yes.
00:12:45Let's go?
00:12:46Let's go.
00:12:47You're ready, right?
00:12:48Well, you guys.
00:12:49I want to see.
00:12:50Let's see.
00:12:53So much coordination in the kitchen.
00:12:55Let's see.
00:12:56Let's see if I can do it.
00:13:03Well, girls.
00:13:04That's it for today's class.
00:13:06Oh, why?
00:13:08Don't worry.
00:13:10Don't worry.
00:13:11We have more and better tomorrow.
00:13:15Have a great day.
00:13:16Bye.
00:13:17Bye, teacher.
00:13:18Bye.
00:13:19Bye.
00:13:20And?
00:13:21How's it going, Richard?
00:13:22Did you like the class?
00:13:24Yes, of course.
00:13:25Very...
00:13:26Very educational.
00:13:28Oh, but you didn't paint anything.
00:13:30Oh, Lucina.
00:13:32What happens is that...
00:13:34I'm used to drawing at home.
00:13:37So I save all the information in the class
00:13:40and then I draw it all by heart.
00:13:43Oh, but that's great.
00:13:44Yes.
00:13:45And do you remember the details too?
00:13:46That...
00:13:47I didn't even doubt it.
00:13:48Oh, wow.
00:13:50With both hands.
00:13:56Aunt Mia!
00:13:57Marilu, you!
00:13:58That!
00:13:59That!
00:14:00Hit it!
00:14:01I'm going, I'm going, I'm going!
00:14:05One, two, three!
00:14:06Good morning, good morning.
00:14:07Good morning.
00:14:08Good morning.
00:14:09Get out of here.
00:14:10Let's go.
00:14:11All at once.
00:14:12Back there, back there.
00:14:13Yes, yes.
00:14:14She is wonderful.
00:14:16She dances smiling.
00:14:18Without a doubt, the most beautiful.
00:14:20There will be the bottles to toast for her.
00:14:24Long live love.
00:14:25There is nothing better.
00:14:27I sigh all night thinking of you.
00:14:30Only for you.
00:14:31I sigh all night thinking of you.
00:14:33Oh, no, no.
00:14:34It's Lucina.
00:14:36Are you okay?
00:14:37It's Lucina.
00:14:38Are you okay?
00:14:39It's Lucina.
00:14:40It's...
00:14:41It's another point.
00:14:42Water.
00:14:43No, no, no.
00:14:45Cristobal Gallinita.
00:14:48Cristobal Gallinita.
00:14:51Good.
00:14:52That.
00:14:53Mine.
00:14:56Calm down, I'm fine.
00:14:59What are you doing?
00:15:07Next.
00:15:08Next, next, next.
00:15:10Next, next.
00:15:11Like this.
00:15:14It was yours.
00:15:15It was yours.
00:15:16It fell here.
00:15:17Here.
00:15:18Do you see this line?
00:15:19Okay, it fell here.
00:15:20Not here.
00:15:21Not here.
00:15:22Here.
00:15:23From here to here.
00:15:24It's your shoe.
00:15:25From here to here is mine.
00:15:26It was yours.
00:15:27It was yours.
00:15:28Do you understand?
00:15:29You're right.
00:15:30You're right.
00:15:31You're right.
00:15:32I want to win.
00:15:33Me too.
00:15:34Water.
00:15:35Water.
00:15:36Water.
00:15:37Are you okay?
00:15:38Ale, are you okay?
00:15:39Point.
00:15:40Point.
00:15:41Point.
00:15:42Point.
00:15:43Point.
00:15:44Point.
00:15:45I can't do it.
00:15:48It's your shoe, right?
00:15:49It's your shoe, right?
00:15:50It's your shoe, right?
00:15:51Do it.
00:15:52Do it.
00:15:53Punch.
00:15:54Punch.
00:15:55Punch.
00:15:56Point.
00:15:57Punch.
00:15:58Cuticle.
00:15:59Cuticle.
00:16:00Cuticle.
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00:21:46Bottle for 900 ml at 9.29 soles
00:21:48Panettone Belts
00:21:50Bag for 800 grams at 10.20 soles
00:21:51Check
00:21:53Find this and more at Plaza Bea and also at plazabea.com.p
00:22:21Against the current leaders of the table
00:22:24Argentina
00:22:26Peru
00:22:28Live the passion of the qualifiers
00:22:31Live and direct
00:22:33By America, the Peruvian fan channel
00:22:51Vizcola
00:22:54Metro
00:22:57Repsol
00:23:00We recommend watching this program in the company of an adult
00:23:22Oh, well, it could be
00:23:24It's just missing today
00:23:26And he only sent his replacement
00:23:28Ah, Caracas
00:23:30Yes, Caracas, what an exotic place
00:23:33But don't worry, I'll be back tomorrow to get you out of any doubt
00:23:37Return to where?
00:23:39To the Maca class, only the teacher didn't go there
00:23:42Oh, yes, Juan told me everything you did for him
00:23:44Oh, yes, I see him so worried that I couldn't stand it
00:23:48You know, I'm already in doubt
00:23:49I'll go with you tomorrow
00:23:51No
00:23:53But why?
00:23:55What are you going to go for, Teresita?
00:23:58You already have so many things with your wedding, the preparations
00:24:02With these little eyes it's enough
00:24:04What else?
