Igra sudbine, Epizoda 1229,Igra sudbine 1230 ,Igra sudbine 1229,Igra sudbine Epizoda 1230, Igra sudbine Epizoda 1229,Epizoda 1230 Igra sudbine ,Epizoda 1229 Igra sudbine
Category
📺
TVTranscript
00:00The story of a woman who lost her son
00:13It's about a family tragedy in which her son was involved.
00:18And?
00:20She's worried about her son.
00:23And she thinks that person is going to hurt him.
00:27And she's sure that he's not guilty.
00:31Okay, and what's the problem?
00:34Well, the problem is in the victim.
00:37Who could possibly be the culprit.
00:40It's about him.
00:45We just need you two.
00:49And we're so happy to see you two here.
00:54There's no end to happiness.
00:56And what are you two talking about?
00:59About some fish.
01:02What fish? You mean girls?
01:05No, no, no. About sharks and barracudas.
01:09Well, okay, because if you're thinking about girls,
01:12I think that Maldives is not the best place.
01:15I smell powder. I don't know what you think.
01:18It looks like you're nervous.
01:21I'm pretty nervous.
01:23Why?
01:25Because of the powder.
01:27You're making fun of me now.
01:30What's wrong with you? I can't look at every step.
01:33Wherever I turn, there's some powder.
01:35Look, Olga, I have a great solution.
01:38Really? Let me hear it, because I don't have one.
01:40Let Marijana do it. It's her job.
01:42Marijana doesn't do it properly.
01:45There's a fantastic bakery here.
01:49I don't eat burek.
01:51You don't eat burek?
01:53I don't eat burek either.
01:55Well, neither do I, but we can switch to tea.
01:58I'm sorry.
02:00I mean, it's okay for me to switch to tea,
02:03but I'm sorry about the burek.
02:05It doesn't matter.
02:07I mean, we still don't know each other.
02:09Okay, explain to me why you didn't take that job.
02:12I got bored.
02:14I got bored.
02:16How could you get bored with such a job?
02:19I accepted the job,
02:21as soon as Kuma asked me to help her.
02:24Before she told me to work in UNI.
02:27I don't want to work behind your back,
02:29that's why I came to tell you to work in UNI.
02:32I attended a conversation between Biljana and Barbara.
02:36Okay, how does that have anything to do with anything?
02:38Barbara is a private detective, you know that yourself.
02:41Okay, and?
02:43Biljana asked Barbara to investigate the woman
02:45you hit with a car because of whom you ended up in court.
02:48Even though that woman said
02:50she was going to give up the criminal case.
02:52Are you in the past, or...?
02:55Yes.
02:57Mom, you know I've never been in the past,
03:00I've never gone back to coffee.
03:03You're not, Vukasin, you don't exist.
03:06But maybe that day turned into something else.
03:10No, no.
03:13I got some interesting information,
03:16so...
03:18I think you could help me with your answers,
03:22and I'll send it to you.
03:24What's the offer?
03:25I'll be honest with you.
03:27Please.
03:28It wouldn't matter to us if we came to visit the magazine.
03:31I think that was the original idea of the purchase.
03:33I understand you, but...
03:35No, listen to me.
03:37Go ahead.
03:39That magazine is on our plot.
03:41It would be stupid not to find the magazine.
03:44Listen to me.
03:45No, you listen to me.
03:47We're ready to make a special deal
03:50if we buy the magazine so that the acquisition is complete.
03:53Senka, I totally understand you, but that's impossible.
03:56You didn't hear the offer until the end.
03:57And I'm not interested.
03:59I totally forgot, I'm sorry.
04:01I have so much work that I'm completely lost.
04:04I see.
04:05Just to finish this, then I'll bring it to you, okay?
04:07No, no, sit down, please.
04:09I want to talk to you.
04:13I don't believe you, Juni.
04:15That's right.
04:16But that's stupid.
04:17You have no reason not to believe her.
04:19And even if you don't believe her, you can't do that.
04:22Even if I see that she's problematic?
