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00:00The Next Day
00:04The Next Day
00:06Good to see you again.
00:08Good to see you, too.
00:10This program is brought to you by Shuseido.
00:14Have you ever been on a talk show like this?
00:16Not really.
00:18But I'm curious to see how the hosts react to the show.
00:22I'm sure the quality of the show will be great.
00:24I'm sure the quality of the show will be great.
00:25We have a guest.
00:26I don't think so.
00:27You don't think so?
00:28I don't think so.
00:30First, let's play back the masterpiece by Director Yamazaki.
00:35Always, The Third Sunset
00:44Tokyo, Tagawa
00:49You!
00:51What the hell are you doing, you idiot?
00:55Destiny Kamakura Monogatari
01:07I thought I could hide the smell of humans.
01:11I can't get rid of Akihiko.
01:14The essential part of the show is the weapon of Director Yamazaki.
01:18The essential part of the show is the weapon of Director Yamazaki.
01:21What is VFX?
01:23VFX is a technology that combines artificial CG created in the real world with powerful images.
01:32Here's a VFX quiz.
01:35This scene in Godzilla Minus One.
01:37Which one is real and which one is CG?
01:45VFX quiz.
01:47This scene in Godzilla Minus One.
01:49Which one is real and which one is CG?
01:52Riku, please answer.
01:54I don't know.
01:55Wait.
01:57Where is it?
01:58Is it just the person in front of me?
02:00The correct answer is the roof.
02:03The rest of the scene is all CG.
02:08And this scene.
02:10Which one is real and which one is CG?
02:12Ige-chan, please answer.
02:15I got it.
02:16Only the sea is real.
02:19Only the sea is real?
02:20The correct answer is that only a part of the ship and a person are real.
02:25Everything is CG.
02:28The script director is also doing this.
02:33And the staff said,
02:35The staff said,
02:44The staff said,
02:51The staff said,
02:56The staff said,
03:00The staff said,
03:10The staff said,
03:20The staff said,
03:25The staff said,
03:35The staff said,
03:38The staff said,
03:44The staff said,
03:51The staff said,
03:59The staff said,
04:08The staff said,
04:15The staff said,
04:21The staff said,
04:26The staff said,
04:33The staff said,
04:42How much did you spend this time?
04:46I can't tell you.
04:47I can't tell you.
04:49How much did you spend compared to Hollywood?
04:51I thought I would do it normally.
04:53I think it's about one-twentieth of Hollywood.
04:55What?
04:56In terms of budget.
04:57One-twentieth?
04:58One-twentieth.
04:59I think that's why everyone sympathized with me and gave me an award.
05:05Wow.
05:07Directed in 60 seconds.
05:10There is only one treasure in the world.
05:15He has a multi-talented script, director, and VFX.
05:20Yamazaki surprises the audience with ideas of completely different genres every time.
05:27He showed us a special sheep product that made his fame this time.
05:32It's normal.
05:34It's normal.
05:36It's a pencil.
05:37He was born from here.
05:39He has a lot of measures.
05:41And this pencil sharpener is wonderful.
05:44What's good about it?
05:45Normal pencil sharpeners don't do this.
05:48There's something like a clutch here.
05:50You can sharpen it like this.
05:52Oh, I see.
05:54It feels very different.
05:55That's true.
05:56It's a wonderful pencil sharpener.
05:58If the tip is not sharp, it will be bad.
06:01It's a wonderful pencil sharpener.
06:03After I got this pencil sharpener, my ability was halved.
06:05That's true.
06:06Is there a design like this?
06:08Yes, there is.
06:09Oh, that's great.
06:11This is a pencil sharpener.
06:13There is a mark around here.
06:15Look.
06:18Here.
06:21That's great.
06:22That's cool.
06:23That's really cool.
06:24That's cool.
06:25That's great.
06:26What's that on the top?
06:28If you look inside, you'll see.
06:31I was thinking of a short version of the back fin.
06:34I was thinking about making it bigger.
06:36So I added that on the top.
06:39But if you erase it, you can't move the pencil.
06:42You can't move it.
06:43It's for moving.
06:45I'm curious.
06:46You can draw digitally, right?
06:49Are you particular about this pencil?
06:52That's right.
06:53I like pencils.
06:56I think about the design and the scene by hand.
07:00When it comes to digital, it's a bit far.