00:24:06Don't worry
00:24:08Look, you know what? I'm going to take this costume off
00:24:10Oh, you see? That's another reason not to go
00:24:12Dress up just for a one-hour class
00:24:16Yes, that's what I love to dress up
00:24:19But let's not discuss it anymore
00:24:21I'll go with you tomorrow
00:24:23My aunt loves to dress up
00:24:25Yes, I love to dress up, like change
00:24:27Today I'll take you out, for example
00:24:29What? What do you mean today?
00:24:31What do I tell her?
00:24:33Sorry, Professor Locatelli, I didn't mean to lose your daughter
00:24:37But you know her, she's a bullet
00:24:39And I can't keep up with her
00:24:41Please don't fire me
00:24:42If you want, I'll give you a free taxi all year
00:24:45But please let me graduate
00:24:47Besides, I owe it to the Autonomous University of Guanajuato
00:24:54Hey, González!
00:24:56Lula, are you okay?
00:24:58Yes, why are you so nervous?
00:25:00What? In fact, you ask me and I almost die
00:25:02Calm down
00:25:04González!
00:25:07You brought my daughter back safe and sound
00:25:10Yes, daddy
00:25:12How are you?
00:25:14Everything's perfect
00:25:16I knew I could trust you, González
00:25:18At first I thought, González is a little silly
00:25:22But you're a good boy, noble, respectful and responsible
00:25:27By the way, González got 18 in his exam
00:25:31See you in class
00:25:36Thank you, González
00:25:42You're welcome
00:26:01You can't get me out of your head, can you?
00:26:09Betty! Betty!
00:26:12Betty!
00:26:16Hey, are we tied for a tie?
00:26:19No, I'm very tired
00:26:21Me too
00:26:22Water?
00:26:23Thank you, my friend
00:26:24You're welcome
00:26:25Wake up! Wake up!
00:26:27Does this work?
00:26:28It's a tie
00:26:30No, that's enough
00:26:32Enough of my crazy sister
00:26:34What's wrong with you?
00:26:36Can I stay?
00:26:38Wall cover! Wall cover!
00:26:39We won by wall cover!
00:26:40We won by wall cover!
00:26:42We won by wall cover!
00:26:44We won by wall cover!
00:26:46What?
00:26:48This is a facet I've never seen before
00:26:50You're a surprise box
00:26:52I don't think they heard
00:26:54We won by a tie!
00:26:56Daddy, there's a cover!
00:27:09I can't stand you meddling in my life
00:27:12Oh, cousin
00:27:14Luckily, she showed up just before the teacher opened the door
00:27:17Otherwise, I'd be in trouble
00:27:19Oh, cousin
00:27:21If she asks you to take her to her dance classes again
00:27:25Just give her an excuse
00:27:27Yeah, I'm cured
00:27:29How are you?
00:27:32Oh
00:27:35I saw Cristobal going out with Lucia from the mansion
00:27:39I think they're going to play tennis
00:27:41Cousin
00:27:43Why do you keep torturing yourself because of this idiot?
00:27:46It's not worth it
00:27:48They were with Alessia and that cook
00:27:51Really?
00:27:53And they were happy?
00:27:55They looked smiling, affectionate
00:27:59Why are you falling asleep?
00:28:01It's not worth it
00:28:02It's not worth it
00:28:11What happened, Gilguerito?
00:28:13Help me, Olindita
00:28:16I was trying to take my socks off and I ended up like this
00:28:20You should've told me
00:28:26Oh no
00:28:28Oh no
00:28:29Oh no
00:28:31This is wrong, Olindita
00:28:33You're married
00:28:35Think about it
00:28:39Help me, Olindita
00:28:53Who could it be?
00:28:55Hello
00:28:57Lola?
00:28:59I'm sorry for not telling my dad
00:29:01You're cool
00:29:03Thanks
00:29:05I don't think you should lie to him
00:29:07I'll try
00:29:09I have good news for you
00:29:11I told my dad that from now on I want you to be the one who takes me to my classes
00:29:15What?
00:29:17Don't get nervous
00:29:19Next time I promise to behave better
00:29:21Sleep well, Gonzales
00:29:24Oh no
00:29:30You're crazy
00:29:32Do you have a hook for my hair?
00:29:35What are you doing all dressed up?
00:29:38Look at me and recognize me
00:29:40I'm the elegance
00:29:42The glamour
00:29:44The thin woman
00:29:46I mean, I'm like Jessica Rabbit
00:29:49But latina
00:29:51But you're not
00:29:53I'm not
00:29:55I'm not
00:29:57I'm not
00:30:00I can tell you're a latina
00:30:02You think?
00:30:04Yes, of course
00:30:06Besides, Karena knows you
00:30:08And if she goes, she'll recognize you
00:30:10I'll just go and you stay
00:30:12No, no, no
00:30:14I'm not going to miss the opportunity to tell him his four truths
00:30:17I'm going with you
00:30:19We can tell him his four truths another day
00:30:21I know you're wondering
00:30:24How the latina body of a latina will go unnoticed
00:30:27I know
00:30:29But I have my artistic skills
00:30:31But I think you...
00:30:33No, no, no
00:30:35I'm going with you
00:30:37Fine, fine
00:30:39Let's both go
00:30:40Let's go
00:30:58It's him
00:31:00It's him
00:31:02My God, Michelle
00:31:04I'm glad you're back
00:31:06You're back? I hadn't seen you
00:31:07Hello
00:31:09And I also brought my friend
00:31:11Because I convinced her to come
00:31:14How are you? I'm Tiffany
00:31:16Tiffany, what a pleasure
00:31:18Thank you for coming
00:31:20I'd like to introduce you to Rachel
00:31:22Right?
