Igra sudbine, Epizoda 1231,Igra sudbine 1232 ,Igra sudbine 1231,Igra sudbine Epizoda 1232, Igra sudbine Epizoda 1231,Epizoda 1232 Igra sudbine ,Epizoda 1231 Igra sudbine
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TVTranscript
00:00What is the story of the mother of the victim?
00:13It's about an accident in which her son was involved.
00:19And?
00:21She is worried about her son.
00:24And she thinks that person is going to hurt him.
00:27And she is sure that he is not guilty.
00:31Ok, and what is the problem?
00:34The problem is in the victim.
00:37The person who could be guilty.
00:40It's about him.
00:45We just need you two.
00:49And we are very happy to see you two here.
00:54There is no end to happiness.
00:57And what are you two talking about?
01:00About some fish.
01:03What fish? You mean girls?
01:06No, no, no. About sharks and barracudas.
01:10Ok, because if you think about girls, I think that Maldives are not the best place.
01:15I smell dust. I don't know how you look.
01:19I look like I'm nervous.
01:21I think I'm drunk.
01:23Why?
01:25Because of the dust.
01:27Now you are teasing me.
01:30What's wrong with you? I can't look at every step.
01:34Wherever I turn, there is dust.
01:36Look, Olga, I have a great solution.
01:38Really? Let me hear it, because I don't have it.
01:41Let Marijana do it. It's her job.
01:43Marijana, can't you see that she doesn't do it properly?
01:45There is a fantastic bakery here.
01:48If you want, I can take you there.
01:50I don't eat burek.
01:52You don't eat burek?
01:54I don't either, but we can switch to tea.
01:58I'm sorry.
02:00I mean, it's ok for me to switch to tea, but I'm sorry about burek.
02:05It doesn't matter.
02:07We still don't know each other.
02:09Ok, explain to me why you chose that job.
02:12I was bored.
02:14You were bored.
02:15I was bored.
02:17How could you be bored with such a job?
02:20I accepted the job as soon as Kuma asked me to help her.
02:24Before she told me to work in the UN.
02:27I don't want to work behind your back, Bokasina.
02:30That's why I came to tell you to work in the UN.
02:33I was present in the conversation between Biljana and Barbara.
02:37Ok, how does that have anything to do with anything?
02:39Barbara is a private detective, you know that yourself.
02:42Ok, and?
02:43Biljana asked Barbara to investigate the woman you hit with a car
02:47because of which you ended up in court.
02:49Even though that woman said she would give up the criminal case.
02:53Are you in the past, or?
02:56Yes.
02:58You know that I was never in the past, I never went back to coffee.
03:03You're not, Bokasina.
03:05You don't have a past.
03:07But maybe that day has turned into something else.
03:11No, no, no.
03:13I got some interesting information, so...
03:18I think you could help me with some of your answers,
03:22so that I can give it back to you.
03:24What is the offer?
03:26I'll be honest with you.
03:28It doesn't matter to me if we come to visit the magazine.
03:31I think that was the original idea of the purchase.
03:34I understand you, but...
03:36No, listen to me.
03:38That magazine is on the shelves, which is ours.
03:40And it's stupid that the magazine is not ours, right?
03:43Listen to me.
03:45No, listen to me.
03:47We are ready to make a special contract
03:50if we buy that magazine, so that the acquisition is complete.
03:53Senka, I understand you completely, but that's also impossible.
03:56You didn't hear the offer to the end.
03:58And I'm not interested.
04:00I completely forgot, I'm sorry.
04:02I have so much work that I'm completely exhausted.
04:04I see.
04:06Just to finish this, then I'll bring it to you, can I?
04:08No, sit down, please.
04:10I want to talk to you right now.
04:13I don't believe you, Juni, period.
04:16But that's stupid.
04:18You have no reason not to believe her.
04:20And even if you don't believe her, you can't do that.
04:23Wait, if I see that she's problematic...
04:25I can't handle this conversation anymore.
04:28I'm really trying, but I can't achieve everything.
04:31Marjana, the windows are not cleaned for a month.
04:34There is so much dust that we practically leave traces behind.
04:37Here, now I took it to clean.
04:38You can't do that.
04:40Who do you think you are?
04:43Do you have a problem or you just can't achieve everything?
04:47I don't know, here, tell me what it is.
04:51Well, what is he like?
04:53Pavle?
04:55Yes.
04:57I can tell you that he's a very nice guy.