07:04Of course, I do what I can't do without digital.
07:07But I want to draw on paper.
07:10I feel like digital disappears.
07:12I see.
07:13I feel like it disappears easily.
07:15I see.
07:16But I feel like this one is old.
07:20But I like pencils.
07:23Do you watch other works while you're busy?
07:28Yes, I do.
07:29I try to watch popular works.
07:33Is there a recent work that impressed you?
07:36Samurai Time Flipper.
07:39It's been a hot topic recently.
07:41It was interesting.
07:42How do you look at it?
07:44From a director's point of view?
07:45If you look at it from a director's point of view,
07:48and you're absorbed in the story,
07:50the movie wins.
07:51I see.
07:52I heard that Samurai Time Flipper is a self-published film
07:57with a small production budget.
07:59It's a different level,
08:00but I went to see it because I was impressed
08:03by the small budget of the movie we made.
08:06But I was absorbed in the story from the middle.
08:09I thought it was interesting.
08:11It's a win.
08:13It's a movie win.
08:14I see.
08:15What made you want to enter this world?
08:19When I was in 8th grade,
08:22I came to Japan in the same year as
08:25The Unknown Encounter and Star Wars.
08:27I see.
08:28I was in 8th grade.
08:29I was in 8th grade.
08:31If I had been shown that kind of movie,
08:34I would have been in 8th grade.
08:37I wanted to be a film maker.
08:40I made a self-published film in 8th grade.
08:43I made a self-published film in 8th grade.
08:46In 8th grade.
08:48The film you made in 8th grade was a VFX film.
08:51It was a VFX film.
08:53How did you make it in 8th grade?
08:56I couldn't synthesize it.
08:59So I hung a spaceship on my waist bag at night.
09:04I brought a camera with me.
09:07I brought a camera with me.
09:10I took a picture of the spaceship.
09:14There is a place called Utsushigara in Matsumoto.
09:17There is a place called Utsushigara in Matsumoto.
09:20We all rode bicycles up the mountain and took pictures there.
09:24That's amazing.
09:25You had a lot of imagination at that time.
09:28You had a lot of imagination at that time.
09:31I read a lot of books.
09:34I read a lot of books.
09:37I read a lot of books.
09:39I read a lot of books.
09:41I did it like that.
09:45After this, he went to Boko, where he raised geniuses.
09:48After this, he went to Boko, where he raised geniuses.
09:51I was determined to go to VFX.
09:53I was determined to go to VFX.
09:55And the director's back face that Sasaki Kuranosuke talked about.
09:58And the director's back face that Sasaki Kuranosuke talked about.
10:00He's a funny guy.
10:01He's a funny guy.
10:03The movie will be released on November 1st at 9pm.
10:07The movie will be released on November 1st at 9pm.
10:12I hope everyone will watch it.
10:16I first met the movie on TV.
10:19I hope everyone will experience it.
10:22I hope everyone will experience it.
10:25Yamazaki Takashi has been engrossed in filming since he was in junior high school.
10:31Yamazaki Takashi has been engrossed in filming since he was in junior high school.
10:35Asagaya, where subculture originates, is where he got his talent.
10:43Director Yamazaki, this is the place, right?
10:46Where?
10:48Boko, Asagaya Arts School.
10:52The director is from the design department of this school.
10:58We have the permission to interview him.
11:02It hasn't changed much, has it?
11:03No, it hasn't.
11:06What a wonderful courtyard!
11:09Did you have a courtyard when you were a director?
11:12It wasn't this big, but we did have a courtyard.
11:17Now, let's go to the place where the director remembers.
11:23What is this place?
11:26This is the girls' room.
11:28Oh, this is the girls' room.
11:30This was a video seminar.
11:35This is how it looks now.
11:40Is it different from the atmosphere at that time?
11:42It's totally different.
11:44At that time, there was only one computer in the school.
11:47That's right.
11:48There was no computer in the school at all.
11:54In the school, there was a person who knew Director Yamazaki.
12:02He was one of the senior students in his school days.
12:05He is now the head of the design department of this school, Kazuhiko Matsuoka.
12:11There is something I want to show you.
12:13What did he bring?
12:16What is this?
12:18I think this is a giant battleship that was used in the graduation production.
12:25The graduation production has a scene where the battleship comes out from here.
12:32Director, what does that mean?
12:37He made a trailer for a fictional sci-fi movie for the graduation production.