00:31:26It's Juanacho
00:31:28What is he doing here?
00:31:30I don't know
00:31:32Girls, please take a seat
00:31:34I want you to think today
00:31:35In something very important
00:31:37I want you to think
00:31:39How the brush slides over the canvas
00:31:41And you can capture
00:31:43The energy, the essence
00:31:45Of the live model
00:31:47That is, me
00:31:50Why didn't you tell me anything?
00:31:52They're going to hear you
00:31:54Well, girls
00:31:56You know that painting is not just capturing an image
00:31:58It's capturing
00:32:00The essence of movement
00:32:02You're covering up for that bastard
00:32:04Why?
00:32:27Now I know why they kicked her out
00:32:28Now I know why they kicked her out
00:32:32God, Pepito
00:32:39Ale
00:32:41Salva, I was calling you
00:32:43Because I'm going to be late for the restaurant
00:32:45I've been invited to the Cordon Bleu
00:32:47To be a jury
00:32:49That's great, I studied there
00:32:51Right, you told me
00:32:53Don't you want to go?
00:32:55Can I?
00:32:56Draw, draw
00:32:58This is figure number one
00:33:00Mark
00:33:02The outline of the forearm
00:33:04The arm, the triceps, please
00:33:06Let's move on to the second figure
00:33:09The wide lizard
00:33:14Mark the triceps
00:33:16The shoulder
00:33:18And the praxitelian curve
00:33:22Let's move on to figure three
00:33:23Let's move on to figure three
00:33:27It was the delta
00:33:33Good
00:33:35That's it for today, girls
00:33:37No
00:33:39Yes, yes
00:33:41I recommend you study
00:33:43Listen to me
00:33:45I recommend you study Leonardo da Vinci's work
00:33:47Leonardo da Vinci has a wonderful study
00:33:49Of the anatomy and dynamics of the human body
00:33:51So study it
00:33:53Bye
00:33:55Bye
00:33:59Girls, I'm glad you could come
00:34:01Because Professor Javi is really cool
00:34:03And he teaches a lot
00:34:05He knows a lot
00:34:07He's gifted, super gifted
00:34:09I'll see you soon
00:34:11Bye, bye
00:34:13See you later
00:34:15Bye
00:34:17We're all a little run over
00:34:23What are you doing here?
00:34:25Out of curiosity
00:34:27I think these two are still in touch
00:34:29Are you crazy?
00:34:31If I wanted to put him in his place
00:34:33I swear to God
00:34:35But what do we do now?
00:34:37We have to let Joel know
00:34:40Of course
00:34:44Although
00:34:46This time Professor Javi
00:34:48Isn't doing anything wrong
00:34:50He's just making a living
00:34:51Good points
00:34:53Besides, I've realized
00:34:55That I need to learn how to draw
00:34:57It's something necessary for me
00:34:59Yes, I've learned a lot too
00:35:01Me too
00:35:21We'll be right back
00:35:49Son, your breakfast
00:35:51The secret for you to like it
00:35:53Is the flavor
00:35:55Bon Lay, rich for your children
00:35:57Good for your pocket
00:36:21Betano Paraíso at 1,399 soles
00:36:23With card or game
00:36:25At 1,599 soles
00:36:27At newesley.com
00:36:34Activate Betano mode
00:36:36With our welcome bonus
00:36:38Up to 500 soles
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00:37:55The Greek yoghurt light
00:37:57Is so irresistible
00:37:59You cant stop with your spoon
00:38:02A very creamy
00:38:05Made with till 100% milk
00:38:07With fruit pulp
00:38:10The perfect balance
00:38:12Between the rich an the healthy
00:38:14Come on
00:38:16Keep spooning
00:38:17I'm digging for you.
00:38:19Yogurt Laibe Griego, El Cuchareable.
00:38:23Only until tomorrow!
00:38:25The Cyber Wow of Falabella!
00:38:27iPhone 13 128GB at 2299 soles.
00:38:31Falabella! Always faster!
00:38:36Welcome to the hugs.
00:38:38Cooking as a family and decorating the house for Christmas.
00:38:41Welcome to dreaming big, dreaming small, dreaming together.
00:38:47Welcome to sharing.
00:38:49Sharing the aroma, softness, and the best flavor.
00:38:52Like Panettone Gloria, that unites us all.
00:38:55Welcome to the ideas that unite us for Christmas.
00:38:58Gloria.
00:39:00Since I joined the group of united mommies,
00:39:02I discovered a great piece of information.
00:39:04That Ninette diapers are bigger and with an anatomical design.
00:39:07And perfect to protect the skin of my baby from flaking and keep it dry.
00:39:13Change to Ninette.
00:39:14Because the advantage is great.
00:39:16Find them at Mifarma and Cafarma.
00:39:21Imagine a university.
00:39:28But one that reimagines the way of teaching.
00:39:30Where it doesn't matter to memorize information, it can change.
00:39:34Seriously?
00:39:35Seriously.
00:39:36Because the most important thing is to develop your ability to adapt to that change.
00:39:40Enhancing your critical thinking.
00:39:42Through collaborative work.
00:39:44To find creative solutions to real-world problems.
00:39:51That university you imagine is called Minerva.
00:39:54The most innovative in the world.
