Igra sudbine, Epizoda 1230,Igra sudbine 1230 ,Igra sudbine 1231,Igra sudbine Epizoda 1230, Igra sudbine Epizoda 1231,Epizoda 1230 Igra sudbine ,Epizoda 1231 Igra sudbine
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TVTranscript
00:00You're welcome.
00:14Oh, woman, speak, please.
00:16Just say it, on your lips or on your elbow.
00:18Yes.
00:21Vukasin came to ask about...
00:25For?
00:26For your Pavle.
00:28The one who hit you with a car.
00:34Look, Marjana, Olga and I noticed that the house is not in the best order.
00:40But I know it's not.
00:42Well, if you know what you're doing, then don't try too hard and everything will be okay.
00:45I can do it because there are a lot of you, you know?
00:48Well...
00:49When Samuna and Andrija lived here, everything was in such a mess.
00:53None of us wants everything to be over.
00:57I don't even have a minute of rest, I never sat down, do you understand?
01:00As soon as you all think I'm taking the blame...
01:04Well, I have work to do.
01:07Anyway, I really can't get there.
01:11What's the matter? What's the problem?
01:14The business club is the problem.
01:18Did someone make an accident or what happened?
01:23The business club has been working in the negative for a while now.
01:26And as time goes by, that negative is getting bigger and bigger.
01:30I know you probably have that information, but...
01:34Somehow I felt the need to come and talk about it.
01:39I forgot to tell you...
01:42I was at Panchetta's and talked to her.
01:45And?
01:47A lot of noise and nothing.
01:50Nothing?
01:51Are you sure?
01:52Well, yes.
01:54She talked to Una.
01:56She said she didn't have any thoughts about...
02:00...to file a complaint against Pavlo.
02:03So, that's it.
02:06I can't believe it, my heart is broken.
02:09What is it?
02:10Una...
02:12Vukasin found out that...
02:14...Pavlo's mother hired a detective to follow you.
02:17He...
02:19What is it? He's not even with himself.
02:21Why?
02:22You can correct those actions.
02:24Are you crazy?
02:25I don't know.
02:26To feed him, right?
02:28Yes.
02:29As if you're feeding him.
02:31As if I'm feeding him?
02:32Yes.
02:33You can translate everything I'm telling you into the language you understand.
02:36You can use the terminology that suits you.
02:39Well, look...
02:40She's too protective towards that detective.
02:45There's a...
02:46Is there a reason why she's too protective towards him?
02:51Or is she just...
02:53...attached to her child?
02:55I don't know.
02:56We haven't seen each other for a long time.
02:58We haven't even touched on that topic.
03:01Miki Tambure is the owner?
03:03Yes.
03:04Do you know who he is?
03:06The owner of Fame?
03:08So, you know him?
03:10Of course.
03:11I didn't even know him before this.
03:15What is Miki Tambure going to do with all those magazines?
03:18I don't know.
03:19I haven't even asked around.
03:20I'm not interested.
03:22So, the offer was big.
03:24The one that doesn't refuse?
03:27Yes.
03:28I guess.
03:29You know the best situations in a business club.
03:32So, tell us.
03:33Why are you down?
03:35Well, there are more things.
03:37There are more things?
03:38What's the most important?
03:39What's the cause of the problem?
03:42For example, the lack of staff.
03:44I mean, employees.
03:46Who are we missing?
03:48All of them.
03:49All of them?
03:50Well, I mean, I can't manage,
03:53I can't manage the finances.
03:56I really don't have the knowledge for all that.
03:58Yes, well, that's justified.
04:01What should I do?
04:02Don't kill the speaker.
04:04I'm sorry.
04:05I'm just passing on the information that I found out.
04:08That mother is afraid that you, her son,
04:11more precisely, Pavle, the one who hit you with a car,
04:14don't pursue him criminally.
04:17Wait, wait, wait.
04:18I did everything they asked me to do.
