• 10 hours ago
Al Fondo Hay Sitio Temporada 11 Capitulo 149 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 150 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 151 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 149 Completo HD
Transcript
00:00I don't understand why that man has to stay in my room.
00:24Why?
00:25Because of how dangerous the city of Lima is?
00:28We can't run the risk of Mr. Boyon staying somewhere else.
00:32What happened to my uncle? Talk!
00:34Help!
00:36What?
00:37I can't talk right now. Please let the family know. I have to go see the body.
00:43Javi! Javi! Javi! Javi, listen to me! Javi!
00:49God.
00:50Let's go.
00:56Today we have a last minute guest. Mr. Capo is a partner of Francesca and my dad.
01:01It is important that we are very focused.
01:04He has to get the best impression of our kitchen.
01:08Look, it must be him.
01:09It's definitely him. Mr. Capo!
01:12Let's put into practice everything the teacher taught us.
01:15Buongiorno! Welcome!
01:19May I take the suitcases?
01:22Did I crash?
01:23Yes, you had an accident and you lost consciousness.
01:26Don't move.
01:27How do you feel?
01:30My head and neck hurt.
01:32Does the family know?
01:34Yes, I already informed them calmly and above all responsibly.
01:46Can I ask you a question?
01:47Yes, of course.
01:48Do you remind me?
01:49Yes.
01:50I sometimes have a bad memory.
01:51What's your last name?
01:52Oh, I didn't tell you.
01:53No?
01:54No. Macarena Montalban Beltran.
01:56My mother. I come to mess with the daughter of the grandmother of the Titanic.
02:01This way, Mr. Capo. Welcome to Francesca's.
02:04Let's go, let's go, let's go.
02:05Go ahead.
02:12Mr. Capo, let me introduce you to our staff.
02:25And do you know how Joel's bolocho turned out?
02:28I don't know. They brought you in an ambulance.
02:33They probably put it in the deposit.
02:37I have to go to the management to get it out.
02:39Are you crazy, Papa Pepe? You're still convalescent.
02:41But I feel good.
02:42You have to keep resting to recover 100%.
02:47Oh, yes, yes, yes, yes. You're right.
02:51You're right.
02:54Very good, very good. Almost, almost, son.
02:57I think I'm going to get a stroke.
02:59Yes.
03:01Is there any way to lower the light a little?
03:04I haven't been able to sleep well.
03:07Oh, it's just that this room is very bright.
03:10What you can do is cover yourself with the sheet.
03:12Oh yes, good idea.
03:14I'll help you.
03:15Go ahead, go ahead.
03:16Cover me, cover me.
03:18Cover me.
03:25She is Mrs. Lee, compatriot of yours,
03:27and chief chef of the Flanchescas.
03:29She was also a translator at the time.
03:34She is my daughter, Alessia Montalban,
03:36winner of a Chivilin star
03:38and heir to my culinary talent.
03:41My daughter, Mr. Capone.
03:43And he is my other son.
03:46Cristobal Montalban.
03:47Ni hao, Mr. Capone.
03:49And finally, our flamboyant hire,
03:51Salvador Ocampo.
03:53Ni hao, illustrious gentleman.
03:55Well, they are all introduced.
03:57What do you think if we move forward with the food?
03:59Aha.
04:00What does aha mean in Chinese?
04:02Aha means aha, here and in China.
04:05Now, if you'll excuse me,
04:06I'll go with my kitchen boys.
04:16Don't you think Mr. Capone doesn't speak much?
04:19Oh, son, you're always so ignorant.
04:21The Chinese are like that,
04:22they are reflexive people,
04:23high, few words.
04:25And Mrs. Lee?
04:26That Chinese middleman
04:27is not an important businessman like Mr. Capone.
04:29Now, go serve, go serve.
04:47No!
04:49No!
04:53Ay, Chasen, my little brother.
04:55Ay, no!
04:58Cousin, cousin,
05:00this is very important for you,
05:01let's not delay it.
05:02No, no, no, no,
05:03this is my place.
05:05Leave him alone, baby.
05:07Ay, but what a terrible experience
05:09to see you here like this.
05:12Ay, in my town,
05:14in my town,
05:15there is a custom
05:17to take one last picture
05:18with the little fag.
05:20Yes, yes,
05:22it is a nice memory
05:23that we will have
05:24with the little fag.
05:25Good idea, good idea, good idea.
05:27Good idea,
05:28you have to take a picture
05:29before it starts to stink, right?
05:30Yes.
05:31Take the picture, Gaspar,
05:32please, yes, yes.
05:33We laugh and we cry.
05:35Get comfortable.
05:42We all say goodbye, Pepe.
05:43Already.
05:44Wait, wait, wait.
05:46I'm going to discover his face.
05:48So beautiful, my brother,
05:49the day he was born.
05:51Pepe, you were always so handsome.
05:54Ay, a painting of a man.
05:57Brother, calm down.
05:59My love, take the picture.
06:00Let's go, let's go, let's go.
06:01Up, up, look.
06:03One, two, three.
06:05Bye, Pepito.
06:09Ay, my mother.
06:10Ay, my mother.
06:15She's alive, I always knew it.
06:18Bad grass never dies.
06:20Ay, my king, my king.
06:22You don't know how much I suffered
06:23thinking I had lost you.
06:27Ay, Joel.
06:29You saved my heart.
06:31Yes, yes, yes.
06:35She's alive, she's alive.
06:38My mother.
06:40I have to look at the least suitable woman.
06:42If I...
06:44Oh, my God.
06:46I need information about her.
06:49On social networks.
06:51Let's see, what was her name?
06:52Macarena Montalbán...
06:55Beltran.
06:57Macarena...
07:00Montalbán Beltran.
07:02Here it is.
07:04Oh, how beautiful she is, for God's sake.
07:05What a cure.
07:07Let's see.