04:25I can't stand these talks anymore.
04:28I'm really trying, but I can't achieve everything.
04:31Marjana, the windows are not cleaned for a month.
04:34There's so much dust that we practically leave traces behind.
04:37I'm trying to clean the windows, but it doesn't work.
04:40What do you think?
04:43Either you have a problem, or you just can't achieve everything.
04:47I don't know.
04:48You tell me what it is.
04:51What is he like?
04:53Pavle?
04:54Yes.
04:55I can tell you that he's a very nice guy.
04:57He's very cultured.
04:59He wants to be educated.
05:01Okay, it's possible that he's cultured, educated, nice.
05:05But it's obvious that his mother had some bigger problems with him,
05:11which she hired a detective for.
05:16Do you want to say that the magazine was never a part of the deal?
05:20Never.
05:23Then, obviously, we made a mistake.
05:26Obviously, I became the owner.
05:29Mom, you can't do that. That's not normal.
05:32Pavle, I'm worried, and that's completely normal.
05:35I'm tired of this conversation, really.
05:38If you're not going to tell me anything, I'll have to find out myself.
05:41All in all, I wanted to make sure that you're okay.
05:43I'm okay, here, do you see me? Is something missing?
05:48That woman is suspicious of me, suspicious.
05:50Mom, you know her, she has nothing to be suspicious of you.
05:54And everything is suspicious to you.
05:56That's not your thing, you're not interested.
05:58Well, I'm interested.
06:03Excuse me, do you have a minute?
06:06Of course, sit down.
06:14Tell me.
06:16I give up.
06:19Okay.
06:25I'm sorry, did I bother you?
06:27Not at all, come in.
06:30Hey, we didn't expect you, where are you from?
06:35We have a problem.
06:41Okay.
06:43If it's not a problem, I'd like to know who the buyer is.
06:46Of course it's not a problem. The buyer is Miki Tambura.
06:59The buyer is Miki Tambura.
07:29The buyer is Miki Tambura.
07:59The buyer is Miki Tambura.
08:01The buyer is Miki Tambura.
08:03The buyer is Miki Tambura.
08:05The buyer is Miki Tambura.
08:07The buyer is Miki Tambura.
08:09The buyer is Miki Tambura.
08:11The buyer is Miki Tambura.
08:13The buyer is Miki Tambura.
08:15The buyer is Miki Tambura.
08:17The buyer is Miki Tambura.
08:19The buyer is Miki Tambura.
08:21The buyer is Miki Tambura.
08:23The buyer is Miki Tambura.
08:25The buyer is Miki Tambura.
08:27The buyer is Miki Tambura.
08:29The buyer is Miki Tambura.
08:31The buyer is Miki Tambura.
08:33The buyer is Miki Tambura.
08:47You are my new colleagues.
08:49I know you won't eat burek, but I'd like to tell you
08:53that I am at your disposal.
08:55I can buy you any food you want.
08:57As far as I am concerned,
08:59there is no need because I bring food from home.
09:01Maria, we pay attention to nutrition.
09:03I pay attention to nutrition.
09:05Nutrition is the most important thing in life.
09:07Well, we all pay attention, obviously,
09:09but in different ways.
09:11Here, for example,
09:13you look like you like burek.
09:15Well, yes, burek, yes.
09:17I mean, you are from the army,
09:19but there is a difference.
09:21Whose seed pudding is your favorite?
09:23Whose seed?
09:25Yes, yes, yes.
09:27Whose seed?
09:29Yes, whose is a very healthy and popular
09:31product from Latin America.
09:33Aha, and you both eat it, right?
09:35Yes.
09:37But I often make a salad with salmon,
09:39avocado,
09:41and pour it over with olive oil.
09:43Cold-squeezed.
09:45At least not a donkey with a blister.
09:47I only avoid potatoes, it's not good for the skin.
09:49Aha, so you can eat pomfret.
09:51No, no, no.
09:53No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
09:55You can eat batat.
09:57Batat is all over the place.