12:42This is the fortress of the enemy that appears in the trailer.
12:45It's moving.
12:47According to the story I heard later, he said it was a dark history.
12:55I asked the director who knows Director Yamazaki well.
13:03Hello, I'm Kuranosuke Sasaki.
13:05Director, it's been a long time.
13:06It's been a long time.
13:14Kuranosuke Sasaki, an actor who participated in Yamazaki's work for the first time in Godzilla Minus One.
13:22What kind of person was Director Yamazaki on the scene?
13:26He was a pleasant brother.
13:30I don't know if I can say that to the director.
13:34I'm not nervous at all in front of the director.
13:39I think the scene is very pleasant because it is peaceful and peaceful.
13:50I think this is all the director's personality.
13:54No matter how much Godzilla steps on buildings in Ginza,
14:00the scene is peaceful.
14:05There was one thing that Kuranosuke Sasaki felt the most amazing.
14:11He is directed by writing a book by himself.
14:15When we are doing the dialogue,
14:19Kuranosuke Sasaki says,
14:21I can't do this. I can't do this.
14:24I can't do this. I can't do this.
14:27But that look is very important.
14:31It's not to defeat Godzilla blindly.
14:34It's the most wonderful thing to be able to make it while laughing while pinching that look.
14:40That's what I felt the most.
14:45Director Yamada, I'm sure you're having a lot of fun in the studio right now.
14:51I'd like to see you in front of the director someday.
14:58I don't think so.
15:01I want to see you again.
15:04What do you mean when you say that the director rushes into his audience?
15:10I can see the size of Godzilla.
15:12I don't think it's about defeating Godzilla.
15:17I'm trying to convince myself that I have to be persuasive.
15:24I can't defeat Godzilla normally,
15:26but I have to show that I can defeat Godzilla by force.
15:30That's how I fix it in my head.
15:34So you're putting yourself first when you're editing.
15:37I'm sending a message to Miyai.
15:39That's interesting.
15:41Where is the scene where you had a hard time?
15:44The scene?
15:45It's around the sea.
15:46I mean, the sea.
15:48But it's not above the sea, is it?
15:50It's above the sea.
15:51So I shot the first half of the sea above the sea.
15:53The second half of the sea is all CG.
15:56Where did you get it from?
15:57What do you mean?
15:59The scene where a small ship is running.
16:01I shot it in the real sea.
16:03And the last battle is all CG.
16:08I can handle a big ship.
16:11But it's hard to handle a small ship.
16:13It's a size similar to a human being.
16:16I think there's nothing I can't do with CG.
16:18But I thought it would look like CG.
16:21So I said I wanted to shoot it in real life.
16:23But the producers had a lot of experience with sea monkeys.
16:28So I said,
16:29Mr. Miyai, don't underestimate the sea.
16:31The sea is really hard.
16:32You're good at CG, aren't you?
16:34I can tell you to do it with CG.
16:36I'm going to show you how wonderful it is to shoot in real life.
16:40The real sun, the real waves, the real jewels the ship makes.
16:45I'm going to show you that you can't shoot a movie without CG.
16:49Everyone looked at me coldly.
16:53I said,
16:54I'm going to do it with CG, but...
16:57I thought,
16:58Was my staff so bad-tempered?
17:01Did you feel bad all of a sudden?
17:03I said,
17:04I'm really sorry.
17:05What you said was 100% correct.
17:10Director, script, VFX.
17:13The three geniuses who met at a vocational school when they were young and were jealous of their current careers.
17:24What do you mean by the three jealous people?
17:26It's not a prestigious or prestigious school.
17:28It's a local vocational school.
17:30I was going to take it easy on them.
17:32Then I met a senior at the first school.
17:35There was a senior named Katsuya Terada.
17:37He's a world-class illustrator now.
17:41He's been doing really well since then.
17:43I thought,
17:44There's such a good person in Tokyo.
17:46I thought,
17:47I can't do this direction.
17:49I thought I couldn't do this direction.
17:51I gave up.
17:53Because of Terada?
17:55If a person like this was in a vocational school in the town,
17:58I wondered how good he was.
18:00Since then?
18:01I thought,
18:02I can't do this anymore.
18:04I thought I'd go to modeling.
18:08I thought I'd go to make three-dimensional clothes.
18:10Then,
18:11There was Takaya Takayuki.
