Igra sudbine 1207 epizoda NOVO
Igra sudbine, Epizoda 1227,Igra sudbine 1228 ,Igra sudbine 1227,Igra sudbine Epizoda 1228, Igra sudbine Epizoda 1227,Epizoda 1228 Igra sudbine ,Epizoda 1227 Igra sudbine
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00:00♪♪
00:05♪♪
00:12♪♪
00:15No, Svenka, no.
00:17What do you mean, no?
00:19I just can't believe that paper was lost.
00:22Okay, maybe it wasn't there.
00:24I don't know. I think it was.
00:27Vanja, do you know or don't you?
00:32I don't know. I mean, I can't believe it.
00:34That's the problem.
00:36I don't know, really.
00:38I mean, it's impossible.
00:40It's impossible that it just disappeared.
00:42That's a big mistake.
00:44It's impossible, but it's happening.
00:46I've seen it all.
00:48Oh.
00:49Where are you from?
00:52Can I sit?
00:54Yes, of course.
00:58Tell me.
01:03Well, I followed the new instructions.
01:06What new instructions?
01:09The new instructions.
01:11You told me to follow the order.
01:13Now I'm waiting for you to tell me what to do next.
01:19Nothing.
01:23Yes?
01:25I'm home.
01:29What happened?
01:31I checked the property.
01:35Okay, what are we going to say first?
01:37We're saying that everything is over.
01:41And that we officially have no reason to see each other again.
01:46Okay, let's go.
01:48Cheers.
01:51Where's my phone?
01:53What's going to happen to her?
01:55Do you think she can be dangerous for him?
01:58Well, she can't be dangerous, but...
02:02I heard that she was married to a powerful man.
02:07Do you think she can hurt my Pavel?
02:12I'm so worried.
02:14I don't know, my son, who knows what's going to happen.
02:17Okay, okay.
02:18Calm down, calm down.
02:20How can I calm down?
02:22My son, who knows what kind of danger you're in now.
02:25Easy, man.
02:27You don't have to bring up proven conclusions.
02:32And what are we going to do now?
02:35What do you mean, what are we going to do now?
02:40I think I interrupted a serious conversation.
02:43We have a problem. The magazine is not ours.
02:46Excuse me?
02:47There's been a mistake.
02:49What do you mean, a mistake?
02:51The acquisition was not complete, and that's our mistake.
02:54The acquisition was not complete?
02:56Are you sure that the magazine is not ours?
02:59Yes, I checked everything else.
03:02Okay, the magazine is not ours.
03:04And what are we going to do now?
03:06You see, I really think that your life is somehow fulfilled.
03:09How do you know that?
03:11Well, you have a child, you're a PR in some big agency.
03:15And what do I have? I only have my job and nothing else.
03:18Okay, I think you're exaggerating.
03:20You have a family, you have a mother, you have a sister.
03:23I have, yes. If you are a lover of possessive parental relationships,
03:26then I would have a lot to tell you.
03:28Come on, you're exaggerating, really.
03:30I think it has some nice and interesting sides.
03:33I don't want to bore you that much.
03:35I agree. It has that too.
03:37Actually, I only have one question for you.
03:40Come on, ask. Here's the answer.
03:42Go ahead, ask.
03:44Do you want to be my friend?
03:49You don't want to?
03:51I knew it, I shouldn't have asked.
03:53No, you should have asked Irma, please.
03:55Don't tease me.
03:57So, do you want me to answer your question?
04:00Do you want an answer to your question?
04:02Yes.
04:04Of course I want to be your friend.
04:08Look, a new fashion agency is opening.
04:13And we're going to do import and export of clothes.
04:18I mean, that's all you need to know for now.
04:22Because, be careful, fashion is the future.
04:28Everything will be fine as long as she won't be a burden.
04:32Pablo said he wouldn't, but how can I believe that?
04:37Those rich women only think about money.
04:40And what did you tell him?