00:39:56And today UPC makes an alliance to incorporate its instructive methodology.
00:40:00Imagine the most innovative education in the world with the most innovative in Peru.
00:40:05Now imagine you can study there.
00:40:07Open your mind. Innovate UPC.
00:40:09En el mundo de beneficios de Club El Comercio puedes repetir.
00:40:12Tendrás descuentos en todos lados. El grifo, el cine y supermercado.
00:40:16Será lo mejor que te ha pasado.
00:40:18Club El Comercio te sale a cuenta.
00:40:22Ceviches, pastas o un pollito.
00:40:24Si pagas menos siempre es más rico.
00:40:26Los descuentos son infinitos.
00:40:28Club El Comercio te sale a cuenta.
00:40:33Con Club El Comercio los beneficios son ilimitados.
00:40:35Para usar las veces que quieras, cuando quieras y con quien quieras.
00:40:39Club, Club, Club, Club El Comercio te sale a cuenta.
00:40:45Mañana, Último Día del Cyber.
00:40:47Bajo en Ripple.com y la Ripple app.
00:40:49Adelanta la Navidad con 60% de descuento en miles de marcas y envío gratis en la app.
00:40:54Último Cyber del Año.
00:40:59Uy, se demora en secar.
00:41:03Rosa Paloma, cámbate a la barra de Old Spice.
00:41:05Sentirás que seca a la velocidad de un rayo.
00:41:07No ensucia las manos, no mancha la ropa y huele increíble.
00:41:12He decidido iniciar una investigación sobre los delitos de Koki Ayala y Marcel Montero.
00:41:17¿Te das cuenta de lo que dices?
00:41:19Los conflictos del pasado.
00:41:21A partir de hoy, Davis Orozco ya no será un problema.
00:41:25Están más vivos que nunca.
00:41:28¿Están todos?
00:41:29¡Nos vamos!
00:41:30¡Vámonos!
00:41:34Johnny, nuestro hijo te necesita.
00:41:36Por favor, protégelo.
00:41:38Tu nombre y el mío acercándose al final.
00:41:41En algunos minutos nos va a llegar una llamada diciéndonos que Davis Orozco y sus músicos están muertos.
00:41:50¡Los frenos no funcionan! ¡No funcionan los frenos!
00:41:56Hoy, inmediatamente después de Al Fondo, hay sitio por América.
00:42:06Claro.
00:42:08Sedal.
00:42:10Allí no me.
00:42:13Gloria.
00:42:16Recomendamos ver este programa en compañía de un adulto.
00:42:27Hi mom, ¿te llegaron los videos que te envié?
00:42:29Sí, mi amor, al toque. La red móvil de Claro es rapidísima.
00:42:33Cámbiate a la red móvil más rápida del Perú al 0800 00200.
00:42:41Miren, yo creo que lo más sensato que podemos hacer es acabar el ciclo, ¿no?
00:42:47Y ya de ahí le decimos a Joel que el profe de la Macarena y el Xavi.
00:42:50Por supuesto. Me encanta. Estoy de acuerdo.
00:42:53Me parece bien. Me parece una buena idea.
00:42:55Ahora la batería.
00:42:57Chicas, chicas, chicas.
00:42:58Me parece súper chévere que estén acá. Me encanta.
00:43:01Pero creo que aún no han pagado.
00:43:04¡Ah! ¿El dinero? Por favor.
00:43:06Profesor, lo de la plata para solo no es un problema.
00:43:08De acuerdo.
00:43:10¿Euros? Le pagamos.
00:43:12Yo quería ver si me gustaba la clase primero.
00:43:14¡Ah! ¡Mañas, mañas!
00:43:16¿Y te ha gustado?
00:43:17Amé.
00:43:18Obvio.
00:43:19Me encanta.
00:43:20Por dos.
00:43:21Sí, sí.
00:43:22Por tres. Por mil.
00:43:23Lo que sí, un pequeño detalle.
00:43:24Acá mi amiguita ya no va a poder seguir con las clases.
00:43:27Se va a un viaje sin retorno. Una pena.
00:43:29Gracias. Oye, por fin.
00:43:30Sí.
00:43:31¡Mañas!
00:43:32Qué pena. Bueno, no pasa nada.
00:43:33No pasa nada.
00:43:34A las demás las veo mañana.
00:43:35Hasta mañana.
00:43:36¿Y seguimos?
00:43:37¿Dibujando?
00:43:38Ya, chicas.
00:43:39Vamos adelante.
00:43:40No, no. Vamos a nuestras casas.
00:43:41Su trabajo es chéverengue.
00:43:43Chéverengue.
00:43:44Chéverengue, dice.
00:43:47¿Y por qué no voy a regresar a...?
00:43:48No vas a regresar porque tú tienes una historia con el Xavi.
00:43:51¡No sea fresca!
00:43:52¡Ay! Entonces le voy a decir a las paredes y a don Gilberto
00:43:55que ustedes han sido muy buenas alumnas y muy atentas
00:43:57y que tengo un video para probarlo.
00:43:59Ay, mira. ¿Qué, qué?
00:44:00¿Con un video no vas a ser intimidada?
00:44:02No me importa.
00:44:04Además, yo soy fotogénica, telegénica.
00:44:06Mira, mira, mira.
00:44:07Claro.
00:44:08¿Podría hacer alguna cosa con ese video?
00:44:10Pero tampoco nos perjudica.
00:44:12No, para nada.