04:20Did I go to court?
04:21Yes.
04:22Did I give a statement?
04:23Yes.
04:24Did I say that I won't pursue him criminally?
04:26Yes.
04:27And what now?
04:28What does he want from me?
04:29Well, I really don't know.
04:31I don't know.
04:32It's not clear to me what Pavle's mother wants.
04:36But you'll have to clear that up with Pavle.
04:42And what are we going to do now?
04:44I'm sorry, Luka, but that's not all.
04:46What else could happen?
04:48I managed to extract information from the former owner,
04:51who is now the owner of the magazine.
04:53That's the person you know and work with.
04:56Okay, come on, tell us who it is.
04:58What?
04:59Miki Tambura.
05:01What are you?
05:05100% he's working for us again.
05:07100%.
05:08There can't be anything else.
05:35I'm sorry.
05:36I'm sorry.
05:37I'm sorry.
05:38I'm sorry.
05:39I'm sorry.
05:40I'm sorry.
05:41I'm sorry.
05:42I'm sorry.
05:43I'm sorry.
05:44I'm sorry.
05:45I'm sorry.
05:46I'm sorry.
05:47I'm sorry.
05:48I'm sorry.
05:49I'm sorry.
05:50I'm sorry.
05:51I'm sorry.
05:52I'm sorry.
05:53I'm sorry.
05:54I'm sorry.
05:55I'm sorry.
05:56I'm sorry.
05:57I'm sorry.
05:58I'm sorry.
05:59I'm sorry.
06:00I'm sorry.
06:01I'm sorry.
06:02I'm sorry.
06:03I'm sorry.
06:04I'm sorry.
06:05I'm sorry.
06:06I'm sorry.
06:07I'm sorry.
06:08I'm sorry.
06:09I'm sorry.
06:10I'm sorry.
06:11I'm sorry.
06:12I'm sorry.
06:13I'm sorry.
06:14I'm sorry.
06:15I'm sorry.
06:16I'm sorry.
06:17I'm sorry.
06:18I'm sorry.
06:19I'm sorry.
06:20I'm sorry.
06:21I'm sorry.
06:22I'm sorry.
06:23I'm sorry.
06:24I'm sorry.
06:25I'm sorry.
06:26I'm sorry.
06:27I'm sorry.
06:28I'm sorry.
06:29I'm sorry.
06:30I'm sorry.
06:31I'm sorry.
06:32I'm sorry.
06:33I'm sorry.
06:34I'm sorry.
06:35I'm sorry.
06:36I'm sorry.
06:37I'm sorry.
06:38I'm sorry.
06:39I'm sorry.
06:40I'm sorry.
06:41I'm sorry.
06:42I'm sorry.
06:43I'm sorry.
06:44I'm sorry.
06:45I'm sorry.
06:46I'm sorry.
06:47I'm sorry.
06:48I'm sorry.
06:49I'm sorry.
06:50I'm sorry.
06:51I'm sorry.
06:52I'm sorry.
06:53I'm sorry.
06:54I'm sorry.
06:55I'm sorry.
06:56I'm sorry.
06:57I'm sorry.
06:58I'm sorry.
06:59I'm sorry.
07:00I'm sorry.
07:01I'm sorry.
07:02I'm sorry.
07:03I'm sorry.
07:04I'm sorry.
07:05I'm sorry.
07:06I'm sorry.
07:07I'm sorry.
07:08Hey, ladies!
07:08Oh, look who's here!
07:12Jessy!
07:14Jessy Bojana!
07:16Look at you!
07:18I guess I missed you.
07:20And you missed me, too.
07:22Of course.
07:24Come on, sit here.
07:26I'll go get you a coffee.
07:28Come on, come on.
07:30Thank you, thank you.
07:34Jessy!
07:36I have to ask you something.
07:38How is it to work with Dobrica?
07:40Do you want to kill him?