09:59Batat.
10:01Yes, it is nutritious.
10:03Well, if you want a complete meal,
10:05you can eat some potato,
10:07or some bourbon or something like that.
10:09You can, you can, but only if it is
10:11100 percent organic beef
10:13and to be in that
10:15beef mold, yes.
10:17You can't eat white flour by chance.
10:19No, no, no, no.
10:21You can't eat white flour,
10:23I don't understand.
10:25I don't understand at all.
10:27I mean, you can eat goat yoghurt
10:29with wholemeal rice
10:31and 100 percent organic white meat.
10:33And celery with broccoli.
10:35That's great, yes.
10:37I really don't understand anything,
10:39it's completely strange to me.
10:41There is no problem.
10:43No, no, we'll teach you.
10:45You don't have to teach me.
10:47Here, we'll open the computer.
10:49There are hungry people there.
10:51I'll come later, you can,
10:53but I can't right now.
10:57No, no, I'm not sick.
10:59I'm good, I'm good.
11:01I have to hurry, I'm sorry.
11:03Thank you very much.
11:05Goodbye.
11:15VOLTAGE
11:17VOLTAGE
11:19VOLTAGE
11:21VOLTAGE
11:23How do you give up?
11:25Wait, calm down.
11:27I'm sorry, I'm sorry.
11:29Are we doing anything to you?
11:31What?
11:33You didn't hurt me,
11:35but Olga said I don't work properly.
11:37Well, that's so terrible.
11:39Well, yes, honestly.
11:41Look, I know Olga well.
11:43She can be stubborn,
11:45but I'm sure she didn't have
11:47any ulterior motives.
11:49But that's not how she told me,
11:51but what she said.
11:53Look, Marijana,
11:55Olga and I noticed
11:57that the house is not in the best order.
11:59But I know it's not.
12:01Well, okay, if you know,
12:03then don't try too hard,
12:05and everything will be okay.
12:07I can't reach it,
12:09because there are a lot of you,
12:11and none of us wants everything
12:13to be over.
12:15I don't even have a minute of rest,
12:17I never sat down, do you understand?
12:19As soon as you hang up,
12:21you think I'm taking the blame.
12:23Well, I have work to do.
12:25Anyway,
12:27I can't reach it.
12:41Fuck, maybe one day without problems.
12:43Okay, what's the problem?
12:45I'll tell you everything,
12:47if it's not a problem to sit down.
12:49Yes, yes, sit down.
12:51And?
12:55Well, I don't want to burden you
12:57with new problems,
12:59I know a lot about chaos,
13:01but I wouldn't say it's not a serious situation.
13:03Okay, I believe you,
13:05but tell me what the problem is.
13:07Business club is the problem.
13:11Did someone make an incident?
13:13Or what's the matter?
13:17Business club has been working for a while
13:19as a minus,
13:21and as time goes by,
13:23that minus is getting bigger.
13:25I know you probably have
13:27that information,
13:29but somehow I felt the need
13:31to come and talk about it.
13:33Well, let's be open.
13:35We have to talk about it, right?
13:37Yes.
13:41Let's go.
13:49Miki Tambor is the owner?
13:51Yes. Do you know who he is?
13:53The owner of Fame?
13:55So you know him?
13:57From the story?
13:59I didn't know him before this.
14:01And what is Miki Tambor
14:03going to do in that big magazine?
14:05I have no idea, believe me,
14:07I didn't even ask,
14:09so the offer was big.
14:11The one that doesn't refuse?
14:13Yes.
14:15That's all.
14:19Thank you for the information.
14:21Goodbye.
14:23You're welcome.
14:37Can you think about it again?
14:39Honestly,
14:41I need a job.
14:43But obviously,
14:45I don't fit in here.
14:47I don't know if it's my character
14:49or the way I work.
14:51They brought me here,
14:53and I know they're not here.
14:55Look, Marijana,
14:57you have to talk to Luka and Aleks.
14:59But...