00:44:13No.
00:44:14¿Esa soy yo?
00:44:15Sí.
00:44:16Ay, no.
00:44:17En primer plano.
00:44:18Me estoy intimidando, me estoy intimidando.
00:44:19Bueno, yo sí pasé.
00:44:20No.
00:44:21¿Qué pasa?
00:44:22Me surfé la ola.
00:44:23¿La surfé?
00:44:24Uy, no.
00:44:25No me la surfé.
00:44:26Yo, sí.
00:44:27Me está intimidando.
00:44:28A mí también.
00:44:29Sí.
00:44:30Creo que... A ver.
00:44:31¿Qué?
00:44:32Vamos a conversar.
00:44:33Ok.
00:44:34Ahora.
00:44:35Siéntate.
00:44:36Sí.
00:44:37Vamos a hablar de él.
00:44:38Chau, papi.
00:44:39Nos vemos.
00:44:40Llego González.
00:44:41Chau, hijita querida.
00:44:42Cuídate.
00:44:43Ya, ya.
00:44:44Directo a las clases.
00:44:45Ay.
00:44:46Qué inocente eres, González.
00:44:47¿Ah?
00:44:49¿Ah?
00:45:09Mira, ahí están.
00:45:10A ver.
00:45:11Hasta que llegaron.
00:45:14Caramelo, caramelo.
00:45:15¿Y qué fue?
00:45:16¿Era o no?
00:45:17No.
00:45:18¿No?
00:45:19No era.
00:45:20¿Y tú, Juanita, por qué fuiste?
00:45:22Ah, porque...
00:45:23Porque ellas me lo pidieron.
00:45:25Sí, sí.
00:45:26Necesitábamos una tercera opinión.
00:45:29¿Cómo es eso?
00:45:31Recontra peruanazo.
00:45:32Muy.
00:45:33¿Ah, sí?
00:45:34Sí.
00:45:35Bien.
00:45:36Qué chévere.
00:45:37Qué bueno.
00:45:38Yo te dije.
00:45:39Igual mañana vamos a volver.
00:45:40Puntual.
00:45:41¿Y ya para qué?
00:45:42Sí, claro.
00:45:43Ah, porque...
00:45:44Porque la clase nos ha gustado.
00:45:45Sí.
00:45:46Es muy empoderadora.
00:45:47Impresionante.
00:45:48Poderosa, sí.
00:45:49Bien ejemplar.
00:45:50Bueno, no es mala idea.
00:45:51De ahí nos pueden pintar a nosotros.
00:45:52No.
00:45:53No.
00:45:54No.
00:45:55No.
00:45:56No.
00:45:57No.
00:45:58No.
00:45:59No.
00:46:00No.
00:46:01No.
00:46:02No.
00:46:03No.
00:46:04No.
00:46:05No.
00:46:06No.
00:46:07No.
00:46:08No.
00:46:09No.
00:46:10No.
00:46:11No.
00:46:12No.
00:46:13No.
00:46:14No.
00:46:15¿Qué tal es su letra?
00:46:16¿Ah?
00:46:17No, porque la mía sí la conoce.
00:46:19Sí.
00:46:20No, no, no.
00:46:21Hacer pintas en una casa no está bien.
00:46:23Ay, González.
00:46:24Mira, si haces eso, te regresas sola a tu casa.
00:46:29Yo no voy a ser parte de eso, ¿ah?
00:46:31OK.
00:46:32Oh.
00:46:36Oh.
00:46:38Oh.
00:46:54Shh, shh, shh, shh.
00:46:55Maca.
00:46:55Maca.
00:46:56Shh, shh, shh, shh.
00:46:57Bajo.
00:47:03Shh, shh, shh, shh.
00:47:05Shh, shh, shh, shh.
00:47:06Shh, shh, shh, shh.
00:47:07Shh, shh, shh.
00:47:08Shh, shh, shh.
00:47:09Shh, shh, shh.
00:47:10Shh, shh, shh.
00:47:11Shh, shh, shh.
00:47:15No, no, no.
00:47:16No, no.
00:47:16No, no, no.
00:47:17Basta.
00:47:17No.
00:47:18No, no.
00:47:19Bájame, Jimmy.
00:47:20Jimmy, bájame.
00:47:21Ay, es por tu bien.
00:47:22Ay, que me tengo que vengar.
00:47:23Ya te vengaste ayer.
00:47:24No, ha sido suficiente.
00:47:25Ale, ¿esa no es tu ex?
00:47:32I have to admit that I was wrong.
00:47:37Your teacher is not the Spanish speaker.
00:47:40How did you know?
00:47:42On the internet.
00:47:44I told you, but you're stubborn as always.
00:47:48Yes, I was a little worried.
00:47:50That snake charmer has done several to us.
00:47:53Yes, especially to your mother, right?
00:47:57Don't make me remember.
00:47:59It was right here, on Junior's birthday.
00:48:03It was a little ugly.
00:48:05Oh, Juan, I can imagine.
00:48:07Yes, yes, yes.
00:48:09Well, I was a little worried, you know.
00:48:12I love you. I love you a lot.
00:48:15A lot, right?
00:48:17Of course.
00:48:18Don't make a mistake.
00:48:20No, thank you very much for worrying about me.
00:48:23I love you too.
00:48:28I love you.
00:48:30Like a duck, of course.
00:48:32Like a duck, of course.
00:48:40Speaking of my teacher,
00:48:43he's very cool.