07:10A brain.
07:12But she's there with that idiot Diego.
07:18That being said.
07:20She's with Antonia, she's her mother.
07:22She's definitely her mother.
07:26For God's sake.
07:27What a lucky dog I have.
07:30Well, at least she doesn't know who I am.
07:32She thinks I'm Peruvian, that I'm Javier Sánchez.
07:35I mean, as long as I keep my role well,
07:37and I do it well, correctly, like a great actor,
07:39there's no problem.
07:42I could even benefit from this.
07:57Hi, Claudio.
07:58Oh, Miss Macarena.
07:59What a laugh.
08:00Is it for something special?
08:02Well, I'm enjoying my painting classes.
08:04My teacher is the best.
08:06And is he handsome?
08:07Oh, yes, he's handsome.
08:08Oh, but if he's an artist, he's probably poor.
08:11Oh, well, I don't care about that.
08:12I don't pay attention to those things.
08:14Besides, I'm not looking for a partner, don't worry.
08:16Oh, but I do.
08:17When I can, bring him to meet him.
08:19Well, I'm going to do my homework,
08:21because we are preparing for Mr. Capone's arrival.
08:23Oh, the Chinese businessman is coming today.
08:25That's right.
08:26We are preparing a myriad of varieties.
08:28We are preparing a myriad of varieties.
08:36Excuse me.
08:37Oh.
08:40Sen min, sen min.
08:41I'm telling you to please.
08:42Sen min, sen min.
08:43Sen min, sen min.
08:52How is it?
08:53Is it good?
08:54Is it tasty?
08:55Is it tasty?
08:56Yum, yum.
08:57It's good, it's good.
09:02Senor Ali, please.
09:03Tell Mr. Capone what I'm going to tell him.
09:11Mr. Capone,
09:13I want you to know that there is no region in Peru that doesn't have your chifa.
09:17All the people of the city like chifa.
09:20I particularly prefer the chicken wrapped in guantanamo.
09:24And of course, the fried guantanamo with tamarind.
09:28And if you eat chifa, it has to be with your soda.
09:31Chifa and soda are a very pleasant combination.
09:34It's a delicious lunch.
09:35No one has complained about that combination.
09:39I hope that one day we can be a great nation like China.
09:43So developed, so united.
09:45That's the important thing.
09:46So that societies can grow.
09:50That's it.
09:51President Francesca.
09:59Mr. Capone,
10:00I have prepared this dish especially for you.
10:05Siu Mai Capone.
10:07Oh, I'm dying.
10:09I'm dying.
10:16It was just a little blow to the head and a few scratches.
10:20Well, family, I have to go because Professor Locatelli wants to talk to me.
10:23I don't know what, but it doesn't matter.
10:25Again, happy to see you, uncle.
10:27Thank you, Sorino, thank you.
10:29And now tell me why they thought I was missing.
10:33Joel told us.
10:35And we, as opas, believed him, knowing how exaggerated Joel is.
10:39We should call Yuli.
10:41She is a reliable person.
10:43Come on, see how you are saying everything.
10:44Oh, I'm going to fit in too.
10:46I just repeated what Happy told me.
10:48Oh, look, here's the culprit.
10:50Well, I did it wrong.
10:51What did you do wrong?
10:52You told me that the uncle was cold.
10:54Happy!
10:55I never said that.
10:56Are you going to tell me a liar?
10:58Stop it, it was just a confusion.
11:00The important thing is that Pepito is out of danger.
11:02Oh, yes, I was just coming to tell you that the doctor says you can go home now.
11:08Are you sure, Yuli?
11:10Wouldn't it be better to stay a little longer just in case?
11:12Luckily it wasn't anything serious.
11:14So enough with the medicines we've given him.
11:19Uncle, uncle, uncle.
11:20How did my bum look?
11:22Oh, I don't know, nephew.
11:24They brought me from the front to here.
11:26But whatever it is, I'll give it back to you.
11:28Hey, Pepito, how did you crash like that?
11:31If you are such an experienced driver.
11:33I fell asleep.
11:50Good morning, Mr. Capone.
11:52I greet you Claudio Matalazzo,
11:54Mayor of the Maldini Mansion.
11:56Welcome.
11:58Oh.
12:00Show your room to the gentleman, Mayor.
12:02Would you like to tell me about the room?
12:04Nico, help Claudio.
12:06Don't worry, I can do it.
12:08Oh, it's heavy.
12:10Oh, it's heavy.
12:12Oh, it's heavy.
12:14Oh, it's heavy.
12:16Oh, it's heavy.
12:18Oh, it's heavy.
12:20Mrs. Lee, accompany them in case they need to reduce something.
12:24Of course.
12:26I'm preparing the bed for Cristobal.
12:28I'll go with you, Coki.
12:34Everything went perfectly.
12:36It shows that the Lord is delighted.
12:40I must congratulate you.
12:42The food was delicious.
12:44Thank you, Francesca.
12:46For the credit, it also goes to Mrs. Lee, Salvador.
12:48Well, and of course, for your father.
12:50Dad, for you too.
12:52Yes, I would say that 50% for me
12:54and the other 50% for everyone else.
13:03I'm glad he feels comfortable in his bed.
13:05When he finishes packing his things,
13:07we wait for him in the terrace for a Tai Chi class.
13:10Tai Chi?
13:12Exactly.
13:15Oh, what a cute kitten.
13:18You are an inept.
13:20You are not going to answer like that.
13:220.5 per animal.
13:25I don't know why you exist.
13:29Professor Locatelli.
13:31González.
13:33He sent me to call.
13:35Yes, son, come in, please. Take a seat.
13:37But I see him busy, doesn't he want me to come later?
13:39No, no, son. Sit down, please.
13:41Let's see.
13:43Professor, I am innocent.
13:45Innocent of what, González?
13:47Of whatever you are going to accuse me of.