07:42Because I wanted to kill him every day.
07:44More than once a day.
07:46Why does he annoy you the most?
07:48Dobrica?
07:50You annoy me the most.
07:52Why me?
07:54Not you, like you.
07:56He keeps talking about how you were better in this,
07:58better in that.
08:00So I came to ask you
08:02to give me some advice.
08:04How can he stop talking about me?
08:06No, no.
08:08How could I
08:10be a little more
08:12like you?
08:14Oh, that?
08:16Bojana, I'm sorry,
08:18but I can't help you with that.
08:20Well, yes.
08:22You're a fool.
08:24Whatever you try,
08:26you'll never be like me.
08:28I mean, not you, but anyone.
08:30Really.
08:32Well, yes.
08:34I have to ask you that.
08:36Don't bother.
08:38I have to go.
08:40I'm working.
08:42We'll talk later.
08:44Come on.
08:46Bye.
08:48Bye.
08:52Where are you going?
08:54To get some cookies.
08:56It's like I'm drunk.
08:58Are you sure?
09:00See you later.
09:02Bye.
09:04Okay.
09:08Let's go home.
09:10It's not that hard.
09:26They're fantastic.
09:28I can't scream like that.
09:32Let's take them to the corner
09:34so God can see me.
09:42What do my punk eyes
09:44see?
09:46You're a punk.
09:48Why didn't you
09:50tell me you were coming?
09:52Because we have to talk
09:54about something important
09:56and if it bothers you,
09:58I was afraid you'd tell me.
10:00It won't bother anyone.
10:02I'm counting on you.
10:04Okay.
10:06You know,
10:08why are you...
10:10Why are you glaring at me?
10:12Do you want to drink something?
10:14I don't know.
10:16Give me some whiskey.
10:18I don't want whiskey.
10:20Give me some beer.
10:22You're not for the better.
10:24Give me some whiskey.
10:30Whiskey.
10:32Beer.
10:34Why are you glaring at me?
10:36You see, when you run
10:38a big corporation,
10:40there are always problems and challenges.
10:42You're talking to me.
10:44You can talk to me
10:46about my challenges and problems
10:48in my corporation in Maldives.
10:50You know everything.
10:52I don't know what you're talking about.
10:56Are you here to talk?
10:58We're here to talk.
11:00You're here to talk.
11:02Then I can jump to the magazine.
11:04And you...
11:06We'll talk.
11:08You take care of my corporation.
11:10Can you do that?
11:12I will.
11:16Is it good?
11:22Cheers.
11:48Thank you for coming.
11:50You're welcome.
11:54Would you like some coffee?
11:56No, thank you.
11:58I don't drink coffee anymore.
12:00Okay.
12:02At least have this.
12:06I have news for you.
12:08Oh, Pavla,
12:10what a coincidence.
12:12I hope it's not bad news.
12:14It's not bad news.
12:16That story is obviously over.
12:18What do you mean?
12:20Well, she was at court
12:22and she said she won't
12:24sue you, Pavla.
12:26That's good.
12:28So there will be no trial,
12:30no suing, no suing.
12:32Actually,
12:34that case doesn't exist anymore.
12:36So everything ended in the best possible order
12:38for you.
12:40So everything will be as it should be.
12:42It will.
12:44We have to celebrate that.
12:46Cheers.
12:52Cheers.
13:02You can go now.
13:06We have to celebrate.
13:08Yes.
13:10See?
13:16Cheers.
13:18To Pavla.
13:20To Pavla, of course.
13:24But...
13:28Do you know
13:30what kind of woman
13:32Hristic is?
13:34I don't know any details about her.
13:36I know she was engaged to Luka Kanačko.
13:38He has a son with him.
13:40They divorced.
13:42And then she got engaged to Andrija Bošnjak.
13:44Really?
13:46She's a strange woman.
13:48She likes to get involved.
13:50And divorce.