00:48:44And you know what? I want to introduce him to you.
00:48:46Really?
00:48:47Yes, yes, yes.
00:48:48Maybe I can help you in class.
00:48:49Oh, look.
00:48:50Help us in what way?
00:48:51I don't know, but as a model.
00:48:52You know I have experience in the street.
00:48:56Like when Franchesca told you about the room, do you remember?
00:48:58I didn't do it anymore, did I?
00:49:00No, no, imagine.
00:49:01Well, when do you introduce me to him?
00:49:02Soon.
00:49:03Soon I'll introduce you to him.
00:49:04Yes, yes.
00:49:05But you tell him that I like him as a model.
00:49:07Ah, of course.
00:49:08I hope I say it.
00:49:09Yes, in fact.
00:49:12Yes.
00:49:18What is Jimmy doing carrying that little girl?
00:49:24But what are you doing?
00:49:26Ale, let's better go.
00:49:28Yes?
00:49:29Let's go.
00:49:30You'll always be a no.
00:49:32You know that.
00:49:34You have to pay.
00:49:35And this is my revenge.
00:49:36OK?
00:49:37Enough.
00:49:38Enough of this problem.
00:49:39Yes, Lola.
00:49:40What happens is that you are very intense.
00:49:41No, I'm intense?
00:49:42Yes, that's right.
00:49:43I got it.
00:49:44Let's go.
00:49:45Let's go.
00:49:46You're a problem.
00:49:47You saved yourself from this.
00:49:49Yes.
00:49:50Yes.
00:49:51That's what I have to do.
00:49:52Leave the house very clean.
00:49:53Attend to the cellar.
00:49:54Cook very rich.
00:49:55Attend to my husband.
00:49:56Nothing to be thinking about.
00:49:57Calatos and those things.
00:49:58Are you sure, Olimar?
00:49:59Yes.
00:50:00Yes.
00:50:01Yes.
00:50:02Yes.
00:50:03Yes.
00:50:04Yes.
00:50:05Yes.
00:50:06Yes.
00:50:07Yes.
00:50:08Yes.
00:50:09Yes.
00:50:10Yes.
00:50:11Yes.
00:50:12Yes.
00:50:13Yes.
00:50:14Yes.
00:50:15Yes.
00:50:16Yes.
00:50:17Yes.
00:50:18Yes.
00:50:19Yes.
00:50:20Yes.
00:50:21Yes.
00:50:22Yes.
00:50:26¡Fuera! ¡Fuera de aquí, Satanás! ¡Incómodo el infierno! ¡Lárgate de mi vista!
00:50:48¿Qué es eso, lindita?
00:50:51¿Qué grito perdón? ¡Ay, perdóname! ¡Ay!
00:50:57Te oigo hablar sola y luego me tiras un almohadaso.
00:51:02Es que había una polilla. ¡Una polilla grande y musculosa!
00:51:09¿Musculosa?
00:51:10¡Maliciosa! ¡Maliciosa quise decir! ¡Ay!
00:51:14¡Ay, olindito!
00:51:19Te están sudando las manos como si fuera un cántaro.
00:51:23No, no es sudor. Es que estaba lavando.
00:51:25Estaba lavando tus mediasitas, tu corbatita, tus pañuelitos.
00:51:33¿Por qué me miras así?
00:51:36Es que... Es que...
00:51:40Algo te pasa. Tienes...
00:51:43Tienes cara de querer contar un chisme.
00:51:46¿Chisme?
00:51:48¡No!
00:51:50¿Tú tienes un chisme? ¿Quieres contarme tú?
00:51:53No, no, no. No sé nada.
00:51:55Entonces, me voy a seguir lavando.
00:51:58Tengo tantas cosas que lavar.
00:52:01Mucha ropa sucia.
00:52:07Está medio raro.
00:52:19Está para comer y para llevar.
00:52:42Teresa, por favor. Deja de estar pensando en el Chavi.
00:52:45Niña mala. Niña mala.
00:52:48¡Ay! A ver, foco, concentración. ¿En qué estábamos?
00:52:51Los votos matrimoniales. Mira, Gaspi.
00:52:53Tú no puedes leer o mirarlo del teléfono.
00:52:55Eso me parece muy mal gusto. Tú tienes que decirlo.
00:52:57Tienes que aprendértelo de memoria.
00:52:59¡Ay, Gaspi!
00:53:00No me digas que todavía no has escrito tus votos matrimoniales.
00:53:03¡Caspar!
00:53:05¡Caspar, despierta!
00:53:07¿Qué pasó?
00:53:09¿Qué pasa?
00:53:10Es que no he tenido una buena noche, amor.
00:53:14Amor, dame un favorcito.
00:53:15Dime.
00:53:16Que me levante la moral.
00:53:18Háblame como la colombiana, ¿sí?
00:53:20No, mi amor.
00:53:21De ahí tú te pones muy cariñoso y no nos concentramos.
00:53:23Amor, un chocito.
00:53:24Un chocito nomás para levantar la energía, pa' amor.
00:53:26¿Sí?
00:53:27Bueno, ¿qué quieres que te diga?
00:53:29Sé que...
00:53:30Que te gusto.
00:53:32Que guapo que estoy. No sé.
00:53:34¡Hostia, tío!
00:53:35Vosotros estáis que me flipa.
00:53:38¿Por qué os hablo como española?
00:53:40¿Os hablo como española?