04:42Where did he find the money?
04:44I was just kidding.
04:46I heard about her.
04:48We have some mutual friends.
04:51Please, find out everything you can about her.
04:55I will, but we need to focus on the job.
04:59I think that's what you're most interested in.
05:02Of course.
05:04I don't think it's time to buy now.
05:06If I may suggest, I think you don't mind if we contact the owner
05:09and see what conditions he has for you.
05:12Absolutely.
05:14We have to do that no matter what.
05:17Okay, I agree.
05:19Okay, then I'll contact the owner.
05:21Do that.
05:23Okay.
05:31We're off to a great start.
05:33Yes.
05:34Our usual.
05:38Thank you so much for taking care of us.
05:42I'm here for you.
05:44I have to go now.
05:49I'll call you as soon as I find out something.
05:58I'm going to my room.
05:59Wait a minute.
06:01Why are you insisting?
06:03I'm insisting.
06:05Come on.
06:06I want to see if I've changed.
06:10That's right.
06:15It's time for us to talk.
07:01Like love in a war
07:06There are no rules
07:10You have one life, only one chance
07:15To become a hero
07:17Because the star gives everything
07:23The game of fate is like a wheel of fortune
07:28Someone wants it, someone doesn't
07:33Like a wheel of fortune
07:37And we are the ones
07:42Who choose our fate
07:57Like a wheel of fortune
08:23Problems.
08:25Can I hear what you were thinking about?
08:29Nothing.
08:31I just wanted to see how it was in court.
08:36How can it be in court?
08:38Nothing.
08:40I gave a statement.
08:42It was short and that's it.
08:45It was short.
08:47And you came much later.
08:52If you're really interested,
08:55I went to have a drink with Pavlo.
08:58You went to have a drink with Pavlo?
09:01Is that forbidden?
09:03No, it's not forbidden.
09:06It's not forbidden.
09:08I just don't know how smart that is.
09:11Because in the case of a court dispute,
09:14a private argument with a boy who hit you with a car,
09:19the fear is that he can turn against you.
09:23Come on, you're paranoid now.
09:25That's not going to happen.
09:27Okay.
09:28I'm not 100 percent sure.
09:30100 percent, okay.
09:32Okay, okay.
09:38Let me ask you something honestly.
09:40Can I?
09:41Go ahead.
09:43Do you like that Pavlo?
09:47Pavlo?
09:48Yes, Pavlo.
09:49Give me a punch in the face.
09:51No, no, no.
09:53Okay.
09:54Okay.
09:55I don't mind if you like him.
09:57I don't mind if you like him.
10:00Him, to him, anyone.
10:02You can do all that.
10:04You're a free woman.
10:06I just want you to be careful.
10:13You had, for a short period of time,
10:16two really catastrophic bad experiences with men.
10:25Believe me, it doesn't come out of my head.
10:27Well, that.
10:29But I'm careful, don't worry.
10:32Okay.
10:34I just like to talk to someone who can listen to me, really.
10:41Why didn't you take me to a cafe?
10:43You know how well I can listen,
10:45and how well I can have a dialogue.
10:47Especially when you're so quiet.
10:49I know, I know.
10:52You're right.
10:55And I have to admit,
11:00I like that you're worried.
11:03I'm worried about you.
11:07I'm worried about you too.
11:10My leg hurts.
11:12Let's go.
11:14Let's go to my room to rest.
11:16I overworked myself a bit.
11:18You continue this wonderful lunch.
11:21It smells wonderful, doesn't it?
11:23Yes, the lunch will be a spectacle.
11:26Oops.
11:28Let's go to my room.
11:30Hey.
11:31Yes.
11:32Don't forget to tell you.
11:36Every time he pokes you,
11:40you can't not talk to him,
11:43and that's you.
11:49God forbid.
11:50So you can't live without that elbow.
11:53Come on.
11:54Come on, come on.
11:55Don't burn your elbow.
11:59Don't burn your elbow.