13:52There's something
13:54suspicious about it.
13:56There's nothing to be suspicious about.
13:58Relax.
14:00This story is over.
14:02And there's still something
14:04vague about it.
14:06Gabriela.
14:10Hey, Barbara.
14:14Andrija Bošnjak
14:17Gabriela Bošnjak
14:19Gabriela Bošnjak
14:21Gabriela Bošnjak
14:23Gabriela Bošnjak
14:25I was looking for you for a while
14:27and now you're here.
14:29This is a lot.
14:31You have a good saying.
14:33I've read it somewhere.
14:35What about the business club?
14:37We have to do something.
14:39We have to, we know, but...
14:41But you think there's enough time for that?
14:43I think the business club can wait a few more days.
14:46Magazine is a priority for us.
14:50What do you mean?
14:52I think Miki Tambura bought the magazine on purpose
14:55so you can't slip away.
14:58Who can know that?
14:59No, no one can know.
15:00But it's just that guy.
15:02He must have done it.
15:05That's why we have to find out everything.
15:07Let's go.
15:11I hope he didn't do it on purpose
15:14and now he's coming for us.
15:17You know what?
15:20Let him come.
15:23We're waiting for him.
15:25We're here and we're stronger.
16:07Hello?
16:17Hello?
16:19Hello.
16:20Hi, Pavle.
16:22I need to talk to you.
16:23I haven't seen Gabi Podkata in a hundred years.
16:38How are you? What's up?
16:40Nothing.
16:41I always tell you the same thing.
16:43Nothing special.
16:44What about you?
16:45Nothing at all.
16:46Just work.
16:47All the time.
16:48Those boring things.
16:49Sit with us.
16:50Let's talk.
16:51Come on, I'm tired.
16:53I still have some things to do.
16:55Come on.
16:56Come on, sit down.
16:57You'll tell me what you have time for.
16:59Come on.
17:00Actually, my son is participating in Pavle's funeral.
17:04There's no funeral here.
17:06I just had to know what was going on.
17:09A woman can go to court at any moment.
17:12To sue him.
17:13To get sued.
17:14To get hurt.
17:15And that's a lot.
17:17Eh?
17:18Then you'll have to help your brother.
17:20You'll have to dig as much as you can out of that urn
17:23to find out what she's up to.
17:25If Pavle sues, I don't know how he'll get out.
17:28She'll probably ask for a huge sum of money for that injury.
17:31Why should I help him?
17:33Why doesn't his mom, who loves him so much,
17:37help mom's perfect doctor?
17:41This was very rude.
17:43And it's not fair to him.
17:45Look at this.
17:48If you want to help your little 30-something-year-old son so much,
17:54you should try and help him yourself.
17:56No. No.
17:58I'm sure you can do it.
18:11Right?
18:12Let me tell you something, mom.
18:14I think everything you do is pointless.
18:16I think you should leave him alone for a while.
18:19I don't even touch him.
18:21That's why you brought a private detective, right?
18:24Barbara is our maid.
18:26Whatever.
18:27The point is the same.
18:29I'm sorry.
18:30I'm going to go to my room now, and you two do whatever you want.
18:34I definitely can't forbid you from doing anything.
18:47Bye.
19:00I'm sorry I'm calling you this late.
19:03It's not a problem.
19:05I'm used to hearing your voice at night before bed,
19:09and I can tell you that I like it.
19:13Really?
19:16Really.
19:17You're not bothering me. I really didn't plan to go to bed yet.
19:22Oh, yes.
19:25I'm sorry I'm calling you this late, but it's really urgent.
19:32I'm listening.
19:42Hi.
19:43Hi.
19:44Why aren't you sleeping?
19:46I was waiting for you.
19:50Why were you waiting for us?
19:52I think we have a problem.
20:12Come in.
20:19It's open.
20:29Oh, my eyes!
20:32Come in.
20:34Hello.
20:37Good evening.