00:53:43¡Oh, por Dios!
00:53:44Ver a Xavi Calato me ha dejado secuelas.
00:53:46Mi Gaspi no puede darse cuenta.
00:53:49Tuve unos pequeños lapsos brutos de mis cuerdas vocales, amor.
00:53:53Ya, olvidemos este percance.
00:53:55Concentrémonos en nuestro matrimonio.
00:53:57¿Ya? A ver.
00:53:58¿Qué vamos a hacer?
00:54:00Este joven sigue todavía en tu habitación.
00:54:04Papito, el Gaspi ya se va.
00:54:06Espero que me entiendan.
00:54:09Después del matrimonio que voy a decir nada.
00:54:15Es que mi padre es un tío muy majo.
00:54:18¿Has vuelto a hablar como española?
00:54:24Vamos, señorita.
00:54:25Vamos a hablar seriamente, ¿sí?
00:54:27¿Cambiaste de idea?
00:54:28Vamos a pintar en la casa.
00:54:29¡No! ¡No!
00:54:30Lola, Lola.
00:54:31Quiero que me expliques una cosa.
00:54:32¿Por qué le haces pagar a tu papá unas clases de baile que ni siquiera te interesan?
00:54:35Sí me interesan.
00:54:37Me fascina bailar.
00:54:38Solo que tenía una venganza y tú sabes, hay prioridades.
00:54:42Bueno, vamos a tus clases.
00:54:44No, ya es tarde y la Miss Cynthia no me va a dejar entrar.
00:54:47Bueno, tampoco podemos ir a tu casa.
00:54:49Vamos a tener que ir a otro sitio a hacer hora.
00:54:52¿Vamos a tu casa?
00:54:53¿A mi casa?
00:54:54¿Por qué a mi casa?
00:54:55Quiero conocer dónde vive mi chofer.
00:54:57Yo no soy tu chofer.
00:54:58Solamente le estoy haciendo un favor a tu papá.
00:55:00Ay, todo te lo tomas a pecho.
00:55:01Pareces un viejito.
00:55:02Ya, vamos.
00:55:12Sorpresa, sorpresa, olindita.
00:55:13¡Lola, léjate de mí!
00:55:14¿Tonito?
00:55:15¿Gilgirito?
00:55:16¿Gilgirito?
00:55:17Perdón.
00:55:18Baja.
00:55:19Primero un almohadazo.
00:55:20Ahora me lanzas la sábana.
00:55:21Es que...
00:55:22¿Qué?
00:55:23¿Qué?
00:55:24¿Qué?
00:55:25¿Qué?
00:55:26¿Qué?
00:55:27¿Qué?
00:55:28¿Qué?
00:55:29¿Qué?
00:55:30¿Qué?
00:55:31¿Qué?
00:55:32¿Qué?
00:55:33¿Qué?
00:55:34¿Qué?
00:55:35¿Qué?
00:55:36¿Qué?
00:55:37¿Qué?
00:55:38¿Qué?
00:55:39¿Qué?
00:55:40¿Qué?
00:55:41¿Qué?
00:55:42¿Qué?
00:55:43¿Qué?
00:55:44El viento hizo que se me escapara de las manos.
00:55:45Ay, perdón, perdóname.
00:55:46Ay, te perdono, te perdono.
00:55:47No hay problema.
00:55:48Ay, ayúdame a atender la sábana.
00:55:49Claro que sí.
00:55:50Sí.
00:55:51Ay.
00:55:52Ay.
00:55:53A ver.
00:55:54Es un infeliz, un descarado, un sinvergüenza.
00:56:22Claro.
00:56:23¿Dónde quedaron todos los...
00:56:24Ale, si te amo.
00:56:25Eres el amor de mi vida.
00:56:26Claro.
00:56:27La primera oportunidad que tuvo se fue con otra.
00:56:28Chef.
00:56:29¿Le podría pasar la pimienta?
00:56:30Es que Cristóbal me comentó que un cliente le había sugerido que echarle más pimienta
00:56:31al lomo.
00:56:32Ah.
00:56:33Entonces quieres cambiar mi receta solo porque un cliente lo dijo.
00:56:34Así, sin más.
00:56:35Es que...
00:56:36El cliente siempre tiene la razón.
00:56:37No.
00:56:38Nada de cambios.
00:56:39¿Entendimos?
00:56:40Sí, chef.
00:56:41OK.
00:56:42Quiere cambiar la receta.
00:56:43Si siempre me has dado muy bien con mi receta, ¿para qué vas a querer más pimienta ahora?
00:56:59Listo.
00:57:00Llegamos.
00:57:01Guau.
00:57:02Mi papá me dijo que vivías en un lugar fichazo, pero no pensé que tanto.
00:57:08Bueno, obviamente, esa es tu casa.
00:57:11¿Cómo te diste cuenta?
00:57:12Porque tiene tres cielos, pues, González.
00:57:14Además, en haber un camionetón, un carrazo, hay un mototaxi.
00:57:18¡Ja!
00:57:19Ay, bueno, cambia de cara.
00:57:21Ya, ya.
00:57:22Hazme pasar.
00:57:23Vamos.
00:57:24Hola.
00:57:25Hola, hola.
00:57:26Hola.
00:57:27Ay, pero ¿quién es esta muchacha tan bonita?
00:57:28Hola.
00:57:29Soy Lola.
00:57:30Mucho gusto.
00:57:31Hola.
00:57:32Hola.