13:48I have called you for another reason.
13:50Tell me one thing, González.
13:52Do you still use your motorcycle taxi as a means of transport?
13:55Well, not much.
13:57And less work.
13:59Because now I am helping my brother with his mechanics workshop.
14:01We are implementing administrative concepts.
14:03No, that doesn't matter, González.
14:05I have sent you to call because I need to ask you
14:09to do the mobility for my daughter.
14:13Your daughter?
14:15Yes.
14:17The emotional reason why
14:19I teach at this institute
14:22so that she does not lack anything.
14:27Professor, thank you very much for thinking of me
14:30and for the trust.
14:32But I think I am not the right person.
14:35I would not trust this mission to anyone.
14:39But you, González, are a good boy.
14:42Healthy, noble.
14:44And besides,
14:46I think you want to approve all my courses
14:50to graduate, don't you?
14:56Yes.
14:58Yes, Professor, I accept.
15:00Very good, González.
15:02But I do ask you to keep an eye on my daughter.
15:06Keep an eye on her?
15:08Yes.
15:10How can I say it?
15:11She, except me,
15:14has my character.
15:16She is a sweetness.
15:42We are watching, back and forth,
15:45new season, 2024.
15:47Thank you, Gaspar,
15:49that my friend is with the compass moved.
15:52Where do I leave it?
15:54Here.
15:56Here?
15:58Yes.
16:00No, no, no.
16:02There is no need for you to accompany me.
16:05No, no, no.
16:07No, no, no.
16:08No, no, no.
16:10There is no need for you to accompany me.
16:12The doctor says I'm fine.
16:14I just need to rest.
16:16Rest, brother?
16:18Oh, but I'm not going to make Juanita bother
16:20because her slave is going to rest.
16:22Oh, please don't start with the indirect ones.
16:24Leave us alone.
16:26What just happened to Pepe is an accident.
16:28No indirect, Olinda.
16:30Here the only culprit of what has happened to my compadre
16:33is Juana.
16:35And I say it in her naked face, okay?
16:36Don't start with that stuff.
16:38It's not to pollute the matter anymore,
16:40but for me the only culprit
16:42is Juana for making you work like a donkey.
16:44If you allow me to comment,
16:46I think the same as Juan.
16:48Of course, so many hours of work.
16:50Yes, compadre, you looked like a soul in pain.
16:52Yes, a zombie and sleepy on top.
16:54Love, do you remember the day he made us the race?
16:56He was tired.
16:58Of course, love, so many hours of work,
17:00not stopping, not stopping, boom,
17:02caused an accident.
17:04And Pepe, thank you for telling her this time.
17:06Sorry, if you allow me to comment,
17:08it's the end of times.
17:10See, that's it.
17:16Chun-Li, let it be something short,
17:18a protocol Tai Chi, we follow you.
17:21Me? But I don't know Tai Chi.
17:23Oh, if all the Chinese know Tai Chi.
17:25Hey, what you just told them is very racist.
17:27Do you dance Malinela?
17:29No.
17:31Then what are the stereotypes?
17:33Well, you do anything and we say it's Tai Chi fusion,
17:34like food.
17:36Ah, what a good idea, candy face.
17:38Very good, now we are going to start the Tai Chi classes,
17:40but it's not a traditional Tai Chi,
17:42it's a Tai Chi fusion Peruvian,
17:44we separate the legs a little,
17:46separate, separate,
17:48we bend the knees a little,
17:50very good,
17:52one hand that flows,
17:54that flows, that flows,
17:56the other on the waist,
17:58very good,
18:00this one that flows, that flows, that flows,
18:02the other that flows,
18:04the other that flows, that flows,
18:06the two on the waist and we move it,
18:08I bend it, I bend it,
18:10I bend it, I bend it,
18:12I bend it, I bend it,
18:14I bend it, I bend it,
18:16hey, hey, hey,
18:18let me not get burned,
18:19let the alcohol, let me not get burned.
18:21What are you doing?
18:23It's a mix of the two cultures.
18:25That nothing burns in me,
18:27let no alcohol,
18:29that everything, everything,
18:31let's, let's,
18:32We sang it to you, man.
18:33There it is, P.
18:34That's what had to happen.
18:35Buddy, imagine if this happened to you on the mic.
18:37Oh no, wooden touch.
18:39No, no, that's not going to happen.
18:41Because we're not going to allow it.
18:42Juana, listen to me well.
18:46Oh, I wasn't here a while ago.
18:48Of course, the very shameless one doesn't care about my brother
18:50and went to lock himself in his room.
18:52That's incredible.
18:52It doesn't matter.
18:53There it is, there it is, there it is.
18:54What are you going to do?
18:55Look.
18:57Oh, yes, yes.
18:58Oh, I got it.
19:02Juanita, what are you doing?
19:32It was better for me to go.
19:38At last.
19:39He had a little blood on his face.
19:41If you allow me to comment, I will comment
19:43the same thing that interests me.
19:45Juanita, are you sure?
19:49It was better without me.
19:52Juanita.
19:53Juanita, I need you.
19:55You complement me, Juanita.
19:56No, no, no.
19:57Don't listen to my buddy.
19:58He's talking like that out of contusion.
20:00Come on.
20:01Eight blocks past thirty-two, which is going to take you a long way.
20:07Cousin.
20:08Cousin, don't insist.
20:11I've already made a decision.
20:13There's no way I'm going to win.
20:17I'm going to miss you a lot, my king.
20:20I love you.
20:27It's okay, it's okay.
20:29Don't worry. Don't worry, man.
20:31Don't worry.
20:32Pepe.
20:33Pepe.
20:34Pepe.
20:35Pepe.
20:50Bonita.
20:52Bonita, wait.
20:54Bonita.
20:56Wait, it's not your fault.
20:59No one forced me to work.