20:38I hope I'm not bothering you.
20:42No.
20:52What happened?
20:54It looks like Marijana wants to give up.
20:57What?
20:58Why does she want to give up?
21:01I don't know what to tell you.
21:03Tell us what happened. Why does she want to give up?
21:06Wait, when we talked to her, she said she was happy with the conditions.
21:10She said she was happy with the conditions, but she didn't count on this job.
21:14Olga talked to her.
21:16What did Olga talk to her about?
21:19What do you mean? About the housework.
21:21She said everything was fine.
21:23Yes, I told her to wait for me to talk to you, and everything will be fine.
21:28So you have to talk to her first?
21:30Yes.
21:31What does that mean to you?
21:32You don't have to talk to us, man.
21:34That means you're probably up to something.
21:41I hope I'm not bothering you.
21:44No, you're not.
21:47What is this?
21:49A small sign of attention.
21:51A small sign of attention.
21:52Do you want to sit down?
21:56What is it, Mido? Why are you looking at me like that?
21:59Me? I'm not looking at you.
22:02I'm looking at you.
22:04I'm looking at you.
22:06I'm looking at you.
22:08How?
22:09Me? I don't know how I'm looking at you.
22:14Mido, can I help you somehow?
22:18Are you hungry?
22:20Are you hungry?
22:22I'm not hungry.
22:24I'm not going to eat.
22:26I'm weak.
22:27I haven't eaten anything.
22:29I ate yesterday.
22:31Yesterday? That's why you're so pale.
22:34I'm pale.
22:36My grandfather used to say,
22:39there's no meat on a falcon.
22:43Okay, falcon.
22:45Let me see.
22:47You know how it smells.
22:49Please, put it in the water until it dies.
22:52I will.
22:53Come on.
22:56Right, Mido?
22:59What was it, falcon?
23:01What does this flower mean?
23:03Why are you so upset?
23:05It's nothing.
23:06It's a special sign of little attention.
23:09Actually, it's more like attention.
23:11It's not...
23:13Come on, sit down.
23:15Sit down?
23:16Sit down.
23:17Sit down.
23:19Sit down.
23:35How did you get the idea to talk to me like that?
23:37Okay, take it easy.
23:38What's the problem with Marijana?
23:41The problem is that she does bad things.
23:44You've been out all day, so you don't see it.
23:46And you're at home, so you see it.
23:48Olga saw it.
23:49What did you see? What do you think?
23:51Okay, I think she's not the best,
23:53but that's for a reason.
23:54What reason?
23:55Because when she came to work here,
23:58there were only two of them.
23:59Now there are six of us.
24:00A woman can't do everything.
24:02Okay, so?
24:03So what? That's the problem.
24:05That's the problem for you and Olga.
24:07Not for you.
24:08We have bigger problems.
24:10Okay, okay.
24:11Okay, I'm sorry.
24:12I just wanted to help.
24:13Can I ask you something?
24:15Please.
24:16You don't have to help anymore.
24:18There's no need.
24:19We pay for Andrija and Boštjan's shopping.
24:22We work all day to make it possible.
24:25We'll solve the problem.
24:27You relax.
24:28There's no need for you to interfere.
24:29Okay.
24:30That's right.
24:31You don't have to evaluate how someone works.
24:33You just have to socialize.
24:34I don't want to be a fag.
24:35Be whatever you want.
24:36Just don't interfere.
24:37Nice, nice, nice.
24:38It really doesn't matter who cleans the dust.
24:41It doesn't matter at all.
24:42Okay, I'm sorry.
24:43Can you tell me what's important?
24:45I really can't read minds.
24:47It's important that we have peace in this house.
24:49Peace.
24:50Just peace.
24:51Okay, I'm sorry.
24:52I'm begging you.
24:53I won't bother you anymore.
24:55Don't worry.
24:56No, I can't.
24:57Look.
24:58Come on.