15:01They're the owners here,
15:03and I haven't asked anything for a long time.
15:05I understand.
15:07If I ask you something,
15:09I'd tell you not to refuse.
15:13What do you think about
15:15postponing the decision
15:17until I talk to Luka and Aleks?
15:19About what?
15:23That would be wonderful.
15:25Okay. Now make me some coffee
15:27so I can get some rest.
15:29No, I don't have time.
15:31I have to work.
15:47You know the best
15:49is in the business club,
15:51so tell us why it's a minus.
15:53There are more things.
15:55Are there more things?
15:57What's the most important thing?
15:59What's the cause of the problem?
16:01For example, the lack of staff.
16:03Who are we missing?
16:05All of us.
16:07All of us.
16:09I mean, I can't manage,
16:11I can't pay,
16:13I don't understand finance,
16:15I don't even have the knowledge.
16:17It's justified,
16:19but what can we do?
16:21Bring people.
16:23Yes, for example,
16:25bring someone who understands finance
16:27to make a financial cut.
16:29When that problem is solved,
16:31then we'll see how that club will work
16:33when it's not in the minus.
16:35Okay, I see.
16:37Thank you, people,
16:39and someone for finance.
16:41And the offer?
16:43I think it should be enriched.
16:45I want to do it,
16:47but somehow I have to be distracted.
16:49I see.
16:51Okay, we'll see what we can do.
16:53Thank you for telling us.
16:55And it's clear to you
16:57that instant solutions are not good for our job.
16:59So we'll think about it,
17:01and we'll call you.
17:03We promise we'll take care of this problem.
17:05I think it's up to the business club.
17:09See you.
17:11Oh, man.
17:27You can go.
17:29Hey, where are you, Pancica?
17:31Here I am.
17:33Here's the coffee.
17:35What a soul,
17:37what a heart.
17:39Coffee, coffee, coffee.
17:41She's thinking of me.
17:43Oh, I made you coffee.
17:47You're going to make me lunch.
17:51It's your favorite.
17:55What's wrong with you?
17:57They used to invite me
17:59to every event in the city
18:01to make me prettier, bigger,
18:03because I was the prettiest
18:05and the most interesting.
18:07And now you're asking me
18:09to cook for you,
18:11fry you, fuck you and fuck you.
18:13You can fuck me.
18:15I like it.
18:17I'll fuck you.
18:19Oh, man.
18:21If you only knew.
18:23You're not just making me prettier.
18:25You're making my life prettier.
18:27Well, yeah.
18:29Well, yeah.
18:35Easy there.
18:37Serbs.
18:39All right.
18:41Come on, say it.
18:43What happened now?
18:45I thought we wouldn't talk about it.
18:47I really wanted to shut up.
18:49You wanted to shut up.
18:51Yes.
18:53And I can't.
18:55I can't.
18:57All right.
18:59Panči.
19:01Come on, say it.
19:03It has something to do with me.
19:05Vukašin came.
19:07All right.
19:09He wanted to talk to me.
19:11Indiscreetly.
19:13Indirectly?
19:15Yes.
19:17Well...
19:21Come on, woman.
19:23Say it.
19:25All right.
19:27Vukašin came
19:29to ask about...
19:31Yes?
19:33About your Pavel.
19:35The one who hit you with a car.
19:55All right.
19:57All right.
20:23Come in.
20:25Hello.
20:27Hello.
20:29Sit down.
20:37Why did you call me?
20:41You know very well
20:43why I called you.
20:45What did I do now?
20:49You are nothing.
20:51Nothing.
20:53I'm kidding.
20:55I called you
20:57to tell you
20:59I was at Pančeta's
21:01and I was talking to her.
21:03And?
21:05A lot of noise.
21:07Nothing?
21:09Nothing.
21:11Are you sure?
21:13Well, yes.
21:15He talked to her.
21:17She said she had no idea
21:19that she was filing a complaint
21:21about Pavel, so...
21:23That's it.
21:25My heart is broken.
21:27Thank you, Vukašin.