12:04Don't burn your elbow.
12:08I'll give it to you.
12:21Yes?
12:23Good afternoon.
12:24Good afternoon.
12:25Come on.
12:27Good afternoon.
12:28Good afternoon.
12:31Dear colleagues.
12:33I would like you to meet our new colleague.
12:36I am Bojan.
12:38Boba, nice to meet you.
12:39Nice to meet you.
12:40Bojan.
12:41Nice to meet you.
12:42You can call him Debeljko.
12:44I mean, he likes it more.
12:45He is an old guard.
12:47But he didn't prove his worth here,
12:50unlike some people,
12:52for example me, and then...
12:55Don't be lazy to switch to old colleagues.
12:58What old colleagues?
12:59Old colleagues.
13:00I'm as old as this company, which is old.
13:02Did you see the new sign at the entrance?
13:04New name, everything.
13:05It's not a neck, it's a neck.
13:07Colleague, can I know what you are in the horoscope,
13:10just to see if you are lazy,
13:13and how lazy you are.
13:15I think it's completely unimportant.
13:17But it's important what ladies like to eat,
13:20so that we set some priorities.
13:23That's great.
13:25But now I really have to work,
13:27and I have to concentrate,
13:28so if we could meet a little later.
13:31Of course, let's go, Davide.
13:32Let's go, let's go.
13:34Where do you want me to take you now?
13:36Let's go to the warehouse.
13:37Oh, no, not the warehouse.
13:39There are some germs, dust, you know.
13:43I have a sentimental attachment to the warehouse.
13:45Colleague, can I know
13:47why you are so attached to the warehouse?
13:51Well, the last time I worked there,
13:53when I was working in this company,
13:55before all this happened,
13:57I got fired there,
13:59and I don't know if you know Maxim,
14:01but it's better if you don't know him.
14:03You two, if you want to get paid,
14:05go outside, okay?
14:07Of course, let's go.
14:09We didn't mean anything bad.
14:11Nothing bad.
14:12I just wanted to introduce you to our new colleague.
14:14My new colleague.
14:16Let's go.
14:18Goodbye.
14:19Goodbye.
14:20Goodbye.
14:21Let's go to the warehouse.
14:22Warehouse, warehouse.
14:24Let's go to the warehouse.
14:25Warehouse, warehouse.
14:33You really don't know how to joke.
14:35Do you want me to fire you too?
14:38To fire me from my office?
14:54Come in, come in.
14:56Who brought me this?
14:59Who brought me this?
15:01I want this, I want this.
15:03That little one?
15:04Yes.
15:05That little one?
15:06And this big one?
15:07No.
15:08Ah, okay.
15:09Go to your mother,
15:10she must have really wanted you.
15:12He'll go on his own.
15:14And you, sit down.
15:17Sit down.
15:18Sit down.
15:19Sit down.
15:20Sit down.
15:21Sit down.
15:22Sit down.
15:24How is she?
15:26I said sit down.
15:28Yes.
15:33She's fine, right?
15:35She's fine.
15:36She's fine.
15:38Her leg hurts a little.
15:42It's not easy, you know.
15:45No, no.
15:47And how is she like this?
15:52Why are you asking so many questions about her?
15:56Why am I asking questions?
15:58Because she's the mother of my child,
16:01why am I asking questions?
16:03Really?
16:04The mother of your child?
16:06Oh, yes, yes, yes.
16:08No, but you were just a little happier than you should be,
16:12so that's why I'm asking.
16:14What was I happy about, mother?
16:16Did she hit the car?
16:17Yes.
16:18I'm worried about her.
16:19I'm asking how she is.
16:20Yes.
16:21I don't know if you're worried about her mental state
16:25or her health.
16:27Okay.
16:29Maybe I'm a little stupid.
16:31I don't know what you're aiming for.
16:33What do you want me to say?
16:35No, I'm asking if you're worried about her health
16:39or about that man who hit her car.