04:59He's very cultured.
05:01It's very possible that he's cultured, educated, nice.
05:05But it's obvious that his mother had some bigger problems with him.
05:11Which she had a detective.
05:16Do you want to say that Magica was never a part of the purchase of the contract?
05:21Never.
05:23Yes, then there was obviously a mistake in our case.
05:26Obviously.
05:28I'm the last owner.
05:30Mom, you can't do that.
05:32That's not normal.
05:34It's absolutely normal.
05:36I'm tired of that excuse, really.
05:39Well, when you're not going to tell me anything.
05:41I have to figure it out myself.
05:43I just wanted to make sure you're okay.
05:45Well, I'm good, here, do you see me?
05:47Is something missing?
05:49That woman is suspicious of me.
05:51Suspicious.
05:53Mom, you know her, she has nothing to be suspicious of you.
05:55And everything is suspicious to you.
05:57That's not your thing, you're not interested.
05:59Well, I'm interested.
06:04Do you have a minute?
06:06Of course, sit down.
06:14Tell me.
06:17I give up.
06:20Okay.
06:26I'm sorry, did I bother you?
06:28Not at all.
06:30Hey.
06:32We didn't expect you.
06:34Where are you from?
06:36We have a problem.
06:41Okay.
06:43If it's not a problem, I'd like to know who the buyer is.
06:46Of course it's not a problem.
06:48The buyer is Miki Tambura.
06:59Miki Tambura.
07:30Miki Tambura.
07:32Miki Tambura.
07:34Miki Tambura.
07:36Miki Tambura.
07:38Miki Tambura.
07:40Miki Tambura.
07:42Miki Tambura.
07:44Miki Tambura.
07:46Miki Tambura.
07:48Miki Tambura.
07:50Miki Tambura.
07:52Miki Tambura.
07:54Miki Tambura.
07:56Miki Tambura.
07:57Miki Tambura.
07:59Miki Tambura.
08:01Miki Tambura.
08:03Miki Tambura.
08:05Miki Tambura.
08:07Miki Tambura.
08:09Miki Tambura.
08:11Miki Tambura.
08:13Miki Tambura.
08:15Miki Tambura.
08:17Miki Tambura.
08:19Miki Tambura.
08:21Miki Tambura.
08:23Miki Tambura.
08:25Miki Tambura.
08:27Miki Tambura.
08:29Miki Tambura.
08:31Miki Tambura.
08:33Miki Tambura.
08:35Miki Tambura.
08:37Miki Tambura.
08:39Miki Tambura.
08:41Miki Tambura.
08:43Miki Tambura.
08:45Miki Tambura.
08:47You are my new colleagues.
08:50I know you won't eat burek, but I want to tell you that I am at your disposal
08:54and that I can get you any food you want.
08:58As far as I am concerned, there is really no need, because I bring food from home.
09:02Maria, we pay attention to food.
09:05I pay attention to food, food is the most important thing in life.
09:08Well, we all pay attention, obviously, but in different ways.
09:12Here, for example, you look like you like burek.
09:15Well, yes, burek, yes.
09:17You are not from the army, but there is a difference, of course.
09:20But for me, whose seeds do you like the most?
09:24Whose seeds?
09:26Whose seeds?
09:28Yes, whose is a very healthy and popular snack from Latin America.
09:32Aha, and you both eat that, right?
09:35Yes, but I very often make a salad with salmon, avocado,
09:40and pour it with olive oil.
09:43Cold-pressed.
09:45At least not a donkey with a mule.
09:47I just avoid potatoes, it's not good for the skin.
09:49Aha, so you can eat pomfrets.
09:52No, no, no.
09:54You can eat potatoes.
09:56Potatoes are all right.
09:58Potatoes.
10:00Aha, potatoes.
10:02Yes, it is completely nutritious.
10:04Well, if you want a complete meal, you can make a burger or something like that.
10:09You can, you can, but only if the meat is 100% organic beef,
10:14and to be in that beef patty, yes.
10:17Don't eat white flour, just in case.
10:20No, no, no.
10:21White flour and oats.
10:23Yes, yes.
10:25I don't understand this at all.
10:27I mean, you can eat goat yoghurt with wholemeal rice and 100% organic white meat.
10:33Yes, and helda with broccoli.
10:35Yes, that's great, yes.
10:37I really don't understand this, it's completely strange to me.
10:40It's not a problem.