25:01Give me a little.
25:02I'm sorry.
25:16What's going on?
25:17Is everything okay?
25:18Well, I don't know.
25:20Actually...
25:22I'm worried about your mother.
25:24She's asking about me.
25:25Oh, yes.
25:26Okay.
25:27That definitely shouldn't happen.
25:29But please, don't worry.
25:31She won't...
25:32I mean, it sounds stupid,
25:33but she won't find out anything about you.
25:35Okay, Pavle.
25:36Don't worry about that.
25:37I mean, just imagine how it would be for you.
25:41You're right.
25:42I'm sorry.
25:43I didn't want to make things worse.
25:45Okay, you admit that it's not normal.
25:47I totally agree.
25:48And don't think that I'm not crazy.
25:50When did I hear about that?
25:51Okay, I'm sorry.
25:52I mean, I'm sorry that you're worrying about that,
25:55but I just had to call you.
25:57I don't know what to do.
25:58I'm pretty upset.
25:59Of course, I totally understand you.
26:01And don't apologize.
26:02It's my fault.
26:03I'm begging you.
26:04What can I do?
26:08Can you make up with me?
26:11Of course.
26:14Okay.
26:15Tomorrow?
26:17Tomorrow.
26:34Okay, let's see the birdie.
26:37Let's see the birdie.
26:40Let's see what you brought this late
26:43with flowers and candy as a present.
26:50At first glance,
26:52I don't see anything missing.
26:55Nothing.
26:57You were working over the phone.
26:59God forbid.
27:00Really?
27:02It's hot.
27:03It's unpleasant.
27:04Well, yes.
27:05And you?
27:06And you?
27:09How do I look now?
27:11Like a monkey?
27:14No, no.
27:15You look nice and handsome
27:17like a caveman.
27:19Neanderthal.
27:20If I have to,
27:21I'll be a caveman.
27:23That Neanderthal.
27:26You kill pigs.
27:28You turn pigs.
27:31And you listen to the piano.
27:33How's it going with the others?
27:35Great with me.
27:36Really?
27:37Super.
27:38I wouldn't go back to that job.
27:41I used to drive big trucks.
27:44From Sibiria to Istanbul.
27:48And this one with the pigs,
27:50it was a period.
27:52I believe in God.
27:53Believe.
27:55Pancetta.
27:56Excuse me?
27:59Pancetta.
28:00I've made so many good pancetta.
28:04What are you talking about?
28:06I'm Marica Pancettović Pancetta.
28:11I'm sorry.
28:12God forbid.
28:13I'm sorry.
28:14I was wrong.
28:16I didn't know.
28:18God bless you.
28:19God bless you for the rest of your life.
28:21Have you seen Pancetta?
28:23I haven't heard of such names.
28:25There are many in the world.
28:27There are many in the world.
28:29That's right.
28:31Have you seen Pancetta?
28:33There's more to eat here.
28:38There's no Pancetta.
28:41You eat until your teeth fall out.
28:51Like this.
28:52I have to tell you, Pancetta,
28:54since you came back,
28:56I haven't seen you for a long time.
28:58We haven't talked to each other.
29:00We haven't.
29:01I wanted to know how you're doing.
29:04How do you feel?
29:06You wanted to know how I feel?
29:09Of course, Pancetta.
29:11I came to you as a friend.
29:15Of course, as a friend.
29:17As a friend and as a business partner.
29:19That's right.
29:20That's right.
29:21It's so different.
29:23Tell me, my friend,
29:25what's going on?
29:27Did you come here for a special reason?
29:30I mean, you've taken a lot from me.
29:32I don't know you like that.
29:34Well, it's nothing like that.
29:37I haven't taken anything from you.
29:40My intentions are honest.
29:42That's it.
29:43I'm begging you.
29:44Honest as a candy man at midnight.
29:47That's not what you think, Pancetta.
29:50Pancetta, for God's sake.