16:44What do you care?
16:46What does it have to do with anything?
16:48The most normal question is how she is now.
16:52Do you see how it goes?
16:54I have a brain, so there's something I don't like.
16:57And if I don't like what you call a brain,
17:00then I ask.
17:02You ask stupid questions.
17:04You ask stupid questions,
17:06even though you said it nicely.
17:08I'm interested in her mental state.
17:10Why did she divorce and all that?
17:14Was she unlucky?
17:16I think the most normal question is how she is now.
17:19Luka,
17:21the fact that I'm biting a carrot doesn't mean I'm a little zeke.
17:27What do you mean, little zeke?
17:29What are you asking me?
17:31Did I ask about the guy who hit her or not?
17:36You're asking stupid questions.
17:42Yes.
17:46Hi.
18:01Hi.
18:03I'm tired.
18:05I can't talk about the wedding,
18:07because it makes me even more tired.
18:09I haven't said anything yet.
18:11You won't.
18:12What should I say?
18:15Don't.
18:16What if she made a mistake?
18:17She didn't make a mistake.
18:19Maybe you're right.
18:20Maybe it's better not to make a mistake.
18:22Milo, come on, sit down.
18:24Why are you in such a hurry?
18:26I'm not in a hurry.
18:28It's better for me to say things than to listen to you.
18:31What things?
18:33Bad news.
18:34And what if they're not bad?
18:36They're bad.
18:37And what if they're not?
18:39What if the news is actually good?
18:41Actually, excellent.
18:43It's possible.
18:44Milo.
18:45What?
18:46We have a date!
18:47Don't worry.
18:48Yes!
18:50Can we talk about the wedding now?
18:52Yes, we can.
18:53Come, I'll tell you.
19:06Okay, okay.
19:07We're not going to make an elephant out of a mule.
19:09We're not.
19:10We're not.
19:11I don't like that guy.
19:13Out of the question.
19:15He's not important at all.
19:17Of course he's not.
19:18I'm telling you.
19:19You're asking me this and that.
19:21Yes, yes.
19:22And as far as Una is concerned,
19:24don't worry about me.
19:26Everything is under control.
19:28I just wanted that.
19:30That's it.
19:31That's what I wanted.
19:32And to tell you,
19:33to keep an eye on her.
19:35On her mental state.
19:37Me again?
19:38Mental state?
19:39Do you think she's crazy?
19:41I don't think she's crazy.
19:43I don't think she's crazy.
19:45She's been through a terrible period.
19:47And now, I have to say,
19:49she's unhappy.
19:53Isn't that strange?
19:56Why?
19:58I mean,
19:59she's so crazy
20:01that she'll crash under the car
20:03and then she won't call anyone.
20:05Hey.
20:06Hey.
20:07Hi.
20:08I'm here to see Akicine.
20:11Yes.
20:12I have to go.
20:13I'm late.
20:14What's his name?
20:16That's his.
20:17That's his, yes.
20:18How are you?
20:19Better?
20:20How's your head?
20:21How's your leg?
20:22Much better.
20:23Much better, good.
20:25That's it.
20:26These are his things.
20:28This is his.
20:29That's it.
20:30I'm going.
20:31We'll be in touch if you need anything.
20:33We'll talk.
20:34Bye.
20:35Bye, bye, bye.
20:36Bye.
20:37Bye.
20:38Bye.
20:43What did you talk about?
20:45Nothing.
20:48We were just talking.
20:50Akicine talks to me
20:52and she asks
20:54how I'm doing.
20:55About my leg.
20:56Just like that.
20:57Humanly.
21:01OK.
21:02Can you give him
21:03a scratch?
21:04Come on.
21:05Come on.
21:07Of course, of course.
21:08Here.
21:09Here.
21:10I'll scratch him.
21:11Don't worry.
21:12Go to your room.
21:14Go to him.
21:21Good boy.
21:22Good boy.