10:42No, no, we'll teach you.
10:44No, no, no, no, you don't have to teach me.
10:47Here, we'll open the computer.
10:48I'm in a hurry, there are hungry people there.
10:51I'll come later, you can, but I can't right now.
10:56Here, I have salad.
10:58No, no, I don't want salad, I'm not sick.
11:00I'm good, I'm good.
11:02I have to hurry, I'm sorry.
11:04Thank you very much.
11:06Goodbye.
11:18I'm sorry.
11:24How can you refuse, why?
11:26Wait, slowly, slowly, calm down.
11:28I'm sorry, I'm sorry.
11:30We didn't hurt you in any way, did we?
11:33You didn't hurt me, but Olga said I don't work properly.
11:37Well, that's so terrible.
11:40Well, yes, honestly.
11:42Look, I know Olga well.
11:43I know her.
11:45She can be responsible, but I'm sure she didn't have the last word.
11:49But it's not about how she told me, but what she said.
11:52Look, Marijana, Olga and I noticed that the house is not in the best order.
11:58But I know it's not.
12:00Well, okay, if you know what you're doing, then don't try too hard and everything will be okay.
12:03I can't do it because there are a lot of you, do you understand?
12:06When Samuna and Andrija lived here, everything was a mess.
12:09How?
12:11None of us wants everything to be over.
12:15I don't even have a minute of rest, I never sat down, do you understand?
12:19It seems to me that you all think I'm taking the blame.
12:22Well, I'm just a little late.
12:25Anyway, I can't really get up.
12:40Fuck, can I have a day without problems?
12:44What's the problem?
12:46I'll tell you everything if it's not a problem for me to sit down.
12:49Yes, sit down.
12:51And?
12:55Well, I don't want to burden you with new problems.
12:58I know a lot about chaos, but I wouldn't say it's not a serious situation.
13:03Okay, I believe you, but tell me what the problem is.
13:06What's the problem?
13:08The business club is the problem.
13:11Did someone make an incident or what?
13:17The business club has been working in the negative for some time now.
13:20And as time goes by, that negative is getting bigger and bigger.
13:24I mean, I know you probably have that information, but...
13:28Somehow I felt the need to come and talk about it.
13:32Well, let's be open.
13:34We have to talk, right?
13:36Yes.
13:48Miki Tambor is the owner?
13:50Yes. Do you know who he is?
13:53The owner of Fame?
13:55So you know him.
13:57Tell me.
13:59I didn't even know him before this.
14:01And what will Miki Tambor do in that big magazine?
14:04I have no idea. Believe me, I didn't even ask, and I'm not interested.
14:08So the offer was great.
14:11The one that doesn't refuse.
14:13Yes, I agree.
14:19Thank you for the information. Goodbye.
14:22You're welcome.
14:30I'm sorry.
14:37Can you think about it one more time?
14:40Honestly, I have a lot of work to do.
14:43But obviously I don't fit in here.
14:46I don't know if it's my character or how I work.
14:49They brought me here, Una and Andrija.
14:52Maybe I should go now, when they're not here.
14:55Look, Marijana, you have to talk to Luka and Alex about that.
14:58But...
15:00They're the owners here, and I haven't asked them anything for a long time.
15:04I understand.
15:06If I ask you something, I'd tell you not to refuse.
15:11What do you think about postponing that decision until I talk to Luka and Alex?
15:16About what?
15:18Maybe we'll find a solution.
15:21Thank you, that would be wonderful.
15:23That would be wonderful.
15:25Okay, now go make some coffee, get some rest.
15:28No, no, I don't have time, I have to work.
15:31I told you.
15:48You know the best situations in a business club,
15:50so tell us, why is it a minus?
15:53Well, there are more things.
15:55Are there more things? What's the most important thing?
15:58What's the cause of the problem?
16:00Well, for example, the lack of staff, or employees.
16:03And who are we missing?
16:05Everyone.
16:07Everyone is missing.
16:09Well, I mean, I can't manage, I can't manage,
16:12I can't manage finances, I don't even have the knowledge for all that.
16:16I see.
16:17Well, that's justified.
16:19What should we do?
16:21Let's bring in people, what should we do?
16:23Yes, for example, let's bring in someone who understands finance,
16:26to make a financial cut, a cut.
16:28Well, when that problem is solved,
16:31then let's see how that club will work when it's not in a minus.
16:35Okay, I see.
16:37So, thank you, people, and someone for finance.