21:01And if at some point you pressured me, it's because you wanted to get the best version of me.
21:07Your intentions have always been good.
21:09Pepito, don't go on.
21:11I've finally understood.
21:13I'm a bad influence for you.
21:15I'm a bad influence for you.
21:19I'm sorry for all the damage I've caused you.
21:22It's true that at some point you hurt me.
21:25But then everything changed.
21:27And our story became a fairy tale.
21:31What?
21:32He speaks to you as if he were the princess, right?
21:35And she would be the witch.
21:36Oh, let me hear.
21:38If you allow me to comment, I think the same as you.
21:40Exactly.
21:41You are the best thing that has happened to me in a long time.
21:45Quiet, stop him.
21:46Immediately.
21:47Don't even think about it or I won't be able to sleep.
21:51I know that fate has great plans for us.
21:56Please stay, I need you.
21:58What a man.
22:00Hello, baby.
22:01Hello, baby.
22:02We are here.
22:04Look, look.
22:16I hope you enjoyed this little session of Tai Chi Fusion.
22:20Waist, waist.
22:21From the bottom, from the bottom.
22:22That's the attitude.
22:23Now go change.
22:25To witness a small show that we have prepared for you.
22:29Yes, now change.
22:31Then, show.
22:32Show.
22:33Yes, I'll accompany you to your room.
22:35Please.
22:36This way, this way.
22:39Everything is going well.
22:40Yes.
22:41This way, this way.
22:44Everything is going well, right?
22:46Everything is ready.
22:47The dragon arrives in a little while.
22:49Everything else is perfect.
22:50Perfect, yes.
22:53Pretty, this is your house.
22:54Go back to where you belong.
22:59Okay.
23:01I stay because I can't be without you, my king.
23:05But, but that yes.
23:08No more excessive work or taxis, right?
23:12Of course.
23:13We can find another way to make money to build our third floor.
23:17Our third floor.
23:19Our dream.
23:20Our common project.
23:22Oh, caper, grab me, I have an embolism.
23:25How does it show that you are a better person than me?
23:28Quite the opposite.
23:31No, no, no.
23:32No, no, no.
23:33No, well.
23:34No, everything has already collapsed.
23:36But.
23:38But Pepe.
23:40But.
23:41But.
23:46Dear family.
23:49I want to tell you that from now on I will show you that I will do everything.
23:55Everything.
23:57Because I wish you well.
24:00I love you.
24:01I love you.
24:12What is all this fuss?
24:14Yes, what are you doing with that suitcase, Juana?
24:16And what are you doing with that bandage on your head, Pepe?
24:22I was on the verge of death.
24:24And fate gave me more life to live it together, Juanita.
24:29My love.
24:30Return your things to the house.
24:32I set the day, Mr. Gil.
24:34Of course, my life.
24:38Yes, be careful, be careful.
24:39Be careful, be careful.
24:40Be careful.
24:48Come on, Mr. Gil, I'll tell you.
24:51What happened?
24:54Mr. Gil, it turns out that I took the boat out of the car, but.
24:57They thought I was dead.
25:00But no.
25:01No.
25:25Oh, Juanita.
25:27What a great actress you are.
25:32Ah.
25:45Welcome again, Mr. Capou.
25:47Receive all honors.
25:49And we have prepared a beautiful show.
25:52Cultural Ballet.
25:54I hope you like it.
25:56And welcome to this house.
25:58Jingle.
26:02With you, the art of Chinese dishes.
26:23What are you doing?
26:32I'm fine.
26:33I'm fine.
26:36That's it.
26:39With you, the original dance of Yange.
26:55Dad.
26:56I still think we look like the Gonzales.
26:59Are you sure we have to do this?
27:01I think we're going to get drunk.
27:03Dance, Cañajo Mela.
27:29Dance, Cañajo Mela.
27:59Dance, Cañajo Mela.
28:00Dance, Cañajo Mela.
28:01Dance, Cañajo Mela.
28:02Dance, Cañajo Mela.
28:03Dance, Cañajo Mela.
28:04Dance, Cañajo Mela.
28:05Dance, Cañajo Mela.
28:06Dance, Cañajo Mela.
28:07Dance, Cañajo Mela.
28:08Dance, Cañajo Mela.
28:09Dance, Cañajo Mela.
28:10Dance, Cañajo Mela.
28:11Dance, Cañajo Mela.
28:12Dance, Cañajo Mela.
28:13Dance, Cañajo Mela.
28:14Dance, Cañajo Mela.
28:15Dance, Cañajo Mela.
28:16Dance, Cañajo Mela.
28:17Dance, Cañajo Mela.
28:18Dance, Cañajo Mela.
28:19Dance, Cañajo Mela.
28:20Dance, Cañajo Mela.
28:21Dance, Cañajo Mela.
28:22Dance, Cañajo Mela.
28:23Dance, Cañajo Mela.
28:24Dance, Cañajo Mela.
28:25Dance, Cañajo Mela.
28:26Dance, Cañajo Mela.
28:27Dance, Cañajo Mela.
28:28Dance, Cañajo Mela.
28:29Dance, Cañajo Mela.
28:30Dance, Cañajo Mela.
28:31Dance, Cañajo Mela.
28:32Dance, Cañajo Mela.
28:33Dance, Cañajo Mela.
28:34Dance, Cañajo Mela.
28:35Dance, Cañajo Mela.
28:36Dance, Cañajo Mela.
28:37Dance, Cañajo Mela.
28:38Dance, Cañajo Mela.
28:39Dance, Cañajo Mela.
28:40Dance, Cañajo Mela.
28:41Dance, Cañajo Mela.
28:42Dance, Cañajo Mela.
28:43Dance, Cañajo Mela.
28:44Dance, Cañajo Mela.
28:45Dance, Cañajo Mela.
28:46Dance, Cañajo Mela.