21:36Good boy.
21:37Good boy.
21:58Nope.
21:59Hello?
22:00Dr. Vuckovic?
22:01It's me.
22:02What's the problem?
22:03Help me.
22:04Yes, yes.
22:05Breathe.
22:06OK, OK.
22:07Just breathe.
22:08Easy.
22:09It's hard.
22:10I hear you.
22:11Just breathe.
22:12We'll solve everything.
22:13My heart.
22:14My heart is jumping.
22:15I understand.
22:16Tell me for starters
22:17if you've taken your regular therapy.
22:19Of course.
22:20OK.
22:21I'll call you back.
22:22OK.
22:23OK.
22:24OK.
22:25OK.
22:26OK.
22:27OK.
22:29Where are you?
22:30Are you at home?
22:31Yes.
22:32OK.
22:33Please go down.
22:34Relax.
22:35Concentrate.
22:36Just breathe.
22:37We'll solve everything.
22:38What's that sound?
22:39Just stay on the line for a moment.
22:41Please.
22:44Hello?
22:45Dr. Pavle Vuckovic here.
22:46Yes?
22:47Doctor, I think I have contractions.
22:49Help me.
22:50OK.
22:51Listen to me.
22:52Listen to what I'm saying.
22:54Follow my instructions
22:55and everything will be fine.
22:57Tell me for starters
22:58if you've taken your regular therapy.
23:13Oops.
23:14Look, look, look.
23:15I apologize
23:16if I interrupt you, young man.
23:19We found the kumis.
23:20What are you talking about?
23:21Yes, yes.
23:22That's great.
23:23Wait, wait.
23:24Then we have to
23:25pour the kumis, right?
23:28Pour them well.
23:29Of course.
23:30You pour slowly
23:31and I'll join you
23:33if you allow me, of course.
23:35Come on, come on.
23:36I'm so glad for you.
23:39Congratulations.
23:40Come on, dear.
23:41Come on.
23:42You've given me health.
23:44I wish you good luck.
23:46Cheers.
23:47Cheers.
23:50But, dear,
23:51tell me,
23:52did you get
23:53that drink
23:54again?
23:55The gun, right?
23:56No, not yet.
23:57What gun?
23:58The rifle.
23:59Well,
24:00that's a custom.
24:01The rifle?
24:02Well, yes.
24:03When a young woman gets married,
24:04she shoots an apple.
24:05That's the custom.
24:06No, no.
24:07The rifle doesn't count.
24:08At my wedding,
24:09the rifle doesn't count.
24:10Come on, come on.
24:11Calm down.
24:12What's wrong with you?
24:13That's normal.
24:14What kind of wedding
24:15is that without gunshots?
24:16Dear,
24:17if there are gunshots,
24:18I'll cancel the wedding.
24:19Is that clear to you?
24:20No gunshots,
24:21no shooting.
24:22But, uncle Mido
24:23I want the wedding
24:24to be perfect.
24:25You know what,
24:26you girls from the city,
24:27you, you, you,
24:28you really don't understand
24:29anything.
24:30Then, you don't even know
24:31what the basic rule is.
24:32Me,
24:33with a shish kebab
24:34on a salad
24:35with a tambourine.
24:36Come on,
24:37please,
24:38let me go.
24:39Dear,
24:40come on,
24:41give me one more.
24:42Well, yes.
24:43I have to go.
24:44Go, go,
24:45I'll be right back.
24:46I have to go to Kosmaj.
24:47Ljeposava will kill me.
24:48I have to.
24:49Ljeposava?
24:50Didn't you say
24:51Ljeposava?
24:52Didn't you cross yourself
24:53and split up?
24:57Mila, I'm sorry,
24:58can we just go
24:59and talk?
25:00Aha, just go,
25:01so that the women
25:02don't hear us,
25:03is that it?
25:04Come on, let's go.
25:05I have to go to the bathroom.
25:06You walked well.