16:39Yes.
16:41And the offer, I mean, that should definitely be enriched.
16:43Absolutely.
16:44If I could, honestly, I would do it, and I want to do it,
16:47but somehow I have to be more distracted.
16:50I see.
16:52Okay, well, we'll see what we can do.
16:54Thank you for telling us.
16:56And it's clear to you that instant solutions are not good for our business,
17:00so we'll think about it, and we'll call you.
17:02We promise we'll take care of this problem.
17:04Yes.
17:06Well, no, somehow I think you didn't stop me from the business club.
17:08Okay.
17:12See you.
17:14See you.
17:29You can think.
17:31Hey, where are you, Pancic?
17:33Here I am.
17:35And for this coffee?
17:37What kind of a soul does she think of me?
17:39How?
17:41How does she think of me?
17:42Oh, I made you coffee.
17:44And you're going to make me lunch.
17:47He's your most handsome.
17:51What's wrong with you?
17:53They used to invite me to every event in the city,
17:55to beautify, to enlarge,
17:57because I was the most beautiful and the most interesting.
17:59And now everyone is pushing me,
18:01and asking me to meat you, cook you, fry you, cook you.
18:03And I'm not going to do it.
18:05I'm not going to do it.
18:07I'm not going to do it.
18:09I'm not going to do it.
18:10I'm not going to do it.
18:12I'm going to eat, cook, fry, drink and smoke.
18:14You can smoke, I love it.
18:16Well, I'm going to smoke.
18:18Smoke?
18:20Oh man, if you knew,
18:22you would beautify my day.
18:24You beautify my life, you're an ass.
18:26Well, yes.
18:28You're an ass.
18:34Easy there.
18:36Serbs.
18:37Okay, come on, tell me the picture. What happened now?
18:45I thought we wouldn't talk about it. I really wanted to be quiet.
18:49You wanted to be quiet?
18:51Yes. But I can't. I can't.
18:56Then tell me.
18:59Panči, come on, tell me. It has something to do with me.
19:04Vukašin came.
19:07Okay.
19:08He wanted to talk to me. Indiscreetly.
19:13Indirectly?
19:15Yes.
19:20Come on, woman, talk to me, please. Just say it.
19:24Yes.
19:27Vukašin came to ask about...
19:31For...
19:32For?
19:33For your Pavlo. The one who hit you with a car.
20:01Oh.
20:22Come in.
20:25Hello.
20:26Hello.
20:30Sit down, Barbara.
20:38Why did you call me?
20:41You know very well why I called you.
20:46What did I do now?
20:49You're nothing, Barbara.
20:52Nothing.
20:54I'm kidding, Barbara.
20:57I called you to tell you...
21:01I was at Pančeta's and I was talking to her.
21:04And?
21:06A lot of noise and nothing.
21:08Nothing?
21:09Nothing.
21:10Are you sure?
21:11Well, yes.
21:13He was talking to her. She said she didn't have any thoughts about it.
21:19That she had filed a complaint against Pavlo.
21:22So, that's it.
21:24Oh, my heart is broken.
21:27Thank you, Vukašin.
21:28I have to...
21:30I'll call Biljan and tell him to hurry up.
21:33Okay, I'll call him.
21:34Here you go.
21:35I'll call him later.
21:37I have to tell you something.
21:52Wait, why is he asking about Pavlo? I don't understand.
21:56Well, look...
21:58Vukašin...
22:00He was passing by.
22:02He came...
22:03He came purposefully.
22:07What?
22:10Vukašin found out that Pavlo's mother hired a detective to follow you.
22:16He...
22:18He's not with him. Why?
22:22Don't kill the speaker.
22:24I'm sorry.
22:25I'm just passing on the information I found out.
22:28That mother is afraid that you, her son, more precisely Pavlo,
22:32the one who hit you with a car,
22:34are not guilty.
22:38Thank you for offering yourself.
22:40I really wanted to ask you to...
22:44Tell me.
22:46You have to go to court with me
22:48and give a statement once more
22:50that you don't want me to be guilty.
22:54Aha.
22:56I have to go to court
22:59to give an official statement,
23:01in addition to the official statement that I don't want to chase you,
23:04to give an official statement that I don't want to chase you.
23:08Something like that.
23:11Okay.
23:13And what's the end of it?
23:17And what? Just like that?
23:19Do you agree?
23:20Do you want to?
23:23Why wouldn't I agree?