21:29I have to...
21:31I have to go.
21:33I'll call you.
21:35I have to go.
21:37Call me later.
21:51Wait.
21:53Why is he asking about Pavel?
21:55I don't understand.
21:57Well, Vukašin
21:59was passing by.
22:01He came
22:03purposefully.
22:05He came on purpose.
22:07All right. What?
22:09Vukašin found out
22:11that Pavel's mother
22:13hired a detective
22:15to follow you.
22:17What?
22:19That's not true. Why?
22:21Don't kill the speaker.
22:23I'm sorry.
22:25I'm just passing on the information
22:27I found out.
22:29I think that mother is afraid
22:31that you, her son,
22:33more precisely Pavel,
22:35don't do anything wrong.
22:37Thank you for offering yourself.
22:39I really wanted
22:41to ask you to...
22:43Tell me.
22:45You have to go to court with me
22:47and give an official statement
22:49that you don't want to
22:51harass me.
22:53Aha.
22:55I have to go to court
22:57and give an official statement
22:59besides the official statement
23:01that I don't want to harass you
23:03and an official statement
23:05that I don't want to harass you.
23:07Something like that.
23:09All right.
23:11Let's finish this.
23:13What's there to finish?
23:17What? Just like that?
23:19Do you agree?
23:21Do you want to?
23:23Why wouldn't I agree?
23:27Wait.
23:29Is this that mysterious
23:31big problem you came here for?
23:33Actually, yes.
23:35But I really didn't want to harass you
23:37after everything you've been through.
23:39All right. That's true.
23:41I've been walking around a lot
23:43lately.
23:45I've been going to court.
23:47I've been divorced and now this.
23:51Thank you for
23:53looking at all this so lightly.
23:57You're nice, you know?
23:59I really didn't want to
24:01drag you into this.
24:03You're hurt, man.
24:05All right.
24:07I'm going to
24:09the bathroom.
24:15Stop thanking me.
24:19Wait a minute.
24:21Did I do everything they asked?
24:23Did I go to court?
24:25Did I give a statement?
24:27Did I say I wouldn't harass him?
24:29And now what?
24:31What does he want from me?
24:33I really don't know.
24:35I don't even know
24:37what Pavlo's mother wants.
24:39But you'll have to
24:41clear that up
24:43with Pavlo.
24:45So?
24:47What are your future plans?
24:49For life?
24:51For starters,
24:53to get rid of this weird leg.
24:55What about you?
24:59That's a really hard question for me.
25:01You started with a hard question.
25:03Yes.
25:05I'll think about it later,
25:07if and when I have bigger plans.
25:09Do you already have bigger plans?
25:11For starters, you have a life.
25:13Yes.
25:15Unlike me.
25:17I really think your life is fulfilled.
25:19How is that?
25:21How?
25:23You have a child,
25:25you're a PR in a big agency.
25:27What do I have?
25:29I only have my job and nothing else.
25:31I think you're exaggerating.
25:33I do, yes.
25:35If you're a lover of possessive parental relationships,
25:37then I'd have a lot to tell you.
25:39You're exaggerating, really.
25:41I think there are some nice and interesting sides to that.
25:43It's not like I'm that boring.
25:45I agree.
25:47You're right.
25:49I'm always right.
25:53My dove.
25:55My voice actor.
25:57No, definitely.
25:59I couldn't live without you, mom.
26:01My guardian angel.
26:05There he is.
26:11He's so angry.
26:13I can see that.
26:27Should I call now?
26:29Why?
26:31I don't want him to spend his money
26:33on private detectives
26:35for no reason.
26:37Vukasin, it's not a problem.
26:39He'll pay us back.
26:41We're his family.
26:43Yes.
26:45He's too protective
26:47towards that detective.
26:49Is there a reason for that?
26:51Is it because of him?
26:53Or is he too protective?
26:55Or is he just
26:57too attached to his work?
26:59I don't know.
27:01We haven't seen each other for a long time.
27:03We haven't even touched on that topic.