18:13He made a prototype of Shin-Godzilla.
18:17He's a world-class illustrator.
18:20There was a really good person.
18:22I thought,
18:23I can't do this, I can't do this.
18:24I thought I'd go to video.
18:26I was in an animation school.
18:29I was in an art animation school.
18:31There was a person who was making a very good animation.
18:34I thought,
18:35I can't do animation.
18:37There was a person who was making a wonderful animation.
18:40It was his wife.
18:42Is that so?
18:43Yes.
18:44I thought,
18:45I can't do animation.
18:47I was determined to go to VFX.
18:53I was a genius driver in both directions.
18:55What did you think?
18:57Was it a shock?
18:58It was a big shock.
19:01But I wanted to go.
19:03I didn't know how to work in VFX.
19:09I was determined to go.
19:11I was surprised.
19:12I felt that the way had been decided.
19:14You were overwhelmed by animation.
19:16Your current wife.
19:17Yes.
19:18How did you get to know her?
19:21She's a talented person.
19:23A talented person?
19:24I like talented people.
19:26You were surprised by her talent.
19:29I was surprised when I saw the animation.
19:31It was like a suspension bridge effect.
19:34I thought,
19:35I might like her.
19:37She was in her teens.
19:39Yes, she was 19, 18, 19.
19:43However,
19:44as soon as she graduated from school,
19:47she said she would study film in the UK.
19:51So she went to study in the UK.
19:53She promised to come back in a year.
19:56She said she would go to the UK.
19:59She didn't want to be a bad influence.
20:03So she said she would come back in a year.
20:05She said she would do her best in a year.
20:08When I went,
20:09I heard that she was in the second year of school.
20:12What?
20:13That's scary.
20:14It's scary.
20:15She said she would go to a language school for the first half of the year.
20:18She said she would come back in the fall.
20:22I was like, what?
20:24You mean after you started dating.
20:26Yes, it was a long distance relationship.
20:29I was excited to hear that she would come back.
20:33She said she had a job.
20:35What?
20:36In London.
20:37In London.
20:38She didn't come back for six years.
20:40What?
20:41That's scary.
20:42What did you feel as a person waiting for her?
20:45It's hard.
20:47I'm glad she waited for six years.
20:49Actually, I got a letter from my wife this time.
20:52What?
20:54I got a letter.
20:55I was looking forward to it.
20:56I heard a good voice.
20:57I got a letter.
20:58Have you ever received a letter?
21:00No, I haven't.
21:01When I was in a long distance relationship,
21:03I received a letter.
21:05Since then?
21:06Since then.
21:07It's been a long time.
21:09Let me read it.
21:11Are you going to cry?
21:13No, no.
21:14I'll read it.
21:16Mr. Takashi Yamazaki.
21:19I met you when I was 19 years old.
21:21When I was 22 years old,
21:23you said OK to go to London.
21:28I learned English and movies in two chapters.
21:32And thank you for being in a long distance relationship for six years.
21:37I became a movie director in London
21:40just to make Takashi Yamazaki envious.
21:45After I came back to Japan,
21:46thank you for accepting my second movie, VFX,
21:49at a low price.
21:52It became a fundamental work
21:54that led to the release of Onmyoji Zero this year.
21:58Thank you for showing up at the front door of my parents' house
22:02on the afternoon of the day my mother died.
22:06I was surprised.
22:08I was relieved because I was late.
22:11Thank you for throwing out the trash when I can't.
22:18Thank you for saying that I don't have to go when I don't want to go.
22:24Thank you for praising me for being great when I throw away the trash.
22:30Thank you for making delicious rice.
22:34Especially when the deadline is approaching,
22:36it really helps.
22:38Thank you for always making me laugh with a silly story.
22:43When a silly story brings love,
22:47you said it with someone's acceptance.
22:51Thank you for always being with me.
22:55Sato Shimako
22:59How do you feel?
23:00I've never been told that,
23:02so I'm a little nervous.
23:05What kind of person is your wife?
23:09She's my best friend.
23:11We've been fighting together for a long time.
23:16She's my best friend.
23:22It's a good atmosphere.
23:24Ethan's face is like a cheerful older brother.
23:29It's good to see him often.
23:32It's a chance to change the environment in Japan.
23:36I have to think about how to make the most of this opportunity.
23:42After this, that artist will appear.