28:47Dance, Cañajo Mela.
28:48Dance, Cañajo Mela.
28:49Dance, Cañajo Mela.
28:50Dance, Cañajo Mela.
28:51Dance, Cañajo Mela.
28:52Dance, Cañajo Mela.
28:53Dance, Cañajo Mela.
28:54Dance, Cañajo Mela.
28:55Dance, Cañajo Mela.
28:56Dance, Cañajo Mela.
28:57Dance, Cañajo Mela.
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29:00Dance, Cañajo Mela.
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29:14Dance, Cañajo Mela.
29:15Dance, Cañajo Mela.
29:16Dance, Cañajo Mela.
29:17Dance, Cañajo Mela.
29:18Dance, Cañajo Mela.
29:19Dance, Cañajo Mela.
29:20Dance, Cañajo Mela.
29:21Dance, Cañajo Mela.
29:22Dance, Cañajo Mela.
29:23Dance, Cañajo Mela.
29:24Dance, Cañajo Mela.
29:25Dance, Cañajo Mela.
29:26Dance, Cañajo Mela.
29:27Dance, Cañajo Mela.
29:28Dance, Cañajo Mela.
29:29Dance, Cañajo Mela.
29:30Dance, Cañajo Mela.
29:31Dance, Cañajo Mela.
29:32Dance, Cañajo Mela.
29:33Dance, Cañajo Mela.
29:34Dance, Cañajo Mela.
29:35Dance, Cañajo Mela.
29:36Dance, Cañajo Mela.
29:37Dance, Cañajo Mela.
29:38Dance, Cañajo Mela.
29:39Dance, Cañajo Mela.
29:40Dance, Cañajo Mela.
29:41Dance, Cañajo Mela.
29:42Dance, Cañajo Mela.
29:43Dance, Cañajo Mela.
29:44Dance, Cañajo Mela.
29:45Dance, Cañajo Mela.
29:46Dance, Cañajo Mela.
29:47Dance, Cañajo Mela.
29:48Dance, Cañajo Mela.
29:49Dance, Cañajo Mela.
29:50Dance, Cañajo Mela.
29:51Dance, Cañajo Mela.
29:52Dance, Cañajo Mela.
29:53Dance, Cañajo Mela.
29:54Dance, Cañajo Mela.
29:55Dance, Cañajo Mela.
29:56Dance, Cañajo Mela.
29:57Dance, Cañajo Mela.
29:58Dance, Cañajo Mela.
29:59Dance, Cañajo Mela.
30:00Dance, Cañajo Mela.
30:01Dance, Cañajo Mela.
30:02Dance, Cañajo Mela.
30:03Dance, Cañajo Mela.
30:04Dance, Cañajo Mela.
30:05Dance, Cañajo Mela.
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30:07Dance, Cañajo Mela.
30:08Dance, Cañajo Mela.
30:09Dance, Cañajo Mela.
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30:11Dance, Cañajo Mela.
30:12Dance, Cañajo Mela.
30:13Dance, Cañajo Mela.
30:14Dance, Cañajo Mela.
30:15Dance, Cañajo Mela.
30:16Dance, Cañajo Mela.
30:17Dance, Cañajo Mela.
30:18Dance, Cañajo Mela.
30:19Dance, Cañajo Mela.
30:20Dance, Cañajo Mela.
30:21Dance, Cañajo Mela.
30:22Dance, Cañajo Mela.
30:23Dance, Cañajo Mela.
30:24Dance, Cañajo Mela.
30:25Dance, Cañajo Mela.
30:26Dance, Cañajo Mela.
30:27Dance, Cañajo Mela.
30:28Dance, Cañajo Mela.
30:29Dance, Cañajo Mela.
30:30Dance, Cañajo Mela.
30:31Dance, Cañajo Mela.
30:32Dance, Cañajo Mela.
30:33Dance, Cañajo Mela.
30:34Dance, Cañajo Mela.
30:35Dance, Cañajo Mela.
30:36Dance, Cañajo Mela.
30:37Dance, Cañajo Mela.
30:38Dance, Cañajo Mela.
30:39Dance, Cañajo Mela.
30:40Dance, Cañajo Mela.
30:41Dance, Cañajo Mela.
30:42Dance, Cañajo Mela.
30:43Dance, Cañajo Mela.
30:44Dance, Cañajo Mela.
30:45Dance, Cañajo Mela.
30:46Dance, Cañajo Mela.
30:47Dance, Cañajo Mela.
30:48Dance, Cañajo Mela.
30:49Dance, Cañajo Mela.
30:50Dance, Cañajo Mela.
30:51Dance, Cañajo Mela.
30:52Dance, Cañajo Mela.
30:53Dance, Cañajo Mela.
30:54Dance, Cañajo Mela.
30:55Dance, Cañajo Mela.
30:56Dance, Cañajo Mela.
30:57Dance, Cañajo Mela.
30:58Dance, Cañajo Mela.
30:59Dance, Cañajo Mela.
31:00Dance, Cañajo Mela.
31:01Dance, Cañajo Mela.
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31:11Dance, Cañajo Mela.
31:12Dance, Cañajo Mela.
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31:14Dance, Cañajo Mela.
31:15Dance, Cañajo Mela.
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31:19Dance, Cañajo Mela.
31:20Dance, Cañajo Mela.
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31:26Dance, Cañajo Mela.
31:27Dance, Cañajo Mela.
31:28Dance, Cañajo Mela.
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31:30Dance, Cañajo Mela.
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31:34Dance, Cañajo Mela.
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31:37Dance, Cañajo Mela.
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31:44Dance, Cañajo Mela.
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31:51Dance, Cañajo Mela.
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32:00Dance, Cañajo Mela.
32:01Dance, Cañajo Mela.
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32:05Dance, Cañajo Mela.
32:06Dance, Cañajo Mela.