25:10Mila,
25:12you have a problem.
25:13What problem?
25:14Well, I think
25:16that I'm a little
25:17too much.
25:18Too much.
25:21That I did all this
25:22a little too fast.
25:23You know,
25:24now,
25:25that job from Bajaderava,
25:26my arrival in Belgrade,
25:29big hundreds of thousands
25:30of expenses,
25:31earnings,
25:32nothing for now,
25:33to tell you the truth.
25:35So I thought
25:36to go to Kosmaj,
25:37a little to Ljeposava,
25:39to stand on my feet
25:40a little,
25:41financially,
25:42you know,
25:43and then,
25:44I'll see.
25:45Then it's better
25:46to hurry up
25:47so that I don't get nervous.
25:49My dear, my dear.
25:51If it wasn't for my Ljeposava,
25:52I wouldn't have anything.
25:54That's right.
25:55Nothing.
25:56Nothing.
25:57I wouldn't have high blood pressure,
25:58I wouldn't have sugar,
26:00I wouldn't have this pacemaker,
26:02I wouldn't have nerves,
26:04I wouldn't have loans.
26:08Cheers.
26:09Come on, I have to go.
26:10Come on.
26:11Come on.
26:12Wait a minute.
26:13Please.
26:14Don't say hello
26:15to Ljeposava.
26:16No, I won't.
26:23What did he say?
26:24Do you know what he said?
26:25What did he say?
26:27He has high blood pressure,
26:28he has a pacemaker,
26:30he remembers something,
26:32and he says he's a fool.
26:34He is.
26:35Yes.
26:36He doesn't have a gun.
26:38How come?
26:39Forget it.
26:40He's a photographer,
26:41and I'm a butcher.
26:42Forget it.
26:43Forget it.
26:47Ljeposava
26:48Ljeposava
26:49Ljeposava
26:50Ljeposava
26:51Ljeposava
26:52Ljeposava
26:53Ljeposava
26:54Ljeposava
26:55Ljeposava
26:56Ljeposava
26:58Good evening.
26:59Good evening.
27:03You haven't arrived yet.
27:07He's dead.
27:08How was it at the butcher's?
27:13How was it at the butcher's?
27:14How was it at the butcher's?
27:15Ok.
27:17Ok.
27:18That sounds ok.
27:20Yes.
27:21No, we had a chat.
27:23Yes.
27:24He's smart.
27:25How smart is he?
27:27He's smart and he'll be fine.
27:29He'll be fine.
27:30I saw him.
27:31He's a butcher, so he's fine.
27:33Look,
27:34as long as she's under the butcher's supervision,
27:36I believe she'll be fine.
27:38I believe that too.
27:39No, well...
27:41It was really bad after what happened to Andrija Bošnjak.
27:44She's here now.
27:45She'll be better now.
27:47I hope she'll be able to continue.
27:50I hope too.
27:51You?
27:53What did you do?
27:55What is it?
27:56Do you have a surprise?
27:58You?
27:59I have good news.
28:00Come on, tell me.
28:02She asked me to be her friend.
28:04Don't tell her.
28:05What?
28:06She asked me to be her friend.
28:07Don't tell her.
28:08You tell her.
28:09No, I'm lying.
28:10Friend.
28:12What are you lying about?
28:13I'm lying about my brother.
28:14Really?
28:27Here I am.
28:28Here are my things.
28:29Okay, let go now, please.
28:31Things.
28:32Concentrate on getting to the hospital as soon as possible.
28:35No, no, no, no.
28:36I don't want to go to the hospital.
28:37I'm scared.
28:38Let Bebo wait a little longer.
28:39And I want something to calm down.
28:41I'm begging you.
28:42This is not advisable at all.
28:43I'm begging you.
28:44Well, then nothing.
28:45I'll stay here and you can do whatever you want.
28:48What should I do now, doctor?
28:49Okay.
28:50Do you have lavender oil at home?
28:53The one for pains?