23:27Wait.
23:29Is that the mysterious big problem you came here for?
23:34Actually, it is.
23:35But I really didn't want to chase you after everything you've been through.
23:39Okay, that's true.
23:42I've been walking around a lot these days.
23:45In court.
23:47That divorce, and now this.
23:51Thank you for being so lenient with all this.
23:57You're nice, you know?
23:58I really didn't want to drag you down,
24:01to hurt you, man.
24:04Okay, come on now.
24:06Somehow I'm going to...
24:08go from here to there.
24:13I really appreciate it.
24:15Will you stop thanking me?
24:18Wait a minute, Mr. Pančević.
24:20Did I do everything they asked me to?
24:22Did I go to court?
24:23I did.
24:24Did I give a statement?
24:25I did.
24:26Did I say I wouldn't blame him?
24:28I did.
24:29And what now?
24:30What does he want from me?
24:31I really don't know.
24:33I don't know.
24:34I don't even...
24:35I really don't know what Pavlo's mother wants.
24:38But...
24:40You'll have to clear that up with Pavlo.
24:45And?
24:47What are your future plans?
24:49My future plans?
24:50For starters,
24:52I want to get rid of this weird leg.
24:56What about you?
24:59That's a really hard question for me.
25:01You started with a hard question.
25:03Yes.
25:04Can I call you later,
25:06if and when I have a bigger life plan?
25:09What's bigger than what you already have?
25:11For starters, you have a life.
25:14Yes.
25:15Unlike me.
25:16You see, I really think your life is fulfilled.
25:19How do you know?
25:21How?
25:22You have a child,
25:23you're a PR agent at a big agency,
25:26and what do I have?
25:27I only have my job and nothing else.
25:29Okay, I think you're exaggerating.
25:31You have a family.
25:32You have a mother, you have a sister.
25:33I do, yes.
25:34If you're a lover of possessive parental relationships,
25:37then I'd have a lot to tell you.
25:39You're really exaggerating.
25:40I think there are some nice and interesting sides to that.
25:43I don't believe you're that boring.
25:45I agree.
25:46There's that, too.
25:48You're right.
25:49I'm always right.
25:52Golubica,
25:54my voice actor.
25:57Without you,
25:59I wouldn't be able to live.
26:02Andja, my guardian.
26:06Look, he's here.
26:11What kind of people are you?
26:14Just look at that.
26:28What should I tell them?
26:31Tell them not to spend money on private detectives
26:34for no reason at all.
26:37Vukasin, that's not a problem.
26:38They'll pay us back.
26:39We're family.
26:41Yes.
26:43But look,
26:45he's too protective towards that child.
26:49Is there a reason for that?
26:51I mean, is it because of him,
26:53or is he too protective,
26:55or is he just, you know,
26:57attached to his child?
26:59I don't know.
27:00I don't know.
27:01We haven't seen each other in a long time.
27:03We've never really touched on that topic.
27:07What is it?
27:09What are you doing here?
27:12I don't know what to tell her.
27:14Do you think she could be dangerous for him?
27:17She can't be dangerous, but...
27:22I heard she was married to a powerful man.
27:27Do you think she could hurt my Pavel?
27:32I'm worried about everything.
27:34I'm worried about my son.
27:35Who knows what could happen?
27:37Calm down, calm down.
27:39How can I calm down?
27:41Who knows what danger my son is in?
27:44Easy, man.
27:45You don't have to bring up the wrong conclusions.
27:48What's the matter with you?
27:53Wait, wait.
27:57Best friends,
27:58ex-boyfriends,
27:59and you don't know what you're talking about.
28:01Okay, Vukasin, we live separate lives.
28:03She has two children,
28:04and I don't belong here.
28:06We haven't even touched on her son.
28:08I don't know what to tell you.
28:09Okay, I get it.
28:13It's never been a problem.
28:15I don't know.
28:16I get it, Urena.
28:17I understand.
28:20Okay, so I should call her
28:23so she doesn't have to worry?
28:24Yes, call her.
28:26Okay, I'll call her now.
28:36So, this is basically a printer.
28:40The most important thing is this button here.
28:45You press this button, and it prints.
28:47Do you understand?
28:48You press the button, and it prints.
28:50That's how it works, you know?
28:52And now, when you run out of toner...
28:54Toner...
28:55Oh, I mean paint.
28:56Oh, paint.
28:57Yes, paint.