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32:08Dance, Cañajo Mela.
32:09Dance, Cañajo Mela.
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32:11Dance, Cañajo Mela.
32:12Dance, Cañajo Mela.
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32:14Dance, Cañajo Mela.
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32:19Dance, Cañajo Mela.
32:20Dance, Cañajo Mela.
32:21Dance, Cañajo Mela.
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32:24Dance, Cañajo Mela.
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32:27Dance, Cañajo Mela.
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32:44Dance, Cañajo Mela.
32:45Dance, Cañajo Mela.
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32:47Dance, Cañajo Mela.
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33:00Dance, Cañajo Mela.
33:01Dance, Cañajo Mela.
33:02Dance, Cañajo Mela.
33:03Dance, Cañajo Mela.
33:04Dance, Cañajo Mela.
33:05Dance, Cañajo Mela.
33:06Dance, Cañajo Mela.
33:07Dance, Cañajo Mela.
33:08Dance, Cañajo Mela.
33:09Dance, Cañajo Mela.
33:10Dance, Cañajo Mela.
33:11Dance, Cañajo Mela.
33:12Dance, Cañajo Mela.
33:13Dance, Cañajo Mela.
33:14Dance, Cañajo Mela.
33:15Dance, Cañajo Mela.
33:16Dance, Cañajo Mela.
33:17Dance, Cañajo Mela.
33:18Dance, Cañajo Mela.
33:19Dance, Cañajo Mela.
33:20Dance, Cañajo Mela.
33:21Dance, Cañajo Mela.
33:22Dance, Cañajo Mela.
33:23Dance, Cañajo Mela.
33:24Dance, Cañajo Mela.
33:25Dance, Cañajo Mela.
33:26Dance, Cañajo Mela.
33:27Dance, Cañajo Mela.
33:28Dance, Cañajo Mela.
33:29Dance, Cañajo Mela.
33:30Dance, Cañajo Mela.
33:31Dance, Cañajo Mela.
33:32Dance, Cañajo Mela.
33:33Dance, Cañajo Mela.
33:34Dance, Cañajo Mela.
33:35Dance, Cañajo Mela.
33:36Dance, Cañajo Mela.
33:37Dance, Cañajo Mela.
33:38Dance, Cañajo Mela.
33:39Dance, Cañajo Mela.
33:40Dance, Cañajo Mela.
33:41Dance, Cañajo Mela.
33:42Dance, Cañajo Mela.
33:43Dance, Cañajo Mela.
33:44Dance, Cañajo Mela.
33:45Dance, Cañajo Mela.
33:46Dance, Cañajo Mela.
33:47Dance, Cañajo Mela.
33:48Dance, Cañajo Mela.
33:49Dance, Cañajo Mela.
33:50Dance, Cañajo Mela.
33:51Dance, Cañajo Mela.
33:52Dance, Cañajo Mela.
33:53Dance, Cañajo Mela.
33:54Dance, Cañajo Mela.
33:55Dance, Cañajo Mela.
33:56Dance, Cañajo Mela.
33:57Dance, Cañajo Mela.
33:58Dance, Cañajo Mela.
33:59Dance, Cañajo Mela.
34:00Dance, Cañajo Mela.
34:01Dance, Cañajo Mela.
34:02Dance, Cañajo Mela.
34:03Dance, Cañajo Mela.
34:04Dance, Cañajo Mela.
34:05Dance, Cañajo Mela.
34:06Dance, Cañajo Mela.
34:07Dance, Cañajo Mela.
34:08Dance, Cañajo Mela.
34:09Dance, Cañajo Mela.
34:10Dance, Cañajo Mela.
34:11Dance, Cañajo Mela.
34:12Dance, Cañajo Mela.
34:14Dance, Cañajo Mela.
34:28Dance, Cañajo Mela.
34:42I'm Teresita Collazo Salada Madrina del Amor.
34:45Teresita, this very important businessman
34:48doesn't have time for you right now.
34:50Oh, well, if he's very important,
34:52he's cordially invited to my wedding.
34:54A great event.
34:55We accept transfers for gifts.
34:57It's going to be a feast!
34:58Feast, feast.
34:59If you leave right now,
35:01I'll put five boxes of beer for your wedding.
35:03Ten.
35:04Done.
35:05Well, I'm going to work.
35:06Because it's delicious.
35:07Just my kisses.
35:13Do you want me to start from Jealousy?
35:16Jealousy.
35:17Oh, I said it in Chinese.
35:19Jealousy.
35:20Jealousy.
35:42What time is Professor Locatelli's daughter coming in?
35:58Hello!
35:59Driver!
36:00Hello!
36:01You're Professor Locatelli's daughter?
36:04What do you mean, you?
36:07I'm talking about you,
36:11Sorry.
36:12I mean, sorry, you.
36:14Get in, please.
36:15What do you mean, get in?
36:17Just like that?
36:18Aren't you going to clean my seat?
36:20But it's clean.
36:22Get out of there, get out of there.
36:27Does this look clean to you?
36:28Yes, I think so.
36:30This is dirty.
36:32Now I'm going to tell my dad to pull you
36:35and you're never going to graduate, González.
36:37I love you!
36:50That's what awaits me.
36:52What have I gotten myself into?
36:59Did they dance like Chinese?
37:01Hey, hey.
37:02I wouldn't want to be the last one to make fun of someone dancing.
37:05What a bad attitude.
37:08I need a vacation.
37:10Too many days of stress.
37:12Hey, I just remembered that I have a discount to go to a padel court.
37:15Have you ever played?
37:17No, never.
37:18What do you think if we try it?
37:19I haven't played either.
37:21We can go play a game and then eat something.
37:25It's not a bad idea, yes.
37:26I think padel is interesting.
37:29Are you going to play padel?
37:31I'm trying to convince Alicia to come with me.
37:34Well, it's super popular in Spain.