28:55Yes.
28:56Lavender relaxes and soothes much better than some medicines.
29:00Believe me.
29:01Rub it, massage it with it and it will relax.
29:05Now?
29:06We don't have time.
29:07You have time.
29:08I'm begging you.
29:09Relax before you go to the hospital.
29:11Stay in touch.
29:12Just a moment.
29:15I'm here.
29:16Please tell me what the situation is.
29:17A little better.
29:18Although it still hurts.
29:20Okay.
29:21This may sound strange, but tell me what you ate for lunch today.
29:25Oh, everything and everything.
29:27I was at my neighbor's.
29:28She treated us to kebabs.
29:30Okay.
29:31Were those kebabs with onion?
29:32Yes.
29:33Why?
29:34All right.
29:35Listen to me now.
29:36Take a teaspoon of baking soda and stir it in water.
29:40Drink it as soon as possible.
29:42Believe me, it is very common for serious heart problems
29:46to be replaced with a simple pepper.
29:48As you say, doctor.
29:50Okay.
29:51Stay in touch.
29:52I'm begging you.
29:53What is the situation?
29:54Did you call a taxi?
29:55No, no.
29:56I'm not ready yet.
29:58I'm begging you.
29:59Call a taxi.
30:00It's crowded in the city.
30:01It's better for him to wait for you than for him.
30:03Stay in touch.
30:04Just a moment.
30:06Is it better?
30:07Yes.
30:08You know it's easier for me.
30:09Thank you very much.
30:10It looks like I just made a mistake.
30:11Bravo, bravo.
30:12Everything is fine.
30:13Let me tell you.
30:14It often happens that these things are replaced with each other.
30:17Goodbye.
30:19What is the situation?
30:20I got a taxi.
30:21Okay.
30:22Bravo.
30:23Are you ready?
30:24I think I'll never be ready.
30:25But let's go.
30:26Think about it this way.
30:27Next time we meet, you'll be a mother.
30:30That sounds wonderful.
30:32Thank you, doctor.
30:33You're welcome.
30:34Always.
30:35Have a nice day.
30:36And good luck.
30:37Goodbye.
30:51She says my life is interesting.
30:54If only she knew how much I envy you.
31:05It's time to go abroad.
31:09Go?
31:10Fine, let the people go, they have a secret.
31:13Come on, you need to know everything.
31:15My brother has no secrets.
31:17Believe me.
31:18Yours!
31:19Yours.
31:20What?
31:21Wait, what?
31:22Oh, okay, Shaima.
31:23Shaima, you remember.
31:24Oh, yes.
31:25No, he always asked me to be his best friend.
31:29Great.
31:30Mila always asked Luka to be my best friend.
31:33Stop, stop, stop. Mila and Kaja are getting married?
31:38No, no, they're twins.
31:40You knew that and you didn't tell us?
31:43Yes, I knew.
31:45Mila is so beautiful, he would organize the wedding and everything,
31:48but he probably wouldn't even notify the groom.
31:50He doesn't know.
31:52He sent me an e-mail.
31:54Are we invited?
31:56Yes, that's what I'm telling you, you're not invited,
31:58but you'll be my guest.
32:00Lenka is alone.
32:02We decided.
32:04We decided everything. I even told Mila
32:06that there will be a show in the form of your dance moves.
32:10No, no.
32:12What's missing from my dance moves?
32:14My dance moves are phenomenal.
32:16It's like a fuel in the engine.
32:18The only thing he can do on the dance floor
32:20is to make all the people around him explode.
32:22That's great for you.
32:24I'm not shameless for love,
32:26I'm just honest and we probably don't want anyone to suffer.
32:29No, someone can't suffer.
32:31Mila, I suggested to him
32:33to organize the wedding on the sea.
32:35Let's go to the sea.
32:37Why?
32:39When you kick someone's leg,
32:41it's better to kick Bosnia than to kick Petra Sedmica's leg.