00:57:33Hola.
00:57:34Hola.
00:57:35Hola.
00:57:36Hola.
00:57:37Hola.
00:57:38Hola.
00:57:39Hola.
00:57:40Hola.
00:57:41Soy Lola.
00:57:42Mucho gusto.
00:57:43Lola.
00:57:44Sí.
00:57:45Es la hija de mi profesor Locatelli.
00:57:46¿El profesor Locatelli?
00:57:47¿Ese que tiene fea borrachera y que es más pesado que tanca pedales?
00:57:50Ay, ay, ay.
00:57:51Tito, por favor, no seas tan malcriado.
00:57:53Bienvenida, guauita.
00:57:55No, no se preocupe.
00:57:56Yo sé que mi papá tiene sus cosas.
00:57:57Sí.
00:57:58Bueno, yo no tengo el gusto de conocerlo, así que yo no puedo opinar.
00:58:02Pero cuéntanos cómo así conociste a Jimmycito.
00:58:05Bueno, él es mi chofer.
00:58:07No, no soy su chofer.
00:58:08No, no.
00:58:09Solo le estoy haciendo un favor a su papá llevándole a sus clases de baile.
00:58:12Ah, y tú ni corto ni perezoso la trajiste a la casa para bailar.
00:58:18Tito, si no te callas te voy a dar un huaracazo.
00:58:22No le hagas caso, Lola.
00:58:25No, no se preocupe.
00:58:27Me gusta su sentido del humor.
00:58:29Y eso que no intentaba ser gracioso, pero gracias por el cumplido.
00:58:32¿Quieres tomar alguito, comer alguito?
00:58:35Así me cuentas un poco de dónde eres, quién eres.
00:58:39Cuéntanos, pues.
00:58:40A ver.
00:58:41En otro momento puede ser.
00:58:42Ahorita me voy a hacer un house tour.
00:58:43Vámonos, González.
00:58:45Vamos.
00:58:48¿Le dijo González?
00:58:55Guau.
00:58:56La casa se ve más chiquitita desde afuera.
00:58:58¿Quiénes viven contigo?
00:59:00Ah.
00:59:01Este es el cuarto de mi abuelo.
00:59:03Él duerme con Olinda, que es la que acabas de conocer.
00:59:05¿Ah?
00:59:07Ah, son esposos.
00:59:09Sí, son pareja.
00:59:10Aunque no lo creas, es una bonita historia de amor.
00:59:13Bueno, otro día me lo cuentas.
00:59:14¿Y acá?
00:59:16Ese es el cuarto de mi mamá.
00:59:18Ahora ahí duerme Juana, que es la prima de Olinda y novia de mi tío Pepe.
00:59:22Todo queda en familia, González.
00:59:24¿Y por allá?
00:59:25Ese es el baño, por si lo quieres usar.
00:59:28Ese es el cuarto de...
00:59:29La pareja más amorosa de esta casa.
00:59:31¿Cómo estás?
00:59:32Hola, soy Teresa Collazos, la madrina del amor.
00:59:34Un gusto.
00:59:36Y yo soy Gaspar Goyoneche,
00:59:37futuro tío de Jimmy porque pronto me caso con mi Teresita.
00:59:40Guau, felicidades.
00:59:41Yo soy...
00:59:42Lola Locatelli.
00:59:43¿Locatelli como el profesor?
00:59:46Sí.
00:59:47Sí, es su hija.
00:59:48González, ¿cuál es tu cuarto?
00:59:49¿González?
00:59:50¿Por qué le dices González?
00:59:51Bueno, así lo llama mi papá y así lo conocí.
00:59:53Además, tiene cara de González, ¿no?
00:59:55Sí, sí tiene cara de González.
00:59:56Bueno, ha sido un gusto.
00:59:57Nos vemos en la próxima.
00:59:58Vamos.
01:00:00¡Pero qué eléctrica esta chiquita!
01:00:02¡Me cae muy bien!
01:00:03¿Qué diferencia con Jimmy que es medio lenteja?
01:00:05¿Medio?
01:00:06¡Ay!
01:00:10Entiende, ¿no?
01:00:11Para él soy su bebita.
01:00:13Ya me voy, Don Gil.
01:00:14Chao, mi amor.
01:00:17Me voy, Don Gil.
01:00:19Después del matrimonio.
01:00:23Pero...
01:00:24Papá.
01:00:26No te pongas intransigente.
01:00:30Voy a agarrar un avión
01:00:32y no voy a regresar hasta recorrer todo el mundo.
01:00:35¿Puedo ir sola o...
01:00:37...acompañada?
01:00:41Bueno, sigue mostrándome el resto de tu house.
01:00:45No sé, pero...
01:00:46...noto muy rara Teresa hace rato.
01:00:48Bueno, Juando también anda medio extraña, ¿eh?
01:00:51Y yo, lindita, no sé qué, atrás.
01:00:53Están así desde que fueron a las clases de dibujo.
01:01:00¡Vamos!
01:01:11Hace que el idiota lo hiciera a propósito.
01:01:15No hay muros en la sierra.
01:01:17En la Costa Carrasca hay sierra.
01:01:18Es que yo vengo de la sierra, pues.
01:01:20Vámonos.
01:01:21¡Rápido!
01:01:25¡Ya, vánselo!
01:01:29Acá ya estás encerrado, don Gil.
01:01:31Así es, Pepito.
01:01:32No hay tiempo que perder.

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