29:52I'm begging you.
29:54Honest as a candy man at midnight.
29:56Honey.
30:00Fine.
30:02If you're going to say goodbye to me,
30:05No, no, no.
30:07No, honey.
30:09I don't have to know everything.
30:11I don't even have to say goodbye.
30:13Not even half.
30:14Not even a third.
30:16Fine, Pancetta.
30:17For God's sake.
30:18I didn't mean anything bad.
30:20I didn't want you to get the wrong impression.
30:23Do you understand?
30:24No, no, no.
30:25That's none of your business.
30:26I got the real impression.
30:28Don't worry.
30:29But if you want this evening to go without incident,
30:34I'm begging you to sit here and be quiet.
30:37Of course.
30:38Otherwise, go back to Kosmaj,
30:41to your pretty Sava.
30:43Let her walk you on the sidewalk.
30:47Magic?
30:50Oh.
31:17What's going on?
31:19I'm not a whore
31:21to be swept away with me.
31:23Who said that?
31:24No one.
31:25But Luka and Aleks behave like that.
31:28Calm down, please.
31:29Tell me what happened.
31:30I'm to blame for everything.
31:32Ivan, no.
31:33They don't see the problem with Marjan,
31:35but they see the problem if I detect it and expose it to them.
31:38Then I burden them, right?
31:40Okay, take it easy.
31:41I won't take it easy.
31:42I won't take it easy anymore.
31:43I always leave someone.
31:45I really don't know what you're talking about.
31:47What did I do to them?
31:49What did I push them?
31:50Am I collateral damage in the end?
31:52Of course not.
31:53People probably had a bad day at work.
31:56My people had a bad day.
31:58Does anyone ask me if I have a bad day?
32:01Does anyone ask me how I am?
32:03Okay, don't overdo it.
32:05I'm overdoing it?
32:06No, on the contrary.
32:07I'm too soft.
32:08That's why it hit me in the head.
32:10Okay, you're angry.
32:12You're right.
32:13You're right.
32:14I shouldn't have talked to you like that,
32:16but sometimes you don't have any tact at all.
32:18So now you think I'm the problem?
32:21Did I say that?
32:22Yes.
32:23So I'm to blame, right?
32:24You started all this with Marjan,
32:27and I just stood between you to appease my passion,
32:30and then I'm to blame?
32:31I really don't know what's wrong with you tonight.
32:33Really, I didn't ask you to get involved at all.
32:35You didn't ask.
32:36You didn't ask,
32:37but it's easiest for everyone to get stressed about me.
32:40Always.
32:43Always.
32:59Mancetta, don't change my job.
33:02She's my ex-wife, you know that.
33:05Oh, Mido.
33:06You tell that to someone else.
33:08Mancetta, what's wrong with you?
33:10I'm a free man.
33:12You're a free man.
33:13Mido.
33:14Mido.
33:15Mido.
33:16Mido.
33:17Mido.
33:18Mind your own business.
33:19Mind your own business.
33:20Mido.
33:21Mido.
33:22Mido.
33:23Mido.
33:24Mido.
33:25Here, Mancetta, here, take me.
33:26Look at me, please.
33:27Look at...
33:28What a miserable fate I'm in.
33:29I'm throwing everything on my back,
33:30like a towel,
33:31like a candle,
33:32like a pretty woman,
33:33like a womanizer,
33:34like a rooster.
33:35You think that's easy?
33:36You know what my life is like,
33:37it's not that easy.
33:38It's not, Mido, I know it's not.
33:39You just know that there aren't that many men like you.
33:40and there is none, you know.
33:41Even so?
33:42Yes.
33:43Because I've had enough of everything.
33:44I gave them everything I had,
33:47both the depths and the beauty.
33:50And when it was needed, and when it wasn't needed.
33:52You see, I dream, I dream that that day will come
33:55and they will take everything from me.
33:57But let it be.