37:36In fact, I always look forward to it.
37:38Can I go with you?
37:40With us?
37:41A game of three?
37:43Can I tell Lucia?
37:44Yes, great.
37:45No?
37:46Yes.
37:47Hey, that's great, of course.
37:49The four of us.
37:51Now?
37:52Uh-huh.
38:05It was a heavy day, wasn't it?
38:07Oh, tell me.
38:09I thought I had lost you.
38:11Oh, poor Juanita.
38:12No wonder you're all hard.
38:14With my massage, you're going to relax.
38:16Oh, thank you, Pepito.
38:20And then, if you want, we can do mischief.
38:23Oh, no, calm down, my king, calm down.
38:26What did you say to me?
38:28My king.
38:29Oh, my king.
38:30Yes, but better not.
38:32Because I still haven't recovered from how badly you behaved with me at the Hotel Cielo.
38:37Oh, yes, I was just saying.
38:40Yes.
38:41Rather, stronger, please.
38:43Stronger you want?
38:44Yes, yes, yes.
38:45I'm with you.
38:46Oh yeah?
38:47Ready, Analo.
38:48So we stayed.
38:49You come to my house and from here we go to the padel court.
38:52Perfect.
38:53You too.
38:54Good night.
39:00What?
39:02No, I haven't said anything.
39:04I have the right to have friends.
39:06Make my life.
39:08I haven't said anything.
39:10I was willing to do everything to be fine with Julie.
39:13Of everything.
39:14But she was redundant, Coqui.
39:15I haven't said anything.
39:16I'm not going to stay in a corner suffering forever either, okay?
39:29Oh my God.
39:31A wedding dress more beautiful than the other.
39:34Girl, let's see.
39:35Of these two, which one would you choose?
39:40I don't know, Tere.
39:41Oh, but visualize.
39:43Imagine entering the altar with your dress like that, long tail.
39:46Maybe a mini skirt.
39:47It can also be with texture.
39:48But I don't know.
39:49That's the problem.
39:51I don't visualize myself getting married.
39:53No, not right now.
39:56Love is not for me.
39:57Don't say that.
39:59Of course love is for you.
40:01Look, the man who loves you and respects you will arrive.
40:05You and Julie are a great match.
40:07Thank you, Tere.
40:09But right now the most important thing is my studies.
40:12You're right.
40:13Focus on your studies and be a professional.
40:16Love comes alone.
40:18I don't want love.
40:28I don't even die.
40:31Leaving aside small details,
40:34I think we have given a pleasant impression to Mr. Capó.
40:37Yes, the Chinese has had a good time here,
40:40over here, over there.
40:41I think we're going to have a great deal, Frank.
40:44It was worth so much effort.
40:50A tiramisu?
40:51Oh no, Diego.
40:53We have guests, they can't hear us.
40:55A light tiramisu.
41:11Hello!
41:12Hello!
41:13Hello!
41:14Seven seeds, four, more girls.
41:18What are you doing?
41:19Are you painting?
41:20Yes!
41:21I'm not done, I'll present it today.
41:23Really?
41:24Sure they'll give you 20 because you've learned to capture human beauty.
41:27I'm missing something.
41:28What?
41:29Take care of it.
41:30If my taxi comes, you have to wait for me.
41:31Calm down.
41:32We are here between works of art.
41:33I'll show you.
41:34It's a pity, it's a pity.
41:35I know, but it's a pity.
41:36I know, but it's a pity.
41:37I know, but it's a pity.
41:38I know, but it's a pity.
41:39between works of art.
41:41Hey, Samaca.
41:43Let's see...
41:45if you've managed to capture
41:47the beauty of my cacharro,
41:49because my body looks just like him.
41:51Perfect!
41:57He has my cacharro.
42:03No.
42:05It's Professor Xavi.
42:10Mr. Grossito,
42:12you know I'm a good person.
42:14Please protect me.
42:33Hey, hey.
42:35Are you González?
42:37Yes.
42:54It's Professor Xavi.
42:56But...
42:57How do you know this guy?
42:59But...
43:01Did you introduce him to Titani's grandmother?
43:04No, that would be too much trouble.
43:06But most importantly,
43:08why did he paint his cacharro on my beautiful body?
43:10Why?
43:12I'm going to take a picture
43:14to show it to my family.
43:20You couldn't resist!
43:22How was it?
43:23What did you think?
43:24Why did you paint this pervert?
43:26No, what pervert?
43:27He's my painting teacher.
43:28What did you say?
43:29He's my painting teacher.
43:30No, no, no.
43:31Wait a minute.
43:32No, no, no.
43:33This guy is a fraud.
43:34This guy is not a teacher.
43:35He's an anthropologist,
43:36everything that ends in ologist, astrologist.
43:37But Coqui found out
43:38that he had a lot of complaints
43:39about this pervert.
43:40What are you talking about, Joel?
43:41You should know him.
43:42He was with your grandmother,
43:43with Titani's grandmother.
43:44Ah!
43:45The Spaniard!
43:46That's him.
43:47Do you know him?
43:48No, I don't know him by name.
43:49No, but that's him.
43:50No!
43:51He's my teacher, Javier Sánchez.
43:52He's a Peruvian accountant.
43:53No, Maca.
43:54He's a cacharro.
43:55There he is.
43:56You already know us.
43:57I'm not very good at drawing cacharros.
43:59It's not my thing.
44:00But my body came out perfect for you, Maca.
44:01What body?
44:02Please tell me
44:03you're not going to believe
44:04in this bastard's network.
44:05No, no, no.
44:06No, Maca, please.
44:07I'll take my taxi.
44:08I'll take my taxi.
44:09No, no, no, Maca, swear to me.
44:10Yes, I promise.
44:11I'll take my taxi.
44:12Maca, Maca, swear to me!
44:13Maca, no, no, no.