28:58You know what I mean?
28:59You know what I mean?
29:00You know what I mean?
29:01You know what I mean?
29:02You know what I mean?
29:03You know what I mean?
29:04You know what I mean?
29:05It's paint, the paint you put inside.
29:07When the toner runs out,
29:08and it surely will run out,
29:11you report...
29:12So, it'll tell you.
29:14How?
29:15It's smart.
29:16It'll tell you
29:17that it will extract a piece of paper
29:19which will be shaded with a grey shading.
29:21It's a depth of process.
29:23You know?
29:24So you're saying..
29:25You're saying, it can save stuff here, right?
29:28Yes!
29:29Exactly!
29:30You see?
29:31You see how it goes...
29:33It can save.
29:34You don't panic when he runs out of toner.
29:39You don't go, I hope he doesn't have it.
29:42No, no, no.
29:43You come, you open the door,
29:47you take out the toner,
29:49you fill it up,
29:50you put it back and close the door.
29:52You can do those things, you know?
29:55So I feed him, right?
29:58Yes, like you're feeding him.
30:01Yes, yes.
30:02I mean, you can translate everything I tell you into the language you understand.
30:06You use the terminology that's closest to you.
30:09Then, for example,
30:11if you want to print just a small number of papers,
30:15just a few papers,
30:16you have to tell him that.
30:17How?
30:18Well, not to tell him, brother,
30:20but to explain it to him, you know,
30:22to get him to understand.
30:24Because the printer is smart.
30:26Smart.
30:27He has to know that.
30:28He has to have all the information before he starts working.
30:31Did you understand everything?
30:32Well, yes.
30:33You did?
30:34Well, go ahead, repeat it.
30:35Well, when he's hungry,
30:40and the printer is smart,
30:43he's smart,
30:44and when I have to feed him,
30:46he has to be thirsty.
30:48Because when he's thirsty,
30:50as they say,
30:51thirsty wolves eat sheep.
30:53And then he'll start working,
30:56and I'll be here somewhere.
31:01That absolutely makes no sense,
31:04what you just said.
31:05How does it make no sense?
31:06Everything has to do with food.
31:07How does it make sense?
31:08It doesn't make any sense, Bojan.
31:09Did you listen to anything
31:10that I've been talking to you about
31:12for 45 minutes?
31:13Did you listen to anything?
31:14I did.
31:15I listened to you,
31:16I understood everything.
31:17What did you understand?
31:18You got lost somewhere.
31:19Well, I got lost when you told me
31:21that the printer can save money,
31:22that it's smart.
31:23How can a machine be smart?
31:25God, why are you punishing me like this?
31:27When I burned you,
31:28I went to church every Friday.
31:29Why did I deserve to get this,
31:31after such an organized gala?
31:34Skobile on Magarica.
31:39We have to come up with a plan
31:40for the business club.
31:42First we have to check the account
31:43to see what the minus is.
31:44Then it's easy.
31:45Yeah.
31:47Yes?
31:50We have a serious problem.
31:53Well, where's one problem
31:54that wouldn't have two problems?
31:55There's no problem.
31:56What are you talking about?
31:58Irma was here a while ago
32:00and she told us that the business club
32:03also has a serious problem,
32:05to work in the minus.
32:07Okay.
32:08That is a problem,
32:09but we'll deal with it another time.
32:12This is a serious challenge now.
32:14You're in the magazine, I guess.
32:16Yes.
32:17I was at a meeting with the owner.
32:19And what did you do?
32:21Nothing.
32:23Because the owner of the magazine
32:25is no longer the owner of the magazine.
32:27The owner of the magazine?
32:28How is he not the owner of the magazine?
32:31He sold the magazine.
32:35Dobric, you're not fair at all.
32:37There must be something
32:38I do better than the gala.
32:40No, there isn't.
32:41What do you mean?
32:42There isn't.
32:43For starters, the gala looks like a million dollars.
32:45It looks like a bomb.
32:46And you look like a detonated bomb.
32:49Secondly, the gala doesn't do anything stupid.
32:51And thirdly, the gala can remember
32:53three tasks it has been given,
32:54and not mix them up.
32:55So the gala, in relation to you,
32:57is miles away,
32:58light years away.
33:00Yes, but the gala doesn't know
33:01how to deal with food, for example,
33:03and can't share food
33:05in sectors like I do.
33:06While the gala was here,
33:08I didn't have these hall decorations.