33:58That day will come soon.
33:59Listen to me, to Pljanović.
34:01And what will you do to me, to Pljanović?
34:04What will I do to Pljanović?
34:06I'll tell you now.
34:07You know what to do?
34:10Then I'll hit the truck again,
34:13so that I get stuck in the car.
34:15The roads, everything, from Turkey to Siberia.
34:18That's what I'm going to do.
34:20And do I want to go with you to that truck?
34:23Do I want to go to that Siberia, brother?
34:26Why don't I take a little walk in Siberia?
34:29I haven't been there.
34:30Why not?
34:31God will.
34:32He will give you what you want.
34:34Come on, let's have a drink.
34:36Cabbage.
34:37Cabbage.
34:38I'll wait.
34:39Milo, where are you lost?
34:40Here, here, I'll get it.
34:41Come on, Tina, let's have a drink.
34:43Come on, let's have a drink for our trip.
34:47Do you want to go with a hat?
34:49With a hat, with a hat.
34:50With a hat.
34:51I'll throw it in your ass.
34:52That's it.
34:56If you lie to yourself, please lie.
34:59But you can't lie to me.
35:00That's a bad assessment of you.
35:02Your strategy is bad.
35:04Strategy?
35:05I don't have any strategy.
35:08Mido, Pljanovic, Mr. Man.
35:11I would never allow a lady to get into an unpleasant situation because of me.
35:18I would never.
35:20Why do you always talk like a speaker on television?
35:25There he is.
35:35Oh, hello, Sofia.
35:37Have a seat.
35:40Why did you call me?
35:42To celebrate.
35:47However, now I realized that he is actually my cross that I have to wear.
35:53And it's not an ordinary cross, but a familiar one.
35:58Well, I guess it's not that strong.
36:00No.
36:01It's still up there.
36:14Does anyone almost beat you in the bass?
36:16Oh, oh, oh, almost.
36:18I almost...
36:19I almost...
36:20I almost...
36:21I almost...
36:22I almost...
36:23I almost...
36:24I almost...
36:25I almost...
36:26I almost...
36:28Hey!
36:29Hey!
36:30Where are you going?
36:31Where are you going?
36:32To see the girls.
36:33Hi.
36:34Look who came to see me.
36:35Yes, yes, they came to see you.
36:36Come, let's see.
36:37Yes, yes, they came to see you.
36:38Yes, yes, they came to see you.
36:39Yes, yes, they came to see you.
36:40Here comes the girl to see you.
36:41And I will leave you to look a little inside.
36:58Oh, excuse me, please.
37:01Come on, what are you thinking about?
37:03I'm going to buy it now.
37:04Don't buy it, now you're going to get bigger stains.
37:06I'm going to bring a cloth now.
37:07Don't bring anything.
37:09Boil me some coffee and bring it to my room.
37:12Be careful.
37:13Where's the knife?
37:14Where's the knife?
37:15Where's the knife?
37:16Where's the knife?
37:28Fuck it now, what's in it?
37:32I gave you money for it.
37:34Did you have to consult with me next time?
37:38We are business partners.
37:40Oh, good morning, Ivčo.
37:56How are we today?
37:59How do I look?
38:02No way.
38:03Then why are you asking?
38:06Maybe I can arrange it, Ivčo.
38:22Okay, let's stick to the plan.
38:24Okay, yes, but let's put it this way.
38:28The magazine is not in our ownership.
38:30On the other hand, the business club is.
38:33What do you mean?
38:35I just want to say what's the priority,
38:38what's ours or what's not ours.
38:52I'm sorry I couldn't stop you before you found out.
38:58I couldn't.
38:59Okay, you can go on.
39:01Unfortunately, I have to disappoint you.
39:03My hands are tied.
39:04What do you mean?
39:06I'm sorry.
39:20Obviously, everyone has their priorities.
39:34I'm sorry.
39:46Come in.