32:43Bravo.
32:45You are so loving to my dance moves.
32:47That's right, that's the whole problem.
32:49That's why Mila organizes the wedding.
32:51Come on.
32:53Come on.
32:55I can't.
32:57Let's dance.
32:59Show me.
33:15Come in.
33:19Hi, Vukasin.
33:21Barbara.
33:23Who are you?
33:25I have to tell you something.
33:27Okay.
33:57I have to tell you something.
34:17I think mom is looking for you.
34:27I think mom is looking for you.
34:41I have to tell you something.
34:43I have to tell you something.
34:45What are you talking about?
34:47What are you talking about?
34:49Do you think I'm better than you at kissing?
34:51Do you think I'm better than you at kissing?
34:53You don't know what they called me before the coup.
34:55Miki.
34:57What are you laughing at?
34:59I trained shooting first.
35:01I trained shooting first.
35:03Then I switched to air rifle.
35:05Then I switched to air rifle.
35:07I was like a shaker.
35:09You are my fatty.
35:11Hi, how are you?
35:13Hi, how are you?
35:15Where are the fish?
35:17Where are the fish?
35:19I don't know how you look.
35:21I don't know how you look.
35:23You look like you are upset.
35:25I am.
35:27Why?
35:29Because of the dust.
35:31You are making fun of me.
35:33You are making fun of me.
35:35I can't see dust everywhere I go.
35:37I can't see dust everywhere I go.
35:39I have a great solution for that.
35:41I have a great solution for that.
35:43I don't have it.
35:45Marijana can do it.
35:47Marijana can do it.
35:53Marijana can do it.
35:55Marijana can do it.
35:57Marijana can do it.
35:59Marijana can do it.
36:01Marijana can do it.
36:03Marijana can do it.
36:05Marijana can do it.
36:07Marijana can do it.
36:09Marijana can do it.
36:11Marijana can do it.
36:13Marijana can do it.
36:15Marijana can do it.
36:17Marijana can do it.
36:19Marijana can do it.
36:21Are you in the past?
36:25Yes.
36:27I was never in the past.
36:29I never went back to the past.
36:31I never went back to the past.
36:33You are not.
36:35You are not in the past.
36:37Maybe today you are in the past.
36:39Maybe today you are in the past.
36:41No, no.
36:43I got some interesting information.
36:45I got some interesting information.
36:47I think you can help me.
36:49I think you can help me.
36:51I respect your answers.
36:53I respect your answers.
37:07I don't believe her.
37:09But that's nonsense.
37:11You have no reason not to believe her.
37:13You can't do that.
37:15Even if I see that she is problematic.
37:17Even if I see that she is problematic.
37:19I can't do this anymore.
37:21I can't do this anymore.
37:35What is the offer?
37:37I will be honest with you.
37:39I will be honest with you.
37:41It doesn't matter.
37:43It doesn't matter.
37:45I don't know if I should...
37:47I don't know if I should...
37:49Excuse me.
37:51Excuse me.
37:53Excuse me.
37:55Excuse me.
37:57Excuse me.
38:11I'm sorry.
38:13Hello.
38:15I didn't do this job, I'm so confused.
38:17I see.
38:19I'll finish this and I'll write you back.
38:21Please sit.
38:23How can I sit when I'll be able to talk?
38:31I'll finish this and I'll write you back.
38:33Sit down please.
38:35Lukašen, don't make me doubt you.
38:37Lukašen, don't make me doubt you.
38:39Please...
38:41I will doubt her for the rest of my life.
38:46For the rest of my life.
38:48Simply because they are all barbarians.
39:06I doubt that woman. I doubt her.
39:08Doubt her?
39:09Mother, you don't know her. She has nothing to doubt you about.
39:12And everything she gives you is doubtful.
39:14It's none of your business.
39:35I'm sorry, am I bothering you?
39:37No, not at all.
39:41We didn't expect you. Where are you from?
39:44We have a problem.