27:07What is it?
27:09What's going on?
27:11I don't know.
27:13I'll turn it off.
27:15Do you think she can be dangerous for him?
27:17She can't be dangerous, but...
27:21I heard
27:23that she was hired
27:25by a man.
27:27Do you think she can hurt my Pavel?
27:31I'm so worried.
27:33My poor son.
27:35Who knows what's going to happen.
27:37Calm down.
27:39How can I calm down?
27:41My son is in danger.
27:45Calm down.
27:47You shouldn't make such conclusions.
27:49Calm down.
27:53Wait.
27:57She's my best friend.
27:59You don't know what's going on.
28:01We live separate lives.
28:03She has two children.
28:05She doesn't care about me.
28:07We haven't even touched on her son.
28:09I know.
28:13It's never been a problem.
28:15I know.
28:17Do you understand?
28:19Okay.
28:21I'll call her.
28:23She doesn't have to worry.
28:25Call her.
28:27I'll call her now.
28:29So...
28:45This is basically about the printer.
28:49The most important thing is
28:51this button here.
28:53You press this button
28:55and it prints.
28:57You press this button and it prints.
28:59That's how it works.
29:01When you run out of toner...
29:03I mean paint.
29:05When you run out of paint...
29:07I'm sure you'll run out of paint.
29:11He'll tell you.
29:13How?
29:15He's smart.
29:17He'll tell you by printing
29:19a sheet of paper with a gray shadow.
29:21It's like a saving measure.
29:23Do you want to say
29:25that he can save money?
29:27Yes.
29:29You see?
29:31He can save money.
29:35When you run out of toner
29:37you can't panic.
29:39You can't say,
29:41there's no toner.
29:43No.
29:45You come in,
29:47open the door,
29:49take out the toner,
29:51and close the door.
29:53You can do that.
29:55You get it?
29:57So I have to feed him, right?
29:59Yes.
30:01As if you're feeding him.
30:03Everything I'm telling you
30:05translates to the language you understand.
30:07You use the terminology
30:09that's closest to you.
30:11For example,
30:13if you want to print
30:15a small amount of paper,
30:17you have to tell him.
30:19You don't have to tell him,
30:21but explain it to him.
30:23So he understands.
30:25The printer is smart.
30:27He has to have all the information
30:29before he starts working.
30:31Do you understand?
30:33Yes?
30:35Go ahead.
30:37When he's hungry,
30:39and the printer
30:41is smart,
30:43I have to feed him.
30:45He has to be satisfied.
30:47When he's satisfied,
30:49he's satisfied.
30:51He's satisfied.
30:53He's satisfied.
30:55He's satisfied.
30:57He's satisfied.
31:01That absolutely
31:03doesn't make any sense.
31:05If it doesn't make sense
31:07to feed him,
31:09then why would I say anything?
31:11Do you hear me?
31:13I've been standing here for 45 minutes.
31:15I heard you. I understood everything.
31:17What did you understand?
31:19You got lost somewhere.
31:21I got lost when you told me
31:23that the printer is smart.
31:25God, why are you punishing me?
31:27When I fired you,
31:29I went out every Friday.
31:31Why did I deserve to get this
31:33after such an organized gala?
31:35Skobyla to Magarica.
31:39We have to come up with a plan
31:41for the business club.
31:43Let's see how bad it is.
31:45Then it'll be easy.
31:47Yes?
31:49We have a serious problem.
31:53Where's the problem?
31:55There's no problem.
31:57What are you talking about?
31:59Irma was here a while ago
32:01and she told us
32:03that the business club
32:05also has a serious problem.
32:07It's a problem,
32:09but we'll deal with it another time.
32:11I'm sorry.
32:13This is serious.
32:15Is it about the magazine?
32:17Yes.
32:19I was at a meeting with the owner.
32:21What did you do?
32:23Nothing.
32:25The owner of the magazine
32:27is no longer the owner of the magazine.
32:29The owner of the magazine?
32:31How is he not the owner of the magazine?