44:14You can't fall, Maca.
44:15Please, Maca, don't be stupid.
44:16Maca, Maca, seriously, Maca.
44:17Listen to me, you're in danger.
44:18Maca, Maca.
44:19He wants you to fall into his networks, Maca.
44:20Maca, listen to me.
44:21Maca, no!
44:22Hey!
44:23My God.
44:24Give me wisdom.
44:25Hello, González.
44:26I'm Lola.
44:27It's amazing.
44:28You're just like my dad described you.
44:29Oh, look.
44:30What did he tell you?
44:31That you were...
44:32like this.
44:33That's my student.
44:34I knew you weren't going to disappoint me
44:35and you'd arrive on time.
44:36But there's still the most important thing, González,
44:37which is that I take my little angel,
44:38my pretty baby,
44:39my little baby,
44:40my little baby,
44:41my little baby,
44:42my little baby,
44:43my little baby,
44:44my little baby,
44:45my little baby,
44:46my little baby,
44:47my little baby,
44:48my little baby,
44:49my little baby,
44:50I take it to the top.
44:51It can't be more important
44:52than it is to me.
44:53You're so beautiful.
44:54You're so beautiful.
44:55You're so beautiful.
44:56Cuchi cuchi cuchi cuchi cuchi cuchi
44:58To your ballet classes.
45:00Healthy and safe.
45:02It's not ballet, it's contemporary dance.
45:04Ay, my life, whatever you say,
45:06son of a bitch!
45:08Gonzalez, I'm going to entrust
45:10the most precious thing in my life
45:12to my daughter.
45:14The most precious?
45:16Yes, yes, no, don't worry, Professor,
45:18I'll handle it very carefully, yes.
45:20And then bring her here. Healthy and safe.
45:22You also want her to return?
45:24Of course, Gonzalez, full service.
45:26In the meantime, I'll stay
45:30qualifying the exams.
45:32And it depends on you
45:34to qualify it with affection.
45:36Because you want me to qualify it with affection,
45:38don't you? Yes, yes, yes,
45:40a lot of affection, please. Ah, you know.
45:42Dad, look, I'm going to go because
45:44if not, I'll be late.
45:46Now, pretty little girl,
45:48take care, call me if you need anything.
45:50Gonzalez,
45:52I'll be watching him.
45:56See you.
45:58Bye.
46:00Bye, my beautiful life,
46:02little thing.
46:06Beautiful, my daughter.
46:08Ronald, who asks us what time we are going to arrive.
46:12Give him one more hour.
46:14What is the itinerary?
46:16First, a meeting with the management team
46:18to present other projects to Mr. Capó.
46:20Then a tour of the
46:22research and development department
46:24and then a brunch with our main investors.
46:26Come in.
46:30Mrs. Francesca sent me to call.
46:32How is Mr. Capó?
46:34The Chinese man sleeps like an angel.
46:36It's just that he has an inverted schedule.
46:38By the way, I want to ask you, what do you want me to prepare for lunch?
46:40You just chop the vegetables, I'll take care of lunch.
46:42Why so much cruelty?
46:44There is no day that my feelings do not arrive.
46:46But what did I say?
46:48Don't listen to him, don't listen to him.
46:50We all appreciate your taste.
46:58Why are you like that?
47:00Claudio cooks, but not better than me.
47:06It's Mr. Bollón.
47:08He must want to know how his boss is.
47:10How are you, Mr. Bollón?
47:14How?
47:16Mr. Capó has not been able to travel to Peru.
47:18Other businesses are preventing him.
47:20Visit your aunt on another occasion.
47:22Apologizing a thousand times.
47:24I understand perfectly.
47:28But if Mr. Capó has not traveled to Peru,
47:30then who is the Chinese man
47:32who is sleeping in Cris's room?
47:40Who are you?
47:42What company did they send you from?
47:44Speak, spy!
47:46He demands an explanation. I'll call the police.
47:48Don't pretend you don't understand.
47:50We have to check his papers.
47:52Good idea.
47:58Here is a passport.
48:02It's a Korean passport.
48:04It's a spy.
48:06He must have thousands in his possession.
48:08I think I know what's going on.
48:10We have to communicate with the Korean embassy.
48:14González, from the corner to the left.
48:16No, to the front.
48:18No, González, don't get close.
48:20Turn to the left.
48:22I'm telling you to turn to the front.
48:24Turn to the left, please.
48:26Okay.
48:28And you're going to park there.
48:30There?
48:32What's going on?
48:34González, I'm not going to my classes.
48:36I don't understand you.
48:38I'm not going to my classes.
48:40What?
48:42Stop! Stop!
48:44I'm going to get off here.
48:46And you're going to wait for me in the corner.
48:48No, no, no.
48:50Yes, yes, yes.
48:52Where are you going?
48:54I'm going to ask you to wait for me with the engine on
48:56and look for possible escape routes.
48:58What are you going to do?
49:02It can't be.
49:04I'm leaving.
49:06Stop!
49:12If you still doubt,
49:14why don't you go to class
49:16and see it with your own eyes?
49:18Because Macarena is going to think
49:20that I'm still obsessed with her
49:22and I don't get it out of my head.
49:24Then I'll go.
49:26Are you serious?
49:28Of course. What do I have left?
49:30But she's going to recognize you.
49:32I'll dress up and you get me the costume.
49:34I want you to think about the story
49:36I want to tell you this time.
49:38What do I tell her?
49:40What do I tell her?
49:42I'm sorry, Professor Locatelli.
49:44I didn't mean to lose your daughter,
49:46but you know her.
49:48She's a bullet and I can't keep up with her.
49:50Please don't fire me.
49:52Ask me for the job I want.
49:54I'll give you a free taxi all year.
49:56Please let me graduate.
50:08I love you.
50:10I love you.
50:12I love you.
50:14I love you.

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