33:10What decorations?
33:11Those are ruins of the dark days,
33:13and that's good for you.
33:14No, that's not good at all.
33:16It's not good at all,
33:17let me tell you.
33:18I want to find a man and a woman.
33:20How can I look like this?
33:21I look like four bats in one.
33:23I'll never find a woman.
33:24I'm going to die alone,
33:26here in the lobby.
33:27Dobrice, look at this.
33:29First of all,
33:30women don't care about physical appearance.
33:32Not at all.
33:33They're interested in the brain.
33:35And what the brain carries.
33:36And secondly,
33:37if you die,
33:38don't worry about anything.
33:39I'll always be there,
33:40next to you,
33:41in the car,
33:42always.
33:43The first thing you said
33:44doesn't make any sense at all.
33:46And the second thing you said
33:47is really comforting.
33:48Thank you very much, colleague.
33:50You're a little nervous today,
33:52and...
33:53negative,
33:54and it's like you're not glad
33:55that I came back to the company.
33:57No, Bojana,
33:58Bojana, I'm glad.
34:00Well, what?
34:01I'm glad.
34:02But for objective reasons,
34:04I'd be happier if Gala was here.
34:07You'd be happier if Gala was here?
34:09Well, yes.
34:10It's like you're not happy
34:12that I'm here.
34:13No, I'm happy.
34:14You're happy.
34:15You're happy.
34:16Well, yes.
34:17I'd just be happier
34:19if Gala was here.
34:21Is there at least something
34:22I'm better at than Gala?
34:23I'm begging you,
34:24think about it.
34:26Something.
34:30There isn't.
34:31I'm sorry,
34:32I'm begging you,
34:33there isn't,
34:34but Gala,
34:35Gala can't compare to you.
34:36Do you understand?
34:37Gala is 500 in your head.
34:39And,
34:40let me give you a piece of advice.
34:41Go ahead.
34:42Maybe you could
34:43look at Gala.
34:45Do you understand?
34:46How can I look at her?
34:48How can I look at her?
34:50Come on,
34:51look at her a little.
34:53Come on.
35:07What are we going to do now?
35:09I'm sorry, Luka,
35:10but that's not all.
35:11What else could happen?
35:13I managed to extract information
35:15about the owner
35:16who is the current owner of the magazine.
35:18The person you know
35:19and you worked with.
35:20Okay,
35:21tell us who it is.
35:22What?
35:23Huh?
35:24Miki Tambura.
35:25Yeah.
35:26So,
35:27that guy
35:29is 100 percent
35:30working for us again.
35:31100 percent.
35:32There can't be anything else.
35:34Okay, Senka,
35:35thank you for
35:36giving us that information
35:38and I'd like to ask you
35:39to stay with Luka
35:40so we can talk.
35:41Of course.
35:45Hi.
35:51Mateo,
35:52are you sure
35:53you're a smart man
35:54and you did it?
35:55What are you doing here?
35:56I don't know what to think,
35:57to be honest.
35:59Miki Tambura.
36:04Hey.
36:05Where have you been, man?
36:07I have to ask you right away.
36:09How's it going with Dobric?
36:11Does he want you to kill him
36:12because I wanted that
36:13every day?
36:14More than once a day.
36:15Is that so?
36:16Yes.
36:17Wait,
36:18what's bothering you the most?
36:19With Dobric?
36:20What?
36:21You're the one
36:22that's bothering me the most.
36:35Really.
36:37She's a strange woman,
36:38you see,
36:39she likes to get involved
36:40and divorce.
36:41There's something suspicious about that.
37:11I'm sorry.
37:35Hey.
37:36Hi.
37:37What are you doing here?
37:39I was waiting for you.
37:41What are you waiting for?
37:45I think we have a problem.
38:01Oh my God.
38:03I mean, it's very interesting.
38:05I wonder how it doesn't happen to me too,
38:07that someone knocks on my door
38:09with a bouquet of flowers.
38:11Do you want flowers?
38:13Here you go.
38:15It's beautiful.
38:31Yes.
38:33It certainly shouldn't happen,
38:35but please don't worry.
38:37Nothing will...
38:39It sounds stupid, but nothing will happen to you.
38:55What happened?
38:57I'm not a whore
38:59to be swept away with me.
39:03I'm not a whore.
39:17Oh, hello, Sofia.
39:19Please, sit down.
39:21What did you call me?
39:33It's open.
39:39It's open.