32:33He sold the magazine.
32:35You're not fair at all.
32:37There must be something
32:39about Gala.
32:41No, there isn't.
32:43Gala looks like a million dollars.
32:45It looks like a bomb.
32:47You look like a detonated bomb.
32:49Second, Gala doesn't do anything stupid.
32:51Third, Gala can remember
32:53three tasks she gets
32:55and doesn't mess them up.
32:57Gala is miles away from you.
32:59Light years away.
33:01Doesn't Gala know
33:03she's dealing with food
33:05and can't share it?
33:07Gala was here.
33:09I didn't have time
33:11to go through the rooms.
33:13What rooms?
33:15It's good for you.
33:17It's not good at all.
33:19I want to find a girl.
33:21How can I look like
33:23four bats at once?
33:25I'll never find a girl.
33:27I'll die here in the lobby.
33:29Look.
33:31Girls don't care about physical appearance.
33:33They don't care at all.
33:35If you die,
33:37don't worry.
33:39I'll always be here
33:41by your side.
33:43What you said
33:45doesn't make any sense.
33:47What you said is very comforting.
33:49Thank you very much, colleague.
33:51You're nervous today.
33:53You're negative.
33:55It's like you're not glad
33:57I'm back here.
33:59I'm glad.
34:01I'm glad.
34:03But objectively,
34:05I'd prefer Gala to be here.
34:07You'd prefer Gala to be here?
34:09Yes.
34:11It's like you're not glad
34:13I'm back here.
34:15No, I'm glad.
34:17I'd be happier
34:19if Gala was here.
34:21Is there anything
34:23I like more than Gala?
34:25Please, think.
34:29There isn't.
34:31I'm sorry,
34:33but Gala can't
34:35compare to you.
34:37Gala represents you.
34:39Let me give you a piece of advice.
34:41Tell me.
34:43Could you look at Gala?
34:45Look at her?
34:47How can I look at her?
34:49Just a little.
34:51Just a little.
34:53Come on.
35:01What are we going to do now?
35:03I'm sorry, Luka,
35:05but that's not all.
35:07What else could happen?
35:09I managed to get information
35:11from the former owner
35:13who is the current owner of the magazine.
35:15The person you know
35:17and work with.
35:19Okay, tell us who he is.
35:21What?
35:23Miki Tamura.
35:25So that guy
35:27is 100%
35:29working for us again.
35:31100%.
35:33That's it.
35:35Thank you for the information.
35:37I'd like to ask you
35:39to stay with Luka.
35:41Of course.
35:51Don't you doubt it?
35:53You're a smart guy.
35:55What are we doing here?
35:57I don't know.
35:59Miki Tamura.
36:05Where are you, man?
36:07I have to ask you.
36:09How is it to work with Dobric?
36:11Do you want to kill him?
36:13I wanted to kill him every day.
36:15More than once a day.
36:17What annoys you the most?
36:19Dobric?
36:21You annoy me the most.
36:27You're right.
36:35Really?
36:37She's a strange woman.
36:39She likes to pretend.
36:41And cheat.
36:43There's something suspicious about her.
37:34Hi.
37:35Hello.
37:36You're not sleeping?
37:38I was waiting for you.
37:43Why didn't you wait for us?
37:45I think we have a problem.
37:57God, Pančić.
37:59I mean, it's very interesting.
38:01I wonder how it doesn't happen to me
38:03that someone knocks on my door
38:05with a bouquet of flowers.
38:07You want flowers? Here you go,
38:09so you can wear them.
38:11It's nice.
38:13God bless you.
38:28Yes.
38:30It certainly shouldn't happen,
38:32but please don't worry.
38:34Nothing will...
38:36I mean, it sounds stupid,
38:38but nothing will happen to you.
38:54What happened?
38:56What happened?
38:58I'm not a dog
39:00to be swept away with me.
39:17Oh, hello, Sofia.
39:19Have a seat.
39:22Why did you call me?
39:26I don't know.
39:40Open up.
39:56You